#what the fuck does that saying mean
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i love that when a post gets a bunch of notes overnight its a complete jumpscare no notif no warning nothing and yet tumblr will send me a notif saying i have 28 new notes and i open the app and there's fuck all maybe 2 bestie are you drunk
#notifs are pointless tbh#like i prefer opening the app to a surprise#i think all platforms should work that way#keep everyone on their toes#what the fuck does that saying mean#why we tiptoeing
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the easy grip on the knife. the leg over the seat. the hand over the other seat. the sassy "come get it" move. you know the bitch is smiling behind that mask even as he said the line.
#i can't believe i'm saying this#DEADPOOL CAN GET IT#Logan I'm sobbing I understand why you lunged at him#I would too bestie#it's the sass for me folks#paint that car white as much as they painted it red my god#a deadpool thirst post? from me? more likely than you'd think#this is a branch in realities i know it#i've never had Feelings for this motherfucker until this movie#all i'm left with is anger now because WHAT DOES HE WANT FROM ME#camera crew could have just made it landscape but noooooo they had to do a medium shot of this son of a bitch#i'm sending an especially affectionate fuck you in ryan reynolds' direction#i love how you love deadpool#deadpool#wolverine#deadpool and wolverine#wade wilson#logan howlett#poolverine#deadclaws#don't get me wrong i've always adored deadpool's personality. nobody's that hilarious and not have humongous balls i mean trauma.#but i've never went 'why he kinda' until this specific shot right here#@ camera crew why the fuck did you zoom in? WHY?#for me? well it's infuriating#do it again#gif is credit to the owner#30 tags aren't enough for me to dismantle how this shot made me feel. tumblr you gotta update#damn tumblr i'm tryna feed a village here#guys just find my other post
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The world needs more Yue and Zuko friendship, I squeal just thinking abt the parallels. They deserve a life changing field trip together and if u have abt ideas I’m all ears 👀
Hiii anon this ask fermented in my inbox and in my brain for so long,, so take this??? Post canon yue lives/no war au arts?? Anyway aside from the Parallels and their political position & their duty before hoes grindset I think they could learn a lot from each other. With zuko learning the gift of patience & diplomacy from yue & Yue learning that allowing yourself to feel anger and speaking up can actually be Good.
anyway hypothetical life changing trip outcome: zuko takes an intro gender studies class and yue says fuck
(oh and also must not forget the crush on sokka)
#id in alt text#‘toph should say fuck’ ‘let sokka say fuck’ if there’s one person who deserves to say fuck here it’s YUE#i rest my case#also yea i think comparing his life to yue’s would open zuko’s eyes towards Gender Inequality ksbfhd#he’s like you’re mai but prep what do u mean you can’t throw knives 😤#i can accept sexism but i draw the line at banned military indoctrination 😤😤#i like to think that at one point yue shows zuko how to prepare & butcher small game and he does an absolute shit job at it#+ feels queasy for 3 days#zuko#yue#my art#ash replies#ALSO I MUST SAY!!! DRAWING THIS WHILE READING LIKE THE SUN CH4??? NOT FEELING WELL BESTIES#oh also since we’re talking fics…. js if u see this…… dywtjtb will always be famous
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Armand + why would you say that if you have only met this man once
#armandaniel#armandiel#devil's minion#armand iwtv#assad zaman#interview with the vampire#iwtv#myiwtvedit#no but whyyyy#why would he say Alice wanted to say yes instead of just moving on with the interview (if not louis' cruelty)#why would he explain himself to Daniel??? why would he want to protect himself from daniel#what does he mean it's in his nature?? has daniel dropped a bomb before fucking off for good? has he??#anyway I am normal about them#also why would keep the whole ''mr molloy'' thing when you are angry at him#just... why
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Checking up on his commission
#hate this guy. spoilers under tag cutoff#i fear i may have cooked with the tags. slash jay.#I've always imagined him with Particulars but I keep forgetting to draw them til like now#he speaks in lowercase to me. for reasons#I wanna know more about this untrustworthy bisexual but I also kinda wanna attack him every time he shows up#cant wait for the inevitable boss fight#fun fact: according to the dictionary 'nebulae' can refer to a clouded spot on the cornea that can cause defective vision#a limbus is 'the junction of the cornea and sclera in the eye'#so I think I speak for us all when I say WHAT THE FUCK MAN#what the hell was he on abt with Dante falling from the sky. and by sheep does he mean June 985 or?#if anyone wants to theorise on my post I'm all for it#limbus company#dante lcb#demian lcb#⏰🐍#unfortunately proud of that caption btw he really is just wanting his comm#HM WAIT BACK AGAIN#is the way the San was on about with leading the fallen nebulae home what causes J985?#as in - it is not people dying but them returning to their rightful place outside the City#with Purgatorio being the war 📘[i think] mentioned#is the doomsday Dante's head leading to the war? it typically refers to humanity's self destruction#or any globlal catastrophe#oh ok with PM is being sneaky again the Wiki page says it was inaugurated in June and guess when the MDE is#but generally things like nuclear war - AI and climate change are the main factors contributing to it#and we've already faced AI in the prev games via Angie so presumably one of the others will be the main force behind Dante's midnight#i personally like the nuclear angle given how Dante's head is already a clock#*BOMB. THEIR HEAD IS A BOMB THAT CAN BLOW UP#please do not write tags at night this was a bad idea
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"Friends don't __!" Actually they do you're just a coward
#hot aro shit#aromantic#amatonormativity#and by coward I mean you're too scared to let go of what you think a relationship does and does not entail#if you say this you are part of the problem <3 (disrespectfully)#in reality you can do whatever the fuck you want with your friends as long as y'all are cool with it
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Why menstrate at all?
I mean I'd womenstrate but it's way harder and pays less
#What does this mean anon#I mean I could take birth control but I don't wanna fuck with my mental health more than I have to now I'm stable and happy#And a hysterectomy is possible but I'm not sure if I wanna be a bio dad or not yet#So the remaining option is like#Hold it in???#Just say no like a DARE kid?#What#What do I have
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#i think i ran out of material then suddenly my archives are no longer redundant and the cycle never dies.#ive had a lot of these in waiting for a day they're useful and mannn. depends on how you see these posts.#honkai star rail#hsr aventurine#hsr dr ratio#hsr aventio#hsr ratiorine#hsr firefly#hsr trailblazer#hsr stelle#hsr sampo#hsr black swan#hsr sparkle#i don't know if i actually ship this or not but SPARKLE WAS MAD FUCKING FLIRTING and the dynamic is hilarious#hsr black sparkle#hsr swan sparkle#personally i think dark spark sounds good but thats too out of balance for common ship names rip#hsr march 7th#MARCH WTF DOES THAT MEAN AND WHAT HAPPENED TO MAKE YOU SAY THAT#hsr misha#hsr himeko#hsr dan heng#hsr silver wolf#hsr natasha#hsr serval#hsr servasha#this is like my 3rd top fav ship in this game and my fav rare pair because i don't understand why its rare#hi3 kiana kaslana#ggz raiden mei (I think)#gi lumine
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one of the things that i think we should pay attention to, socially, about the disney v. desantis thing is that it is really highlighting the importance of remembering nuance.
in a purely neutral sense, if you engage in something problematic, that does not mean you are necessarily agreeing with what makes it problematic. and i am worried that we have become... so afraid of any form of nuance.
disney isn't my friend, they're a corporate monopoly that bastardized copyright laws for their own benefit, ruin the environment, and abuse their workers (... and many other things). this isn't a hypothetical for me - i grew up in florida. i also worked for the actual Walt Disney World; like, in the parks. i am keenly aware of the ways they hurt people, because they hurt me. i fully believe that part of the reason florida is so conservative is because it's been an "open secret" for years now that disney lobbies the government to keep minimum wage down, and i know they worked hard to keep the parks unmasked and open during the worst parts of Covid. they purposefully keep their employees in poverty. they are in part responsible for the way the floridian government works.
desantis is still, by a margin that is frankly daunting, way worse. the alternative here isn't just "republicans win", it's actual fascism.
in a case like this, where the alternative is to allow actual fascism into united states legislation - where, if desantis wins, there are huge and legal ramifications - it's tempting to minimize the harm disney is also doing, because... well, it's not fascism. but disney isn't the good guy, either, which means republicans are having a field day asking activists oh, so you think their treatment of their employees is okay?
we have been trained there is a right answer. you're right! you're in the good group, and you're winning at having an opinion.
except i have the Internet Prophecy that in 2-3 months, even left-wing people will be ripping apart activists for having "taken disney's side". aren't i an anti-capitalist? aren't i pro-union? aren't i one of the good ones? removed from context and nuance (that in this particular situation i am forced to side with disney, until an other option reveals itself), my act of being like "i hope they have goofy rip his throat out onstage, shaking his lifeless body like a dog toy" - how quickly does that seem like i actually do support disney?
and what about you! at home, reading this. are you experiencing the Thought Crime of... actually liking some of the things disney has made? your memories of days at the parks, or of good movies, or of your favorite show growing up. maybe you are also evil, if you ever enjoyed anything, ever, at all.
to some degree, the binary idealization/vilification of individual motive and meaning already exists in the desantis case. i have seen people saying not to go to the disney pride events because they're cash grabs (they are). i've seen people saying you have to go because they're a way to protest. there isn't a lot of internet understanding of nuance. instead it's just "good show of support" or "evil bootlicking."
this binary understanding is how you can become radicalized. when we fear nuance and disorder, we're allowing ourselves the safety of assuming that the world must exist in binary - good or bad, problematic or "not" problematic. and unfortunately, bigots want you to see the world in this binary ideal. they want you to get mad at me because "disney is taking a risk for our community but you won't sing their praises" and they want me to get mad at you for not respecting the legit personal trauma that disney forced me through.
in a grander scheme outside of disney: what happens is a horrific splintering within activist groups. we bicker with each other about minimal-harm minimal-impact ideologies, like which depiction of bisexuality is the most-true. we gratuitously analyze the personal lives of activists for any sign they might be "problematic". we get spooked because someone was in a dog collar at pride. we wring our hands about setting an empty shopping mall on fire. we tell each other what words we may identify ourselves by. we get fuckin steven universe disk horse when in reality it is a waste of our collective time.
the bigots want you to spend all your time focusing on how pristine and pretty you and your interests are. they want us at each other's throats instead of hand in hand. they want to say see? nothing is ever fucking good enough for these people.
and they want their followers to think in binary as well - a binary that's much easier to follow. see, in our spaces, we attack each other over "proper" behavior. but in bigoted groups? they attack outwards. they have someone they hate, and it is us. they hate you, specifically, and you are why they have problems - not the other people in their group. and that's a part of how they fucking keep winning.
some of the things that are beloved to you have a backbone in something terrible. the music industry is a wasteland. the publishing industry is a bastion of white supremacy. video games run off of unpaid labor and abuse.
the point of activism was always to bring to light that abuse and try to stop it from happening, not to condemn those who engage in the content that comes from those industries. "there is no ethical consumption under late capitalism" also applies to media. your childhood (and maybe current!) love of the little mermaid isn't something you should now flinch from, worried you'll be a "disney adult". wanting the music industry to change for the better does not require that you reject all popular music until that change occurs. you can acknowledge the harm something might cause - and celebrate the love that it has brought into your life.
we must detach an acknowledgment of nuance from a sense of shame and disgust. we must. punishing individual people for their harmless passions is not doing good work. encouraging more thoughtful, empathetic consumption does not mean people should feel ashamed of their basic human capacities and desires. it should never have even been about the individual when the corporation is so obviously the actual evil. this sense that we must live in shame and dread of our personal nuances - it just makes people bitter and hopeless. do you have any idea how scared i am to post this? to just acknowledge the idea of nuance? that i might like something nuanced, and engage in it joyfully? and, at the same time, that i'm brutally aware of the harm that they're doing?
"so what do i do?" ... well, often there isn't a right answer. i mean in this case, i hope mickey chops off ron's head and then does a little giggle. but truth be told, often our opinions on nuanced subjects will differ. you might be able to engage in things that i can't because the nuance doesn't sit right with me. i might think taylor swift is a great performer and a lot of fun, and you might be like "raquel, the jet fuel emissions". we are both correct; neither of us have any actual sway in this. and i think it's important to remember that - the actual scope of individual responsibility. like, i also love going to the parks. Thunder Mountain is so fun. you (just a person) are not responsible for the harm that Disney (the billion dollar corporation) caused me. i don't know. i think it's possible to both enjoy your memories and interrogate the current state of their employment policies.
there is no right way to interrogate or engage with nuance - i just hope you embrace it readily.
#does this make sense#to do be deleted probably yikes#(takes a swing at a wasp's nest)#like i think ppl have started to just be really quiet when they like something 'problematic'#and im like... u can be like -#girl tswift NEEDS to just TAKE A BUS . LIKE?????????????????????#while also being like.#''she's a lot of fun''#if ur personal policy is that u don't support her for that reason that's great#but it's like. eating meat???#like yeah some people won't bc the environment. but the fact i eat meat doesn't mean i hate the earth#like i can say that i think the meat industry is HORRIFIC and also downright cruel to its employees#but like. still enjoy a chicken nugget....#there are people who choose otherwise. it's okay . we are people. i make like no money. u probably don't either#us fighting about whether or not it's Right To Eat The Chicken Tender just distracts from like.#actually turning your ire on the corporation#i hope it's clear what i'm saying here is like. when we fight each other for Purity Reasons#we are just doing the work of corporations . for free. like they WANT us to be doing this lol#it's the fucking DREAM of the upperclass that now ALL forms of responsibility fall on the individual
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it also caught me so off guard in episode 1 in particular that the crew clearly knew how much izzy was doing to protect them from ed?? no one's saying it out loud because it won't help but the hug, and the whole scene surrounding it, says they've all quietly been paying attention and worrying about him behind his back and it was a culmination of weeks and months of living like they were while knowing that izzy was bending over backwards to absorb as much of ed's rage and heartbreak and anger as possible in order to shield the rest of them??? help??
#frenchie holding izzy's hand in particular#is an image i can't get out of my head#izzy's not like this! he's not a touchy feely person#he doesn't reach out for comfort#he doesn't confide in them#but they all see the shit that goes on and they all see izzy straighten his shoulders and brace himself for the punches#and he shouldn't have to but he does and it keeps ed away from them but at what fucking cost#and all they can do#after it's finally been voiced aloud#is be there#and give him that moment#and quietly say no. it's not right.#screaming crying throwing up etc etc#our flag means death#our flag means death season 2#ofmd#ofmd season 2#izzy hands
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get a man who looks at you with the same affection that Hoffman looks at Strahm's hand
#WHAT'S THAT SMILE EVEN ABOUT MARK???#YOU'RE LIKE 'MY PRECIOUSSSS' OR WHAT?#WHAT'S GOING ON MARkKkKK???#did you come up with some SPECIAL use for that hand?#JUST LIKE IN MY FIC?#WHAT THE FUCK DOES YOUR SMILE MEAN???#IT'S NOT EVEN A GRIN WHY ARE YOU SO PLAYFUL AFFECTIONATE AND GENTLE?#MAN YOU'RE TOTALLY NOT OKAY (says with approval)#saw#mark hoffman#peter strahm#hoffstrahm#coffinshipping#my shitty posts
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Hello, op! While I do find your reading of Kabru’s self sacrifice and how little he eats really good, im curious why you consider him the deuteragonist? He is a foil to the protagonist yes, but still a supporting character.
I think its pretty clear Marcille is the second most important character in DM, and her story has much more weight than Kabru’s.
Hello! I've mentioned this on my blog before, but I actually consider Marcille and Kabru to both be deuteragonists to Laios's protagonist. I just wasn't talking about Marcille in that post.
Technically this term is meant to be used in playwriting, and the Greek tradition at that, so I'm playing a little loosey goosey with semantics and my argument would sound different if I were writing an academic paper. But this is tumblr dot edu and I'm trying to get a point across on my little blog, and part of the idea of a deuteragonist is that they support the protagonist. "Secondary main character who has their own importance in the narrative while bolstering the protagonist" works well enough for my purposes.
I think Marcille and Kabru are both playing specific and complementary roles to Laios. Marcille is at his side, facilitating the A plot: namely, "save Falin", which requires Marcille's magic, and then Marcille's method of resurrection ropes Thistle in, so the continuation of "save Falin" necessitates confronting the Dungeon Lord and conquering the dungeon (the B plot).
Kabru only intersects with Laios, but he is tied from the beginning to the B plot- and with dragging basically everyone else into it. Actually, the fact that he brings in this extremely loaded B plot despite only having brief face time with the protagonist should be seen as significant. In a sense, Kabru represents the surface world and all its concerns.
Before I talk about that more, I want to continue with the complementary line of thinking and point out that Kabru and Marcille have very similar background motivations.
Laios wants to save his sister first and foremost, and it's only along the way that he starts to consider what he'd do with the responsibility of Dungeon Lord. Coming to the conclusion that he wants to create a home for disparate peoples to live in harmony has connective tissue to both Kabru and Marcille's desires.
Marcille is the only one in their party who starts out with a greater motivation other than saving Falin (Izutsumi is a special case, but she's ultimately along for the ride), one that she keeps hidden for a long time. Because she is a mage, and because she is driven by a very personal tragedy (my dad died; I am terrified of outliving everyone), she is looking for a miracle to bring the different races closer together.
Kabru comes from a background of personal tragedy as well, but it's also a far greater, more political tragedy than just the death of a parent. It is not a coincidence that Kabru is a brown boy from an exploited region that suffered despite and because of military intervention from a first-world power, nor that he was adopted by a white woman whose coddling/dehumanization of him represents the paternalistic oversight of these world powers.
Thus, Kabru's motivations are both personal and political: if they, the short-lived races, can finally access the secrets of the dungeons, then not only can they have agency in stopping tragedies like Utaya's, but it will also give them a greater power of self-determination.
Marcille and Kabru have both correctly identified and set themselves against a problem that is greater than saving the life of one girl, greater even than sealing this one dungeon.
Despite Marcille's hopes, there is no grand magic solution to this. Only small, slow, backbreaking, ordinary solutions, the kind you labor over in kitchens and bedrooms and throne rooms and meeting houses and hearths and negotiation tables. The kind you run a kingdom with.
There is a reason why Dungeon Meshi ends with Marcille and Kabru on either side of Laios's throne.
Okay: back to Kabru (under the cut).
I've talked about this a little before, but I'll reiterate here: I consider Kabru to be the counterweight to the back half of the story. In a very literal sense too, as he pulls the focus up from the depths to the surface not once, but twice. Dungeon Meshi builds itself on the premise that the traditional "dungeon" must function as an actual ecosystem, and the monsters in it are biological actors in that ecosystem and not merely magical obstacles independent of their environment. The first couple dozen chapters are focused on this. Like regular animals, monsters have needs and instincts and unique behaviors, and they can be killed and consumed as part of a food chain.
And then Kabru comes along and he reminds us that humans are also part of their own special ecosystem, with their own needs and instincts and unique behaviors, and that beyond the biological drive of the literal food chain there are also complex social issues influencing these behaviors (like capitalism). Tansu's visit with the governor introduced us to these ideas, but Kabru is the one who carries them.
The way he and his party break down Laios's party also serves an important function. I think most readers are so busy being shocked that Kabru is "so wrong" about our goofy boy Laios that they don't realize that he isn't actually wrong about anything (he's only missing the context of what drives Laios, which he admits to and is part of the reason why he pursues him). We've gotten only Laios's view of things so far, and Laios is pretty tunnel-visioned. The narrative, through Kabru, is telling the reader this is how our protagonist actually comes across to his community.
We like Laios because we are following his story from his inner circle. We know he's naive and struggles with people but that he has a good heart and is ultimately just a big silly guy who won't harm anybody if he can help it. But we only know that because we're seeing him with his inner circle, in his environment. Outside of the dungeon, Laios is anti-social to the point of rudeness; he misreads situations and misjudges people, he acts in ways that cause friction, and he accidentally aligns himself with people who make his whole enterprise look suspicious: a prominent half-foot community leader, a mysterious foreigner literally surrounded by spies, the disgraced daughter of a criminal who now has to shoulder the burden of her father's reputation, and an elf in a land where there are no elves. And they seem to be very good at what they're doing. Yet this whole time, Laios acts as if he doesn't care about profit or taking the kingdom, the only logical reasons why anyone on the Island would gather up such a party and throw themselves into this death pit day after day.
Yeah of course Kabru finds this suspicious and interesting. Of course people don't know what to make of Laios. This all reiterates the question that Zon the orc already raised: What will you do, Laios, if you defeat the Mad Mage? If you gain control of all of this? Can you be a leader? Laios himself doesn't know yet.
This is all necessary context for our protagonist and the journey he has to go on, and it's fittingly brought up by the most socially adept character, who is so concerned with human ecosystems and the bigger picture of the dungeon. There is a reason why Kabru, as a character, is connected to large webs of people as he moves throughout the narrative: his own party, Toshiro's party, the Canaries, the denizens of the first floor of the dungeon.
Kabru is responsible for bringing Toshiro down to Laios's party. Toshiro is not a big mover and shaker in the story itself, but his confrontation with Laios is a huge part of Laios's character arc. His detour down to the lower levels also allows Izutsumi to escape and join Laios's party later.
We also have this very important moment:
It shows the first inkling- to the audience, to Kabru, and to Laios himself- that Laios is willing to do a painful, necessary thing to protect other people, that he won't just allow them to become collateral for his sister/monsters. That he can listen, and that he can assess a situation beyond his personal feelings. Again, fittingly, big-picture-thinker Kabru is the catalyst for this.
And then, not content to leave him as merely a device for Laios's character growth, the focus slingshots back up to the surface, and we follow Kabru.
The Canaries were going to go into the dungeon soon anyway, and they were always going to stir up the crowd in order to lure Thistle to them. Unless Thistle had given up right then and managed to slip away, the story could have very easily ended here:
Falin, immobilized and surrounded by Canaries, would have certainly been killed, and there would have been no way to ever resurrect her. Thistle would have been neutralized. The dungeon would have been taken by the elves, and anyone they could get their hands on would have been imprisoned at best. And maybe the dungeon would have been managed safely ... or maybe something would have gone wrong, and more lives would have been lost. Remember: the Canaries arrived in Utaya one year before the tragedy.
This is a huge moment that changes Laios's life forever, and he doesn't even know it. Kabru single-handedly keeps the story on course by sabotaging the Canaries, and he does it not just for Laios's sake, but for everyone's sake. For his friends and companions in the dungeon and everyone else outside it. Laios is a part of his motivation, a key player in Kabru's hopes, but Kabru has his own desires, his own agenda. He's trying to change the world. In a way, he succeeds. And while the Canaries might wish it were otherwise, as an entity in the narrative they are always anchored to Kabru's character. The two forces collide because of Kabru. The unsealing of the Winged Lion and Marcille's emergency ascension to Dungeon Lord happen indirectly because of Kabru.
While I have talked so much already that I don't want to give a detailed breakdown of it, I do want to mention Kabru's unique interiority as a character. That is to say: we see the inside of Kabru's head more than anyone else. Every character in the main ensemble gets their own moments of inner monologues or fifteen minutes in the limelight, but for Kabru, it's constant. He's always thinking, talking, narrating. His POV chapters always stand out for how first-person they feel compared to most others.
Notably, the only other character I could compare that to is Marcille, specifically during the dungeon rabbit debacle and her ascension afterward, which is when she really takes center stage as a character.
I hope I've explained my reasoning without becoming too insufferable.
To cap off my thoughts with a nod to my original post, I cannot stress enough how significant it is, thematically, that Kabru's relationship with food is the inverse of Laios's. It isn't just that Laios is the main character in a story about cooking monsters and Kabru happens to be his monster-hating foil. The artistic choice to deny the reader the visual of this character ever enjoying food, and only ever putting it in his mouth in situations where it hurts him, in a manga that gives so much attention to eating and the pleasures of meals, cannot be understated.
#Dungeon Meshi#Marcille Donato#Kabru#Kabru of Utaya#Dungeon Meshi meta#Dungeon Meshi spoilers#I started answering this at 10:30 AM but took several detours#mostly I was at work. some people shitpost at work. god knows what I'm doing.#I am so fucking sorry I did not mean for it to be this long. I had to EDIT THIS DOWN#paging malewifesband I feel like this does the trick wrt: Kabru's function in the narrative#of course I have more to say about he and Laios specifically (she threatened)#musings with Dea#I think I'll go back and add image descriptions but it's been eight hours and I need dinner!#and also to play FFXIV#dungeonposting#Dea's anonymous friends
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
#banana fish spoilers#I'M HAVING A FUCKING MOMENT#mutual reblogged exactly one (1) piece of ash fanart and sent me on A Multiple Hour Long Thing and now im rewatching it lol#yes i am only on episode 2 yes i am still going to write big long analysis posts ANYWAY#whatever hope this makes sense. anyway#banana fish#okumura eiji#ash lynx#asheiji#hhhhh i can't believe i've only watched this twice in like what 5.5 years?? sheesh#anywayyyyyyy i care about them a lot ok. god#and yes i DO kinda have beef with the decision to kill ash off at the end but it really does say so much About his character#that he chose to die in the way that he did even though he's been throwing his life away since episode 1#dying in peace in comfort in solitude rather than in some chaotic battlefield.... ough...... in the peace eiji alone could give him.....#anywayss i relate to ash a little more than i should so. this one's for us cool guy bottoms up#edit i uh.... i forgot it was a leopard.... in the story..... but whatever it doesn't really affect the symbolic meaning it's just embarras#ing that i forgot >;/
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SAID HE LIKES CRAZY GIRLS,
BUT HE HATES WHEN I ACT CRAZY,
IT TAKES TWO TO TOXIC!
FINALLY!!! Finished these pics of jinx I’ve been working on!!!!! HOLY SHIT, these took so long…. But finally… they’re done… pls enjoy this art of my beautiful princess w a disorder. Featuring alternate colors for the big pic and also a closeup! Cuz I rlly like how both the lines and coloring on her face turned out… like the pink gradients w her eye… her deer in headlights expression,, like uve just startled a raccoon digging thru ur trashcan and r two seconds away from getting mauled.. m proud of it!
#arcane#league of legends#jinx#jinx arcane#arcane jinx#doodles#hate and love how hardcore I relate to jinx…#little sisters w dependency issues.. + a whole lot of other issues#anyway the ‘he’ in the ‘crazy girl’ lyrics is in my mind referring to both vi and silco lol#I’m sORRY! I keep seeing ppl hardcore pitting these 2 bad bitches against each other#and it’s like… silco is objectively. morally worse than vi.. vi is not like. a ruthless crime lord#vi IS 100% trying her best and loves her sister. but she still screwed up w jinx#and silco ALSO truly loves jinx. but also screwed up by fucking. trauma bonding w her ghgh-#like.. silco is too close. he’s like. yes go apeshit jinx I support and love you and understand u no matter what fucked up shit u do.#were the same. and that’s beautiful!!! I love how supportive he is…#but its like.. silcos too close. he just became a new person for jinx to glomp onto and base her self esteem around after vi left#and he doesn’t manipulate that on purpose but. he DOES effect that girls mental state. cuz he needs her too#meanwhile vi is too far away… she thinks she knows who jinx is. but jinx has changed… time marches forward. she’s not that little girl#anymore#and nOW! after the finale jinx has NOBODY TO BE CODEPENDENT W..#her mental state has always been so tied up in how the ppl she puts on pedestals view her#and now there’s no pedestal anymore. she knocked down the statues. she’s alone…#it’s interesting….#anyway I’m not trying to say vi is as bad as silco at ALL. just that she’s an equally important building block in jinx’s mind#that has made her into the fucked up lil person she is today. and I think that’s neat.#lol anyway! I’m hyped for season 2….#aLSO GOD DAMN THIS GIRLS OUTFIT IS COMPLICATED. WHY DO U GOT SO MANY BITS N BOBS JINX??? I mean I get it accessories rock.#but u take so much time to draw ghfhg- require so much brainpower#aLSO ADDENDUM. while silco is objectively morally worse than vi his relationship w jinx is genuinely. like. makes me emotional ghgh-#its not perfect. or healthy. but… it’s. the both of them. being seen. and accepted. and loved and understood.. and I love that shit.
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I can’t believe a boyfriend made a silly sex joke to lighten the mood after both partners had a moment of vulnerability. The audacity. The horror. The normalcy! Unbelievable. How dare a conversation about feelings turn to levity. How dare a couple have a light chat about trauma-related things over dinner that doesn’t turn into an incredibly deep heart to heart instead of a joke and moving on. Unbelievable. I’m never watching this show again! 👎🏻
#911 spoilers#bucktommy#Evan buckley#Tommy kinard#look#as a queer person in a relationship with another queer person#both of whom have major familial trauma#trust me when I say you generally DONT WANT ever reference to your feelings and trauma to turn into a huge deep discussion#sometimes you just say something vulnerable#and the other person does too#and then you joke about it and move on#humour is powerful coping mechanism as well#one that is pretty common especially among guys#people need to freaking relax ffs#Tommy is not a horrible person for making a flirty joke#things were said and feelings were acknowledged#and then they moved on#this is all perfectly freaking natural#Buck is not some sensitive flower that can’t handle a silly joke about daddy issues#please I beg you all to look at this at a distance with some common sense#rather than the ‘but Buck is traumatized and must always be treated delicately!!’ lens#and I am saying all of this as someone who really doesn’t give two fucks about the joke itself#I’m not into daddy kink idgaf#but if the idea that a queer couple isn’t allowed to insert a flirty joke to lighten a moment of vulnerability#then I don’t know what to tell you#you personally finding something innapropriate does not mean it’s actually innapropriate#please just chill out ffs#no one wants to hear about how evil Tommy is for hitting on his boyfriend for months and months to come
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i think mizu5 foreshadows that ena is going to understand bc of the entire thing with the mystery escape room and how ena is the one who figures out that mizuki would have the final answer hidden among one of the stuffed animals bc that's "so like her" and /she was right/. yeah it ended up being in the stuffed animal hanging up from the ceiling, but mizuki herself says that this was touya's idea bc he wanted a twist, so ena technically figured it out?
the escape room and the key that should have been in reach which was moved out of reach due to the ideas of another person! it's not that toya is transphobic but i feel like the way he sort of co-opts mizuki's idea for the final answer of the escape room by inserting his own idea of a twist is meant to be analogous to how ena was almost about to grasp mizuki's own secret through mizuki herself and her language before mizuki got co-opted by her transmisogynistic classmates from a narrative standpoint.
it's the key ripped out of reach - oh, it's more "fun" if you make it more complicated unnecessarily even though that takes away the personal satisfaction. they remove mizuki's voice.
the escape room is genuinely so vital to understanding the intent? it's literally mizuki's heart. her shirt even has 3 symbols on it: maze, lock and key. it couldn't be more obvious. mizuki and locked rooms... if you read umineko, you'd understand...
#i love how much rui and toya fail to understand mizuki#rui does have kind words and i think he's trying to say the right thing#but boys don't get what mizuki is going through and mizuki wants to be understood by girls#she wants sisterhood#narratively it means so much as a further assertion that ... well... mizuki is one of the girls#toya being sweet but also being the one who fucks up the Game and kinda takes it away from mizuki...#it's so much about her forgeries#she's very [redacted] umineko#project sekai#mizuki akiyama#ena shinonome#gamo.txt
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