#what people write is FICTION

[bi-writes]

i see people on here getting angry because of how cod writers can make cod men angry, toxic, mean, etc, and idk how to tell people this but…they’re not real

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[rjalker]

Dear people who aren't physically disabled who plan to write fantasy settings:

[ID: Several images taken from the Geordi La Forge yes and no meme format, with Geordi holding out a hand disapprovingly for the no section, then pointing in approval for the yes section.

The first image is the meme:

No: "Saying the existance of magic in your setting means there are no disabled people (this literally just means disabled people are killed. AKA eugenics)"

Yes: "Having disabled people who use magical mobility aids and other assistive devices. Realizing that someone is still disabled even if their prosthetic arm is made of magic instead of plastic."

This is followed by four more panels of yes section:

"Geordi la Forge is still literally disabled. His visor helping him does not erase his disability and make him magically abled."

"Toph from Avatar: The Last Airbender is still literally disabled even though her Earthbending helps her. It does not make her disability ~magically~ go away."

"Having your disability be accomodated does not mean the disability goes away. Having a prosthetic hand, even one that's made of magic, does not mean you're not disabled."

"Magical mobility aids do not mean disabled people don't exist. It just means they use magical mobility aids instead of plastic or metal ones. A limb made of magic is still a prosthetic even if it's made of the soul of the universe instead of plastic and metal."

Then another no panel: "'There's no disabled people beacuse magic'".

Then one last yes panel: "'Magic helps disabled people in a variety of ways'".

End ID.]

This also applies to science fiction; just because Luke Skywalker's prosthetic hand is super advanced doesn't mean it's no longer a prosthetic, or that he's not disabled. Same with Darth Vader - just because he has a suit that lets him breathe and walk around doesn't mean he's not disabled. (And Star Wars' propensity for making the villains visibly disabled while the heroes disabilities get covered up by super advanced prosthetics is a topic that deserves its own post, especially with how ableist some of the authors of the books are. Troy Denning is especially ableist)

Edit:

Because people keep being fucking obnoxious and ableist in the tags, yes,,, motherfuckers, if you refuse to have disabled people in your setting, that does make you fucking ableist. If you say that the magic is used to cure all disabled people and that's why they don't exist, that's fucking eugenics.

You cannot ""cure"", more like remove all disabilities without fucking eugenics. Magically automatically destroying disabled fetuses (a very fucking popular trope!) is eugenics.

The only way to fucking "cure" autism is to fucking kill all autistic people, also known as eugenics!

What about people with PTSD? Do you just fucking brainwash them so they aren't traumatized anymore?

Do you force all Deaf people to be able to hear? Do you force all blind people to be able to see? Do you force all anosmics to be able to smell?

Do you magically force everyone with a speech impediment to speak to your standards?

Do you force everyone born with bodily or facial differences to live up to your fucking standard of beauty?

You cannot fucking say "disablities don't exist in this universe because magic cures everything" without inherently saying that eugenics exists in your fucking universe.

Not all fucking disabilities need a cure. If you ""cured"" my autism I'd just be fucking dead. You'd literally just be changing me into what you think is fucking acceptable.

Stop fucking arguing in defence of ableists on my fucking post so you can pretend that eugenics has never been written about in magical settings when it is extremely fucking prevalent.

And while we're fucking at it, let your gods damned characters become disabled over the course of their story, and call them disabled within the fucking story. I don't care if they're a robot. I don't care if they have magic. Not all fucking damage can be fixed. Curses exist. Hardware can go out of fucking date and no longer be manufactured anywhere.

Let your characters become disabled and do not magically fucking cure them back to brand new every single time they get hurt. The only thing you accomplish by doing that is destroying any chance of ever having stakes.

No, "magical healing leaves scars on the mind from the memory of the injuries though!!!!" is not fucking good enough. Let your characters have scars. Let them become disabled. Stop being fucking ableist cowards.

Edit number fucking 2:

No, motherfuckers, you do not get to comment "if the disability was caused by magic it's not ableist to cure it with magic". You are the ableist this post is about. Shut the absolute fuck up, stop treating being disabled as the worst possible outcome, and just admit you're a fucking ableist. If you don't want your characters to become disabled, then don't fucking make them disabled.

[ID: The Garfield "you are not immune to propaganda" meme, now edited to read:

"If your first thought upon reading this post is, 'Oh, but it's okay to magically cure disabilities caused by magic!' Congrats…you are the exact sort of ableist jackass this post is about."

End ID.]

Edit number fucking 3:

Autistic people exist! People who are born with disabilities exist! You cannot create a setting where disabled people do not exist because we're all "cured" or "fixed" and not inherently say that you are killing disabled people as soon as they're born, or fucking aborting us as soon as you figure out we'd be born disabled! That's fucking eugenics!

There is no way to "cure" autism without eugenics! There is no way to "cure" people with body differences without eugenics! There is no way to make disabled people nonexistant in your setting without eugenics! Thinking you can and should "cure" and "fix" all disabilities IS EUGENICS!

Also:

[ID: A character shouting at the camera, now edited to read: "Shut up about Dungeons and Dragons! Shut up about Dungeons and Dragons! If the rules of Dungeons and Dragons are ableist, then fucking change them! It is your fucking personal responsability to be a better person than your bigoted society wants you to be!". End ID.]

[ID: White text on a dark brown background with white and black borders around the edges, that reads:

"I don't fucking know or care about Dungeons and Dragons.

This post is not about Dungeons and Dragons.

Do not fucking throw the rulebook of Dungeons and Dragons at me like it's some sort of 'Gotcha!'.

You will literally just be blocked like the rest of the ableist assholes who've already tried it.

If you play dungeons and dragons, it's your responsability to make your games not be ableist, even if it means breaking the rules.".

End ID.]

I do not fucking care what the ableist rules are in Dungeons of Dragons. Do not fucking throw ableist rules for a game I have never and will never play at me on a post I made so that people could learn how to make their settings less ableist. If the rules in Dungeons and Dragons are ableist, then fucking change them. If you don't want to change them, then stop fucking playing an ableist game.

Disabled people deserve to see ourselves represented in fiction just like everyone else, without any fucking requirements that we be "cured" or "fixed" before the story ends.

How the fuck would you feel if a trans and gay character's whole story revolved around going on a quest to become straight and cis, did so, and only then was allowed to live happily ever after?

Why do you fucking think suggesting people write stories about disabled people going on a quest to be cured because it's the only way they'll ever be happy is any less fucking offensive?

Also:

This post is NOT a place for you to talk about how disabled people in fiction should have the option of curing their disabilities. It's just not. That's the fucking default for this society. That is not a revolutionary concept. It's not novel. We fucking know this society wants us gone. A post about how disabled people deserve representation is not the place to talk about how "Well, actually, in fiction disabled people should be cured!" Like that's not the fucking universal default???????????

Edit #4:

Everyone needs to stop tagging this singing praise for Fullmetal Alchemist. A story that uses disability as a punishment and the characters are on a quest to cure their disabilities is not the amazing representation you're all claiming it is just because the character who is only disabled because of DIVINE PUNISHMENT uses prosthetics.

Read this post, and this one. Fullmetal Alchemist is a hell of a lot more ableist than you people are letting on.

guess what you can now find a PDF version of this post on the web archive.

Edit #5! August 23rd, 2023!

A) Everyone. Disabilities that can only exist in the magical setting are still disabilities.

Trying to cure the younger brother's magical disability of being a soul floating around in a magical suit of armour is, in fact, going on a quest to heal a disability!

It doesn't matter if the older brother doesn't want to get his limbs back when they're going on a quest to heal the younger brother's disability! Especially when they BOTH get magically healed at the end!

Magical disabilities that can only exist in that setting, but not real life, are still disabilities, and it's not okay to magically heal them either! What part of the Garfield meme on this post did you all choose to ignore?!

B) When you leave tags on a post you are reblogging, the original poster can see them! When you leave tags on this post, I can see them!

If you think this post is ""too aggressive"" then simply do not reblog it! Don't fucking tone police me on a post I've had to edit five times now due to the constant ableism people have been commenting since I made it!

I have been called the R slur by multiple people in response to this post! People have literally reblogged this post to defend eugenics abortions! You can't see these comments or replies anymore because I blocked the poster!

If you think minorities are being too aggressive by responding appropriately to bigotry, you're a bigot! And you should either not reblog the post at all, or at the very least, shut the fuck up and not tone police us!

Do not fucking put tags on this post complaining I'm being too aggressive! That's called tone policing and you're a bigot if you do it! Don't fucking do it on anyone else's posts either! They can see your tags too!

C) When I fucking say Harry Potter fans are banned from this post, yes, this means YOU!

Either stop supporting a billionaire who's literally using the profits from her bigoted shittily written books to fund REAL FUCKING GENOCIDE, or fuck off!

By continuing to support the Harry Potter series, you are literally giving JK Rowling free fucking advertising! You are encouraging more people to read the series and watch the movies, spending more money and giving her more fucking money with which to LITERALLY SHAPE A COUNTRY'S LAWS TO COMMIT GENOCIDE. She is literally fucking fighting to make being trans illegal! She is literally fucking fighting to have even more of autistic people's rights taken away!

You cannot fucking be a fan of the Harry Potter series in 2023 and call yourself an ally to all the minorities harmed by JK Rowling and the bigotry baked into her shitty series!

Read another book! The Web Archive has tons you can read for free! Literally every single book on gutenberg.org/ is free! Including audiobooks for some of them!

If you write Harry Potter fanfiction, simply fucking get rid of the names and identifiable features and start writing original fiction instead! It's literally free!

Not supporting a literal fucking genocidal billionaire costs LITERALLY NOTHING! And if you refuse to fucking stop supporting JK Rowling, which is what you are doing when you support the Harry Potter series and squeal over her OCs, you are not an ally to any fucking minority! No! Not even if you're trans yourself!

= = =

Edit again Nobember 28th 2023 because this comment is just. such a perfect example for all of you that think this doesn't happen.

butter-whore2 said, two hours before this edit:

kind of a fan of tumblr's slightly more algorithmically elements for reminding me of the hell's other people construct for themselves but this one hits like five of the boxes. How do people do this to themselves? it's such a bizarre way to act over media I genuinely do not believe is capable of stirring an emotional response the metaphysics of disability here are unintentionally really funny but disability is not a coherent ontological framework, it's a vague descriptor for literally thousands of different things none of which lend themselves to categorizing Moralizing over fiction is incredibly lame.

Liking harry potter is also incredibly lame, it's not morally wrong nor transphobic and you do not get to decide that lol. people literally do get "cured" of their disabilities all the time, many of them have a positive experience in doing so. this is not what eugenics is.

the anti abortion stuff lol

Literally how do you live like this? you guys don't even read real books I don't get it.

Archived version of the comment for posterity.

So yeah, lofl, block this fucker.

[science-lings]

God, I love it when people who clearly have personal experience or expert knowledge on certain things write obscure AUs that incorporate those things so hyperspecifically that I feel like I'm learning something.

I love nurses who write hospital AUs that have accurate medical knowledge just thrown in there because they went to medical school and when people who clearly had a phase where they obsessed over a certain time period write an AU set in that time period or location it's just so fun.

Tell me about the 1950s Chicago culture and history and how the characters are interracial and how that affects their life, I love when the money is accurately converted and the personal histories of the characters are thoughtfully woven to incorporate the new setting they're put in, I love it when people care so much about making something and use their own expertise to aide them.

[hunnyy-bunnyyy]

The dissonance between era inspiration in ACoTaR is one of the more brushed over flaws in the book series. Looking at the Inner Circle's fashion alone, we jump between "literal scraps of fabric" (Under the Mountain, Court of Nightmares) to "orientalist painter's imaginings of the Ottoman Harem" (clothing described during Feyre's first few visits to the Night Court) to "modern 'corset' dress" (Feyre's Starfall dress, majority of Mor's clothing, most of the clothes drawn in fan art) to "modern -- almost sci-fi style -- skin-tight leather armor" to "sweater and leggings combo".

Then, between courts, we have Helion wearing Spirit Halloween's take on the ancient Grecian tunic; Feyre's Spring Court wedding dress looking like an 1830s fashion plate; and Dawn heavily implied to have traditional East Asain clothing (e.g. kimono, hanfu, hanbok).

On top of all of that, some of the Dawn Court's small cities ". . . specialized in tinkering and clockwork and clever things. . ." which -- combined with Lucien's metal eye and Nuan's mechanical hand -- implies a sort of post-industrial revolution time period. However, a decent chunk of the fandom says that ACoTaR is medieval; which, yeah, it's medieval themed in the first book -- sans the "dress" Rhysand forces Feyre to wear UTM.

The wild inconsistencies in ACoTaR's inspiration leads, not to a rich and diverse world, but a world that seems ramshackle and haphazard -- like it's creator simply threw together a board on Pinterest and called it a day. This is a major part of why the world building is so abysmal, it relies on convenience to the plot and whatever pleases the aesthetic whims of the author. Cultures deemed "pretty" or "badass" are thrown together, irregardless of how far apart they actually are. This is not only disrespectful to the narrative, but to the readers and the cultures used as inspiration.

All of this to say: Sarah J Maas is a bad author, not just because of the way she handles serious topics like power dynamics and abuse, but also because she cannot put together a world that is even the slightest bit cohesive.

[fabled-lady-twilla]

How it feels being a ShigaDeku shipper in this fandom. Why is everyone so mean? 😭😭😭😭😭😭😭😭😭😭😭😭😭😭

[beeclaws]

I tried to give myself a little break from writing because I thought that's what I needed, but turns out the writing is load-bearing at this point. what I really needed was a break from writing stuff that I ever intend to polish up and show anyone. tapping out random comfort daydreams full of square brackets and 0 context is vitally necessary in fact

[timetravellingkitty]

I'm not listening to a white person on what's racist or insensitive to brown people. read orientalism by edward said before talking to me or my son ever again

[marlynnofmany]

The Good Perch

“You would think,” Captain Sunlight said drily, “That a spaceport organized enough to have a whole section for courier ships would have a more visible labeling system.”

“Yeah, really,” I agreed with a frown at the small sign marking our ship’s berth. The thing was barely ankle-height and a thin font. Not even a bright color; it hardly stood out from the pavement in its gray-and-black subtlety. With all the spacefarers parading past in a rainbow of body types and clothing styles, not to mention the equally wild spaceships everywhere, those signs were easy to miss. I asked the captain, “Have you been here before? Is this normal, or did the wrong person take charge of designing things?”

“It’s been a while,” said Captain Sunlight, crossing her scaly arms. “I don’t recall this being a problem before. But I suspect our wayward client is still wandering the walkways looking for us.”

“Normally I’d say our ship would stand out, but the visibility’s not great for that either.” Lemon-shaped spaceships with foldable solar sails were pretty uncommon. The one parked behind us would have been easy to spot from a distance if not for the larger ships looming close on either side. These berths were too close together.

Captain Sunlight pulled her phone out of a belt pouch. “Still says they’re on the way.”

“Maybe we need to scoot forward a bit?” I suggested. “Make the ship easier to see?” I stepped up to the walkway for a better look at the view from there.

This turned out to give someone else a better view of me.

“Hey, person who climbs things!” called a cheerful voice. “Come help me brace this.”

After a confused half-second, I located the speaker on top of the gray-brown ship next to ours. I realized with a start that this wasn’t the first time our ships had been parked side-by-side. “Hey, Acorn!” I called back. “Are you waiting for clients too?”

“We were,” the fellow courier called back, waving something that looked like a wrench. She herself still looked like a baboon crossed with a crocodile. “Now it’s time for errands and maintenance, and this needs fixing before we get back into space. Care to give me a hand? Everybody else is either busy or too much of a coward to get up this high.”

“Sure thing!” I said with a glance at Captain Sunlight, who was waving me on. “What’s the best way up?”

Acorn directed me to a row of handholds on the other side of the ship, which made for a nice easy climb. A pity her crewmates didn’t appreciate heights; the spaceport was a beautiful, chaotic sprawl of color from here. And the top of the ship was flat enough to feel plenty safe.

“Welcome to the good perch,” Acorn said, offering me a wrench. “It’s a very exclusive club. Can you hold this part in place so I can adjust that?”

“Absolutely,” I told her. “This end, right? Wait, got it.” I actually had no idea what this open panel was for, but I like to think I hid it well. The job was a simple one with two of us. I could see how it would have been awkward with just one, though. I wondered if she’d resorted to using her feet to hold things in place. I sure would have.

“Got it!” she said. “Now to close it all up. I knew that would be quick.”

I removed the wrench. “What’s the saying? More hands means less work?”

“Makes sense to me. Though by that logic, your friend there could get everything done by himself.”

I looked down to see that Mur had joined Captain Sunlight, in all his many-tentacled squidlike glory. “He probably could, actually. Though I don’t know how he is with heights.”

“Well, no need to share the good perch,” Acorn announced, snapping the panel shut. She spread her arms. “Look at this panorama!”

“It is a nice one! I was just thinking that. What kind of ship is that blobby green one over there? I haven’t seen it before.”

Acorn stood up for a better look. “I think it’s a Waterwill design?”

“That makes sense.” I got to my feet too, glad the ship we stood on wasn’t one of the shiny racer models. Those were much too slippery to make good sightseeing towers.

Not that Acorn seemed bothered either way. She probably would have found grippy shoes somewhere and run up the side just to prove she could. Her appreciation for climbing had been a nice change the first time I ran into her, and was no different now, given how much time I spent among alien crewmates who didn’t have tree-swinging monkeys in their family trees.

“That ship looks like it would make an excellent climbing structure,” she said, pointing at a pink model with grooves along the sides. “Pity it belongs to a security force who are likely to be uptight about such things.”

I laughed. “Isn’t that always the way of it? There’s a police station in my hometown with a roof that slopes down to meet a very climbable wall, and you have no idea how tempting it looked. Well. Maybe you know.”

She definitely understood, and we spent an enjoyable few minutes talking about which buildings and spaceships looked like the most fun to climb.

Then I spotted someone wandering from one berth marker to the next, looking both lost and a little nearsighted, and I had a suspicion that I’d found our missing client. This was a fellow human wearing the kind of drapey clothes that spoke of dignity and no little wealth. Her expression was exactly the kind I’d wear if I had to deal with those hard-to-read signs long enough to be late.

“Hey Captain!” I called down to Sunlight. “Is that her?” I pointed.

Captain Sunlight hurried forward with her phone out, matching the look of the person with an image there.

Yup. Called it.

Acorn chuckled while the pair of them exchanged greetings and complaints about the station layout. “Nice one. The wisdom of the heights strikes again. Do they need you down there now?”

“Probably,” I said. “Actually not yet, this package is a small one. Mur’s got it.” As I spoke, Mur pushed a hovercart forward with a box on it liberally covered in “fragile” stickers. It had a carrying handle on the top, which it had come with, and rubber bumpers on every corner, which Paint had added just to be safe. All precautions had been taken.

“Oh good,” Acorn said. “Then enjoy the view with me a little longer.” She bent to pull something from the toolbag’s side pocket. “Top-of-the-tree snack?”

“Are those the ones you’re named for?” I asked, remembering a conversation the last time I’d seen her. Translations being what they were, her name meant a similar nut from her homeworld. It had been an amusing conversation, since we were both named after things found in trees. She didn’t know what a robin was, but once I explained it, she claimed to have met a number of people back home with similar names.

“Yes, the salted version,” Acorn said, opening the bag. “I recall these were on the safe list for your species.”

“Safe and tasty,” I agreed. “Thank you.” I accepted a handful of alien acorns and marveled quietly at how universal salt was on snacks. Well, for some species. I don’t think Waterwills or Strongarms were that into overly salty food in general. Probably for slug-like reasons. Eggskin the medic would know. I should ask him later.

Acorn peered over the other side of the ship. “Ohh, Riverbrook’s wearing his goofy helmet. I owe him some acoustics since he played that loud music while I was working.” She crouched, peering down at a crewmate who had just emerged. With care, she selected a nut from the bag. “Think you can thwack him from here?” The grin she threw over her shoulder was full of teeth.

I joined her at the edge. “I like my odds.”

The crewmate was one of those people made of crystals instead of flesh. I forget the species name. Very interesting to look at, and unlikely to be hurt by a high velocity acorn no matter where it hit. The helmet was golden, shiny, and probably a fashion statement of some kind.

“First we throw, then we hide.”

“Got it.”

“One, two, throw!”

Ping! Ping!

“Ow, what was — Acorn, is this yours?!”

We both giggled in childlike glee, just out of sight.

“No thanks, you can have it!” Acorn called back.

“I’m going to put this in your fruit drink next mealtime.”

“Good luck with that!”

I nodded. “Ah, a prank war. A noble pursuit.”

“See, you get it.” Acorn offered me more nuts.

I took them and made myself more comfortable. “I don’t suppose you know what a rattlesnake is?”

“Nope.”

“Then let me tell you about the time I got Trrili — the big scary Mesmer on my ship — with a classic prank from Earth.”

“Oh, do tell!”

I didn’t have to get back to my ship for a few minutes yet, which left plenty of time for more anecdotes and snacks on the good perch.

~~~

The ongoing backstory adventures of the main character from this book. More to come! And I am currently drafting a sequel!

[fishofthewoods]

Oh my god I woke up this morning and my Stardew Valley meta post had almost 150 notes????? Hello?????????? Anyways I started writing this last night because @moon-is-pretty-tonight left nice tags on the original so thank you so much!!

We know from the starting scenes of the game that the farmer's grandfather loved Stardew Valley. So why did he leave? Pelican Town is a good place to grow old; George and Evelyn are just fine. It's a fine place to raise a kid, but maybe he just wanted to raise his child closer to real schools and other children.

Or maybe, just maybe, he understood.

Was there a day when he was in his thirties where he looked at his friends and realized they weren't like him? That he could run faster than them, work longer, explore deeper into the hidden places of the valley?

Was there a day when he went to the wizard to ask him for help, for knowledge if nothing else? Did he learn then that his family was different? Special? Chosen? And how did he react? He couldn't possibly raise a child in the valley if they would be as strange and fey as him. He had to leave. There was no other way.

But years later, on his deathbed, did he regret that choice?

Is that why he gave the farmer the letter?

Is that why they went back home?

When the farmer steps off the bus that first day, the valley is still on the cusp of winter, just barely tipping over into spring. The flowers are starting to bloom, but a chill still hangs in the air. As soon as the farmer's boots touch the soil there's a change. The air gets warmer. The trees get greener. Not by too much, not all at once, but it changes.

The junimos watch the farmer as they do their work. They're new to farming, but take to it with frightening speed; their first batch of crops is perfect. None of the townsfolk tell them that parsnips don't normally grow in less than a week, that cauliflowers don't grow to be ten feet tall, that fairies don't visit when the sun goes down and grow potatoes and beans and tulips overnight. The junimos talk amongst themselves in their strange, wild language, and agree: this is the one. They're back. The valley recognizes its own, even when they've left for a generation. The farmers have come home.

Things change fast in the valley. The community center, empty and decrepit for so many years, is rejuvenated. (Lewis says it was abandoned only a few weeks after the farmer's grandfather left. Strange coincidence, he says, that it both came and went with the farmer's family.) The mines and the quarry, similarly abandoned, are explored for the first time in ages. The town becomes cleaner, brighter, more vibrant, happier.

And it is happier. Not just the environment, but the people. It's the talk of the town for weeks when Haley does her first closet purge. Leah's art show in the town square is a huge success. Shane's smiling for the first time since he moved to the valley. All of them, when asked, say it's all thanks to the farmer.

People love to ask why Lewis didn't fix the community center on his own. Why Willy never repaired the boat to ginger island. Why Abigail or Marlon never went down to fix the elevator in the mines, or why Clint didn't fix the minecarts.

But isn't it so much more interesting to ask how those things were there in the first place? How they got so broken down? If the stories the townspeople tell are true, the valley was once a beautiful place, flourishing and full of life; why did that change? When did it change?

Was it when the farmer's grandfather, the locus of the valley, its chosen representative, left town?

And if so, what happens when the farmer comes back?

[bi-writes]

STFU about how people write their readers. damsels in distresses, hardasses, fighters, lovers, scaredy-cats—if you don’t like it, write it yourself, i’m sick of people getting angry about how a writer purposefully writes something.

[fictionadventurer]

There's something about reading really great writing that's so relaxing. You can just sit back and let the words wash over you, knowing that you can trust the writer.

[mikakuna]

my problem is that i always end up emotionally invested in the angry abuse victim character-- the character who is always the "wrong" kind of victim. the one who lashes out and is violent, a complete juxtaposition to their sunshine/lawful good counterparts in the media.

i end up resonating too hard with these characters that i always end up on the shitty side of the fandom where people will see you as a bad person for enjoying representation of an angry victim.

[rjalker]

you can still have gender in a species that's monoecious, reproduces asexually, or even is just physically incapable of the normal means of reproduction, you people are just fucking obsessed with biological essentialism and the white supremacist ideal of gender.

[vani-ash]

What if Damon can't see/ there's something with his eye sight and this isn't like him being crazy and trying to choke Anawin what if these are all just him tying to see what Anawin looks like/feels like?