Art I did during my break but don't wanna post on main but you know what. I like Levi and Richard (and Arienne the redhead).
Basically, Levi and Richard go to school together, Richard decides to go by the name Richard and the only person to without question go along with "I'm a boy now" is Levi who calls him Dick. And then gets into fist fights with boys that don't call him Richard. So Richard falls pretty much in love in school then his parents divorce and he moves away.
Many years later (10+) Richard meets Levi again and it's very much nothing grand. Levi overhears Richard introducing himself to someone and is like "lmao Dick? You work here now? Sucks to be you" and Richard is immediately 'I love him so much I hate myself for how easily I give up all dignity for him' but yeah. They work in different departments so Levi does more behind the scenes stuff while Richard talks to clients and is very social.
And their coworkers in both departments love Richard because he's such a nice guy and Levi's department hates Levi a lot cause he's an asshole. (then stuff happens that would require a tw blah blah blah) So after a month of Levi not being at work he returns and Richard immediately goes over to the department to check on him and he's just. Incredibly mellow. No cussing and no cockiness and worst of all, he's being called Richard which is very much not correct from Levi. So he points it out that no one else calls him Dick and if he had a problem with it he would have said something by now so hey, maybe don't suddenly change the entire friendship on your own. (So Levi texts him later to say "sorry for being a dick, Dick" and Richard is v happy and content with that turn out)
Richard is honestly tragically created out of spite for the fact I saw a name IRL and I know that the state that I live in would in fact NOT have someone that intentionally funny and trans so I have to make my own funny trans guy to fill the void.
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btw. it’s not funny to be genuinely mean and terrible to your little sibling? just so we’re like. clear. it’s not funny or a joke to chase them around with knives or make fun of them to your friends or Lock them in a Dark Storage Room (to the one tiktok comment i saw) it’s not cain instinct or funny or “older sibling things” it’s genuinely traumatizing for some of them. and sometimes, whenever little siblings talk about the cruel shit their older brothers/sisters did to them that wasn’t a joke to them, 90% of the time those same type of siblings will call them babies or downplay it or, pull out the classic, “i had to raise you”.
kids shouldn’t ever be put in the position of having to raise their younger sibling, but it does not give you the right to be cruel and take it out on your sibling who did not have a choice in the family they were born in either. there’s a difference between ribbing and genuinely impacting the way your sibling views themselves and you because of something you did to them. i’m sick of this shit man y’all suck
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OBJECTION:
I AM AN OPEN BOOK, PEOPLE JUST DONT ASK ME FOR MY LORE AND IM NOT GONNA GO AROUND SAYING RANDOM SHIT IF NOT ASKED OR IN RELATION TO SOMEONE
AND
I MEANT IT MORE LIKE I WOULD JUST PREFER TO STOP ADDING ONTO MY LORE.
LIKE?? THATS ENOUGH SACRIFICES MAURICE I DONT WANT ANOTHER SACRIFICE OKAY??
I'm also one of those people where a person will try to be my friend and say "tell me about yourself" and my brain instantly goes radio static and I gotta keep the transatlantic accent at bay
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wip wednesday
Callebero had never hated anyone until he met the Capallan king. He had not known how much he did hate him until he saw the walls of the city rising from the sand, how that hatred could fill him like a scouring flame until he was sick on how much he wanted him to suffer.
Devolt stood before him now, with grey curling in his hair and new wrinkles by his eyes and mouth, and Callebero felt—tired. Spent.
He had had chances to kill the king before. He had not stayed his hand out of mercy or a sense of honor or nobility. First, when he took Tikana, Callebero had let him live because he would live the rest of his life with the weight of Callebero’s boot against his neck and he would not be made a martyr to rally his people in rebellion. Then, when he had attacked the camp, Callebero had spared him because Jisel, incomprehensibly, did not want her father to die.
Catterik had been furious. He’d fumed, seethed, hissed out all the ways Jisel was implicated in the attack—her arrival the night before, the blood on her hands, the knife shoved in her belt. When Callebero did not sway in his decision, he’d subsided only because Callebero was Alir’s child and Catterik loved Alir.
sometimes Callebero takes after his mom in military focus and legacy and sometimes he takes after his mom by getting a military commander to fall hopelessly in love with him
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It's 3 am. I can't sleep. And I'm still a little drunk so I'm going to word vomit into the void about Last Night in Soho.
I absolutely adore this movie. The acting, the directing, the cinematography, the themes- it's all fantastic! ... except for the character John. And this has nothing to do with the actor portraying him but John's place in the narrative as friend/romantic interest to Ellie while being a foil to Sandie's own "Johns".
Ellie's John is everything Sandie's aren't: kind (apologizing for taking her coke and offering to give it back, saving a seat for her in class, checking up on her through the semester), respectful (of her boundaries and her passion and personhood), supportive (showing up for her exhibition), and helpful (offering to look for Sandie in missing person cases and moving her out of her apartment at the end of the movie). Even Sandie - the character who hated men most - pardons him and absolves him of any perceived wrong doing, "Save the boy downstairs"; although just minutes ago she stabbed him in the gut and left him for dead.
Unfortunately, it reads alot like "Not all men!! ☝️"
For a movie to be so focused on the relationship between two women and one of them understanding the other as if she was herself, the crux of the film, the resolution of it is Sandie saying "You can't save me, it's too late for me. Save yourself. Save the boy downstairs." And it's only then that Ellie goes to safety, she saved herself to save a man.
It's frustrating.
It's also frustrating that any other girl around Ellie's age is vapid and facetious "So brave ❤️" or an insecure bully dragging people down. Of course, this serves to make Ellie's attachment to Sandie stronger but writing John as a woman without romantic connotations would not stop her from being starstruck by Sandie. It would only highlight the sisterhood theme.
Sandie saying, "Save the girl downstairs" would make way way more sense for her character, Ellie's character, and the themes.
You can still have Ellie bring home someone near Halloween and still have his name be John and still have him respect her boundaries when the vision bleeds into reality.
Gotta keep in mind that this would edge itself closer into the black best friend being a prop/support for the main white character without being afforded their own personhood cliché, but that could be easily circumvented with decent writing.
Overall, it would tighten the film's message of sisterhood, women supporting women, and advocating for each other. This film is at its best when Ellie is showing kindness to Sandie by pulling the blanket over her feet. Her being protective over Sandie by shouting, "She said no!" Trying to hug her and show her she isn't alone. Her hugging Alexandra and seeing Sandie. Her refusing the Johns' their revenge. By taking Sandie's side time and time again. And Alexandra asking Ellie after the dance when her John left, "Did he hurt you?" As if she would hobble down the street that very second with a knife to track him down.
Another girl must not suffer in that room. Not under that roof. Not in the whole damn world. Not if Sandie or Ellie or I have anything to say about it.
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(Really long ask ahead i’m sorry!) I think your thoughts on dick and his similarities vs differences to bruce are so interesting! Personally i’m wondering how much of NTT played an influence on this kind of characterization bc i’ve never fully finished ntt but i read like nearly all the pre-80s batman 1940 issues lol and dick very much was portrayed as more idealistic than bruce in some ways while more no-nonsense (? For lack of better word) in other ways, like when it comes to batman easing up a little on selina for romance reasons LOL. Though ofc dick totally turns into - well, a dick - in team books, as i grow older i find myself far more compelled by a potential story of an 18 yr old who seemed to have the whole weight of the world on his shoulders (by his own perception) and breaking under his own impractically strong sense of duty and sky-high expectations for others, then realizing as he grows older that it doesn’t have to be that way esp after seeing the perspectives of characters like kory, wally, joey, roy, etc. Like personally as someone who never really had a huge interest in NTT anyway, i’m surprised at how desperately people want to hold on to the characterization of dick when he was 18-19 and never letting him grow past that, like it’s so difficult for me to believe that at age 25 he would be the same uptight controlling kid that he was at 19. Maybe i’m biased though bc i was like one of those insufferable INTJ internet stereotypes as a teenager, and while that worldview did bring me achievements i’m proud of like the fact that i’m in med school rn studying what i love, i still know that at age 22 i have changed SO much from when i was 18 and i can’t imagine any reasonably mature or normally-functioning person (let alone someone high-functioning like dick) not doing the same lol. Especially since dick is the kind of person who would literally die if he’s not constantly growing and evolving past his faults bc of his insufferable perfectionism, idk how he’d be willfully blind to the negative effects of his worldview in early NTT and refuse to grow from there. He even has a quote that’s like “i’ve spent years as a student of my own behavior” which i always found highly encouraging bc i know he really does want to improve himself even at his worst. It reminds me of that Marcus Aurelius quote: “if someone can prove me wrong and show me my mistake in any thought or action, i shall gladly change. I seek the truth, which never harmed anyone; the harm is to persist in one’s own self-deception and ignorance.” But what are your thoughts? (Thank you for reading all this 🥹)
oh i absolutely agree! i cannot tell you how many times i think about the person i was a couple years ago and who i am now like i cringe so much omg.. maturity is an ever persistent process even if we don't recognize its effects immediately and it absolutely is crazy to think that anyone would remain in such a static state of mind for several years on end. esp when like you said dick is someone who wants to be better! so despite his several hypocrisies it is nonetheless in his best interests to look internally and analyze and evolve. and i feel like that very much could have happened had there been any actual segue between dick's breakup with kory and his re-entry into the batfam. i don't think there was much of a connection between these two sets of writers at all and so what you got is what felt like two very distinct parts of dick's life that didn't necessarily reveal a bridge point. so it's not entirely unrealistic that dick may grow to be the person (at least to some extent) that bat canon portrayed him to be in the years that followed but i certainly think as it stands it felt unearned and like all of his issues explored in ntt were conveniently swept to the side without any semblance of closure (albeit i do think some of these issues are addressed in outsiders '03 but in that dickheaded way that winick explores things generally. so i'm not sure it's the kind of closure people actually want). it's very sad and ig that's what people cling to more than anything. it's not that they're opposed to him growing to be a better person but that they're opposed to a version of dick who feels like he sprung out of nothing
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