#what fucking tags do people even use

[necrominn]

it's not even art block i'm like severely mentally ill i can't do shit so have these ed doodles

that on the right was an eli sketch but whatever

i hate his fucking glasses i hate drawing glasses goooooddamn his mother birthed a mole

[x-amount-of-posts]

I NEEEEEEED Kurt shippers. or just Kurt insane people to know that the german word for tail is also german slang for penis

"You like my tail dont you" said in german ("Du magst meinen schwanz, oder?") will be read as "you like my dick dont you" by a german

this isnt to discourage people from using the word Schwanz, the oposite, i want people to write Kurt saying that because he WOULD

[cecoeur]

How do you sleep at night? No one to hide behind Betrayed every alibi you had You had every chance to make amends instead you got drunk on bitterness And you still claim that you're innocent, it's sad

[fiveht]

Some notes on some stuff

An update on creative pursuits:

I can now honestly admit that part of me never thought I'd be able to say this, BUT! Adore part 3 is now completely written. Let me be clear, at no point did I give up on hoping and wanting to finish it, but for a while in the past year it felt like an absolutely insurmountable task that I would never wrap my brain around. I want to give myself some time to sit with it, so it's not getting posted yet, but I will give a tentative, rough estimate of late March or early April for the first chapter. Surprise surprise, it's the longest instalment yet, at over 60k words.

Concerning binding and other transformative works:

I've had a few inquiries about binding Adore verse and I don't think I've answered most of them (sorry!), so I'll just say this:

I give blanket permission for anyone to create a binding, podfic, translation, or artwork of any of my stories. I don't even mind if you don't ask me first, as long as you tell me about it once you share it. In the case of bindings, I'd love to be sent a copy, if at all possible. In the case of any other works shared in online spaces, I'd just like for you to include a link back to the original work on AO3. And for translations, I'd prefer that it be kept on AO3 itself, because I really am not a fan of other fanfic hosting websites. If you have any other questions, feel free to shoot me a DM, and don't be shocked if it takes me several weeks to respond, because that's just how I roll.

[lovelyrotter]

ill probably delete this in a minute but ive just been fuckin boggled by what ive seen across tumblr in the last few days in particular. its why i havent really been around. like holy fucking shit, its really like some of yall just dont want a chunk of the trans community to exist. like some of yall are thisclose to saying it verbatum. way too many already have. 'shut up sit down be quiet and smile for us' type shit, gee where have i heard that before. oh yeah my entire life cause i was forcefully gendered as someones daughter. shock horror i know. you might be surprised to remember and/or learn that very few trans folks know theyre trans before we're 5, or even 10, and that that gendered experience stays with all of us in both/either small or large ways. either bc we literally dont have a solid identity yet (bc we're very small children), dont have the words, we're repressing it out of fear from how others will treat us, we're actually enjoying or enjoyed being another gender in our childhood, or we just genuinely didnt fuckin know until shit lined up later in life. weird isnt it that transmascs dont pop out as 6'1 brick shithouse cis men when we're born so yall know for certain that we're confused lost girls/women oops i mean big dangerous scary men. its almost like we're transgender too. none of yall actually know what intersectionality is or means

[bacchuschucklefuck]

official finish-this-sketch-how-you-want post idk what to call thisSAMPLE TEXT

hi! I miss drawing with people in a café and some folks mentioned they'd like to mess with my sketches themselves and that sounds cool so this is now a thing. if u play gartic phone this is basically the complement mode! but without the fucking ring noise that freaks you out right when you're getting into the flow of it

few things are 1/there's no hard deadline! take this at ur own pace if u do, but 2/I'll also be finishing this sketch and I estimate it to take around uhh 3 to 4 days? from the time this is posted. so if that's a structure u like then let's aim for something done in that timespan as well! and 3/if u finish ur piece and post it and want me to see it the best way to do that is to @ this blog! above all we go into this one determined to have fun and enjoy. I already bought u a matcha latte with oat milk sorry if u don't want that

here I got u today a sketch that's supposed to be Riz Gukgak (SY) (grey bg version and transparent version for ur ease of peruse)

remember to have fun & be urself & finish ur drink & see u in 4 or 5

[normystical]

ATTENTION ALL ALASTOR SHIPPERS: 

uniromantic 

THANK YOU FOR YOUR TIME. PROCEED

[gossippool]

hi can i mansplain -, –, and — to y'all. this is not even directed towards anyone i just have no opportunity ever to talk about this so take these as fun facts on punctuation i guess

so these are called the hyphen (-), endash (–), and emdash (—), and these are all used in different and specific ways. (also the endash and emdash are just called that because of the lengths of the letters n and m. now you know)

firstly, the hyphen (-) is used ONLY to connect words, like uhh. self-respect or something. and speaking of which, you hyphenate words whenever they are adjectives put before a noun, like a five-year-old boy, but not if the boy is five years old.

secondly, the main usage of the endash (–) is actually for ranges. when it is a replacement for "to", like the years 2012–2015 for example, or the time 1:30–5:30, you should be using the endash with no spaces before and after.

moving on to emdashes (—)! they can also be represented by two hyphens (--). so when you break up a sentence like this—to talk about extra information and whatnot—you either use the emdash (—) with no spaces before and after it as shown above, or the endash (–) with spaces. the hyphen should not be used at all in this context.

"and if you're interrupting someone—"

"—or if you're—if you're stammering and repeating words, you should be using the emdash as well."

speaking of which, you can interrupt dialogue with action (without a speech verb like 'said') like this:

"you did all this"—she gestures around her—"for me? 🥺"

there is no occasion in which you should have a space after an endash or before it.

and that concludes my mini ted talk. thank you for coming

[deadpoetsandlivinglegends]

Something something our lives are echo chambers and we just keep repeating the same motions

[coolcarabiner]

lesbians who are terfs will never make any sense to me crying about the supposed exclusivity of the “female experience” like my brother in christ she experienced an othered, lonely, confusing childhood where she was made to feel inadequate in her gender, sexuality, or both just the same as you and instead of letting this unify you against patriarchy you just enforce it on other people to maintain the sliver of “power” you think you have. how do u not see how dumb this is oh my god

[sideblogdotjpeg]

have been thinking about professor sol even. professor bufo with no clearly discernable lesson plan. sol bufo ostensibly martial arts professor who spent two weeks running a yoga and meditation program and shows up to the next class with crochet hooks for everyone. professor bufo who is technically supposed to be assigning grades to students but hasnt given anyone less than an A because "i think they worked really hard and they did a great job :)" (referring to the ugliest and most malformed pot holder anyone has laid eyes upon in their life). professor bufo who is on his way to cluelessly kickstart the sexual awakening of about half the cohort of the academys new students. sol bufo adjunct professor who is gone half the year and his first class back is so immediately and easily baited into going into a long tangent about how cool his friends are. sol who is pretty sure hes easily the most useless professor on campus and almost cries when he sees his little desk overflowing with thank you notes at the end of the year. professor bufo absolutely fucking gloriously hot in the tightest little sweater vest because there were faculty complaints when he wore a crop top to class.

[crystallizedkingdoms]

okay yiik i.v is out so it’s time to say it again

please for the love of GOD and all that is holy, if you are going to completely shit on the game, TAG IT as anti yiik, yiik crit, or yiik critical. especially if it is in bad faith or you haven’t even played it! im not here to change your mind, but you guys Have to understand that there are fans of this game whether you like it or not, and fans across tumblr generally do not like it when you use the tag to fill it with negative opinions that are 95% of the time conceived from bad faith misinformation campaigns.

just Tag it as the tags above (or don’t tag shit at all!) instead of using our general fandom tags so some of us can filter it out, it’s basic tumblr etiquette. Come on

[cent-scratchnsniff]

here together

[ponyrepress]

I think we need to blow up the mouthwashing tag on every social media site

Solid fucking agree 🚬🐴

[fujii-draws]

OKAY! Chatot rant in tags below! Read at your own discretion.

[skrunksthatwunk]

kinda thinking about how the women who serve as maternal figures/raise kids in yyh are never quite ready for it. genkai's an arguable exception, but like.. atsuko had yusuke at 15, shizuru's basically in charge of kazuma full time in her early 20s/late teens (depending on version) with very very absent parents, and even shiori is given a kid she wasn't expecting, in the form of an old, old demon rather than like. a regular, blank slate ass human baby. and although shiori seems to do quite well with kurama, kurama can never be honest with shiori about who he is, or much of what he's seen. if he was, it'd probably make things far more complicated and overwhelming. atsuko, no matter how much she cares for yusuke, Could Not Have Been and thus wasn't ready to have him at 15. her attempts to make the most of that situation have had middling success at best. shizuru has also been placed into a parental role. we don't really know how long she's been raising kuwabara, but that's.. probably still parentification anyway. she shouldn't have to do that, and she shouldn't have to do that so young. and i think some of her coarseness with kuwa is out of frustration with her own inexperience + inadequacy + uncertainty, his not cooperating, and their parents for putting this on her in the first place. the ones who know the full extent of their situation grow desperate and it squeaks out in unpleasant ways, and the one who seems unbothered by it is the only one who has no idea that she's in way over her head. and i mean. ok. gonna preface this by saying keiko is NOT yusuke's mom in any sense of the word. but she does take care of him in a way atsuko couldn't manage to. she's often looking after him and cleaning up after his messes and stuff. she takes him on as a responsibility, and that is, in a way, a caretaker role. not to say that it SHOULD be her responsibility, but it's how she ends up being.

and when the stress of trying to make someone take care of themselves or be kind or good or Whatever goes awry, again, the violence and arguing and distance and ugliness of caring for someone reveals itself.

and i wonder about that. for a series dedicated to physical fighting as a form of communication, what does it say that this extends to the complicated, quietly desperate situations of so many of the women/girls it depicts, whom our more central characters were shaped and raised by?

hell, even hiei touches on this, because hina loved hiei, but there was no way she was prepared for him, obviously, nor for the pain of losing him. rui (whom i also see as a sort of caretaker figure to hiei, inasmuch as either of them were caretakers) literally throws him off a cliff because she couldn't face down the village elders, and out of some mixture of care for hina and, likely, fear for her own survival. and the guilt and pain of that killed hina and deeply wounded rui.

it's like motherhood, this thing that's so often treated as sacred and beautiful, is a kind of stitched up, painful, eggshell-walking thing that hurts parent and child and it's just. oughh