From Seed to Success: Exploring the Advantages of School Gardens and How to Foster One in Your Child's Educational Journey
Introduction to School Gardens
As you all know I love to include my children in my outdoor adventures, AKA gardening 🙂 They may not always appreciate the ‘work’ they have to do right now, but I truly believe they are learning invaluable lessons in life.
School gardens have become increasingly popular in recent years as educators and parents recognize their numerous benefits for students. These…
View On WordPress
0 notes
at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
18K notes
·
View notes
I had a very odd dream where a train (or bus?) I was on got yanked into another world. While my dream had nothing to do with SVSSS, it did have my waking self thinking about how hilarious and/or horrifying such a thing could be as an AU.
Imagine Shen Yuan riding the subway, train or bus one day, when something happens and his whole car gets yanked into the world of PIDW. Nobody else in the car knows anything about PIDW, so Shen Yuan finds himself with the self imposed task of keeping this eccentric group of strangers alive in a weird world full of demons, monsters, and aphrodisiac plants.
The group’s first assumption would probably be that they’re still on modern earth, and just got teleported somewhere. Their second assumption, if they come across common folk, might be they somehow ended up in the past.
Then they run into some monster, or people riding on swords with specific uniforms, or a commoner mentions a name or event only Shen Yuan recognizes. The rest of the party debates what sort of Xianxia or Wuxia world they’ve ended up in, while poor Shen Yuan sweats bullets. He knows exactly what world they are in, and they are so screwed.
I have this image of poor beleaguered nerd Shen Yuan successfully protecting and leading this group of primary school kids, their cute teacher, and a handful of grannies and grandpas, while all the other adults and older teens keep wandering off and getting themselves in trouble.
432 notes
·
View notes
Sam ending up throught groundbringe fuckery in Tfp would be such a vacation for him i think. Less action, less aliens ripping each other to shreds every miniute, the difference between how bay formers and tfp formers look.. Sam would look at tfp cons deadpan not afraid at all
Meanwhile the kids in Bayverse would get treated like sparklings probably(wattch Miko growl once at a con and promptly get adopted) Raf especially. Jack would take one look at everything and just go to work in NEST cafeteria until others can figure a way back home for him, Miko and Raf because he's NOT getting involved in this housefire(would avoid bay!Op like a plague something something honorary prime nonsense)
Sam is right there, chilling and spazzing on the minor things (to everyone else in TFP), while completely blasé to the major world-changing/world-ending things. He's been in more than one "end of human civilization" scenarios. It's not his first rodeo, and he's not even counting the doomsday panic of 2000 and 2012. He's immune to crazy, otherworldly shit via alien technology. If anything, he's weirdly disappointed over the lack of alienness of their Artifacts.
He literally resurrected his version of Optimus, met the Dynasty of Primes, had the Allspark in his mind, and dealt with the Fallen that manipulated gravity fields.
Sam's treating it like an unwanted vacation to a place that lied upon the brochure. That guy is like a powerful magnet for destroying Decepticon plans. He would probably fall into a chasm of a hidden Energon mine or interrupt an Artifact expedition to his advantage because 1) Allspark guided him, or 2) he was getting to antsy in the base of nothingness (no human personnel, no cafeteria, no agents, no systems or tasks for him) and did a runner.
He definitely puts his foot in his mouth when he meets Arcee. Sam would never get used to their more human-like frames.
Sam's boogeyman would be M.E.C.H.
Meanwhile, the Jasper Trio is stuck on Diego Garcia. They're taken back by the immense operation that's N.E.S.T. and feeling really lost. Miko doesn't have a Bulkhead-equivalent, Jack doesn't know what to make of the triplets, and Raf isn't clicking this Bumblebee.
Because everyone is too busy, they're trying to slot into things without getting too underfoot. Jack already has certifications related to his fast food job, so he gets into the mess hall to prepare meals for hundreds. Raf and Miko get into the science portions. Raf is making a name for himself as he has the most success bridging tech and understanding the Cybertronian script. Miko likes explosions.
The kids are boggled by all the politicking that goes into it and the more intensely magical things with the Allspark.
Those three will never, ever not laugh at Dorito-Starscream.
(Both sides have the not-so-fun realization about the malfunction connected to Unicron in the middle of Earth. That's too farfetched for anyone, but the truth literally grabbed the respective Primes with giant elemantal fists to viciously shake them.)
212 notes
·
View notes
It's kinda shocking to me how few people seem to know how prevalent the 'my great grandmother was cherokee' myth is and how it's almost never actually true, especially when it comes with things like 'never signed up' or 'fell off the trail' or 'courthouse burned down destorying the documentation' etc etc.
People just don't even seem to know the history like.. when the Trail happened. My great great great grandfather was 2 years old during Removal in 1838, so peoples 'my great grandmother hid in the mountains!' is so clearly wrong. And we have rolls. From before and after removal, rolls done by cherokee nation and others by the government, rolls that were not stored in one random flammable courthouse. It's not difficult to find the actual evidence of ancestry.
And just.. there are lots of ways those family stories get started. It was a practice during the confederacy to claim cherokee ancestry to show one's family had 'deep roots in the south' that they were there before the cherokee were removed. Many people pretended to be cherokee and applied for the Guion-Miller payout just to try to steal money meant for cherokees - 2/3rds of the applicants were denied for having 0 proof of actual cherokee ancestry. [We even see lawyers advertising signing up for the Miller roll just to try to get free money.] And the myth even started in some families in the cherokee land lotteries, where the land stolen from us was raffled off, including the house and everything that was left behind when the cherokees were removed. We have seen people whose families just take these things stolen from the cherokee family and adopt them into their own family story, saying that they were cherokee themselves.
If you had some family story about being cherokee and you wanna have proof one way or the other, check out this Facebook group run by expert cherokee genealogists that do research for free. Just please read the rules fully and respect the researchers. They run thousands of people's ancestries a year and their average is only around 0.7% of lines they run actually end up having true cherokee ancestry.
498 notes
·
View notes