#what do I do for a living? I get this cash!

[wstviewvidal]

pas de deux- w. maximoff

summary: who knew a four year old could be your wingman

pairing: rich!wanda x r

a/n: hi beautiful ppl! second part of dc is here! i have nothing to say except we love valerie

dirty cash masterlist

minors do not interact

it’s been two weeks since the word spill incident— as your friend likes to call it. two weeks since wanda maximoff has occupied your mind like an uninvited guest you can’t get rid of. two weeks of face-palming yourself after replaying the conversation you two had at the bar.

your friend definitely hasn’t let you live it down either. you two were on a call a few days ago where she decided it was the perfect time to remind you that you were an idiot and how you practically told wanda that her organization was terrible and didn’t serve a true purpose— and she was right.

part of you wishes you could find a way to reach out to her to apologize and make amends, but the other part of you feels she’s already forgotten about you and your foolish remarks. maybe that was the truth— maybe wanda had already forgotten about you.

you shake off the overwhelming thoughts and take in a deep breath before you exit your car with the bouquet of pink flowers from the passenger seat. tonight wasn’t about you or your overthinking— it was about your niece. valerie had been begging you to come to her ballet recital for weeks, and how could you say no to the curly haired girl with big brown eyes and an overly convincing pout?

so, here you were for the little girl with a bouquet just about the same size as her.

you weren’t much of a ballet or theater kid growing up, but your niece had a true love for the stage— the dramatics of it all and who were you to not support her? her enthusiasm for the art had been unexpected, but you couldn’t help but admire her for it.

your niece is the light of your life and you often find yourself always agreeing to whatever she asks. she has you wrapped around her tiny finger, not that you mind.

the auditorium is buzzing with chatter and excitement as you get in line alongside parents to enter the theater. you glance around and smile softly while holding the flowers close— this isn’t your crowd, but the reminder that it’s for your niece is what pushes you through.

while the line inches forward, you put your phone on do not disturb. heels click behind you as you replay the last time you came to her performance. you don’t pay mind to the sound that’s getting closer until you feel a soft tap on your left shoulder.

you turn around and low and behold is the woman who’s lived in your mind for the past two weeks, wanda.

your eyes widen just the slightest bit and wanda grins at your surprised expression. “and here i was thinking i’d never see you again,” she says, light laughter filling the air between you two.

you blush almost instantly and smile widely at her, “wanda! hi, how are you? what are you doing here?”

wanda subtly looks you over, admiring your casually put together outfit, “i’m better now that i’m seeing you,” you try to hide an even deeper blush, “this is one of the schools that my company sponsors— we help out with the after school programs. i wanted to come out and see the recital.”

wanda speaks with pride, something you’ve grown to admire about her—her genuine love for what she does. maybe you were wrong in doubting her and her company.

wanda looks down to the flowers in your hands and tilts her head in curiosity, “do you always carry around bouquets this big or is there someone special here tonight?”

“my niece is performing, i promised her i’d be here. she’s the only one who can boss me around and get away with it.” you gesture to the pink flowers in your hand and laugh a bit.

nodding along with a warm grin, she admires the flowers, “that’s really sweet. not everyone gets an adult like that in their lives.”

nodding to her statement as the line moves forward into the seating area and you turn to wanda, “you could sit with me if you’d like.”

you try to extend an olive branch to the businesswoman, the soft look in your eyes is making it impossible for wanda to say no.

“if that’s alright with you,” she follows alongside you to a seat in the middle of the auditorium.

what wanda didn’t tell you is that she normally has a specific reserved spot during these events in case she has to leave earlier than expected.

but sitting with you seems much nicer.

as the house lights begin to dim, wanda leans over and gestures to the flowers. “here, let me hold them and i’ll hand them back when you need them.”

you smile gratefully and hand them over to wanda with a soft thank you.

the classical track plays on the speakers and you can see the small children with their tutus filing in stage. your niece isn’t hard to spot, fourth from the right. you beam with pride as she spots you in the audience after scanning up and down for her aunt. wanda gazes at you with a flicker of admiration as you clap and cheer for the little girl who is dancing.

“there she is. that one’s mine, valerie,” you point to the small brunette with the slightly cooked bun and impossibly large grin plastered on her face.

she follows your direction, then turning back to you. wanda’s gaze lingers— not on your niece, but on you. there’s something in the way you light up when you watch the little girl that catches wanda off guard.

“beautiful.” she murmurs, so low you barely catch what she says.

perhaps wanda was foolish to think that of you already. maybe this is the reason she always finds herself in relationships with people who never truly see her for who she is— just what she can bring to the table.

or maybe it’s the way you treat wanda like a person worth getting to know that has her gravitating towards you. the way you lit up for your niece caught wanda off guard. she couldn’t remember the last time her heart rate sped up that fast at the sight of someone’s smile.

as the show comes to a close, the small children bow and wave to their respective adults. you turn to wanda with a laugh, “those kids are so much more entertaining than an actual professional dancers.”

wanda nods along with a chuckle, standing up with the bouquet, “oh, i absolutely agree. should we go find her?”

you nod and stand up after wanda, “yes please,” you tilt your head with a subtle teasing grin at wanda, “would you like to meet her?”

wanda’s heart beats a bit faster and she finds herself agreeing before she can even consider saying no. the softness in your voice and the way you tilt your head makes it hard to decline. so you two stand in the foyer as she holds the flowers while you scan for your niece.

the little girl comes out with a grin that almost covers her whole face, “auntie!” the little girl jumps into your arms and hugs you.

wanda observes the scene in front of her with loving eyes, the scene rich. she’s holding the flowers with a firm grip, like someone would come by and snatch them from her. why is she nervous to meet a four year old?

she has no idea, but she does know that her heart is racing.

maybe she’s already found herself in too deep way too early.

the little girl turns to wanda with a shy expression, giving a nervous wave as you introduce wanda to her.

“this is wanda,” you gesture to the taller woman next to you, “she’s our friend.”

wanda crouches down to your niece’s height with a friendly smile, “hi miss valerie,” she says softly, “you did amazing! you were the true star of the show.”

that won your niece over. she giggles and begins blabbering to wanda about how much she practiced and enjoyed getting ready. wanda is actively listening and conversing with the small girl, giving her complete attention to the tiny ballerina. it surprises you how easily the two have fallen into a comfortable conversation.

wanda’s eyes meet yours for the briefest of moments and you two smile warmly. there’s something unspoken there— something warm and genuine that lingers between the two of you.

your niece grabs wanda’s hand, “are you coming with us to dinner?” her big brown eyes looking up at wanda with a small pleading expression.

wanda hesitates for a second and looks over to you with a nervous look, while you laugh at the scene in front of you. “i told you she’s hard to say no to.”

the three of you arrive to a italian restaurant and wanda holds the door open for you two, her hand on the small of your back as she ushers you two inside while you hold the tiny girl’s hand. you’re sat in a booth, wanda across from the two of you who is enjoying talking to your niece about her favorite class and four year old drama.

“she’s normally a super shy kid,” you whisper to wanda in awe as the little girl is momentarily distracted with a breadstick.

wanda watches the little girl with a warm look in her eye then turns to you, “she’s like her aunt, hard to resist.”

you chuckle and playfully roll your eyes, turning back to the little girl to fix the small curls that have popped out of her bun. the warmth in wanda’s words make your heart flutter.

you three eat over a family style italian meal and when the waitress comes back to ask if you’d like dessert, you go to say no— but wanda turns to valerie with a sneaky grin.

“val, you want some cake?” wanda has a playful smirk. valerie’s eyes light up and she nods enthusiastically, the fallen out curls moving with her.

you turn to wanda with mock seriousness, “wanda, you’re spoiling her.”

immediately and with an almost flirtatious tone, wanda quips, “only fair if i spoil you too, don’t you think?”

that stumps you. you blush slightly and try to play it off by looking elsewhere, but the teasing smirk on wanda’s face tells you that she noticed the flush.

after dessert, your niece falls asleep on your lap while you converse with wanda.

“she really likes you,” you say to wanda quietly as you look down to the brown haired girl in your lap, “i’m surprised she warmed up to you so quickly.”

a blush forms on wanda’s face, ever so faint that you almost miss it— almost.

“and her aunt? what about her?”

wanda’s low questioning tone brings a heat up to your cheeks that you so desperately wish wanda can’t see. the question catches you off guard, but you force yourself to meet wanda’s gaze, “maybe,” you say with a smirk, but your voice came out much softer thank intended.

there’s something in the way the two of you look at each other— something beyond whatever it is you two thought you had.

the waitress comes back with the check and you reach to your purse for your wallet, but wanda beats you to it and hands the check back to the waitress before you can even protest.

you look at wanda and speak with an exasperated sigh, “why did you pay? i was going to.” you partly feel guilty that wanda paid when it felt that you were the one who dragged her along.

wanda shrugs with nonchalance as she starts cleaning the table, “why not? you deserve a night out and so does the baby.”

wanda’s nonchalance and the way she’s taking charge surprises you, but you’re not hating it. there’s something comforting in the way she’s taking care of the two of you.

you still feel partly guilty and begin to help wanda pick up the table, “is there anything i can do to pay you back? i feel bad that we dragged you out with us, i’m sure you had other plans.”

wanda laughs and waves her hand dismissively, “you didn’t drag me, i chose to come with. and as for paying me back..”

wanda has a look in her eyes that only spells trouble and it makes you nervous, “my company is having a dinner next month. would you like to be my plus one?”

you’re caught off guard but just as you go to respond, the waitress comes back with the receipt.

“your daughter is the cutest thing, you two must be so proud. have a great night!” the waitress picks up the plates and moves on before you can ever correct her.

you look over at wanda and laugh a little bit, “sorry.” you pick up the sleeping girl in your arms and the two of you walk out to your respective cars.

wanda walks you to your car with a light hand behind your back, making sure you carry valerie safely as she checks the road for cars. the streetlights cast a soft glow over the parking lot, wanda’s protective instincts surprising you in the best way.

just as you two stop in front of your car, your niece wakes up and realizes it’s time to go.

“is auntie wanda leaving us now?” her tiny voice laced with tiredness as she reaches for wanda.

wanda is caught off guard with valerie’s words but works quickly to grab the little girl whose tiny hands are grabbing for her, “yeah, honey, i’m taking off. maybe if your auntie is sweet enough, we can go out to eat again.”

wanda takes a peek at you from behind valerie’s head with a playful pout. you nod softly to her silent request to see each other again. you admire the scene in front of you, the way wanda’s rocking the little girl in her arms and gazing at the four year old with pure joy.

wanda works quickly to get valerie in her car seat that is in the backseat of your car before she wakes up again.

she turns to you with a new look in her eyes, something comforting and touching. “she’s the sweetest thing, you know that? a lot like you.”

you giggle and roll your eyes, “whatever you say, wanda.”

you lean on your car and eye wanda as she pulls out her phone from her back pocket, “i meant what i said in there,” she gestures back to the restaurant, “i want you to come to the dinner with me. i promise it won’t be like the last time.”

at the mention of the past event, you groan as you put your phone number into her phone, “stop bringing it up.”

wanda laughs, a sound you are growing to love. “seriously though. i want you there with me.”

the way she says it, the way she looks at you with soft eyes, it all makes you giddy inside.

“i’ll see you,” wanda says as she puts her phone back into her pocket, giving you a warm smile before she turns back to begin walking to her car.

you watch wanda leave to her car from inside your own with a grin. just before you take off, you can hear your little girl from the back, “auntie, your girlfriend is really nice. i like her.”

you roll your eyes but can’t hide your smile. you mentally thank valerie for convincing wanda to come to dinner with you two.

“she’s not my girlfriend, val,” you laugh at your niece’s assumption that you and wanda were dating.

she lets out a soft yawn and holds one of her stuffed animals close to her chest as she sits in your backseat, “but she could be.”

looking in your rear view mirror at your niece, you can’t help but be surprised at her words. how could a four year old possibly know about this stuff? you fight the urge to press your niece further about her knowledge, but decide against it.

arriving home, you carefully pull your niece out of her car seat and take her to your bed to sleep until her parents pick her up later. you press a small kiss to her forehead and let out a soft sigh at the memory of the conversation in the car.

staring at wanda’s contact as you sit on the couch, you can’t help but replay the day’s events over and over. the way she was gentle with valerie, the way she looked at you and took care of the both of you, and the small bashful smile she had when she asked you to be her plus one.

you type and erase several different messages until you decide on a fairly simple one to send to wanda.

thank you for tonight. valerie really likes you

you hit send and place your phone down before you choose to not send anything at all.

not even a whole minute passes before your phone buzzes with a new message.

she’s adorable.. just like her aunt

you bite your lip to keep from smiling like a fool at her text. her reply is short, but you can already hear her voice as if she was saying it out loud. she sends another text before you get the chance to type something out.

seriously, though. thank you for allowing me to tag along. i loved it. i really hope you’ll think about being my plus one next month

you mentally envision yourself with wanda, your stomach doing flips at the thought of you being by her all night. her gentle demeanor and hand guiding you through the night makes you smile foolishly.

i’ll think about it, i promise. goodnight, wanda

you type out the response and hit send quickly before you get the chance to talk yourself out of it.

goodnight, you

maybe your niece was onto something.

[marithlizard]

I'm sure the haters are in full spate right now about the woobification of Blitz, but when I look back across two seasons it seems obvious now that this is what he has always wanted.

Even back in Murder Family we saw his familial love and pride towards Loona. His mom's skull charm and the poster of him with his sister were already present even though we didn't know what they meant yet. And there's that moment at the end when he's crass and rude to Moxxie, steps through the portal and then stands there looking really sad while Millie says the supportive loving things he didn't.

Part of Blitz's terrible behavior is because he's a gleefully chaotic evil murder gremlin. Part of it is poor impulse control and neurodivergent traits that some of us recognize in the mirror to a painfully sympathetic degree. Part of it is trauma and self-hatred and self-sabotage. And I always assumed some of it was lack of practice. Someone raised by Cash and then abandoned as a teenager is going to have different experience than someone who grew up in a loving, stable large farm family.

But Blitz wasn't only raised by Cash. And we saw how supportive he was of Fizz, back before their lives went to shit. And despite his flaws as a parent he has won Loona's love, trust and respect (more than I ever would've thought before s1e8 came out!) He's got these skills. He just…never felt safe dropping all his guards and using them before.

(Is it realistic to think Blitz will keep up this level of selfless patient cherishing forever, and never get irritated at Stolas? Nah. They will bicker, more than M&M do, and probably have at least one serious disagreement next season. The current living situation is certainly not going to work longterm. But I have no doubt they'll figure it all out in the end. )

What a great way to end a season. Nothing bad happened, no surprises, or anything that was a gut punch. You know, just wholesomeness 🥲

[imsiriuslyreading]

being a POC in the Marauders/HP fandom is really interesting to me because it seems and feels like a really predominantly white space, which, hey, nothing new! and that does come with some challenges. for the most part, they're fairly under the radar.

it's things like being able to count the POC in a discord server on one hand, even though there's 100+ people in the community.

it's people not taking into account racial dynamics whether that be in a fic, or in a tiktok, tumblr, whatever. there are innate power imbalances in our society (regardless of what country you live in) and to assume because this fandom is a largely open, liberal and leftist space, that they don't carry over to fandom, is exceptionally naive. buuuuut, we live and learn, so people can and should be given a certain amount of grace. but what is unforgivable is to have them pointed out to you and for you to dismiss, ignore or belittle them. Not only that, but you as a white person, do not get to be the forgiving voice to another white person when they make one of these mistakes. please please please respect and understand that.

there's also (and i'm sorry if this is controversial and frankly it makes me really nervous to even write this), a trend of assigning ethnicities, cultures and races to characters in stories without having a proper understanding of them, or having a particular reason for doing so. I'm never going to sit here and say "you as a white person shouldn't write about ____ race!", because I don't believe that. but what I would really, really love to see, is for white creators and writers to ask themselves some questions beforehand:

what does the race of this character add to the story outside of me chasing clout with a particular group of people/is it necessary for me to be writing the lived experience of a culture/ethnicity I've never taken the time to learn about?

if so, why?

am i the right person to be doing this?

are my actions outside of my writing towards these POC reflective of this?

i also think it's really important to remember that unconscious bias is a thing, and it's really easy for us to spot in your writing if it isn't something you've addressed. Not only that, but even if you write the most well-researched POC in your fic, even if you're sharing posts about Lebanon and Palestine, none of that matters if your actions when interacting with us show us that you are indifferent to the power dynamics at play with you being a white person, often with a large audience, in this space. virtue signalling is spectacularly unhelpful if you're writing checks your ass can't cash.

that being said, I think throwing 'racist' around as a term at people who make mistakes is really unhelpful. because every situation has context and nuance, and dogpiling never helps anybody. there are opportunities for learning, developing and understanding here. but please remember, if a POC tells you something is upsetting, harmful or offensive - even if other POC haven't said that to you - it's not your place as a white person to dismiss that.

anyway, hope that helps, love u very much xo

[peppermintquartz]

Chris opens the door and embraces Deacon in a warm welcome. He hugs her back with one arm, the other holding flowers and a case of beer. It feels almost like old times.

"It's been too long, man," she chides. "Come on in. Street's so excited, he's gone out to get this amazing tiramisu we found on one of our dates."

"You didn't have to go to that much trouble," Deacon says, smiling. "Oh that smells great."

"My aunt gave me a surefire chili recipe. We've tested it several times, it's definitely good."

"And you look good. How's everything? The shelter doing okay?"

"Yeah," says Chris. "Thanks to Nichelle, I got in touch with some sympathetic ears and they've been super generous, and I've been able to find a steady roster of volunteers. Plus, with our rep, we're left alone for the most part, and anyone trying anything gets warned off fast by the ones running the block."

Deacon makes a face. "Not sure if that's the safest way to go about things."

"Gotta work both sides of the law now," Chris says with a shrug. Deacon means well but he's still a straight white man who has always lived in privilege. "But my girls are all on the straight and narrow. I've fourteen of them with me, and six have found sponsors to help them to get work permits, which will help with getting full documentation. I'm helping another two cooperate with police because they were smuggled here after being sold by their parents for cash, and the rest... well, we'll get there." She grimaces before grinning. "Sorry. I get excited talking about my work."

"No, no it's good. I'm happy for you." Deacon hands her the colorful bouquet and the beer. "It's great that you found your purpose."

Thanking him for the gifts and rummaging around for a vase or jug for the flowers, she asks, "So how come you're here alone? I was under the impression that it'll be you and Annie. Wine?"

"Water, please. I'm driving." Deacon sits down in one of the chairs around the dining table. She wonders what he notices about the place on his second visit. It's a cozy apartment, despite the industrial elements; she especially likes the new potted herbs Street has insisted upon, even though neither of them can tell a cabbage from a lettuce.

"I, uh, I wanted to chat with you, actually. Not, not chat." Deacon says as he rubs his wedding ring. "I want your advice on something that I need you to keep secret."

An odd feeling tickles the back of her neck. She sits down in the chair beside him, wondering if she should hold her friend's hand. "Sounds serious."

"I think it is." He takes a deep breath and blows it out slowly, like he's planning to dive into the deep end of a pool. "Chris, how and w-when did you know you're bisexual?"

Chris' eyebrows shoot up. That is definitely not a question she was expecting. "Uh. Okay. For me, I was fifteen and really into a boy, a classmate." Enrique Garcia, she recalls, lean and athletic with the cutest freckle on his right cheek, with a shoulder-length mop of gleaming dark curls. "And then, one day, I met him and his older sister Alina at the mall. She was really nice when we talked and my mind kinda went a little insane thinking how pretty she was and how much I'd love to kiss her."

"And that was... That was how you knew?"

She shrugs. "Some reading up and some very confusing dreams later, I kinda figured it out." She angles her head and studies Deacon. "Are you...?"

"Fifteen, wow." Deacon chews on his lower lip. The tips of his ears are red and he can't meet her eyes. "Maybe I'm too old for this."

"You met someone who's causing you to question everything you knew about your sexuality?"

He ducks his head, still fiddling with his wedding ring. "Yes," he admits quietly. "And I know, I know it's not good, I'm married and I have Annie, it's just really..."

Chris smiles and holds his forearm. "Confusing."

"So confusing," Deacon agrees with a brief chuckle. His voice sounds so unsure and lost that it's disorienting for Chris. That isn't the Deacon she has known for the past decade. "Annie is the perfect woman for me. Like, once I met her and got to know her, I knew she was the one I wanted to marry and have a family with. And I thought that was it. That that is all I would ever need or want."

"But now you've met someone. Some guy."

Ducking his head, Deacon bites his lip and shakes his head. "I'm over fifty, Chris. I shouldn't be having sexuality crises at this age. But, yes. I met some guy."

"He's that special, huh." Chris hopes she doesn't sound judgmental. Having been through this with her own family, she feels for him. And a part of her feels honored that someone she respects so much will choose to come out to her. "Am I the first to know?"

"Yes." He clears his throat. "I never thought I would be interested in a man like that. And yet... I feel happy whenever I see him. I worry about him at work. I hear a song on the radio and it'll remind me of him."

There's something that Deacon is hiding. After so many years as a cop and now helping scared women, she's learned to read between the lines.

Still holding his forearm, she says, "Thanks for trusting me with this, Deac. I'm so honored by your trust."

He sniffs and finally looks at her, his eyes dewy with a hint of tears. "Chris, am I bisexual?"

"You could be," she says. "I can't answer for you. I'm not some mind reader for queer people. You might be attracted to women in general and one guy in particular, and that's normal. Sexuality is a spectrum and the great thing is, you get to define yourself. It may feel overwhelming-"

"Understatement of the year."

"-but I can point you in the direction of some websites or resources you can refer to. Don't be surprised if any are angled at teens, though. Most people who are questioning tend to be young."

"Unlike this old geezer," Deacon jokes weakly. She squeezes his forearm as she grins, then lets go of him.

"You're never too old to learn new tricks, Deac." Taking a deep breath, Chris leans closer and says, "I'm gonna ask something that may be invasive, and you don't have to answer if you don't want to, but you may feel better if you do."

Deacon sighs like he knows what's coming and looks at her.

"Are you seeing this guy?"

The guilt that flickers over Deacon's face tells Chris enough.

"Oh, Deac..." She pulls him into a hug.

"I'm sorry, you shouldn't have to know about that," he murmurs.

She squeezes him and pulls back enough to smile at him. "I'm your friend, Deac. But you know you can't have him."

He nods, pressing his lips tightly together. "I know. I wish... I don't know what I wish. But Chris... Chris, I'm so happy when I'm with him." There's a waver in his voice. "I didn't know that I could even be this happy with anyone."

Not even with Annie.

The words are not said, but she hears them as clear as day. She hugs him again.

They hear the keys jingle and Deacon straightens, rubbing his thumb and index finger over his eyes while clearing his throat.

"Hey, Deacon!" Street comes in with an insulated bag and Chris stands up to welcome him with a kiss. His dimples deepen and his eyes light up. "Hey babe. Deac, come here, bring it in."

Deacon smiles and hugs Street. The mask has fallen back in place over Deacon's face and Chris makes sure hers is present too.

"I'll go plate up dinner," she says with a smile, kissing Street again as she passes him and takes the tiramisu from his hands, leaving the two men to catch up. Deacon won't tell Street what he told her; that's not the friendship they have, and she knows he trusts her not to tell anyone what he's revealed to her.

It's not her secret to tell, and Deacon will need time. He'll do the right thing, she's sure. She only hopes he figures out what the right thing for him will be.

[gremlinwithacause]

You should have known better. It’s not the first time you’ve been ditched, but it might be the last. Huh. 

You make good money on your work. You’re nothing noble or special. You’re just damn good at your job. Fighting and killing come second hand. You could blame it on your parents. Blame it on working at a slaughterhouse. Blame it on getting picked on and having to fight for yourself. Blame it on needing cash to live. The details don’t matter all that much. You’re a good fighter and a better killer. Someone told you that your need to survive made you different. You don’t think so and you’re tired of hearing it. 

It’s not just the shady folks that hire you. You get plenty of employers of good standing. The adventurers aren’t special. A set in a line of many that want extra hands or extra cannon fodder. You tend to be lucky enough to be the former. You’ve ended up in jail more than once for people like this. Your wealthier employers tend to bail you out. You were valuable enough for the extra investment. Worth more alive, and all that. So you’ve been around a few dozen times. 

Being ditched in the field isn’t new but being half dead is. 

You should have seen it on their faces. You should have known better. They didn’t want you there, but someone thought they needed you. It makes sense they ditched you once the boss went down. 

But damn. They didn’t even watch it happen. Straight for the loot, huh? On some level you respect it, on the other level you’re bleeding out and you can only watch them run away. Not even a one liner? A spit on your body? A single piece of gold thrown on your body and a good “there’s your payment, you filthy animal.” 

Huh. Maybe you deserve it. You never messed with theatrics. Why would you get any? 

Things are fading in and out. Blood loss is always a pain to deal with. It would be easier to let go, you think. You still put pressure on the wound in your stomach and side and breathe through the pain. It’d be insulting if you just let yourself keel over, right? No, you’re just scared. 

“Guess we’re both expendable, huh?” 

You don’t have it in you to startle. The boss that you were damn sure was dead is not that. Alive enough to banter with you. It’s more than you offered anyone. What a sweetheart. 

“Dunno,” you say. “Never really thought of it.”

It makes sense. You’re not a hero. What were the chances of you actually out-living adventurers like the ones that ditched you here? You’re worth more alive, but when is the investment no longer worth it?

“‘S funny,” the boss says. Chatty, you think. What can you do but humor them? “Didn’t think heroes would leave their own behind.” 

“I was hired,” you say. 

“Really?” 

They laugh. Then cough and choke on blood or their own spit. You wait for them to finish their cackling, and then continue to wait for the end. 

“They're always picky with their heroes, huh?” 

Oh boy, the pronoun game. 

“Don’t care,” you say. May whatever higher power there is forgive your temper as you’re dying. “It’s work.” 

“Ah. You’re one of those,” they say. Like they know you. Ugh. You want to finish the job. “I always liked those. Basic motivations are the best. Nothing to second guess.” 

You roll your eyes. You’ve heard it all before. What is it worth now? 

“I tried the whole leader thing,” they say. “Good worshippers are hard to find, you know?”

You don’t. You won’t. 

“Sounds more like a cult.” “Eh. Same thing,” they dismiss. 

“What were you even the god of?” you snap. You can’t help it. This guy wasn’t any more special than you--that is: not.

“Anything I could get my hands on,” they say. “I wasn’t picky. Got enough of something that I became this, though.”

A boss. A few tiers above the usual monsters that you can find, always locked up in some kind of home base. 

“So were you a god or not?”

“No, never got that far. Wouldn’t have lost to you if I did.”

“Sure. Lie to yourself.”

They laugh again, “I like that. Confidence like that is usually up on some pedestal. Good on you.” 

“Yeah. Did me a lot of good.” 

“Did you enough,” they say. “You’re not new at this, must have been going for a while.”

“It’s work,” you repeat. It’s always work. It’s to survive. 

“You want a new job?” they ask. 

You lift your head enough to look over at them. They’re flat on their back. Your spear is still in their chest. It’s what’s keeping them from bleeding out. You know better than to leave the weapon in, but you were distracted by the whole dying thing. 

It’s getting harder to keep the pressure on your wound. Your hands are getting weaker. You’re getting weaker. You’re surprised you’re still awake. And what is this guy talking about? …You’ll indulge it. What else are you going to do? 

“Contract?” you ask. 

“Sure,” they say. 

A silver contract appears in front of you, something you don’t see too often. The consequences on silvers are serious, most people just do physical ones or bronzes. 

You squint to make sense of the blurring letters. 

“Follower? Really? What, are you still trying to form that cult?” you snort. It hurts and you dig your fingers into your skin. You don’t even feel it. 

“Good clerics are hard to find,” they say.

“Hah, and your lucky cleric is about to kick the bucket,” you say. “Sucks to be you.”

“Read it.” 

“Sorry. It gets hard to read with blood in your eyes.” 

“You live. You worship me.” 

You grimace. Sounds like a hassle. But… the idea of continuing to live is like candy. What else is there to do? It’s work.

You sign. 

You’re a mercenary hired by adventurers to defeat the boss. After the battle, they loot the treasure and abandon you wounded. The defeated boss crawls over and says, “Guess we’re both expendable, huh?”

[mistrstark]

Just made $260 on call options ! It’s not even 10am!

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[brofightiscancelled]

okay ill bite why do u hate kaoru sakuraba sidem aside from the fact that they went from hokuto as a main blue to downgrade to kaoru. to make it less awkward that I’m asking abt sidem on ur osomatsu side blog, what sidem idols would u assign to each matsu ?

i think sideM should collab w osomatsu-san and put them all in Beit so they can all get JOBS!!!!!!

anyways i hate kaoru from idolmaster sideM. i need all my osomatsu-san side blog followers to know that i hate this man. "i need a lot of money fast to pursue an extremely niche medical research track, which is why i quit my stable and high paying job as a surgeon to become an idol while having no soft skills, physical strength or stamina, or interest in getting along with people" are you Stupid??

he's not even using his idol clout to spread awareness of the rare disease he's trying to cure (like SEM does) so it can secure funding, he sees it 100% as a job and refuses to have fun, he is actively unpleasant and uncooperative in every interaction with his coworkers because he's trying to "rise to the top". it seems like the only thing he has going for him are his looks and that he kind of liked to sing when he was a kid. why not become a model at that point when you have the personality of a wet tree trunk. or better yet why not STAY A FUCKING DOCTOR!!!!!

also, i don't like meganes, so write that down.

[charyou-tree]

I think a lot of it is just the sunk cost fallacy. Straight men spend their lives trying to conform to the ideal of Masculinity handed down to them by patriarchy, with the promise that they will be rewarded with women. They feel cheated when other men who “didn’t put in the work” of chasing that artificial ideal seem to have more dating success than them. When you believe that women’s affection can be bought in the gym, or by money outright, someone who doesn’t have a chiseled body or stacks of cash must have “stolen” that affection that you “deserve”.

It’s men feeling “what did I do all this hard work that I didn’t really like for, when that guy clearly didn’t, and he gets laid more than me?!?”

It’s still controversial to say fat dudes are hot and what’s worse is that the people that get angry at that statement are generally straight men. Women like fat dudes. Bisexual dudes like fat dudes. Gay dudes like fat dudes. Yet when someone, especially a straight woman, voices her attraction to fat men there are hordes of other dudes in her comments saying “Nuh uhhhhh you’re lying.” How would you know? You don’t fuck men.

[puppyeared]

people who do STEM or administration as a career full time and continue to do art as a hobby, I am scared of you but like in a hot way. youre like if we were allowed to have cold drinks in winter. i look at you and think of miles morales with his two cakes. do you want to make out sometime

[musubiki]

at first i was thinking about oscars work with madam springs being in a secondary location from her bookstore but i think a cute idea would be putting the springs storefront in the same building as the bookshops...side by side store neighbors or something...

[wolfsbanemanor]

Santa doesn't exist in The Sims 4. But Father Winter, aka Clement Frost does. They've met him before. Oh, and he also woohooed their mom (without protection) one year while their dad was working at the hospital, because Mr. Frost is a player. They don't know that. They also don't know she got pregnant from the encounter, because she went to a Spellcaster's house and drank an herbal tea to get rid of it. (Had she not chosen to abort, they would have had a brother or sister with the "Father Winter's Baby" trait. This wasn't the first pregnancy that Artesia miscarried, but it was the first and only one she aborted intentionally.) When Clement left, after a moment of post-woohoo bliss, Artesia felt a wave of guilt and shame. ("Oh, Watcher, what have I done?!") Then it occurred to her that they hadn't used protection, and to top it off, she was at the most fertile point in her cycle, so she could be pregnant with a baby that wasn't her husband's. She rushed to the bathroom and peed on the test stick, praying to the Watcher for a negative test. But her prayers went unanswered, as two pink lines stared back at her. (There was no questioning this child's parentage, as Sims are able to test right away, unlike us.) Right away, she left the house, her two living children sleeping in their beds. She didn't want to do this, but with her marriage at stake over a moment of weakness, she hightailed it to the home of a local Spellcaster, paid her some cash, drank an herbal tea, and expelled the illegitimate nooboo from her body, coming home before her husband did, and throwing all their bedding into the laundry. Edward never found out about the affair. Every year after that, Clement would give Artesia a suggestive look and try to seduce her again, right in front of Edward and the kids, no less, but she always found an excuse to leave the room, feeling guilty about the affair ever since. Caleb and Lilith noticed their mom acting weird every Winterfest, but they were, of course, too young to know why.

This poll was submitted to us. If you’d like to send us your own scenario (plus different ways a character might react to said scenario) so we could make a poll for you, feel free to send them to our inbox.

[attila-werther]

anyway. devastating that all these martial arts studios are located in places that are just a littleeeee bit too inconvenient to get to via public transportation

[gingerbreadmonsters]

wow the $30 date tickets really did kill obey me for good huh

[perenlop]

biting and crawling and foaming at the mouth

[hollowfaith]

「⚖️」 Seeing Yuri turn the tides again—and with quips against him too!—irks Aurelius, but the judge cuts off his urge to retort. All the best, or else they'd never end this first session. To the defense he only glares challengingly, eyes flashing behind his glasses. "Of course. I look forward to seeing what other circus show the opposition will put on for us."

—

The recess lasts just long enough for everyone to get their bearings and the prosecution's investigators to help grab the witnesses. Unexpectedly, a twist occurs mid-trip—and as court resumes session again, Aurelius is organizing his papers while eyeing Yuri with his (by now) default disapproval.

"Do you make a habit of playing along with your client's claims every time?"

"The investigation just submitted a report: there is no old woman."

He shakes his head, appalled that the defense could be misled so easily.

"Her name, description, purported identity, and even living details are all nonexistent. If not for the sums of cash she paid Mr. Itadori on the regular, I would say he made her up in a fit of panic."

Aurelius sighs.

"But by all means, talk to your Mr. Plug. Perhaps he could help with sealing off some holes in this shoddy case."

@kleinstar > @darkenforcer ໒꒱

Compose myself, she says - it's my life I can be a little excited for potential road to freedom right?!

Sure there's some holes but they're getting somewhere -- or so Eiden thought. His excitement is cut by the sharp exclamation from the opposing camp. Seeing the judge's eyes narrow in thought before turn towards Eiden has him go pale.

" I .... "

Noise outside? Eiden can't recall hearing anything. He'd remember right? Racking his brain over it without gaining any convenient memoriesEiden gives a wide-eyed glance towards Yuri, as if he could offer a lifeline.

" Mr. Itadori? "

Eiden looks back at the judge - only reason he can think of--

" ....I ... maybe I just forgot to lock it and then realized afterwards...? "

@darkenforcer || @hollowfaith