#what do I do for a living? I get this cash!

[ceilidho]

Buttermilk

It doesn't take long to settle into the rhythm of your new summer job. Or: the babysitter x single dad au

Part 1 | masterlist

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“I’m not looking for a babysitter that can only come by every now and then,” he says sternly and pauses for emphasis, brows furrowing to convey the seriousness of the situation. “I’ve got a busy schedule and his mom isn’t in the picture. I need a real commitment.”

You sit across from him wringing your hands under the kitchen table, wondering again what it is you’re doing here. Babysitting has never been your schtick; you’re somewhere in between too old to do it as a casual gig for extra cash and too young and inexperienced to be considered for a full-time position. 

Yet, it seems like that’s what he’s looking for, based on the information he’s told you and your general impression from having been in his house for less than twenty minutes. The house is a mess—toys strewn across the baby’s bedroom and the living room, dishes crusted with day old food sitting in the sink, the bookshelf in his study covered in a fine layer of dust that tells you that this man spends so little time in his own house that it’s become something of a requiem to single fatherhood. 

“So, a nanny?” you ask.

He hems and haws over that for a bit. “Bit too fancy for my tastes, but that’s more like it. It won’t just be watching the baby—I need someone who can help out around the house as well. ‘Used to run a tight ship before him, but cleaning’s not been my highest priority these days. Sure you’ve picked up on that.” He says the last part wryly, lips curling up into a crooked grin under his mustache. 

“Well…” You trail off while glancing at the mess in the living room out of the corner of your eye, toys and blocks scattered over the playmat. Your own smile is sheepish. 

“I work odd hours, so I’ll be gone a lot; you’ll probably have a few late nights here, but I pay well. Think that’s something you can handle?”

A polite refusal sits on the tip of your tongue until you swallow it back, suddenly conscious again of the dwindling funds in your bank account. It’s not that you don’t think you could handle the job. You’ve babysat before (only preteens, you correct yourself internally, but surely there are some transferable skills there). And, eclipsing all of your arguments in favour of walking out the door right now, is the very salient and pressing need for an actual income. 

“You’re military, you said?” you croak out instead.

He nods, hums. “Bit of a glorified desk job these days. They don’t put the old timers out in the field. Still, keeps me busy.”

You frown at that. “You’re not that old.”

That gets him to cock an eyebrow. “Love, I’m over twice your age, easy. I’m plenty old for a first time father on top of that; should’ve already been an old hand at this, but I’ve been married to the job for too long.”

You don’t ask if the baby was an accident or how it came to be that he chose to raise the baby on his own rather than try to work something out with the mother or give him up altogether. It seems uncouth. Rude. It’s none of your business and, more to the point, hardly relevant to the job. It’s just your own insatiable need to pry and know every little detail raising its head to sniff the air. 

“Well, I think—” You chew on your words and then backtrack. “—I can handle the job. I live nearby, so I can be here whenever you need me. If you need references, I can—”

“No need,” he cuts you off, waving a hand in front of him. “I’m a good judge of character. If you wanna help put the baby to bed, we can talk salary and I’ll go over my schedule this week with you.”

The chair scrapes against the tile floor when he stands up, pushing it out from under him. Standing, he towers over you, a big, fit man despite his protests to the contrary. Hardly out of his prime. You’d put him at forty-five at the latest, and still a work horse of a man at that; broad like a draft horse, like he flips tires and runs marathons for fun. When you push out your chair and stand as well, you’re still forced to look up at him. 

“Sure can, Mister…—?” You realize with a slight start that you only remember his first name, though it hardly feels appropriate to call him by that given the fact that he’s about to become your boss. Already is your boss. 

“Price. But John works just fine,” he corrects, his smile warm, almost paternalistic. 

You ignore the flash of heat up your spine and the way your belly constricts when he reaches across the table to shake your hand. His big, calloused palm dwarfs yours, fingers easily overlapping. You might as well be shaking a mitt. 

“Well, thanks for the job, John,” you say with a smile of your own, ignoring the way yours strains at the end, anxiety already gnawing a hole through the lining of your stomach that your stomach acid will now most certainly leak through. “I won’t let you down.”

“I know you won’t, sweetheart.”

His words seem like a bellwether for something that you can’t yet articulate or even anticipate. Regardless, they make you swallow reflexively when you start salivating out of nowhere. You should probably quit on the spot actually, just out of principle alone, but again you remember the gut-churning sensation of checking your bank balance in the middle of the grocery store the other day before putting half of the contents of your cart back onto the shelf beside you. 

You follow him into the playroom instead, where a fuzzy headed infant gasps up at his daddy, blinking big lovestruck eyes up at him. Your own heart feels like a melted caramel in your chest when John picks his son up, eyes crinkling with affection. The baby is so tiny in his arms.

Any thought of being a good person evaporates from your mind. As if you ever had a chance. 

You don’t know how he found you. Through a friend of a friend of a friend’s dad’s coworker, maybe. Word of mouth. Watercooler conversation and a heaping cup of gossip.

“Did you hear the Captain’s looking for a babysitter?”

“For what? To bang?”

“No, dipshit. He knocked some broad up and she left him with the baby.”

“No kidding. The Captain?”

“Didn’t I just fuckin’ say that?”

“Price, you mean? Captain Price?”

“Are you fuckin’ deaf? Yeah—Price.”

“Christ. Godspeed to him. A baby. Goddamn.”

“Give it a rest, it happens all the time. That’s why you always wrap it up. Anyway, you know of anyone that’d be up for it?”

And then somehow, your name gets mentioned. Much to your relief. Job opportunities don’t knock on your door all that often, and when John finally gets around to telling you your hourly rate, you almost burst into hysterical giggles in front of him. It’s more than you expected. More than you deserve, if you’re being honest. You’re retroactively grateful that he didn’t ask you to name your rate because you wouldn’t have dared propose something anywhere close to what he offers.

It’s a straightforward gig. John doesn’t work the typical nine-to-five, so you show up at the times he made you write down on that first day in his living room after your interview and you leave whenever he comes home. The first week is fairly true to the schedule he laid out for you. He’s only late by around half an hour one evening, but that was another condition that he made you well aware of prior to giving you the job. 

You know better than to put up a fuss. You’re already learning on the job as it is; with your anxiety at a ten at all times, you appreciate the extra half hour to keep googling baby-specific information. What to do during tummy time. The benefits of baby massage. How to change a diaper. You’re learning all sorts of things these days.

To your credit, he could’ve done worse. The day after John hires you, you sign up for an intensive babysitting course over the weekend and read the online manual front to back. Your CPR certificate is still valid, but you book a refresher course as well just to be on the safe side. It’s a bit unbearable to watch the funds drain out of your account before you’ve even had a chance to earn your first paycheck, but it’s worth it for the burgeoning confidence that you bring on your first day.

Babies are fun to be around, you realize, much to your own delight. Babysitting—or rather, nannying, but John still introduces you to the neighbours as his babysitter, plus nannying requires a host of additional accreditations that you simply just do not have—might not have been a job that you ever expected yourself to like, but you find yourself kind of morose at the end of each day when you have to say goodbye to baby, and even going so far as to turn in early when you get home so you’ll be ready bright and early the next morning.

Babies also smell better than anything you’ve ever smelt in your life. You could huff the top of this little guy’s head morning, noon, and night. Milky and clean; it barely takes a few days to become addicted to the smell of his little head. When he’s cradled in your arms, you can’t help but press your nose to the top of his head and take a deep inhale, eyes fluttering shut. It’s some good shit. 

You keep a journal filled with notes to relay to John when he comes home at the end of the night and keep your phone close to you during babytime to film any important moments that John might’ve otherwise missed. 

“He started babbling today,” you tell John the second he walks through the door, the video already pulled up on your phone. You haven’t felt this excited in ages. “Look.” 

He’s still in his fatigues and everything, but he humours you and takes the baby when you pass him over, cooing and tickling his belly until the baby squeals and babbles again for him. 

“See?” you gush, mooning over him. You don’t have the presence of mind to be self-conscious in the moment. 

“Yeah,” John remarks, lifting his son up to blow a raspberry into his belly and grinning at his ensuing peals of laughter. “Ain’t that something.”

If the smile in his voice has anything to do with you, you don’t pick up on it.

On top of everything, John turns out to be a really good boss. Despite his gruff, intimidating exterior, he’s remarkably kind and patient with you. He doesn’t nag you for missing a spot when cleaning the bathroom. He doesn’t scold you the day your car breaks down and you’re forced to take the nearest bus to his place, tacking on an extra twenty minutes to your commute, even though that means that he’s invariably late for work. When you accidentally use scouring powder on the inside of his Le Creuset Dutch oven and scratch off the enamel, he gently talks you out of a sobbing fit, seemingly unbothered by the state of his scratched up crockery.

He shrugs when you bring it up. “It’s got a lifetime warranty anyway. I’ll bring it into the shop over the weekend. No use getting upset about it.”

Unflappable. That’s the word for it. It’s like as long as he’s able to come home to the baby and you in one piece, nothing else matters, and that sense of calm permeates the whole house; for the first time in a long time, you don’t feel like you have to walk on eggshells around someone. 

Your only qualm—and it’s hardly even a qualm, to be honest, more of just an observation—is that John is more of a physical person than you are. 

When he wants to move you, he does—two big hands clamped around your waist and only a fraction of his strength to move you away from the stove so he can take over cooking while you check on the baby, your mouth hanging open, aghast. Fuming at his nerve. The gall of him to manhandle you. 

You don’t hold it against him though. You haven’t spent much time around groups of men, but you’ve seen military movies before and it seems like the status quo for men to grab and push each other around. If anything, he’s gentle with you. 

It’s just that—and again, John’s the first adult man you’ve spent any one-on-one time with, what with it just being the two of you and the baby in his house, so your frame of reference is microscopic—you’re not completely sure whether it’s appropriate for your boss to be so touchy. 

You don���t mean to insinuate that he’s being inappropriate. It’s just that—and again you have to catch yourself before you go making assertions about people because John is honestly such a nice man and he’s done nothing but treat you fairly and made you feel safe and welcome, but…—sometimes he insists on you staying over for dinner after he comes home from work and doesn’t take no for an answer.

You’re never in any rush to leave. There’s not exactly anything waiting for you in your dingy little apartment. So when he asks you to stay, you have no good reason to refuse. It’s nice to get a free meal as well. With the way John gives you unfettered access to the fridge and pantry, you hardly need to buy groceries at all these days. You feel a little guilty about that, but you know what it’s like to go hungry.

Maybe that’s why you stay for supper the first time he asks a couple weeks into you working for him. You’re subconsciously mortified that you’ll eat his food when he’s not gone but not when he offers it to you.

At least dinner feels like something you’ve been given rather than just taking, taking, taking. 

Not to mention you’ve developed something of a rapport. There’s always something to talk about with John: the baby, his work, a show you watched on TV after putting the baby down for a nap, the new big Tesco four blocks from your place, his late teens before joining the military (“back when you weren’t even a thought in your mum’s head,” he jokes, cutting into his steak and something in your brain pops and fritzes out like the static between radio stations). 

The first few suppers are sporadic and never long enough to make you feel like you’ve overstayed your welcome. In all honesty, they’re the few bright spots in an otherwise dull life. Outside of your job and the infrequent dinners, you’re estranged from your family and you’ve only got a few close friends in town that you see maybe once or twice a month. Nothing to write home about. Some Friday nights, the yoga studio near your flat has a five pound community class that you pop in for, but those are infrequent too. 

Then there’s the odd night where he shoos you into the living room to put on a movie while he cleans up after dinner. You stare absentmindedly at his forearms when he rolls up his sleeves and then jump when you find him staring at you expectantly over his shoulder.

“Go put something on,” John tells you, a warning look in his eye. “Don’t make me repeat myself.”

“Sorry,” you whisper before slipping off into the living room.

You can’t relax on the couch while you wait. You flinch when he finally joins you, sitting down on the other side of the couch suddenly. You hadn’t even heard him coming; he’s light on his feet for such a big man. 

The buddy cop comedy you picked barely distracts you from the fact that your boss is sitting on the other side of the couch. You spend the whole two hour run time so nervous that you’re afraid you’ll buzz right out of your skin. 

For absolutely no reason, of course, because all John does is make light conversation with you throughout the movie. Conversation that you respond to in curt, choked whispers. When he walks you to the door after the movie, all you can focus on is how utterly embarrassed you are for being so weird.

Your dreams that night come frantic and heady. Humid under the blanket. The phantom feeling of a body heavier than yours weighing down one side of the couch and you sliding towards it gradually, unable to even cling onto the arm of the couch to keep from falling into his lap. 

Then hands on your belly, cupping and holding. Thick fingers with hairy knuckles. A warm, tobacco smell wafting under your nose, sweet like tonka bean and smoke. Nothing you can do to keep them from travelling down your stomach and thighs and spreading your legs wide, big hands curving around your inner thighs until—

You wake up panting, fingers pressed against your clit in your sleep. It takes nothing to bring yourself over the edge, dark blue eyes swimming on the precipice of your conscious mind. 

“Sleep well?” John asks you the next morning when you show up on his doorstep, handing you the baby before you’ve even said so much as a word. You hold the baby to your chest like a makeshift shield. Anything to put some distance between you and the man who has now taken to starring in your dreams. 

“Not bad,” you squeak. 

You flinch when he guides you in with a hand on your back and shuts the door behind you. Your cunt pulses when his fingers press firm against the small of your back, hand bigger than you remembered from your dream.

As if you were ever going to end up anywhere but here.

[inkfire-scribe]

As a recovering conservative, I might be able to shed some light on this most puzzling of questions, at least from a religious perspective. (And don't get me wrong, there are plenty of non-religious conservatives - the alt-right is liberally (haha) sprinkled with atheists and always has been. But I can't speak with any accuracy on that particular view, so I won't.)

From a Christian extremist point of view, the purpose of their existence is to spread "the Good News" and convert as many people as possible, because anyone they fail to convert will be tortured for eternity after they die and that's a personal failing they don't want to live with. This is born of several conflicting and not necessarily biblical beliefs:

That unbelievers are sent to hell

That hell is a place of eternal punishment

That there is no way to not go to hell unless you follow a specific set of steps or (in more extreme cases) a certain set of rules

That a failure to evangelize MIGHT be a Sin Against God and

That if conversion is not possible then making others Follow The Rules is at least a step in the right direction

With specific issues (i.e. abortion) they very sincerely believe that even a shitty or short life is better than no life at all. They believe that there is a moral difference between choosing to end a life and allowing a life to end (one is a sin while the other is more of a personal failing but not necessarily something that will "stain your soul") and curiously the negative aspects of allowing rather than choosing are glossed over when the person doing the allowing is nominally "protecting the unborn."

It's a complex web of beliefs that feeds into a particular understanding of the world. They see a world in which it is any Christian's moral duty to eradicate sin, not just from their own lives but from the lives of everyone around them. That's how you get mothers who insist they "did their best" while also blaming their own children for the manifestations of the trauma the mother herself inflicted on them.

(This is for the Americans in the audience.) Many of the everyday things in life that extremists consider "sin," like smoking weed, drinking hard liquor, getting a tattoo, etc. were branded as "bad" not by the Bible, but by social movements. In the '40s it was dancing and loud, unfamiliar music. In the '50s, it was laziness and cowardice (aka, being tired and scared). In the '60s it was drugs and promiscuity. A lot of what we're dealing with now is a direct outgrowth of the Reagan era, where the President declared in no uncertain terms that being addicted to very addictive substances was the fault of the lazy, unmotivated, free-loading poor folk who would rather spend their unemployment benefits on drugs and alcohol than on diapers and food. And to be extremely clear: this claim has No Basis in Fact. No reputable study at any point in any country has ever found that people who get benefits from the government are spending their cash on non-essential items in any meaningful quantities.

But it's those beliefs, pushed into the mainstream by religious fanatics and conservative extremists, that guided us to where we are today - a society in which an extremist religious faction are trying to impose their standards on everyone, regardless of faith or creed. They have been told for decades now that they are the victims, that they are under attack, that they have to "fight for their rights". So now they're defensive, combative, and absolutely convinced that they know the Truth.

I can't tell you how to get through to them. I can't tell you how to talk to them, even. I got out because I'd only ever been in due to ignorance. Once someone showed me the data and shared the logic that showed I was in the wrong, I changed my mind. Not everyone will - in fact, most people won't.

All I can say is... if you're talking to someone who believes they have the right to dictate what others can and can't do with their bodies, the most unsettling thing you can do is to point out to them what they're saying.

Because removing another person's bodily autonomy never sounds like a noble good deed.

Here’s the thing I think conservatives don’t understand: I don’t care what someone else does with their own body.

You wanna get surgery or take medication to make you look a certain way? Okay. I don’t care

You wanna ctrl+alt+delete that clump of cells in your uterus. Sure. I don’t care.

You wanna use meds to block a natural aspect of your body’s system? Alright by me. I. Don’t. Care.

I don’t care because it’s not my body

“But what if they regret it?” So? Let them regret it. That’s their choice to live with.

“But what if that baby would have grown up to cure cancer?” Kinda short sighted on God’s part to only put that potential in one baby, yeah? (Also … you can’t cure cancer, but that’s a level of nuance for a different time)

“But what if they want to use that function in the future?” Funny thing about meds: you can just stop fucking taking them and things usually go back to normal.

I DON’T CARE WHAT ANOTHER HUMAN BEING DOES WITH THEIR OWN BODY! I don’t care 🤷‍♀️ it’s not my body so why should I have a say in it?

The choice is not “being left up to the states instead of the federal government”, it’s that the choice is being taken away from individuals.

Why the fuck to they care so much what other people do with their own shit??

[nokkiart]

As a long time httyd fan who has been heavily involved in the fandom since the first movie and who has spent years working in the animation industry, I’d like to share my thoughts on the new httyd movie. Keep in mind, this is just my personal opinion and it's completely fine if you disagree with me. I just want to say a little something about all this that really bothers me.

The core reason that Dreamworks and Universal made this film is that it’s a quick and easy cash grab for them. Thats it. They don’t care about telling a good story or making a “better” version of the original movie for fans or even having an accurate portrayal of the characters/story. It’s purely about money. They know that fans of the original film will go see this movie, whether it’s good or bad. And those guaranteed ticket sales are all that matter to the studios. And with Universal, it has the added bonus of being a cheap promotional and merchandising opportunity for the new HTTYD land in Orlando that opens around the same time that the film is premiering in theaters.

And to help the studios make even more money out of this, they are using non-unionized VFX companies around the world to make this film, so that they can get cheaper labor and push the artists to do more that would be against American union standards. The same thing has probably happened with the costuming and fabrication for the filming, hence why the costumes look un-weathered and the sets look cheap. They don’t want to pay for the extra time and effort that it would take to make the practical bits of the production look good.

On top of all this, Dreamworks has already announced that they’re shutting down all their in-house animation projects in favor of using AI and outsourcing projects to cheaper international non-union studios.

With all this in mind, I just can’t support this film and I will not be seeing it in theaters. And I hope that others will do the same.

The only way to stop all these horrible “live action” remakes (which are actually just realistically animated remakes) is to not buy tickets to see them. Money is all that matters to these studios, and if they don’t make any money off of it, then they will stop and try something different. Maybe they'll even go back to focusing on original stories!

That’s the power that we hold as audiences. Our wallets help drive the decisions that the executives make. So support unique storytelling and gorgeous cinematography in movies. Support indie films. Support animators as they're fighting for fair pay and better contracts. But don't support a mediocre shot-for-shot remake riding on the coattails of an already successful film.

And I just want to wrap all this up by saying I have absolutely no hate towards anyone that has worked on the new film. Toothless looks incredible and I know the artists and creatives involved in this project did the best they could with what they were given.

But I also know that those same artists have so many more brilliant ideas that they would’ve loved to be given the creative freedom to do. I just wish hollywood would be willing to take a chance and let them do it.

[operationladybug]

Post for @mariandhamza ❤️🙏

"My name is Alaa, I am a Palestinian mother of two children: Maria and Hamza, as well as a wife and daughter... After 7th of October, my life turned upside down due to the war on Gaza. On the night of October 28th, the neighborhood we lived in Gaza – the neighborhood where my children grew up and where we started our family – was completely bombed... That night, my children and I witnessed unimaginable things – from casualties to bloodshed and bodies.

The suffering didn't end there. We fled... As evening approached, the bombing intensified in the area... We lost our ability to see clearly and had difficulty breathing, so I had to put wet masks on my children's faces in a desperate attempt to protect them. Their screams and fear didn't stop. I didn't know if we would survive. I held them close, trying to calm them, while sadness crushed my heart...

Eventually, we were forced to flee to the south... Rafah was overcrowded with displaced people, and we could only find a small tent lacking the necessities of life. My children suffered from epidemics and skin diseases caused by the pollution in the camp. Unfortunately, my little daughter Maria was infected with viral hepatitis due to the shared bathrooms in the camp. After miraculously escaping death with my children, I realized there was no safe haven in Gaza. With multiple displacements, we faced the harsh reality of lacking basics like water, food, and medicine, and the inability even to perform basic activities like bathing, eating, or accessing clean water.

We lost everything: our home, our jobs, our dreams. My biggest worry is for Hamza and Maria, their future is uncertain. Where will they live, study, and grow up? Gaza offers little hope now, as the essentials of life are being destroyed. My children's future seems bleak, overshadowed by uncertainty.

Today, I ask for your help. I ask for support for me and my children to recover from the traumas of the war we experienced. To have a new warm home for my family, to help my children go to school and get decent education, and to assist us in starting our lives anew. To live from the beginning once again. Your support is our hope and our future for a new chance in life for my children. Thank you for being a part of restoring hope and stability in our lives."

DONATE, REBLOG SHARE.

If you have the spare cash, which I know many of you do, please take the time to donate even a small amount to this struggling family. Imagine what you would want you to do if you were in this situation, and whatever it is, do it.

Reblog, add this post to your queue a couple of times, and share to your personal and friendly Discord servers.

We are all counting on your action.

[fangirltothefullest]

I'm so so tired of "live action" remakes. HTTYD is my comfort film. It's ALREADY good. I was JUST telling my family that I love Dreamworks for making interesting films and not going the "Disney Cash Cow" route by making all their old franchises into "live action".

It hurts my heart to see this is happening. They don't NEED to do this. And if it does well we're just going to get more... we're going to get live action shrek and live action madagascar and we won't have anything new any more.

I hate that capitalism is killing literally everything i hold dear, trying to squeeze every last drop out of what makes us happy.

[do-you-have-a-flag]

text of the above screenshots:

Some further clarification about things people were asking in the comments.

Tina spoke fluent English without an accent. She's either native or has been speaking it since very young.

We'd also spoken early that morning when she arrived, over the phone (woke me up where I was sleeping upstairs, but whatever, I'd rather too much communication than too little), because she wanted to clarify about the squash. She specifically acknowledged the concept of squash, and asked if it was near the kale she was seeing. I said that sounded right, and that it should be labeled. She said okay. I reminded her that if she couldn't find it, to ask my roommate for help.

The rats were on the top shelf of our freezer-top fridge so that you'd have to be leaning down to even see it, and no kale would be in its vicinity. Three people live in this house, so it's always full. Lots of options if you're gonna go rogue.

She didn't know I had snakes, unless she'd seen them in their bins in the living room, which is possible (it looks like a filling cabinet with clear plastic drawers and sometimes they come to the front). They're very quiet pets and don't even count with my landlord, so sometimes I forget to mention them when people ask about pets, as they usually are asking due to allergy concerns. So when the agency asked, I was focused on our cats. They know now, of course. But Tina had no reason to think she should be preparing a pet's meal. That was never established as something among her duties when I met with her and an agency nurse the day before to go over everything.

Also, snakes can't eat cooked meat, even if it's safely prepared. It will make them sick. So they could not still be used.

The discovery: storytime

If you want to see video evidence: investigation

UPDATE (added here since the sub automod was being weird):

Apologies for the late update. As I’m sure you can imagine, the last week was exhausting.

This is just to give what closure I can and go over how my last conversation with Tina went, the day after the incident.

When I was on my way to the cafe to escape the house last Tuesday, she actually texted me with an apology, saying “I’m so sorry, I feel so stupid and bad, this never happened before,” and offering to pay me back for the rats and the dish as I had mentioned the rats were expensive. Which is honestly more than I was expecting, but, “never happened before?” Well I sure fucking hope so! Though that begs the question, why now? Why me? I don’t know if there’s a good answer.

We agreed that she could come by the next day in the evening with the money ($15 for the rats, $30 for the dish). She declined doing Venmo or something similar. Possibly didn’t know how to use things like that, since I estimate by her comment of her grandson being my age, she had to be at minimum in her late 60s, probably older. I admit I was hesitant to have her return to the scene of the crime when it was still so unclear what her motivations had truly been, but I wouldn’t be home alone, and she had seemed sincerely contrite, if a bit defensive over the degree of my outrage.

Before the appointed time, she called me to tell me she was on her way, and then made, of all things, a request of me. She would be bringing by her time sheet, and could I sign for the two days she’d been there? I was baffled. The audacity of asking me a favor when our meeting was about her making amends, claiming that her time with me should count as doing her job, AND implying that her paying me back was to get something from me. Maybe that was why she wanted to do cash?

But at this point, I just wanted the whole thing over and done with, and it’s not like I was the one who’d be paying her, just my insurance. It was also confusing because…did that mean that she was still employed?? Surely if she’d been fired, she’d be less willing to play nice with me, would probably be blaming me more for how it affected her. At the very least, she seemed like the kind of person who would bring it up to make me feel a little bad. But maybe she wouldn’t, I don’t know. It was also strange because out of the three (now four) HHAs I’ve had at two different companies, none have ever asked me to sign a timesheet for them. Maybe some of y’all more familiar with the inner workings of these companies can shed some light here.

I was nervous when she showed up. There's something about seeing someone do something so truly unhinged that shatters the basic trust that this fellow human won’t do something else crazy, maybe something more harmful than running one out of the house. So I checked her hands through the window before I opened the door. She had two plastic bags half-full and bundled up to hide their contents under each arm. Strange choice for a weapon, so I chose faith.

There was no more apology upon greeting, she mostly just seemed in a hurry, civil but brusque, like she wanted this behind her as much as I did. While she was rummaging, I asked how she’d disposed of the dish (the follow-up to I made a video about linked in the original post if you want to see, you sickos). And as expected, the first thing she brought out was her timesheet. Sure enough, there was a place for patient signature, and as I took it and the proffered pen and set it against the doorframe to sign, I said, “We said $45, right?” just to confirm.

The look she gave me as she reached into her jacket was SO offended, and her civility evaporated. Like I was questioning her word, and how dare I. “I’m gonna pay you, I said I would.” Calm down, paranoid, was the tone.

It took all my self-control not to respond with, “You also said you’d cook the squash.” Like, yeah, lady, wonder why I would want to triple check anything we agreed to at this point. My bad.

But she did in fact hand me the wad of bills (after I’d handed back the timesheet and she’d checked it), and then she left in a bit of a huff. I just told her to take care of herself to her back.

At this point, after interacting with her again, I am of the opinion that this was simply from some form of psychosis, either a mental health thing or senility, I don’t know. Even talking to her, things were just a little off. Hard to describe, but it was like part of her attention was always somewhere else. I do not believe this was malicious or “weaponized incompetence” as many were saying in the Tik Tok comments. She had nothing to gain from this, and clearly she wants to keep her job. At this point, after the shock and horror has worn off, I just feel kind of bad for her. She clearly shouldn’t be in this profession (which, btw, she said she’s been in for thirty years??), so I more blame these companies for not being more thorough in their hiring and training process. Psych evals should be par for the course, surely.

And I know I probably shouldn’t have, it’s none of my business, but it was eating at my conscience to not express my concern. Because I don’t know what’s going on in her life. When it comes to things like reality breaks and changes in behavior, it can be really hard to see for ourselves, and maybe the people in her life aren’t saying anything, and so she’s not seeking the help she needs. So I texted her a little while after she left.

I thanked her for taking responsibility, acknowledged I was butting in, and then brought up how she said this had never happened before and how she’d seemed confused about how it happened. And that if this was a new kind of thing or there’d been other weird things happening, it might be a good idea to talk to a doctor, just in case something else is going on that needs to be addressed, as gently and non-judgmentally as I could think to say. And I ended it with “But if I’m way off base and out of line, and you’re just used to people eating like that, I apologize and wish you the best.” After a day of silence, she sent two texts, copied here:

“K thank you people make mistakes”

“God bless have a good day”

That was and I’m sure will remain the last I heard from her. I’m sorry I can’t recount some detailed confession about how it had all been a nefarious plot by some vengeful ex who’d had their aunt impersonate an aide to poison me. That would have made for a much more satisfying story.

As for my current aide situation, I’m still working with the replacement they sent to me, but have already requested a new one. She’s sane and competent, but alas, it would seem she much exaggerated her English fluency to my coordinator (who sounded resigned to such a deceit). In any other service context, I wouldn’t care, we have translator apps, but I think we’ve seen how critical clear and easy communication can be when one person is relying on another to meet their needs while sick. Others have told me how long it can take to find a good fit, so I guess I’ll just have to keep spinning the revolving door until I do.

Also, I have put in a request for the agency to reimburse me the takeout I had to get myself that day. And the oven has been cleaned and sanitized to within an inch of its life and seems okay now? I dunno, asking for a replacement or suing anyone seems like a lot of hassle (especially when I already have a medical malpractice case in the works).

Thank you to everyone for taking an interest in my harrowing experience and for your support. It legitimately turned this into something more light hearted that I can laugh at now, where it would have remained traumatic otherwise.

May your squash always be squash.

§ § ----==---- [🐀🐀🐀]

Text recounting of the full events below but oh my god please watch this person explain the wildest thing happening to them

[image text]r/trueoffmychest post by CptnSpaceCase

Today my aide cooked what should not be cooked

I have to get this out, because today feels like an actual nightmare I keep expecting to wake up from.

I'm disabled, and need help with stuff around the house. Today was the second day with a new agency and new home health aide, "Tina." I set it up so she would come by in the morning while I'm sleeping (insomnia is killer), and I texted her last night what I would need done today.

One of those things was to roast some precut squash I'd gotten so I could have it with my salads and pasta. I was very clear in my instructions: what it looked like, where it was in the fridge, how to use the oven, how to cook it. I also have a roommate who was up and told her she could ask them for help if she couldn't find anything. Or come get me if truly necessary.

Now, I have three pet ball pythons. They eat rats that I thaw from frozen in the fridge in a reusable plastic bag. Yes, that's where I'm going with this.

Tina couldn't find the squash, and so, obviously, that meant she should roast the first other thing she could see that was technically also encased in plastic, in a completely different area of the fridge. The FUCKING RATS. In butter and salt, in my nice baking dish.

And like, that's insane all on its own, but if you're going to cook any animal, you should at least clean and skin it first, right??? Like, do the crazy, disgusting thing properly so I can respect the effort, instead of sticking them in as is. Fur and guts and all.

And the smell. Good God baby Jesus the SMELL. It woke me up and had me gagging the moment I opened my bedroom door. Definitely not squash. Or food-smelling for that matter. At first I thought the squash had spontaneously rotted overnight and she'd tried to cook it anyway. That would have been slightly less insane and much preferable.

I had to pull it out of her what she was cooking instead when she said she couldn't find it (it was in plain sight), had to open the oven and see my snakes' dinners in place of my own and still couldn't process what the fuck was happening, what I was looking at and smelling. I don't like yelling at people and generally avoid it. Today was a day for exceptions. And at the end of my half-crazed, dissociative rant, I told her to get the whole dish and its contents and herself out of the fucking house. And to not come back.

Suffice to say, I've contacted the agency to report it and am requesting a new aide. Now I'm sitting at a cafe trying to calm down and eat something despite the scent memory that's taken up permanent residence and turning my stomach. The whole house reeks like musty, sewage-dipped pork that had been left out for a whole day before being cooked in rancid oil, and I'm not sure Febreeze is gonna cut it. I don't want to go home. 🫠😭

[timkontheunsure]

A CBT look at Blitz's core beliefs

Boring explanationy bit

Ok first off a core belief is this how the world works sort of thought. It has a ton of evidence on it side, or some big life altering event. Acting within is designed to kept you safe. And everyone has good and bad ones.

Think of it as of a short bit of base code running in the background, helping you go with your gut. A quick a short cut, but one that's got a lot of logic and past facts behind it.

They're mostly set up in childhood. So if you have an abusive parent, or trauma, you can get ones that become unhelpful for you in other situations. Like with people that really care about you.

A distortion is a little different. They affect how you look at the wold based off your mood, and are always negative. They specifically don't have a lot of evidence on their side. Like a prism that makes things a little different than what's really there.

They are an action to do based on your mood: catastrophizing (when everybody I love leaves me next year)

Black & white thinking (yes there's all this evidence showing Stolas cares, but that doesn't count as it just sex).

Thought spiraling (this one goes to Moxxie heh)

Or snap judgments based only only how your mood is (Ghostfuckers is fun and sexy, so we should take the case when I know they don't exist).

Blitz's core beliefs

So 'all royals are assholes' and 'no royal will care about an imp' are a core beliefs. Because this is definitely true, the 1% don't give a fig. (Stolas and Ozzie are basically round errors from what we've seen).

"I'm going to die alone" is also one.

So is "I make everyone's lives worse"

But his good ones are: "we don't get rid of family",

Ok with these two good ones we're going to have to go into rules for life. Blitz core belief is about family sticks together and protects each other. That's his code that always wants to run.

But he's also got evidence that family will kick you out for not being good enough, and hurting/killing people on accident. When you get code clashing you get cognitive dissidence, which physically hurts.

So you do a patch to reduce that pain. A rule to live by. 'If X is right and Y is right, then the variable that off is me.'

'We don't get rid of family, but we do get rid of me = I'm the only one who we can get rid of'.

With Loona it's we get orphanage lady saying words that could have come straight out of Cash's mouth. (I want Blitz to get a song telling that git off so hard).

Those hit Blitz hard, so hard he changed his mind on adopting a small little child, to a older teenage. CBT says that when something hits that hard it's because it hit at least 1 core belief. He sees himself in Loona in that moment, and never want another kid to be gotten rid of.

And other one could be bad or good depending on what's around it. 'I will be of use to family/people I love'. Blitz needs to feel useful to the people he loves, especially with growing in a family business working from being a kid.

And the rule Blitz has made for himself between the "I'm going to die alone" + 'I will be of use to family' = 'But maybe if I'm useful they won't abandoned of me yet'

(Also how sad it is that Blitz feels he's only allowed help, and support if it's a tit for tat, favours for favours exchange).

So everyone has a mixed bag of these good and bad. The problem happened when trauma responses give you ones that don't help you in a new situation. Like say a demon prince falling head over heels for him.

The idea of CBT is that if your struggling to look at what's changed since the core beliefs were set up. And if it isn't keeping you safe anymore, then you try to replace the old one with a new one; that has new evidence that backs it up. A update.

Like how Millie shows Blitz concrete examples of him improving her life. Just telling him he hasn't wrecked her life wouldn't work.

(This is one of reasons why Stolas' confection doesn't stick with Blitz. Blitz needs to know reasons why someone like Stolas loves him. It why he asks him in apology tour. Stolas tell your boy why he's so amazing for flips' sake).

Millie shows how joining IMP positively improved her live. "He gave me so much...A career, a husband, a future. And now...He's my best friend."

And Blitz helping Millie through alot of her own negative self talk she had. That 'she's not good enough', 'she's only the muscle', 'that Pride's too fancy for imps', and 'no imp works for them selves'.

These we're all Millie's core beliefs before joining IMP, if she still had these Rolando's words would have hurt her. But through having the support and example of Blitz she's removed those old bits of code.

When see her mum it obvious where and why she has these ideas about herself. Lynn describes her full time job, being employed direct by a company; as "Freelance". Because Imps can't work for themselves. (Even if she is impressed by Blitz). It's like different between working for Uber, instead of taxi firm. No protections, and an unsafe unstable job.

She pulls up her daughter's valid explanation why she lost the fight as "Excuses!", because Millie was "'raised better than that' as the muscle of the team.

She's very against Moxxie for being too week, and not having the same melee skills as Millie.

It obvious that she wants her daughter to have a similar life as her, where she keeps her head down, and has a partner that is able to defend Millie. This because there's a level of safety in this crab bucket attitude. She'd very unlikely to come to the notice of higher-ups. Like how Stolas being very involved in IMP and with Blitz.

But Blitz talked Millie round, and also showed her that she doesn't have to pigeon hole herself like that. She has years of evidence that Blitz could do it, and him pointing out how good she is when she fell back into thinking of herself as just the muscle.

Rolando's trying to exploit vulnerability that she's updated against. (It's super ineffective).

Ok after that sight side tangent of with Millie's head, back to Blitz's.

The "your going to die alone" has become a self-fulfilling prophecy, tripping Blitz up alot. Because it comes twofold for his fear of hurting his loved ones, making their life worse, and his fear of abandonment. Because he was abandoned, that did happen.

Making him feel like he has it to push away the people he love for there own, and that they'll leave him eventually so might as well push them away now. He's got a lot of previous evidence tied to this.

It's going to take more then Fizz and Millie telling him he didn't ruin theirs, for him to start to be able to unpick this. Because he's still certain it's true. Even if he's improved the lives of most of the people he knows.

And even Fizz who were directly effected by the mistake Blitz still punishing himself for, has told him that being made disabled didn't ruin his life.

There's a whole debate in my head whether Barbie would have had such trouble with addiction; if she wasn't assuming/told that her brother started the fire on purpose, that killed their mum. I'm honestly not sure. But it does seem like her resentment over it has made it harder on her. And that all seems to stem from Cash abuse. (I'm sure Cash is the one to tell Blitz Fizz said he'd die alone).

Ok on to how the these are interacting/fucking up his relationship to Stolas. Blitz is definitely is afraid to love Stolas for a number of reasons. (You knew I'd get there at somepoint right 😛).

Cus a whole load are clashes together for him, making it really difficult for him because about see things from the outside. with the "royal demons don't give a shit about guys like us" one.

Making Blitz rationalize that it's gotta be about the sex, and being of use. Anything that shows this assumption is wrong has to be disregarded with distortion.

But when Stolas takes sex off the table, and still talking about feeling, and relationships; it makes Blitz's fear of abandonment go turbo. It's not rational but it's the only rule Blitz has that might make Stolas keep him.

He feels like that sex is all he has to give to a prince after all. And he wanted Stolas to stay for a long while now. It's not a grimoire his hallucinations put on a golden pedestal after all. And there a a lot of similarity to how Stolas and his Mama vanish.

(Debøra pør favør pointed out this emotion damage so now you have to suffer too 😭https://x.com/_Choco_torta/status/1859028103772955135)

"I'm going to die alone" and 'I must be of use' Blitz freaks out badly in queen Bee after Ozzie's. Blitz believed that he's be rejected by Stolas, he's been shoved back into the box of it just being about lust.

Because he wants more, but feels he's unworthy, it's got him hurt coming and going. He's got to shut down any attempt by Stolas to have something real. But he was also hurt constantly feeling sex is all that he's got to offer, and all Stolas would want.

"I make everyone's lives worse" and "We don't get get rid of family". Ok this is into theory level but think Master Mind and Sinsmas are going hit these last two harddddd. (We're one week from mastermind).

It looks likely that Stolas is going to lose Via, face punishment for the illegal deal, and be dragged for the affair. With Via swallowing a lot gaslighting about not being loved by Stolas (lines from the trailer).

Blitz will probably going assume it's another another life he's made worse, where he's caused them to lose their own family. Don't think this will play well with last guy he fell in love with he blow up.

It's going to make it much harder for him to remove the idea; that that him loving some will only hurt them.

Alot of the reasons Blitz thought it was ok to get close to Stolas are tied up in these beliefs. He assumes Stolas was powerful and immortal, so couldn't be hurt physically like Fizz or Mumma.

He assumed that a prince would never fall for an imp, so only he could get hurt emotionally. It couldn't end the same way as Verosika. Blitz thinking he's the only one to be able to be hurt, and get to be useful not just to Stolas, but provide a better life for his whole family. It would seem like a bargain. (And the self punishment aspect probably wasn't going be a off for him, cus Blitz thinks he deserves it).

This season seems slow be eroding that pedestal Blitz put Stolas on (and vice versa). It's hurts, and it's knocking the stuffing out of both of them; but it's bring Stolas to earth for Blitz. Making his more of a real person in his eyes.

Eh probably a lot way to go, but I'm here for it.

(was very loosely based on this post, because it got me thinking about distortions vs core beliefs. But then I went off on a whole thing, so thought it would be weird to put it as a reblog. Still loved @akirathedramaqueen analysis and would recommend giving it a read 😀)

[polksaladava]

✼　 ҉ 　✼ the psychology of Elvis, pt. 1 ✼　 ҉ 　✼

i’ve been thinking a lot about the psychology of Elvis since watching the new documentary and i desperately need to scream my little brain worms into the void. i'm not really adding anything to the conversation that @joons didn't already say (much more concisely and eloquently than i'm about to lol) but alas, a yapper never ceases.

obviously i’m not a doctor or an expert by any means, so there’s a good chance i’m just talking out of my ass. always interested to hear other people’s thoughts and opinions but if you’re thinking about engaging with this post in bad faith, don’t!

of course Elvis lived a very complicated and unusual life, and we can never truly know why a person does what they do, but there's a series of major events that i can think of that very obviously impacted him and probably lead to a lot of the patterns of behavior we saw in his adult years.

for a start, he grew up very poor. we know poverty leaves deep and lasting trauma - experiencing resource scarcity, especially during your formative years, has a huge impact on developmental psychology. not only that, but his dad was in prison for 8 months when Elvis was only 3-4 years old. that's old enough to remember the emotions associated, but not old enough that he could have really understood what was happening at the time. AND by all accounts, it seemed he also had a hard time fitting in at school, which i'm sure wasn't helped when the family moved two hours away from his home town.

overall, his childhood was really characterized by scarcity - lack of money, lack of resources, lack of stability, lack of friends. but then he makes it through high school and he hits it big! seemingly overnight and out of no where. and now, there's money coming in! he can afford to buy his family a nice home! he's adored by crowds and he's found friends! and all of this is incredible and he attributes it all to none other than colonel tom parker.

and so now we have this deep-seeded fear of scarcity and this belief that all of the abundance he's finally experiencing should be attributed to the colonel. and the only way to make sure that the colonel stays is to keep him happy.

and then the two worst things that could have possibly happened happen at the same time - he gets sent to Germany, in turn being forced to abandon his career and his life as he knows it, and his mother and very best friend dies tragically.

and suddenly he realizes that the money and the fame and the resources aren't enough to keep bad things from happening, and the worst thing that can happen is losing the people you love - and maybe more importantly, losing the people who love you.

so now we have a man who was, by all accounts, already gentle and kind and loving by nature, whose brain has been conditioned to prioritize having people in his corner above all else. which, to a degree, is just human nature! we intrinsically know that we need a tribe to thrive in the wild. but when you experience the trauma that he went through at such formative times in his life, that becomes your singular goal. to survive, you cannot be alone.

and how do you avoid being alone? you give people a reason to want to be around you. and that reason could be a lot of different things - love, money, sex, entertainment. and he was pretty damn good at providing all of the above. so of course he builds a loyal group to surround him at all times. not only is he kind and fun and beautiful, but he's essentially bankrolling their whole lives. he buys them houses and cars and puts them on his payroll.

and now we have a huge problem, because we're well into the 1960's and Elvis has been raking in cash hand over foot, but he's miserable. he doesn't have a live audience to feed him anymore. the work is meaningless and embarrassing, and his health is on the rocks. but the colonel is constantly reminding him that he's only one step away from desolation, and now Elvis is really scared, because he's essentially the sole provider for a family of 15 at this point and he has to keep the cash flowing. so he stays miserable and does the bad movies and continues to do exactly what the colonel says. and god forbid any of the leeches around him (not you jerry or charlie!!) say anything, because they're not about to lose their paycheck!

but thankfully we make it through the majority of the 60's, and everything changes with the help of steve binder and the '68 special. and that's where i'm going to hop off my soap box for today, but trust me i have MUCH more to say about the 70's and the eventual decline of an empire and how this ties in to the lore of Elvis Presley™ as we know it today.

if any of you actually made it this far, i apologize for the 10 minutes you will never get back. may god bless you angels. maybe go outside or something now tho. okay love you xoxo

[ratbugs]

okay. i’m going to take a few big, deep breaths, and try to explain this as eloquently as possible.

how COULD THEY do THIS how could they SPIT in the FACE of all BEAUTY and ART and WONDER how have we GOTTEN HERE why does MY BACK HURT SO DAMN BAD why are we SMASHING our artists into an AI HELL and DISRESPECTING all our mediums of CREATIVITY with a SADNESS born from a CAPITALIST HELLSCAPE

*cough* i mean,

look at the differences in how the emotions of toothless and hiccup are expressed in each scene. the animated verses the live action. yeah, reality (though we’re talking dragons here) is not at all as interesting as what exists within art mediums blah blah blah. but that’s kind of. . . the point? how to train your dragon is a beautifully animated movie (and it’s soundtrack regularly makes me cry, still).

it’s one of the few movie adaptations of a book that takes the original concept, makes it into something completely different - but still respects and celebrates the original work.

it’s enjoyable for all ages, it’s simple, but brilliant. it’s lovely, and it’s sweet.

all these shit live action remakes are not an attempt to expand on creativity or bring something new to the original it’s just a FUCKING CASH GRAB (and we all know it, but i still would like to yell about it. or i fear i may violently consume a corporate executive).

we, as the general society of powerless, relatively non influential average citizens, get fucked over in every aspect of literally everything in every possible way. the least they could do is make that SHIT they serve us ENTERTAINING.

[postcrashcurly]

Decided that since I've just joined the fandom I should drop a playlist for y'all before I start uploading some fanfiction.

Enjoy (click here to listen)!

Track list:

Poor George - James Supercave ║ Jigsaw - CALYPSO ║ Thermodynamic Lawyer Esq, G.F.D. - Will Wood and the Tapeworms ║ Puppet Loosely Strung - The Correspondents ║ Volatile Times - IAMX ║ Terry's Taxidermy - Teddy Hyde ║ Look Away - The Dear Hunter ║ Brutus - The Buttress ║ Side Character - Cloudfodder ║ Mi Capitán - Kiltro ║ What Did I Do? - The Correspondents ║ Uprising - Muse ║ Ferryman - Shayfer James, Will Wood ║ We Have it All - Pim Stones ║ Burn Your Village - Kiki Rockwell ║ Wait Until I Get My Hands On You - The Paper Chase ║ This Comes From Inside - The Living Tombstone ║ The Mind Electric - Chonny Jash ║ God Help You Dumb Boy - Reverend Glasseye ║ Blood, Hatred, Money and Rage - AJJ ║ Dangerous - Son Lux ║ Rule #27 Drunk on Pride - Fish in a Birdcage, Philip Bowen ║ Ruby with the Sharpest Lies - Des Rocs ║ Alcohol - Sisyphus, Serengeti, Son Lux, Sufjan Stevens ║ 2econd 2ight 2eer (that was fun, goodbye.) - Will Wood ║ No One Lives Forever - Oingo Boingo ║ You're Somebody Else - Flora Cash ║ Your Father's Son - Shayfer James ║ needs no progress, i will lie - Salvia Palth ║ Villainous Thing - Shayfer James ║ Marble House Radio Edit - The Knife, Jay Jay Johnson ║ My Pen is A Shiv - That Handsome Devil ║ Insomnia - IAMX ║Reevaluation - Tub Ring ║ Dancing Devil - Small Leaks Sink Ships

[mistrstark]

Just made $260 on call options ! It’s not even 10am!

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[puppyeared]

people who do STEM or administration as a career full time and continue to do art as a hobby, I am scared of you but like in a hot way. youre like if we were allowed to have cold drinks in winter. i look at you and think of miles morales with his two cakes. do you want to make out sometime

[musubiki]

at first i was thinking about oscars work with madam springs being in a secondary location from her bookstore but i think a cute idea would be putting the springs storefront in the same building as the bookshops...side by side store neighbors or something...

[nashvillethotchicken]

"Lestat would get woken up by the macarena" "No he'd get waken up by dubstep" "No he'd get waken up by Call Me Maybe" You fool's. You absolute fools. Lestat is buried/out in the dump of New Orleans, a city that's 60 percent black. He's getting woken up by Back That Azz Up by Juvenile

[vagonca-rigo]

i really want to be more active...pretty much everywhere and in many ways but the heat is making me feel really weak