#what are they hiding and why?

[marlynnofmany]

Got distracted by looking through my own idea file again.

"Someone actually drawing a treasure map, not just finding one. Why?"

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[poorly-drawn-mdzs]

Why are you running?

[First] Prev <–-> Next

[jangmi-latte]

wait if he was a first year here and vil said he bulked up/grew bigger during the latest beanfest then...then what is this. is this not bulky enough what h..how big did he grow now that he's a third year..h-he grew bigger???? h-he gained more muscle now that he's older??? a-and he's still working out???? w-what do you mean wha..what i..i like...like he GREW BIGGER????????

BIGGER!??!??!??!?!!?!!??

[sunkillerlovechild]

my favourite dynamic between Tim and Damian is Tim being confident and comfortable with his place in the family and with being Robin (Tim has a smidge of self-esteem) and he's like 15-17 basically like mid teenage years and then Damian comes and he's like between 8-10 and instantly declares Tim his enemy cause he's Robin and that is his birthright

but instead of Tim also beefing with him cause he's kind of insecure and stuff he just finds it funny and honestly kind of adorable

and like yeah Damian is an assassin but Tim is like twice his size and is trained and has years of experience, so Damian can't actually hurt him

Tim decides to indulge him cause again he finds it funny and cute and also genuinely wants to help Damian get use to living at the manor and make the adjustment as easy as possible for him

and Damian is a kid so he doesn't realize what Tim is doing and actually tries to hurt him and stuff and Tim's just so casual about it

like Damian tries to stab him and Tim just sidesteps him and continues doing whatever it was he was doing, or Damian puts poison in his coffee but Tim has either already developed an immunity to it or has an antidote on hand, so he just drinks it and acts like nothing happend

this eventually leads to Damian just confronting him (maybe even in front of the rest of the family, who lowkey had no idea that it was doing on cause Tim never mentioned anything and Damian was technically trying to kill him secretly) and Tim just honestly telling him that he just wanted Damian to feel welcome and if this help he didn't mind and was just excited to have a little brother and at the end of the day it's good training for himself and also Damian and starts giving him pointers and planning training session so that when in a few years Damian actually gets to take over Robin, he is ready

and Damian really doesn't know what to do with any of it because Tim apparently cares about him??? and is planning to give him Robin in the future???

Tim doesn't even notice that Damian is really struggling with all that he's saying until his hands are full of his little brother, who has not given a single hug to anyone yet since he arrived, not Bruce, not Dick, not even Alfred and it's over as fast as it started and Damian bolts instantly and stays in this room till dinner the next day

but than they start training together that week and maybe Tim isn't his enemy after all

[preciousbabyangle]

guys they totally got married in chicago

[shirecorn]

Sunburst's cloak doesn't fully cover his wings...

[puppetmaster13u]

Prompt 183

There’s a loud snarling noise outside the window. 

Not that Jazz is concerned. She’s just also trying to study for med school and would appreciate some quiet. And preferred her brother not contracting rabies whenever he tried to square off with the local rogue or three who tried to use the alley. 

As he had put it, it was his alley, he’d claimed it for tinkering. Though perhaps she should maybe ask him to quiet down on his insisted territorialism, even if she understood it. She would also probably maul someone if they tried to enter their apartment flat. It came with the territory of being ecto contaminated, or as the rest of them were now calling it, with being a liminal. 

Once the more draconic aspects started to emerge well, one wasn’t just contaminated anymore after all. Hence the whole school-worth of them leaving Amity while all their parents waged war against the guys in white. Last she heard it was going well. 

Which meant she could focus on her studies as soon as- okay it wouldn’t be quiet, it seems the rest of the kids joined in on mauling the poor idiot who tried to steal their things from the alley. Damn…

[claraoswalds]

#mrs flood who are you: time lord edition

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[princesseddiediazz]

I strongly believe that if Cas got put underneath a truth spell he’d cut out his own tongue while TFW figure out how to un-do it, knowing he’ll be able to cure it later.

[egophiliac]

oh no, I love them

(super quick doodles done between other stuff, there will be better things later I promise :')

[front-facing-pokemon]

[dykedvonte]

I think it says something that Jimmy absolutely destroyed the crew and ship in half the time Curly was captain. Like he couldn’t even get them past 2 full months before breaking down.

Like he really couldn’t be half the man he thought Curly was.

[serpentface]

how do you come up with the ways cultures in your setting stylize people/animals/the world in general in their artwork, i.e. jewlery, rock carvings, statues, etc? Each culture in your world seems to have a very unique "art style" and I love it a lot - makes them seem that much more 'real'. This is something I struggle with a lot in my own worldbuilding and I'd love to pick your brain if possible 😁

I think a starting point is to have a research process based in the material realities of the culture you're designing for. Ask yourself questions like:

Where do they live? What's the climate/ecosystem(s) they are based in? What geographic features are present/absent?

What is their main subsistence method? (hunter gatherer, seasonal pastoralist, nomadic pastoralist, settled agriculturalist, a mix, etc)

What access to broader trade networks do they have and to whom? Are there foreign materials that will be easily accessible in trade and common in use, or valuable trade materials used sparingly in limited capacities?

Etc

And then do some research based on the answers, in order to get a sense of what materials they would have routine access to (ie dyes, metal, textiles, etc) and other possible variables that would shape how the art is made and what it's used for. This is just a foundational step and won't likely play much into designing a Style.

If you narrow these questions down very specifically, (ie in the context of the Korya post- grassland based mounted nomads, pastoralist and hunter-gatherer subsistence, access to wider trade networks and metals), you can direct your research to specific real world instances that fit this general idea. This is not to lift culturally specific concepts from the real world and slap them into your own setting, but to notice commonalities this lifestyle enforces - (ie in the previous example- mounted nomadic peoples are highly mobile and need to easily carry their wealth (often on clothing and tack) therefore small, elaborate decorative artwork that can easily be carried from place to place is a very likely feature)

For the details of the art itself, I come up with loose 'style guides' (usually just in my head) and go from there.

Here's some example questions for forming a style (some are more baseline than others)

Are geometric patterns favored? Organic patterns? Representative patterns (flowers, animals, stars, etc)? Abstract patterns?

Is there favored material(s)? Beads, bone, clay, metals, stones, etc.

When depicting people/animals, is realism favored? Heavy stylization? The emotional impression of an animal? Are key features accentuated?

How perspective typically executed? Does art attempt to capture 3d depth? Does it favor showing the whole body in 2 dimensions (ie much of Ancient Egyptian art, with the body shown in a mix of profile and forward facing perspective so all key attributes are shown)? Will limbs overlap? Are bodies shown static? In motion?

Does artwork of people attempt to beautify them? Does it favor the culture's conception of the ideal body?

Are there common visual motifs? Important symbols? Key subject matters?

What is the art used for? Are its functions aesthetic, tutelary, spiritual, magical? (Will often exist in combination, or have different examples for each purpose)

Who is represented? Is there interest in everyday people? Does art focus on glorifying warriors, heroes, kings?

Are there conventions for representing important figures? (IE gods/kings/etc being depicted larger than culturally lesser subjects)

Is there visual shorthand to depict objects/concepts that are difficult to execute with clarity (the sun, moon, water), or are invisible (wind, the soul), or have no physical component (speech)?

Etc

Deciding on answers to any of these questions will at least give you a unique baseline, and you can fill in the rest of the gaps and specify a style further until it is distinct. Many of these questions are not mutually exclusive, both in the sense of elements being combined (patterns with both geometric and organic elements) or a culture having multiple visual styles (3d art objects having unique features, religious artwork having its own conventions, etc).

Also when you're getting in depth, you should have cultural syncretism in mind. Cultures that routinely interact (whether this interaction is exchange or exploitation) inevitably exchange ideas, which can be especially visible in art. Doing research on how this synthesizing of ideas works in practice is very helpful- what is adopted or left out from an external influence, what is retained from an internal influence, what is unique to this synthesis, AND WHY. (I find Greco-Buddhist art really interesting, that's one of many such examples)

Looking at real world examples that fit your parameters can be helpful (ie if I've decided on geometric patterns in my 'style guide', I'll look at actual geometric patterns). And I strongly encourage trying to actually LEARN about what you're seeing. All art exists in a context, and having an understanding of how the context shapes art, how art does and doesn't relate to broader aspects of a society, etc, can help you when synthesizing your own.

[puppetmaster13u]

Prompt 326

“So erm, how are we going to explain… this…?” Sam motioned around at the entirety of them with a clawed hand, an unimpressed expression on her maw. 

“I mean, we could just, not do so?” Danny sounded a tiny bit uncertain about that, own claws tapping against his legs from where he sat. “I mean, Tucker seems happy enough-” 

“Okay, I didn’t come here to be called out like this-”