I found a pattern for an awesome looking fern leaf on Etsy except... I can fully freehand it based on the photo. like I am not an improvisor with yarn but this is literally just connected slip stitches - tedious but simple. I feel bad but $7 will usually get you an entire amigurumi pattern like I'm so sorry I can't bring myself to pay that for several slip stitches
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a gift for the anon who was talking about the demystification of the protagonist!
https://www.reddit.com/r/DeletedFanfiction/comments/1awiik5/looking_for_a_deleted_svsss_fic/
🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼
ANON WHO ASKED ABOUT DEMYSTIFICATION I HOPE YOU SEE THIS
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This is one of my favorite minor details in Dungeon Meshi, firstly because what in the femme fatale, but also because it's one of those little things that raises so many questions about worldbuilding.
The Occam's Razor defense attorney in me says that Ryoko Kui gave Kabru a boot knife because she wanted him to escape from his bonds here. And Kabru is a very competent swordsman, why wouldn't he have a boot knife, sure. He's already got a dagger, he can have this too.
And yet: the implications. Kabru, why do you have that? That is not remotely something that could be easily accessed or used in combat. Nobody is pulling out a pen knife from the heel of their boot during a fight with a monster. It's useless in the dungeon ... unless you're the type of person who isn't just worried about monsters.
I've mentioned this before, but I consider one of Kabru's functions in the narrative as being the character who fully brings the idea of human ecosystems into the story. There's a reason why he's always connected to large groups of people (Toshiro's party, the Canaries). He (along with Mr. Tansu, briefly) introduces the reader to the social and political forces working on the dungeon, showing us that none of this is happening in a monster-filled vacuum. His confrontation with the corpse retrievers, who very nearly kill Kabru's party permanently with their reckless murder-for-money scheme, reminds us that monsters are not the only things that prey on humans. Kabru understands the ways the dungeon causes people to put profit over human lives.
We only get hints of it in the story, but like any gold-rush-style economic boom, it's implied that there is a lot of crime and corruption surrounding the dungeon.
So yeah, it really makes me wonder why Kabru keeps a tiny knife in his boot, meant to be carried on him even in situations where he would otherwise be unarmed. Stored exactly in the place where it's easy to reach, even if, for some reason, your hands are tied behind your back.
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If anyone was wondering whatever the fuck happened with that "shark-ray or stingray Jesus" pregnant stingray, the answers are:
-That poor thing is STILL "pregnant" 4 months past her gestation time
-they admitted ON THEIR OWN LIVESTREAM that they don't know how to read ultrasounds
-The "aquarium" (which is a non-AZA accredited, privately owned sideshow in a storefront) was blocking aquarium experts, which they deny, but the blocked people gave the reporter receipts
-They haven't given any indication of actually having a vet examine her and get REALLY SHADY if asked.
-They called the cops on a reporter and the director tried to have her booked for trespassing and this shit is bonkers!!!!!
-They obviously seriously annoyed said reporter with that stunt and the result is a hilariously scathing article all put in the most professionally journalistic language.
"This was my second dust-up with police in 15 years of journalism. The last one was reporting on neo-Nazis in Germany. This one was about a stingray."
Like you know you really pissed off a journalist when this is the quote they highlight after asking another expert about your shitshow
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Leo’s natural intuition and perceptiveness are so good and subtle but seen throughout the whole show many, many times. And it’s interesting to see how these natural characteristics of his give way to other traits of his as well.
Like, him loving twists and betrayals and surprises goes hand in hand with him being so naturally intuitive.
Canonically, he knows his fam so well he can predict how they’re going to react (knowing what state his fam would be in during the base Shredder fight, being able to trick everyone in Lair Games, knowing Splinter would fall asleep after milk and cake, etc etc etc etc), and he also knows how to predict and manipulate his enemies as well (the “salami paper”, everything with Big Mama, etc etc etc etc).
This intuition comes off as very natural, so it makes so much sense that anything that throws that off would be fun for him to encounter! Provided that the “surprise” isn’t, y’know, world ending.
Moreover, this intuition and perceptiveness also goes hand in hand with how he’s secretly more responsible than he lets on, having to remind his brothers to be aware of how they appear or what may be too much for them or who they may hurt if they’re not careful.
Lastly, and this one is obvious, but these traits are also what fuel Leo’s sense of strategy, which is displayed not only with his actions on the battlefield, but every conversation he has outside of it. After all, it’s a long game to play, to appear a certain way. The Face Man is just another strategy.
So yeah, he knows people. He knows people very, very well.
And he tries very hard to make sure no one knows him.
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I was outlining the next radiostatic fic when I got distracted by the fact that someone needs to put Lucifer into their lap and tell him he's a good boy, and now I'm 6.2k words deep into something that's turned out way more emotional than I thought it would.
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ok i absolutely get why people put disclaimers on fics that it’s about the characters/show and not irl people (even if it does feel like a livejournal hangover)
but unfortunately every time i read one my brain is like. the funniest possible thing you could do would be to put a disclaimer on a fic that says actually. this is about those wwii paratroopers. i do think those veterans were fucking
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“You don’t want me to trust you?”
“You said it yourself,” Theo says coldly. “Last time you guys trusted me, I killed Scott.”
“But that was before,” Liam says — the sentence hangs there, complete yet incomplete, suggesting that Theo is a product of change, the after, but without revealing where, exactly, the line between before and after is drawn. Before what? Before he spent months in a Skinwalker prison with only his zombie of a sister for company? Or something else?
post-canon. thiam have a Conversation.
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So glad to find someone else with Jack Horner as their babygirl. 🤝
YES YES YESS I ADORE THIS MAN!!
I haven’t drawn him in a hot MINUTE but here he is I MISSED HIM SO MUCHHHHH 😘😘😘
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