#what a strange thing to know about

[mbrainspaz]

I saw your tag that your mom has the Garfield phone, does she know about the cargo ship that got lost? does she know about the mysterious Garfield phones that kept washing up on shore?

No and neither did I.

"local officials say they will continue to harvest Garfields from the coastline" is a hell of a way to end an article.

[turndecassette2]

[bunnieswithknives]

OK JUST A LITTLE THING BECAUSE IM INSANE @cubbihue

Song: Plastic by Cheekface

[the-lonelybarricade]

Modern AU where Feyre and Rhys are next door neighbors. He's a good neighbor, too—takes out her trash bins for her, mows her front lawn whenever he cuts his own, shovels her drive in the winter, etc.

Except Rhys is secretly a crime boss. And when Feyre starts dating Tamlin, she's doesn't realize he's an undercover cop just trying to keep an eye on her friendly neighbor.

[anemonet]

pro tip: you can always put the bugs in little outfits :thumbsup:

[longmaxsilvarg]

something about the main menu for life is strange genuinely makes me wanna collapse and sob

[mrs-gauche]

I beat Veilguard.

It's 4am. I'm a mess. I'm in tears.

[angy-grrr]

spoilers for chapter 429

idk if you guys remember but ochako does have parallels with All Might, specifically as the side who saves. It’s not that he feels the same for them both or something like that, they serve to represent the type of heroism he naturally goes to; his friend is not his love interest, from his perspective she’s out there having a crisis over not being able to save her, and Izuku reminds her that she is a hero bc she is his hero -she saved him multiple times, and she should be able to feel like a proper hero.

This conversation is not about the nature of their relationship, is about heroism; Izuku relates to a conflict between being a hero who saves and failing to save someone, and doesn’t want to see Ochako ending spiraling because she couldn’t also fulfill that role as expected. She’s his hero not because he loves her romantically -he’s a nerd I’m sure he would be way more nervous and blushing if he was confessing anything he thought was romantic- but because she’s able to go and do what All Might does to Izuku, save him physically and emotionally.

He knows she hides her feelings in order to not be a burden, yet he doesn’t talk about his own feelings outside of his guilt in heroics -what does he feel about losing OFA? About his own failures? About the people he personally lost? He can’t talk for others and claim Ochako is everyone’s hero, but he can speak for himself, and that’s his personal perspective -she is a hero to him, she’s his hero. And then the class appears to make sure she’s able to get support and understand she’s not alone, and she’s important to them too.

but Izuku doesn’t get support. Izuku cries a little and talks a little about himself, but he doesn’t get supported. If this was meant to be romantic, I don’t understand why he would hold back what’s inside of him.

the end of the chapter reveals that boy is going to be helped by that woman who regretfully ignored Tenko, and they both witness it and are happy about it while hearing izuku inspired that change, and iida wonders what’s up with them -this is the conclusion to their relationship. In their hearts these two are saviors who struggle to be heroes who save others, and they are happy there are appearing more people who want to be heroes like them. Heroes who save. Save like All Might.

That grandma for example, interpreting the narrative as what I think is intended, would be that boy’s All Might; she’s his hero.

Izuku and Ochako are heroes who save, and Deku is here to remind her at least she did save him many times, that she is still a hero because she is his hero. I don’t believe is meant to be interpreted as romantic, not that Izuku sees that phrase as it neither -after all, he said he does want to be like All Might and feels good to imitate him, but he doesn’t love him.

Ochako’s All Might hair moment, the parallels with Toshinori telling him he can be a hero, the trying to save from black suffocating quirks, the we can do it and do your best…

Do I need to remind you heroes arent a romantic thing for Izuku Midoriya?

[strandedtoodeep]

i have a question tho i rewatched dp&w for the 5th (6th ? idk anymore) time and why..... why Wade throw away his katanas during the honda odyssey's scene??? like with baby knifes (and guns) they're his signature weapons, it clearly powerful against Logan so why? and just after that he uses ONLY some tiny knifes (idk the name but i'm intrigued ngl)

is this to be much more closer to Logan during the fight??? bc yes they seem sharp and everything but it's tiny so he needs to be close and restraint Logan much more than with katanas

maybe i'm reading too much into this idk but it's strange and that coupled with his lack of defense against Logan i'm like "sir, i know what you are"

[icarrymany]

the mh comics open up such an interesting narrative for our few surviving characters. to them, what happened in the videos was real, but to everyone else its a cool creative web series. when all of that is viewed as fiction, fans have a freedom to speculate about and invade the lives and privacy of real people. and that would be so uncomfortable and terrifying. imagine someone irl having headcanons about YOU. writing fan fiction about you and your real friends. assuming things about you PUBLICLY ! IN MASS!

wouldnt it be so cool to see a character grapple with that in like a self-reflective way? fans asking questions the muse is too afraid to ask themselves. of course, theyre the only person the answer matters to.

[crossdressingdeath]

Seeing people whine about the Crows being softened because their training methods don't get discussed is so funny to me because... well one I'm informed de Riva can straight up say their training was torture at one point (I don't know where it comes up exactly but I've been informed it is there) in conversation with Lucanis (y'know, another Crow and not an outsider), but aside from that... the Crows we meet are not going to talk about any issues they have with their superiors, first because Rook is either a complete outsider or the Fifth Talon's favourite and second because we mostly get the chance to talk to Crows during situations where they can actually talk and aren't in the middle of something significantly more urgent than talking to Rook in the Diamond where Teia and Viago are literally standing right there why would the Crows talk shit about their bosses when said bosses are very obviously within earshot. Like there are things to be said about how I doubt Teia and Viago are cruel to their trainees (Teia's too idealistic and Viago's too pragmatic, they're not going to go easy on the fledglings but they're not going to be excessively cruel, at least as far as Crow standards go; it's made very clear that the houses all do things differently, Houses de Riva and Cantori in 9:52 being different from House Arainai in 9:30 is not a retcon) but more importantly you are basically never in a position where any Crow who did have an issue with it (which Zevran acknowledges in DAO isn't all of them, remember; the Crows have never actually been set up as an organization where every member outside the highest ranks is a victim forced into it against their will and desperate to get out so no Lucanis talking about recruits who joined willingly and not telling the non-Crow he's talking to that sometimes they also buy recruits isn't a retcon either) would speak to you about it. It's not a retcon for Bioware to not have characters pause to bring up things they logically would not talk about with Rook! They're expecting you to pay attention to what's happening, not just what's being explicitly stated! A lot of it is in de Riva and Lucanis's dialogue (since unsurprisingly two friends who are both in the Crows are a lot more willing to discuss the downsides of the organization they both belong to in private conversation) and the rest is mostly in side stuff like that one quest where you can help a Crow run away with an ex-Venatori they've fallen in love with because their superiors will probably kill them for it. It is there, Bioware just didn't put the story on pause to go "did you know that the assassin's guild does bad things? May we remind you that the things you've known about for three games are still a thing?" like they were reading a story to toddlers. As far as I'm aware at least as far as the Crows go nothing has been actively contradicted, we're just seeing a different aspect of the organization.

[snow-lavender]

woman who goes feral for any kind of fourth wall break or meta-narrative: hey guys i think c!rina might be my favourite sherb

[official-lucifers-child]

let’s be real, if any of us actually ended up in a fandom universe (you know those stories, where some modern girl obsessed with the latest and greatest queer ship gets sent to hogwarts or whatever and tries to save the world) we’d fuck it up SO QUICKLY. at least i know i would, i would take one look at the new universe and ask “is anyone going to make things worse?” and not wait for an answer. oh no i cant use my real name for reasons? yeah now i’m ebony dementia darkness raven way and no one can stop me. i’m mysterious and unknown. i speak in riddles. i can and will kill people for fun. fixing the timeline? no, fucking the timeline.

[valzhangism]

i know i said i was happy about how mel's story went, but the more i think about it the less i'm sure about that. this is very much connected to how the themes of classism and wealth disappeared in s2, but mel in the beginning was the epitome of piltover. she wanted to advance piltover to prove herself to her mother. to "put piltover—" and by extension herself, "—on the map."

she wanted wealth just to have it. and i'm not blaming her for anything that happened, especially with hextech! she, just like jayce and viktor, could not have known what it would lead to. i mean yeah heimerdinger said so but who the hell listens to heimerdinger? but anyway i think mel changed throughout s1, much in thanks to jayce. by the end she's become more cognisant of the mistreatment of zaunites. she's the first to vote for their peace. she was a good person all along but now she knows how to act on it. it's also seen more in s2 act 1. when she covers her painting with gold, it's symbolic—she won't act according to what her mother might think. she won't let her desire for approval dictate her anymore.

so somehow i wish those themes were. continued, somehow? like again they were dropped not just with mel but the whole show and it makes her story a off to me. there's no meaningful commentary on war or classism or how her ideology stands opposite to her mother's. like some people have said, it feels like she doesn't have much agency, even if she is really cool. and that to me is a shame because agency felt like her thing. "to shape your own destiny" as she says to jayce in s1. i know her collaborating with the black rose (but not fully joining them) and learning magic is supposed to represent becoming independent from her mother, taking her own path, but some other aspects of her character were thrown away... the more i think about it the more i'm thinking they kind of #girlboss-ed her a little bit. maybe to sell another champion. i can't help but feel like even though i enjoyed seeing her on screen, the payoff didn't feel proportionally satisfying compared to her setup in s1.

[xxplastic-cubexx]

brother joked about magneto getting a volleyball skin in rivals and i almost passed out

[nightmanatee]

and what IF chloe's not so present in the game and there are no funny text exchanges between her and max, and dorky posts and max doesn't post a pic or two with blue/green/other colour in the mirror/or a longer shadow/or someone's hand/boot that's not hers and safi won't ask her "hey so what's the deal between you and that mysterious +1 on a bunch of your photos on socials?" and what if there aren't 1000 of her pics and her clothes and the ring is not joyce's and they're not actually friends/lovers on distance for now bc chloe's in another university and what IF she's not gonna visit max at the end of the game to spend the christmas with her at caledon??????? and what if they broke up or don't talk anymore and got each other blocked all over the social media and the only thing they have is a message from victoria about how she could never believe they would be apart?

what IF