#were both sort of mentioned
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I THINK I MIGHT HAVE THE TEAMS
(No I still don’t have a name or design or much of a story for this self-insert. But, I have her Pokémon teams!)
Her original team of six from her first journey in Hoenn is:
Fiore, a Shiny male Blaziken (starter Pokémon)
Luma, a female Breloom
Mari, a Shiny female Azumarill
Aria, a female Altaria
Discord, a male Absol
Siren, a female Froslass
And then, her team of six while she is in Paldea is:
Mari, a Shiny female Azumarill (the same one as in Hoenn)
Lily, a female Lilligant
Topaz, a male Ampharos
Nemesis, a female Ceruledge
Snowball, a male Tera-Steel Glaceon
Alain, a male Tera-Ice Gallade
As can be seen from this, this new self-insert doesn’t stick to any particular nicknaming scheme across all of her Pokémon, unlike Adriana (who gives nicknames based on fitting words, like Soulfire for Chandelure) or Nova (whose nicknames come from sounds in the Pokémon’s name, like Chirithy from Cinccino). In fact, she kind of has a mix of both of those styles across the Pokémon she has.
She originally deliberated whether to bring as many of her Hoenn team as she could to Paldea, but eventually decided to only bring Mari and Aria, mainly for ease of traversing the region with their help (as she didn’t know they had such a good Flying Taxi system until she got there). Later on, she ended up trading Aria for the Glaceon she has since nicknamed Snowball.
I know I still don’t have much established for this self-insert, but I’m still having a lot of fun thinking about her and developing her more, so I hope it’s okay to have made this post!
#a call from the void#heart of the void#self‑insert: (pokémon) (name pending)#of leagues and trainers (pokémon)#at the moment hoenn and paldea are the main regions she explores so if anyone else also has self-inserts there we can meet and that’d be fun#i *might* bring her through sinnoh as well since although nova ends up there she’s not a conventional pokémon trainer#and this self-insert is kind of meant to be my main “player stand-in’’ self-insert who does all the battling and exploring and stuff#she’s the one most closely based on myself as I actually play the games out of the four that I have#self‑insert: soul‑touched (adriana)#self‑insert: reluctant truths (nova)#were both sort of mentioned#don’t examine the trade too closely#selfshipping
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Falin who cares too much and too little - analysis
Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is heavily encouraged prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.
Falin cares too little :
A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.
We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.
Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.
She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.
Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.
What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.
And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.
People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.
One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?
So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?
And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.
So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.
So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.
Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.
And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.
She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.
And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.
We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.
Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.
She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.
So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.
She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.
And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.
It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"
So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."
And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.
And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…
So.
Not feeling as much as she should. And……. Is this not Faligon pushed to the max?
You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.
Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.
There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.
Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.
And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.
Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.
Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.
But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.
In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.
No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.
I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.
Falin cares too much
She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.
So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.
In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.
Post-canon, she needs to leave to find herself, away from them.
Herself. What if she wants to just be with herself for a while.
And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.
Notes & nuance
I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.
I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…
Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.
Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.
And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."
Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will*, like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’. To which said friend quoted: "to feel like you belong you need to be useful. when you can’t be useful the next best thing is being convenient."
And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter. Man also… Obviously Marcille is very vocal about how she shouldn’t get with Shuro, but imagine how Falin’s whole perspective on marriage must have felt when her only friend ever is a Romantic with a capital R who gushes about idealized romances and grand gestures and True Love and doing things with fully pure feelings all the time.
AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.
Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.
But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.
Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…
Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).
A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.
It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.
I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc.
I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.
Conclusion
Flighted birds have hollow bones. With freedom and wings there comes risks and sacrifices.
Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.
She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)
Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.
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I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it
That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.
Here’s my spotify playlist for her if you’d like
Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.
#I find it hard to express myself right on the topic of Falin. Both because the issue is pretty vibe based and because we don’t#get that many moments with her. So there’s ambiguous scenes up to interpretation addressing a layered topic and like. Save me. Save me#As always falling down the rabbithole of starting an analysis about a specific facet and then needing to explain everything else around it#I’m doomed. I’m getting lost in the sauce.#dungeon meshi#delicious in dungeon#falin touden#analysis#character analysis#meta#autistic reading#aroace reading as well. Sort of. It’s mentioned#The aroace autistic guilt of not caring back in the way/with the intensity you’re expected to#As always this is just my interpretation blablabla#Spoilers#dungeon meshi manga spoilers#She loves like a dog aka unconditionally and happy with eating scraps of affection and attention off the floor#Laios touden#he’s here too bc they are an unit#If you’re not capitalizing on the uncanny vibe autistic effect for Falin’s character u are missing an opportunity imo#Fairy’s child is written all over her. Her cryptic-ness is the point so why am I surprised she’s hard to fully pin down#Even with the graveyard scene it was Falin following Laios… Sob. Laios could feel responsible her powers were found out#I’d like to rework this at some point if i get better at structuring. I’m not satisfied by the level of clarity#Will 90% for sure edit stuff in if i find more to say.#Fumi rambles#Crazy style#I give a TLDR at the end if you’d prefer. It doesn’t have the like evidence/explanations alongside but it makes the main points i think
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ok I have A Lot of thoughts about the staircase confession (well really about Edwin's whole character arc, but all roads lead to rome) but for now I just wanna say that, yes, I was bracing myself for something to go terribly wrong when I first watched it, and yes, part of me was initially worried its placement might be an uncharacteristically foolish choice made in the name of Drama or Pacing or Making a Compelling Episode of Television but at the expense of narrative sense--
But I wanna say that having taken all that into account, and watched it play out, and sat with it - and honestly become rather transfixed by it - I really think it's a beautifully crafted moment and truly the only way that arc could've arrived at such a satisfying conclusion.
And if I had to pinpoint why I not only buy it but also have come to really treasure it, I'd have to put it down to the fact that it genuinely is a confession, and nothing else.
That moment is an announcement of what Edwin has come to understand about himself, but because it takes the form of a character admitting romantic feelings for such a close friend, I think it can be very easy, when writing that kind of thing, to imbue it with other elements like a plea or a request or even the start of a new relationship that, intentionally or not, would change the shape of the moment and can quickly overshadow what a huge deal the telling is all on its own. But that's not the case here. Since it is only a confession, unaccompanied by anything else, and since we see afterward how it was enough, evidently, to fix the strangeness that had grown between him & Charles, we're forced to understand that it was never Edwin's feelings that were actually making things difficult for him - it was not being able to tell Charles about them. 'Terrified' as he's been of this, Edwin learns that his feelings don't need to either disappear completely or be totally reciprocated in order for him to be able to return to the peace, stability, and security of the relationship with which he defines his existence - and the scale of that relief a) tells us a hell of a lot about Edwin as a character and b) totally justifies the way his declaration just bursts out of him at what would otherwise be such a poorly chosen moment, in my opinion.
Whether or not they are or ever could be reciprocated, Edwin's feelings are definitively proven not to be the problem here - only his potential choice to bottle it up - his repression - is. And where that repression had once been mainly involuntary, a product of what he'd been through, now that he's got this new awareness of himself, if he still fails to admit what he's found either to himself or to the one person he's so unambiguously close with, then that repression will be by his own choice and actions.
And he won't do that. Among other things, he's coming into this scene having just (unknowingly) absolved the soul of his own school bully and accidental killer by pointing out a fact that is every bit as central to his self-discovery as anything about his sexuality or his attraction to Charles is: the idea that "If you punish yourself, everywhere becomes Hell"
So narratively speaking, of course it makes sense that Edwin literally cannot get out of Hell until he stops punishing himself - and right now, the thing that's torturing him is something he has control over. It's not who he is or what he feels, but what he chooses to do with those feelings that's hurting him, and he's even already made the conscious choice to tell Charles about them, he was just interrupted. But now that they're back together and he's literally in the middle of an attempt to escape Hell, there is absolutely no way he can so much as stop for breath without telling Charles the truth. Even the stopping for breath is so loaded - because they're ghosts, they don't need to breathe, but also they're in Hell, so the one thing they can feel is pain, however nonsensical. And Edwin certainly is in pain. But whether he knows what he's about to do or not when he says he 'just needs a tick,' a breather is absolutely not what's gonna give him enough relief to keep climbing - it's fixing that other hurt, though, that will.
Like everything else in that scene, there's a lot of layers to him promising Charles "You don't have to feel the same way, I just needed you to know" - but I don't think that means it isn't also true on a surface level. It's the act of telling Charles that matters so much more than whatever follows it, and while that might have gone unnoticed if anything else major had happened in the same conversation, now we're forced to acknowledge its staggering and singular importance for what it is. The moment is well-earned and properly built up to, but until we see it happen in all its wonderful simplicity, and we see the aftermath (or lack thereof, even), we couldn't properly anticipate how much of a weight off Edwin's shoulders merely getting to share the truth with Charles was going to be, why he couldn't wait for a better, safer opportunity before giving in to that desire, or how badly he needed to say it and nothing else - and I really, really love the weight that act of just being honest, seen, and known is given in their story/relationship.
#dead boy detectives#edwin payne#the case of the very long stairway#im sorry this really IS the short version of my thoughts i swear#i didnt want to get long and rambley backing everything up and mentioning everything else this forces me to reconsider#i just feel like i've barely interacted w this fandom and still seen quite a few odd duck takes on this moment imo#i dont think he wouldntve got the nerve to say it otherwise#(he was already going to! & if anything his new experiences in hell only cement that being the right choice)#and as much as i get what fear can do to a person i still definitely dont think he was resigned to staying in hell if charles reacted badly#i truly think he just couldnt keep it to himself any longer#the show is upfront about his escaping hell being a testament to his own strength rather than a lucky break of some sort#so i think even being on the receiving end of a rescue mission getting out still must take a lot of strength in this universe#and telling charles that definitely made him stronger/in less pain#so yeah totally necessary it happened where and when it did in my book#also i hope it doesnt sound like im being dismissive of anything charles says in this scene#but the way i see it those were all things they both already knew#so reaffirming them just adds to the idea that the act of Telling Each Other Things is what's so important here#rather than counting as a truly separate thing this conversation achieves#just my two cents
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hi .. 😨 so super recently i read this rly neat fic and have had brainworms ever since. basically ever since mephone left, the final 4 have been left to their own devices in the contesting grounds which r actually pretty far from the hotel. they sort of just have to fend for themselves. these doodles r sort of between fic fanart and a little bit of a concept for my own take on the idea ?? but yeah :P
if i hear any ii s2 e15 spoilers from this post ill delete my blog
#pls be nice this is sooo self indulgent#i also havent fleshed out any of my idea and might never. but i like doodling it theyre funny 2 me#ii#ii lightbulb#ii knife#ii baseball#ii suitcase#ii paintbrush#also mentioned lightbrush#this is kind of just an excuse to make silly meme redraws of an overly angsty concept and if that isnt the peak of fun idk what is#ii au#inanimate insanity#super self indulgent ughhh but i just think the concept of mephone just abandoning the final 4 has so much evil potential#sort of since it seems like most times the contestants were teleported to and from the hotel so they do NOT know their way there#i cant even decide whats in the surrounding forest. i like both the concepts of it being mostly harmless animals like deer and rabbits but#itd be so useful for it to also have animals like bears and wolves. idk#this is so stupid teehee SEND TWEET UGH
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Part two of the thing and uuh also final one
Of this interaction. Because this is far from all I can give, my brain almost imploded from all the ideas
#after some very heated talks between the two brothers Vash said he would leave the house for a good time#suggesting they both needed time apart and Vash needed to learn how to live without Kni#very reluctantly Kni agreed (even if he didn’t V would have done it anyways) with the single condition of letting him know the general#details about his livings. the adress. who he was living with if he decided to room with someone and at least their phone number in case#of an emergency. Vash agreed to this and put the limit there bc Kni wanted to know more but he said no I won’t tell you about their life tf#WW who is comfortable living at the orphanage doesn’t find convenient commuting for over 2 hours everyday to get there#so he is looking for a place to stay. Vash mentioned wanting to share a rental home w someone to split the spendings#and so the stars aligned and they were already planning their moving four days after meeting each other#because that’s Vashwood for you#imagine the delight of being either WW or Kni and finding out about each other thanks to Vash again#neither of them want to tell Vash about what they think of each ither. Kni to keep some sort of face and ‘peace’ with his brother#and WW doesn’t want to leave a bad impression saying he was the cause that the brother of the guy he was planning to live with couldn’t see#with his right eye for a whole week. so they hate their guts and Vash doesn’t know the why though he can grasp a general idea.#but he always hits bullseye making both WW and Kni glance at each other silently with their eyes saying#“DID YOU TELL HIM?’’ ‘’DID-YOU-TELL HIM??’’#trigun#vash the stampede#nicholas d wolfwood#trigun stampede#vashwood#trigun fanart#vash#wolfwood#nicholas trigun#nai saverem#millions knives#Trigun Uni! AU#lenssi draws
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RULES: make a poll with 5 of your all-time favorite characters and then tag 5 people to do the same. See which character is everyone's favorite! (tagged by @seaweedstarshine)
Tagging (don't worry if you don't want to/have done it already!): @transgenderdoctorwhomst @27-27-gruff-triplets @quietwingsinthesky @lost-tardis-room @a-shard-of-quartz-lol
#rose rambles#thank you for the tag!!! :D#like Tree I tried to keep it to one per fandom#which meant I had to pick one from doctor who...#if I'd kept it to just dw It'd be Nine/Rose/Amy/Clara/the Master#also for the characters with the & symbol#its because both characters are Very Strongly Associated#Grima is the dragon/deity that possesses Robin in fea that he was like#born to be the vessel of. You usually prevent it from happening but the DLC/future story has it happen#and the story is preventing an event that by one view already occurred#as for Hermes and Fandaniel. Hermes was the ''full'' soul who took on the position of Fandaniel#and Fandaniel as mentioned on the poll refers to the soul piece in ''modern'' time that takes on the mantle of Fandaniel and body of Asahi#and has the memories of Fandaniel#but doesn't fully identify as Hermes#Fandaniel#or his most recent life Amon#he wants to blow up the world to end reincarnation👍#might as well explain the other two then for doctor who followers uhh#Jin is part of STREGA#a group of teens that were experimented on to awaken their Personas artificially#which is slowly killing them (their psyche is physically lashing out at them). So they also. Try to end the world.#The kids are left taking ''persona suppressors'' which is an experimental medication that is both the only thing keeping them alive and is#also slowly killing them. It doesn't get the chance to kill Jin though.#he's one of 3 (4 if you count the light novel) surviving kids out of 100 from the experiment and by the end of the game only Chidori is lef#And now Will Graham.#You probably all know Will Graham. And I have rambled long enough. But he's the origin of one of my names.#Most of these guys are villains thats just sort of how these themes get represented#and I'm nothing if not consistent lmao
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I love watching those retrospective videos about different fandoms but everytime i come across one that starts talking about shipping for like a split second just to go "But we're not really going to talk about that because I don't ship things" I'm always thrown for a loop
like
i know everyone engages in fandom differently like of course I know that but like shipping is so inherently tied to my personal fandom experience and always has been that i'm always left like
??? what do you mean you don't ship things? What do you do then?
#like i don't think ive ever considered myself as part of a fandom if i didn't have at least some sort of ship in it#it's just not how my brain works#ngl though the two that made me think about this were both Danny Phantom ones so i think they were just being cowards ngl#like i think they just went if i just say i don't ship much#then i don't have to talk about pompous pep for more than the second it takes to mention that it exists
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my other least fave spn take is ‘dean is essentially sam’s father’. because. well. he’s just not, though, is he? a nine year old being forced to raise a five year old doesn’t make the nine year old the five year olds dad. he’s just a traumatised parentified older brother.
#spn#some part of dean does see sam as His Kid but like. he’s still the older brother. they still both see john as their dad. cmon#kid dean as more like sam’s mom? that makes more sense. even that’s totally reductive though we see in ALL the childhood flashbacks and#mentioned in canon that they still totally treated each other like Siblings!! christmas ep dean gets really annoyed at sam in such a l#classic older brother way. sam mentions him leaving him at that clown place to go hook up with girls#it doesn’t erase deans trauma to say that theyre brothers…….. tje relationship isn’t really parental#and i reckon it probably was more when they were really little but certainly not as sam got old enough to take care of himself. just because#dean still has the possessive protectiveness of some parents doesnt mean hes Actually sams parental figure#hes his older brother who also sort of raised him. families r complicated.#oliver talks
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river and cyrus' relationship post reveal is gonna be so complicated and im so ready for it
#like on rivers end#cyrus is alive and well and thats a good thing! hes grieved too much not to be happy#but cyrus nearly killed fawn and told river to /leave/ when they were about to die#not to mention the months of near-nemesis levels of rivalry between puppeteer and the sidesteps#meanwhile cyrus has his baby siblings again#but somehow thats the worst possible outcome#they shouldve never seen the sort of person he became#much less become a victim of it#and are any of them going to confront those????#no#because theyre both experts at running away from their problems#theyre going to shut up while they tend to fawns wounds/their armor and when thats done#well maybe cyrus tries to tell river to take fawn and leave#and maybe that pisses off river enough to kick off a full blown argument#cyrus becker#fawn becker#river becker#keeping up with the beckers
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To both HLVRV fans and Fallen London fans, I am so, so sorry for what I've drawn completely unrelated correlations to. (I'm lying I regret nothing.)
#So#99% of The Merry Gentleman's design here is absolutely noncanon.#But I realized while drawing them that the “making them taller than my literal tallest character—#that ISN'T a sort of eldritch entity from space that I associate with cyan/blue#(Not G-Bitch)#—and giving them weird ominous fog that ever constantly follows them#and the fact that I gave these idiots heels#[This is where headcanon starts kicking in‚ bewarned]#aaand the fact that they would chase you across an entire city if only for dream related reasons#(Thanks Chnle for the senario of Sleepless chasing Hypnos across several streets because I stayed up late and refused to go back to sleep)#(Several crimes and annoyed shouts of grievances that the other was being stubborn had dawned that night.)#And about the first point:#I once misread a post Mothr o made for SL being taller than literally everyone(including other G-Man) but G-Bitch/GVRV at some point.#I thought it was too funny to take back—#Have I mentioned that I loved both(ish) while they were shadow-y then disliked them slightly after they reveal themselves?#Have I mentioned that I still fucking despise May?#But he's fun to draw like this unfortunately.#Have I mentioned I have several scenarios I could've drawn to correlate these two more obviously but I feel asleep before it?#HLVRV#Fallen London#HLVRV Dr Sleepless#The Merry Gentleman#The Manager of the Royal Bethlehem Hotel#I think.#I have more doodles I've forgotten to post but I thought this one most urgent. Especially since HLVRAI has my mind at gunpoint now.#Most are FL OC posting. And approximately ONE doodle of HLVRV Doc (It may increase in amount.)
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my hot take about descendants is that NONE of the core four were ready for a relationship until maybe like, the third movie (rant in tags)
#they were still adjusting to living life without struggling to survive#a girl should not be jumping into a relationship the same week she just tried her first piece of non-rotten food lol#thats not to say I don't like the canon ships#but mal married literally the FIRST man she met in auradon. at 18.#and even as far as in descendants 2 we see them still struggling to adjust in different ways (mainly mal)#in d3 they seem to have fully assimilated into life in Auradon (as much as a VK can anyway)#so it makes sense for them to THEN seek out relationships if that's what they want.#but disney ofc wanted to act like romantic love just automatically fixes a person's problems ig?? as if a relationship wouldn't just be#added stress given the position the VKs were in in d1#not to mention dating just like. wasnt a thing on the isle (mal even says this)#and I get that the kids are craving to be loved because their parents didn't gaf about them. But I wish the first movie focused more on the#finding that love in each other than romantically with outside people. a sort of “they had love in them all along” moment.#and then this fandom loves to argue about whether Jarlos/Janelos was 'rushed'. at least Carlos (and Jay +lonnie) waited a few months before#throwing themselves into the dating scene. Poor evie had her heart broken within like 3 days of being in Auradon. no wonder she was willing#to help steal the wand lol.#Anyway to wrap up this rant I didn't even mean to go on#I just think that kids who have spent the first 14-16 years of their lives fighting to survive and being put through continuous trauma on a#daily basis don't need dating right away. they need THERAPY.#if anyone here has seen stranger things its kinda an El and Mike situation were its like. the girl grew up in a lab and fell for the first#boy in regular society who was kinda nice to her lol. thats how I view Mal and Ben#same with doug and evie. he was nicer than chad but he still fell for her for her looks and she still fell for him because he was the first#guy in auradon to be genuinely interested in her. also evie had a whole “I dont need a prince” arc and ended up with a man anyway?#my problem with janelos was always that Carlos never quite worked out his mommy issues or his anxiety. I feel like he'd be afraid of hurtin#her even though that boy wouldn't hurt a fly. and we see Jane get pretty stressed out herself- have you ever been in a relationship where#both of you have anxiety? cause it either goes really well (you help keep each other calm) or REALLY terribly (you make each other spiral)#I actually really liked Lonnie and Jay (though I feel like it would've had a bigger payoff if she was in d3. not sure why she wasn't but I#wont dunk on that because it couldve been smth to do with her actress). I think Lonnie is someone who can 'handle' Jay well and match his#energy. And I like the idea of Jay finding someone he's loyal to after being commitment-phobic for 1 1/2 movies and the whole first book lo#and ofc I have to throw this in here: any auradon kid the VKs get with is never going to grasp even half of what they went through.#this doesnt mean they can't try to understand and be empathetic. but it will always cast a shadow on VK/AK relationships.
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2024 reads / storygraph
Sea Of Broken Glass
fantasy
two sisters who live on a floating village in a shallow ocean are exiled when one develops magic and can’t hide it like her sister does
they travel to the land, trying to survive searching for their mother who was exiled 20 years ago, through the wilderness and magical caves
crystal/mineral magic, magical creatures, sister relationships
#sea of broken glass#aroaessidhe 2024 reads#damn this is like. weird and whimsical fantasy world. unique magic system? weird religion? creatures? CAVES?#aroace & sapphic-aspec MCs with basically no romance? MADE FOR ME! unfortunately it’s bad#like just the writing quality is not at all there. like it took me 1/3 to even sort of realise that in theory this is exactly#my kind of thing bc the not good writing was too distracting#the beginning is EXTREMELY fast paced; there’s no breathing room and everything happens too fast to get a sense of anything#The voice of both POVs is the same. Their relationship is so back and forth and all over the place it got a bit annoying#+ they both feel like 16yos not 20-somethings.#worldbuilding details were distracting me - some were answered eventually but not before I was getting distracted with questions.#eg I need to know about the ocean ecosystem. if it’s knee deep where do fish live. where are ocean plants. are there deeper parts of the oc#they hear a wolf howling. how do you know what a wolf sounds like you’ve never heard one.#why does everyone hate magic? Obviously bigotry doesn’t have a reason but like. just felt like it was there to make the plot happen?#if she has magic crystal powers that she can make anything with why did she not make them a boat?????? or shoes???#they walk across the sea for days??#and like I am happy with weird and slightly nonsensical worldbuilding details if the writing style and tone is very whimsical yknow?#but this is not that.#And like there ARE lots of cool elements! salt based magic? the giant cave frogs??#but unfortunately the writing style and execution is just not there.#I had to drag myself through most of it just because I wanted to form an opinion on the whole thing#Also it really awkwardly mentions their sexualities immediately. I don’t mind a slightly awkward delivery of that tbh#but do you need to do so in the first few pages of their pov?
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i agree with a lot of music fans and journalists/critics/artists that “lockdown”/“pandemic”/“quarantine” albums usually aren’t great and also don’t do very well, but i do think there is one truly incredible (at least in quality i haven’t looked at numbers and tbh i don’t really care) and maybe not the most obvious exception (well maybe it is obvious but i don’t see this album talked about a lot since like the month it came out and i don’t think i’ve seen it talked about in the conversations about art inspired by covid-19/lockdowns). anyway can we play a little game where you guys guess what album it is (this might help me find more good music or at least music you think i’d like as well as be [hopefully] fun!)
#i would also exclude folklore/evermore and unreal unearth from that statement not just bc i think they’re great but mostly bc i wouldn’t#call them ‘pandemic’ albums#like obviously folklore and evermore were made during that time but only two songs on folklore reference the pandemic/lockdown/isolation and#it’s sort of referenced in the sound in that both of those albums are generally quieter for taylor and that might reflect the actual#emotions of isolation and loneliness but i don’t think the sound necessarily reflects/refers to the actual material conditions of#lockdown or covid-19#rather folklore/evermore contain just a few lyrical and sonic references to the emotions caused by that situation but again. not as many as#there were initially perceived to be#side note i think actually the most ‘lockdown’ song on folklore or evermore is mirrorball#and i think the reason mirrorball works so well is that despite the fact that both the overall concept of the song and the lyrical content#seem to directly reference covid-19 lockdowns and closures#it (mirrorball) is still extremely relatable#and i think what’s absolutely true about the album i’m referring to in the actual text of the post#is that it is at least mostly very relatable for most people (although probably for women in particular)#and actually i would say that the album im talking about has very similar themes and concepts to mirrorball but translates and expands upon#them into the form of an entire album#ok very long side note over. in terms of unreal unearth not being a lockdown album it’s true that andrew has literally said it’s not one#but also there aren’t even any small lyrical sonic or conceptual references to the pandemic like i mentioned there are a few on folklore#and evermore.#i did watch an interview where andrew says there /might/ be one lyrical reference but i can’t find it (message me if you know what he meant)#i would call unreal unearth something that i think andrew is understandably hesitant to refer to it as#and that is a breakup album#and i think the reasons he’s hesitant to call it that is that sometimes when people say a piece of media is about a breakup they use that to#reduce both the emotions and experiences covered in the work and the quality of the work#but i also think that in music specifically breakup albums are often (not always. often) a seminal important and iconic moment in a career#and are in many cases considered by many to be the best or at least the most iconic albums by an artist#examples of that include Rumours and even Red#congrats if you read all these tags you’re a real champ#i have so much to say about this topic and topics related to it sorry!#love ya and please take a guess
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Latymer explained how, when Anne heard that the smaller monasteries were to be dissolved, she instructed Hugh Latimer to argue in his next sermon before the king that the houses should not be dissolved but converted to better uses. Anne was not an uncritical supporter of monasticism: Latymer reports how she told a delegation of abbots and priors that they kept 'their gates close[d] from the preachers of God's word, and yourselves sit either idle or scarce well occupied in your cloisters, clean void of knowledge,' knowledge being here the correct evangelical familiarity with the scriptures. Anne's agenda was not dissolution but transformation: Latimer 'besought [the king] it might please [H]is [G]race of goodness to convert the abbeys and priories to places of study and good letters and to the continual relief of the poor.' Anne instructed her other preachers to include in their sermons 'continual and earnest petitions for the stay of the same.'
The Pilgrimage of Grace and the Politics of the 1530s (2001), Richard Hoyle
#rw hoyle#anne boleyn#william latymer#there's this really horrible overall (YA...of all things) compilation of short stories from the pov of the six wives of hviii#called fatal throne#checked it out from my library read it and was like yeah i'm glad i didn't spend any of my actual paycheck on this lol...bad#but in between there were hviii pov interludes and there was one that touched on this that was actually#probably the most compelling piece...it feat cromwell too. anyways.#hugh latimer#henrician#(more specifically on her charity and what is seems her vision was for monastic establishments)#it felt like a missing scene from the tudors...almost?#i wanted to see henry reckon with this more in s3 but he only brings her up himself twice (awkwardly. both times to seymours)#and it involves only him very still butthurt they didn't have a son (like. hello?) and ig sort of to jane he alludes to this but it's#so vague...it is in connection to the monasteries but there's no overt mention to anne's own attempt to 'meddle'#i wanted a scene that was more like cromwell's with richard rich feat. henry#richard hoyle
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Can we get a few Kyrahlise fun facts 👀? (or not so fun facts)
Of course, friend! You get some fun and some not so fun facts!
1) I didn’t plan for Red to be Kyrah's ex. When I first played the game I picked the self-taught background, but when I got to Chapter 3 I realized the Circle background suited her more. Then I met Red, and it was sooo obvious those two nerds would’ve ended up together that it felt like Red himself told me they used to date, lol!
2) Kyrahlise will eat anything that isn’t unsafe to eat, even if it tastes gross. She spent too much time worrying about having enough food, and not having enough to eat, that she won’t turn down any food. At least for her sake she has a rather varied palate. As you can imagine, she also hates food waste.
3) I’ve mentioned before that one of her goals is to rid Blest of the Endarkened. Not because she thinks she’s so much better than everyone else that she can achieve the unachievable. No, she thinks it’s what she has to do to “atone” for what happened to Vale. This ties into her belief that she has to go to great lengths to deserve things (she is unaware she believes this). Before Vale disappeared, she worked really hard to be outstanding because she put a lot of pressure on herself to “live up to" being the clan Speaker’s daughter. At the Circle she was on scholarship since she couldn’t pay. So she pushed herself sparing no effort to be the best and prove that she deserved to be there. Now she burns the candle at both ends because she has a reputation and people depending on her. Eventually she’ll either have to learn how to take care of herself, or this mindset will seriously fuck her over.
4) For someone who is charismatic and socially adept, Kyrahlise is quite dense when it comes to realizing people are into her or hitting on her! The irl explanation: the first time I played the alpha build Kyrah got romance scenes with everyone attracted to women even though I was pushing her towards only one character. It just made sense to have her be dense. Otherwise she would've figured out what was happening and gently headed it off at the pass. The in-game explanation: She's demisexual + demiromantic, but leans heavily towards aroace. When she doesn’t have a crush she doesn’t think about romance at all. She has more important things to concern herself with. Then she kinda just forgets that other people might like her, lol! She’s also the queen of thinking there’s a platonic explanation for almost everything. It doesn’t help matters that I think her friendships with Zori and Red blurred the lines a little bit between platonic and romantic to outside observers. So her idea of what is normal in a friendship is kinda off from what a lot of folks think.
#I don't know what sort of facts you were looking for so I hope the variety gives you something interesting anon!#gods Kyrah/Trouble and Kyrah/Blade are both just different flavors of idiots-to-lovers#I often shake my head at the romantic things she somehow manages to hand wave away#I also shake my head at her overworking herself so much#she's so smart but also so stupid#thanks for the ask!#oc: kyrahlise niriviel#shepherds of haven#shoh#food mention#me playing ShoH the first time: surely playing a nice character won't have the drawback of making everyone fall for her! :)#well look who was wrong about that one! lol#haha I was going to talk about how I came up with Kyrahlise's name but that's pretty long and this got longer than expected
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Rollo Flamme is autistic. I had suspicions about it but after reading his vignette I heard a voice in my head confirming it. God has told me the truth and I must spread the word
He would also be ok with Batman, if he's not his most favoured hero. Oh and he also probably has PTSD and depression. Thanks for coming to my ted talk
#twisted wonderland#rollo flamme#twst#okay hear me out#jp spoilers#spoilers of Rollo's vignette❗❗❗#This mf keeps count of each grape he eats. 16. No more. No less.#they could have just generalized and say he eats a bunch of grapes but no. he SPECIFIES how many he eats#+ 2 croissants and a coffee with milk. That's his lunch every single day#(very implied or canon) he always goes to the same store. to buy the same envelope and letter paper < that's canon#he goes through a schedule and he's comfortable having the same routine#one of his hyperfixations is hating mages and magic. another one is his liking towards croissants and grape (comfort foods)#another possible special interest is history. given how he reacts in history classes and how much historical lore he knows of the city#another special interest could be flowers because both in the event and vignette is shown he's exceptionally good at cultivating plants and#i think he mentioned in the vignette one of the things he likes of Fleur city is the landscape tho his con is that the flowers initially --#were cultivated with magic#a perfectionist who brushes it off but his grades and efforts to make everything right despite the questionable morals of his says it all#and the most important thing: it gives me autism vibes#Now about the second statement: he doesn't read comics or scifi in general#but mc explains him some hero lore and talks about a hero who beats villain asses w/o superpowers#and who keeps an eye in every superhero but specially in this guy called superman#because bat believes super is so OP he could make a disaster if he turned to be a bad guy#bat also has reserves of an element that removes superman powers and bets SUPER villains using his brains and weapons he has created himsel#his morals are somewhat different to other heroes and most of them don't understand him but he's ok doing it his own way#and Rollo is sold. No he probably won't ever touch anything related to heroes but this called Batman is right and superior#and most importantly. If MC says Batman is the best with that alone he agrees. With proof he only joins MC more#“Magicless people rule” – Rollo Flamme#the part of Rollo having depression and PTSD or some sort of illness induced by trauma is self explanatory if you have read the event#shut up noko
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