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smilingperformer · 3 years

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Discussing the good and bad of Pokémon Journeys: Part “Chloe”

Time to discuss about the character that is still keeping me on board with watching Pokémon (2019)/Journeys despite having, cough, some issues with it. Let's talk about Chloe, also known as Koharu.

TLDR; I like how Koharu is handled so far, even if I somewhat wish there was more of her, and I believe I know what the intention with her is, and that is to show that the journey to finding your dream goal can be an exciting one and with possible obstacles on the way towards it. More under the cut, Journeys abverted as JN.

So. Let's start with how I became to like her character the moment JN002 aired, but also how her debut in JN001 has become interesting part of how Koharu used to love Pokémon, but then grew out of it. Which to me, reminds of people who grew with playing Pokémon games, cards, etc, but then as they got older, they grew out of it.

Anyway, as we all probably remember, both Gou and Koharu attended the Okido Camp as kids, where BOTH of the eventually meet Mew. From the very beginning, we're let known that Koharu is a daughter of a promising Professor Sakuragi, who's acquainted with Okido.

And we're also let known that the two are friends from before the camp, and I assume their games at Sakuragi's Lab involved playing as Pokémon or other stuff. She most definitely loved Pokémon and her dad's work back then.

But then when we fastforward to the present day as Satoshi, Gou and Koharu are all 10 years old, we see that this attitude has changed in Koharu. She's no longer interested in Pokémon that much, and the only Pokémon she accepts near her is their family 'mon Wanpachi. For me, this was very interesting approach, even if the "not interested in Pokémon" was done before with May/Haruka back in Advanced Generation series.

Even with this interesting approach, she was a side/supporting cast instead of main cast, which honestly felt weird to me as she definitely had a story to tell. But as I've been watching other shows lately, I kinda came to realise her approach reminds me of mid-season additions to cast, even thou her appearances nowdays are just a BIT more frequent, when before her joining the Research Fellows, she appear very seldomly.

Anyway. In JN011 we finally learn that, she pretty much has issues with people's expectations and how everyone assumes her to be very much involved with Pokémon just because of her dad's work. Truly, this would end up affecting her affection towards Pokémon, thou it's possibly not the whole reason for losing interest. She even admits here she's not sure of what she truly wants to do yet.

It's no secret that I'm a huge fan of goal finding journeys, as they are very relatable to me as someone who took 20+ years to find out what I truly want to do for living, so Koharu wanting to find something instead of other people deciding it for her is very good lesson.

So what exactly is the approach with Koharu from this ep forward? Showing her see Pokémon in different, totally new lights, figuratively speaking. She's shown to take care of a Pidove who broke its wing in a runaway flight, helped her lil brother Sota's friend, Nami, attend to a small children's Contest, and went to a Fossil Exhibition with Satoshi and Gou to learn about fossils. And I feel like that, this fossil exhibition event is what truly rekindled Koharu's interest in Pokémon again. As we all remember, she truly enjoyed that trip, and she, for the first time, got to see Gou bond with a Pokémon, that was rampaging just moments ago. And this episode, accompanied with JN050, are why I am currently thinking Koharu's end goal will end up being related to fossils. It certainy would be an interesting approach for a female cast character, and I wouldn't mind her having a chat with some other character who's also involved in researching fossils... (cough Gary/Shigeru cough)

Anyway. All of this seemingly lead up to Koharu finally meeting her very apparent soul mate: Eevee. I know, that most people were somewhat (or even totally) annoyed by the fact that yet another pokegirl receives Eevee as their Pokémon, and that this is just boring. While I understand the sentiment, considering Koharu's character: Eevee is the only Pokémon that actually fits her. Koharu is out there still figuring out what she wants to be. What she wants to do. And Eevee is the most relatable Pokémon for that kind of character: Eevee can become eight, and I repeat, eight, different evolutions. That's pretty much the same as having different paths to choose from when deciding your goal. And this specific Eevee has also not yet decided what it wants to do. It refuses to evolve. While in-game one could say this is because of the g-max factor, I highly believe this is purely done for the purpose of making Koharu and Eevee relate on a very, very personal level. So instead of Eevee having the g-max factor disabling the evolution (because let's face it, it's only done so people won't accidentally evolve their Gigantamax Eevee), Eevee is kind of, constantly pressing the B button to prevent it.

Now: what has Eevee exactly given to Koharu's character? A lot actually. When before Koharu would try to deny interest in something or try to say she has something else to do instead of a trip, Eevee is there to push her forward to try things out.

Like in JN050, Koharu is trying to priotize her School instead of a Fossil trip to Galar, but thanks to Eevee, who wants to go, Koharu gets the needed push to go and try out new stuff. I very much adored this scene in this episode, due to encouraging the "try out new things" approach in life. From this point forward, we then see Koharu join in on other trips like the Diglett Farm (where she definitely shined in team leading and got to experience the farming and team leader approach) and the Glimwood Tangle trip, that Koharu herself prompted to her dad and the boys, instead of being asked to join. Which reminds me of something else btw.

While Gou is shown to be very knowledged with Pokémon, Koharu is shown to know more about other fields like how plants grows, and what kind of soil is good. This is from either school lessons or from her experience with taking care of the school flowers. She could possibly be considered a good student, and btw, I very much like the approach of not making her a school dropout once she started joining in on research trips, and instead takes homework to accomodate the fact that she's missing out on lessons. This isn't unusual in real life, so I'm glad JN is actually showcasing this approach with both Koharu and Gou. Thou with Gou, he's pretty much always absent, haha.

Now, her latest episode with Kikuna was an interesting one. While Koharu's main point in the episode was kind of to be the angel of love for Kikuna (which failed horribly, love you Kikuna <333 ), I'd say there was another reason for her being in that episode with Kikuna: it was to let her learn of the possibility of meeting possible pitfalls in one's dream goals. That lesson was in Kikuna's story about how she almost gave up in becoming a researcher due to a mess up with an important presentation for a conference, but found the strenght to try again. It's part of reaching your dream goal a lot of the time. Even Koharu's mom, Yoshino/Talia, gave her the story of how she originally wanted to be a mangaka, but gave up on the dream and instead approached something similar. These are all very important life lessons in how working toward one's goal can either fail, or come accoss obstacles. It depends on the person whether they'll end up switching the goal to something else, or strive to go forward to get past the obstacle. As someone who had exactly Koharu's mom's experience longside having to take a long while to find one, I appreciate that Koharu's journey has been about learning the good and bad experiences of working towards a dream goal.

Now: has this storyline been executed well? Imo, it has, but it ain't perfect, as there are some parts where I'd like to see some improvement on.

One of them is with how it's sometimes unclear as what kind of character she is counted as. Is the a main character alongside Gou and Satoshi now? Is the still supporting cast? Is she a lower tier main character that won't appear every episode still? The latest option would appear to be the case, but it's not often that simple to see.

There's also the case of Wanpachi seeming like it was teased to be eventually becoming Koharu's first partner, but instead it ended up being Eevee. I think for most, before JN049 aired, people assumed Wanpachi didn't belong to anyone exactly and thus was free reign. But, as JN049 confirmed, Wanpachi belonged to Sakuragi himself. Which is sorta funny, as Wanpachi clearly loves him the least, haha. So, what exactly do they intend with Wanpachi? I think, that in time it'll eventually switch owners to Koharu, as it clearly loves her the most, but the journey there is still on-going.

Now, here's something interest to think about: I think Koharu not being in every episode has actually been benefitial for her, as she never gives me the feeling that she's taking anyone's time for herself, and her involvements in stories fit quite well. My current favourites for her are definitely her team leading in Diglett episode, which is JN052, and the Galarian Ponyta episode (JN055) where she clearly showcased that she's able to handle herself in sticky situations. Which is quite a beautiful detail, at least to me.

Now to quiiickly note her dynamics quickly, let's talk a bit about how she is a big sister. Like, for real. She's got a baby brother in Sota/Parker, and the two do seem to have good relationship going on. However, I really want to see more of this! There's way too little of it going on right now, and it's mostly been typical siblinghood. I'm so glad there's still full on family aspects in JN, which is what I loved in Sun & Moon so so so much, but I want to see more. MORE! MORE-

I already talked about how I enjoy her dynamics with Gou and how their childhood friendship is showcased so well, and yet I still grave to see more. The two know each other well, and Gou always, ALWAYS respects Koharu, while Koharu ain't afraid to tell what's on her mind to Gou. Thou, she also knows that Gou would judge her if she were to ask about Pokémon bonding tips. Dyamn.

Now: I want more of Koharu and Satoshi. The two def seemed to have a bit of a "uugh who are you don't talk to me" approach, but it naturally faded as they went on their first trip to Nibi City's Fossil Exhibition. And they've been in good relations since I'd say.

Also to quickly note, I love how Koharu has been mentioned in couple scenes as being the character who's taught them first-aid or told about jealousy and how one should take Pokémon's feeling into consideration (even if this latter one should be obvious to Satoshi but, I digress, Satoshi was way too focused on Riolu and just assumed Pikachu would be fine since they've been buds since forever).

There's also so much more I still want to learn about: how exactly did she meet Gou and why she decided to be friends with him, does she have other friends besides him (because I would assume so but she's never shown with anyone else), give us an episode that's focused on Koharu & Sota, let her see Satoshi battle as well (afaik, she has NOT), let her meet Alola Squad + other past companions, and oooh there's so much I want her to do and I see so, so much potential in her character and I really really REALLY hope the writers don't screw her up.

Now is that all I wanted to talk about regarding Koharu... I guess so. As you might have figured out by now: I almost have no issues with how Koharu is written. She's enjoyable to watch and, suprisingly, I find the pace of her story-telling pleasant and not too fast nor way too slow. Could it do well with a bit faster pace? Possibly, but due to me seeing her as sort of a mid-season addition akin to how Precure or Digimon do them, I'm fine with this approach. Considering the current pace, I think she'll end up finding what she wants to end up working towards to by the end of this year, or early next year. And, despite how many might fear, I highly doubt it will be Contests. As it's pretty clear JN isn't out there to promote mainline games feature-to-feature, but instead cherry picks stuff it wants to do. I'm still quite certain, that she'll end up becoming a professor of her own fields, possibly of fossils (which, considering DP's Underground feature, could fit very well in promoting this feature of the remakes). Maybe even become a team leader of a fossil researching team, as she definitely showcases the skills for it, for knowing soil, fossil digging and again, team leading. And I totally didn't figure this out while writing this post. :'D (I totally did.)

So. I believe I'll end this post here, as this is already quite long by now and, honestly, there's not much left to talk about. It really feels good for me to talk so positively about a character in JN, as it's no secret that I ain't the biggest fan of the show. However, Koharu's approach speaks to me personally, very well, and I so, so look forward to seeing how her journey ends up going, and where it will lead her.

So who's up next on the list of discussions? I think you guys can guess it.

And it's gonna be a doozy one. Oh man oh man.

Thank you so much for reading if you came this far, have a fantastic evening/morning/whatever, and take good care of yourselves!

This was Smiling Performer aka Aleira, signing out! PEACE!

#pokemon #pokeani #anipoke #pokemon jn #pokemon journeys #discussions #character discussions #koharu #chloe #koharu sakuragi #chloe cerise

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moonstone27ls · 4 years

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Ducktales finale spoilers

You’ve been warneddddddddd

Warning

Warning you againnnn

Sooo Ducktales will be ending soon my thoughts? Not as sad as when compared to Rise of the TMNT, Venture Bros, Brooklyn 99 (though it had a good run considering), Drunk History, Dark Crystal Age of Resistance. Though there are rumors Darkwing Duck is gonna be rebooted.... uhh maybe excited? I'd say maybe becauseeeee again its on a streaming service... and no for anyone's future question don't have Disney+ and have no intention of getting it why? Cause I'm broke/on a budget and I can't buy every stupid streaming service for the sake of a few shows.

But I'm getting off topic the show in general... sorta sad but sorta not. I'll be honest some eps of Ducktales in the last season didn't fit well with me. Some felt uhh very cliche/or readable, some felt kid dumb (but its a kids show so you're gonna get a few of those more than once), some felt like they were uhh if I had to compare like when you'd watch Adventure Time and you'd be "WTF was that one for". I wouldn't say dark you're just "that one felt random". Sometimes thats not bad but heh depends on the taste.

There are a few things disappointed we didn't get to see one Donald & Della's ACTUAL parents interacting with their children, GRANDCHILDREN. Don't get me wrong their interactions with Scrooge was nice but we barely got one ep with family that WASN'T him. You'd think given what dangerous work they were involved with we'd see a flashback or actual talk of their parents talking to them. Especially with Della being a single mother oO. Kinda feel it slightly unrealistic that they'd just sit and do nothing (and no there's no sign they're dead so they should be around) when their daughter disappeared into space. I mean maybe it'd been nice to see a few eps of past Donald getting advice from his mother Hortense how to raise the triplets. Heck would have like to see Hortense & Matilda's relationship.

Second the triplets father would had been nice oO. Yes he does have a father. All these fan ships but no one actually wondering "hey who's the boys father?".

Third would had been nice to see more of Violet's family life. I mean whats the point of giving her "dads" if they never have a role beyond background character. Heck would had been nice to see a day of Violet and Lena's life with their fathers. Yes probably to the viewers it probably would had been boring but whatever 8B.

Four uhh I dunno explore space more? Maybe actually see some of Moon's home. I'll be honest that episode of "Moonlander on Earth" ep always bugged me. While I could believe some of the moon aliens wanted to stay on earth. I'm not convinced an entire planet thought Earth was so amazing they'd just stay there forever. People are fickle things, I can believe some wanted to stay like a vacation. But I feel at some point some, like Penny wanted to just go home. And I always found it... disturbing that no one attempted to really listen (no I don't count Webby cause that was written more of an experience lesson than "oh I miss home"). I mean the McDucks have all the money in the world, thats how Scrooge spent almost all his fortune finding Della. I'm just not convinced Scrooge and them thought "Hey we got extra rockets if they wanna go home we'll let them". No it was "oh they'll never get home, lets not bothering asking or giving them those extra resources. I think the show MISSED a good opportunity to let Penny go home (as well as others). And since Fenton or Gyro are often considered so smart they couldn't make a special teleport device JUST for them or ways to keep communicating with the moon. Thus meaning they could have explored space. And while some might argue "yes we needed Penny for the finale" (minor spoiler). She didn't DO anything she and Goldie were mostly used for cameo purposes. Sooo wasted use there.

Hmm anything else.... would have LIKED to seen more eps with Gandra/Fenton but hey if that Darkwing Duck spinoff is a thing maybeeee Gizmoduck will make special appearances and Gandra/Fenton can double date with Morgana & Drake(yes I wanted her to make an appearance I liked her goth look). Uhhh I don't think we ever got a Selene & Della interaction. (So far no eps were really... well friendship stuff. I mean I got a small fraction (if that) with Gods on the Block ep but it was near the literal END)

Also wish we could had more from the old show cameos Kit/Molly, Rescue Rangers, Goofy... pft plus I'll be honest before the show ended would had loved an actual cameo of Goofy, Mickey & Donald just alll together. Pfttt omg I would had loved a Max & Roxanne cameo date/wedding (yes I shipped them). Haha more interactions would had been fun. And while I enjoyed the Talespin sorta crossover... could had more (and yes sorta ship Kit/Della. heh sorta more of a crackship haha). And lets be honest that Molly cameo was wasted potential. I mean would had been cool to see Baloo & Becky. Though I understand to a degree why we didn't. At least with Baloo. But ahh well what can you do.

And same with Daisy and Donald buttttt gonna take some of the finale as something. I'm just gonna say it left enough for my imagination to think "they're having a happily ever after soon". Uhh another minor spoiler with Ludwig revealed not to be dead (which I'm glad)... just disappointed he wasn't in the credits or given more interactions with Scrooge. Yeah I know they weren't BEST friends or anything but I dunno I do associate them as friends.

Anything else... uhhh would had been nice to see more of Boyd and Doofus family moments too. I mean I dunno consideringgggg that life probably was better for Doofus' parents now that they had an ACTUAL loving child. Be nice to have seen more scenes. I mean heck that last ep with Doofus... uhh jumping? I assume it meant Doofus had closure and accepted his fate? So I dunno would had been good to see him and Boyd bond more. Heck I'd like to have seen his parents' telling Gyro in finale (yes minor spoiler) take care of "our" son.

Nowww onto the finale gonna put spoilers soo warning here.... as for the finale it was... good. I'm not gonna say "Oh it was the best everrrrrrrr". Nah it was pretty good given their budget or whatever. Yeah some felt rushed and all those cameos while I appreciate the thought felt wasted potential. I mean I get why budget/timing etc. Just saying you know could had some Goldie/Scrooge moments, more Lena & Violet, Webby friendship stuff. I mean heck when they were all "released" (and judging by that cube system) there was a lot we don't really see where they go or how the Ducktales group got everyone where they originally belonged.

What did I think of Webby's so called surprise... uhh mixed. Bigger picture wise kinda explained that need to be so clingy. To a degree I sorta agree with the split fans I like it and I don't like it. But I get it the writers NEEDED something for shock value cause lets face it they ran everything else. I say a part of me didn't like it cause I was kinda hoping this version would show us Webby's real parents. And I'm not fully convinced that photo was just a fake or some random relatives Beakley took to shut her up.

I think she sounded genuine when she said "I missed a lot". I admit when the whole "oh she's made from FOWL" was becoming obvious. I thought Beakley was subtly hinting that her daughter made Webby. I dunno could see that happening seeing that this whole ep was hinting at adults who did NOT think of their actions effects (yeap Scrooge, Della's choice to go on that rocket, Bradford's granny traumatizing the dummy), I thought "Ohh sooo she felt neglect and rebelled or fell for the enemy". But anyways yeah I still think Beakley probably DID have a daughter. Where is she? I dunno, thats kinda the whole point. Either she died or like Donald did with Scrooge, broke away from her family. I really believe whatever the reason, her daughter's gone from her life and Beakley deeply regrets she wasn't a more attentive mother. She probably to a degree saw Webby as her second chance to do better by her.

Hmmm lets see anything else.... as dark as it was with what Bradford did... not really shocked. And while he was obviously a villain I think his background did prove a point. But I could be thinking of Dean Venture and Dr Venture's childhood. Not every kid is built or for that matter wants an adventure life. Bradford was a product of his well intentional but neglectful family. Had the triplets or Donald not wanted this life that could had been them. Thankfully it wasn't 8B.

I admit the part with the villians at the end was quiet surprising. Not because they turned him into a bird pft. But because technically they saved Scrooge but heh I get it, chalk it up to either "they don't like to be used" or "Bradford was so terrible he was beneath even their level". Just somewhat made me wish Magica could have found Poe or something (I liked his design and voice actor).

And super glad we didn't really lose a lot of villains. I dunno I wanted Phantom Blot & Pepper to escape, fight another day stuff. And I kinda think to a degree thats why we saw that dumbed-down clone of Bradford. He's gone but that clone could get "smarted" up to stir more trouble 8B. Maybe I dunno.

Heh but all in all I enjoyed this finale. Its was wayyyy better than Star and Tangled's finale, no flippin' drama :P. I mean I suppose you could call Donald & Daisy leaving drama? but no not really cause literally none of this bothered me. The credits kinda gave me that nostalgia of how this show got so much attention. So while it was rushed maybe and it had its flaws. All in all it kept up with the heart. Soo I enjoyed the credits a lot good way to say goodbye

(just putting that gif there cause I liked it 8B)

Anything else....KEITH FREAKING DAVID, another reason to give this finale a point best flipping part I’m just sad I have no gif to use XD

#finale #Ducktales #Disney #Ducktales spoilers

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starkeaton · 4 years

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the adventure zone: graduation character list

Well, i accidentally deleted the original graduation character list post, so here i am making another one. Oops. And as always, if anyone has important details i should add then feel free to suggest them!

Here are all the characters introduced in episodes 1-25. Named characters only!

Also i can’t hide spoilers! So, um..... I can’t put spoilers on this one. If you need the version with spoilers try this version of the post that i made on the adventure zone subreddit but youre not missing out on much.

# -EPISODE 1- (19 characters)

Hieronymous Wiggenstaff (he/him): Head of the Hero/Villain school. at least 400 years old. wears shining blue armor with gold accents. also an elf. according to Tomas, he led the charge at the "battle of blood valley", brought the Kingdoms of Rickart and Dawnbreak to a peace treaty, and founded the school. a little boastful, a little prideful, [SPOILERS OMITTED], and overall a pretty good dude.

Higglemas Wiggenstaff (he/him): Head of the Sidekick/Henchperson annex, cranky old elf. has a dog named hero who shows no signs of anything strange at all, ever.

Gary (he/him): friendly room gargoyle. pseudo-hivemind.

Groundsy (he/him): the groundskeeper. a pretty nice fellow. don't go in his shed.

Hernandez (he/him): beautiful centaur professor of animal handling.

Jimson (he/him): human battlegrounds trainer for sidekicks/henchpeople, world famous featherweight champion, wields a staff. married to crushman.

Crushman (he/him): silver dragonborn with a sickle, and self-described beefy boy! heavyweight blood champion married to jimson. never lost a match for 8 years. full name Frostus Crushman.

Rolandus Fontaine (he/him): former prince, son of deposed king, kind of an asshole, maybe. wears a cape (important detail)

Zana (she/her): "terrifying" tiefling villain sorcerer, friend of rolandus. barkept the test tavern in ep2

Rhodes (she/her): hero ranger, friend of rolandus.

Buckminster Eden (he/him): hero guy. son of "The Iron Lord". their dad is stronger than rolandus's dad. his wiki page says rogue so i think hes a rogue? i never caught that and ive listened more times than i wish i did

Leon (he/him): softspoken buff, bald "fighter" (although i dont remember any clarification on how exactly he fights), sidekick of buckminster, around 28. anyone else keep forgetting he's bald? i keep forgetting it. >!gets sorta-drafted into becoming a falcon for higglemas and so far hasn't done much else.!<

Rainer Michelle (she/her): cheerful villainous necromancer with a floating chair. also, her name is pronounced "rainier" despite not being confirmed as such? travis ships her with fitzroy.

Tomas (he/him): human man with "kind eyes" and a good (psychic???) memory. guidance counselor.

Stewart LeBoeuf (he/him): brawny human man. serves food. there is no joke here, i promise

Mulligan (he/him): teaches potions. mentioned but doesn't appear yet. and we're like 25 episodes in. maybe we'll see him someday

Germaine, Victoria, Rattles (he/him,she/her,???/???): Skeleton crew. They live in the training room i guess, and as a result can never die, because "no one dies in the training room!" (note: someone now HAS to die in the training room). also their races are never explicitly stated but i guess they're probably human? in episode 3 travis brings up something about how many bones are in "the human body" and at this point i think i'm looking too deep into this so i'll just forget about it and you probably should too.

# -EPISODE 2- (9 characters)

Riveau (he/him): halfling, blame-taking teacher.

Mimi (they/them): gnome sidekick who builds cool robot prosthetics

Bartholemus (he/him): owl aarakocra accountant teacher, known for being the best accountant in the land and having a face some might describe as "smoochable". very pro capitalist :’( hope he gets better

Ramos (she/her): goliath teacher of shieldwork. *

Dip (she/her): sidekick, half-orc twin of pip

Pip (she/her): hero, half-orc twin of dip

Festo (they/them): fairy with "beautiful gossamer wings", independent study teacher of magic, loves to party

Snippers (he/him?): Let me tell you my story about Snippers the magic crab. When Travis gave the list of animals that Griffin could choose as Fitzroy's familiar's current form, he listed crab near the start, and this gave me excitement. Now i knew that crab was pretty unlikely but god i hoped that he would choose it. When the list went on- Bat, Cat, Crab, Frog, Hawk, Lizard, Owl, Poisonous Snake, Fish, Rat, Raven, Seahorse, Spider or Weasel- I nearly lost hope. I was hoping so hard that Griffin would choose the crab, but i was ready to accept a non-crab familiar. It was just buried in that list. It wasn't the most useful animal and it was an obscure pick. And as Travis informed him that it didn't have to keep the form for the whole campaign, Griffin said those five words i wanted to hear so, so badly. "Well then it's a crab." Folks, I do not often react physically when something happens in media. But in that moment, i remember very clearly, i fist-pumped and yelled, "YES!!!!!!"

so anyway, Fitzroy has a crab.

Jackle (he/him): kenku teacher of sneakery. creepy dude. apparently knows something about argo? also his name is not spelled "jackal" for some reason. Also in later episodes theyve started calling him "The Jackle" for some reason??? *

# -EPISODE 3- (1 character)

Dakota (they/them): tavern instructor, clad in black/red leather. no race stated? probably human. *

# -EPISODE 4- (6 characters)

Gerry & Tom (she/her, he/him): shopkeepers at barns and nobles who seem to have very bad names. also constantly competing for customers? these guys got dropped faster than the heathcliff quests, which is honestly just sad.

Barb (she/her): the bartender. runs Springs Eternal in Last Hope. has a sweet seeing-eye hawk familiar.

Jaryd Reginald (he/him): owner of Reginald Ore. Wants the workers to be held responsible for the damage caused by the xorn. (fun fact: originally i wrote down "Jerrod" because i wanted it to sound like a fantasy name, then realized it was probably "Jared" because theyre named after listeners, but i was pleased to find it confirmed that it's actually "Jaryd")

Candice (she/her): A Miner. thought those werent allowed in bars but, i guess not. Wants the mine owner to be held responsible for the xorn's damage.

Jade Johnson Esq. (she/her): lawyer.

# -EPISODE 5- (1 character)

Xorn: a big hungry gem eating guy from the plane of earth Low-Down Deep with 3 arms and 3 legs. why did travis just say "multi-armed" instead of specifying it was 3? who knows! Anyway it leaves

# -EPISODE 6- (3 characters)

Osric (he/him): the man, the myth, the bursar. finally shows up after being mentioned in episodes 2 and 4. he's an elf.

breeze through the willows (she/her): Pegasus attacked by demons, lost her parents. introduced in ep1 but gets a name here so fuck it. also in ep>!16!< we find out shes a "white arabian pegasus" and i dont think thats a spoiler bc we shouldve really known it from the beginning

Sabor (he/him): Librarian/research teacher. also a TORTLE. Really good at recalling stuff, i guess. kinda reminds me of Tomas's memory thing but i'm sure that's just a coincidence... *

# -EPISODE 7- (1 character)

Mosh (he/him): The goliath blacksmith who welcomes argo into the unbroken chain. Also, and this is specific to the tumblr version of this post, all the characters with an * at the end of their descriptions are also members of the unbroken chain. if someone knows how to do spoilers on tumblr please tell me

# -EPISODE 8-

# -EPISODE 9- (2 characters)

Eeiïäá#æ&éñn (pronounced like "Ian") (he/him?): an imp but without a shitty voice. also happens to not be violent. what a coincidence?

Terence (he/him): a chain devil with a real demonic name. minor boss of the imps. very convincing and very threatening. has the frightening ability to make you zone out during his fight

# -EPISODE 10- (2 characters)

Althea Song (she/her): elf with autumn-orange hair. representative from heroic oversight guild. i'd like to personally thank travis for spelling her name out.

Crabtree (she/her): Artificing teacher. Long gray hair with a long grey beard. no mentioned race, one might guess dwarf but that would be an assumption i suppose. also unbroken chain member, presumably the dwarf argo didn't recognize in episode 7.

# -EPISODE 11- (3 characters)

Marie (she/her): Grey-haired elf woman. She's the school's physician, i guess. Member of the unbroken chain.

Dendra Maplecourt (she/her): Fitzroy's mom. Has hot mint gum, i guess. She was mentioned earlier but i wasn't convinced she was a real person until this episode

Cool Gary (he/him): AYY ITS ME GARYR

# -EPISODE 12-

no new characters again!

# -EPISODE 13- (7 characters hhhyyyuu)

Kale (???/???): Head of the Placement Department, in charge of real world assignments. First mentioned in Ep4 but i missed that the last few times bc it is so brief. Gives exposition about missions i guess????? is that the only reason this chara cter exists

satyr thief (unnamed) (he/him): tries to rob thundermen, dies instantly

Ogre (he/him): teamed up with the satyr. his name is ogre.

Moon (he/him): A Sidekick. small pale sullen guy. no mentioned race. Why is there another FUCKING sidekick WE HAD ENOUGH hhhyuuuuuu

Deanna (she/her): A bigoted centaur with an obnoxious voice. Malwin the Strong's second in command.

Malwin the Strong (she/her): Leader of the centaurs of the scarlet woods. Wants to appease the spirit of the scarlet woods so that thecentaurs of the scarlet woods will be protected in the scarlet woods. Had a relationship with Arturas in the past but their clashes are currently known to get pretty heated.

Arturas (he/him): Leader of the Centaurs of the Valley, i guess. Had a relationship with Malwin. Centaur. Did i mention centaur? i cant think of anything else about this character

# -EPISODE 14- (2 characters)

Calhain (he/him): Human wizard, Malwin's magical advisor. Kind of an amateur wizard in a job high above his skill level. Graduated Wigginstaff's as a hero.

Spirit of the Scarlet Woods: A spirit who requires sacrifice in order to keep Malwin's herd safe and prosperous. Not keen on dubiously canonical combos, i guess. i wouldnt be either. also apparently the sacrifice depends on personal value, not how much value it has to the spirit.

# -EPISODE 15- (2 characters)

Sylvia Nite (she/her): Fitzroy's magic theory teacher at knight night school, who he turned into a catfish by accident. oops!

Chaos (they/them, maybe more): Presumably a deity, gave Fitz his powers and wants him to give in to his chaotic desires. (physical desc: 9 foot tall, iridescent 'mother of pearl' skin, pure white eyes, fine burgundy cloak with gold/onyx lining. their physical form beyond that seems to change every time they show up.)

# -EPISODE 16-

none -w-

# -EPISODE 17-

some demins happened. the big dudes are called "Pit Fiends" and the armored demon ladies are called "Erinyes", by the way. that was incredibly hard for me to figure out the first time, especially without headphones, i thought travis was saying "pig feet" and i just could not discern what the other things were

# -EPISODE 18- (6 characters)

snow on the mountain: shire horse pegasus

storm at sea: peruvian paso pegasus, vehement defender of The Guardian. doesn't have a goofy voice.. but he could have....

thaw of the spring: a winged horse

night of no clouds: a winged hhorse

The Guardian: "An ancient and powerful being that guards the unknown forest." Has protected the flock from demons for many many years. apparently is the voice that was talking to our firbolg in episode 1?

Grey, the Demon Prince (he/him): wants to cause a war, originally wanted to kill hiero and higgs, forces the heroes to build an army to fight his. As "Fauxronimous", he has skin the *color and pattern of* (but not necessarily made of) slate splashed with liquid, pointed ears, sharp teeth, shining eyes, horns of unspecified shape. 12 fucking feet tall. wonder if the slate-looking skin is related to garys. plot twist detected? Also i recently looked at the episode descriptions and found out his name is spelled "Gray", but really does it truly matter?

# -EPISODE 19- (2 characters)

Shabree Keene (she/her): Argo's mom, killed on the Mariah, possibly by the Commodore. Long auburn hair, green eyes. Mentioned earlier but described here, so fuck it.

**Thomas** (he/him): Argo's first mate on the Mariah, as the Kraken, in his chaos-dream. may or may not actually exist.

# -EPISODE 20- (1 character)

The Commodore (he/him): Reknowned hero of the seas, military regalia, great naval hero, presumably responsible for the death of Shabree Keene. No mentioned race. Seriously, they never mention this guy's race. The only thing described about him is how he's dressed and his evil smile. Does that mean he's human? Elf? Dwarf??? Who knows! maybe it just doesnt matter.

# -EPISODE 21-

none

# -EPISODE 22-

not any of them. not any.

# -EPISODE 23- (1 character)

Ozymondelius (sp???) (it/its): A warforged teacher who just so happens to like war or something? i guess its in the name. only mentioned in this episode, doesnt show up yet.

# -EPISODE 24-

they have a fight in the training room but nobody dies :\\ maybe next time. also no new characters. pog

# -EPISODE 25- (4 characters)

Gherkin (he/him): Tall lankier skeleton, has a scimitar and a merkin, which is a pubic wig... and he wears a jerkin? which i guess is a kind of coat? also i think hes mute

Tibia (she/her?) : Shorter skeleton with gold teeth, and long canines. i think both of the skeletons are mute actually.

The Lich King aka Gordy (he/him): Rainer's dad. Commands armies of the undead. lives in The Crypt. described as a hooded, skull-faced man with intricate black lines on his face, but changes to a shaved-head man with dark skin and vetiligo. Abandoned as a babby, raised by traveling parents, had necromancy powers, took Rainier in. Not actually very scary at all i don't know why he did the creepy laugh. Kind of a warm fatherly figure actually. hm. also people are speculating Gordy might be short for Gordita and his parents are maybe supposed to be lup and barry but THAT S JUST A THEORY.

our firbolg's father (he/him): A firbolg who lived by the code and was there when our firbolg was banished. Came to respect our firbolg's interest in a new way of life, in his final moments.

TOTAL: 72 NPCS! (well, including 2 extra PCs, i guess.)

Average: 2.88 NPCs per episode.

i was gonna not include the bone-PCs and have it be 69 but our firbolg's dad was just too important to not respect with a spot on the list.

anyway as always make sure to smack me with a blunt object if i forgot any characters!!!!!

#the adventure zone #taz #taz: graduation #taz g #sir fitzroy maplecourt #argonaut keene #taz firbolg #i dunno what else to tag this with #text post #keatposting

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gwens-projects · 4 years

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Day 19 - Theme Memories

So I’ve been around this fandom for a long time, not as long as some people, but since TPOM was still kicking out episodes. Today I’m going to talk about some of the memories I’ve made through this fandom.

Under a read more because this is going to be long.

I remember first when I was really small getting to watch Madagascar when it first came out. It was very blurry and pixilated because it was on one of those cam copy discs that my dad had brought home. It was fun, I liked it, but didn’t think anything about it really. The same happened with Madagascar 2 a few years later, and then after that I got my first exposure to TPOM when dad had a disc with the When I was a Penguin Zombie ep collection on it. I’m pretty sure I watched that disc on repeat for weeks in the car, I loved it but had no idea there were like actually other eps I could watch anywhere else.

Years after that, somehow I managed to catch the Return of the Revenge of Dr. Blowhole on TV actually in the midst of all the singing, we almost turned the channel but I was amazed that there were more eps than what I had seen before and we watched what was left of the episode.

I’ve never been someone who easily makes friends. I’m very quiet, nervous, and rather weird. 8th grade I made my first decent friends, and then at the end of the school year both transferred away to different schools. I was about...15 maybe? and I was crushed. I had never really noticed how lonely I really was until then, and so I started watching some shows on youtube I remembered I liked but never got to watch every ep of...Kim Possible, Lilo and Stitch, the Smurfs....I was looking for something Smurf related online when I accidentally discovered fanfiction, specifically Smurfs fanfiction that I thought was actually like a canon Smurfs book. This led me to exploring fanfiction a little more and then I accidentally come across some TPOM oneshot (written in Spanish that my computer translated) about Private? It reminded me that oh yeah the penguins was a show I liked as a kid, so I looked it up and started binging those eps.

Watching those eps, I honestly felt the least alone I had felt all summer. Private was my first comfort character and at the time I found him super relatable. I also started reading a few TPOM fanfics. Season 3 still had episodes coming out and so that was pretty exciting. That August I started writing my first fanfic, A Trixy Situation, and drew my first fanarts. I also consequently made my first OC.

I look back at that first fanfic and the reviews I got and all I can think is “People thought this was good?” But at the same time, if it wasn’t for those kind comments back then, I wouldn’t be the writer I am now. A Trixy Situation wasn’t just my first fanfic, it was the first piece of written fiction I ever wrote and FINISHED. People’s kind comments spurred me to write and for the first time I really felt like I was writing for a purpose AND having fun with it. I was over the moon.

Granted, I did get my first critiquing review a few fics later, and as much as I cried over it...I will admit, it made me a much better writer. I still wish they had phrased it differently though.

Through fanfiction as well I made my first fandom friends. One of which I still keep in contact with even now 7 years later. She became my first best friend that I could truly say was my best friend and I wouldn’t have made her except through this fandom.

When I transferred schools from private to public in 10th grade, TPOM eps and writing TPOM fanfiction got me through it. It was...a rough 3 years of my life. I had 0 offline friends, but I had that one very good online friend who I would sneak chats to through a google doc during lunch and class breaks.

I remember when AHKJ came out and I’d have to stay off of tumblr because tumblr mobile wouldn’t let me tag and block spoilers and GEE WERE THERE SO MANY SPOILERS POSTED.

January 2016 I gave roleplaying a try and made a slew of Private_Private_Penguin rp accounts across multiple platforms. I made a few connections and associates then, but none really stuck. However, I had a lot of fun rping as Private until the rp community more or less went silent.

Junior and senior year of high school and the first couple years of college, I was too busy and stressed to think of TPOM much. Then I noticed a new up-springing in TPOM rpers again. I watched a few eps and this time around realized that I really, really related to Kowalski now....Far more than I ever related to Private in the past. Granted, in the past I was kind of driven away from Kowalski because the fandom was so...well, let’s just say there were a lot of rapid Kowalski fangirls where it made me nervous to even approach the character. Private didn’t have as many fans so he was calmer to have as a favorite. But modernly, the Kowalski hype had died down and I finally felt at ease finding him as a comfort....I also think the age old “disliking a character until you realize there’s a lot of yourself in that character and that’s why you dislike them” theory applied to that as well...because he and I do have a lot in common, personality wise.

Anyway, through the new round of rping as Kowalski, I made some new fandom friends and through them was exposed to new fandoms and experienced a new love for the series as a whole. I also was introduced to new ship ideas and got new headcanons....And then I got back into writing fanfiction. My friend who rps as Blowhole, they got me into the Franski ship...Our rping was a slow burn enemies to friends to Kowalski muse having a crush on Blowhole. It’s a fun thing to look back at the old rps like “oh Kowalski started liking this ship before I did.”

After I got back into fanfic writing, I made yet another friend who IMed me about my writing and since then I’ve been co-writing with her on her fic. I also discovered a discord group where I ran into several fanguins who I recognized were around the fandom back when eps were coming out as well and I just sort of felt...at home? It’s the best way I can describe it. It was new but familiar all at the same time. Did we all share the same ships and headcanons? Heck no, but with such a vague canon that’s understandable and completely fine. It’s interesting seeing the different ideas and such and the joint enthusiasm we all have for this franchise.

I’ve recently started watching A Little Wild...Admittedly, I’m struggling with it but for its target audience, it would be a great intro into the franchise, honestly.

I have so many memories from this franchise and its fandom, some bad, but mostly good. And now I just will take this moment to thank both the franchise and the fandom for the memories and comfort its given me through the years.

#2020madagascarparty #tpom #the penguins of madagascar #penguins of madagascar #gwen speaks #long post #2020 Madagascar party

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loudestsounds · 4 years

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Top 50 Records of 2020

50- Melee by Dogleg

You like some punk in your cereal? It’s a part of a healthy breakfast. Melee has something truly special here. It’s high octane when it needs to be while still maintaining precision and focus in the instrumentation and recording. Ultimately what’s compelling about the record is how frustrated everything sounds while still managing to maintain melody. It’s the sound of breaking shit to rhythm!

49- Grae by Moses Sumney

A stunning and rich concoction of songs that leaves you bewildered. Moses Sumney has made something deeply personal while still inviting you inside. While the second half (which was released a few months apart from the first) tends to make the entire album feel a touch long-winded, the effort is well-executed and often breathtaking.

48- Fail to Be by Yashira

This one snuck in at the last minute. A totally earth-shattering metal record that is determined to damage your dome permanently. There’s certainly a heavy dose of Converge influence all over the record, but Yashira manages to separate themselves from the pack with excellent song writing and unique choices. Production wise this record might be par for the course, but there are some nice little touches on tracks like The Weight and Amnesia that create wonderful depth.

47- Man on the Moon III by Kid Cudi

I went into this thing with on giant sigh but left questioning whether I had accidentally pressed play on another album. Kid Cudi manages to pull something off! Cudi somehow takes inspiration from the genre that took inspiration from his own catalogue of music circa 2005. This is a terrific record to zone out to and let play out. Will this record rival some of the big stack bullies of hip hop? No. Cudi was never about that. He’s always been about mood and this is one moody son of a-! There are some clear skippable tracks (see: Elsie’s baby boy) but he also lands some excellent grooves on Solo Dolo, Pt. III, Lovin’ Me and Tequila Shots. While the record does suffer from overstaying its welcome with an 18 song track list—it manages not to take you out of the experience.

46- Whole New Mess by Angel Olsen

WNM was poorly marketed as a distinct album, despite being essentially stripped back versions of 2019′s All Mirrors. Audiences were met with disappointment at having only two fresh songs to sample. The reality is it doesn’t fucking matter. Angel Olsen has done no wrong for her entire career. These songs can breathe in a ‘whole new’ way on this record and allow the listener greater insight while simultaneously haunting the walls of the record. Lark and Tonight (Without You) take on an entirely different life, and New Love Cassette feels like a different song entirely. Even Olsen’s scraps feel like fully realized ideas. Still—the title track steals the show, as we hear Olsen at her most desperate. Usually overwhelming the listener with her poise and sharp wit, Olsen promises that she’ll really do the change. She doesn’t have to change a thing.

45- Eastern Flowers by SVEN WUNDERS

This one caught me off guard in the summer and I had it playing in the background of everything I was doing. Cleaning. Studying. Working. Eastern Flowers is middle eastern music made by Nordic people and I stopped trying to figure out how that happened a while ago. There is a lovely energy here, one that fuses traditional middle eastern melodies with funk embellishments. Eastern Flowers is just a really fun time.

44- The Archer by Alexandra Savior

I had skipped Savior’s first record entirely before diving into the sophomore album. Going back, it’s clear that she has developed a great deal in the meantime. Despite Alex Turner producing the last one, the song writing takes the haunting details to whole new heights. Savior seems more confident in her voice, and also more willing to play with it in production (the ghostly tone on her voice in Soft Currents a testament). Savior separates herself from artists with a similar voice or who rest beside her within her genre, in how long she is willing to simmer within a song. These aren’t typical arrangements and it’s exciting to hear Savior throw you for a loop on songs like Howl and But You. We’re all excited for what lies next.

43- Push by Heads.

Angry. Aggressive. Anxious. Push is a record that feels like the moments that build up before a massive protest. You are constantly pushed to the edge as the listener. There is a sinister element to the vocals that is deeply unsettling. Most songs slowly build with the promise of something bigger, instead reaching success simply by maintaining tension. Then there are songs like Weather Beaten and Nobody Moves & Everybody Talks that change the narrative, exploding into a punishing breakdown. Heads. Have something truly electric and angry on their hands here, and we’ll go along for the ride.

42- Indistinct Conversations by Land of Talk

Many stripped-back and bare tracks on this one from Montreal’s own Land of Talk. It hits you about halfway through that the album is obsessed with loving one’s own history. Even when things have failed to work out, many songs suggest that we can only look back fondly. Opener Diaphonous warns I was caught up in the wrong stuff/ but I have to laugh. There are moments of greatness on this record, like the rushing movement of Look to You and the twangy riff of Footnotes—yet the marvel is in the consistent beauty, never wavering.

41- Are You Gone by Sarah Harmer

A really soothing yet fun indie rock record that satisfies my craving for the music I loved as a teenager. There are some lovely arrangements and melodies from Harmer on this one, and while the mood is a touch sad, you’re happy you got to share in the emotion of it all. The album oscillates between more intimate moments and full-band jams, which create a nice balance—as if you’re moving in and out with the tide.

40- Circles by Mac Miller

I was never the biggest Mac Miller fan. I wasn’t all that familiar with his catalogue before Swimming, and I perhaps made a point of listening to this posthumous release simply because he passed tragically. Still, the songs seem touched by his state, haunting the listener in combination with what we know ultimately happened to Mac. It’s a real shame it had to end like this, but if there was ever a gorgeous, captivating, and mature release to come at the end of a successful career cut short, Circles was it.

39- Down to the Lowest Terms: The Soul Sessions by Steve Arrington

Steve Arrington is back from his cryogenic freeze with a sick friggin’ soul album! These are fun, joyous and lived in gospel/soul tracks that play well in almost any setting. Play this bad boy with your friends, family and even around the office. Nobody will be disappointed. There are also some beautiful production touches that make this a great listen on headphones. Steve wants to tell you all about how funk is the way—and I think I believe him.

38- Atonement by exhalants.

A fun ripper that makes you want to run up your walls and slam your fists on the floor. Atonement is not active listening per se, at least not in comparison to records released by their cohort, but it certainly puts you in a space that the band creates, dictates and commands. This is a band that has borrowed from others in the genre, but made that rare hardcore record that has just the right amount of hooks while maintaining space to catch ones breath.

37- Petals for Armor by Hayley Williams

PFA had that multiple EP release thing that a few artists did this year (see: Dirty Projectors). Ultimately the entire project suffered from a touch of bloat—but the incredible songs were spread out enough on this album, that it had to make my list. There are incredible production choices on this record, and it clearly was a labour of love for Williams. The songs are a bit rigid in the vein of Annie Clark, but Williams has a freedom to her vocals that liberates them. I think a more refined 10 track album may have cracked my top 20. Songs like Taken and My Friend don’t seem to have a real purpose on the record other than just being half-baked mood tracks, but they don’t tarnish the effect that songs like Simmer, Over Yet or Sugar on the Rim have on the listener.

36- Farewell to All we Know by Matt Elliott

Farewell is a collection of the creepiest, saddest and most beautiful songs you’ve ever heard. I don’t usually stray down this path but this is an album that works so well when reading or writing. There is some beautiful poetry on the darkness of the world and the last hopes for mankind. What sets the record apart lays in the details. The haunting echoes of the city streets. The whisper of ghosts that drag behind Elliott’s guitar. The record establishes incredible mood, inviting you in for a glass of despair.

35- Polysomn by Kairon; IRSE!

My head hurts just trying to write about this record. It’s weird, heavy, melodic. The vocals feel unique to the genre while used sparingly. There is a lot of interesting synth play on this record that might invite listeners outside of the genre—but that also add depth and feeling to songs that otherwise might feel like trudges through metal music mud. Polysomn is filled with exciting, dynamic elements that are a good entrance into “weird, heavy music” for you listeners out there. I won’t pretend to know how this band does what it does any longer. Just enjoy.

34- Impossible Weight by Deep Sea Diver

Frankly, the record is difficult to talk about without making it seem like it sounds like basically all of its contemporaries. In fairness, Deep Sea Diver shares a lot of commonality with the likes of Weyes Blood, Broken Social Scene, Sharon Van Etten (who even features on the title track). That said, everything sounds great on this record. The songs are tight, the melodies hang effortlessly and the vibes are…vibes. There are a ton of interesting choices, from the weird arrangements on Hurricane, reminiscent of Wolf Parade- to the videogame synths on Lightning Bolts. It never gets tired or boring—it just stands as an excellent indie pop/rock record that you can play at your board game night.

33- When I Die, Will I Get Better? by SVALBARD

Equal parts mathy, metal, prog, emo and god knows what. This album has an intense feel to it that will have you uplifted as you thrash around your apartment. The momentum of these songs truly amazes, as we’re taken for an absolutely blistering ride on almost every track. Nonetheless, the songs find a way to breathe, unlike most of their contemporaries that leave you exhausted by the twenty minute mark. SVALBARD also has an ear for melody that fights typical metal fatigue. I won’t get tired of listening to this one.

32- Silver Tongue by TORRES

After the bizarre, cryptic disappointment of Three Futures, it didn’t seem clear where TORRES would head. On Silver Tongue she appears to continue a confident journey in her own direction, but with a bit more focus and lot more precision. Where Three Futures was too disorienting to follow and often too indulgent for the listener to feel at all involved, Silver Tongue extends an olive branch—grab hold and you’ll be taken on a strange, glitchy and melodic journey into psychedelic pop rock. While the songs lack warmth, that seems to be the point entirely. There’s a magic in the cold and dreary walls that TORRES builds on the record that impresses with every subsequent listen.

31- The Baby by Samia

A tremendous indie-rock record with some of the most excitement build-ups and hooks of anything released in 2020. Samia sings about some of the bleak realities of sexual frivolity in one’s twenties, while still somehow gloating about her vinegar and kale diets (all tongue in cheek). There are clear standout tracks (Big Wheel, Fit n Full, Minnesota) – but where Samia shines, and where she separates herself from her cohort of indie rock darlings (see: Soccer Mommy, Snail Mail, Clairo) is how well her slower ballads, such as Does not Heal, land. She is a superior song writer in many respects and has everything ahead of her.

30- Live Forever by Bartees Strange

A very surreal, genre bending record from newcomer Bartees Strange. Live Forever sounds like totally different music depending on which track you’re on. You have some Death Cab. You have some Bon Iver. You have some Joey Badass? It’s a strange journey through an eclectic, cluttered and heavily talented musical mind.

29- The Ascension by Sufjan Stevens

While the record as a whole underwhelmed me, Sufjan is still Sufjan. If this record was made by any other artist I’d be telling everyone about it. Many of the sounds felt a bit too familiar, which put me off just a touch. There are still unbelievable moments on this record: the layers on Make Me an Offer/ the dance-pop qualities of Video Game/ the swelling choir section of Tell Me You Love Me/ the build up of tension in The Ascension. There are the more confounding moments: Death Star as a song and not as parody/ Sugar as a slapstick suggestion of romance. Frankly I’m not all that blown away by the lead single, and nearly 13 minute odyssey, America—but I can understand how it operates as a statement of frustration and raw emotion. Nonetheless, Sufjan continues to occupy a space that, while at times mystifying, still leaves you entranced by the mystique of it all. We always leave wanting more, even if we’ve had a bit too much.

28- Set My Heart on Fire Immediately by Perfume Genius

A gorgeous and lush assembly of songs that feel very personal to PG. The songs are grand, yet surprisingly intimate. One frustration with the songs that I’m still struggling to come to terms with, is that they seem very distant from the listener. We’re not invited into the experiences that the songs discuss—they seem isolated and tethered to the artist. That was likely a conscious decision and suits the subject matter well. Still, for all the warmth and atmosphere—you wish you could go along for the ride. Perfume Genius seems content on operating on their own planet—as we listen through frequency.

27- Future Nostalgia by Dua Lipa

This was certainly the year of Dua. She seems to have realized her final form and it’s truly a great thing to witness and listen to. Future Nostalgia plays out as an exceptional throwback pop record in a pop era dominated by future/hyper industrial production. These songs are poppy and unashamed to be exactly what they are. With the exception of the clumsy songs that bookend the record (the title track is a lacklustre open & Boys Will Be Boys attempts to tie in a loose, feminist concept to the record)—the album as a whole is jam packed with immense hooks. Let’s hope Dua hasn’t peaked because there is so much to love and groove to on this record.

26- KG by King Gizzard and the Lizard Wizard

Another instalment of the King Gizzard microtonal series. Unlike Flying Microtonal Banana, KG tends to hit harder and land smoother. There is a ton of groove on this bad boy that gets you comfortably settled, until the boys shake it up with some eclectic, middle east inspired arrangement. The beauty of KG is how you are never allowed to settle into something for too long. You’re almost always moving on to another segment, idea and branch of music that makes you feel...weird. Thanks guys!

25- Quelle by BRIQUEVILLE

A haunting, drone fuelled romp in the spooky room. Quelle almost puts you to sleep until it urgently shakes you awake with a thunderous riff. It’s clear that every moment of the record is laboured over, every decision painstakingly made. There are moments taken straight out of your favorite horror film, yet the album manages to pull you in closer instead of pushing you away. Bold choices pay off for BRIQUEVILLE on this one, as we enter their world, and almost don’t manage to make it out.

24- Lianne La Havas S/T

LLH self titles a record that sees her reaching back to a more stripped down, jam-based sound. There are some absolute bleeders on here that see her voice reaching registers she hasn’t covered on previous releases. The live-band recording works in her favor, as the instrumentation is loose enough to create a mood but still manages to quickly snap back to tight and precise progressions. Anchored by a well-executed Radiohead cover (Weird Fishes) the record has a strong b-side to match its grand opening half. The hypnotic qualities of many of the tracks are an especially fun element to the release as the jams tend to work you up wherever you are. La Havas has something very special on her hands with this record, and it’s one I will continue to share for years to come.

23- Omens by Elder

A softer and, dare I say, poppier release from stoner rock fiends Elder was a welcome addition to music in 2020. There are many long form jams on this record that open themselves up to synths—and while it seems they haven’t totally mastered how to integrate more electronic segments into their riffage, the moods are still tight as hell. Give it a spin with some decent headphones and you won’t be disappointed.

22- Miss Anthropocene by Grimes

You can try as hard as you’d like to root against Grimes but her music speaks for itself. I looked for ways to tell myself that she had finally waned or has become less inspired—but it’s just not true—she is finely tuned to whatever wavelength is firing on her alien planet. On MA the songs have more space to breathe, often meandering within themselves for over six minutes, until she hits you with a straightforward pop rock track that is so well produced and contains such a great vocal performance, that you simply cannot deny that we have yet another excellent release. It’s freaky, it’s haunting, it’s weird, and at times it’s even pleasurably comic. Grimes is doing it all and she is doing it on exactly her terms. We should expect nothing less.

21- Rough and Rowdy Ways by Bob Dylan

I won’t pretend to be an expert on Bob Dylan’s catalogue. Nor will I pretend that I know what makes Bob Dylan good or bad. All I know is that Rough and Rowdy ways has great songs that back beautiful poetry. It’s consistently captivating and often, terribly sad. The final track, Murder Most Foul, may be one of the most potent, historical epics ever put to music. All in all, Bob Dylan has something deeply interesting to add to our weird, chaotic, and just plain shitty times.

20- Superstar by Caroline Rose

The last show I went to was the album release of this record and it absolutely killed. Playing the record front to back, Caroline Rose will always be the pre-pandemic gig that symbolized the lightning before the thunder. Superstar is an excellent concept album about a fictionalized Caroline travelling across country with hopes of become…well… a superstar. Along the way she tosses and turns in a relationship, eviscerates doubt and self-loathing by replacing it with boisterous egotism, and manages to find herself at a finish line exhausted, and yet surprisingly having still learned something. The tracks on this record blend seamlessly into one another as Rose manages to coalesce the synth-rock madness we are used to with tighter song writing and more lyrical purpose. Caroline Rose may have just ended up what she wanted to be along.

19- The New Abnormal by The Strokes

Everybody talks about a timeless quality that The Strokes early records have and it seems every record they have made since their first two have been made with the purpose of dispelling that very notion. The fact of the matter is, that timeless quality is what has endeared them to fans for two decades. The New Abnormal recaptures their earlier spirit. Sure, there are indulgent nods to the 80s that they seem obsessed with (sometimes to a fault)—with songs like Brooklyn Bridge to Chorus and Eternal Summer. Those songs likely work better in front of a crowd, and tend to actually crowd the record itself. Yet, there is no denying that there are excellent STROKES SONGS on this record that make you feel the way you felt listening to their first two records. The Adults are Talking is an immediate entrance into what made you love them to begin with, and Selfless follows as one of their prettiest ‘ballads’. Not the Same Anymore and Ode to the Mets close the record on an extremely high note, harkening back to the warmth of Room on Fire, with more mature and independent song structures. The true testament to the band’s growth is with their first single At the Door—which is an epic that ebbs and flows through wild croons and jagged synths, asking you to sit down and believe in the song itself. It’s as if The Strokes have been asking us to simply trust them all along.

18- UNLOCKED by Denzel Curry and Kenny Beats

This is exactly it. Two masters collaborating in what might be their respective primes. It’s so packed, saturated, concentrated, condensed it almost seems like if it were any longer it would make our heads explode. They found the hip hop secret and managed to unlock it for us. While this may qualify as an EP it is an album’s worth of brilliance. It slaps from beginning to end with Kenny Beats saving his best instrumentals that masquerade as demos. Don’t get me wrong—these are brilliant templates for Denzel to cruise along to. Except Denzel does nothing close to cruising, he sets the road on goddamn fire. While Denzel is namedropping Rosa Parks and Don Corleone while recommending his haters go on a diet, he is playful in the same way Joe Pesci was playful in Goodfellas. With every subsequent verse Denzel is requiring that you answer the question: i’m funny how? You are certainly no clown! We swear!

17- NO DREAM by Jeff Rosenstock

NO DREAM friggin’ rules dude! It took a bunch of listens for me to get the hang of it. I especially felt resistant to the opening track and how the record begins by pummelling you with punk chords—but that’s where Rosenstock is, so you just have to take it. NO DREAM is about giving up on settling for less. Rosenstock yells about hometown washouts, he yells about road trips, he yells about dopes who don’t believe in climate change. But you really feel something once Rosenstock starts to regret some of those lost loves. Maybe he could have behaved. Maybe he reacted too quickly. Maybe he made choices he never thought he’d make. Haven’t we all thought that? NO DREAM is a masterful punk rock record that maintains goofy, crazy, hilarious and fun traits that all good punk records need while providing us with heart that Rosenstock has never shown us before.

16- We Will Always Love You by The Avalanches

Well, they did it again and snuck in there at the final hour. The Avalanches’ third record is a groovy, cold weather house record, bookended by some sort of intergalactic nonsense. Ultimately, the nothingness means everything, as there is an incredible amount of feeling that rests in the pieced together samples. Features from MGMT, Kurt Vile, Leon Bridges, Denzel Curry and even Rivers Cuomo only add to the madness. While the run-time is a bit long, the songs are quick enough to carry you through swiftly on your back. The Avalanches have once again offered us hypnotic, dream-like listening, perhaps when we needed it most.

15- Punisher by Phoebe Bridgers

Bridgers has this very special quality about her song writing, where it feels like she’s pulling you close to tell you something and then whispers into your ear a secret that you knew all along. She then pats you on the shoulder, nods her head, and says good luck- all with a smirk. Bridgers has secrets we don’t have, and that’s what makes her music equal parts haunting and gorgeous. The melodies on Punisher remain in your head for months and while they are deadly serious they also reassure you with a “hey, you know this is just a song, right?”. Songs like Chinese Satellite offer more complex arrangements that are made full (but not heavy!) with string section embellishments. Halloween is the small town folk song about a place you just had to be there to understand. Graceland Too offers a nice release from the shadows that loom all over the record, although it’s never in too much sunlight to become a distraction. The entire album flows effortlessly, and before you know it you’ve reached the breathy scream and laughter at the end of epic closer I Know The End. Life is a game that Phoebe Bridgers is watching us all take bets on. She’ll remind us how it all played out later.

14- Find the Sun by Deradoorian

These songs are odd, cyclical, hypnotic. The vocals are static and often emotionless. Find the Sun is a masterpiece taken directly from 1972—but thank god it was here to lull us into paralysis in 2020. None of the songs are direct injections, instead they are slow-release capsules that require you to take your time. Opener Red Den has a standard song structure (an anomaly), but still has a haunting, looping chorus that is interpolated with a second chorus that rests three levels lower. Perhaps the most direct track is almost impossible to describe. These songs are riddles or rubix cubes or those goddamn magic eye paintings that you have to look at for three hours to make out a boat (I see you, Mallrats). Deradoorian crafts an album that, despite requiring a certain degree of passive effort (huh?), still goes down smooth. Although clearly inspired by CAN, there is nothing frustrating here that forces you to concede that “maybe art doesn’t need to be understood, man”. This is a gorgeously pieced together album of psych/folk/rock that has earned its place on the mantle.

13- What’s Your Pleasure by Jessie Ware

A dangerously good pop record that throws you back to the 80s with disco inspired flourishes. Some parts Robyn, some parts Madonna. Jessie Ware has a sound that grows past merely reproducing the music that has inspired her. There are curious and inventive details in songs (like the chorus in Ooh La La or the harmonized layers in the verses of The Kill). The songs take you to groovy heights with their detail, but the record also has some straightforward, power thru dance tracks like Read My Lips that anchor it, never letting you forget that this was meant to be danced to with others. What’s Your Pleasure is a beautifully woven pop masterpiece that never lets you go.

12- Down in the Weeds, Where the World Once Was by Bright Eyes

Bright eyes is back. This record is an exciting return for the band, one that captures the misery and mysticism that surrounds our age of impending doom. Got to keep on going like it ain’t the end/ got to change like your life is depending on it-- is the first verse we hear from Conor and he never truly lets go of the sentiment. All the tracks are haunted by his past, the bleak world we live in, and the thought of trying to work out a way to make it through the days that feel like years. Down in the Weeds comes out after nine years away from the band, time Conor spent getting married and divorced, and sadly also losing his brother. These happenings find themselves scattered all over the record, as Conor is hesitant to reference them directly, but instead allows them to haunt tracks like ghosts. The instrumentation from Mogis and Walcott is fuller than other Bright Eyes records, the sounds more diverse. If someone asked what Bright Eyes sounds like one could legitimately offer this record as evidence—it is a distillation of many sounds across their entire catalogue. Ultimately what Down in the Weeds does best is remind us that the will to continue through the world is what makes us distinctly human, but also what makes us closer to something greater, something beyond everything. She doesn’t know what a comet does/ you’re approaching as you disappear-- is what we hear on the closing track Comet Song. Bright Eyes brings us closer to a truth we always knew would be just out of reach.

11- Death by Coastlands

Aptly named, Death is a record about endings. Heart wrenching, devastating, finite and yet oddly satisfying endings. There are very sparing vocals on the record, but the instrumentation offers more feeling than any hardcore record this year. The pacing of songs like Dead Friends, the haunting choir that looms over Marrow, or the breaking of tensions that erupts out of Red Smoke Flare. This record doesn’t need words to evoke feelings of peril, urgency and grief.

10- Songs by Adrianne Lenker

On not a lot, just forever, Adriane Lenker sings and I want to be your wife/so I hold you to my knife. This line arrives as plea instead of a threat—on an album filled with songs where Lenker reckons with her desperation. She pleas with the past for lost time returned, she pleas with her lovers for mistake forgiven, she pleas with herself for the possibility of change. When added to her catalogue with Big Thief, Songs proves that Adrianne Lenker may be the supreme song writer of our generation. On Anything she describes staring down the barrel of a hot sun as if the imagery were a familiar expression. Lenker tosses poetry at us like she might throw a frisbee. Even if we were positioned well enough to catch it, we could never throw it back, we are lucky to have it all.

09- Host by Cults

Host didn’t feel like much on my first listen. But it kept burrowing endlessly into my brain. Now I’m waking up in the middle of the night singing the melodies on my way to go pee (No Risk! No Believing! Or Leading...). They nailed all of it. The song writing is crisp. The production is electric and soothing. They lull you to a peaceful calm with lullaby sounding tracks like No Risk. When things are just about to get repetitive they shake you out of your dream state (see: Like I Do). Every track on the record is a standout, but it can only truly be appreciated as one complete, masterful piece of music.

08- how I’m feeling now by Charli XCX

Sure—it’s a bit of a pandemic time capsule. But holy shit. Charli made this absolute batshit hyperpop record in a month during lockdown. It is truly an unrelenting pinnacle of future pop that will hold up long past this absolute shit show of an era has passed. Charli has this way of making an unsettling listening experience that is also absurdly danceable. There are moments of insane pleasure, unhinged anxiety and bombastic ecstasy. From the promise of once again being together in forever to the claustrophobic realities of quarantine in enemy she covers the entire experience. These songs really stand alone as brilliant testaments to Charli’s prowess. There is no stopping her as an artist at this point. Oh, and she also did us a tremendous solid by making a danceable record about how we miss dancing together. God bless you Charli, baby.

07- Ohms by Deftones

This year needed this record. Something loud and clear as hard rock punishment. Deftones have what I believe to be their best record. Their sound has never been more crisp, focused or melodic. There are definitely new areas that Deftones explore on this record. From Spell of Mathematics to the title track—there’s a sharp attitude that plunges into their already excellent formula. The little details and flourishes of synth in songs like Genesis and Pompeji make all the difference (the latter’s transition into This Link Is Dead a clear standout)—allowing the record to breath and the listener to feel overwhelmed with, might I say, the world they have created. The album is full of beautiful moments of focus that keep the tension the band has built and cultivated for over a decade.

06- Fetch the Bolt Cutters by Fiona Apple

Fetch the Bolt Cutters is a record that maybe wasn’t for me at all. I firmly believe that women understand more of this record than I ever could. There’s so much brilliance in the pots and pans percussion that accompanies most tracks. There’s an energy that studio drums could never bring. And well, the songwriting speaks for itself. It’s an undeniable culmination of all of her influences. Fiona Apple is a songwriter that simply doesn’t exist anymore (some of her cohort has actually, sadly, died).

The most valuable lesson Fiona teaches us is that there is no perfect way to get over anything. But we are meant to wrestle with endings. Maybe we are all meant to move on. Making friends, sneering at enemies. Like beasts in the wild. Life might be one big game of axis and allies. Like Fiona walking on her way to school, we “grind our teeth to a rhythm invisible”. This record proves that we should each bring our mouthguard.

05- Every Bad by Porridge Radio

Every Bad is the room that your loneliness goes inside of to scream. Porridge Radio has an absolute masterpiece on their hands. Absolutely punishing lines that carve away your own anxiety with excellent songs that switch things around constantly. There isn’t a single stale song on the record and yet they work so cohesively. Every Bad is constantly asking us to self-examine, to dig a little deeper. What is going on with me? Is the first lyric you hear on the record. I’m coming home is the last. The record spans the cycle of existential dread guiding you through difficult choices and it could not have come at a better time.

04- St. Cloud by Waxahatchee

I think I like Americana music. I probably knew that when I couldn’t resist the sing-along qualities of Killers records like Sam’s Town or Battle Born—but Crutchfield’s 2020 record has solidified for me. The writing here is too good to be true. Equal parts poetry and melody, her voice has this raw quality that really carries home when she plays up the southern twangs and drawls. The album feels obsessed with new beginnings after brutal endings. Hometowns on fire and the power of choosing to move on. The lyrics still feel haunted by the weight of memory (St. Cloud), and the anxiety surrounding what might come next (Ruby Falls), but the fresh approach to song writing has Waxahatchee sounding the best they ever have.

03- RTJ 4 by Run the Jewels

They did it again. Not much to say here. It never gets old and it never feels stale. The records still feel like their own distinct hip-hop manifestos. The boys seems just as angry as they always did. The album arrived in the midst of a revolutionary cloud that hung over the world. The album is proof that we should expect it to remain overcast. The production on this thing is just as sleek, with El-P switching things up in bold ways on tracks like Goonies vs. ET. Some of the older tricks are used again, we have our comedown track with Pulling the Pin, we have our rock sample track with The Ground Below, we have our standout single with Ooh La La. The predictability of these songs may sound as if the album is formulaic but that’s beside the point. The fist will still knock your ass down, even if you knew it was coming. A truly loving element to the record is the bond that Killer Mike and El-P foster with each other through their alter-ego characters Yankee and The Brave- you can’t help but bask in their romance. The opening track is a blunt reminder that, in case you forgot, these guys are still here for another eleven rounds. The closing track solidifies the truth that they aren’t going anywhere, not anytime soon. And nor should they. We need Run the Jewels more than ever.

02- Captured Spirits by Mammal Hands

Mammal Hands came out of nowhere and blew my goddamn mind. I have no deep connection with Jazz as a genre, but by god did this record force me to go digging. It’s the type of accessible, energy driven music that makes you cozy and comfortable until it rips your goddamn ears off with sax solos and manic piano arrangements. While the latter half of the record doesn’t manage to match quite the same energy as first half standouts like Late Bloomer or Riddle—the beauty of the record is in its assured sense of pace. We’ll get to the good part, but on their time. Mammal Hands know what they’re doing.

01- Women in Music Pt. III by HAIM

HAIM have found, executed, and perfected their sound all in one album. WIMPIII is a masterwork that shockingly happened all at once. Where previous albums Days Are Gone and Something To Tell You may have excited with the promise of what could come next, this record stuns you with what is happening right before your eyes. The confidence that the sisters share on the album’s cover shines through on all the tracks. They know who they are and they know how they sound. I Know Alone is a perfect example of refined song writing, with subtle production touches (especially in the percussion) that add something extraordinarily dynamic. Up From A Dream and Gasoline are the pure rockers that you knew the band was capable of, but that they never before capitalized on. There are softer, more romantic folk tracks like The Steps and Leaning on You that might make your parents cry. Spanning a wide range of topics (depression, lost loves, home, isolation) the album fit so perfectly with our insane year—but the sound, summery and sheen, will manage to stand the test of time. There was initial frustration with the choice not to include singles Now I’m In It, Hallelujah & Summer Girl within the formal track list (because on any record they are the strongest songs!)—but with further consideration, their inclusion as bonus tracks make perfect sense. HAIM has crafted 13 gorgeous, smart and powerful songs that stand alone, together. Those bonus tracks just act as a mind-blowing encore. Women in Music Pt. III is the most dynamic, focused and well-written record of 2020. We dare not ask for better.

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aurora-daily · 5 years

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Interview: AURORA

Interview by Laurie Shelly for Motley (December 3rd, 2019).

Norwegian singer Aurora talks to Laurie Shelly about writing songs to save the planet, finding power in being gentle, and lending her voice to Disney’s Frozen 2.

Aurora Aksnes grew up in a forest, because of course she did. Her family lived near Lysefjord, which translates as ‘fjord of light.’ “I miss Norway a lot,” she tells me when I talk to her in the hours before her show at Dublin’s Olympia Theatre in early November. “But I try to open my eyes instead and look out towards whatever city I’m in and focus on all the small little things that travelling can bring. But yes, I miss the silence and the trees.”

Her debut album, All My Demons Greeting Me As A Friend, was released in 2016 when she was 19, and is full of surreal images; she sees faces made of sand and thousands of black water lilies in a magical river. Some of her verses are written in a made-up language of her own. Many of her songs have an otherworldly, slightly odd quality, as if they are not the handiwork of a human but instead were found at the bottom of the sea or heard in a strange dream. The 23-year-old is widely known for her cover of Oasis’s “Half the World Away,” which featured in the 2015 John Lewis Christmas ad (that one with the man on the moon), and Billie Eilish cites her enchanting song “Runaway” as the reason she decided to pursue music.

She says her current tour feels special. “When I first started playing shows six years ago, I hated it. I thought it was really scary and pointless and stressful and unnatural for me to be on stage. But after I while, I learned why playing live is so important,” she says. “I feel like my biggest mission with doing a show is to make sure people get time off to cry a bit and close their eyes and let go and dance and know that now, for one and a half hours, we’re a part of something beautiful and good.”

Aurora’s 2018 EP, Infections of A Different Kind (Step 1), has that same objective at its heart. It tells of a utopian kingdom, or “Queendom,” as she puts it, where everyone “can feel like they belong somewhere.” This past June, she released A Different Kind of Human (Step 2). The two-part “step” situation was her way of representing how one must look inward (Step 1) before they can effectively tackle the issues she explores in Step 2, namely the climate crisis.

A Different Kind of Human balances angry, aggressive tracks with quieter, sweeter moments. In “The Seed,” she chants the Native American proverb “when the last tree has fallen and the rivers are poisoned, you cannot eat money,” while the title track, over warm, soft synths, reassures its listener that they need not feel isolated. She thinks anger and gentleness are completely linked. “Why do we have to be angry and strong, why do we have to fight? It’s because we fight for something we care about, because we’re trying to protect something, like a parent to a child, or a wolf mother to a cub. It’s about the soft core of things that we are trying to preserve.”

The music video for the album’s latest single, “Apple Tree,” is striking— Aurora cuts a Princess Mononoke-like figure against a barren landscape, covered in blood, warpaint around her eyes. She says she “always kind of co-directs” her videos because she has very particular visions about how they should be; she wanted this one to be “quite extreme.” “We are Mother Earth and we are bleeding on behalf of the world and everything in it,” she says of herself and the dancers in the video. “We’re in pain and our muscles are aching, but we have to keep on dancing for Mother Earth.” She puts a lot of thought into her music’s paratext. “I even know what colours I want to have on the live show, I think about all of it, it’s all connected.”

Aurora comes across as exceptionally optimistic. During our conversation, she talks about how humans have “failed each other,” but she always follows that up with very hopeful affirmations about things will hopefully be better “one day.” “To even have the courage to try to win the battle against global warming you have to have so much hope,” she says. Does it ever feel overwhelming, putting so much energy into making art about a potential ecocatastrophe? “It does, but in a good way,” she says. “For me, it’s just really helpful, and, of course, intense, but in a helpful way. When I’ve made a song, I feel like I’ve crafted an impossible subject into something solid that I can sing again and again and share.”

The natural and the electronic play off each other very interestingly in her music, which hybridises imagery of rivers, animals and apple trees with the clean, sharp sounds of Scandi-pop. “For me, it’s an example of how electronic and organic things can coexist and turn into something really beautiful,” she says when I ask her about this folktronica-ish fusion. “It’s a way of saying that it’s fully possible to make something amazing when you have a balance between the synthetic and the organic.” She says she feels like her voice “comes from the ground.” “I can shout so loudly and sing for so long. It feels like I am the very organic part of my album, together with the titles of my songs and the themes and the whole spirit.”

Her voice recently caught the attention of no less an establishment than Walt Disney Studios, and she has found herself featuring in Frozen 2, the sequel to the global phenomenon that was Frozen. “Frozen is close to my heart because it’s [set in] Norway,” she says. She appears on the soundtrack’s crown jewel, “Into the Unknown” (the sequel’s counterpart to “Let It Go)” which is performed by Idina Menzel, with Aurora providing spectral backing vocals (as well as what Disney probably identified as a rootsy, authentic Nordic feel). We talk prior to the soundtrack’s release, and I am sure she has been warned by Disney bigwigs to keep tight-lipped about the song lest she let a spoiler slip. “I don’t know how much I can say,” she says. What she knows she can say is that it is “very exciting,” that “the role that voice and music have in this film is very pure and very, very inspiring,” and that “it has been a true honour to be a part of it.”

Turns out Aurora’s vocals are not merely used in Frozen 2 as harmonic ornamentation; its plot completely revolves around them. The film’s premise is that Elsa, the snow queen, starts hearing a haunting voice beckoning her northwards (it’s Aurora’s voice), and, in spite of her fear, decides to follow it. Aurora says she likes the idea of being able to reach a young audience with the song, “to be a part of young children’s lives, the warriors of the future.” Like “Let It Go,” “Into the Unknown” is a huge power ballad about embarking on a character-testing quest with a massive, stirring chorus and broadly relatable themes of release and self-empowerment. It is set to be inescapable, so you’ll be hearing Aurora around.

She says her next album will be dressed in an “armour of hardness.” “But I’m also really exploring the soft, delicate part of me, which I want to open up even more on my next album. And I’m discovering more and more things I want to be more involved in, because I’ve discovered fans all over the world who live in cultures that are unfair towards the people… I want to use my voice for something good, even though it might not matter, but at least I am there to show support.”

I am surprised she thinks her music might not matter; she has legions of fans attesting to the contrary. “I just want to release the most beautiful music I can,” she says. “I want to do a lot of things. I have three albums in mind so I’m trying to figure out which to do first.” A Different Kind of Human’s thesis could be summed up in one of its lyrics: “I know I’m just a girl, but can I change lives?” The answer is yes, and that she will keep writing songs that do just that.

#aurora #aurora aksnes #interviews

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jq37 · 5 years

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The Report Card – Fantasy High Sophomore Year Ep 4

Skipper Thistlespring and the Terrible, Horrible, No Good, Very Bad Day

We pick back up at The Swan’s Little Parade where rich people shenanigans are taking place. Gorgug breaks from the group to try and call Zelda. When she doesn’t answer, he leaves the saddest, sweetest apology voicemail ever. Lou breaks. Siobhan breaks. I break.

Meanwhile, the rest of the group gameplans. Adaine pushes back against the idea that they have to talk to Aelwyn. Her parents are also an option and Aelwyn is not a good person, no matter how hot Fabian is for her. They also check out the guest book from the hotel and see that Bill Seacaster has stayed there several times, always right after a Garthy O’Brien (they see that it happened a bunch while they were in jail and it was probably in conjunction with when Bill was supplying palimpsests). Fabian recognizes the name as a pirate and Cathilda knows they run the Gold Gardens which is a floating pirate casino/brothel.

Kristen tries to release Gorthalax but just confirms that, because of the curse, doing it without messing up Gorthalax is gonna be tough.

Sandra-Lynn goes to get Gorgug while Fig decides to careen the campaign into Crazytown and make herself Empress for Life of the same. She disguises herself as an old lady and tries to drop off a note giving her phone number as the new number of the cop she impersonated last episode (Detective Decker) so she can send a fully grown cop texts that would def get him Chris Hansen’d irl. Brennan decides that if she’s gonna keep making beds, she should probably lie in one of them for once and comes for her entire life in the funniest scene of the episode. No recap I could give can do it justice(links to clips here: x, x). Just know it ends with Fig running away and ditching her phone in a lake, which could very possibly have plot consequences if she forgets to replace her phone before she’s in a tight spot where it would be helpful and the absolute dumbest/funniest reason for a character death (I want to note that she did replace her phone technically, but with a huge, old, brick phone from Adaine’s jacket that can’t be as useful as an actual cell).

ANYWAY

Tracker creates a Moon Haven in the van which is basically like a dope pillow fort with the Sanctuary spell cast on it and TARDIS bigger-on-the-inside spatial mechanics. Once they’re inside the Moon Haven, Ragh finally feels safe to tell them what he knows--which he does telepathically via Adaine and the message spell to make everything extra safe. Here’s a rundown of what he tells them:

He saw Kalina on the night of prom after the big fight. She was talking to Jace (the sorcery “teacher”) and an elven woman who looked like Adaine in black robes--Adaine confirmed with a picture that it was her mother.

After being healed by Porter, Ragh started walking home and was stopped by Kalina who said she would kill his mom if he told anyone what he saw.

Ragh’s mom Lydia is also a half-orc barbarian. She was on a mission in the Red Waste (where the 7 Maidens have their Sophomore Year quest) and they found a soul gem that was leaking something bad. She put it in her chest to contain the evil but at the cost of her health. She’s now extremely sick and in a permanent, medically-induced rage to keep her alive. She refuses medical treatment because no one can ensure the evil won’t be released if they remove the gem.

His mom fucking slaps.

So that’s all deeply worrying. Adaine invites Ragh and his mom to live with them in the Haunted House and Fig offers to give them Dr. Asha’s number. Gorgug discovers the Van can become a boat which is convenient for the pirate-y things they have to do (the Golden Gardens is on the way to Falinel so they decide to stop there first). Fig has a heart to heart with Gilear while Adaine and Sandra-Lynn take first watch outside since the Moon Haven can only hold nine people. Adaine has to roll a wisdom save because she’s outside of the Haven’s protection and, even on a 16, the music goes all scary and she feels that something is in the tent with her outside. Something humanoid and her size with its knees to its chest. She senses that if she sees its face, something will happen to her and, instead of looking at it, she calls for Sandra-Lynn. By the time she shows up, the thing is gone. Fig assures Adaine that she’s not crazy or seeing things and, based on Adaine’s description, they’re able to deduce that it wasn’t Baron or Kalina.

In the morning, Gorgug is pretty bummed and asks everyone to call him Skipper. Kristen is very down and Fabian is very not. They discuss whether they should tell all of the information from Ragh to the 7 Maidens (no) and whether Gorgug should call Zelda (yes). They drive into the sea. Gorgug finally talks to Zelda who is not happy with him for the ghosting and unintentional thoughtlessness. She’s even less happy with him when she realizes he forgot to get the generator they needed to stay in touch long distance. They’re breaking up. Do I mean relationship-wise or phone-wise? You don’t know? Well that makes two of us (Thanks, I Hate It).

They’re at sea for two days and then make it to the floating pirate shipwreck city of Leviathan. Pirate adventures next week, y’all!

Detention

Fig for Trying to Seduce ANOTHER Middle-Aged Man

Listen, I’ll stop putting her here for this when she stops doing this. Not to mention, she invented a whole ass person (HILDA HILDA?????) when she’s just been told that nightmare monsters are being generated from lies. Fig, my girl. Ms. Faeth. Please. I’m begging you. Please.

Honor Roll

All of the Adults for Stepping Up

Every single adult in this episode was on fire. Fig confided in Gilear and he stepped up to the plate with a This-Is-So-Serious-I’m-Going-To-Use-Your-Actual-Full-Name, speech. Sandra-Lynn showed Adaine how to do some ranger stuff and jumped in to save her when she cried out. Cathilda was ready with warm milk and cookies she somehow was able to make in the van as soon as Adaine needed them. Sandra-Lynn also had a heart to heart with Fig and even Gorthalax, who’s still trapped in the ruby, gave Fig a spell slot back. And, of course, Ragh’s mom slaps.

Random Thoughts

Adaine and Fabian both being uber rich but being on the opposite ends of the rich people spectrum is hilarious. Adaine is a “Sleeping in a van? I’ve heard of that but I’ve never gotten to do it. This will be fun!” Rich Kid and Fabian is a “No turn down service? Hard pass,” Rich Kid.

I was happy that they brought Ragh along for comedy reasons but who knew he was gonna be so chock full of backstory and important story beats? Like, every good GM has a way of making whatever story path that was chosen seem like the only way the story could have gone and I’m sure that whoever was picked, Brennan would have made that seem like the obvious and essential choices but I’m very happy they picked Ragh. Him talking about how much he loves his mom was so adorable! I love that he’s a big, good, dumb boy now and I’m happy they invited him to live at the Haunted House. That’s def gonna be good for some shenanigans (also love that Adaine’s only stipulation was that he had to be nice to Zayn and he was so eager to agree).

Insane Ally Move of the Game: Deciding that Kristen genuinely doesn’t know Gilear used to be lunch lad at their school. Is Kristen even on the same plane of existence as everyone else. And then, later, “I worry about Gilear.” Do you really???

I totally forgot that Gilear was not only an elven diplomat but also a full on actual counselor. Makes it even wilder that he lost the job to Jawbone. Also, while we’re talking about him, I said we were gonna inevitably gonna get some more color on Gilear this season and we saw some of that in this ep when Adaine uses detect thoughts on him (which, btw, seems like a horribly invasive thing that people do very casually in this world) and we see that he gave up his career for Sandra-Lynn and then was wrecked when she cheated on him. Really puts a melancholy shade over his hilarious ineptness.

Another thing I figured we’d see soon and that we’re starting to see is Adaine speaking up on Aelwyn. Two times this ep she tried to steer the group away from Aelwyn and seemed more serious than her usual trash talk. As excited as I am for pirate adventures, I want to get to Falinel ASAP to see how this shakes out.

Also, on the mom front, wild that we found out that Ragh has a super dope mom in the same scene Adaine took another L and found out that her mom is also involved in this shadiness. Black robes are never a good sign. But I will say, just based on the story beats we’ve gotten, I’m not totally sold on the idea that she’s 100% bad--or at least that she doesn’t care for Adaine at all. I’m wondering if she wasn’t at school trying to find Adaine (possibly among other things).

“Every time you have sex it’s a gamble. You could lose your heart.”/”What happened to you on tour?”

Gorgug trying to let a full sized griffon land on his arm is hilarious. I love that. He’s so wholesome and dumb.

I love that when Emily was doing her Hilda-Hilda nonsense , turned into Detective Decker, and ran past the police house precinct, Lou was the only person who was on her wavelength and understood what she was trying to do while everyone else was like????

We find out in this ep that Van can control all the auxiliary functions of the van but not the actual driving, which is important to know before a sticky situation. On a more personal note, we find out that he was originally a planetar (second most powerful D&D angel) of Elysium, specializing in harmony, relaxation, and chill vibes and he got dumped and kicked out of heaven for sleeping through a call to battle.

We also get the cursed image of a van with hands which I knew was gonna be the shirt and lo and behold.

“Fuck Me.”/”When.” Y’all are the worst.

I love that Brennan mentioned Porter in Ragh’s flashback, fully knowing it was gonna trigger Emily.

Fig’s new plan is to get all of her parents in a throuple and I don’t even know where to begin with that tbh so I won’t.

@voxfantasma made a comment last week that Sandra-Lynn very well could have seen Kalina which is why she can she her in the photo--which is an offhand comment I made when I was talking about the rules of the photo last week--and Ragh’s reaction to the photo is making me move this theory back up to the top spot. I still wish they would show the photo to more people so we’d have more data for this.

I loved Fig tossing Fabian a bardic inspiration for a compliment even though he didn’t really need it. I also love that she has a rider in her rockstar contract necessitating gogurt be at all her shows for Gilear.

Adaine paranoidly casting water breathing on everyone at the slightest hint that they may have to go near water. Our girl is learning from the mistakes of the last oracle.

With the gang facing off against the Nightmare King and Brennan’s description of the thing in Adaine’s tent as being humanoid, about her side, and sitting in a sort of defensive way, I’m wondering it what it was was a manifestation of her own anxiety or something along those lines. Of course, it could just be a normal ass monster. Sometimes the scariest thing is your inner turmoil and sometimes it’s just a monster trying to bite your head off.

We also learn that Cathilda has a super wild adventurer’s life before she settled down to be a maid--so she knows what she’s missing and she’s fine with it--and also that she is paid ridiculously well, which makes me feel better about what’s going on with her. Also, her moment with Adaine and the cookies was so sweet. My notes for that scene say, “Adaine loves Cathilda and so do I.”

I loved Murph and Riz going equally Pepe Silvia trying to anagram out Garthy O’Brien (which is also what I was doing, especially since Brennan specifically spelled out the name). Cheers to Murph/Riz and Siobhan/Adaine trying to single handedly keep the story on track--both in and out of character.

There’s a part in this ep where Adaine Ray of Frosts Fig who immediately Hellish Rebukes her and that’s truly the kind of step-sister shenanigans I want to see from them as much as possible please and thank you. Also, like I said before, it was very sweet of Fig to reassure Adaine that she wasn’t just seeing things in the tent. Her catfishing middle aged men aside, she can be very empathetic when she wants to be.

Adaine cast (or tried to cast Friends) on the thing in her tent. And I think it’s very telling about her character that that’s the spell she would cast and not an offensive one. Not that messing w/ someone’s brain is a super chill thing to do or anything, but I think, “Maybe I can calm whoever this is and talk to them and we can get some information,” is a much more measured reaction than maybe, “Let’s blast this thing to kingdom come and ask questions later.”

“Man van is a boat, my boat is a van.”

Brennan lets Adaine roll w/ advantage to convince the Hangman to come with them on the Van (which he still hates) because she said, “Please” really cute which is the kind of arbitrary DM fiat that I love.

Adaine: We should tell them unless we’re being graded on a curve. (Savage.)

“Fig, she’s a maid. She’s not allowed to lie.”

All the skipper talk this ep got the Gilligan’s Island theme stuck in my head (never seen an ep but my mom watches it sometimes) so the next day I was getting dressed going “With Fabian, and the skipper too, the oracle, the PI,” to the GI theme song. Also, did not know skipper and captain were the same title until Fabian got all upset and I looked it up. Yet another piece of information I know because of some game (along with what a panacea is (Dragon Quest 9) and where the CDC is (Pandemic)).

Gorgug, being offered a virgin daiquiri: No thanks, I’m driving. (I’ve said this before: Zac low key has the best comic timing of anyone.)

When Riz is angraming, one of the things he ends up with is something about a “night yorb” which Brennan decided is a real thing that both the Hangman and the Van are very wary about. Having the Hangman constantly being like, “SPEAK NOT OF THE NIGHT YORB!” and the Van being like, “Seriously, don’t fuck with the night york,” was so funny and such nonsense. I can’t wait for the night yorb mini boss fight that has to happen now because of the rule of funny.

Gorgug comes down from his call with Zelda and everyone except for Fabian (and probably Ragh who cannon-balls off the boat w/ Fabian and they both have to be rescued by Sandra-Lynn) knows exactly what happened immediately. Aw, buddy. One of my favorite things about media where you have kids saving the world is you have relationship drama and also the world is ending and it all feels equally high stakes. I find that so funny but also it feels very representative of what high school was like, or at least what it felt like (minus the literal apocalypse, obv. Or maybe not. Idk what was going on at your high school).

Adaine continues lending out Boggy to anyone who needs him.

Also, Gorgug tries to build a cell tower with driftwood and parts from Adaine’s jacket. It’s not going super hot.

Both Adaine and Riz are podcast nerds and listen to This Solesian Life. All checks out. Their friendship is underrated.

“I’m feeling really bad and my van is a boat.”

“I was gonna be straight edge except for drugs,” gives me “Sober salad” energy.

The whole discussion about Kristen getting tracker silly putty for her birthday.

The Van was serving some serious Ned Flanders energy along with the Owen Wilson energy this episode.

Brennan does pretty good whale noises.

Only crit this episode is Fig with a nat 20 insight to know Gorgug’s conversation with Zelda did not go well. Which is something she’d crit on.

#dimension 20 #dimension 20 spoilers #fantasy high #fantasy high spoilers #fantasy high live #report card

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jaigny · 5 years

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Your name: Kaitlan Jaign McLean but l perfer being called Jaigny

Languages you speak: English

Are you a mermaid?: l used to think so all the time l was one when l was little especially if l went swimming in pools

Your playstyle: A mixture of CAS, Gameplay (though not recently) and Building

Your Simself picture:

Stories or gameplay, builds, lookbooks, edits or cc: Probably done a few here and there but mainly l just reblog stuff l like sims related or otherwise

Your favorite age stage: uuuuhhhh.....YA - Adult l guess?

Your favorite season: l like all the seasons really for its different reasons!

Your favorite holiday: i love winter fest and love day!

How was your day: Typically boring as l slept from 2am last night to 3:30ish pm cause l wasn’t feeling fantastically well. Either my throat/sinus/nose problems are getting worse or l’m getting sick like a cold and flu. Plus l have a bad leg from not stetching and walking for 2 1/2 hours the other night

Your favorite career: Hmm...Art or Food critic l guess?

Your favorite aspiration: Uni one, Beach life one , the big family one and both serial romantic ones

Your favorite EP, GP or SP: Seasons or University/Jungle Adventure or Parenthood or Strangerville (For build and buy) /inbetween Laundry Day and Tiny Living and even Toddler Stuff

How old is your simblr: i’m not entirely sure? 4 years or more idk lol

Have you woohooed?: Isn’t that private information??

Your favorite skill: cooking,parenting, gardening, painting, mixology, the local culture , handiness, logic, violin/piano/guitar, and charisma

The size of your mod folder: hmmm probably close to 30gb? Last time l checked months ago it was like 28gb lol

Your 3 favorite mods: WWhims (For its personality stuff, Period and new sweating stuff, No censor for only storytelling purposes and they just look like barbie and ken dolls lol And no i am not a pervert but very much the opposite.) The Sulani Island Events Mod (It’s nice to know when they happen as without the mod you never know when it’s happening which sucks.) and last but not least Poseing Mod and Teleporter. (l used to really good years back in 2014/2015 when l first started Sims 4 and used to be very good at the posing mod especially with couples. But now it seems as l’ve gotten older l feel dumber and need to play around with it more but sadly my old laptop doesn’t really like it all so much so i’m saving for a new one.)

Your interests (other than The Sims): l love SAILOR MOON! Anime/manga/fanfiction and l’m excited about the first part of the Dream Arc coming soon. Mainly l just love to read Fanfiction of my fave shows like Supernatural, Chilling Adventures of Sabrina, other anime and cartoons etc l used to paint digitally and was really good at it but l’ve lost the love of it slowly over the past few years case of my depression (JUST KILLING ALL THE THINGS l ENJOY ITS FINE. ._. ) Oh and used to love baking/cooking. l made this really nice low fat healthier potato bake and its so nice! And Music!

Which Sims games have you played (including mobile games): sims 2, sims 3, sims 4, l kinda sorta played medievil til my my disc got broken ugh l like to play games like Color Hole on my mobile lol Its satisfying! Oh and the Offline Trex game l like to play on mobile also! l love Last of Us, Subnactica (1st and second game) and Spyro and Crash Bandicoot and Resident Evil (the older games)

Propose a crazy scheme: MAKEUP OPACITY and FINGERNAIL LENGTH/COLOUR!

Best part of simblr: l love to see not just new cc but also read their simblr stories like how good and involved you get with them. l also love looking at edits of sims cause my laptop or my skills could never LOL As well as how good some people in our community are just makes me warm and fuzzy. @ellemant @warmsol @ridgeport @starry-eyed-simss @peonypyxels and @tea-sims have amazing beautiful stories! l could gush about them forever til my throat closes over!

Worst part of simblr: When you have a zillion followers, the power gets to their head l guess, that and the toxicity of it but l mainly just stick to myself and avoid it as much as possible whether they be trolling or not people can be quite nasty.

What other games you play: Mainly Sims with a nice side of Spyro and CrashBandicoot.

Other websites or accounts (Origin, Twitter, etc…): Twitter is the same as my Tumblr and my discord. My facebook is personal not that l visit it anyway. and My Origin ID is LostMyFudginMind

Are you single: nope!

iiiiiiiiiiiiiiii taaaaaaaaaaaag!!---- @starry-eyed-simss @wesunnysimmer @oattoad@peonypyxels@fauxrishi and My darling Isa who used to be Stardustsims who has a beautiful sou and an even more beautiful story you guys should check out l but l can’t tag her in this post cause Tumblr is a big stinky old butthead! But her newname is @warmsol which is just as cute ;-;

#Loves you aaaaaaaaaaaaaaaaaaaaaaaaaaaaaall!

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ateezpresent · 5 years

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MY ATEEZ MV THEORY: HOW THEY ALL CONNECT

Okay ah hahah so I wrote this in like june/july and kind of forgot about it in my drafts but now that everyone is putting out these theories regarding the new comeback i was like wait i want to be smart too so I dusted this off and revised it and so 짠 here it is

This is just my perspective of treasure ep 1-3 and how it all tied together and how ateez is going to move forward with it. Honestly its kind of a mess so I put a TLDR at the bottom huueh but if anyone wants to talk about it with me just slide into me inbox/dms! yeehaw lets go

So!

ATEEZ’s name itself means that they represent the all teenagers from A to Z, including their dreams and ambitions. States of dreaming and waking seem to be a common theme throughout their lyrics and visuals of their title tracks. When they say their MVs are connected in a story, I think it’s a switch between being awake and being asleep, which has been said by the members and also interpreted similarly by other ATINY. Hongjoong also mentioned that the story wasn’t released linearly, as in their Say My Name MV reaction, he says that Treasure Ep. 2: Zero to One is actually the prequel to Treasure Ep. 1: All to Zero. HALA HALA and Say My Name (Treasure ep. 2) come before Treasure and Pirate King (Treasure ep. 1), and then followed by Illusion and Wave (Treasure ep. 3).

(so uhh s/o to my european intellectual history prof who lectured forever and ever about freud because its what made me understand the importance of dreams and how life can be interpreted through dreams blah blah blah)

Going back to the MVs. Let’s start with HALA HALA, which is the beginning of the story.

The whole aesthetic of HALA HALA is very dark, violent, and mysterious. The outfits / makeup, as well as the location of the MV have a very concentrated concept: layered black clothes, chains, masked faces, sirens, flashing lights, very chaotic and anarchic. Even the choreography focuses more on the feel of the song rather than precise dance moves. A brief fight between San and Jongho in the 2nd pre-chorus may represent that, at this time, there was conflict within the team and they were unable to cooperate. It also ends with the members collapsing, with only Wooyoung standing. I think HALA HALA represents their nightmare, which is a result of their dark unconscious taking over their dreams. The unconscious holds unfulfilled wishes and unspoken desires.

“I’m nervous, my heart is pounding, this is the first time I’ve felt this way, meeting a new side of me” ➙ slipping into their nightmare, they may not understand what is happening, since in everyday life, they aren’t aware of their dark desires

“Deep in my heart, deep in my soul” ➙ referring to the unconscious

For ATEEZ, their unconscious may hold feelings of despair and frustration from working so hard for their goals. These desires will manifest themselves in dreams, on the surface level, as the images and events they see. Dreams can be further analyzed for certain symbols or themes to reveal those unconscious thoughts, which is what I believeTreasure Ep.2 is about. HALA HALA expresses a very primal desire to be on top, resorting to violence and chaos to reach their objective. Its a manifestation of raw emotions.

“Surprise, standing applause. Suicide Squad, the reality. Frightening, lets get burning now.” ➙ Suicide Squad were villains with nothing to lose, they’re willing to do anything to be the best

“We’re rising sun. No one refutes us, no. Burning hot.”

After being consumed by their ambitions, their dream turned into a nightmare. They couldn’t work together as a team and ended up destroying each other in the process, so that only one was left standing (Wooyoung), without the rest of his members. Which is why in Say My Name, they’re begging to be woken up.

Say My Name and HALA HALA have a lot of similar symbols in the MVs. The figures from HALA HALA make frequent appearances, and ATEEZ seems to be confronting them, or sees them in different places. Those figures appear as antagonists, keeping ATEEZ from waking up. It is, however, revealed in the end that Seonghwa was interrogating himself, showing that they are their own antagonists and it was their own unconscious that is keeping them from waking up. The lyrics heavily imply that ATEEZ wants to wake up, and are encouraging the listener (ATINY) to say their name repeatedly in order for them to escape their sleep.

“Say my name, wake me up from sleep, say my name one more time”

They aspire to wake up and see the world again, and don’t want to be trapped in their HALA HALA nightmare anymore.

“Looking only at the moon, seeing how beautiful the world is”

Lets talk about some of the symbols in this MV and what they represent in dreams:

The horn motif, which Hongjoong carries and is constantly center (visually), means that the dreamer needs to pay more attention to their inner voice and intuition.

San is seen looking in a mirror, seeing his own reflection as well as HALA HALA Yeosang, symbolizing a need to confront elements from the subconscious. He is also surrounded by shards of broken mirror, symbolizing poor or distorted self-image, and a need to put an end to old-habits / behavior.

Yeosang in his ‘cage’ indicates inhibitions and a feeling of confinement, seemingly by the HALA HALA figure (which I think is San?) pacing around him.

Yunho is seen at a desk, holding a quill and surrounded by a mess of supplies. The quill, a utensil for writing, cautions the dreamer of the power of words (maybe lyrics). Sitting at this messy desk shows that he is working through his problems, and figuring out his priorities. The hourglass on the desk represents a deadline, that time is running out.

wow I really feel like a high school english teacher

Some scenes are designed to appear as a museum, which represents a ****non-traditional path to success and risk-taking****, and also reflecting and learning from personal history. (I think this one is really important)

Typewriters represent a desire to communicate, maybe with ATINY, who is waking ATEEZ up. They all seem to be frantically trying to communicate in these scenes.

I think the hooded figures in Hongjoong’s scenes represent those who may try to deceit or underestimate ATEEZ, and since he’s the captain / leader, he is confronting them.

The strobe lights / flashing between Say My Name and HALA HALA represents chaos in waking up, skewing perspective… maybe making everything seem like an ILLUSION

I’m getting a little ahead because now we need to talk about Treasure and Pirate King.

So, storyline-wise, Treasure is supposed to come right after Say My Name, since we hear the beginning of the song at the end of the MV. Now that ATEEZ is awake, they’re embarking on a journey to find their Treasure.

“It can complete us, or it can destroy us, and it can change the world. People call it… treasure” // “It doesn’t matter what you dream for. So let me ask you. What is your treasure?… Will you join us?” (intro: long journey)

In the Treasure MV, they’re in the desert, which is mentioned in lyrics in HALA HALA (”In the middle of the desert, a few more footprints, we keep going until the wind reaches the end of the sand”), and there is a moon in the sky, as mentioned in Say My Name’s lyrics (”When the moonlight calls us”). This song is about their new goals, finding their treasure together (ATEEZ + ATINY).

“Lets leave for somewhere far away, it’s calling us, my treasure”

“Hold my hand, finding you in my dreams. It continues to shine on us: starlight”

“It’s fine with the two of us, I’m all set, let’s get it when you set baam”.

They’re willing to do whatever it takes to reach their goals.

“Nobody can stop us. To stop us, there’s no way”.

Pirate King is a continuation of Treasure, and idk why Pirate King doesn’t have an actual MV (which kind of bothers me) but the lyrics at least provide some insight into the story line. Pirate King is more about achieving something together.

“Now raise the anchor, walk with a dark heart. Anywhere, we can go. Whatever we are, you can follow us, hold your hand high. Under the burning light, you and me in the bright spot. Step 1,2,3 and 1,2,3 Let's go. Will you be my friend?”.

Whenever they talk about “you and me”, they’re both referring to them, ATEEZ, together as members, as well as ATEEZ and ATINY together. We’ll help them achieve their goals, and they’re asking us to trust them and stay loyal to them as they complete their journey.

“Anywhere, it doesn’t matter if you’re alone, hold my hand. I can go anywhere with you. Whatever stops us, I can get through it all. We can make everything together”.

** OKAY SO HEAR ME OUT THIS IS SOMETHING NEW THAT I THOUGHT OF BECAUSE I COULDN’T FIGURE OUT HOW EP 1 FLOWED INTO EP 3 BUT OK LET ME EXPLAIN:

ok so even though in the storyline ep 2 comes before ep 1, I think ep 1 is a flashback to bEFORE ateez became “evil” and “nightmarish” because they were getting shit done and being with atiny and yay

it makes more sense to go from say my name into illusion, because in say my name they want to wake up but are being stopped because of HALA HALA, and then illusion is more of a - wait or it - ILLUSION because they aren’t really awake yet

WAIT I JUST REMEMBERED i wrote that the flashing lights and cutting between say my name outfits and HALA HALA outfits in the end of the say my name MV represented CHAOS IN WAKING UP AND SKEWING PERSPECTIVE YES ITS TYING TOGETHER

so yeah i think ep 1 is a flashback to how ATEEZ was before their whole journey began, but their story technically starts from HALA HALA

i think they did this so they can continue to have flashbacks / time jumps in future comebacks alskdjl;skdj KQ your M I N D

so HALA HALA / Say My Name ➙ flashback with Treasure / Pirate King ➙ continue from Say My Name into Illusion / Wave

phew okay so

So now that ATEEZ is starting to wake up, they get a little too excited about getting back to achieving their goals that they become delusional and imagine this amazing Utopia where everything is great and happy when in reality, they’re still stuck in their dreams.

“I saw it, felt it, in my dream that day. I’m sure that we will find it someday. Following the blurry afterimage, one stroke each night. Sketch the map”.

For ATEEZ, that Utopia would be where they can be together with ATINY, having achieved all their goals, and can just relax and party and have a good time….

Now we’re in an Illusion! We’re still asleep, technically. The fake looking effects in the video add to the “illusion” concept, and everything looks a little too perfect.

“I feel like I’m dreaming, please don’t wake me up… a day, two days, three days, four days. I don’t know what date it is today. Who and where am I, and who are you? Its the first feeling I’ve ever felt. Here is paradise. I don’t know, just party all night long”.

They literally don’t know whats going on or what day it is or where they are, but they need to realize that this happiness is fake, and only temporary. All the colors in the MV and lyrics seem artificial, as we can see in the visuals, and are also described in the lyrics:

“The bluish sun, the purple star”

“its dazzling, dazzling, dazzling, oh dazzling”

“On the pink island. On the iridescent ocean. Should I draw a more fantastic dream? Everything is beautiful here…”

There are also symbols that connect back to the previous dream MVs, HALA HALA and Say My Name, with the masks from HALA HALA making a reappearance as well as a brief silhouette of a HALA HALA figure. We also get more symbolism of the hourglass and a compass. Theres also writing on the boat but my blind ass can’t read anything but one of the quotes says “the creative adult is the child who survived”, which contributes to the child-like nature of the MV. Towards the end of the MV, when they’re all marveling at the mystical scenery, they run through the tunnel where the HALA HALA figure was. This represents them snapping out of the illusion / trance to pursue their goals again. The end of the Illusion MV is them sleeping in the Wave MV settings, on a more realistic island. Now they’re waking up / snapping out of their illusion to keep pursuing their goals.

Before the Wave MV, though, is the Crescent track, which connects Illusion and Wave.

“Open your eyes”.

This represents them waking up, and now we’re in the superior title track #TeamWave. Once waking up, they band together again and just have a GOOD TIME which honestly is all I want for them. The lyrics talk about difficulties they may encounter during their journey, but to not take everything too seriously, and emphasizing the importance of having fun while doing what you love, even if its difficult.

“Shout after sweeping your hair up, hakuna matata ya… Go over the tough wave”

“Wherever you are I will be there. Hold my hands, hold my hands, we both are enough. Its okay if it’s more difficult, we’re just gonna play on it, we’re just going on~

If this moment is our wave, don’t be afraid and face it head on. We’re hotter than others under the sun, so don’t worry, go over the tough wave”.

Treasure ep. 3 is the end of the Treasure series, so it makes sense to end on a positive note, that ATEEZ will continue their journey without hesitation, and assure us that we will take care of each other through good and bad times.

me after revising this^

So, to summarize how all the MVs connect (TL:DR)

HALA HALA: the unconscious, ATEEZ’s nightmare, the result of them being obsessed with their goals to the point where they resort to violence and chaos, they don’t succeed as a team

Say My Name: wanting to be woken up from their nightmare, confronting their “enemy” , only to realize that its their own unconscious, continuing conflict with HALA HALA

Treasure: A flashback to what ATEEZ was like before they became violent and nightmare-ish, when they worked together with ATINY and had ambitions and goals

Pirate King: continuing the flashback, more adventure and getting shit done

Utopia / Illusion: continuing from Say My Name, becoming entranced while waking up with the ultimate dream so much that they become disillusioned, in a trance where they party and think they’ve achieved their goals but they’re actually still “asleep”

Wave: snapping out of their illusion to confront their difficulties head on, reassuring ATINY that they will support each other and keep chasing their ambitions

Predictions moving forward??

SO if we need to continue this story into the next comeback, now they will be on a new journey!! Theres a ton of theories being thrown around for that but tbh my few braincells are exhausted from thinking about this-

I think the HALA HALA nightmare will be a consistent motif throughout their future comebacks, like they’ll always be battling them, but maybe they’ll figure out how to finally get rid of them.

From the ONE comeback teaser pic thats been released so far I have no idea what the theme for this next adventure could be, maybe they’ll still be in the desert like they were in treasure ep 1 before they fell asleep

Whatever it is I think KQ did a really good job figuring out this theme for ATEEZ because it gives them a lot of flexibility with concepts and future plots for MVs.

#ateez #honestly the more i think about it the more theories i come up with that contradict the ones i just thought of so #ateez eXPLAIN pls help ya fandom out

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snkpolls · 5 years

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SnK S3E20 Poll Results (Manga Reader Version)

The poll closed with 287 responses. Thank you to everyone who participated!

Please note that these are the results of the manga reader poll. Anime only watchers are suggested not to read if you do not wish to be spoiled about certain events! Anime only viewers, click here to view your poll results!

RATE THE EPISODE 279 Responses

This episode was another hit with most viewers, with 74.6% of participants ranking it 5 out of 5.

Just brilliant. Best series.

This was the first episode I’d been excited for in weeks. With the serum bowl I was dreading the last three episodes but the Marley Arc is my fave and I’m super super excited for what comes next in the anime.

The music was incredible and Grisha's VA stole the show.

The best of this season yet!

This season has now given us 2 (two) episodes WITHOUT openings and both times the episodes blew me away. I’m so stoked for the fourth season

I'd say it was a pretty solid episode. I can't believe we've finally made it to Marley, I am so not ready for the nonstop angst that is to come…

Anime quality was ass again, but the plot and voice acting make this a fantastic episode overall

WHICH OF THE FOLLOWING SCENES WAS THE MOST MEMORABLE? 282 Responses

There were several informative and memorable scenes. 45.7% of participants thought Kruger’s big reveal was the highlight, while 12.1% can’t decide what stuck out the most. 9.9% of participants felt Dina becoming the Smiling Titan made the biggest impression.

DO YOU THINK GRISHA’S FATHER WAS RIGHT IN EASILY DEMEANING HIMSELF AND GRISHA TO GROSS? 270 Responses

Though Grisha’s father yielded to the Marleyan police regarding Faye’s death, 77.4% of participants believed he was right to prevent the rest of his family meeting a similar fate. 15.6% thought he should have shown a bit of resistance towards Gross’s accusations. Many in the comments agree the situation is simply not that black and white.

It's not whether it's 'right' or 'wrong' in these situations - if your options are the death of your family or satisfying your own feelings of dignity, then I think it's up to the individual what their priority is. But I think it is not a sign of weakness to put your family first.

He probably hated himself for doing it (at least I'd do), but losing another loved one would be horrible for anyone in his situation, so I can understand why he did that.

I can't really answer with clear 'yes' or 'no'. On one side, He was right to protect the rest of his family, on the other... He could try to comfort Grisha in a better way (you know, not yelling at him to be silent)

No, but I think he could’ve dealt with Grisha more privately. He didn’t have to continue with his indoctrination of Grisha.

I think it's complicated

no one is right or wrong here.

SERGEANT MAJOR GROSS STATED THAT “PEOPLE LOSE TOUCH WITH LIFE AND DEATH AND START TAKING THEIR LIVES FOR GRANTED." DO YOU THINK THERE IS TRUTH TO WHAT HE SAYS? 283 Responses

Gross told Grisha that people took their lives for granted when losing touch with life and death. 60.4% of participants think there is truth to his words even if his actions are morbid. 27.2% believe he just said this to excuse his cruelty.

Idk but him staring into my soul made me unconfortable

That is true, but it doesn't actually justify or support his position. We're SUPPOSED to all have the luxury and privilege of 'taking life for granted', as he puts it - that's why humanity has worked so fucking long to improve society to this point! We shouldn't have to think in life-or-death terms to consider ourselves worthy of living.

There is truth, but it's obvious that it's more words for him justifying his horrible actions more than a maxime which guides his life. If it were so, he wouldn't have been scared and screaming when the titan eat him.

Yes, but he's just making excuses for his sadistic mind.

DO YOU THINK HUMANS IN GENERAL BECOME INTERESTED IN VIOLENCE? 284 Responses

The episode observes humans and their reaction to violence, Gross saying he finds it interesting. 49.6% of participants believe that most people are interested in violence, while 40.1% specify that it depends on how violent the event is.

The most interesting part of the episode is Gross addressing the viewer over making his victim dance. Part of SnK is watching some victim being devored by the lions. Be it Faye to the dogs, Mike to the titans, Eren's squad to the titans in Trost, Carla to Dina, Marco to Araki Titan, Bert to Armin... the reactions however differ. Some of us came to see characters fighting and get eaten by giant monsters, but as the story progressed, our point of view differed and it became disgust for the most part.

HOW DID YOU FEEL ABOUT GROSS'S DEATH? 281 Responses

Gross’s death was a gruesome one, but 53.4% participants were satisfied he got what they feel he deserved. 17.1% were less comfortable by the irony of the situation, and 13.2% found his struggle enjoyable.

Watching reaction videos where people cheer on Gross getting his face chopped on kinda unsettled me, I'm not gonna lie.

IS FAYE’S DEATH THE CRUELEST MOMENT IN THE SERIES? 282 Responses

Being torn apart by dogs is a disturbing way to go and 46.8% of participants felt it was the cruelest moment of the series thus far. 45.4%, however, believed there were crueler moments worthy of mention.

I didn't think Faye's death was the cruelest because let's face it, Mike's was the absolute worst. :(

GIVEN HOW HE TREATED ZEKE, DO YOU THINK GRISHA IMPROVED AS A FATHER WHEN IT CAME TO EREN? 280 Responses

Though Grisha didn’t show a lot of compassion for Zeke as a son, 55.4% of participants believed he learned to be a better father for Eren as a result. 24.3% would rather have more information before saying for sure, and 20.4% of participants felt Grisha didn’t quite change his ways.

GRISHA STATED THAT YMIR “BROUGHT BOUNDLESS PROSPERITY” TO THE WORLD. WHEN GRICE QUESTIONED THAT, GRISHA RETORTED WITH THE FACT THAT HE “BELIEVED IN YMIR”. WHAT DO YOU THINK HAPPENED? 282 Responses

There was a mix of histories regarding Ymir Fritz. 50% of participants believed Ymir may have brought prosperity but that Grisha was also jumping to conclusions without context. 40.4% of participants thought Grisha was just seeing what he wanted to see.

Grisha’s va knocked it out of the park this week. The episode made me re-think whether grisha actually could read any of the sacred texts. Was he just BSing the whole way through? Will we ever know what they say in that case?

BEST ROGUE TITAN DESIGN? 282 Responses

Out of the three Rogue titan designs, a majority 62.8% of participants thought Eren’s was the most physically appealing.

Best Rogue Titan design? That's not even a question. ITS ALWAYS ERENS. LOL

HOW FAITHFUL WAS THE ADAPTATION TO THE ORIGINAL MANGA? 276 Responses

A majority of manga readers believed the episode was mostly faithful to the original chapters, with 54.3% believing it was nearly perfect. Others felt the episode could have been more accurate.

Great, pacing was a little quick but I think the anime adaptation explained everything a bit better than the anime. I had to go back and read those chapters like 3 times to fully understand everything lol. I do wish they didn't cut lines from the warrior selection announcement though. Overall great though!

Great adaptation. They should've cut the ending too, so they wouldn't need to cut some parts, but it was as close to perfection either way.

I'm sad that they omitted so much when Marley announces the Marley warrior program. Besides that I think it was an amazing episode.

Was thoroughly impressed with how they managed to adapt two of the most dense chapters into a single ep without any significant cuts. The artwork for the Eldia/Marley lore was gorgeous, and the performances were as expected, phenomenal. Kruger's transformation was breathtaking, as was the OST. Definitely one of the best episodes of the season. Also, Marina Inoue saying "Shingeki no Kyojin" in the preview gave me chills.

KRUGER'S HAIR: BLOND OR BLACK? 282 Responses

Kruger’s hair was colored dirty blond in the anime compared to the darker shade in the manga. 47.5% of participants felt that either color choice worked well for him, while 39.4% preferred his black hair.

kruger is a dirty blonde colour imo ;p

I’m just over the moon to finally see The Owl aka Kruger animated with a voice.

The color scheme in this series has always been weird. Not that Isayama himself is limited palette-wise, but the colors have been much sober than WIT's multicolor fest. Kruger's hair are meant to be black or dark brown. Isayama draws blonde/hazelnut hair with full lines. Same goes with the uniform: Isayama uses frames for dark colors (the SC's green coat ie), ink for black and dark blue. Anime already made odd choices with Mikasa's scarf (black in the manga) or Armin's eyes (brown).

Always thought Kruger was brunette

After last week's preview I thought Kruger with blond hair was weird but having watched this week's episode I think it fits better with the blue uniform and the show's colour palette. Besides, he still looks hot so all is fine lol

HOW DID YOU FEEL ABOUT THE APPEARANCE OF MARLEY? 282 Responses

A majority 60.3% of participants believe Marley’s appearance was just as modern as they expected it. 29.4% of participants thought it appeared more lavished.

WHAT DID YOU THINK ABOUT THE CENSORSHIP FOR SOME OF THE GRAPHIC SCENES? 283 Responses

Some of the more graphic scenes were censored in the anime, but 53% of participants aren’t bothered by it. 35.7% of participants were disappointed that some parts weren’t shown as a result and 11.3% felt it was appropriate to censor the more graphic scenes.

I don't mind Grisha's penis as well as the gory parts being censored (it's NHK after all), but the censorship comes across as convenient for the series. They omitted some marleyans officers saying Gross was going too far, or masked the details of the warrior program: no full confirmation of RBA being trained into infancy to be promoted at the status of Honorary Marleyans. Conbine that with the RBZ+Pieck scenes from this season being watered down and you have the anime making it even more black and white than the manga.

ISAYAMA ASKED THE ANIME TO HIGHLIGHT GROSS’ SPEECH TO BREAK THE 4TH WALL AS A “CALL OUT” TO THE VIEWER. WAS THIS DIRECTION SUCCESSFUL? 277 Responses

Gross’s 4th wall break was a request made by Isayama to address the viewer as he spoke. 65.3% of participants felt the direction made them feel more called out than when they originally read it. 24.9% can’t relate to what Gross is saying in the first place.

His eyes that never left the spectator's gaze froze my blood, it was really very successfully made.

I get what Isayama was trying to do but there's a huge difference between being sadistic knowing that it's fictional and being sadistic in real life

Honestly I didn't even know that he broke the 4th wall until I took this poll.

I didn't feel like what he was saying pertained to me because I've always been repulsed by his mentality and justifications.I think it says more about Isayama that he felt this was something that needed to be broadcast to society.

The speech wasn't as well done in the anime. I think he broke the 4th wall in the manga pretty well.

The Gross 4th wall break didn't really deliver in the end. Wish it was more obvious (eye contact, zoom in, voice acting)

It would have been a lot more successful if he'd written the call out to come from someone less sadistic and despicable. It's hard to reflect like that on words that came from a character that had a nine year old child eaten alive by dogs.

considering i had no idea it was meant to be a callout, i'd say it failed

WHAT DO YOU THINK WILL HAPPEN WITH YMIR’S BACKSTORY FLASHBACK NEXT EPISODE? 280 Responses

Since Ymir’s backstory was moved to Season 2, 39.3% believe that Historia reading the letter will show Ymir’s death instead of the entire flashback. 35.7% of participants think the scene will just show a cut down version of the backstory with Ymir’s narration in the background. 21.1% believe that the backstory will be shown again with some tweak to the narration.

Fuck man I dunno, maybe they'll play some interval music and Ymir will tapdance

I feel like the one disappointing thing about this part in the manga is that Ymir died offscreen. This would be a good change and I wouldn’t mind a teaser of Galliard also.

The backstory shown in season 2 wasnt the letter 1/1 right? Then just have the letter read out and have slightly altered images of her story

I got no idea which way they'll go, but WIT will do her story justice, no doubt about that

They will recycle s2's animation and that's it. If they show Ymir's fate, kudos to them, considering they've been pretty lazy with additional content so far.

THE ANIME ADAPTED EREN'S LINE AFTER WAKING UP AS "WHO AM I?" WAS THIS A MORE APPROPRIATE PHRASE THAN THE TRANSLATIONS ABOUT EREN USING DIFFERENT JAPANESE PRONOUNS OR HAVING A DIFFERENT VOICE? 280 Responses

In the manga, Armin comments on Eren’s change of pronouns when he first wakes up, but the anime changed this line to “Who am I?” 38.6% of participants thought this change made more sense in context. 30.7% of participants didn’t realize there was a change, and 21.4% thought the manga made enough sense for it not to warrant a change.

I feel like this episode is where we lost Eren as he once was. The change wasn't immediate, but this is the impetus. All that information, all those memories. The boy has started to become a man.

WHICH SCENE FROM THE PREVIEW ARE YOU MOST LOOKING FORWARD TO? 284 Responses

Of the scenes that were shown, a majority of 52.1% of participants are most looking forward to more conversation between Kruger and Grisha.

Historia is lookin fine in the preview

ADDITIONAL THOUGHTS ON THE EPISODE?

Just a nitpick but I wish Kruger’s attack titan was animated more in destroying the boat since it felt more like a colored panel; I’m still happy how it turned it though! Maybe there might be additional animation next episode but I can only hope :’D

This episode was beautifully done. The voice acting really knocked it out of the park, especially Grisha's. His screams, holy shit. I got chills. Kruger's voice was also brilliant, just that perfect blend of nonchalant and forbidding. What I found interesting was the VA for young Grisha sounded so much like Kaji Yuuki! I saw in the credits that it wasn't actually him, but what an excellent casting choice!

Needs more Floch

KRUGER!!!!

This S3P2 has to have the weirdest pacing I've ever seen: the 2ch1ep formula doesn't work at all for backstories like Grisha's, considering the whole worldbuilding is unleashed. That being said, the preview from last episode's accustomed the anime-onlys to the outside world, but combining chapter 86 and 87 leaves no time to breathe properly.

Thinking back on it, wasn’t this Grisha’s first time seeing Titans in the flesh, and eating a person right in front of him?

I had hoped Kruger's hat toss would be more dramatic, but alas, t'wasn't. Other than that, went pretty good

They pronounce 'Zeke' completely different from how I imagined it would sound.

Perfect, especially the final scene. I knew what was coming, but seeing the restorationists become the Trost Titans, the Dina reveal, and Owl transformation was something else. That sequence is on par with Reiner/Bertholdt reveal and Erwin’s charge as best scenes in the series. At least for the anime so far.

I thought this episode was kind of disappointing. Maybe it's just because I really dislike the tone shift that came with the Marley stuff, but I thought the manga handled all this exposition kind of awkwardly and was hoping for better from the anime. Nope, the only thing improving it is that it won't be drawn out for months between chapters this time.

Bby Zook my boi, must protecc at all costs, so innocent, so pure

In one episode all this information WAS WAY TOO MUCH! poor anime-only fans lmao

WHERE DO YOU PRIMARILY DISCUSS THE SERIES? 265 Responses

Thanks again to everyone who participated! We’ll see you again in a few days!

#snk spoilers #snk s3 #snk poll #snk polls #poll results

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prairiedust · 6 years

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Red or Green? The literary and folk themes of Oroborous

Red or green is the official state question of New Mexico as ratified by the legislature in 1996. Order anything at any restaurant, even a burger in some places, and you’ll likely be asked “Red or green?” Do you want red chile sauce on your entree, or do you prefer green chile? The “state question” can sometimes reveal geographical origins-- red sauce is supposedly favored in the northern half of the state, while green is more popular in the south (I lived in the south, and you could easily get either one anywhere so ¯\_(ツ)_/¯ .) The best green chiles are grown in the south, so maybe that has something to do with it-- like wine grapes, chiles from different parts of the state have different flavor profiles. Green chiles from the Hatch area are world famous.

But it’s important to remember that the sauces are made from the exact same fruit. The difference is all in the timing. Green chiles are harvested early, unripe, then roasted and chopped up and canned or put in the freezer, whereas red sauce is made from chiles that have been allowed to ripen fully and are then (typically) dried.

It’s all about timing. Let your chiles stay on the plant too long, and you miss your chance at the magical elixir that is green chile sauce.

Timing.

The sister stories of Snow White and Sleeping Beauty are, to a great extent, about timing. They are about waiting, about vigils, and about being at the right place at the right time-- or the exact wrong time.

(If you have not already read this rundown of Snow White in season 14, I suggest at least reading a few of the translations of the original folktales here or here. And cw the Sleeping Beauty story called Sun Moon and Talia is dark. I’ll be discussing the difference between the original material and the Disneyfied stories somewhat. Usual disclaimer that this is lit crit and not spec, why you ask, because I am a hundred years old is why.)

I want to say first that Steve Yockey in Ouroboros did a truly wonderful job allegorizing the story of Snow White, which has been teased for a while now. In the Grimms’ Snow White, as in other tales of that type, Snow White has been 1. run into the wilderness by her stepmother, B. taken in by a group of dwarfs, Three: then poisoned by that stepmother and fourthly laid to rest in a glass coffin. While the story has been poked at over the course of several episodes, Yockey sums it all up again in this one.

Dean-- along with the rest of TFW 2.0-- has been traipsing around New Mexico looking for a peculiar monster. Trope one. From the screen shot it looks like they’ve possibly been through Clovis, Roswell, Albuquerque, and finally made it up to Raton. As far as wildernesses and in-between places go, New Mexico is the most liminal state in the union-- many people in the country think it’s part of Mexico and if you think that’s a joke when I was a senior looking at colleges I had two well respected schools send me their foreign student applications. Roswell. AAAAaaaaahhhh Roswell. Roswell is the city that straddles reality and science fiction. They fry ice cream in New Mexico, they eat both ripe and unripe chiles there, and they have old mountain forests and arid white sand deserts within fifty miles of one another.

Another nod to the Snow White story is the Ma’lek Box that Dean mentions again-- B-- it can be seen as an allusion to Snow White’s glass coffin (in other versions, it is merely ornate or sometimes bedecked in rare gems but it is definitely something that she alone can not get out of… being dead and all...)

Finally, when the Gorgon knocks him out and Michael escapes, Sam tends Dean’s wounds while he is unconscious, which fulfills the traditional Snow White requirement for someone other than the king/prince to affect a physical change in the heroine’s state-- cutting off an enchanted dress or jostling the coffin so that the bite of poisoned apple can be coughed out-- in order to bring her back to life. Walt Disney and his studio added the “first love’s kiss” into the Snow White matrix in 1938, not even a century ago, but it quickly took over the narrative-- Disney also brings the story into a more accessible reality for modern viewers, he introduces the prince into the actual storyline earlier than in the folk tale, and then has him awaken her with The Kiss. Which do we, as an audience, prefer? The rabbit-hole of darker, more psychological Snow White tale types, or Disney’s recent and overwhelmingly iconic romantic reimagining?

Red or green?

Yockey gave us green, the version that has not ripened into what most people know as Snow White through the Disney cinematic behemoth.

The other duality in this episode is that we have Sleeping Beauty being referenced simultaneously with Snow White’s allegory.

Sleeping Beauty is Cas’ story and elements from that tale type can be seen in how the Gorgon stalks and overcomes his prey. The Gorgon uses sex to snare a human for consumption-- he says he’s an opportunist but that women have begun to be more cautious now that they are “waking up” from a long period of oppression. Sleeping Beauty’s deep sleep comes as the result of a symbolic sexual awakening-- in the more recent stories that awakening comes from the machinations of an enemy, so it is more a violation than a sudden innocent awareness. Where am I going with this? I don’t even know, this seems like it belongs in a different essay. What I’m trying to say is that the Gorgon uses sex to put people into a state of paralysis, and the evil fairy (known in the Disney movie as Maleficent) used a sexual metaphor to lure Briar Rose to her doom before she was ready for that kind of encounter. We are asked to contemplate the symbolic aspect of the Gorgon’s predation because he also uses a symbolic act-- eating eyeballs-- to see into the future and thus subvert the natural order of time.

In Sleeping Beauty, the evil crone/Maleficent also subverts the timeline by jumping place in line. She was not invited to the party in honor of the infant princess, but after nearly all of the other wise women have given Briar Rose their blessings, she breaks in to curse the baby. There is always one fairy left who, while not powerful enough to nullify the curse, can modify it to a deep sleep instead of death. In Ouroboros, TFW2 exploits the fact that Cas and Jack exist outside of the workings of Fate to defeat the Gorgon, but not without great cost.

Which brings us to The Wrong Kiss. I didn’t even want to meta the Sleeping Beauty stuff because of the kiss, seriously. So. What happens to Briar Rose is tragic, but in the three most famous versions of the story she comes out of her enchantment because a prince falls in love with her. Jack, here, as a result of Cas’ deal with the Empty, is no longer in the Sleeping Beauty story, he is not a Prince but a Giant-Killer once more, and the antidote he administers to counteract the Gorgon’s venom will not work. Once he activates his giant-killing powers, he can heal Castiel. (In the reciprocal, Cas is an agent of the SB story and the antidote works on the dude the Gorgon was about to eat because Cas administers it. It’s a very meta way of treating the folklore theme by both subverting it and keeping certain characters strictly within the parameters.)

Jack finally lives up to his name as a Giant-Killer when he takes out Michael. In Appalachian and English Jack Tales, Jack is always clever, sometimes to the point of unscrupulousness, but in the story Jack and the Beanstalk he is a naive picaro who betters his circumstances through reliance on his simple nature as much as his wits. Often “Jack” does not change as a result of his adventures, as most fairytale heroes do, but like many other mythological tricksters he operates outside the bounds of normal morality. Jack Kline has managed to hold onto his innocence despite initiation into the Winchester clan. Now that Jack has, presumably, burned off some large portion of his soul, it will be interesting to see how his picaresque nature might actually change. Because the story of Jack the Giant-Killer? Not the same story as Jack and the Beanstalk. The Giant-Killer is the story of a deadly clever young man who defeats several giants as well as Lucifer using mainly his wits and is afterward given a place on King Arthur’s Round Table. The story in its entirety borrows from Cornish, Welsh, and Briton mythology, echoing other simple folktales as well as hearkening to high heroes of the Mabinogi. Jack has become larger than life. (AN I started this before Peace of Mind, I’ll get to that one by the end of the season maybe :P )

In a less meta sense of course, this episode is one huge mythological allusion-- Cas refers to Dean’s imprisonment of Michael as a “herculean” feat, the MOTW is a Gorgon (and traditionally gorgons were a trio of cursed sisters in Greek legends,) and Dean enthusiastically references the 1981 Clash of the Titans film twice. In a /more/ meta vein, Andrew Dabb quotes the more recent Titans movie in a tweet on this ep’s airdate. I find that exciting because the story of Perseus in CotT features a descent into the underworld, and again while I flirt with speculation here I would REALLY like to see these nerds freaking raid the Empty.

As for Snow White and Sleeping Beauty now? Red or green?

It feels as though the Snow White story has possibly been tied up and tucked away now, solving the riddle of the “red or green” sister stories. Michael, Dean’s evil rival, is dead. Pretty sure. Whether his grace is contaminated and will have an adverse effect on Jack remains to be seen. See drsilverfish’s lovely analysis of the oroborous symbolism in the last two episodes for more discussion about what it means for Jack to have consumed Michael’s grace. But. Unless there is a Ghost of AU!Michael coming up, he’s gone.

We are left, however, with Cas’ deal with the Empty-- he gets to operate under normal parameters as long as he does not exceed the minimum threshold of happiness (and I want it to be an accidental or unexpected moment, unlike a lot of meta writers, but then that isn’t spec it’s just what I hope for.) And what does that mean for destiel subtext? I don’t know. Honestly, this is a little too intense for me, I am not “canon positive” or “endgame positive” and this episode freaked me out. Analytically, though, it places the subtext at a really interesting place. It means the princess who gets rescued from an enchanted doom is still on the loose, still avoiding Fate, and the prince is still out there having Adventures in the Woods. ¯\_(ツ)_/¯

#the folklore of supernatural #snow white #sleeping beauty #sister stories #spn meta #the title of the next episode is killgingg me

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symphoniofficial · 5 years

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[ARTICLE] X-ENTERTAINMENT HOLDS DEBUT SHOWCASE FOR GIRL GROUP, SYMPHONi

X-Entertainment’s SYMPHONi held their debut showcase on November 15 at YES24 Live Hall in Gwangjang-dong.

SYMPHONi kicked off the showcase by performing their B-side “Moon”, an upbeat EDM song co-written by the group’s rapper, MiMi. Immediately following the performance came their introductions; the members introduced themselves individually.

EV: I’m EV of the fresh-faced group, SYMPHONi! I'm the leader who also works on our choreography. Please love and support us in the future!

Jade: Hello. I’m SYMPHONi’s lead vocalist and lyricist, Jade. Please look after us.

Mimi: Hello, SYMPHONi’s cute main rapper Mimi here! Thank you all for meeting us~

Mei: Hello, I am SYMPHONi’s visual and lead dancer, Mei! We’ve worked really hard on our debut, so please watch carefully!

Serah: Hello! SYMPHONi's sunshine maknae, Serah, here. I hold the main vocalist title and compose for the group. Look at my unnis, aren't they beautiful? Please watch us well; we have a lot to show you!

When asked about the group’s meaning, the leader described SYMPHONi as the group that’s capable of filling up an entire venue through their charisma alone; combined with their talent, the five girls can put on a powerful performance.

“Our talent will speak for itself.”

What’s unique about SYMPHONi are the members’ experiences before debut.

EV is the daughter of a famous dancer and producer, Jade was a former contestant on an MNET survival show, and Mimi and Serah were previously introduced as DALBIT. Each of the members expressed their feelings on the expectations the public has and being a member of a girl group.

EV: Before we had officially debuted, I felt overwhelmed and unsure of if I was capable of being the member that these talented girls looked up to. As the leader of an upcoming group, there’s already pressure to do well, especially in such a competitive market. I don’t feel my parents gave me any advantages here; they never even crossed my mind. My and my members talents’ will be the reason we go far, so you’ll have to watch us closely.

Jade: [Being in front of the cameras] was a little uncomfortable at first. I’ve never performed onstage before, so I wanted to make sure that I did well for our members. I focused so much on making sure I didn’t make any mistakes, that I think my expressions were a little… [She laughs.] But with the members by my side, it became comfortable and fun.

Mimi: We have a strong team of girls here, and the company does its best to give us everything that we need. I think SYMPHONi can go far in the industry, and I look forward to growing as an idol group, but as well as close friends. I hold them dear to me.

Serah: You can expect to see many colors of myself. I don’t want to be known as just cute Serah, but attractive and cool Serah, too. I want to show all aspects of myself. "LADY" will start show a cooler side, so please look out for it. I want to be as cool as MIMI and EV unni. They're so powerful on stage; maybe I could be like that some day. I also have a hand in composing more, I hope our projects lead me to showcase even more writing talents. You’ll see WRITERSEO here soon enough!

One member, Mei, didn’t have any experience before SYMPHONi. However, she didn’t have any worries about debuting.

Mei: Truthfully, I am no longer nervous about debuting. While we were getting the EP ready and practicing the choreography I would get nervous, but after expressing my feelings to the members, they calmed my worries and I now feel confident to debut.

Mimi and Serah’s relationship is particularly special; they’ve followed each other loyally since their first encounter under Royal Crown, a now-defunct company.

Mimi: Serah and I have known each other for a while and we’ve been through a lot over the years, so this debut means a lot to both of us. Debuting is always exciting, but doing it with someone who is your best friend makes it more special and meaningful. I’ll never forget it.

Serah: Mimi is the love of my life, honestly. Everyone has that person that speaks to your soul, who is not a lover romantically but platonically. She supports me-- everything I've put out or written she's supported. When dealing with boys and family issues, Mimi has always been there. She's everything to me and I cherish her so much.

Mimi: Serah isn’t only like a sister to me, but one of my closest friends. I really value the friendship she gave me. Ever since I met her, she’s always been there for me and shown how supportive she can be. She’s like a cute little baby. I feel like I have to protect and love her endlessly.

Love is the central theme of “LADY”. When asked about the meaning of “Moon”, Mimi described it as a song that describes wanting to become closer to someone.

Mimi: “Moon” is a song about wanting to get to know someone on a deeper level, but part of them is always hidden from you despite your efforts of learning more about them.

The explanation led to a similar B-side called “Goodnight Like Yesterday”. Albeit slower in tempo, Jade described a different one-sided longing.

Jade: “Goodnight Like Yesterday” is the opposite of “Lady”. It’s about someone who laments a relationship that is on the verge of falling apart. The melody is light and bittersweet, reflecting the thoughts of the person who’s in denial of losing the person they love.

Who is SYMPHONi?

After their second performance, SYMPHONi took the opportunity to acquaint themselves with their fans by playing games and answering fan questions, including showcasing their individual charms.

EV: Gymnastics! I can do the splits, backflips, and a backbend.

Jade: Acrostic poems [using the letter of each word to create a line of poetry].

Mimi: I...can do cheeseburger aegyo!

Mei: Like EV unni, I’m very flexible. I can turn my hands around in a full circle.

Serah: I can play the guitar and make unnis fall for my charms!

When Mimi showed off her cheeseburger aegyo, the fans reacted positively. The members had different responses, much to the amusement of everyone else; the older members were embarrassed, while the younger members were supportive of Mimi’s aegyo.

The next question also showcased the girls’ creativity. A fan asked each member what they’d do if given a pencil and piece of paper.

EV: I’m not much of a writer, nor am I great at drawing, but my initial thought is that I’d write a letter to my parents. Since I’ve been training, it’s hard to see them or even call them, but I want them to know that I’m doing well and that I’m thinking of them.

Jade: It depends on how I’m feeling at that moment. I’ve really been into origami lately, so I might try and make something out of it; I’d use the pencil to add details once I finished.

Mimi: I would probably do some cute little doodles. If I don’t have anything to do, I just sit and draw what ever may come to mind.

Mei: Right now? Ah…I’d write notes to the fans that came here today, and I’d fold the paper into an airplane and throw it into the crowd. [She smiles and nods, making a heart with her hands.]

Serah: I would tear it nicely and write sweet notes to each of my members with cute little drawings! They deserve cute messages. I might even give one to my older sister and brother.

Next, the girls began to choose questions that were handwritten by the audience.

Q. Which member(s) do you feel the closest with and why?

EV: I feel protective over all of them, and I don’t say this to spare anyone’s feelings. I make a conscious effort to make sure everyone’s included in our activities. They bring out an instinct in me to make sure they’re happy and healthy, even if I don’t say it forwardly. I want to take care of them.

Q. If you could switch bodies with any member for a day, who would you choose and why?

Jade: My answer might seem a little unexpected, but… [She looks at Mimi.] I’d like to switch with Mimi. Mimi is known for being our vitamin in the group. She also has a lot of aegyo. Compared to her, I have neither the energy nor the ability to act cute, so I’d like to experience it for a day.

Q. You previously starred in a rap survival show, but were eliminated rather quickly. What were your thoughts and feelings as you prepared to be on the show, and how did you deal with the elimination?

Mimi: I was only eighteen when I was cast to join [a rap survival show]. I’d never really rapped prior to this, so I didn’t know a lot since I had only ever done it when I was alone. I thought if I tried hard enough, I’d be able to last a few rounds, but sadly I lost in the first round. It was rough. I felt so disappointed in myself for it and I was a little depressed after I went home. Since then, I think my rapping has improved greatly and I look forward to showing everyone what I can do.

Q. Your Korean is really good! Do you think your Korean is the best out of all the members? Who do you think has the hardest time with foreign languages?

Mei: [She smiles awkwardly at the compliment before collecting herself.] Coming from a foreign country while knowing only a little of the language, even after learning a lot, I don’t think my Korean could ever surpass the rest of the members. Sometimes in the dorm, I mix up my languages still-- it’s a steady process and I think once you start learning a different language, you never stop. I don’t think any of the members have a harder time with foreign languages; we’re all trying our best to learn for our foreign fans and there are all parts we struggle with, but we’re getting better each day. We hope our foreign fans watch out for us, we’ll make you proud!

Q. You’re very affectionate towards the members. Who receives the most and least affection from you?

Serah: I think it's pretty obvious Mimi unni receives the most love. She's had the most time to obtain it. It's been almost seven years since we've met; that's almost half my life. I see her as a big sister, so she gets a lot of love.

That's not saying I don't love on my other members. Mei unni receives lots of love because she's so pretty, cute, and talented. EV unni receives a lot of love because she's our beautiful leader who takes care of us; if I ever need anything, I can go to EV unni. I give her love afterwards. I can learn a lot from Jade unni-- I have already. She's so smart and gorgeous. I trust her a lot and love on her differently; I enjoy sitting and talking with her, and creating with her.

Each of the members receive love in their own way. I love all of my members and I hope you will too. They're so talented and precious...please treasure them like the jewels they are.

Their final question came from the MC, who asked the girls about their thoughts on their debut EP and how they participated in “LADY”.

EV: There were late nights where all of us would stay up and write tirelessly. This EP meant the world to us, and we wanted to pour our hearts out into it. I worked hardest on our song “Don't Text Me”. While I've never properly been in a relationship, I wrote my feelings into this song with the help of Jade. Yeah… [She chuckles.]

Jade: The theme in “LADY” was unique to me because I don’t have any experience with love. While I was writing with EV, I felt a little nervous about portraying these thoughts appropriately. I received encouragement and help from the people around me, so I think the song came out well. We [the members] really came together to showcase our colors.

Mimi: I was really excited! It was nice to know that after our hard work, we were finally making it happen. I think I cried when we were told we’d debut. I wrote my own raps for the EP with the help of not only my members, but the producer too.

Mei: Ah…our debut EP was already in production when I joined SYMPHONi, so there wasn’t much left for me to do. Our members worked really hard, and I’m very proud; I think it came out very well. I want to return the favor and make everyone proud with our performances!

Serah: It was very exciting, writing with my talented members. I remember back in Royal Crown, I couldn't write very well. Mimi and I experienced a lot before our EP release, writing music we enjoy and love with other talented women. It's a dream come true. I really hope our fans really enjoy our music and listen well. We put a lot of work and heart into this release!

After the interactive segment of the showcase, the SYMPHONi members introduced the last three songs of their EP: “LADY”, “Don’t Text Me”, and “Sweet and Easy”.

EV: Our title track, “LADY”, is a cool song about being with someone who doesn’t share your feelings anymore. Even if they don’t feel the same way about you, you still want them to tell you how they truly feel. The song has a retro, nostalgic vibe that makes you want to dance and sing along.

Mei: “Don’t Text Me” is about a relationship that has ended, and wanting to move on but the other person won’t let go. It expresses frustrated feelings, but does so with a sweet melody.

Serah: “Sweet and Easy” is a callout to longing for a loving and carefree relationship, something I hope to have when I age.

“We wouldn’t be here without your love and support.”

After their final performance, SYMPHONi spent the last thirty minutes of the showcase with the audience relaying their final thoughts and expressing gratitude to everyone who came to support them.

They also thanked their family and fans in four different languages-- Korean, Mandarin, Japanese, English-- and KSL, to the surprise of many.

EV: All of us have worked especially hard to be here today-- not just on this stage, but in our lives. We have everyone here and our families to thank. I’m very grateful for all the attention we’ve garnered in such a short time, and the amount of love our fans gave us without falter. I couldn’t be more thankful. I wish to bring you more great music in the future. Please continue to watch us.

Jade: “LADY” is not only our first EP, but our first work as SYMPHONi. Though we’re still lacking, we hope that you enjoy our songs and continue looking after us. I’m extremely thankful that I get to debut with five members who’ve become like family to me; let’s continue working hard and moving forward together.

Mimi: First, I’d like to say thank you to everyone who has helped not only myself, but my other members over the years. I’ve had a rough journey to become a member of SYMPHONi. I also have to prove my spot among these talented ladies. My family has always supported me and I want to make them proud. Thank you to everyone who joined us today.

Mei: I want to thank my family for encouraging me to travel all this way and continue my dreams. It helped me grow out of my shell more. My fans are so supportive...you're a pillar of strength for me, and I’ve found light and support in you all, including the members. I’m so happy to be a part of SYMPHONi, and wouldn’t be here if it weren’t for my friends, family, and fans. I hope you enjoy our first EP, and that you’ll watch out and be excited for more.

Serah: My whole family is here today, on and offstage. I'd like to thank everyone who helped me get this far. The road was hard and painful, and there were moments when I thought of giving up. I had a few heroes during those times. My big brother Jung-min supported me through my hardships and really believed in me. He supported me financially and emotionally through so much. [She starts to tear up.] Even now, he's here watching this showcase to support. I know now that wherever I go I have my own personal cheerleader and hero. Thank you for helping me get to this point. I hope all our fans, family, and friends enjoy this EP. We've worked so hard, look after us well. The music always speaks what the heart cannot.

Please continue to show love and support for SYMPHONi as they embark on their new journey!

#SYMPHONi_debut #ERA!LADY

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mandawrites · 6 years

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|| fandom: south park || || pairing: creek || || notes: hi i literally just wanted to write the boys being cute in the halloween store from the last ep. this is my bare minimum contribution to the witch tweek fad lol. ||

“Maybe we should just be Ninja Turtles…” Tweek mumbles, staring at the ground and wringing the handle of the broomstick between his fingers.

Craig’s hand darts out and covers one of Tweek’s, grabbing ahold of the broom beneath it and halting his fidgeting. The suddenness of it forces Tweek to blink up at him in surprise.

“No. That’s what Clyde wants us to be. You should be whatever you want.”

Craig glances sideways at the wall of hats, eyes scanning each one carefully until he settles on one beside him. He plucks it from its hook and uses both hands to plop it on over Tweek’s mess of hair, tugging it down firmly.

“There. Perfect fit.”

The wide brim of the hat nearly blinds Tweek. With the tips of his fingers that he gently prods it just the slightest bit higher out of his face. He seeks out the mirror he’d been staring at before, gazing back at himself. The hat was huge, black and with a tiny pumpkin adorning the band, so tall at the tip that it curled back down against the back of his head, at the end of which dangled a small yellow crescent moon charm. Under the brim, his hair fanned out like the mane of a lion.

Craig sidles closer behind him in the glass, staring at their reflections with his arms crossed.

“How is it.”

Tweek touches the edge of the brim lightly. He’d been a bit nervous about possibly looking stupid wearing this, but...well, he definitely didn’t hate what he was seeing.

“It’s nice.”

“Great, let’s get it.”

“Well…” At this, Tweek whirls around until he’s facing Craig. “What do you think?”

“Oh,” Craig scoffs, waving a hand dismissively. “Don’t ask me that. We don’t have that kind of time.”

Tweek frowns. “And what’s that supposed to mean?”

“It means...”

Craig reaches out a hand to flick the hat brim, revealing even more of Tweek’s face beneath it.

“...I could write Encyclopedic-length novels about how cute you look.”

Tweek, as he does every time Craig utters something this sweet in so straightforward a manner, feels like he wants to die. Like, in a good way, but also in the sort of way where he’s still not used to someone loving him so casually like that. Craig seems entirely aware of it, the look he’s giving him growing more affectionate if not a bit smug the longer it drags on. Tweek tightens his hands around the broom, resisting the urge to stomp his foot and protest angrily.

Instead, left with nothing else to say, he hastily changes the subject off himself.

“W-where’s your costume, then?”

“Right here.”

Craig uncrosses his arm to reach behind his back, pulling out the fuzzy black headband he’d apparently tucked in his pocket. As he begins twirling it casually around his index finger, Tweek can clearly see a pair of triangular ears sitting atop the band.

Then he slips it over his hat.

“Meow meow, bitch.”

Tweek stares at him, notably expressionless in a way that was a clear testament to the amount of time he spent around Craig.

“That’s it, huh.”

“You’re lucky I managed this much.”

To be fair, he had a point. Tweek wouldn’t have been the least bit surprised if Craig had instead settled on a piece of paper that said “cat” and affixed it to his chest.

“I didn’t think you liked cats enough to want to be one.”

“Well, it was this or pizza.” Craig stops in the middle of his thought as he gets distracted by the thing he just said, the faintest shade of excitement suddenly lighting up his eyes. “They have a whole aisle with nothing but food costumes. Babe.” He put both his hands on Tweek’s shoulders. “I could’ve been a fucking slice of pizza.”

That’s all he needed to say. Literally everyone was aware of how much Craig liked pizza more than pretty much anything.

“Okay,” Tweek laughs. “Then you should have.”

“Nah. It wouldn’t have matched yours.”

“I could change mine. I could be, like, a pizza chef.” Tweek pantomimes tugging on a curled mustache that he didn’t have. “Wear one of those big poofy hats.”

“Next year,” Craig promises, nodding. “I’m down to be a cat, though. Whatever you want. As long as people know I’m with you.”

Tweek smiles softly. “You really wanna do a couples costume, huh.”

“Yeah, of course. You’re, like...my boo, or whatever.”

The unexpectedness of him saying that causes Tweek to burst out in a laugh. Even Craig cracks a grin.

“That would’ve been funnier if you were going as a ghost. Can we redo this? Please change your costume.”

“Stupid,” Tweek mumbles through his snickering, gently pushing Craig’s arm. “And you say I’m cute.”

“Because you are.”

“Yeah, uh, not as cute as you.”

“Hey, do you wanna fucking fight?” Craig says with a scowl, pushing up his sleeve like he was ready to actually throw down. He makes it as far as putting a fist in Tweek’s face, which Tweek blinks at before knocking aside.

“Please don’t embarrass me in public. You and I both know I would destroy you. And have, for that matter.”

Craig stares at him a moment, struggling to maintain his tough guy demeanor, lasting all of three seconds before it melts away with a sigh. He drops his hands at his sides in defeat.

“I can’t even pretend to do this. You’re that fucking lovable.”

And before Tweek can say anything more Craig yanks down the brim of the hat until Tweek’s eyes are completely hidden beneath it. There’s yelps of surprise and protest before Craig swoops in and kisses him quickly on the mouth. Which just makes Tweek yell more.

“Oh, hey, we found you guys.”

“Told you, man, we just had to wait five seconds before Tweek started screaming somewhere in the store.”

Tweek manages to readjust the hat off his face just in time to witness Token and Clyde round the corner.

“Baby, look,” Craig says, elbowing Tweek. “Clyde’s an avocado.”

“An arr-vocado, dude,” Clyde says exasperatedly, pointing at his eyepatch and wiggling the wooden sword he had in his hand. “Like a pirate avocado. Come on, we went over this.”

“Sorry, yeah.” Craig turns to Tweek and gestures at Clyde again. “Whatever dumb thing he just said.”

“What are you supposed to be, Token?” Tweek asks, tilting his head at him. Token was currently sporting a pink Mario Kart car around his waist, a Ninja Turtle shell on his back, a Spider-Man mask over his face, and a Naruto headband on his forehead.

“I’m every obsession I’ve ever had since I was five years old.”

Tweek nods approvingly. “Original, I guess.”

“Hey, are you guys matching?” Clyde suddenly exclaims, getting a good look at the other two. “That’s fucking gross. You’re too cute.”

“But he’s cuter, right?” Craig says. “Have you seen the goddamn pumpkin on his hat.”

Tweek looks more than eager to resume this argument, his mouth opening in swift retaliation. He is instead interrupted by what sounds like a harmonizing chorus of synthesizers from somewhere outside the store.

The boys all stop and glance around listening before a familiar obnoxious high-pitched voice shrieks a greeting above the music. They all then stare at each other in a shared moment of regret for having left their homes that day.

“Is this...who I think it is,” Token asks, sounding about as tired as they all felt.

They all knew exactly whose voice that was.

“Yes, obviously,” Craig says, rolling his eyes. “It was dumb of us to think we were going to make it through this whole day without Kyle and that fucker ruining it.”

“Should we...” Clyde says with a shrug. “I dunno, go check it out?”

Craig really doesn’t want to, none of them want to, he’d rather just stay in here and kiss his witch boyfriend a thousand times until whatever was going on outside blew over.

He sighs.

“Let’s just pay and get this over with.”

#this is really not that big of a deal i LITERALLY just wanted to write them flirting #creek #/#//#///#////#south park #craig #tweek

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