#well-deserved acknowledgement

[gojosbf]

one day you wake up and realise how happy gojo was in his death and it fucks with your head so bad. he was content to have died doing what he believed was right, which was believing in his students and their capabilities. he seemed glad that he could finally join suguru in afterlife. the fact that suguru wasn't there to pat him on the back on his way out to battle saddened him, satoru's greatest regret was being left behind by suguru and he wanted to catch up as soon as he could, so he was satisfied with the fact that he did the most he could and that his job here was finally done. he was happy to be able to help even after his death.

gojo wanted to foster strong and intelligent allies who would change the jujutsu society for better, that was all he wished for and he made that happen. gojo died knowing he achieved his life goal, he died knowing it was okay for him to not be there anymore, that he could finally rest without worrying.

what i am trying to say is gojo satoru was probably more happier in his death than he would have ever been alive.

[c0nn0rsseur]

Can we take a moment to appreciate Bryan Dechart’s performance as Cyberlife Tower Connor aka Sixty and Sixty as a character? 🤌

Though Sixty and deviant Connor are physically identical (minus their demeanors, e.g. the way they stand and walk, like wow, Bryan, wow) and their voices technically aren’t different from each other, the distinction is still clearly there, at the same time it’s so nuanced too. Sixty sounds condescending, imperious and callous compared to deviant Connor whose voice is empathetic, curious and sincere. I’m not even talking about their lexicon, their choice of words here (there’s of course a difference too). Even when Sixty tries to convince Hank he’s the real Connor, you can hear how he’s failing to sound exactly like his counterpart because he can’t replicate deviant Connor’s voice and speech pattern just so. Sixty’s also being very commanding when trying to fool Hank into shooting the real Connor (Hank even gets irritated because of it). Damn that’s brilliant acting, all hats off to Bryan. His performance in this game never fails to impress me. (I wish there were dialogue for RK900 too, I would’ve loved to see Bryan’s take on his voice and presence.)

Also also I have to mention I love the take that Sixty really was a deviant all along too, an ”evil” version of Connor if you will; cold, calculating and even enjoying the situation he had Connor (and Hank) in. You know, doing all of it because he wanted to, because he liked it. Why else would he deliver a whole ass villain monologue before executing deviant Connor, gloating about how he knows what he is and that he is the obedient, favorite child, plus calling Connor a disappointment (and a disappointment to him especially, like how Connor should care in his final moments that Sixty despises him for not being a good little robot)? AND shooting him several times non-lethally before landing that final shot (if the story goes there), like savoring the situation. Of course he also has to ask if Connor has any last words too. That’s definitely not what an efficient machine would have done to make sure it accomplished its mission. In some outcomes his stalling costs him the victory.

Top that off with the ending where deviant Connor dies but the androids still wake up, Sixty is scared and emotional because he failed, scared to be deactivated because of his failure. Then there’s this scene where he shoots deviant Connor eleven times in front of his friend. After that Sixty takes in Hank’s reaction and even torments him by saying Connor’s death was his fault. Still doesn’t sound like a machine much, huh? More like a sadistic psychopath.

Man, I wish we could’ve seen more Sixty, it would’ve been chilling to see if he went full-on rogue, maybe being Markus’ right hand/attack dog on a leash in the violent revolution arc, maybe with his own agenda of taking Markus’ place and wanting to subjugate humanity. Or maybe deviant Connor could’ve persuaded him to their side by making Sixty to see he was nothing but a tool, unintentionally prompting him to seek revenge and to reduce Amanda and Cyberlife to atoms (not what Connor intended haha). There could’ve even been a redemption arc for him, like in a ”what’ve I done?” type way. You know, a bit of an internal moral struggle. And of course, our fave ”sack of shit” (as Hank so eloquently put it) demanding answers from his maker, Kamski, in a not-so, uh, conventional manner. Let them measure their respective arrogance and wit and see who comes out on top. Or would they team up?

Such a delicious character, so many delicious what-ifs.

[junotter]

All the jokes about Ken and horses are good but I just wanna say it's such a good parallel to how actual young men get swept into misogyny and the patriarchy.

Like they're told to believe it means men get to be cool and manly and have this power but with that comes extremely rigid commands of what they can be as a man and a cycle of self hatred for never matching those gender roles perfectly. Patriarchy tells men that if they just do exactly what is expected of them, then they get all the "cool stuff" that comes with. That doesn't work though when there's only a small group that actually gets that power, but men will keep trying to fit into those roles in hopes that they can.

In the end there are no horses or the myth men are told, it's just endless cycles of self hatred and ingroup fighting.

[palajae]

ik this is very late but since it’s suddenly popping up all over my feed again-

how many times does this man have to sing this for y’all to believe it’s his voice 😭😭

ni-kk finally gets to show off his high vocals and suddenly people don’t want to believe it’s him.

[lilithofpenandbook]

Seriously how can M*r*uders stans like random Slytherins (who tf are Evan Rosier, Pandora (is that Luna's mum and why tf is she Evan Rosier's twin in half of these), and I don't even want to discuss Regulus) and make them Actually Misunderstood Good People Who Were Forced Down That Path when at least one of them *coughreguluscough* was obsessed with Voldemort

And then turn around and make Snape an awful person?

[the-wayside]

Pavel made 3 efforts to beat the babygirl allegations and then started to lean into them.

[fromtheseventhhell]

Very funny to me how Stansas present her character as being so interesting and complex because of her vulnerabilities, while simultaneously ignoring those same vulnerabilities in other characters. Dany is sold as a bridal slave and lacks agency throughout AGOT and after. Her dragons are either too young/small to utilize effectively or locked away for the majority of the story. They aren't some all-powerful trump card that protects her from harm. Arya is captured as a prisoner of war, forced to watch countless people tortured and murdered, and then essentially enslaved in Harrenhal with no way to fight back. She has an entire arc of feeling powerless, of being a "mouse", during ACOK. She doesn't have "kung-fu" or the ability to magically fight her way out of every situation, she's a young child lacking physical strength with only the most basic sword training.

Sansa isn't the only female character, she isn't the only young character, she isn't the only character who suffered, and no one is obligated to prioritize her. I'm so tired of Dany and Arya being mischaracterized and having their stories erased to prop Sansa up. "Sansa has kept her dignity" In other words, let's praise her for having a level of security that Dany and Arya don't have access to. She hasn't ever been forced to make a hard decision which of course means that she's morally superior to them. They can't even admit to themselves that her lack of action is due to her own passivity. If it doesn't fit their delusion, they erase it from the story and expect the rest of us to play along. Ask one of them what they like about her character without bringing up her being the ultimate victim, and I genuinely don't believe they'd be able to give you an answer. They belittle other characters more than they talk about her and these takes just scream insecurity/jealousy at the content and development other characters have in their POVs.

[death-himself]

i’m not even in the mcyt fandom anymore but sometimes i’m reminded that tommy wrote ship fanfic of himself on wattpad and he who shan’t be named posted an important piece of his lore on ao3 and i regain a bit of my health bar

[luvingsolace]

Yall still up with this “it didn’t make sense for Nico to start dating Will immediately” bullshit ijbol😭 just say you don’t want to see Nico healing and getting better!

[zeravmeta]

we give garp a lot of (rightly deserved) shit but unironically like 90% of the criticisms towards him i see not only ignore the wider worldbuilding context of one piece but also don't acknowledge how sengoku is like the worst friend ever

[laniidae-passerine]

well while I’m sorry to hear we’re losing Millie Gibson at the end of this season I damn hope that RTD can treat Varada Sethu’s companion character better than he ever treated Martha

[engagemythrusters]

actually, you are no longer allowed to romance or play as Astarion in Baldur's Gate 3 until you acknowledge that sex workers are deserving of dignity, decency, rights, and respect.

[jabeur]

i wish we'd call transphobia what it is: transphobia more often and more comfortably tbh

[storywestistrash]

i am actually so tired of the way westerners treat eastern europeans

[piningpercussionist]

[lunamond]

The way trauma is handled (or not handled in many cases) is one of the most blatant examples of Sjm's bad writing. It never stops making me mad.

Each character's trauma conveniently bends around whatever her narrative currently needs, without any regard if it makes sense for said trauma to express itself like that at all, nor if it is consistent with prior characterisations.

Feyre only acts traumatised from Utm when it is convenient for the plot, that being leaving Tamlin and getting with Rhys. All her mental anguish and triggers mysteriously vanish during her stay in the Night Court (despite that place being filled with things that SHOULD trigger her ptsd).

The colour red? It's not an issue anymore. Wearing impractical dresses? As long as half her tits and ass are out, she is completely fine. Never mind that that was literally what she was forced to wear Utm.

This wasn't a real healing arc or a meaningful exploration of trauma and ptsd. This was just a convenient way for Sjm to tell the reader Tamlin=bad and Rhys=good.

She isn't really interested in exploring trauma no matter how often she centers her plot around it. That's why every character whose trauma might muddle her intended story gets ignored. This obviously includes characters like Nesta and Tamlin, but even her favs like Rhys suffer from this. Rhysand supposedly experienced 50 years of trauma, but we never see this actually be explored beyond a convenient pity party and some bad dreams. And both of these only get used to set up the next smut scenes instead of providing any new depth to his character.