#well-anchored

[daguerreotyping]

Carte de visite of a French naval officer with perfectly curled hair and a matinee idol face, c. 1860s

[lucabyte]

Hmmm just gonna spit this headcanon out in text post form since A. I don't think I could exposit it well enough in image form and B. It's not actually textually/thematically substantiated and I don't like actually staking my stuff on just vibes alone*

But anyway. I'd say it's pretty evident that all the islanders forgot their names, right? King obviously. Because why the hell else would he do that, but also Siffrin No Middle Names No Last Name.

They're 'pretty sure' they've 'always' been 'Just Siffrin' 'as long as they can remember'. It's a pretty cruel twist of the knife to say that they don't even get to keep their birth name as a memento, which is why I'm saying as such.

My utterly unsubstantiated claim is I think it'd be cute to say that Sisyphus *is* the name Siffrin initially picked, assuming the myth of King Sisyphus is recontextualised as idk, just a play or something in the setting. But I like the idea of Siffrin going 'oh shit 🫵 he's just like me fr' at a tortured fictional character long before the irony kicks in.

As for how Sisyphus -> Siffrin. I think that chronic mumbler and emotional doormat Sif just did not correct people who misheard the name during their time travelling, and went through enough places with incompatible phonologies (pronounceable sounds in the language) without ever really writing it down that it just got kinda. Changed until it was unrecognisable, and Siffrin just went with it until the earlier pronunciations slipped out of their swiss-cheese brain. And they just kinda don't remember any of that.

Also, something something the horrid realisation that Siffrin also named themselves after a King. Just not as blatantly.

*(though I think there's something here about Siffrin, a guy from a belief system that seems to thoroughly disincentivise autonomy and self-motivated choice continuously having their hand forced to make changes/choices they don't want but have no choice but to... It's not solid enough to really back this up tbh, but it informs it.)

Anyway.

[movie-robotnik-positivity]

To me Agent Stone represents that small shed of humanity Robotnik has left, the one he denies but can't seem to let go of. That irrational attachment and desire for companionship.

And I think Sonic 3 will put that humanity to the test.

[canisalbus]

I've had Ludovicas girlfriend on the brain for months and finally sketched her out. I see her as the opposite to machete in that she has dark colours and softer shapes. Her ears and facefur kinda blend together and she gets big soft browneyes..

.

[beastologist]

One other reason why I'm more inclined toward Buck & Tommy? They understand each other's line of work, but they are NOT working in the same firehouse. They WON'T be constantly attached to the hips all day at work and outside of work. Just like Hen, Bobby and Chimney do have their significant others outside the 118 firehouse, I would prefer for Buck to have a significant other outside the 118 firehouse, too. Remember how Hen basically said Buck doesn't have anyone outside the 118? That's a potential difference and improvement Tommy could make for Buck.

[adastra121]

Belated Vere birthday art…but it's drawn by my Hound OC, Alon.

Alon: Vere did a real bang up job with those birthday portraits, I reckon he deserves some nice art for himself, too. So for our favourite foxy's birthday, I drew him this! Ta-da! *presents to the others* Leander: Oh! :D ...Who is that? Alon: It's Vere! :D Leander: Oh. Ais: ... Ais: Why is his ass on fire? Alon: Wh—That’s his TAIL! D:< Mhin: Is he...strangling a fish? Alon: No! He's enjoying a nice glass— Mhin: Of fish? Alon: A nice glass of fish-free fruit tea! Kuras: I can't deny the demon horns suit his character, but I doubt he would appreciate that specific exercise in artistic liberty. Alon: Those are his ears! D: Kuras: ...Ah. Mhin: Then why does he have three of them? Alon: And that's a party hat—Y'know what? None of you appreciate art!

*later, presenting it to Vere*

Vere: Why is my ass on fire? Alon: That's—! *defeated sigh* 'Cause you've got a smoking hot ass.

The birthday drawing:

[drivebypainter]

Been stressed over finals! So as a break and as a way to calm myself I drew Shen Qingqiu (Jiu)!

[sketchy-tour]

I know hardly anything about Moral Orel (except for a couple small things from a friend who LOVES it)

But the guy you drew (Reverend Putty?) looks cool! I'd like to see more art of him, if you ever make it I mean

YOU DON'T GOTTA TELL ME TWICE-

You don't understand how much this stupid old man makes my brain buzz aaaaaaugh!!!!!! He's so stupid so silly so pathetic. This dang SHOW.

[turtleblogatlast]

I kinda love how the moment Leo got his dual wield katana back, he adapted so much more naturally to his teleportation abilities.

Not to say he didn’t come around with the odachi, but it was pretty clear that he struggled hard with the mystic properties of it, and I think that it’s partially because while the odachi itself is a portaling tool that seemingly most anyone can use, Leo’s innate mystic abilities call for something to work with him, not for him.

So it makes perfect sense why his katana, made from himself and more in line with how he naturally fights, finally allow him to seamlessly grasp his space warping abilities to the extent he can.

[pirateshelly]

The thing is that every other iwtv character makes me want to weep and wail and pull out my hair and write essays of character analysis whereas lestat mostly makes me want to clap my hands like a seal that just watched someone slip and fall on a banana peel

[mogwaei]

Solavellan hands my beloved ~wip~

[beaulesbian]

Shanks always said that if the path to what you want seems too easy, then you're on the wrong path.

[nikalibres]

wake up babe a new payneland song just dropped (it didn't I'm just unearthing old faves)

especially this part

it's so them!!!

[pixelatedraindrops]

Happy Birthday Yakou! 🚬💙🎉

The best roommate, mentor, boss, father figure and caretaker Yuma could ask for💕

I had to try to make something for him. I’ve grown to adore him almost as much as yuma as I kept putting them in various scenarios the past half year.

(its kinda for both of them since their birthdays are only a day apart from each-other??)

So yeah, birthday cuddles for them both~ 💜💙

[sapphicrow]

Re8 Characters as Crane Wives Songs!

Karl Heisenberg- Take Me To War

I think he would be this song because it’s very violent and argumentative, as he is. Also. The man literally is jam packed with the desire for a revolution and his design is heavily influenced by WWII elements. It’s a very simple connection, but suiting.

Donna Beneviento - Unraveling

I think this song reminds me of her not because I imagine her exactly as the serial romantic that the narrator of this tragic tale is, but because of the fact that she has dealt with a lot of loss in her life. Between the death of her family, then anyone she may have had in the village when Miranda ordered them to be massacred, as well as earlier her humanity. The idea of unraveling, or losing it per se, alludes to her characteristic mental illness. Shes off the rails, we love that for her, and so does this song. One of the main lyrics in the song is “But now my love is gone / and I am left unraveling” and I just feel that encompasses how she’s been abandoned to her dolls to wither out of sight. Also the song goes tailor, gardener, then carpenter and she is all of those things which I find to be a rather seemly match.

Salvatore Moreau - Nobody

Now, the artists themselves describe this as a queer tragedy, but I think I can yank it out of context a bit to fit the silly. Now, this song states over and over again how “nobody ever loved me like she tells me she does” and I feel that is a very manipulative statement. Moreau does not have much of a back story, but one of the original concepts for his character was that he was to have the woman he loved melded to his back in a somewhat perverse fashion where she would be forced to stay with him. This idea is encapsulated by the obsessive and toxic nature of the relationship this song portrays. If you really want to have a think about it, you could imagine it was the woman herself trying to justify Moreau’s actions to herself. However, I was thinking more along the route of how Miranda surely had to lead this poor fish on for him to be so devoted. I don’t mean romantically, but she most definitely was more involved to begin. Nobody ever loved him like she told him she does. That doesn’t mean she does, but it does illustrate how she taunted him with the idea of a mom, leading him to create this familial illusion in his twisted mind.

Alcina Dimitrescu- Tongues & Teeth

Now this one was a little tricky, I was torn between this one and The Wolf but I feel this one gives more of that cruel seductiveness we have come to associate with Lady Dimitrescu. This song is very blatant. “And when you come in quick to steal a kiss / my teeth will only cut your lips, my dear” I love to imagine our lady as a woman who relishes in her power, not one who is insecure in it. She will not shy away from her own strength, nor will she temper it for anybody. Tongues & Teeth tells it like it is- should you wish to be hers, you are going to get hurt. End of story. She’s going to hurt you. This is no accident, this is no fluke. She is violent in her very nature. But on the contrary to that, this is a warning. This gives you the courtesy to flee. I think she would want you to at least be willing to be broken by her in some capacity, which is why she would even say anything in the first place. Also. I think the song is a banger and I’d like to bang her.

Cassandra Dimitrescu- Show Your Fangs

Cassie is a huntress, a conclusion made among fans due to her final fight being fought within the Dimitrescu castle’s armory. She is strong and has a fierce playful energy to her, going as far as toying with Ethan with her lil “RAH!”s that admittedly did scare me a few times. I view this song as a sort of feminine war song. “I’m not your highness, a damsel left helpless by fright / I am a lioness, fierce as I walk through the night” Out of the three sisters, she is certainly the most combative. In addition to the obvious associations, I believe that the line stating that she is not your highness is a sort of jab at the title of countess. She wants nothing to do with that power. She is wild and bitey and feral. She is in no way a ‘proper’ lady. She refuses that idea outright and I mclove that for her.

Bela Dimitrescu- Steady, Steady

We all imagine Bela as the perfect, shining golden child of the Dimitrescus. She’s responsible, respectful, and just overall a polite little lady. But I think she’s more wild than that. The duality of this song orchestrates this view wonderfully. Sang in a slow, deep melody; “Steady, steady, you know when you’re ready.” This shows her prim side, I also like to imagine this as her mantra muttered between deep breaths as she goes to present her work to her mom. (She’s always well received, but she over thinks it a lot.)

And then the other side of this song goes in a more frantic, rambunctious tune; “I’m swimming in this dress like a child in her mothers clothes/ This ring around my fingers like a chain around my throat” and while I suppose the original intent was to allude to an unhappy marriage, I think we can point it towards the subtle resentment Bela holds towards her responsibilities and how she feels as though she’s not the right person for the job. Bela deals with a lot of impostor syndrome on this matter. I just think this song gives both sides of our dynamic blondie. (Alternatively for Bela, Hard Sell)

Daniela Dimitrescu- Icarus

Originally, Icarus was a tale of a young fool who got too close to the sun. It is also the tale of a boy who wanted Apollo BAD bad. Daniela feels very youthful and naive to me, she was locked up after all. I think that her mother acknowledged that she was desperate for outside interaction and that this was a threat to her, thus her seclusion in the library. However, in the end, her delusions of romance had her get just a bit too close to Ethan. “My love will fall with grace,” says the song. And so she did. She flew too close to the sun. Plus this song is super spunky and that gives Dani vibes.

Mother Miranda- Never Love An Anchor

Okay so. This song speaks of a shitty shitty relationship, one that’s maternal evidently. I believe this is symbolic of Mother Miranda’s connection with the lords. Heisenberg, who wound up in her control against his own will, shown respect solely for his success as a subject. Donna, demented and alone, was taken under her wing only for her to be defenseless when Ethan attacked. Alcina, mighty and beautiful, but weak and insecure in her own mind, left to yearn for her favor. Moreau, grotesque and ruined by Miranda’s hand, then allowed to spoil further as his desperate need for her love went unfed.

“Do you ever think of me and my two hands? And wonder why they never soothed your fevers? And wonder why they never tied your shoes? And wonder why they never held you gently? And wonder why they never had the chance to lose you?” On a separate note, I think this could be something Miranda thinks to herself as she fights for Eva. If her consciousness is trapped in the megamycete, it stands to reason that she is conscious in there. I wonder if Miranda ever worried if Eva could overhear the carnage she was causing for her. I wonder if she spoke to her, apologizing for not being a good enough mom. I wonder if the guilt would overwhelm her to the point she was crumpled on her lab’s floor, weeping against bare earth and mold, begging her to forgive her. Hm. Food for thought.

Bonus! Mirancina- The Moon Will Sing

[oyeixcher]

Every OyeiCher scene (41 ¦ ??) (feat. Yak)

C: "You okay, Yak?" Y: "Is doc here yet?" C: "I heard he's almost here. Take it easy." O: "You need to work on your concentration now, Yak. The match is about to begin. Focus on the match for now. Understand?" Y: "Yeah, I know. But... can I have a moment alone?"