#well these are webcomics that exist anyways

[rotationalsymmetry]

I know it tends to lead to more heat than light when people do a "ok disability though" counterpoint to these sorts of posts, but I do want to point out that this sort of thing is exactly one situation where it can help to zoom out and look at the issue from a societal rather than individual perspective.

I spent a fair bit of time on the internet before I got sick -- in college, when I was surrounded by people I mostly liked and lots of fun things to do, in the mountains when I was surrounded by natural beauty -- and somewhat more than I thought I should, but it was very much in balance. I'd spend a few hours reading webcomics when I thought I should have been doing my homework or NaNoWriMo or meditation or something, but I'd also go out and walk for a few hours, or go grocery shopping, or bake bread, or play "gay Life" (Life the board game but the pegs in front seat of your car can be the same color) with the Alliance kids, or do that homework I'd been putting off. I'd go on Facebook maybe a couple times a week to keep up with what my friends were doing and as far as social media went, that was it.

The times I've spent an out of balance amount of time on screen stuff, rather than a reasonable leisure amount of time that I felt guilty about because I've got an overdeveloped "work ethic", were when I was depressed and unemployed and socially isolated, and now when I have CFS and am unemployed and socially isolated. I can sit outside for a bit, but I take a while to get dressed because I'm sick and I can't do long walks like I used to because I'm sick and my ability to grocery shop or cook...anyways, you get the idea. Social contact too.

And part of that is my illness -- impairment. And part of that is living in a society where either you're working (or something like working, like going to school) or you may as well not exist, people do not make room for disabled people in society. I'd get out more if it was socially acceptable to walk around the block in my pajamas and a bath robe, but it's not and I don't; I'd get out more if I expected I could lie down on public benches without getting harassed by a cop, but I can't expect that so I don't.

We have a society. That is happy for people like me to spend all our time on electronics and none of it in meat space, because that's convenient and easy and good for capitalism, and who the fuck even cares about disabled people anyways.

(And thank goodness the internet exists, because how the fuck would I find people who know how to live with my illness without it? I'd do what people used to do and just be sick and have no clue what to do to manage my symptoms better. I'm substantially better off than I was at my worst due to activities related to looking at a screen.)

And sure, there's some wiggle room where I can make an effort to spend more time on idk coloring books or whatever and less on screen stuff, and I do, and I can reach out to people I know for calls and quiet at home visits where we talk or play board games but only for a couple hours at a time, and I do, but it would be so much fucking easier and better if I wasn't swimming fucking upstream about it.

There is an attitude that gets all over the place like spilled glitter that good health (physical or mental) is primarily about individual choices and is maybe even a reflection of personal character, and it just isn't, not with physical health and not with mental health either, personal choices aren't irrelevant but they're not doing the heavy lifting either and we could treat health as a COLLECTIVE, social concern, something that we do together and for each other and also something that is morally neutral on an individual level, something that happens to us more than the consequences of our choices.

And we could expect that some people can't be healthy (at least not with current medical knowledge) and need care and accommodation and that's not a personal failing and it's not something that anyone's going to be able to fix any time soon but sick people can have better or worse lives in a way that is not tied to better or worse health.

(Very. Much. Including. Depressed. People.)

unironically tho, you need to fill your life with nature and exercise and reading and crafting and cooking and physically engaging with the world around you. the key to happiness is not in your computer screen, especially not if most of your time is spent looking at bad opinions and arguing with people. it sounds so stupid but you are an animal that needs enrichment. so take your meds, go outside or at least look outside and turn off the computer and phone more often. I promise you'll feel better.

[deoidesign]

please please please please please please please let me tell you about this comic I want to make it so bad please I can not wait I am losing it

If I don't make the comic then I'm not going to make it... I need other people to see what is in my brain so I'm not the only one going feral over them

[amimuu]

What if Narinder was a scum villain or smt…. (AU THING!?!)

You can you up, no can no bb. If you are so insistent on the story being terrible, okay, go on and change it! Let’s see how this story’s biggest hater does in the shoes of the main villain.

SVSSS x COTL?!?!!? More likely than you think!!!! (Doodles under the cut!!

‼️Slight blood warning‼️ )

Hey….

*crowd actually cheers for once*

That’s weird. Who are you people.

*crowd stares at me confused*

Uh…Bing bong so my brain once more decided to torture me with visions (mixing one of my fave books with one of my favorite games—) so now this exists—

These weeks have been a LOT. I went into a stress induced creative block and right after went to French summer camp?! Writing this as I’m supposed to be asleep LMAO (dw I’ll be okay) but ANYWAYS!! What is this?!

Crossover duh—but to those who don’t know the plot—okay. Just imagine ???? is this guy who reads a webcomic. (Which is cult of the lamb! Let’s forget the game exists. It’s a webcomic in this universe ) So he hates it because it’s bad. Like. Bad. The protagonist is too powerful, there are a bajillion plot holes, too many love interests—and god, what is that world-building?! He detests it, so as soon as it’s done he leaves one last hate comment—

As he chokes on his food.

That doesn’t end well.

Anyways, waking up, ???? realizes he has transmigrated into said story…as Narinder, the main villain, hated by all, and with the worst ending of all the antagonistic characters. The why of this? Well, the story is so bad, surely even someone like him could take matters into—quite literally—his own hands. Plus, he’s got a game-like system that rewards him or punishes him depending on how well he does in “fixing” the plot…while also not being able to break character, at least for the first story arc. Oh dear.

And so Narinder’s adventure starts. Survive, improve the outcome for everyone and—seduce the protagonist…? Wait—no—that wasn’t part of the plan-!!

Anyways. I’ll talk more about this silly thing later…when I’m not falling asleep at least dkfnkdjfjejfj. Hopefully you enjoyed the ramble and the doodles. Until next time

[darqx]

Snakes on a post

Another particularly long answer dump since i, once again, have a backlog of things to potentially answer |D

❗️For commonly asked qs please see my BTD FAQ

Got jumpscared with my own old art for a hot minute there LAUGHS.

(For those wondering, the naga doodle from here was attached to the ask)

That is every other Royal that exists in the Nether and also at least some of the demons that challenged him for his Royal title lol.

Believe me, no one was or is more surprised then me XD;

So, the thing about where Rire's ichor manifests is that it kinda exists and doesn't exist at the same time. Meaning that his upper back is where the manifestation point is anchored, BUT it can still manifest with a bit of space in between it and his back hence why it will manifest over his clothes and not through them.

So if you touch where the manifestation point is sans the ichor, than you are just straight up touching his back. With the ichor, he still gets sensory input from the tentacles to his back but it's a lot more soft and muted esp the further away it gets from him. As you've seen implied though, he would feel a very sharp pain if a great deal of damage was done to the ichor where it clusters at the manifestation point, since he'd DEF be feeling that straight in his back lol.

He is definitely a top and the only way he would bottom for anybody is if they somehow forced him to.

Ah i knew i'd answered this a long time ago [finally found it]! Holy crosses (those that have been blessed) can also burn him but they would need to be in contact with him the entire time. Being a Royal he also has more of a tolerance to these than normal demons.

Well, unless said person actually has the undeniable ability to make good on their words, Rire would just stand there rather genially with that little smile he sometimes has and let them finish.

And then he might use them as reverse suggestions for dealing with said person (why would you give him any ideas!!?)

both

In BTD canon it is quite possible that they actually haven't in person. But we are using creative license here haha.

Rire heals a lot faster than a human. Cain is not my character so I don't know how his stacks up.

I've grouped these asks cos they kind of have similar answers - 360° (jk sorry sorry to the second q that is just a very common spelling mistake and I couldn't resist XD; )

Now, even though we mashed all the characs together in BTD, they all actually come from different storylines and so their canons outside the "BTD canon" may differ. This tends to bleed in. With this in mind:

The rules of Rire's canon (eg the concept of Battle Royales and how to become a Royal) don't apply to Cain. Anyway, they don't live in the same place either.

Cain is canonically the oldest and most OP character in BTD lol so yes he is stronger than Rire - you might've noticed, but Rire is never in the same drawing as Cain voluntarily. I play with this along with the "natural weakness" aspect - which I've also referred to as scissors-paper-rock rules XD Basically; demons beat humans, angels beat demons (purely because demons have weakness against holiness).

It would (be insane) but I hope you are not looking at me to fulfil this :d

Not really

His coronation day is a public holiday in his sector so yes XD

Aww thank you very much for your interest! ≧(´▽｀)≦ It's really cool that some of you guys want to actually fund such a thing - I'd have thought you'd have enough of him killing you in BTD1 XD Unfortunately, I have no plans for a Rire game at the moment as I'm working on a webcomic which looks like it will take up all my free time (that being said, he will be in the webcomic at some point).

Nope! Although i can kinda see why you might think that lol.

Whatever that one is where he doesn't particularly care what someone else identifies as. It really makes no difference to him or how he will act.

There are viruses in the Nether that if contracted could potentially kill you, yes. Part of being a Royal is becoming a lot more robust than normal Demons though. As for if/when Rire dies, I dunno maybe either in a Battle Royale somewhere thousands of years down the line or by old age (which is rare for a Royal but not impossible if you play your cards right).

If you are asking if he has a heat/rut of some sort, he does not |D

[unsoundedcomic]

I want to say I've been reading Unsounded since Chapter 2 was in the early pages. And I love how you've always balanced it so well.

There's gore and cruelty and horrible things, and there is also a respect in how you depict it all. I can't think of many stories that can show a flayed, disemboweled person, a child too, that wouldn't just go all out in the gore anywhere they can. Anyone who's been reading know you don't shy away from it, but you know there's a time and place for how much and I believe you walk that delicate line so well.

Unsounded is my favourite webcomic, and one of my favourite stories out there. It is a bittersweet sadness to know the first part is nearing its end at last, but I want to Thank you for so many years of wonderful updates!

Thank you so much for sticking around so long, Anon! Unsounded is only reaching its conclusion because of YOU, and readers like you. I couldn't do three pages of comic every week if I didn't have Patreon support, and the readers who have provided that should really feel they have a stake in the existence of the story. They could not be more directly responsible for the existence of a piece of art than this. It's A+B=C here.

I think the balance in Unsounded's edgier content is motivated by the fact I'm making something I myself would want to read. When I was a kid, I was always so disappointed when media didn't go far enough, but also turned off when it went too far. I think a lot of us want real stakes and real violence, but not to the point it becomes so ugly that it's not fun to read anymore. We want our empathy engaged but not our disgust. And you're right, that's a delicate line.

Anyway, thank you for the kind words :) I hope to keep entertaining you, and engaging your empathy for a while longer, haha <3

[flightyalrighty]

Crazy to me that people follow you for a horror comic then get upset with you when it’s a horror comic.

Killing children in horror is a well regarded theme in horror. It’s not “wow it’s so cool when kids die” but the fact that the story addresses vulnerability and the narrative purpose that serves. Like I can vaguely understand why people would be so shocked to see a well beloved character die, but y’all signed up for that when reading a HORROR comic.

Anyways as someone who is just starting to get into making horror comics I deeply deeply admire your work here. You’ve been doing an amazing job at building suspense especially with traditional webcomic style of page-by-page release. Keep it up, I hope you are having as much fun making this story as it’s been to read :D

Thanks so much for this ask, and for reading Infested! I'm wishing you, as well, absolute best of luck and much glee in the creation of your own horror comics! It's one heckavuh ride, making comics, that's for sure, but even if not every part of the process appeals to you, the end result will always be worth it. Longer stuff ahead.

As one person in the Infested Discord pointed out, I can't understand people (there have been three so far) griping about Tails being killed for the narrative when Maria, who is also very much a child who was murdered for the narrative, exists in a game that isn't labeled "horror."

Do these same people have a problem with that? Do they angrily write to Sonic Team about it, claiming the E10+ rating for "mild cartoon violence" was not enough of a warning? Or do they let that slide because Maria's death is integral to the story of Sonic Adventure 2, and to Shadow's character arc. As if Tails's death doesn't fill a similarly important role in Infested.

I seem to not be allowed a bit of trust that I know what I'm doing by killing Tails. It's treated like a mistake. That last person called it a "plot hole" (???), sharing a similar sentiment with someone else on Twitter that felt that Tails was simply too smart to die. Whatever that means. Never once do these folks consider that it is IMMENSELY important for this story that Tails dies, and does so in the way that he does. I can't simply change who dies, because who dies is deeply important to the soul of Infested. To the point of it. It, and it's sequel.

Yes, Tails's death is just as important to the sequel.

The story isn't over yet, and the means in which that event played out haven't been revealed. As many obnoxious people have already said many times before me; Patience is a virtue.

[dedalvs]

Hi! Hope you're doing well. I was reading a fantasy webcomic with some Deaf characters and was wondering: what adjustments to the language creation processes would a conlanger have to make for creating a sign language? Thanks!

The short answer is relatively few. Sign languages are languages and do all the same things with a different phonology. So long as you understand the phonology of a sign language you can create a sign language.

The long answer is here. That's a thing I wrote up called SLIPA (Sign Language IPA). Due to the fact that the potential for iconicity with gesture is greater than with sound there's a lot more onomatopoeia in a sign language than in a spoken language. To explicate, onomatopoeia in spoken language is a word that imitates the sound of the referent (splash, crash, plunk, boing). In a sign language, it's a sign that imitates the look of the referent (ASL TREE, for example). Since it's possible to be more iconic, sign languages take advantage of that fact. Consequently, you don't find sign languages that DON'T take advantage of it and are purely abstract. There are also things that are hard or impractical in a spoken language that are simple in a sign language simply due to the medium (e.g. full number incorporation in the ASL words for WEEK and MONTH). Finally, there are a lot of "on the fly" verbs that are created that have no obvious analog in a spoken language. It's something like the sentential words of a polysynthetic language combined with imitative sounds in a spoken language to describe a body in motion.

In other words, because there are things you can do in a sign language simply due to the medium that you can't do in a spoken language, sign languages often do those things. It would be strange (i.e. non-human) if they didn't. If you're aiming to create a secret sign language, perhaps you intentionally don't take advantage of those things. It's possible to create a purely abstract sign language, but it would be a fairly obvious construct the way Ithkuil is very obviously not a plausible human language (i.e. it could never have evolved naturally to be the way it is). This might be a fun thing to do for a fictional setting—a totally non-iconic sign language created for secret communication. This is, essentially, what I did with the Atreides sign language in Dune (as opposed to the other sign language I created for the first film that wasn't used). Even that one, though, takes advantage of iconicity in a way that a truly abstract sign language need not. This is because part of the secrecy of the language is the way it's used. Others aren't even supposed to see it—and if they do, they're supposed to dismiss it as hand twitches. You could make an obvious sign language (i.e. it's obvious these characters are signing to each other) but with really, really weird associations—like pointing to your interlocutor means "sky", where eveyrone looking on will think it means "you".

Anyway, just some thoughts. This is an underexplored area of conlanging, but due to the simplicity of video creation and sharing nowadays, it's something that's worth exploring. Back in 2006 when I wrote up SLIPA it wasn't practical to take videos and upload them. It was possible, certainly—we had high speed internet and websites—but we didn't have smartphones, I don't think YouTube existed yet, most frontend UI didn't have video embedding as a feature of its platform, etc. We were lightyears ahead of the internet as we understood it in the 90s, so 2006 would be much more familiar to the people of 2024 than the people of 1994, but smartphones and social media (and its infrastructure) really changed the nature of capturing and sharing video. Conlangers have taken advantage of that in every way EXCEPT creating, documenting, and sharing CSLs (created sign languages).

Like (I don't want to go off on a tangent here) you can have an entire YouTube account that is just a dictionary. ASL already does this. Go on YouTube and type "ASL sign for [whatever]". There are tons of videos that are like 10-15 seconds long that are just demonstrations of a single sign from different angles, all made by Deaf signers. And the videos don't need sound! You don't have to worry about audio quality, microphones, etc. You can actually use YouTube to document an entire sign language. No one's done it yet. Why not?

Anyway, those are my thoughts. Hope this helps.

[doctorwhoisadhd]

i’ve been seeing ur blaseball posts for a while now and i have to say i have No earthly idea what it is. is it a webcomic? a band?? a sport??? pls give me a crash course on this seemingly cool thing

well shes dead forever unfortunately (riv) BUT blaseball was an absurdist baseball sim that u watched in ur browser, basically like if fantasy football was simultaneously massively multiplayer AND an ARG and also completely fucking insane. it was the best because it ran at all hours of the day and was so so fucking insane and spawned a LOT of memes and fanworks especially art and music! one of the best fan communities for fan music that has maybe ever existed if not The best. ur experience of it was largely filtered thru the team u followed (mine was the hawaiʻi fridays)

here are some blaseball sites for u

blaseball roundups from the youtube, i would recommend starting here itll give u the cliff notes And the vibe. these were done in character, the anchor is a guy who exists in the blaseball universe, also later on they started to be Plot

sibr faq <- this will probably be more helpful but do the roundups first because itll throw u into the lore (and while im at it heres sibr aka the society for internet blaseball research but most of that will. probably be unintelligible. when stuff makes no sense consult the wiki. or ask a fan)

the wiki, where u can read about history and the players and teams and such

BEFORE <- this is where you can still to this day watch old games!!! i love u so much before thank you sibr for allowing me to relive the beautiful game that we are all love (sobbing crying throwing up)

the garages bandcamp <- by far the largest of the fan bands (though there was also the park park rangers and the hades tigers and the los angeli juxebox) there is so much music on here. the majority of it was made in the span of like a year and a half. i got music on there! i recommend starting with away games or blattle of the blands or reunion tour or one of the world tours, they have the widest variety of vibes and will help u learn about most of the teams (im not biased <- guy who has a couple songs in there)

theres also sites like reblase and blaseball-reference and such but those are just catalogues of old data i wouldnt think youd want to trawl thru those as much. theyre probably accessible via sibr anyway

also frankly just ask fans to tell you stories, go in the tag on here and just go in random peoples inboxes. youll pull up some fantastic stuff that way. blaseball was so active and alive and changing and no two people had the exact same experience of it. and god there will always be stories. we will always be telling stories

rest in violence blaseball. i will always love you and i will always miss you and it will never stop

[rockybloo]

With it nearing the end of the year, I feel like it's a good time to just have some real talk about why I create art.

At some point during in high school, during those years where you are pressured to figure out what you want to do when you grow up and what you want to major in when you go to college, I had wanted to go to art school after high school. I decided against it ultimately because I just didn't see a true appeal for me. I started to realize that I enjoyed my art so much more when I didn't have the pressure on me to create something for a fancy final product. Yeah, I could go but then I'd have to change aspects of myself I didn't really want to change but had to because that's what the world says I gotta do if I want to be a good artist.

And that's the thing I sort of hate the most about being able to create anything. You have to be good. Otherwise you are wasting your time. You aren't allowed to just make stuff for fun and for a hobby - you have to constantly be striving for improvement at a pace others have set for you. You can't just have it as a hobby. If you make art then it's expected that you make good art.

You're not allowed to be satisfied with being mediocre.

I've been actively posting my art online since I opened a Deviantart account way back in middle school. I'm 26, on my way to becoming 27. And as someone who has spent a solid decade online, I feel more certain than ever that I am a hobby artist. Having a fulltime job DEFINIATELY has helped me come to that conclusion but even before, I knew I liked to draw for fun. I don't like to stress about what I am sharing to cyberspace, I like just having this digital archive of stuff I've made and stories I've written.

I call myself a self indulgent artist because I'm incredibly selfish draw things I want and write stories I'd enjoy.

That's not to say I don't care that people enjoy my work and feel represented at times. I love it when people share how happy they feel when they see my OCs and read my stories. I'm happy I can fulfill some niches for people. Honestly, it'll always be crazy to me when I make something so damn specific that I wanna see and share it just for some other people to get excited. There are benefits to having a public digital archive your art and reactions people may have are one of them.

But ultimately I don't create to make others happy. If I did focus my art on just doing that, I promise you that my online presence and art would look DRASTICALLY different.

I share my stuff online because it's a whole lot easier to archive all my art as well as being able to share my stuff with the world and occasionally make some friends. Posting my art shows I was alive so MAYBE JUST MAYBE I will not be watered down when recalled in memories and people will always know I was insane about my OCs.

I'm pretty satisfied with be a mid artist. My finished work makes me happy, and what I care about is managing to create something of the fellas that reside in my head because seeing my OCs makes me happy...AND I'M THE ONLY SOURCE OF CONTENT FOR THEM SO I GOTTA COOK MY OWN FOOD AND EAT IT TOO--

ANYWAYS I am in no rush to level myself up. I'm 27 and human lifespans are pretty long. Even though it's slow and subtle, I have def been making improvements in my work...but mainly because there are aspects about my OCs that I occasionally realize I am struggling with and pull a "Do it for her" as I work on what I am having a hard time with. SURE they might not be improvements others would like to see but they are improvements that make me happy. And I am excited to see how my art develops over my existence on this planet.

.

.

.

...I am also excited to see if my black ass can finish any of my webcomics before I die. I KNOW I CAN DEF FINISH ONE OF 'EM I JUST DUNNO WHICH ONE IT'S GONNA BE! IT'S A RACE TO SEE WHO MAKES IT TO THE FINISH LINE BEFORE I KEEL OVER

[mishacakes]

how do you connect to your character? like how do get to know them so well? how do you pick out their likes, dislikes, habits and those itty bitty bits about them? I've been struggling to do that for sooo many of my ocs, and i'm also at a lost of how to design them. like i once had a clear idea of what kind of character they are, but i wanted to change them a bit, make them a little better, and i feel like I've lost that character and that character i'm working on doesn't exists, no matter how much i loved them and enjoyed writing an drawing them. this has happened with every single character i made and it just makes me think that i may not be cut out for drawing or writing characters. i look up to you so i thought of asking you for help

sry for the long rant idk wat im doing

HELLO HELLO THANK YOU FOR ASKING!! So basically I took this question and turned it into a 1.6k word essay on writing characters and how I like to do it, so, uh, hope you enjoy!! and hope it helps!

OK!! character writing. How do you do it? or, well, how do I do it. I’ve got a few methods that help me out the most and are the most fun for me to think about. Here’s my big secret, if it’s not fun I don’t do it. I’m not here to do homework I’m waaayyyy out of school. I’m a legal adult. I pay my taxes. I’m not gonna do something that doesn’t give my brain the good fun juice. Anyways. My methods are: symbols, archetypes, and character inspiration. I use all these to figure out the CORE of a character, their very beating heart, and most importantly, what haunts them. Everything about a character, in my opinion, comes from this core and their ghost. Their habits, their fears, their joys, their coping mechanisms. So long as you have a clear grasp on their heart, you won’t go astray. Let’s dive into it! The characters I’m going to be using to describe how I use these methods are Alice and others characters from my webcomic—namely Edith, Hatter, and Rougina—and Tomiko (you know her you love her, catgirl supreme).

Symbols! I love using symbols, they’re something that can describe a character through metaphor, even without going into detail about their whole backstory and habits. Tomiko’s symbols are lanterns (specifically light), cats, ghosts/yokai, shapeshifting, and gold. They all work to further her character as a rough around the edges monster cat with a heart of gold, who uses shapeshifting as a method (both literally and metaphorically) to mold herself into what others need her to be. Alice’s symbols are hearts, eyes, and flesh in general. Try picking one general symbol (the ocean, the forest, the city), and see how specific you can get from there. Or pick a god or goddess that resonates with your character and see what symbols are used for them. Rougina (the antagonist in my webcomic) is a war goddess fallen from grace, and is symbolized with land and volcanoes, so I’ve used volcanic plants to evoke her. Personally I also love going through the tarot for symbols, assigning a tarot card to characters (of the major arcana) is a fun exercise. Which leads us nicely into our next method:

Archetypes! The tarot deck’s Major Arcana is pretty much only archetypes. The Empress as the Mother. The Magician as the Wise Mentor. The Tower as The Worst Thing That Could Possibly Happen Oh Jesus Shit. These can help a lot with who your character is. I’m extremely storytelling oriented, so it helps me knowing What Role a character serves in the story they inhabit. Another thing I love in archetypes in the Zodiac. Yes, I am an astrology bitch. The whole reason I love talking about my methods is my Sag rising, I love giving my wisdoms. But astrology can be used for writing, and not just for excusing and not reflecting on shit behavior (can’t help being a gemini!). The zodiac is FILLED WITH ARCHETYPES!!! From elements to how they function! The four elements (you A:TLA bitches know this), and three modalities. If you’re interested please watch Eugene’s Rank King video, it’s very informative on the signs. Also many symbols! For example, Alice is a Taurus—May 4, Alice Liddell’s birthday—so she’s pretty stubborn while also loving creature comforts. Tomiko’s birthday is August 23, making her a Virgo, so she likes being precise in her work. More archetypes you can look for are DnD classes! I love using that to design costumes. One of Edith’s recent costumes is very wizard inspired, since that’s the class I see her having as she’s very studious and driven. Heck, all of Alice and the Nightmare is derived from the character archetypes of the Alice in Wonderland characters! Rougina is specifically the Red Queen, NOT the Queen of Hearts!! The confusion started with the 1951 Disney animated movie when the two characters were merged!! Lewis Carroll himself said the two were different! The Queen of Hearts is an “embodiment of ungovernable passion” and the Red Queen is “the concentrated essence of all governesses”!! GOD!!! Tim Burton meet me in the fucking pit you’ll pay for your alice crimes. anyways.

Archetypes help a lot in costumes too, figuring out what kind of fashion they’d like to wear. You can start broad and get more specific with it (like going from a wizard type character to a wizard character with steampunk themes). Fashion is just an extent of character. What are they comfy in? Are they confident in their body? What colors do they like? Bright high fashion or simple dark sweaters? Ryoko Kui is a master of character design I HIGHLY HIGHLY recommend checking out her work.

Another method I like using, specifically for Alice and the Nightmare characters, is what I call the “three trait method”. When I was in middle school we did a production of Alice in Wonderland (I was the White Knight), and too many girls auditioned for Alice. So the director’s solution was to split the character into three parts, and assigning each part to an actor. Her temper, her intelligence, and her innocence, all used in different scenes. Now I use that to think about my own Alice character, except with “polite, temper, and curious”. Edith’s keywords are “nervous, tactical, and intelligent”. Hatter’s are “kind, enthusiastic, and intuitive”. Using keywords can help figure out how they’d react in a situation, what side of them would shine the brightest. Hatter’s want to help everyone is his kindness, but overstepping his bounds can be attributed to his enthusiasm. Edith can know what path to take in a pinch, but her nervousness can freeze her in place. Reading the source material helps a lot with Alice characters too, which brings us to our final point:

Character inspiration!! The art of taking things you like and shoving them into your own characters and stories. DISCLAIMER THO!!! If you take things without really EXAMINING what about them you like, WHY you like them, and how you’d like to evoke that same love in the things you make, the interpretations can come off as shallow. (for more on this subject, watch HBomberguy’s RWBY video essay, specifically the section on “anime homework”)

Tomiko’s biggest inspirations are Izutsumi from Dungeon Meshi, April Ludgate from Parks and Rec, Power and Reze from Chainsawman, San from Princess Mononoke, and Mei from LMK. It’s a good cocktail of aloof, biting, vicious, weird, fierce, loving, and bright. Figuring out what I love about the characters and what I want to write in a character like that helps a lot in writing Tomiko. It’s also really fun in a sense for screenshot redraws and memes.

Music is also a HUUUUUUGE source of inspiration for me, I love making playlists. And even as playlists can change as characters grow and change, having a couple of core songs still helps me ground to that character’s center. For Tomiko it’s “Make Them Gold” by CHVRCHES, and “Nice Girl” by Ashnikko. Alice’s is “Headlock” by Imogen Heap and “Demons” by Hayley Kiyoko, Edith’s is “Warrior” by Kimbra, and Hatter’s is “Dementia” by Owl City.

Ok, we’ve gotten though symbols, archetypes, and made a couple of banger playlists. Next is something that can help write your character, the Big Lie. The thing that keeps them up at night. Their biggest fear, their ghost, what haunts them. What’s holding them back from their goals? What do they need to overcome? That can be as central to their theme as any symbolism. For Tomiko it’s the lie that her emotions don’t matter, only what she can do to be of service to her mother. Her arc is about overcoming her dismissing her own emotions and learning to not run away from the people who she truly cares for. Alice dismisses the literal ghost that is haunting her believing that that will let her have a normal life. Edith pushes down abilities that come naturally to her for fear that she’ll be exiled, not just from society, but the world. Rougina believes she must burden the world’s problems on her own shoulders with no one’s help. The outer character and the inner ghost can reflect, mirror, and inform each other.

Now, listen, sometimes characters are hard to get to know! Tomiko was lol. Quinn was for a looong time. And in times like this, I just, let them be. I listen to some music to get inspired, and let them tell me about themselves when they feel like it. And they will, it just take a little while. And a few dozen quick exploration drawings. But they come through. Also, try not to get bogged down with habits and little details of their character, keep their core in mind, what their heart is. Start broad and get specific. That way, if you feel like you’ve lost your way or the character feels different to you, recenter yourself at their heart and go from there. Or, if you find that their center no longer fits, don’t be afraid to change it! Characters are meant to be fun! First and foremost!! I make characters cause I like writing and storytelling, and drawing little comic for fun and me time. Sometimes characters stick around, sometimes they fall by the wayside. You really have to find what sparks joy, and chase your bliss!

So as long as you have your character’s essence in your hands, and you WANT to keep working on them and drawing them, there’s really no wrong way to go. This whole essay I’ve given is just a set of tools that works for ME, and I HIGHLY encourage you to find stuff that works for you! I really really hope that all this has made sense and isn’t just the ramblings of a madman. Good luck and happy charactering!!

[niuniente]

I love DHD! I'm so glad someone I follow randomly reblogged one of your updates one day because from the moment I read it I was seriously hooked. The plot and characters actually grabbed me the way few other webcomics have. And even when the updates aren't necessarily plot heavy, I'm still so invested in what's going on. I just love witnessing all these little episodes in Alrick's life. I also love learning about the different factions and the way this society is run, it's so dark and corrupt but not in a way that makes it seem like it only exists for shock value. The characters are all great and I enjoy seeing them interact- especially the female characters, like Rena, Miranda, and Pearl. It's rare to see such strong and independent women who have flaws and aren't just emotionless blank slates or window dressing for the main male character to save. I love them all and I want to see more of them, even if it's just for their sick outfits! Also, I HAVE to know what Kahamet is planning! Don't ever give up, I'm obsessed!

Aaa thank you so kindly for your words! I'm especially happy to see that I have managed to convey the few things that I have actually planned to be present in DHD to my readers.

First, I don't like the current culture where every single episode or update needs to be plot heavy. We need fillers, moments when there are no heavy stakes. Moments, which are maybe just for social interactions, for a breather or just for silliness. This does include to character build so they are not useless. Also, if there's constantly very heavy plot and high stakes they become mundane and boring. We need pauses at times to enjoy faster paces. Music does this really well! Certain structures exist for a reason.

I didn't want to make a dark story of corrupt, scheming and shock value because while I like such stories, there are already plenty of them out there. My approach was similar to Sun-Ken Rock comic, where the main character Ken leads South-Korea's biggest mafia and is literally above all laws. He can do anything he wants, he can get anything he wants, there are no rules for Ken. He is strong physically, too. But, Ken always chooses to use his resources for kindness and help, and lives very modesty in a small room with no window and drives a very old car. You can't tell he is a mafia boss in anyway. He's not interested in running the mafia but is stuck with the job and uses it for something good.

I overall like the trope of "It's not what you think it is, it is not what it seems to be". I try to balance Alrick with Grimm but even Grimm has a softer side because he is a good boss and a good husband.

I think it's important to me to draw things in a way that even the most horrible person is someone's most loved one.

For women, I want to treat them just as humans. They get to be women and sexy, just like men get to be men and sexy in DHD. A female body is only a human body and not a sexy trope, tits and ass or legs on a woman do not make her a walking sexy ham to bite on but she's just carrying around a body that is hers. Not to mention there's nothing wrong with sexy or being sexy (Bayonetta and Jessica Rabbit are good examples).

I want my women and men to be sexy in a way like how art and music was sexy in the 80's and 90's. American purity culture can't strangle the whole Western side of the globe. I won't accept it.

I'm certain my native culture and sauna culture affects this and how my women are.

[coquettedragoon]

could you expand a little on your writing and worldbuilding process for coquette? the way you write characters is really nice

my writing process is kind of informed by a sense of wanting every part of the thing i'm working on to be fun to work on, which sounds obvious... but well im one of those people who made webcomics excited to get to the big story payoffs 5 years down the track but didn't put any thought into what came before it and got burnt out. in the past i would've shown xios life before enlistment as a slow burn but instead i'm just opening right on it.

the overarching structure of coquette is informed by hxh... i really like how each arc of it is a drastically different setting and genre with a rotating primary cast, i don't intend for coquette to be as varied but it struck me as a really fun way of making longform work that feels consistently enjoyable to work on... ig as a brief example, the first section will focus on the zephyranthes, after this xio and co are sent to fight in sunset as part of the lilac occupation and then are left behind after the lilac force retreats (careful what you wish for ayane...) and Stuff Happens, ig what i mean is i dont want to linger on a status quo for too long.

as for the world, i mostly am drawing from legend of the galactic heroes/gundam 79 as a template. the duchy is the empire/zeon, the lilac is the FPA/earth federation, and sunset is fezzan/side six.

for the lilac in particular, i'm kind of drawing from like... how things felt being in school during the iraq war and the fervor among the students around me, i knew so many people who wanted to enlist after graduation etc and saw the army as like a winning ticket compared to the deadend town we were in, like girls wanting to join the army to get a degree as a lawyer or a pilot etc. the core of the lilac is its a society that exists to funnel people (especially like xio) into the army.

the duchy is a bit more vibes based, i just like when the baddies in scifi are anachronistic aristocrats. theres a section in the gundam origin manga about like... interpreting the zeon invasion of earth as a return to 'the sacred grounds of the soul' that carries a lot of weight. i think it sort of gave me an impression of the zeon as like... people living in the void of space and feeling spiritually/intellectually starved by it and driven mad by it, and i kind of used that as my basis for the duchy. they are obsessed with tradition and antiquity to feel like they have a sense of place in the world and aren't just drifting in space, the aesthetic sense is rooted in a sense of like.. older feeling things are more connected to earth and feel more 'human' to them. then ofc like the imperialism and arranged marriages and social stratification are all 'old' and can't be questioned so they are miserable anyway.

i guess it's all based on the thing in LOGH of how it opens on 'no human or society is immortal', and then depicts the slow collapse of the two nations founded on flimsy ideas. the lilac and the duchy are both dead end nations.

as for character writing... i think i kind of just take archetypes i like from moe anime etc and then try and dig into how their brains work living in the world of coquette. xio could be a happy little moeblob in most other worlds. ryukishis writing is probably what informs me better than anything else... i just want to try and depict what it's like to live inside these characters heads.

[megabondlocalfan]

God I hate it when people say that Magical Girls are too dark nowadays. Like, c'mon magical girls have been dark since the dawn of the genre.

You guys want an anime like Sailor Moon again and yet fail to realize that Sailor Moon itself is dark as fuck. Literally in the first finale of the show, all the Sailor guardians fucking die. Sure they're brought back to life but still.

Also, I get the hate towards the Madoka copycats. I get it. But most of these copycats aren't copycats. Daybreak Illusion, Yuki Yuna is a Hero, and Magical Girl Raising Project are all there stories. Except Magical Girl Site I guess.

Also Princess Tutu, Fresh Precure, and Heartcatch Precure are all pretty dark before Madoka Magica came to be. (Although Heartcatch was the inspiration for Madoka Magica)

You want more light hearted magical girls? Well, you won't get much because in every magical girl show you will get something dark. Even in western shows. For example, Lolirock, the main villian has probably killed multiple people during his reign. This includes Talia's and possibly Iris's parents.

Even the most light hearted of shows aren't safe from this. Except Magical Angel Creamy Mami. I haven't made it so far to the anime so it's probably a cute title.

Anyways, if you want a more cute magical girl story, then maybe make one your own. Do a webcomic, a small short series, or even just make OCs based on the ideas.

Why am I even ranting about this? Well, I remember seeing a post that says that Hirogaru Sky Precure was already (and I'm exaggerating a bit here) dead to them because of spoilers. Let's just say that the season was already getting into dark territory by that point.

I'm not going to name who that was (because I forgot) but dark Precure seasons already exist. The aforementioned Fresh and Heartcatch Pretty Cure are all considered the darkest seasons of Precure and they were successful. Especially Fresh, since that season basically saved the whole franchise.

Dark magical girl series are here to stay. They have been around for quite around now and they won't stop anytime soon. The only magical girl series that I want to see made fun of is Magical Girl Site. Anyways that's it. It's just a little rant I have about the magical girl fanbase.

I should do the same thing for the Vocaloid fanbase too because holy hell I hate the gatekeeping in that fandom.

[genericpuff]

someone responded to me on reddit with their own theory as to what's going on with the eisners so i'm gonna share it here because it's worth reading 🍵

like there's definitely the aspect of it being a Webtoons Originals at play as well, I obviously can't feasibly prove that WT's is paying out the Eisners for their wins and that's not an accusation I wanna be throwing around willy-nilly, but the brand affiliation alone almost definitely factors into it all (and it definitely doesn't help the Eisners seem legit when they keep awarding the same comic 3 years in a row).

There was also a comment I found in the /r/comicbooks sub from the perspective of a former judge-

Considering how much work it would take to properly read the entirety of the nominees - as most webcomics are long-form and will require starting from scratch - I wouldn't be shocked at all if the win came down to "well we know this one won last year, and it has 6 million subscribers, so yeah, that one". Again, I don't want to accuse the judges or the organization of anything, but I do think at best the results of the judging are going to be affected if not outright stunted by the process itself.

All that said, it doesn't take a genius to look at how LO has fared over the last three years and understand that even from a purely objective point of view, nothing about the comic stacks up against the other nominees. It's dumb af because I'm seeing some people arguing "well there were only FOUR other nominees, which one do YOU think should win? you don't read those other four comics?? well then OBVIOUSLY LO deserves the win!" because... no? That's not how that works? It's such a strawman argument to justify defaulting the win to LO just because people on IG might not have ever read a comic like Matchmaker or Asturias before. Just because the people complaining about the LO win might not be familiar with the other nominees doesn't mean those nominees aren't bringing more to the table than LO. Which a lot of them very much are. Shit, Evan Dahm alone has been creating comics online since like the mid 2000's (??) he's an incredibly prolific creator with a lot of successful works under his belt, but apparently LO should get the win anyways... because LO's readers have never read 3rd Voice before? Come on. This is like that time when TOOL beat out Taylor Swift in their album release sales and a bunch of Swifties were upset because they had no idea who TOOL was, meanwhile all the dedicated middle aged dads were over the moon to finally see some recognition for a classic band that absolutely 100% deserved the spotlight after going so long without a new album. Swift has more than enough victories under her belt, she'll live lmao

At best this was definitely the "retired athlete on their way out" win, as a pal so gracefully put it-

And really, that last sentence really does get across the essence of LO in a nutshell - it's celebrated for being a story that never really existed to anyone who never actually looked closer. A lot of the things that the comic is praised for is often made up by an audience of people projecting their headcanon into what they were reading, because without it the comic had nothing to say. LO has to be good, because that's what they were told from day one, because if it wasn't good it certainly wouldn't be advertised this much or winning all these awards or getting all these merch opportunities or getting all this 'jealous' hate... right?

[comicaurora]

Hey! So I have a trope question

Something I’ve noticed since I was little is a that a lot of media with a trio had the same make up of two boys and one girl, is this a trope or just some weird thing that just happens by random odds?

I think it's a little bit more broad and nebulous than a trope, although it does have a TVTropes page. It's not random odds, it's storytelling trends.

For a number of reasons, the majority of protagonist POV characters are guys. Starting from this premise, if you want to make sure your protagonist always has somebody to play off of so they aren't engaging with the story in complete isolation, you give them at least one character to hang out with. This minimum one character can have all kinds of traits (mentor, scoundrel, battle butler), but if you as a writer are taking the easy, normal approach, you will give this protagonist a friendly buddy/rival to team up and squabble with (and this buddy will also be a guy, because again, this theoretical writer is taking the easy approach to character dynamics), and as a second thought you will probably give our hero a theoretical love interest girl for him to pine after so you can (a) write/draw a Hot Lady as much as you want and (b) get Hero Boy to cover a broader range of emotional situations within the comfort of his friend group. Thus you have rederived the trope of Two Guys And A Girl, congratulations on your moderately successful mid-2000s gaming webcomic.

As the story continues you might realize Girl Who Exists So Protagonist Can Remember Girls Exist is not actually an appealing love interest for him, so you'll probably pair off Girl with Second Guy and leave Hero Boy to pursue other romantic avenues. Second Guy is liable to be rather more interesting anyway, since he's going to be a Lancer to the hero's Leader-ness and serve as his primary foil, meaning he has a little more personality and frankly a lot more romantic tension with the lead. In fact, if you want to be really lazy about it, you can take these three characters and snap them into a love triangle with absolutely no extra work on your part, and that's an infinite drama generator at no cost to you.

You might take a slightly different approach if you, the writer, are a lady writing a lady-centric romantic story, in which case Girl is liable to be the POV character while her buds Hero Boy and Rival Boy take turns having romantic subplot adventures with her. In these narrative structures you don't want to add another girl to the inner circle, because the presence of a Romantic Rival (which seems to be the only purpose Other Girls serve in these stories) would spoil the center-of-the-universe romantic fantasy, so your hands are tied and we're back to Two-Guys-And-A-Girl again. You might add a supportive girl best friend when it gets adapted for netflix though - she can pair off with whichever boy loses at no additional cost.

What we're seeing here is Easy Mode Storytelling. This is what happens when a writer takes the extremely well-traveled road and lets their wheels slide into the well-worn tracks and follow where they may. It's not good or bad, it's just easy. It's a story we can recite in our sleep. This particular character arrangement occurs with unusual frequency because there are a number of factors that make it easy, and when you take a broad approach, the easy approach will be statistically favored.

This triple arrangement can obviously be genderflipped - Hero Girl with her friends Rival Girl and Love Interest Boy - but this is less common just by the numbers, because in the space of fiction there are more Hero Boys than Hero Girls. All-boy and all-girl trios also happen, but because most people are straight, most writers will see this as depriving themselves of all the exciting romantic tension they could get from having One Token Character to be romantically viewed and pursued. Additional characters can be added to the group, leading to Four-Temperament Ensembles and Five-Man Bands, but broadly this three-person arrangement is the smallest possible Ensemble Cast unit a writer can easily construct.

[ddemons-bblog]

Demonology, worlbuilding and Helluva boss thought again; As someone who is well versed in both; here's some thoughts.

It makes no sense to make bee a fox if she's gonna be the creator of Hellhounds. Also I don't mind her being canid as Beelzebub isn't originally a fly (he's a demonized pagan bull god) but like as I say, most hellhounds don't resemble foxes. Just her. And alone her. All others resemble Wolves or dogs. Maybe make her an African Wild Dog with 3 heads since in Dante's Inferno Cerberus guards the gates of Gluttony. And hell, since Lucifer is the only "sin" with a child, make Naberius her son and Cerberus her husband since Naberius from the Goetia has origins as Cerberus.

Also on the note of the Goetia, Stolas is only under Paymon in one book. And only 10 other demons along with him. It kinda makes no sense to just say "oh Paimon fathered 72 demons" when Paimon only rules above 10 demons, and is a Eastern demon. Other demons in the Book of Oberon like Egin, Oriens, and Amaymon rule under 10 as well. So the whole "Paimon fathers 72" is innaccurate and BS.

Also I'm not technically allowed to share this but I will anyway, but Stolas has origins as a travel god as seen in the Livre Des Esperitz. He gives the conjurer a HORSE. He literally could have been written as a horse lover to akin Blitzo and they bond over it or the horse can be used for travelling to Earth, but NOPE. We get the Grimoire, which isn't even like a real grimoire, which lists properties of herbs, astrology stuff, spells, crystal properties, and moon phases. It's just a travel book. The CLOSEST we got to a real grimoire was the Asmodean Crystals book.

But, rambling aside, I believe viv did more research on Asmodeus and Stolas than most other demons.

☆ Mammon's animal in mythos is a Bird, in many cases a vulture or a crow.

☆Lucifer was a Cherub, not a Seraphim, and the fruit eaten was more akin to grapes.

☆The Alps demons have more to do with sleep than Baphomet, as they cause nightmares. And Belphegor has NOTHING to do with Baphomet. In fact, Satan and Lucifer are more akin to them. Baphomet in esotericism (unless its wicca) has no gender and often times, we see them as a nonbinary queer god.

☆ Vassago is appeared as an angel in the Book Oberon. So his "Pirate Parrot" themes are inaccurate.

☆Andrealphus actually appears female in earlier grimoire appearances. And she has nothing to do with snow or ice.

•Also in Luciferianism, we believe the fruit granted forbidden knowledge, not free-will. We think Lucifer got kicked out of heaven not for wanting to be with Lilith, but for standing up for his freedom and refusing to submit. I really wish instead of him talking down on sinners, that he embraced them, just as he fell for them.

Also, as I am not a Christian due to trauma, I still respect the historical aspect of the religion, here's my talking points on it in Hazbin:

• Saint peter Did in fact exist, in fact Christians own and have reclaimed the Upside down cross, which is linked to him. Why did they not use that in his imagery? Why is he blonde haired and blue eyed and pale? He's Jewish!

• If viv is gonna critique Christianity, she has to find a better way to do it than just make a big bunch of the sinners irredemable. Make the people in hell not deserve to be there, (Val DEFINATELY deserves to be there) or like I did in my webcomic, just erase the concept of eternal damnation entirely if it can't be done right.