#well that's just neat

[phantomarine]

bottom of the Webtoon front page is still the Webtoon front page 🤣

and it's a Hidden Gem on Mobile!!

[sailor-moon-moon]

Happy Amok Time Day, friendly reminder that Theodore Sturgeon, the writer of the episode, is credited with the first positive portrayal of homosexuality in science fiction with his short story The World Well Lost (1953), 14 years before Amok Time aired. Which could mean nothing.

[lotus-pear]

charm stat at debonair ‼️‼️

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[bellwethers]

Her.

[ink-the-artist]

house tour :)

bonus art, lossy versions of the first 2 gifs

[smallsinger5901]

the thing about Light is that he thinks the average person’s reaction to just about anything is to be completely unfazed. He genuinely thinks that having any sort of reaction (shock, joy, sadness, anger) to crazy news is suspicious and that a normal person would never have a reason to be surprised by anything

which is EXACTLY what makes L 10000x more suspicious of him

[anothersuperstition]

my chemical romance albums but make them (a24(ish)) film posters

[jakeperalta]

interpret lover/hater however you wish, but this is about general attitude, not regarding a specific topic!

[wigglebox]

💚

[caast0rr]

Good evening freaks

[ew-selfish-art]

Dp x dc AU - If the Internation Space Station orbits the Earth 16 times a day, then so does the Watchtower.

Danny’s on track to move out of his parent’s house and move to Gotham for college (He swears that Sam bribed the board to let him in- and she wasn’t even going to that university!) but the dorms don’t open for another three days and he cannot wait to escape. Seeing his parents try to perfect yet another weapon to use against him while he changed out the ecto filters on the portal was too much. He’s completely over the idea of staying when he already has everything packed and ready to go.

The solution? Take all his boxes into his haunt in the Ghost Zone, leave them there and then spend some time in camping in space. He’s already explored the Infinite Realms enough to be bored of it for a minute (not to mention he wants to avoid getting more ‘favors’ to do from Clockwork) and hell, he just wants to see some stars.

He grabs his tent, a sleeping bag and all the food and things he could need and brings it into the atmosphere with him. Keeping it all tethered to him, Danny stays in a fixed position above Gotham (Cause that’s where he’s going next, duh) and treats himself to some quality Me-time.

Only problem is that several times a day he has to make himself intangible while he lets satellites and things pass through. Easy enough and honestly pretty interesting to observe as a wannabe engineering student.

He doesn’t know when exactly it happened the first time- but it turns out the Heroes of Earth all congregated in a satelite office building? It was bigger than the ISS! What the heck!?

Going intangible but not invisible, the JL spot Danny and are incredibly confused how an ‘Alien’ teen just happens to appear in their meeting rooms disappearing at the rate (slowly but surely) of the Watchtower moving through space. Was that camping gear? How was he roasting a marshmallow? Did propane camping stoves even work in space??

16 times a day they get the opportunity to ask Danny a few questions. He mostly ignores them or gives them joke answers. Eventually Martian Manhunter phases through the Watchtower to join him.

They talk about how hard transition periods in life can be and having strained relationships with family. J’ohn returns to the watchtower on its next cycle and reports that the kid is just fine, being an adult is just a hard thing to do.

[poorly-drawn-mdzs]

hope you feel better soon!

I am riddled with ailments, but I stay silly!

[swampybogg]

[phoenixcatch7]

Okay but it's super interesting how

Din = Power = Ganondorf

Naryu = Wisdom = Zelda

Farore = Courage = Link.

Because Din, in the hylian creation myth, created the physical world. Naryu then created the laws - gravity, time, etc. And Farore finally created life - plants and people.

Din created the body, naryu the mind, Farore the soul.

And the triforce and its wielders so perfectly reflect that.

Ganon is physical power, he is big and intimidating and he breaks things. He is cunning and determined, but that's not what he focuses on. He is might makes right.

Zelda is wisdom and cleverness. She is stall tactics and information and team work. She is a powerful mage with a spine of steel, but that's not how she'll win. She is the pen being mightier than the sword.

Link is courage and persistence. He is the wild card sneaking behind enemy ranks, always moving, plunging into terrifying situations head first. He's a phenomenal fighter with a keen wit, but that's not what will get him through his challenges. He is bravery not being the absence of fear but the triumph over it.

They sit in perfect parallels to each other.

And ganon is reborn through his body - his resurrection is immortality. No matter how low he is cast, as long as he has a body he can claw his way back. He can cling to his power, build it ever higher.

Zelda is reborn through the magic of her bloodline. It's the accumulated knowledge handed down for generations, the unique power she must master, the skills she must develop to survive and get her kingdom out the other side intact. Even her name, the knowledge of herself, is handed down from all the way from the very first. Her ancestors knowledge of her future presence, her stability, is what gives her the edge.

Link is reborn in spirit. He is not bound by flesh or blood. Just like his wanderlust soul he can reappear in any time or place. His variation, his unpredictability, is exactly how he fights. It's what makes him so hard to pin down.

Ganons need to build strength means he can't chase after link. Links impulsiveness means zelda can outwit him. Zeldas stationary predictability means she's an easy target for ganon.

But the other direction?

Fire melts ice, ice redirects lightning, lightning burns fire.

And that's the very essence of the triforce.

[mayhaps-a-blog]

Something about how few of the conflicts in Dead Boy Detectives are solved by violence. Something about how the few times it is, it's presented as weird, wrong, extreme. Something about Jenny and her cleavers, Charles and his cricket bat, Crystal and the knife.

The first fight, against the WW1 ghost, Charles has a knife - an iron knife, that would hurt the ghost. And even when he's pinned down, all he goes for is the mask - even when he could use it to get the ghost off of him.

And Esther? Sure, they try - Charles with his knife, Edwin with his fists. And fail immediately, instantly. It's Crystal who holds her back, with her memories - it's Esther who swings around her cane, just because she can.

Charles throws a pot at a zombie, and breaks the magic vessel. Charles tries to hit Brandon Devlin, and gets trapped. They can't kill Angie, just put her to sleep. Jenny runs from Maxine - despite being tough, and strong, she hides rather than attacks. The Night Nurse hits Angie, but is only freed when Kashi asks, instead. Crystal punches Esther, but Tooth Face isn't defeated until she frees him. Charles throws a bomb at the demon, but it's still coming - they win by running, not by fighting. Jenny brings a cleaver to a demon fight, but instead is possessed, her weapons turned against her. And in the end? Esther isn't defeated by fighting her, by Crystal stealing her knife or her power - she's defeated when her power is broken, by Crystal crying out for justice.

The most violent scene, from the protagonists, is when Charles attacks the Night Nurse. It's brutal, it's violent, and it's wrong. The others are left staring, shocked, at a loss. It's extreme, Edwin says. It was a lot, Crystal says. And you know what? It didn't work. It inconvenienced her, sure - but she came right back, once she was free.

What does work? The good they did coming back around. Kindness, friendship, reaching out to others - that's what keeps them winning.