#well technically this is the right day

[ricky-mortis]

Hatchetfield @femslashfortnight Day 1: Make It Sapphic AU

[jet-teeth]

A bit late, but I hope that those who celebrate Halloween had a good time! Have some goofy goobers

(I sure had fun, it's the first time I hadn't celebrated that one alone in...many years, I don't think I want to count LOL) It's been over a decade since I carved any pumpkins too, so that was fun to do again! Ofc I had to attempt a Creature hehe

[eyrieofsynapses]

why Aurora's art is genius

It's break for me, and I've been meaning to sit down and read the Aurora webcomic (https://comicaurora.com/, @comicaurora on Tumblr) for quite a bit. So I did that over the last few days.

And… y'know. I can't actually say "I should've read this earlier," because otherwise I would've been up at 2:30-3am when I had responsibilities in the morning and I couldn't have properly enjoyed it, but. Holy shit guys THIS COMIC.

I intended to just do a generalized "hello this is all the things I love about this story," and I wrote a paragraph or two about art style. …and then another. And another. And I realized I needed to actually reference things so I would stop being too vague. I was reading the comic on my tablet or phone, because I wanted to stay curled up in my chair, but I type at a big monitor and so I saw more details… aaaaaand it turned into its own giant-ass post.

SO. Enjoy a few thousand words of me nerding out about this insanely cool art style and how fucking gorgeous this comic is? (There are screenshots, I promise it isn't just a wall of text.) In my defense, I just spent two semesters in graphic design classes focusing on the Adobe Suite, so… I get to be a nerd about pretty things…???

All positive feedback btw! No downers here. <3

---

I cannot emphasize enough how much I love the beautiful, simple stylistic method of drawing characters and figures. It is absolutely stunning and effortless and utterly graceful—it is so hard to capture the sheer beauty and fluidity of the human form in such a fashion. Even a simple outline of a character feels dynamic! It's gorgeous!

Though I do have a love-hate relationship with this, because my artistic side looks at that lovely simplicity, goes "I CAN DO THAT!" and then I sit down and go to the paper and realize that no, in fact, I cannot do that yet, because that simplicity is born of a hell of a lot of practice and understanding of bodies and actually is really hard to do. It's a very developed style that only looks simple because the artist knows what they're doing. The human body is hard to pull off, and this comic does so beautifully and makes it look effortless.

Also: line weight line weight line weight. It's especially important in simplified shapes and figures like this, and hoo boy is it used excellently. It's especially apparent the newer the pages get—I love watching that improvement over time—but with simpler figures and lines, you get nice light lines to emphasize both smaller details, like in the draping of clothing and the curls of hair—which, hello, yes—and thicker lines to emphasize bigger and more important details and silhouettes. It's the sort of thing that's essential to most illustrations, but I wanted to make a note of it because it's so vital to this art style.

THE USE OF LAYER BLENDING MODES OH MY GODS. (...uhhh, apologies to the people who don't know what that means, it's a digital art program thing? This article explains it for beginners.)

Bear with me, I just finished my second Photoshop course, I spent months and months working on projects with this shit so I see the genius use of Screen and/or its siblings (of which there are many—if I say "Screen" here, assume I mean the entire umbrella of Screen blending modes and possibly Overlay) and go nuts, but seriously it's so clever and also fucking gorgeous:

Firstly: the use of screened-on sound effect words over an action? A "CRACK" written over a branch and then put on Screen in glowy green so that it's subtle enough that it doesn't disrupt the visual flow, but still sticks out enough to make itself heard? Little "scritches" that are transparent where they're laid on without outlines to emphasize the sound without disrupting the underlying image? FUCK YES. I haven't seen this done literally anywhere else—granted, I haven't read a massive amount of comics, but I've read enough—and it is so clever and I adore it. Examples:

Secondly: The beautiful lighting effects. The curling leaves, all the magic, the various glowing eyes, the fog, the way it's all so vividly colored but doesn't burn your eyeballs out—a balance that's way harder to achieve than you'd think—and the soft glows around them, eeeee it's so pretty so pretty SO PRETTY. Not sure if some of these are Outer/Inner Glow/Shadow layer effects or if it's entirely hand-drawn, but major kudos either way; I can see the beautiful use of blending modes and I SALUTE YOUR GENIUS.

I keep looking at some of this stuff and go "is that a layer effect or is it done by hand?" Because you can make some similar things with the Satin layer effect in Photoshop (I don't know if other programs have this? I'm gonna have to find out since I won't have access to PS for much longer ;-;) that resembles some of the swirly inner bits on some of the lit effects, but I'm not sure if it is that or not. Or you could mask over textures? There's... many ways to do it.

If done by hand: oh my gods the patience, how. If done with layer effects: really clever work that knows how to stop said effects from looking wonky, because ugh those things get temperamental. If done with a layer of texture that's been masked over: very, very good masking work. No matter the method, pretty shimmers and swirly bits inside the bigger pretty swirls!

Next: The way color contrast is used! I will never be over the glowy green-on-black Primordial Life vibes when Alinua gets dropped into that… unconscious space?? with Life, for example, and the sharp contrast of vines and crack and branches and leaves against pitch black is just visually stunning. The way the roots sink into the ground and the three-dimensional sensation of it is particularly badass here:

Friggin. How does this imply depth like that. HOW. IT'S SO FREAKING COOL.

A huge point here is also color language and use! Everybody has their own particular shade, generally matching their eyes, magic, and personality, and I adore how this is used to make it clear who's talking or who's doing an action. That was especially apparent to me with Dainix and Falst in the caves—their colors are both fairly warm, but quite distinct, and I love how this clarifies who's doing what in panels with a lot of action from both of them. There is a particular bit that stuck out to me, so I dug up the panels (see this page and the following one https://comicaurora.com/aurora/1-20-30/):

(Gods it looks even prettier now that I put it against a plain background. Also, appreciation to Falst for managing a bridal-carry midair, damn.)

The way that their colors MERGE here! And the immense attention to detail in doing so—Dainix is higher up than Falst is in the first panel, so Dainix's orange fades into Falst's orange at the base. The next panel has gold up top and orange on bottom; we can't really tell in that panel where each of them are, but that's carried over to the next panel—

—where we now see that Falst's position is raised above Dainix's due to the way he's carrying him. (Points for continuity!) And, of course, we see the little "huffs" flowing from orange to yellow over their heads (where Dainix's head is higher than Falst's) to merge the sound of their breathing, which is absurdly clever because it emphasizes to the viewer how we hear two sets of huffing overlaying each other, not one. Absolutely brilliant.

(A few other notes of appreciation to that panel: beautiful glows around them, the sparks, the jagged silhouette of the spider legs, the lovely colors that have no right to make the area around a spider corpse that pretty, the excellent texturing on the cave walls plus perspective, the way Falst's movements imply Dainix's hefty weight, the natural posing of the characters, their on-point expressions that convey exactly how fuckin terrifying everything is right now, the slight glows to their eyes, and also they're just handsome boys <3)

Next up: Rain!!!! So well done! It's subtle enough that it never ever disrupts the impact of the focal point, but evident enough you can tell! And more importantly: THE MIST OFF THE CHARACTERS. Rain does this irl, it has that little vapor that comes off you and makes that little misty effect that plays with lighting, it's so cool-looking and here it's used to such pretty effect!

One of the panel captions says something about it blurring out all the injuries on the characters but like THAT AIN'T TOO BIG OF A PROBLEM when it gets across the environmental vibes, and also that'd be how it would look in real life too so like… outside viewer's angle is the same as the characters', mostly? my point is: that's the environment!!! that's the vibes, that's the feel! It gets it across and it does so in the most pretty way possible!

And another thing re: rain, the use of it to establish perspective, particularly in panels like this—

—where we can tell we're looking down at Tynan due to the perspective on the rain and where it's pointing. Excellent. (Also, kudos for looking down and emphasizing how Tynan's losing his advantage—lovely use of visual storytelling.)

Additionally, the misting here:

We see it most heavily in the leftmost panel, where it's quite foggy as you would expect in a rainstorm, especially in an environment with a lot of heat, but it's also lightly powdered on in the following two panels and tends to follow light sources, which makes complete sense given how light bounces off particles in the air.

A major point of strength in these too is a thorough understanding of lighting, like rim lighting, the various hues and shades, and an intricate understanding of how light bounces off surfaces even when they're in shadow (we'll see a faint glow in spots where characters are half in shadow, but that's how it would work in real life, because of how light bounces around).

Bringing some of these points together: the fluidity of the lines in magic, and the way simple glowing lines are used to emphasize motion and the magic itself, is deeply clever. I'm basically pulling at random from panels and there's definitely even better examples, but here's one (see this page https://comicaurora.com/aurora/1-16-33/):

First panel, listed in numbers because these build on each other:

The tension of the lines in Tess's magic here. This works on a couple levels: first, the way she's holding her fists, as if she's pulling a rope taut.

The way there's one primary line, emphasizing the rope feeling, accompanied by smaller ones.

The additional lines starbursting around her hands, to indicate the energy crackling in her hands and how she's doing a good bit more than just holding it. (That combined with the fists suggests some tension to the magic, too.) Also the variations in brightness, a feature you'll find in actual lightning. :D Additional kudos for how the lightning sparks and breaks off the metal of the sword.

A handful of miscellaneous notes on the second panel:

The reflection of the flames in Erin's typically dark blue eyes (which bears a remarkable resemblance to Dainix, incidentally—almost a thematic sort of parallel given Erin's using the same magic Dainix specializes in?)

The flowing of fabric in the wind and associated variation in the lineart

The way Erin's tattoos interact with the fire he's pulling to his hand

The way the rain overlays some of the fainter areas of fire (attention! to! detail! hell yeah!)

I could go on. I won't because this is a lot of writing already.

Third panel gets paragraphs, not bullets:

Erin's giant-ass "FWOOM" of fire there, and the way the outline of the word is puffy-edged and gradated to feel almost three-dimensional, plus once again using Screen or a variation on it so that the stars show up in the background. All this against that stunning plume of fire, which ripples and sparks so gorgeously, and the ending "om" of the onomatopoeia is emphasized incredibly brightly against that, adding to the punch of it and making the plume feel even brighter.

Also, once again, rain helping establish perspective, especially in how it's very angular in the left side of the panel and then slowly becomes more like a point to the right to indicate it's falling directly down on the viewer. Add in the bright, beautiful glow effects, fainter but no less important black lines beneath them to emphasize the sky and smoke and the like, and the stunningly beautiful lighting and gradated glows surrounding Erin plus the lightning jagging up at him from below, and you get one hell of an impactful panel right there. (And there is definitely more in there I could break down, this is just a lot already.)

And in general: The colors in this? Incredible. The blues and purples and oranges and golds compliment so well, and it's all so rich.

Like, seriously, just throughout the whole comic, the use of gradients, blending modes, color balance and hues, all the things, all the things, it makes for the most beautiful effects and glows and such a rich environment. There's a very distinct style to this comic in its simplified backgrounds (which I recognize are done partly because it's way easier and also backgrounds are so time-consuming dear gods but lemme say this) and vivid, smoothly drawn characters; the simplicity lets them come to the front and gives room for those beautiful, richly saturated focal points, letting the stylized designs of the magic and characters shine. The use of distinct silhouettes is insanely good. Honestly, complex backgrounds might run the risk of making everything too visually busy in this case. It's just, augh, so GORGEOUS.

Another bit, take a look at this page (https://comicaurora.com/aurora/1-15-28/):

It's not quite as evident here as it is in the next page, but this one does some other fun things so I'm grabbing it. Points:

Once again, using different colors to represent different character actions. The "WHAM" of Kendal hitting the ground is caused by Dainix's force, so it's orange (and kudos for doubling the word over to add a shake effect). But we see blue layered underneath, which could be an environmental choice, but might also be because it's Kendal, whose color is blue.

And speaking off, take a look at the right-most panel on top, where Kendal grabs the spear: his motion is, again, illustrated in bright blue, versus the atmospheric screened-on orange lines that point toward him around the whole panel (I'm sure these have a name, I think they might be more of a manga thing though and the only experience I have in manga is reading a bit of Fullmetal Alchemist). Those lines emphasize the weight of the spear being shoved at him, and their color tells us Dainix is responsible for it.

One of my all-time favorite effects in this comic is the way cracks manifest across Dainix's body to represent when he starts to lose control; it is utterly gorgeous and wonderfully thematic. These are more evident in the page before and after this one, but you get a decent idea here. I love the way they glow softly, the way the fire juuuust flickers through at the start and then becomes more evident over time, and the cracks feel so realistic, like his skin is made of pottery. Additional points for how fire begins to creep into his hair.

A small detail that's generally consistent across the comic, but which I want to make note of here because you can see it pretty well: Kendal's eyes glow about the same as the jewel in his sword, mirroring his connection to said sword and calling back to how the jewel became Vash's eye temporarily and thus was once Kendal's eye. You can always see this connection (though there might be some spots where this also changes in a symbolic manner; I went through it quickly on the first time around, so I'll pay more attention when I inevitably reread this), where Kendal's always got that little shine of blue in his eyes the same as the jewel. It's a beautiful visual parallel that encourages the reader to subconsciously link them together, especially since the lines used to illustrate character movements typically mirror their eye color. It's an extension of Kendal.

Did I mention how ABSOLUTELY BEAUTIFUL the colors in this are?

Also, the mythological/legend-type scenes are illustrated in familiar style often used for that type of story, a simple and heavily symbolic two-dimensional cave-painting-like look. They are absolutely beautiful on many levels, employing simple, lovely gradients, slightly rougher and thicker lineart that is nonetheless smoothly beautiful, and working with clear silhouettes (a major strength of this art style, but also a strength in the comic overall). But in particular, I wanted to call attention to a particular thing (see this page https://comicaurora.com/aurora/1-12-4/):

The flowing symbolic lineart surrounding each character. This is actually quite consistent across characters—see also Life's typical lines and how they curl:

What's particularly interesting here is how these symbols are often similar, but not the same. Vash's lines are always smooth, clean curls, often playing off each other and echoing one another like ripples in a pond. You'd think they'd look too similar to Life's—but they don't. Life's curl like vines, and they remain connected; where one curve might echo another but exist entirely detached from each other in Vash's, Life's lines still remain wound together, because vines are continuous and don't float around. :P

Tahraim's are less continuous, often breaking up with significantly smaller bits and pieces floating around like—of course—sparks, and come to sharper points. These are also constants: we see the vines repeated over and over in Alinua's dreams of Life, and the echoing ripples of Vash are consistent wherever we encounter him. Kendal's dream of the ghost citizens of the city of Vash in the last few chapters is filled with these rippling, echoing patterns, to beautiful effect (https://comicaurora.com/aurora/1-20-14/):

They ripple and spiral, often in long, sinuous curves, with smooth elegance. It reminds me a great deal of images of space and sine waves and the like. This establishes a definite feel to these different characters and their magic. And the thing is, that's not something that had to be done—the colors are good at emphasizing who's who. But it was done, and it adds a whole other dimension to the story. Whenever you're in a deity's domain, you know whose it is no matter the color.

Regarding that shape language, I wanted to make another note, too—Vash is sometimes described as chaotic and doing what he likes, which is interesting to me, because smooth, elegant curves and the color blue aren't generally associated with chaos. So while Vash might behave like that on the surface, I'm guessing he's got a lot more going on underneath; he's probably much more intentional in his actions than you'd think at a glance, and he is certainly quite caring with his city. The other thing is that this suits Kendal perfectly. He's a paragon character; he is kind, virtuous, and self-sacrificing, and often we see him aiming to calm others and keep them safe. Blue is such a good color for him. There is… probably more to this, but I'm not deep enough in yet to say.

And here's the thing: I'm only scratching the surface. There is so much more here I'm not covering (color palettes! outfits! character design! environment! the deities! so much more!) and a lot more I can't cover, because I don't have the experience; this is me as a hobbyist artist who happened to take a couple design classes because I wanted to. The art style to this comic is so clever and creative and beautiful, though, I just had to go off about it. <3

...brownie points for getting all the way down here? Have a cookie.

[leroibobo]

another mena language post - i wanted to talk about judeo-arabic and clarify a little bit about what "judeo-arabic" means

the basics, for those of you who don't know: arabic, being a language that was spread over a large part of the world and has since evolved into many different forms, has many different things that differentiate certain dialects. languages/dialects can be influenced by languages speakers' ancestors spoke before, by the social structure of where speakers live, by languages they come into contact with, and by gradual evolution in pronunciation. (many letters like evolving into ones that are easier to pronounce - this is why arabic has no "p" sound, it eventually evolved into "f" or "b". the same thing happened in germanic languages to some extent, which is why we say "father" in english and "vader" in german while in romance languages it's some variation of "padre" or "père".) many arabic dialects in particular possess different substratum (obvious, traceable influence from languages people spoke in before shifting to the new one).

arabic, being a language that was spread over a large part of the world and has since evolved into many different forms, has many different regional dialects which are different for the reasons i described in the above paragraph. even though there's modern standard arabic (which is the subject of its own post), people speak regional dialects in real life. on top of that, there's a variety of social influences on different types of arabic, such as whether someone's living in the city or in the country, whether someone's sedentary or a bedouin, and in some cases religion.

in the middle east, religion was historically:

not seen as a personal choice, but as something you're born into and a group you're a part of, kind of like ethnicity;

not generally something governments actively wanted everyone to share one of at the penalty of ostracization due to sticking to your group being the more livable way of life in the area, or later, the benefits of things like imposing extra taxes on people who weren't the "correct" religion/branch (this is far from being a "muslim thing" btw, it's been in the area for a while now, i mean look at the assyrians);

an influential factor in where you lived and who you were more likely to interact with because of those two things. (for example, it wasn't uncommon for most of the people living in one village in the countryside to share one religion/branch of a religion. if your village converted, you converted, too. if they didn't, you didn't, either.)

this means that the influence of religion in different types of arabic is due to people of different religions living in or coming from different places, and who people talked to most often.

for example, in bahrain, most sedentary shia bahrainis' ancestors have lived on the island for a very long time, while most sedentary sunni bahrainis' ancestors immigrated from other places in the gulf and iran in the 18th century. therefore, while they've all interacted and shared different aspects of their dialects including loanwords, there are two "types" of bahraini arabic considered distinctive to sunni and shia bahrainis respectively, regardless of how long ago their ancestors got there. despite the differences being marked by the religion of the speakers, they have nothing to do with religion or contact/lack thereof between bahraini sunni and shia, but with the factors affecting the different dialects i mentioned in the first paragraph which influenced either group.

a similar phenomenon to this in english is class differences in accent in england. nothing in received pronunciation is actually something only rich people can say or unintelligible to poor people, it developed by the class differences influencing where rich and poor english people lived and the different pronunciation/linguistic histories in those places, as well with different classes keeping more to themselves.

the influence of religion on arabic dialects isn't universal and nowhere near as intense as it is with aramaic. some places, especially more cosmopolitan or densely populated places, are less likely to have very noticeable differences or any differences at all. in addition, certain variations of a dialects that may've been influenced by religion in some way (as well as urban dialects) may be standardized through tv/movies/social media or through generally being seen as more "prestigious", making more people who wouldn't have spoken them otherwise more likely to pick it up. (this is why so many arabic speakers can understand egyptian arabic - cairo is like the hollywood of the arabic-speaking world.) this is the case with many if not most countries' official and regional languages/dialects nowadays.

this phenomenon is what "judeo-arabic" refers to generally. like many other jewish diaspora languages, the "jewish" aspect is that it was a specific thing jewish people did to different types of arabic, not that it was isolated, possessed a large enough amount of certain loanwords (though some varieties did have them), or is unintelligible to non-jews. people were generally aware of differences where they existed and navigated between them. (for example, baghdadi jews may've switched to the more prestigious muslim baghdadi dialect when in public.) if you know arabic, listen to this guy speak, you should be able to understand him just fine.

judeo-arabic also often used the hebrew alphabet and some may have been influenced by hebrew syntax and grammar in their spelling. you can also see the use of script for religious identification in persian and urdu using the arabic script, and in english using the latin alphabet. in general, influences of hebrew/aramaic on different types of judeo-arabic aren't consistent. you can read more about that here.

"judeo-arabic" isn't a universal that definitely happened in every arabic-speaking part of the world that had jews in it to the same degrees, but it did definitely exist. some examples:

after the siege of baghdad in 1258, where mongols killed all muslim baghdadis and spared baghdadis of other religions, bedouins from the south gradually resettled the city. this means that the "standard" sedentary dialect in the south is notably bedouin influenced, while dialects in the north are more notably influenced by eastern aramaic. christians and (when they lived there) jews in baghdad have dialects closer to what’s up north. within those, there's specific loans and quirks marking the differences between "christian" and "jewish".

yemenite jews faced some of the most persistent antisemitic persecution in the middle east, so yemeni jewish arabic was more of a city thing and often in the form of passwords/codewords to keep jews safe. jews were usually a lot safer and better-regarded in the countryside, so jewish yemeni arabic was much less of a thing there, and when it was, it was less "serious".

due to the long history of maghrebi immigration to palestine, there's attestation of maghrebi influences in arabic spoken by some palestinian jews with that origin. this was also a thing in cairo to some extent.

(i'd link sources, but most of them are in hebrew, i guess you'll have to trust me on this one??)

still, the phrase "judeo-arabic" is often used with the implication that it was one all encompassing thing (which it wasn't, as you can see), or that jews everywhere had it in some way. many jews who spoke some version of arabic special to their mostly-jewish locale may not have registered it as a specifically "jewish" version of arabic (though they did more often than not). the truth is that research about anything related to middle eastern and north african jews is often sloppy, nonexistent, and often motivated by the desire of the researcher to prove something about israel's colonization of palestine (on either "side" of the issue). this is not me being a centrist about the colonization of palestine, this is me stating that academia is often (even usually) influenced by factors that aren't getting the best and most accurate information about something. i don't think we're going to get anything really "objective" on arabic spoken by jews in that regard for a long while.

for comparison's sake: yiddish is considered a separate language from german due to 19th century yiddishists' efforts to "evolve" yiddish from dialect to language (yiddish-speaking jews were said to speak "corrupted german" historically; on that note sephardim were also said to speak "corrupted spanish"). this was at a time when ethnic nationalism was en vogue in europe and declaring a national language meant declaring your status as a sovereign nation (both metaphorically and literally). for yiddishists to assert that they were speaking a language and not a dialect that intrinsically tied them to germans was to reject the discrimination that they were facing. (besides, german/austrian/swiss jews weren't speaking yiddish (leaving it with the connotation of being the language of those icky ostjuden), yiddish-speaking jews had practically zero other ties to germany/austria/switzerland, and yiddish-speaking jews (let alone the yiddishists) were almost entirely east of germany/austria/switzerland, so it's not like they were pulling this out of their ass.)

whether a jewish person of arabic-speaking descent calls it "arabic", "judeo-arabic", or something like "moroccan"/"syrian"/etc depends on who you're talking to, where they're from (both diaspora origins and today), how old they are, and what they think about zionism. despite "judeo-arabic" being what it's called in academia, on the ground, there's no real strong consensus either way because the social circumstances arabic-speaking jews lived in didn't drive them to form a movement similar to yiddishists. (not because there was no discrimination, but because the political/social/linguistic circumstances were different.) the occupation since made the subject of middle eastern jews’ relation to the middle east a contentious topic considering the political and personal weight behind certain cultural identifiers. the term "judeo-arabic" is modern in comparison - whether it's a distinction dredged up by zionist academics to create separations that didn't really exist or a generally accurate term for a specific linguistic phenomenon is a decision i'll leave you to make.

[ashipiko]

🫶 obligatory niko post

[goingferalapparently]

Based off of @oozblob 's post (post also contains the original image (which is from alpharad's story on Instagram))

[al-luviec]

juvie buddies

[ancha-aus]

RealAgeAU Drabble - Static

This is a drabble I have been planning for a while and I finally know how I want to write it :3

Are you ready?

First Drabble here (with original prompt by @spotaus ) Prev Drabble here Next Drabble here

You see.... there was still something that hadden been addressed :3 Something about how Dust was dealing with the pressure and looks and backstory he has to follow :3

No beta and no edit. (also it is a big boy woops)

Timeline is that Nightmare was deaged like 4 months ago. One month in farmtale

*---------------*

Cross isn't sure how to deal with the tension in the air.

The bickering between Killer and Dust isn't making it any better.

Okay, Cross has got to be honest. It is much as much bickering as it is Killer being annoying and Dust trying to ignore him.

It had started this morning wiht Dust being more anti-social than usual. Easy to note by the fact that he had darkened the inside of his hoody.

Dust hadn't said a single word the whole day even as he went through the motions perfectly.

Cross is enver sure how to help in these moments. The moments which Horror once explained where most likely the times when the maybe ghost maybe hallucination of Dust's brother were extra loud.

Cross isn't even sure what that situation is. He asked everyone but Dust about it and no one really knows for sure if the Papyrus haunting Dust is actually a ghost. Or if it is a hallucination made of his own guilt. From what Cross heard from the others Dust isn't sure either.

The fact remains. They had tried to help in the ways they usually do. Cross tried to stay near in case he wanted something but mostly kept quiet. Cross tried to be a quiet reminder that Dust isn't alone and isn't whereever he was before.

Horror makes Dust's favourites and gently bullies him into eating and taking care of himself.

Killer tries to distract him.

Killer's tactis either goes very well or very wrong. At least Cross has been told that.

Cross has seen the two fight obviously but as soon as one manages to down the other the fight ends. The winner will be smug in their own way, Killer by loudly proclaiming victory while Dust will just have this smug little smile on his face.

The first time they just tackled one another to fight Cross had been worried. But after getting Horror and asking him what to do he had reassured Cross that this was just something the two did. For Dust it helps unload some of his large magic levels and overcharge and for Killer... welll Horror isn't sure about Killer, he assumes Killer just likes fighting or the attention with fighting.

Cross watches as Killer hangs all over Dust and yaps away about something. Cross can see that the fork Dust is holding is slowly but surely starting to curve under the pressure of Dust's phalanges.

Cross can see that Crop is a lot more nervous as he looks between the two worried before looking at Horror. Horror shrugs at the unspoken question.

Cross turns to check on Nightmare and sees him looking at the two with a frown. Cross grins and nudges him "No need to frown. Just them being silly again." he smiles.

Nightmare looks at him before looking back at the two. The frown not leaving "no... it isn't."

Cross is immediantly more worried, and he already was worried! He studies the two and notices that Dust is breathing very shallowly. Cross looks at Horror and signs it quickly to him.

Horror has a look of alarm on his face before slowly, and very carefully, inching closer "Come on Killer. That is enough. Not in the kitchen."

Killer grins cheerfully, completely unaware of the ticking timebomb he is hanging over "oooooh! here comes your knight in shining armour Dusty!"

Dust's fist twitches and Cross can see the fork fold over completely. Oh no.

Killer continues on as he leans on the other "Princess Dusty, getting saved and needing protection-"

And Killer flies over the table right into the stone wall, leaving large cracks on it. Dust follows two seconds after and punches him straight on the face.

Horror gets to Dust and tries to pull him off only to be turned blue and pushed away. Horror manages to fight the force but is still pushed away.

Cross doesn't think as he grabs Nightmare and backs up against the wall on the other side of the room. Even as Nightmare makes an unhappy noise and reaches for Dust. Nope! Not save right now!

Dust stands there panting heavily as mana and magic crack like electricity over him. Fuck. He is overcharged with magic. Fuck they are idiots to not realise that was going to happen soon. Fuck fuck fuck.

Horror somehow still looks calm even with the two different coloured eye lights staring straight at him from under the dark hood. "It is okay... we just ened to go out and-"

Dust huffs "Don't fucking bother." he sounds furious. He glances around the room and looks into Cross's direction for a moment. Dust looks away with a flinch and he is out of the room.

The front door slams shut.

Horror is by Killer as he helps him up. Killer groans as he rubs his skull "okay... maybe i was pushing it... again."

Horror gives him a 'no shit' look before checking his wounds.

Cross glances at Crop who had backed out of the kitchen and now inches back in "is everyone okay? what... waht was that?!" he waves at the front door.

Horror sighs as he rubs his skull "Overcharge... Dust has a lot of LV, EXP, magic and mana. Even with his buffed stats it gets a lot and he needs to release the steam or well... it goes off." he glances around "Sorry for your kitchen..."

Crop nods as he looks at the frontdoor "is it... safe for him?"

Horror nods as he looks into the same direction "It is... just dumb i forgot he would need to discharge...." he sighs.

Killer groans as he gets up "We all forgot. We have been busy and well... I think Dusty forgot as well."

A tug on his sleeve and Cross looks down at Nightmare. Nightmare just looks at him "Can I go to Dust?"

Cross feels panicked "no?! Just let him discharge Nightmare. You know he will be fine."

Nightmare shakes his skull as he looks at the frontdoor "It seemed different... I can't explain." a frown on his face of frustration.

Cross frowns as he looks at Horror and Killer. They share looks before moving towards the front door.

A loud boom of thunder and they open it to stare.

A large vortext of pure black clouds with purple lightning. SLowly but surely swirling to somewhere above the fields.

Crop whistles "Well then... I never saw that much magic before." he frowns and points "That normal?"

Cross follows the direction as he sees small zaps and static all in the air, all that same purple colour.

Killer shakes his skull "No that isn't normal... fuck I need to apologise..." he rubs his skull before quickly looking at Nightmare "don't repeat that." Nightmare shoots him an annoyed look.

Killer grins back before walking towards the stairs of the porch with purpose. only to get zapped as soon as he gets off the wood. Killer yelps and rushes back to stand behind Horror. glaring at the air "Rude! What the hell Dusty!"

horror frowns at him "hurt?"

Killer shakes his skull "More like a tiny zap when you are like static and stuff." he frowns and looks at the air "Though i don't know how that will be once that gets worse..."

Cross frowns as he follows Killer's sight. Cross can admit he is also worried. if this gets much worse it can spell very bad news.. not to forget that it has never been this bad before... Is this just what happened if they don't help him remember to discharge in time? Is Dust even okay with this much pressure and magic going on?

Cross frowns as he hands Nightmare to Horror "You guys stay here. Help Crop with the kitchen and keep Ngihtmare safe." just in case.

Ngihtmare glares as he is put down "I am safe!"

Cross nods and stares at Killer and Horror "I am going to go to help and try to get him to calm down and discharge safely." a spar usually works best.

Horror frowns as he shakes his skull "I will just come back if it goes wrong."

Cross shoots him a look "I got better stats and have the endurance to keep dodging to get through the worst. Killer has a straight up bullseye by his sternum and he annoyed Dust already. YOu may come back but do you really want to do that to Dust?" Horror frowns but nods his agreement. Cross nods himself "just keep an eye on Nightmare and-"

"See? Perfectly safe."

They all turn only to stare. Becuase Nightmare is just standing off of the porch. in the middle of the static. But nothing happens. the static follows along his body but never zaps him. Nightmare looks unamused "I will go to dusty and fix this."

Cross shakes his skull as he gets off the porch. Fuck the zapping is almost constant. He gets ot Nightmare and picking him up gives him a much much much larger and slightly painful zap. Cross breaths through it "No. You are going to stay here and wait. This is our mess so we will fix it ourselves." he nuzzles the small skull "We got this."

Nightmare looks unhappy to doesn't fight being handing back to Horror, Horror flinches at the zap but takes it in stride.

Cross nods to the others and goes into the direction of the large vortex of clouds.

The zapping is honestly just annoying. It helps that Cross can see none of his HP dropping even as he gets closer and closer.

He ends up finding Dust in the wheat field, well in a circle of completely vaporized wheat. the current and magic having turned the plants and part of the ground into ash. Dust just stands there. muttering as crackles of lighting go all along his body.

Cross gulps before stealing himself "Hey Dust!"

Dust freezes. Okay! Good news! Dust can still hear him! not too far gone!

Cross smiles and feels a bit braver "sorry we didn't realise... want to spar? Blow off a bit of steam?"

Dust tilts his skull but nothing. okay wait! Cross knows what this means!

Cross speaks louder "don't listen to whatever he says!" Dust doesn't react. Cross takes a step closer "please. whatever he says it isn't true or real oaky? Or at least not the full truth and-"

Dust chuckles and stares at him "What? Think i ened fucking protection from him?"

Cross blinks and opens and clsoes his mouth. Not sure what to say "I... euh... maybe?" is this a trick question?

Dust looks displeased by his answer. That is fair Cross couldn't commit to either answer. Dust huffs "Don't fucking bother. I am fine."

Cross frowns and feels braver again. No time for self doubt. Dust needs his help. Cross steps clsoer "You aren't fine."

Dust glares back at him "I am fine!" crackles and the ring of vaporized wheat grows bigger. Oh man Cross hopes Crop won't lose too much money thanks to that.

Cross gulps but keeps going closer "It is okay Dust... If it hurts i can heal you!" his healing is weak but he can still heal! "We just need to get you to use some magic and-"

Dust snaps "You want to see fucking magic!" and it crackles loudly as a snap of lightning crashed just by Dust's feet. Cross yelps and feels afraid it did damage but Dust seems fine even as the energy from the lightning travels through the ground. A loud whine of magic nad Cross sees an overgrown blaster right by Dust's shoulder.

Dust hisses "leave. me. alone."

The blaster blasts and Cross dodges. After the dodge Cross actually feels reassured.

You see?

If Dust wants to hit you. He will hit you. The fact he gave Cross enough time to get ready to dodge and didn't change the direction of the beam to still hit him gives Cross hope.

Cross glares back "I am not leaving." not again. He is not giving up on them again.

Dust glares as more blasters appear "You think I won't do it?! You think I am fucking weak?!"

...Weak?

Cross blinks "No? You are like one of the strongest mosnters I know..." Cross has seen Dust fight Ink 1v1 and win. Dust weak? Why would he ever think that? Who would ever think that?

Dust laughs and more crackles in the air as the static grows. Dust's face becomes visible and he smiles sharply at him "That is quite a different answer than you gave before!"

before? When?! Cross never said Dust was weak!

Cross doesn't really have a chance to dodge. Because even if Dust gives him time to see the attacks coming Cross sitll has to dodge them himself.

Dust growls as he charges more attacks "Helpless? Weak? Useless? come on! You can tell me! I already figured it out anyway! With the endless hovering and shadowing!" another blast.

It clicks.

They are fucking idiots!

Cross looks at him panicked "It is just an backstory!" Dust had said no. They still pushed and he had been unhappy wiht it.

They thought it was fine.

But then again. It isn't Cross who has to deal with it with every interaction he has...

Shit. They are assholes.

Cross barely dodges another blast and Dust frowns a tiny bit. He pulls his arm a bit back and a few blasters hold their fire "Well?! Still weak?! Still useless!?"

Cross needs to do something.

And well, the answer is obvious.

Cross gets ready for his sprint. He needs all the speed he can get. Dust sees him hold his own run and rolls his eye lights before shooting at him with a sneer on his face.

Cross runs straight at Dust, straight at the blast. Dust's sockets and eye lights widen and he has to pull hard at his own magic. the air crackles angerly as the blast changes directions just before it hits Cross.

Cross gets right up into Dust's personal space and locks his arms around the other.

Dust snarls and tries to free himself but Cross has more physical strenght than he has and Cross has a good hold on him with locking his arms to his side.

Dust screams and wiggles "Let me go!"

Cross shakes his skull and pushes close to the other "No. I am not letting go of you." not of you. not of nightmare. not of the others. No. He isn't letting go.

Struggling and more screaming. Blasters going off but without his arms he can't aim them right. Dust goes as far as trying to kick, scratch and even bite him but Cross just keeps holding on. Refusing to give up or give in.

The storm around them calms slowly and eventually Dust goes lax in his arms. still some uneasy crackles far above them but the vortex disappeared and the clouds turned more of a dark grey colour.

It starts to rain and this is when Cross thinks it would be safe to let him go. Not that he does. Cross keeps holding on.

Dust isjust lax in his hold. Not saying a word and Cross doens't even know how to say what he wants to say. That he is sorry for pushing. For not helping Dust think of a new plan. So being so okay with Dust having had to carry most of the burding concerning their back story. and later more responsiblity about money. and before that even with taking care of nightmare. All wihtout Cross even trying to help him.

Cross had just... liked the idea of the backstory. That Dust came to them for help, that Cross had a bit of the savior role in the story... Just like he had enjoyed the idea of some people thinking he and dust had a kid together. Just like he enjoys the idea that everyone knows the four of them are an unit and won't separate... Cross is a jerk.

He still isn't sure what to say "... We can probably change the backstory still..." Instead he just talks.

Dust just sounds tired "We can't..."

Cross shakes his skull and just tightens his hold "No we totally can!" think think think "We... we... we can just be that... that i was the one with the ex! But that i hadn't been sure about a kid... and so i just left but regretted it and found out about the bad stuff..." he is just rambling "So i went back and got you guys for help but nightmare had been so young so he didn't remember me and i was still weird about being a father but you were great at it so you and nightmare bonded and so we just kinda told him it was you and... and..." Cross doesn't know. he is stuck and can't think.

Dust snorts against his shoulder "People will hate that... they won't trust us in anyway if they 'found out' we lied..."

Cross gulps and knows he is right. still... "I am sorry... I should have told killer to stuff it when he oppered."

Dust shrugs "Could have done that myself..."

They continue to sit there in the rain. Cross trying to think of some way to fix this mess.

Dust sighs "It is fine... just... stupid... got the best of me... won't happen again."

Cross feels even worse "I am sorry..."

Dust tries to pull back, probably to shoot him a look of some kind but Cross just keeps holding him tighter. No. Not letting go.

Dust sighs and gives in rather easily "I know why... it is fine..."

Cross shakes his skull "you are overworked... and we were to dumb to see."

Dust lets out an annoyed sigh again "I don't need a babysitter. I should be able to take care of myself just fine cross."

Cross feels tears appear but pusehs them back "It isn't being a babysitter you moron! It is about being friends and looking out for one another and not being a dumb idiot to forget one of your friends also needs help!"

silence.

Cross just keeps going "We shouldn't have pushed the backstory. WHen you said no we should ahve just accepted that! You were uncomfortable wiht that plan. YOu are still uncomfortable wiht it. it isn't fair that we kept pushing and you had to brun for it."

Cross feels himself start to ramble and he doesn't bother to stop it "And then the tinkering! You like that and that is great but that doesn't mean it should be a must or have the pressure of being our solo income! You are overworked and tired and need rest and i don't want to hear any comment or self hating joke about you being lazy!"

Dust huffs and mutters "kill joy" but stays quiet otherwise.

Cross keeps going as if he didn't interrupt him "You are also the one who takes charge with Nightmare and that is fine as well as long as you don't have all the pressure! It is unfair of us to just assume you will decide or have the decision or even that you thought about it! Even if you do have the answers and you did think about it it isn't fair that we put that expectation and pressure on you! We are a team and we should share the burden of stuff!"

Cross pants as he just sits there. feeling partly mortified by what he just said and partly relieved he managed to get it all out.

Dust is quiet for a long time before answering "I don't mind it..." it is hardly more than a whisper.

Cross huffs and just keeps holding it "Even if you don't mind it now clearly it is too much or we wouldn't be sitting in a circle of vaporized plants."

Dust is silent but does give a small nod against his shoulder.

Cross nods himself "When you feel okayish. we will go back to the others. you are going to get cleaned up and sleep. actually sleep. and sleep in. No more trying to get up early wiht Nightmare."

Dust mutters "I sleep in..."

Cross huffs "Yeah. until like 8 or 9 compared to the 5 and 6 of Horror and me. But I mean you need to sleep sleep Dust. Sleep in untill at least 10. Don't even think I won't get Horror or Killer to tie you down to the bed!" Dust is almost always up until late at night. he needs rest clearly.

Dust snorts and mutters "Don't let Killer hear you say that. He will have many things to say about that implication about your preferences."

Oh god no brain don't think about that mental image when Dust is stuck in your arms. You don't want to have that type of conversation now when that image does things to you!

Cross feels himself blush as he stares striaght ahead "Very funny."

Dust snorts "I know."

Cross huffs before spekaing again "Well then! You are going to sleep in and get the rest you actually need. We are no longer going to allow you to plan your days full like you did before anymore."

Dust groans "Cross we still need money."

Cross nods "and so we will figure something out eventually! But you are no longer trying to earn enough for everyone. And please for the love of everything actually buy something nice for yourself for once!" so far he had only spend money on stuff for Nightmare. or clothes for any of them. Cross appreciates the clean clothes and things but please Dust just get stuff for yourself.

Dust mutters and mumbles some stuff but nothing that Cross can really make heads or tails from "Good! Now that we agreed to that... Ready to go back?"

Dust is quiet again but sighs "Yeah.... need to apologise to Killer for attacking him... and crop for probably breaking part of his house..."

Cross nods "Yeah... Good news though Killer didn't have actual HP damage so i think even when mad you were pretty controlled over what you actually wanted, which was just Killer to shut up I guess... as for Crop's house I only saw some cracks and Horror and I can do enough construction stuff to fix that." a moment of silence "Also Killer owns you an apology for annoying you the whole day."

Dust listens before sighing "Thanks..."

They sit a moment longer before they both get up. Cross can't help his curiosity as he sticks his phalanges into the lose sand.

Dust frowns at him "What are you doing?"

Cross looks away embarresed "Heard that... if lightning strikes sand like glass is made... I am curious..." he feels something but can't pull it out. Instead he pushes more sand and dirt aside and uncovers a giant glass electric strike in the ground. he can see how the electricity move and made the glass.

Dust frowns at it "Hopefully I didn't ruin his field... Will have to dig that out and any other stuff to make sure it doesn't damage his machinery when he does farming stuff." Dust already sounds tired as he looks around his large circle were Cross cna see multiple hits of lightning hit the ground.

Cross pats his back "It is fine. Horror and I got a lot of free time so we will get to that tomorrow."

Dust looks at him before sighing and nodding "fine."

Cross nods.

The two walk back as Cross looks at the sky "It is clearing... I didn't know you could do the whole sky thing..."

Dust shrugs "never did that before."

huh. Cross keeps looking up "Think it was because you have more charge or something?"

Dust shrugs "Could be..."

Cross nods as he taps his chin "We will need to make sure you don't overcharge faster than..."

Dust is quiet but Cross feels Dust nudge his shoulder. Cross beams at him and Dust shoots him a small smile back.

They near the house and find their other three boys waiting on the porch. Dust goes straight to nightmare nad hugs him before looking at Horror and Killer for just amoment before looking down "sorry... I.... sorry."

Horror smiles bakc and nods. Killer grins himself and shrugs "Euh. It is fine. Sorry to you for once again not picking up on your social clues." he rubs his cheek which has a large bruise "No hard feelings."

Dust nods and agrees easily enough.

After apologizing to Crop for the mess in both the kitchen and field and promising to fix it they get back to their attic. They take a moment to sit together and Cross explains what the deal had been about. Mostly because dust had retreated to hoody-city while hugging Nightmare and was refusing to admit himself what was wrong.

Killer and Horror both look deeply unhappy with this newly gotten information and looka t Dust. Dust manages to somehow look even further away as he mutters "Cross makes it sound worse than it is."

Cross glares. Rude! Because he actually thinks he is underselling the issue!

Killer must come to the same conclusion as he wiggles around until he is laying right up against Dust's side and looks at him begging "You know that I know you are like the strongest monster ever right? Like it is obvious. We all know that? You know that right?"

Dust shrugs and nods but Corss has his doubts. Seeing as he didn't seem to beleive so just moments ago. Killer pouts and has his scheming face on.

Cross sighs "Either way... we need to balance the work load better." he shoots Nightmare a look "You aren't allowed to share the load as you are a child and no child labor."

Ngihtmare huffs and crosses his arms "I can help"

Killer nods "You help by staying safe nad being a good babybones!" Nightamre grumbles even more and pushes closer to Dust.

Horror hums and nods "We will... need to calm down... Taking it easy with townvisits." he shoots Dust a look "Only when it is relaly necessary."

Dust huffs and mutters "Still need cash."

Horror nods "We will figure that out later. First taking things calmly. step by step."

Cross nods as he sees Dust relax a bit. Step by step. They can do this. They got each other and everything will be fine.

*---------------*

First Drabble here Prev Drabble here Next Drabble here

[emily-mooon]

Happy holidays! Here’s Jonathan in the most devastating au you can put him in: It’s A Wonderful Life au

Colour version↓

[xxplastic-cubexx]

friend notoriously bad at videogames said shed play marvel rivals with me tomorrow chat if i never post after tomorrow night its because a blood vessel bursted

[synthshenanigans]

Anytime I see the tfem Mind & tmasc Heart headcanon combo, all I think of is the "I can't believe we're both goth and trans" meme

[soranker]

Hiiii not sure if anyone's asked this yet but any advice on how to improve on art & anatomy? I use to draw a lot wayyyy back in high school but then stopped because of life getting in the way but now I really wanted to get back into art but realized my art isn't as good as it use to be & I never really cared too much about studying anatomy so all my anatomy/proportions are really wack & I'd like to get better at it. Hope you're having a good day!!! 💞💞💞

HI!!! i dont have any formal training in anatomy nor have i really done any studies, so unfortunately i think i can only offer general advice, but hopefully you can still find it helpful! here's what i'd recommend based on my own experience...

focus on proportions BEFORE anatomy! nailing down the size/length of each body part in relation to each other will give you a good foundation before getting into the specifics of anatomy, since you can practice this with simple shapes (circles, boxes, tubes, etc.). then practice anatomy/build on top of that, rather than trying to figure them out in parallel

practice from real life observation/references (ex. figure drawing)! even if you want to draw stylized, it'll be much more helpful in the long run if you study from real life. you'll be a lot more informed in how body parts actually connect to each other or how they move. observe observe observe! take pics of yourself/watch how your body moves--you can be your own most accessible resource, and a mirror and camera can be your best friends

find a way to keep yourself motivated to practice anatomy! everyone says that you only get better with practice and time... and it's true! but i can understand that sometimes it's hard to motivate yourself. if you ask me, draw your favorite characters :) it's literally all i do HAHA. my mentality is that... if i'm drawing something that i like then the practice feels less of a chore lol

[fauna-and-floraa]

Fav skz moments // There's only one parachute- who will you give it to, yourself or the other person? -Han Jisung.

Bonus:

[psychotic-nonsense]

Steddie Week Day 4: Trade / Body swap

------- it starts off super rough, warning for suicidal thoughts/intent and brief descriptions of gore -------

Steve is going to die.

He went to his room for privacy. His thoughts have gotten so loud lately, headaches so deep he can hardly see, and he just needed a moment to breathe.

But then he went to sit on his bed, and fell straight through it into the Upside Down.

Panicked, Steve had scrambled to get up. A hand had reached down to help, and without thinking, he grabed it.

Then he recoiled with how cold and rotten it felt. He looked up to face its owner, and was met with Barbara Holland. Half eaten, swollen faced, glossy eyed, dead Barbara.

When he tried to crawl away from her, two hands reached down to forcefully haul him up from the ground. Hands that were soaking wet, filling the thick air with an equally suffocating metallic stench. As soon as Steve regained his footing, he whirled around and backed away from the moving corpses.

It's Billy Hargrove. Bloody, beaten, black veined Hargrove, skinny from the chunks taken out of his torso and swaying with the imbalance of it.

They began speaking, bemoaning in their haunting voices how he let them die and left them to rot, Steve the Hero running like the true coward he was. The forest came alive with the chittering of Demobats, underneath it all an unrelenting mantra. I told you to make him pay, why did I have to pay in his stead, you didn't even kill him, you lost you lost you lost and I died for nothing-

And Steve didn't hear anymore. Because he ran.

He's being Cursed, no one knows it, and he's going to die.

No matter how far he runs, the forest gets no smaller, the calls of animal and ghost alike getting no quieter. He strains, runs though he can't breathe, crying out for help. But all that does is worsen the voices. Calling him a failure, selfish, why does he get to live, why did they have to die-

Steve loses his footing. Skids forward over the rough ground further than he should, unable to stop. Then his feet fall over a sudden ledge and he isn't slowing down and his clawing hands are barely able to catch a stray hanging branch before he's dangling over a cliffside.

His breaths are heaving, and his hands tense hard to keep hold of the branch. He knows he shouldn't but the creature sounds have only gotten louder, so he looks down.

Hundreds of feet down it's a rolling mess of black vines, dark smoke, and demo-creatures. They're all lunging for him, their snarls and screeches mixing with the ghostly moans, urging him to just give in submit fall.

A sudden crack breaks through the mess of sound. Steve turns back around, sees the rock holding up his branch begin to splinter, and he's going to die.

In between his desperate panting, words fall out. Words he means that no one who matters will ever hear. "I'm-I'm sorry... I'm sorry, I'm sorry, I'm sorry! I'm sorry, Dustin, Nancy... R-Robin, Barb, Hargrove... I should- should've been more... I'm sorry, I can't-" He's cracking, the last of his desperation crumbling with the further breaks in the rocks. "I can't do it, I'm not... I'm not Max- Max, I'm sorry..." And as the cracks grow and his fingers slip, the tears finally fall. "I'm s-sorry, Ed... Eddie, I'm so sorry... It should've been me..."

And at the same time the crack finishes its journey, Steve lets go.

Everything quiets. Everything goes slow. It's almost freeing, knowing it's all going to be over, even though the terrified faces of his family flash through his head with every tear that falls. He doesn't want it to be over, he wants to live... but what right does he have-

Someone's calling out his name. A voice that gets his eyes to open, shocked at the blatant fear and desperation in it. Someone's falling right behind him, before him, reaching out for him.

Eddie. Eddie Munson. With all the same terror and need and pleading eyes that Steve remembers.

Steve automatically reaches back, shock urging him to beg just once more, somehow catching Eddie's hand. Immediately, he's crushed to Eddie's chest. Arms hold him tight, hands clenching hard at Steve's clothes.

Eddie feels real. Breathes and sobs like he's real. Warmth pulses through his clothes like he's real. Each brush of skin feels solid and soft and desperate and real.

So Steve holds him back. Tight, desperate to not lose him in their fall, no matter how real this may be. Shoves his face into Eddie's shoulder and closes his eyes and feels.

At least he won't go alone... At least in the end, he's not alone...

And then, like an electric shock, the world wakes up with noise. A familiar voice invades his senses, lamenting about a Mr. Crowley, as the world lights up in pure bright white behind his eyes-

Then another shock and he's gasping for air, falling from his suspension onto his bed and rolling off onto the floor.

Steve heaves, trying to regain his senses. The voices of his family surround him, echoing in his delirium, worried and scared. He breathes deep, attempting to respond... but his own voice beats him to it.

He finally opens his eyes, looking up from the ground he was kneeling over. There's no one around him, he's alone in his room.

His room that looks vaguely... fuzzy. And, come to think of it, uncomfortably wrong. There's a large mirror that rests opposite his bed that's now on the wrong wall, and the reflection is clearer than his own surroundings.

Except it's less of a reflection, and more of a portal. Through it, he sees his own body, sitting where Steve is kneeling, and staring at his hands. Shock and confusion is evident in every tremble of his fingers, and this reflection doesn't respond when someone says Steve's name.

There's something about it that feels familiar, a presence that Steve has longed to feel again for months. Steve unconsciously copies the reflection's position, and reaches out unsteadily. He wants to grab what he sees, catch the eye of it at the very least, just to know this is real like it was before.

Then another shock travels through his body, but this time, it lands hard in his fingertips and temples. He recoils sharply, face tensing up with a groan of pain.

But to this, his family reacts. Steve's eyes go wide, and he's suddenly met with reality. No fuzzy surroundings, with everyone right beside him. He shakes his shocked hand, rubs it, watches it flex and move just to convince himself. The presence from before is still there, but stronger now, like the person is right beside him.

He remembers the mirror, looks over at it, and freezes.

The others take notice, look at it too. Then they're freaking out, asking if anyone else can see it too, because it can't be real. Yet to Steve, it feels so so real.

The mirror reflects the room, but wrong. Fuzzy, without the others who are present. Where Steve's reflection should be isn't Steve. It's Eddie.

Dressed the same as he was in his final moments. Eyes as wide as the night they first found him. And that presence - the one Steve only felt during an Upside Down walk, at the front of a winnebago, in front of a trailer covered in vines - no longer feels like its beside Steve. Rather, like it's nestled right inside his heart, his brain.

Like Eddie's sharing the space there with Steve.

[gobs-o-dice]

Dice Set #365 - Frostbourne

[ai-higurashi]

Welp, mark her down as scared AND horny