#well some of my friends do too | Explore Tumblr posts and blogs

piko-power · 4 months ago

Text

My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)

When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.

She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.

She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.

She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.

...BUT, I think things were slightly starting to change between her and Sonic after Lost World.

Remember this line?

You remember that? Okay, okay. Here's another totally unrelated question:

Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?

...YEP. 😈 (Unless I'm missing something, let me know lmao)

As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.

She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.

I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.

...But she never said it. And she almost did, but she never did again for a while.

I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.

And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.

She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.

During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.

She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.

But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.

Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.

...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?

But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.

If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.

I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.

She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.

Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.

So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.

She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.

For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.

She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.

But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.

If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.

But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.

He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.

He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)

She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.

He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.

Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.

They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.

None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.

They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.

Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.

It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.

Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.

She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.

She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...

She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.

I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.

How much he loves her.

And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.

Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.

It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.

She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.

I feel like this moment here...

-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.

Her chasing days are over. She's finally caught up to them. She's finally home.

And it's all thanks to Sonic.

If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.

Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.

He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.

Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.

Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.

They are here for each other. They are finally better for each other now.

"You guys won't ever leave me, right?"

"Wouldn't dream of it."

#piko rambles #sonic the hedgehog #amy rose #Meant to be platonic but I don't care if you tag as ship lol #I've been meaning to post something like this for the longest time now but never really got into posting it-#-because you guys REALLY hate seeing these two together for some reason.#Well not for SOME reason. There are valid reasons why you don't ship them. Everyone has valid reason why they don't ship this or that.#But sometimes those reasons can just sound so petty to me. Like the reason why is because Amy is a stalker or Sonic hates her which is FALS #Also those age gap arguments are understandable but so goddamn annoying sometimes. Maybe when they hit their late teens or early twenties-#then they can be together if they want to. Besides a good percentage of Sonic ships are better off if they waited til they're old enough im #I love them regardless of whether they're just friends or an awkward older cringe fail couple lmao #But them being just friends and hiding away all their emotions towards each other just to keep them safe and happy with them- 😭😭😭#Son/adow is my favorite ship of all time and sonamy is my favorite childhood ship/platonic ship because they both have one thing in common.#ANGST 😀#I've been thinking about Sonic and Amy's dynamic as of late and MAN-#Mixed with some personal headcanons of mine and their dynamic as of late just makes me so emotional.#Sonic and Amy have gotten so close now and it's so sweet but so heartbreaking at the same time when you think about it.#I'm so happy they are getting along better and being there for each other but there is so much to dissect here. So much to think about.#I might be a little silly but Amy losing her parents and being alone for so long and being the reason why she's always hanging onto Sonic-#-explains SOOOOOOOOO much about her. At least that's my headcanon for WHY that is.#Amy with abandonment issues speaks to me on a personal level. I'm always afraid of being forgotten or left behind by my family.#I sometimes feel like I'm not good enough no matter how hard I try. I do not blame Amy. I relate to her a lot. It's one of the many reasons #-why Amy is my favorite character besides Sonic and Shadow.#She fights hard to prove she's a valuable member of the team and hates getting left behind but despite all that she wasn't afraid to-#-express herself and her love for people. But after the Eggman War there was some changes that made her less expressive about her love.#Yeah she still loves Sonic but she doesn't admit it because none of that matters anymore and she thought that not being loved by Sonic #-is better than being loved since she nearly wasted her life loving someone who she thought has constantly bothered. 🥲#But I think after TMoStH I think she'll be less afraid of being expressive about it. She and Sonic are just so caring for each other 😭#I love these two way too much that when I think about them for too long I'll start SOBBING 😭😭 I'M EVEN SOBBING RIGHT NOW LMAO

62 notes · View notes

feroluce · 5 months ago

Text

So this ficlet-ish thing was inspired by @hydrachea, nsfw super genius extraordinaire, but also by the fact that in addition to Boothill's left eye being cybernetic, I like to hc even the parts of him that look human aren't fully natural. I mean the dude eats bullets, after all. I think he should also have vents in his mouth so he can literally blow smoke/steam, it would look super cool. Think Father Gascoigne or Studio BONES' Todoroki. We as a fandom deserve that!!

So anyway, of course, sometimes these vents get blocked up and need to be cleaned manually. Thankfully, Dan Heng is super helpful ☆

Like there's one day where Boothill is lazing around in the archives, fresh off a bounty and happily soaking up the luxury of the Astral Express after however long he's spent tracking his prey through all the dust and dirt with almost no rest.

Boothill likes it in the archives. It's not silent, but it's quiet. There's no music and only muffled voices from outside, but there's the hum of all the computer systems. It makes for a nice place to hide away and recharge when he's just finished exhausting himself.

And besides, Dan Heng is there.

Sometimes the two of them talk back and forth, but today it's mostly quiet...except for-

"I didn't know it was possible for you to get sick."

...Except for Boothill having to constantly clear his throat. That's the thing about your mark trying to flee into the desert. You either go after them and get sand everywhere (and even worse, sticky sand once it gets all bloody) or you wuss out and lose out on the bounty. Personally, Boothill likes being able to afford to eat.

"Grit's stuck in a vent somewhere, 'n' the usual maintenance ain't gettin' it. I'll prob'ly have ta manually dig it out." But later, when he's not laid out half asleep on Dan Heng's extra futon. Usually after a chase as long as this one took, he can shut down for almost a full day. He doesn't want to get up yet.

Something shadows over him, and reflex demands Boothill's eye open. Dan Heng steps around him on his way to some drawer built in the wall on the other side of the room or something. Boothill closes his eye again.

From under his hat he hears the sounds of rummaging, drawers sliding open and shut, the swish of a long coat. The shadow returns.

"Sit up, just momentarily. I have something to help." And Boothill groans a tired don't wanna, but he does it anyway, he hauls himself upright into a kneel. And then he sits up a little straighter because he realizes Dan Heng is standing right over him.

Dan Heng tells him "open your mouth," and Boothill's jaw pops open without his permission, without even a second thought, and hey, what protocol in there ok'd THAT?!?!

Before he can really unpack whatever the heck that just was, though, Dan Heng murmurs for him to say so if he needs them to stop, and then he's sliding a long, hard rod down Boothill's throat, tipped with some soft little brush he probably uses for all his fancy archival equipment.

Dan Heng tells him the handle of the brush is straight and can't be bent, he needs to move his head to be able to reach the vent in his throat. Boothill hums affirmatively; he can't do anything else with his mouth occupied.

Dan Heng's free hand holds him by his jaw, tilts it up slowly but firmly so he has to look straight up at him.

Boothill feels dizzy.

The cycle of blue blood through his artificial heart whirrs just a bit faster, his temperature sensor pings an internal alarm to warn for imminent overheating. Boothill curls his fingers into the guard over his knee as Dan Heng carefully brushes at the dust irritating him. All other sounds- the hum of running equipment, the occasional beep from the computers, the noise of the crew outside of this room- seem to pull away, until all Boothill can focus on is the steady and measured breathing from the man above him.

"Almost done."

Thank the aeons, maybe one of them likes him after all.

"Your tongue is in the way... I'm going to hold it down, ok?"

Nevermind.

The fingers holding his jaw curl around his chin, thumb slipping past open lips to dip into his mouth and pin down his tongue. One of his teeth catch on the digit, breaking skin just enough to bleed a drop where he can taste it. Dan Heng doesn't even flinch. Another temperature alarm pings off in his brain, then another, then another.

Boothill has never been shy about eye contact but oh, god, it nearly kills him when dull green irises flick away from their task and look down right at him as his mouth is held open. He quickly squeezes his own eye shut for some relief.

With his vision cut off, the rest of his senses automatically recalibrate to compensate. He can hear every breath even more distinctly now, every soft inhale and exhale, feel the strain in his neck, the softness of the brush, the hard floor beneath his knees, the hand holding his jaw and the fingerprints that feel like they should leave burns in his skin, the taste of Dan Heng heavy on his tongue-

Forget it, eye open, eye open!!

"Alright. There's one last pebble stuck."

Boothill had been trained to endure torture, back on his homeworld. It was part of being in a gang, part of being a bounty hunter.

Somehow, keeping himself quiet and still as Dan Heng inches the brush even further down the back of his throat is a profoundly similar experience.

The seconds tick by, Dan Heng's brow furrowing, face growing ever more concentrated and Boothill struggles not to watch him too closely, fights down the noise that suddenly tries to escape him as the brush withdraws-

"Swallow."

Stars and aeons, Dan Heng is going to be the death of him.

Boothill swallows. He feels it when the movement finally dislodges the loosened pebble from his vent.

His face feels shockingly cold now bereft of touch, even though Dan Heng's hands are always cool. He asks to see, and Boothill's mouth is already open again to show him, even as he belatedly realizes he could have just told him it had worked.

"Good." There's the slightest smile on Dan Heng's lips as he finally, mercifully, leans back out of his personal space, goes to put away the brush. "That should feel better now." Boothill spends a moment dizzy and dazed, feeling the need to blink spots out of his eye even though his vision is clear. He still hasn't moved off his knees.

What the fudge.

#honkai star rail #Boothill's mouth: Thanks xiongdi.#Boothill's overheating neuro chip: *GLUCK GLUCK GLUCK GLUCK GL-*#There's just something so fun about Boothill being down bad and a little pathetic over Dan Heng JSKZIJSKSKSMD #Man's having an awakening here whether he wants it or not RIP #godspeed you sweet little fruitcake o7 #Boothill sleeps on a couch in one of the cars (he's just visiting so he doesn't have his own room)-#-and keeps having to fight his temperature sensors all night long skzjmskznd #him laying there staring at the ceiling like 🏳️‍🌈? 🏳️‍🌈? 🏳️‍🌈???#and meanwhile Dan Heng is in the archives thinking to himself hm. he sure feels weirdly restless tonight. and kind of warm too.#and finally he's just like well whatever and rolls over and goes to sleep NSKZNZMSMSM #didn't do any of it on purpose has no idea what kind of torture he just inflicted on his friend smsjsmks #Boothill with gay panic is so much fun #he's so cute I love him #torture him some more Dan Heng!!!!#hsr #henghill #bootheng #dan heng #boothill #hsr boothill #hsr dan heng #suggestive #my fics #recalibrated with the sudden force of a sledgehammer #accidentally posted this while I was just trying to edit a fucking line #so now you guys get some sin on your dashes early good morning everyone BDKSJJSKWMDKD

78 notes · View notes

crustyfloor · 5 months ago

Text

Luka is very good at keeping himself composed on stage, mostly with the help of maintaining track of his heart rate, but during Mizi's attack in ROMH he seemed to slip up, not only was the red background a tell-tale sign of Mizi's violent intentions but it was a more symbolic way of showing Luka in quite visceral fear. Even if for only a second.

I'm not convinced Luka will be as continuously calculated as he normally comes off, it all seems too fake to me. Because it is. It’s a similar case to Ivan who can't feel, isn't normal, isn't human enough so he makes a persona to blend in. So Luka, whoever he is, makes this version of himself to cope with what he has to live through, pretending like he's on top of it all to survive in this world.

So in round 7, I think something drastic will happen to make him 'snap' in a way.

It's safe to say that we don't know Luka. We don't know who he really is. We don't know his real desires. But we do know one thing--he is scared. he is afraid of the aliens. That's why he appeases them--being their trophy. He's only kept around for his purpose as an entertainer and nothing else and he's very aware of that. He knows very well that a dented trophy will be discarded; with that mindset, he's been able to get so far, and he's scared of losing. That's why he holds any little thing he can get his hands on close. And an important extension of that fear is his fear of losing power.

Till should be the more likely in this position, given he's such a rebel. But isn't that just too predictable? Keep in mind, that Till is a strong person. Even after all he's been through, even after he's been beaten into something more manageable for the aliens--He still hasn't lost his spark. Till is a raging storm. subdued but nonetheless a force to be reckoned with.

Round 6's effect on Till is greatly ambiguous for now but at this point when the time for round 7 comes, Till has been put through so much hell. Whatever Luka does to provoke him probably won't work, he and Luka are equally talented individuals and will make for an intense battle, and at the end of the day, the numbers won't lie. Exactly that is what Luka is ready for but scared of--a worthy opponent for the throne. Someone capable of stripping him of his power. (Is fear what makes Luka so dismissive?)

It would be so aggravating that this 'pest'. who is so indignant, so rebellious (in a way Luka envies.), could so easily destroy everything Luka has worked for, disregard every pain Luka has been through to get to this point, and Till doesn't value this throne as much as Luka does, and Luka doesn't want to feel the pain of death anymore. If his facade is as destructible as I think it is, that will be what ultimately brings out Luka.

This idea may be flawed. Luka is so perfect, too perfect and confident and experienced for something as little as that to break him, just think of all the training Luka went through to get to this point. I'm positive he's very aware of what playing unfairly will lead to. But isn't there always room for a wild card?

Just remember what happened to Hyun-woo.

What happened here isn't fully explained (and probably will be in round 7) but imagine Luka: "Trophy child, goody two shoes" Luka possibly killing another human. Whether by accident or not, what happened?--what and how did Luka feel in the moment for the repercussions of whatever happened to be that bad?

A Luka that is secretly greatly insecure, pliable, and defensive enough that in a spur of emotions, he can’t help but lose his cool in a way he hasn’t in a while because he’s afraid—just to try and prove he is still valuable. That is the type of character I theorize we'll come to see in round 7.

#I wonder if Hyunwoo dying was because whatever happened between them occured after heperu stopped lukas heart. maybe it made him more #sensitive? and when hyunwoo got rough with him for some reason it drew him over the edge perhaps?#i rlly dunno what could prompt luka and hyunwoo to fight honestly if hyuna wasnt involved #those two were basicallt friends? brother type relationship so like eh idk #alien stage #alnst #this is so random but i just wanted to yap about it for a second its been wracking my brain for days #i think we just have 1 too many enigmatic characters #i think this is the plot twist vivinos will go for because #“senior beats the rookie” well it's too predictable and quite cliche #and after everything i dont think till is in the right state of mind to give a shit.#i also just wanna weasel some way into making till survive this so uh yes!#can we also consider just how much tills fame may have increased after round seven.#think of it like alien stage getting more popular because of doomed yaoi. thats alien stage universe.#ivan literally has fangirls. and look at us:#just sayin'...#harharharharhar #also i know there might be someone thinking: but what about the rebellion? for one. mizi and hyuna may or may not be goners #but in general i dont think they can do ANYTHING for till or luka atp #isaac and dewey? maybe #alnst till #alien stage till #alien stage round 7 #it just feels plain to me to see a luka that doesnt want to be another one of those corpses elevating the throne. he wants to show that he #is more valuable than that 'punk' who'll do nothing but dishonor this throne? maybe. we'll just have to seeeeee #alien stage luka #alnst luka #luka alien stage #till alien stage

114 notes · View notes

serpentface · 6 months ago

Text

Hibrides and Brakul having the world’s saddest booze-fueled girl’s night, probably a few months before the start of the story.

Anyway here's an extensive rundown of their shared history.

Hibrides Uryashta was the eldest daughter of a chancellor of the imperial city-state of Erubinnos (his lordship Erub Uryashta). She was brought up with great privilege and security, but (like most daughters of noblemen) was destined to be used as a bargaining chip in a political marriage arrangement. She was taken from her friends and family and moved to the city of Wardin at the age of 16 to complete her pledged marriage with Janeys Haidamane, the failson of the trade magnate Haidamane family. Janeys spent about a week poorly attempting to behave like a husband, and then took the first excuse to flee and engage in a petty military campaign against raiders on the Yellowtail trade route. She found herself left alone in his villa for three years with only hired servants for company. She made a few attempts to break into the city's elite social scene, but was quite shy and failed to make any headway.

Brakul had just spent a year and a half in a bit of a whirlwind. He was brought into a skirmish at the behest of an allied clan, who had been raiding the Yellowtail route and now was under attack by combined forces of an enemy clan and Imperial Wardi mercenaries. He killed one of the mercenary commanders and was captured as a prisoner of war, but was spared at Janeys' behest (who fucking hated that guy thought it was awesome that he got killed with a rock) and was ultimately recruited into the group. He had a chance to go back home, but actively chose to deadbeat dad out on his wife and child to be with his newfound lovequest, Janeys. He spent a year and a half as a mercenary, bonded closely with Janeys and swore brotherhood with him, and was eventually brought home to the city of Wardin with him. He found himself in the odd position of being simultaneously scorned as a foreigner and 'heathen', and the legal kin of one of the richest families in the city (and effectively the secret male concubine of their only male heir).

It was in this context that the two of them met, with Hibrides now being 19 and Brakul turning 27.

The two were initially wary of each other (Hibrides was particularly put off by his 'heathen' status) but bonded very quickly, partly due to their mutual states of being unmoored from their old lives, but in large part being just a natural chemistry. They had a lot of common interests and enjoyed learning from each other. Hibrides introduced him to traditional verse poetry (of which she was very fond). Brakul taught her how to ride khait, and even gave her a gelding from his own collection as a gift. They became very close friends over the next couple of years and spent much of their free time together.

A big part of the dynamic was that both of them are gay in a cultural context where there is no concept of Being gay, marriages are usually arranged and always between a man and a woman, and having children is a societal expectation. Each of them began to see the other as an ideal husband/wife, ie "if I had to marry why couldn't it have been him/her?". For Hibrides' part, Brakul had all the traits she would want in a husband: he was a pretty good friend and easy to get along with, he seemed like he'd do an excellent job of fulfilling expected roles as a husband and father (she didn't know about the wife and kid for a while), he treated her as an equal, and, most of all, had no interest whatsoever in fucking her. They were both in a sort of platonic emotional affair, and grew to love each other deeply.

Hibrides was pretty quick to catch on that something was going on between Brakul and Janeys, and found it strange and offputting but ultimately none of her concern. Her husband only being interested in his sworn brother and leaving her to her own devices suited Hibrides just fine, and Brakul always just kinda being There meant she was living with what had become her closest friend.

The stable state of this Feelings Triangle began to change in the wake of the brilliant plan to get Janeys (gay) (probably infertile) children he could pass off as legitimate via a Brakul/Hibrides pregnancy. It was something all three agreed to as a necessity; it was already drawing scrutiny that Janeys and Hibrides had been married for several years without a pregnancy, and producing heirs is a societal expectation and a central point of an arranged marriage between wealthy elites.

It was especially critical in this case, given Janeys was his family's only male child and only hope of continuing the family line, given both his golden-child sister Faiza and black sheep half sister Couya were Odonii, and thus sworn virgins and would never marry. (There's also a level to this that Janeys was regarded as a complete disappointment by his parents, and his mother made damn sure he knew that his only value at this point was to produce a better male heir to inherit the business. So this was a big fucking deal to him, and to Brakul by extension).

This was also not a route any of them wanted to take on any personal level, least of all Hibrides. She consented to the pregnancy and everything it entailed, but it was inevitably a painful and distressing experience all around. She had never wanted to be a mother to begin with (though had long accepted it as an inevitability), and now found herself with an infant daughter, which only meant it would have to happen again (they needed a male heir after all). And it would be utter social suicide and a profound shame upon her if the child's illegitimacy was discovered, which only added to the stress.

To make things worse, her first pregnancy shifted the entire dynamic with her husband and brother-in-law/best friend. Janeys changed from completely indifferent to actively spiteful and hostile towards her, and things had become extremely uncomfortable between Hibrides and Brakul. It only got worse with Brakul (the only one of them who actually WANTS kids) (kind of haunted by skipping out on his first child) finding it unbearable to be so close to HIS daughter and having to keep up an act that she was not his own, having no direct role in the kids life. He desperately wanted to be a father.

Hibrides, who was going through a fucking lot, started to become vindictive towards him for his role in things. She resented him more than Janeys, because Brakul insisted he cared about her and would desperately try to pretend things were normal, while consistently siding with Janeys against her wishes, including in preventing her from getting a divorce. (His excuse is that the children's legitimacy would be interrogated in a legal setting, which Is likely and Would be absolute social suicide with very real consequences. But the real reason on his part is that if she got out of the marriage, he might never see her or the children again). Hibrides began to do everything in her power to prevent him from having any relationship with his bastard children, even in secret or under the guise of a relative. Sort of an “if I have to suffer to keep up this facade so should you” thing.

They had two children in a span of three years, two girls (ruh roh!) named Erubi and Livya. By this point, Hibrides and Brakul were both experiencing what we would now call Clinical Depression and Alcohol Use Disorder (especially in the latter's case). Hibrides started to have affairs with both men and women, which she was sure to be very obvious about to insult Janeys and Brakul, but was mostly out of loneliness. Brakul turned his complete focus to Janeys and started avoiding Hibrides entirely, in hopes that she would become desperate enough to be willing to make amends (shockingly, this did not happen, and the rift only deepened).

In the present, their relationship status is: fucked. Both of them do still love each other on some level, but this is probably beyond repair. What little time they've spent with each other in the past year is sitting around being miserable and getting plastered. And now Hibrides, Janeys, and Brakul are all forced into the public eye on the pilgrimage together, and with a third child on the way. So that's probably going to be everyone's problem.

#Their relationship is probably my favorite one in this story but there is literally so much going on. Hard to introduce it properly #This doesn't even get into all of it #Do want to make it clear that Brakul is like. Nice on an interpersonal level but he fucking sucks and is not the victim in this dynamic #He's very selfish. He builds his life around having his cake and eating it too and then moping and being sad and etc when he can't #escape the consequences of hurting people around him #I don't like writing dynamics where one person is like the absolute perfect innocent victim like. Hibrides does some just plain #cruel shit to him. But she's REALLY going through it. She's isolated and lonely and the only person in her life who has loved #her in the past decade won't put his own personal interests aside to actually Help Her. And then has the audacity to mope to her about #how sad that makes him.#He at least has a (fucked up and messy but) devoted partnership with a guy who ADORES him and perpetually enables him #While Hibrides is very shy and finds it hard to break out of isolation. She doesn't really have anyone to rely on.#She does have other people in her life in general though. Faiza has always been pretty kind to her and was a major support in #helping her manage her children's affairs and being provided for. But they aren't really friends it's kind of a familial obligation #Couya had been an enigma to her and rarely present (because she hates Janeys) but she's forced to be around him more #towards the start of the story and thus has started to actually interact with Hibrides. They befriend each other and have stuff going #on during the story #hibrides uryashta #brakul red dog #Anyway extreme side note I did warn that there would be like a dozen characters with Erub_ names as well as two major cities and a river #It gets like that with legendary founder figures

112 notes · View notes

humanmorph · 1 year ago

Text

Roll The Dice

I just miss Gur. I want to see Gur

bonus:

i drew this shortly after 'cold company' got introduced and we all thought "make all rolls with disadvantage until you succeed on a move with a 10+" would be more of a problem. haven't really had an opportunity to use it...! it's still cute though so i colored it in a bit. gur_bonk.png

#you know. my friend?#(deadpan) wow figure sure has been rolling well. thats great #gur sevraq #figure in bismuth #rosa art #fatt #friends at the table #palisade #palisade spoilers #i edited something in this drawing but you will not see it because. for some reason this file is stupidly huge #i didnt notice my canvas that that big (!?!!) but basically ive had to resize it to post this. & im not doing that again its not happening #...i might edit some other stuff i just had an idea. but i already spent too much time on this OTL #anyways.gur #/i'm/ about to become distracting and difficult if he doesnt show up again soon #late night gur thoughts for the 3rd night in a row.its becoming untenable. well mostly my sleep schedule just sucks so bad lately

137 notes · View notes

iknowicanbutwhy · 6 months ago

Text

Puyo/Madou, meet ISAT. ISAT, meet Puyo/Madou. I'm sure you have everything in common and this is not at all a completely random crossover of my two current interests

#dont look at Salde for rhe love of my sanity do not even percieve Salde i dint kwno what ifmf doing g #art #fanart #ISAT #puyo puyo #in stars and time #madou monogatari #kitscribbles #sig puyo puyo #schezo wegey #arle nadja #ringo ando #sig really do be sig no last name #prince salde #their ages are different in this one. oldest to youngest - schezo > arle > sig > ringo > salde #you see that stubble on Sig thats baby stubble. thats unfortunate facial hair on a teenager #sometimes it works out for people still in their teens but not sig #Ringo is!! Perhaps a bit too young to travel!! She's basically a foreign exchange student #i have to admit all the roles and dynamics in ISAT are NOT 1:1 in this AU #i have it all mixed up #when i say sig and schezo are besties i mean theyre both awkward with people they just happen to have an understanding. also sig bullies hi #Sig is he/they here!! I dont usually mess with canon genders (hella respect those who do) but honestly i just like it for Sig...#I still need to learn more about Salde but imma just go ahead and say that Salde is kid gender #Was tempted to hide Sig's lil hair thingies under his hat but then was like. Why would i do that #favorite joke in all this is that Schezo tried so hard to Change that he fucked up his own speech patterns and now socializing is. well #sig didnt shave before the loops and now he has to do that every time or suffer the teasing of his friends at some point in the house #thanks guys im going insane over here and youre laughing. going nonverbal now #How does Salde balance a fish on their head? uhhhhh well you see. have you ever balanced a massive bag of frozen peas #Salde doesnt cook but there's money in that fish. Nobody feels comfortable enough to ask a kid for cash but they WILL reward good behavior #in puyos and time

56 notes · View notes

ct-multifandom · 18 days ago

Text

I made the 999 girlies in dress to impress that’s it that’s the post

#999 #zero escape #akane kurashiki #lotus 999 #clover 999 #clover zero escape #clover field #hazuki kashiwabara #9 hours 9 persons 9 doors #ze #for lotus I couldn’t come up with a way to do her hair accessory things and I had to choose between adding a skin colored shirt to make the #clothes look more revealing but making some stuff clip vs having it look clean but showing less skin and I chose the skin colored shirt so #it’s a little messy looking. and I somehow maxed out the number of items #for clover I wish I could use the shirt with the cravat it would be so perfect but you can’t get rid of the huge puffy sleeves #I couldn’t come up with anything I could layer to make her leg warmers several colors #and I couldn’t make pom poms or make the hoodie exactly right #with akane i put a flower in her hair and colored it brown to look like her side bun and used the scarf for her shirt collar but it’s #too big. the shapes are kind of clunky and the texture I used for the arm warmers isn’t perfect but oh well #I don’t have any of the paid with real money stuff in this game #my friends and I have been eating on dti lately #making cosplays in freeplay mode is really fun

25 notes · View notes

wavesoutbeingtossed · 10 months ago

Text

Screaming from the crypt (or how the past haunts the present on Midnights)

I know it's been discussed so much since Midnights came out but just.

I love how there is such a clear narrative throughout the album (and perhaps especially on the 3am/Vault tracks). About questioning and regret and choices and coming to terms with all of it. It is one long story about how we're all a mosaic of the choices we make, each one taking something from us and leaving something else in its place.

(And now a disclaimer: I'm looking at this mostly through a narrator/subject lens, and trying not to dive too deeply into real-life events or speculation except for in a general sense. For this purpose I like to look at the body of work as art, like literature, because I find it makes it easier to see the common threads in the different songs and cohesion in the narrative.)

In looking at the 3am+ tracks in particular, it's fascinating how some turns of phrases or themes repeat themselves in different songs, in different contexts. (I'm only focusing on the non-standard tracks because there are too many songs and I'd be here all day but I bet I could do a part two lol.) I know many people have pointed out the parallels throughout her discography already and I’m not saying anything groundbreaking by writing this, but I love how these parallels run through in the same album, because it makes it seem like it's one long story, or at least, one long rumination on many different stories that are coalescing into a single narrative.

Battle (let’s go)

For instance, the one that jumped out at me when I started writing this post the other week was, "Tore your banners down, took the battle underground," in The Great War and "If clarity's in death, then why won't this die? Years of tearing down our banners, you and I," in Would've, Could've Should've. It's a story about staying stuck in the same cycle of reliving trauma and coping mechanisms and bad habits over and over again and fantasizing about how taking the “antagonist” out and gaining the upper hand for good would bring closure (WCS), but the truth is that nothing ever will. All that cycle does, though, is repeat itself in other situations, and in this case pushes someone away the narrator cares for (TGW). The difference is that the imagined battle in WCS is a two-way street in her mind (that is ultimately unwinnable because it was never a fair fight), but in TGW it's one-sided -- she's the one fighting dirty, taking shots, the way she'd been doing in her imagination (or nightmares) all these years. But the person in front of her isn't fighting back the way the person in her mind in WCS would, because their intentions are honourable instead of exploitative.

And that's paralleled in another pair of lyrics from the two songs, "And maybe it's the past talking, screaming from the crypt, telling me to punish you for things you never did," (in TGW) and "The tomb won't close, I fight with you in my sleep," (in WCS). In both cases, the funeral imagery makes it seem like this past event should be dead and buried in WCS, but it keeps rising from the dead, haunting her no matter what she does and in TGW, another (or perhaps the same?) tomb that won't close keeps unleashing new ways to hurt her and in turn the new person in her life. In other words, the trauma from the past continues to bleed into the present.

(Again from a literary point of view, I'm not saying the events of the two songs are linked IRL, but they're fascinating textual parallels on the album as a string of chapters, which is why Dear Reader is so compelling, but that's a whole other essay.)

To keep the battle motif going, there’s yet another parallel, this time between TGW’s "[You were a] soldier down on that icy ground, looked up at me with honor and truth," and You’re Losing Me’s "All I did was bleed as I tried to be the bravest soldier, fighting in only your army.” In the former, the subject is laying down his armour in the war she’s projecting onto him, waving the white flag, and she realizes that she’s about to destroy something if she doesn’t put her sword down too. By the time we get to YLM, the roles are almost reversed; at the very least they’re supposed to be on the same team, but in this case she’s doing all the heavy lifting, fighting for their relationship in contrast to his apathy killing it. It’s also pretty interesting (if not outright intentional) that one of the 3am+ editions of the albums starts with The Great War, where they find themselves in conflict (even if it’s in her head) that ends in a truce, and ends with You’re Losing Me signalling the end of the relationship, evidence that the resolution in the first song wasn’t an ending but merely a ceasefire before the last battle.

Putting the rest under a cut because this is waaaaay too long now ⤵️

(There’s also another metaphor there in The Great War with its battle imagery: World War I, aka The Great War, was supposed to be the war to end all wars, because loss on its scale was never seen before and when it ended, most thought never again would the world embroil itself in such battle, the horrors and implications were so devastating. Two decades later, the world found itself in WWII, with an even larger scope and more horrific consequences, the intervening time between the two a period of festering conflicts and resentment leading to some of the worst acts the world would see. Bringing real life into it for a second, there’s something a little poetic, though sad, about The Great War the song being about a fight that could have ended the relationship that they ultimately resolved and was meant to be evidence of the strength of their love, but so too did it end up being a period of détente, the greater battle coming for them years later. But that is not the point of this post.)

If one thing had been different

Another major theme in these editions is pondering the "what ifs?" of life, but I think it takes on even more significance in the broader context of the album in the lyrics of "I'm never gonna meet what could've been, would've been, should've been you," in Bigger than the Whole Sky and the repetition of would've/could've in Would've, Could've, Should've (I would've looked away at the first glance, I would've stayed on my knees, I would've gone along with the righteous, I could've gone on as I was, would've could've should've if I'd only played it safe, etc.) In both songs, the narrator is mourning an alternate course their life could have taken* and questioning what they could have done differently, in the aftermath of trauma and loss, and the regret that comes with that loss, and with the loss of agency in the situation because ultimately it was never in their hands. In an album full of questions, wondering about the path not taken, or the forks in the road that have led to a different version of your life, it's digging deeper into the contrast of choice vs. fate, action vs. reaction, dwelling on the past vs. moving on. When you're supposed to let go of the past, what do you do when it is holding your future hostage?

(*I know there are different interpretations/speculation about BTTWS which I am not getting into on main. I'm just saying that whatever the song is about, it's grieving something that never came to be. The literal origin of the song is less important to the album than the sense of loss it portrays. Whatever the inspiration is, it's crafted to tell part of the story of Midnights of ruminating over how, to borrow from her previous work, if one thing had been different, would everything be different?)

(Also I was today years old when I realized that the words are inverted in the two songs. Apparently I've been hearing BTTWS wrong this whole time.)

There's also an interesting tangent in the role of faith in both songs: in WCS, the events of the story cause her to lose her faith (e.g. "All I used to do was pray," "you're a crisis of my faith,") and question all the things she felt had been unquestionable until that point in her life (e.g. "I could have gone along with the righteous"), whereas in BTTWS, she questions whether that very lack of faith is to blame for the loss in that song ("did some force take you because I didn't pray? [...] It's not meant to be, so I'll say words I don't believe"). It's like pinpointing the moment her life changed and upended her beliefs (WCS), but as a result then leaving her unmoored in times of crisis because ultimately there's no explanation or comfort to be taken from what she used to hold true before that (BTTWS). The words she once relied upon to guide her have long since lost their meaning, but in times of trouble it leaves her wondering if that faith she once held then lost could have prevented this pain.

(Shoutout to WCS for being Catholic guilt personified lol.)

To keep on with the vaguely faith-y notions, an obvious parallel is the line in Would’ve Could’ve Should’ve about, “I damn sure never would've danced with the devil at nineteen,” and, "When you aim at the devil, make sure you don't miss," in Dear Reader. All of WCS is about her fighting with an antagonist who haunts her, with whom she wholly regrets ever becoming involved. DR could be seen as a reflection on that fall from grace, warning the audience that if you choose to go after the person (or thing) haunting you, make sure you do so clearheaded enough to be decisive. Again, these “devils” may not be related in real life: the IRL devil in DR could be speaking about her naysayers, or Kim*ye, or Scott & Scooter B, etc., meaning not to cross your enemies until you know you can win. But taking real life out of it and looking at it textually, I am intrigued by the link between WCS and DR, so that’s what I’m going with here. And perhaps that’s even the point in a wider sense; there will be multiple “devils” in your life, or threats to your well-being. If you’re going to commit to taking them down — whether it’s an actual person, or the demons inside you that refuse to let you go — make sure you have the right ammo so that they can no longer hurt you. (Of course, one lesson from these experiences is that sometimes you can’t win, and you have to live with the fallout.)

(Sidebar: I know that “dancing with the devil” is a turn of phrase that means being led into temptation and engaging in risky behaviour, as opposed to describing the actual person. Given the religious metaphors in the song, that could very well be/is the intention, particularly when it’s preceded by, “I would have stayed on my knees” as in she would have continued to follow her faith — in whatever sense that means — had she never met this person, which could also be a more eloquent way of saying she would have continued to be live her life in a way that was righteous (even naive) and seen the world in black and white. Either way, it’s a force she wholly rejects. Like I said, multiple devils, same fight.)

Regret comes up too: in WCS, she says, "I regret you all the time," obviously directed at the person who manipulated her and led to her perceived downfall, citing him as the one impulse she wished she'd never followed, because it won't leave her no matter how hard she’s tried. In High Infidelity, she tells the person to, "put on your records and regret me," and on the surface, it’s like she’s turning the tables, painting herself as the one now causing the regret in someone else, the one inflicting the pain this time. Yet the verse preceding it and the lines following it in the chorus depict a partner who is also emotionally manipulative and vindictive like in WCS (“you said I was freeloading, I didn’t know you were keeping count,” “put on your headphones and burn my city,”). It’s not so much that she’s intentionally harming the person (the way the person in WCS does to her), but rather that the venom in the subject’s feelings towards her seeps through; she’s imagining the way he’s going to feel about her when she leaves, hating her just for by being who she is. (There could be another tangent about how in both songs she’s there to be a “token” in a game for both of the men, who play her for their own purposes.) The regret is dripping with disdain. It’s as though she’s picturing how the person is going to hate her for doing what she’s thinking of doing the way she hates the person who first hurt her.

Sadness, unsurprisingly, shows up in a few lyrics. In BTTWS, “Everything I touch becomes sick with sadness,” sets the scene of a person so overcome with grief that it permeates everything around them; they cannot see their way out of it and feel like the fog will never lift. In Hits Different, it’s, “My sadness is contagious,” the result of a breakup where the person’s grief again touches everything and everyone around them, pushing them further in their despair and loneliness. The reason behind the grief in either case may vary, but regardless of the source, the feeling is overpowering and isolating. They may be different chapters in the story, but the devastation is hauntingly familiar. (As is a recurring theme in Midnights as a whole: there are situations and feelings that present themselves at different points in her journey and colour in the lines in different ways along the road. Like revisiting an old vice and realizing the hit isn’t quite the same as it was in the past.)

Death by a thousand cuts

She also writes about wounds on this album, which isn't surprising I suppose given that the whole conceit is that these are things that have kept her up at night over the years. WCS is perhaps the driving narrative on this never ending hurt when she sings, “The wound won't close, I keep on waiting for a sign, I regret you all the time,” suggesting that no matter what she does, the pain of this experience has permeated everything she’s done afterwards. (Not unlike the overwhelming grief in BTTWS, for instance.) Elsewhere, in High Infidelity she sings, "Lock broken, slur spoken, wound open, game token," and in Hits Different, "Make it make some sense why the wound is still bleeding.” Again I'm not suggesting they're about the same events; the line in HI is about a situation where a partner crosses a boundary, hits below the belt, picks at an insecurity (or creates a new one) and treats the relationship like it's transactional, opening the floodgates in turn. In HD, the wound seems to be more self-inflicted, where she's pushed the person away. (Over a situation real or imagined she feels she needs distance from.) But again, something has picked at her like a raw nerve, and just like in the past, she's hurting, even in a different time and place and person. Almost like the wounds of the past break open over and over again to create new scars. If one were to extrapolate further, it wouldn’t be the biggest leap to wonder if the wound open in WCS, then torn apart in HI makes the one in HD hurt even more.

(I once wrote a post about how I think as time goes on, WCS is going to turn into one of those songs that will be found to drive so much of her work, because it’s just… kind of the unsaid thesis statement of so much of her songwriting.)

Another repeated theme is that of the empty home and loneliness. In High Infidelity, she sings, "At the house lonely, good money I'd pay if you just know me, seemed like the right thing at the time," painting a picture of someone who may have everything they'd want to the outside world, but in reality feels metaphorically trapped in their home (or at least alone amidst abundance), a symbol of a relationship gone sour and a failure to build connection. She just wants someone to understand her, want her for her, but as she's written earlier in the song, she's just a pawn in the game, a trophy from the hunt. Home, in this case, is lonely, isolated, an emblem of her fears. In Dear Reader, she continues this thread, then singing, "You wouldn't take my word for it if you knew who was talking, if you knew where I was walking, to a house not a home, all alone 'cause nobody's there, where I pace in my pen and my friends found friends who care, no one sees you lose when you're playing solitaire." It's the same idea, admitting to listeners that the gilded cage she lived in kept her distanced from her loved ones and real connection, keeping her struggles close to the vest but feeling desperately lonely amidst her crowning success. She's pushed people away and it may have felt like the right thing at the time, but in the end maybe felt like she was trapped. And when you push people away, eventually they take you at your word and stop pushing back; you’re a victim of your own success at isolating yourself. What starts out of self-preservation then further perpetuates the underlying problems.

(There's another interesting link about "home" also feeling unsafe with HI's "Your picket fence is sharp as knives," which further leads into the theme of marriage/domesticity feeling dangerous, which is a whole other thing I won't get into here because it's another discussion and may derail this already gargantuan word salad.)

In a slightly similar vein, we have the metaphor of bad weather for a rocky road or unstable relationship, in High Infidelity again with, "Storm coming, good husband, bad omen, dragged my feet right down the aisle" and You’re Losing Me’s "every morning I glared at you with storms in my eyes.” They aren’t speaking of the same situation or even same kind of breakdown, but it is pretty interesting how the idea of clouds/storms/floods/etc. play such a role in Taylor’s music to signal depression, apprehension, fear, uncertainty, etc. In HI, I think the “storm” coming is the looming threat of commitment to a partner who makes the narrator uneasy (if not fearful). In this case, the idea of making a life with this person is not one that incites joy or comfort, but instead makes the narrator feel that dark times are ahead if she continues down this path. Perhaps in some way, the “storms” in YLM have made good on the threat in HI in a different way; it’s a different home, a different relationship, but the clouds have settled in regardless, and some of her fears have come to fruition in ways she did not expect. The person she once trusted no longer sees her or her struggles (or worse, doesn’t care), and the resentment and pain build with each passing day.

Coming back to heartbreak, one of the obvious "full circle" moments is the beginning of a relationship in Paris, where she says that, "I'm so in love that I might stop breathing," clearly enthralled in a new love that allows her to shut the world out and grow in private, capturing the all-encompassing nature of the relationship. This infatuation has consumed her in the most wonderful way (in contrast to the sorrow of some of the previous songs), and it feels like a life-altering (or even life-sustaining?) force that is so strong she may forget what it’s like to breathe. (Metaphorically speaking, of course.) By the end of the album, though, in You're Losing Me, that heart-stopping love has become a threat: "my heart won't start anymore for you." In the former, her racing heart is full of excitement, but by the latter, her heart has given out completely under the weight of the pain she bears. (YLM is full of death/illness imagery which I already wrote about awhile ago so I won't hear, but needless to say that song deserves its own essay for so many reasons.) She's gone from the unbridled joy of the beginnings of a relationship to the unrelenting sorrow of its end, two sides of the same coin.

Love as death appears elsewhere in the music too, for instance, in High Infidelity’s, “You know there's many different ways that you can kill the one you love, the slowest way is never loving them enough" and You’re Losing Me’s “How can you say that you love someone you can't tell is dying? […] My face was gray, but you wouldn't admit that we were sick.” Though not completely analogous situations, they both tell the tale of one partner’s apathy (or at least denial) destroying the other. In the former, the partner’s actions (or inaction) are more insidious, if not sinister; in the latter, the lack of momentum (or admission of a problem) is passive. In both cases, the end result is the narrator’s demise; it’s a drawn out affair that chips away at her morale and her health and her sense of self. (Breaking my own rule about bringing in alleged actual events into the discussion, but the idea that the relationship in High Infidelity, which was obviously fraught with unease and even fear, ended in a similarly excruciatingly slow and hurtful death by a thousand cuts as the relationship in You’re Losing Me almost did at that time must have been so painful. It almost feels like YLM is wondering why what used to be a source of light in her life was mirroring a situation that caused her such pain in the past.)

From the same little breaks in your soul

I said early on that part of what is so compelling about Midnights is that it feels like an album about ruminating — on choices, on events, on people — and the two final “bonus” tracks of the album depict that as well. In Hits Different, she sings that, “they say if it’s right, you know,” an ode to the confusion of a breakup and struggling with the aftermath of calling it quits. It’s a line that has always intrigued me, because the typical use of the phrase is in the sense of, “you’ll know when you meet the one,” but here it seems to have a double meaning, a reassurance perhaps from the friends (who later on tell her that "love is a lie") that she’ll know if she’s made the right decision in calling it off, but could also be her wondering if the relationship is right, she’ll know, and want to reconcile. In the final bonus track, You’re Losing Me, she sings, “now I just sit in the dark and wonder if it’s time,” this time leaving no doubt about the dilemma she faces, though it’s no less fraught. She’s wondering, perhaps for the last time, if now is finally the moment to end the relationship for good. They say that if it’s right she’ll know, and now she’s wondering if that feeling inside her (that once told her her partner was the one, which is why it hit differently), is telling her that it’s time to go for good. Wait Alexa play “It’s Time To Go.” These are not only the things that keep her up at night, but the things that play over in her mind like a film reel in her waking hours.

Midnights as a whole is a deeply personal album, as is most of Taylor's work, but the 3am+ edition tracks seem to dig even deeper to a lot of the issues raised on the standard album. Almost like the standard tracks are the things she wonders about on sleepless nights, but the bonus tracks are the things that haunt her in the aftermath. The regret, anger, sadness, grief, relief, even joy— they’re the price she pays for the memories she keeps reliving. Midnights might be the most cohesive narrative of all her albums, and really does feel like we’re watching someone work through her journal over time, stopping short of outright naming those giant fears and intrusive thoughts (except for when she does) but making them plain as day when you connect the songs together, and perhaps never more clearly than in the expanded album. It’s incredible how the songs stand on their own to relay a specific moment in time, but that they are also self-referential to each other (whether thematically or overtly) to weave a larger web over the entire work. We’re so lucky as fans to have these stories and to keep peeling back these layers as time passes. (And my literature-analysis-loving ass loves her even more for it.)

This is obviously by no means an exhaustive list, and I know there are more parallels and probably even stronger links (particularly when you add the standard version into the mix), but these were the ones that particularly struck me and I’m just glad I’ve had a chance to sit with this and think it through. ❤️

#writing letters addressed to the fire #me thinking too hard about taylor lyrics #taylor swift #midnights #long post #lyrics analysis #song parallels #Gabby this one is for you friend <3 #here goes nothing #Happy Friday or something idk!#(also i know i said there are things i wouldn’t discuss on main but my dms are open lol)#this is not as structured or well plotted out as I wanted it to be #and turned out to be more stream of consciousness than legit essay #but whatever at least i got my thoughts out there and it can release some plot of land in my brain for other stuff to think over lol #If anyone ever reads this thank you! And I’m sorry?#The best compliment i ever got in school #was when we were doing an analysis of a poem in English lit in college #And i brought something up casually #and my prof went ‘I’ve been teaching this class for eight years and that’s the first time anyone’s ever brought it up like that’#’and that just blew my mind’#and i was like ‘who me?’#so that’s all you need to know about me lol #Midnights: The Great War #Bigger than the whole sky #bttws #Midnights: Paris #Midnights: high infidelity #would’ve could’ve should’ve #Midnights: dear reader #midnights: bigger than the whole sky

117 notes · View notes