#well i mean like. obviously. personally i Love the little formula of the main 5 ALWAYS being back all together at the end of every ep

[5hrignold]

I LOVE HIM

[oodlyenough]

life is strange true colours review

the non spoilery part: i LOVED this game, my personal fave game this year and the first franchise entry since the original that has really resonated with or moved me.

it's a life is strange game through and through, so if you don't like slice of life episodes or bonding with NPCs, it's not gonna be for you. but if you like the franchise, or even if you liked the first game but haven't been interested in/liked the other two instalments, i recommend giving this one a chance. i think it got closer to figuring out the formula while still doing something new and interesting.

more detailed spoilers and opinions:

alex

holy shit i love alex? bisexual chad... my darling... i'm gonna be real, a lot of the trailers and promo for this game made me worried she'd be kind of a dull wallflower Soft Girl character, but she's not! she's so funny, and even parts of her characterization i initially thought were maybe a bit of a stretch ended up making sense as i learned more about her. she stole the show. i straight up forgot how much loving the protag helps enjoyment of these kinds of games lmao ... finally a reason to click on everything in the room: to hear what alex will say about it.

i thought her backstory exploration in ep 5 especially was wonderful and emotive and great. broke my heart and explained so much about her :( baby girl

plot/choices

i loved the mystery. i don't think it was quite as Mysterious as the mystery in lis1, but that was okay, i was still invested in solving it. i also got invested enough in the NPCs around the town to make all the exploration bits really fun. i loved eavesdropping on the sagas of the random NPCs like bald man and ice cream couple... just fun little touches and narratives to follow that i enjoyed.

i really appreciated this script not being afraid to shy away from some messier emotions, even if in some cases i wish we spent more time on them. for example: alex feeling a bit jealous of the other people in town that got to know gabe better than her/spend more time with him than she did. or charlotte hating ethan!!! my jaw dropped, i thought that was so good, what a messy but realistic response.

I'm not entirely sure what all the ramifications of different choices are at this point, fresh off my first play. i ended up getting only part of the council to stand with me (eleanor & duckie) while losing pike and charlotte.

i do wish we saw a bit more fallout or exploration of what taking away emotion DOES. i took charlotte's anger, and obviously it meant she didn't stand up for me in the council meeting, but where does she go from there? does she like... ever return to feeling emotions lmao... I also think we probably should've had the opportunity to do that another time, instead of just 2 isolated events -- I think Diane would've been a good candidate.

the romance

i romanced steph, ofc, but i was surprised during the game how drawn i was to ryan too -- i really liked that Drama of him being the one who cut Gabe free, as well as later the drama of him being Jed's son. UNTIL HE DIDN'T BELIEVE ME... that made me mad lmfao, i have to learn what to do to make him believe me before i play a Ryan route bc i'll kill him lmfao.

the steph/alex romance was sweet... it didn't really, like, Consume Me as a ship, but by the end of the game I was still "aww"ing at their moments in the flashforward. steph was more rounded and flawed than i thought she might be, which i really appreciated! i was worried they'd just make her perfect idealized gf, but she has a bit of a temper and is kind of tempestuous and stuff... liked it. loved her standing up for alex so fiercely and immediately at the council meeting <3 and my main reservation about her in ep 4 was that i wanted alex to stay in haven, so when she offered to stay i was thrilled LOL

one semi-complaint i had was that something i loved so much about lis1 was how max and chloe's relationship was central to the entire game and story, it wasn't some extra thing on the side, it WAS the game... whereas here, the romance routes, especially steph's, felt like sidequests. I wish they'd found a way to incorporate those relationships a bit more into the main goings-on. I also wanted to spend more time with either romance option to feel like I knew them better -- splitting the time between Steph and Ryan means that I came away feeling like I didn't get quite as much of either of them as I would've liked, vs spending almost the entire game with Chloe lol.

however, this ended up not really bothering me too much because I DID really like the core mystery and themes, the exploration of grief and Emotion, etc.

other characters

considering everyone knew going into the game that gabe was going to die, i was impressed with how they did it, and how they managed to get me attached to gabe in a mere single episode. it's a tall order to introduce a character designed to die, who your audience KNOWS is going to die, and still make them work.

i thought this supporting cast was ... maybe the strongest in the franchise? or at least, they created scenarios where i felt invested in multiple people in the town, and was genuinely trying to build decent relationships with most of them. duckie cracked me tf up, i liked eleanor and riley, even diane and jeb were good for their roles. (fuck pike. i signed ur stupid thing and left your emotions alone and you still won't do shit? ACAB!!!) the choice to stay in haven or leave was a little harder than i expected honestly, considering how quickly i let arcadia bay burn to the ground lmfao.

gameplay/etc

also i know the whole internet has been dunking on "empathy" as a super power since the game was announced, and i get that it sounds corny and looks corny in the trailers, but i thought how they did it was really cool. i wish they'd branded it "Mindreading" more than empathy tbh because a lot of the cooler elements of it are more along those lines... using her power to manipulate people, potentially taking people's emotions away and what that does to them... very interesting imo!

i really liked the memory feature!!! cool way to give us character exposition and inform the story while encouraging exploration. finally a collectible that like, expands the story, instead of chloe drawing butts on the wall and sean taking 10 years to draw something.

it's definitely the most evolved-feeling LIS game, which it should be, given it's the newest. graphics looked really nice, loved getting to see the characters actually emote, even if there are still some scenes that were a lil comically blank-faced -- usually NPCs. i actually noticed this with Jed the most, which in retrospect maybe was somewhat intentional?

i had a number of visual glitches, nothing major but a little silly, like T-posing Alex, npcs t-posing in the windows, etc. i'm sure they'll get patched out soon.

anyway... i rly liked this game, i'm excited for the steph dlc and finally feel like i have reason to be optimistic about future LIS instalments. hooray!

[littledevil-jpeg]

Okay, so last post I was giving Lucifer 5B some credit for getting me interested and intrigued about a shitty character, so, as all things should be balanced, here comes the other side of the question. I'll say right off the bat that Lucifer was never a show I took seriously, all at once because of the tone, the way they chose to develop and delve into the themes, the monster-of-the-week format (though also done in spn, there it's redeemed by the darker tone and more subtle theme-development. Obviously, this is S1-S5 I'm talking about) and again the overall way this world works. I've been known to accuse Cobra Kai and even Breaking Bad for coincidence-bending, but they don't even come close to the level of Lucifer here. Then, of course, there's how easy everything is, like a bloody sled on ice: drugs - no problem, kill someone - no problem, infiltrate a mafia group - no fooking problem. How? Well, glaze over that, it's not that important. Except it is. Remember how in that same Breaking Bad Walter's team spent considerable chunks of the show planning, hiding evidence, preparing, measuring little details, diligently covering up their tracks. And they were only involved in a measly drug manufacturing business. Imagine the shit Lucifer runs, with crime bosses, drugs, demons and prostitutes piling out of his front door. Obviously it's a show about angels and demons, and the realism isn't the focus of the program, but still, these things matter. There's always a convenience to it. Like, oh, you need to infiltrate the Russian mafia or some shit? Don't worry, I know a guy - and poof, problem gone. That's not even to mention the universe bending out of shape all around Lucifer, everyone (Chloe especially) putting up with his humiliating bullshit, the fact that he would be kicked out the police in anything even remotely resembling real life, that the mc's get away with almost everything, the unrealistic dialogue that no human irl ever speaks, the second-hand embarrassment, the cheesy "morale" speeches, the dull, predictable cases that are all done by the same formula... and more. So okay, there's a lot, a lot, of problems with this show. Which is why no one really takes it that seriously, we all know it's kind of trashy. But "kind of trashy" is one thing. Now, when season 5 introduces a genuine "evil twin" that we're meant to take with even a bit of seriousness, in the footsteps of such chef d'oeuvres as Dispicable Me 3, when that twin is the most caricature-like villain in recent history, when the allmighty is a buffoon with half a brain, forget omniscient, and isn't even in-line with the stuff he's done before, when one of the main cast is offed as though mid-sentense, with no lead-up, no foreshadowing, no preamble, like a toss of a dice, when the main character is on a race to become God himself, and his love interested Mrs God, and when, oh, Jesus fucking Christ, just stop already! I truly wonder if the writer's room a big dart board with all these drunk-ass ideas stuck onto it, and they blind throw to make the next season. It's finally hitting me now, as I'm writing this, what on god's green earth I watched yesterday.

Why does Lucifer need to become God? Why does a war in Heaven even have to be introduced? Why not focus of the more intricate inter-personal conflicts on Earth, on the characters and their mentalities, on those meaningful arcs that hold actual importance, and emotion, and down-to-earth (lol), well, meaning again. Why do we need a heavenly war? Why does Lucifer need the approval of the angels, when the moral seems to be that he makes himself who he is, not his status, not his people, not his past and not the Silver City (an excellent moral, by the way, so credit where it's due. This self-actualisation business is the second best thing in the whole show)? I get that this is why the majority vote doesn't work, but then what does work? Are they ment to self-actualise into becoming God? Now, I'm aware it's left uncertain whether Luci really is God, so I won't go there for now, but then we have the issue of his resurrection. Was it a reward for self-sacrifice? That wouldn't fit so well, considering all the previous sacrifices that were much more impressive than this one. And what's the philosophy behind that - he's acting out of love? But to what end, if by dying he practically fucked all the other people on Earth, including the very same Chloe he just brough back down? Are these really the qualities for a God to have?

Or did he once again self-actualise, but this time he actualised himself to life? That would truly be a stake-killer. I saw a theory that he finally saw himself as worthy of Heaven, which doesn't quite link to coming back to life. Well, these are perhaps, once again, speculations, and maybe this will be cleared up next season. As for Lucifer's God status, it's a shitty move on the writers' part. Not only was the execution rushed, but thematically, again, Lucifer becoming God to feel worthy of Chloe is nonsense. From a plot and theme standpoint, why does this need to happen? This Godly status holds no meaning, no emotional worth, it's not fullfilling, not symbolic of anything fitting other than that same old "bad to good" and I guess the irony of the Devil becoming God, but the irony is an empty one if it has no real meaning. Which is the case. The whole thing is empty of substance, and I don't know why they went there. You know, it's hollow anyway, not least because Lucifer really doesn't deserve it. Even this season, he is nothing but a child - he acts and thinks like a child, he unchangeably does the same "projecting" bs from season to season to season with no actual sign of emotional maturity other than that in the words of other characters. But you can say he's different all you want, it's not gonna work if the subtle signs of his change aren't there. Say, imagine if Endeavor kept running his mouth about atonement, but kept dutifully abusing his kids - this is that. And yeah, Lucifer loves Chloe in his own way, cares about her, and even comes out of his self-absorbed little world for her, which by the way bugged me about their uneven relationship since season 1 (you know, treating her like shit with a flimsy excuse and then "making up" for it with a grand gesture of sacrifice or a round of angsty suffering. Time after time, every time.)

And finally, of course, there's the issue of how inconsiderate it is to Chloe for him to become God. I mean, it's dead obvious no relationship will be possible there, not without becoming even more unhealthy than it already seems. Themathic significance and meaning aside, even then, even in-universe, it's a shitty thing Lucifer does, again, for himself. So that he feels worthy of Chloe. What she feels, once he's made it his goal to do something, essentially doesn't matter anymore. And the plot fascilitates this splendidly, I mean, she always forgives him without fault like a well-oiled machine. Always, whatever he does, and it's gotten old a long time ago. We know Lucifer can do anything, anything at all, and he will be forgiven - by Chloe, by Maze, by Dan, by Linda, by Amenadiel, by anyone that he needs to forgive him. You'll be lucky if they don't do it the same episode, and extraordinarily lucky if it takes them three or four.

There are many other things to discuss this season, like Dan's ridiculously badly written death, Chloe's whole character stagnation, the, khm, the musical episode, the saturaday morning cartoon villain problem, the fact that Michael manages to descieve an omniscient being, and God himself. I might do those separately, might not, we'll see, as those aren't nearly as interesting to dissect as the above.

Aaaand, anyway, if he is now God, I strongly suspect they'll play the angle of "even though he's God, he stills feels shitty, as true self-love/worth comes from elsewhere" and the usual thing.

[wondereads]

Personal Recommendation (12/27/20)

Splintered by A. G. Howard

Why am I recommending this book?

I’m a sucker for fairytale retellings, and I’ve always had a soft spot for Alice in Wonderland. This is actually my second review concerning an Alice retelling, but I think I prefer this one. It’s definitely a lot of fun to read.

Plot 1  2  3  4  5  6  7  8  9  10

Madness runs in the Gardner family, ever since their ancestor Alice Liddel visited Wonderland as a child, and Alyssa, a teenager who can hear the conversations of bugs and plants, knows it’s only a matter of time before she joins her mother in the local asylum. However, after her father agrees to electroshock therapy, Alyssa finally listens to her mother’s ravings and goes in search of the rabbit hole.

Although Splintered follows some basic YA formulas (lost heir, love triangle, etc.), it still has some unexpected parts. It’s very hard to tell which way the story is going to go, especially since Alyssa’s only guide to Wonderland seems to be allergic to telling the truth. Also, the way the plot is structured around the original Alice’s adventures is very clever. It keeps an element of familiarity within the story that grounds among all the crazy horror-based creatures that Alice definitely did not recount correctly. The creatures themselves, such as the talking flowers, the White Rabbit, and the Mad Hatter, are all warped and twisted into characters that are no longer so family-friendly. The actual alterations of their features and the story itself are very well done, and I have a lot of respect for Howard’s imagination.

There are certain scenes that were unnecessary in my opinion. The biggest one was the tea party table scene (you’ll know when you get to it). It wasn’t really needed to further the plot, and it did feel a little out of place. The few scenes like that are why Splintered doesn’t have a 10 in this section.

Characters 1  2  3  4  5  6  7  8  9  10

Normally, main characters that are always doom and gloom tend to get on my nerves because they usually feel like some sort of ‘edgy’ stereotype. Alyssa’s an exception because she has pretty much nothing to look forward to. She’s recently been told she can’t go on the trip of her dreams, her mom’s about to go through electroshock therapy because she’s so out of control, and she’s pretty certain she’ll end up in straitjacket too. I’d be pretty upset if I was her too. The only problem with Alyssa’s character is that in the middle part of the book she seems too wrapped up in her two love interests. At the beginning she has her family, her art, her skateboarding to set her apart. At the end she makes some hard decisions and comes into her own. In the middle it just felt like she was to preoccupied with Jeb and Morpheus’ feelings to make any decisions for herself. Thankfully, her ending development was great, and I’m supper interested to see how she acts in the next book.

Ah, the love interests. Jeb is from our world, an artist who Alyssa has liked since sixth grade. Morpheus is from Wonderland, a magical being called a netherling that knew the original Alice and is trying to lay everything back in place. Oddly, they are both The Childhood Friend™ in this case. I love love triangles, even if they’re ridiculous. Jeb and Morpheus are both great characters; Jeb is very loyal with a lot of unresolved trauma and Morpheus is very...morally grey. I just wish they’d stop fighting with each other long enough for Alyssa to be able to do what she has to do.

To be honest, one of the most compelling characters in the book was Taelor, Alyssa’s childhood bully. She obviously had a lot of issues, and I love that Howard decided to give her depth and room for improvement rather than just churning out some typical mean girl to further Alyssa’s development, even if Alyssa does get to tear into her at the end.

Writing Style 1  2  3  4  5  6  7  8  9  10

I love A. G. Howard’s writing style. I’ve read some other books by her as well, and her descriptions are second to none, which really makes these fantasy worlds come to life. This book, while based on Alice in Wonderland, introduces a lot of new characters and places. Despite that, it’s so easy to visualize them, even if I’d rather not be seeing some bloody, zombie flowers in my mind’s eye. She’s also very good with romance, which is probably why I didn’t mind the constant tangents from the main plot. The writing style  really is the centerpiece for this book.

Overall 1  2  3  4  5  6  7  8  9  10

Splintered is just fun to read. It’s got interesting characters, a good romance, and a plot with more twists than a rollercoaster. It had some weird scenes, and it did feel a little rushed towards the end, but it still held my attention enough for me to finish it within three hours without stopping. It also ties up nicely at the end, so if you’re in the mood for a standalone, this is still a good book to read. I would recommend Splintered to people who like fairytale retellings, sexy romances, and bugs, lots of bugs.

The Author

A. G. Howard: American, author of Stain and Roseblood

The Reviewer

My name is Wonderose; I try to post a review every two weeks, and I take requests. Check out my about me post for more!

Reviewer’s Note: I’ve decided that I’ll only be adding the Meaning criterion when a book has a message I’d like to talk about. Some books are just for fun, not to make some comment on society, so I’ll only be including it in certain reviews. If you prefer books with underlying messages, look out for the Meaning section!

[teflonsos]

⌠ MIGUEL HERRAN, 21, CISMALE, HE/HIM ⌡ welcome back to gallagher academy, RICARDO ‘RICKY’ ALONSO! according to their records, they’re a FIRST year, specializing in DRIVER’S ED; and they DID NOT go to a spy prep high school. when i see them walking around in the halls, i usually see a flash of (5 a.m. cigarettes after a sleepless night, the smell of burning rubber after driving so fast you break the sound barrier, cheap vodka in an expensive shotglass, scraped knees and elbows from reckless parkour). when it’s the (scorpio)’s birthday on 11/04/98, they always request their CHOCOLATE CHIP COOKIES from the school’s chefs. looks like they’re well on their way to graduation. ⌿ kati, 23, est, she/her ⍀ @gallagherintro

STATS / PINTEREST / CONNECTIONS / CLASSES

INSPIRATION.

fernando alonso – formula 1

james hunt – formula 1

jp – redline

peter quill – guardians of the galaxy 

emmett cullen – twilight

mercutio – romeo & juliet

han solo – star wars

charlie pace – lost

vert wheeler – acceleracers 

BACKGROUND + CLICK FOR FULL BIO.

when ricky is born, there are expectations as the firstborn male but they are expectations that ricky refuses to meet. he’s stubborn, insolent, and straight up annoying. his dad is mysteriously never around and his mother suffers from chronic illness, so he generally has free range of the house and...free range to harass and drive out nanny after nanny

his younger sister is the balancing force in his life, proper in all the ways that he’s a mess and polite in all the ways that he’s uncouth. however, they get along really well and she’s his best friend in an otherwise large, empty house.

as he gets older, his father’s comings and goings are more noticeable to ricky and he realizes that he doesn’t really understand what his dad’s job actually is? and his father won’t answer his questions about it either. one night, when ricky is about ten years old, he sneaks downstairs to find his father covered in blood. at first he screams until he realizes, that’s not his father’s blood – it’s someone else’s.

put the pieces together, his dad is a blackthorne alumn, assassin, and...brotherhood member. 

ricky doesn’t really get the chance to be close with his parents, but he is super close with his grandfather. his grandfather is a big man with a full laugh who used to race formula one like, back in the sixties. he’s a big name, and ricky wants to be like him, and his grandfather is the one that gets ricky really into the sport. racing. 

ricky starts off by racing t cars, and when he’s fourteen and sneaking out to the track with his sister, things go awry. they’re stopped and kidnapped by brotherhood members. from conversations by the kidnappers, he can surmise that his father has something to upset the brotherhood and the kidnapping is a move to keep his father in his place. ricky have to listen to his father tell the kidnappers he doesn’t give a fuck about him (likely a bluff, but still stings) over the phone.

ricky’s father’s move doesn’t work, and he doesn’t get to them in time. ricky has to beg on the phone for his life. a gunshot rings out. everything else is a blur.

ricky wakes up the next day with a million questions, but there’s one answer: his sister will never walk again. a gunshot has left her without the use of her legs, but otherwise she’ll make a full recovery. she encourages ricky to continue his racing and tells him how much she believes in him.

he takes home trophies year after year while t car racing and people start to learn ricky’s name, to see him as an up and comer as they associate him with his grandfather. the next four years are hard work, but he’s healing from trauma with a new passion and a great support system.

ate age 19, he’s on the podium after his third formula three race, and he wins the championship, raining champagne on his teammates and laughing. his nights are busy, filled with parties and clubs, pretty girls and people willing to give him whatever he wants. 

he awaits the next season and the rise into formula two, but he’s getting ahead of himself. late nights spent partying before the race take their toll on him, and his sister says it best. “you shouldn’t go out there,” she says. “i have to go out there. it’s fine, i’m just a little hungover. besides, it’s raining today. i have the advantage.” but he never learns.

ricky crashes hard, lucky to get off with a tbi and some broken ribs, but the drugs in his system render him a pariah and no one will really want to sponsor him after that. everyone had high hopes for him, but now he just looks like another stupid kid. he’ll never forget the disappointment in his grandfather’s eyes. 

he spends most of the year blowing previous winnings.

after all of that bullshit, his grandfather sits him down. “you’re going to apply to gallagher academy,” he says. and that’s when he tells ricky everything, about his father’s profession, just like his grandfather’s brother and father before him. the legacy, the brotherhood, blackthorne academy, and ricky’s both riveted and horrified. “that’s what my sister got shot for?” 

ricky passes the test while the brotherhood still has its claws clenched tightly around the reigns of gallagher academy somewhere. he’s a good driver, the fastest, and he might’ve been the best if he wasn’t so irrational and drunk on his own pride (among other things.) 

before he can gain the skills to stop his father himself, someone else does. the news comes on ricky’s very first day of school: “dad’s been arrested.” and it’s like his whole world stops, because he always knew his father was bad, just someone else got to him first. 

PERSONALITY.

ADVENTUROUS: ricky is not afraid of risks, and actually, this is usually in a good way. he pushes himself to want and pursue fulfilling life experiences, so while he’s made stupid decisions, he never lets fear stop him from taking chances and trying new things, so he’s pretty open-minded 

CHARISMATIC: pretty good at putting on a smile and making himself likable when he needs to be, he has a nice smile and a good-natured spirit even if he can be a bit MUCH at times ! the kind of asshole that you can’t help but like anyway, he means well 

FLEXIBLE: one of his great strengths is his ability to go with the flow, it doesn’t change him around or turn him inside out when things don’t go his way, he’s pretty adaptable and able to adjust when there’s a wrench in his plans

SELF-DESTRUCTIVE: ricky has a habit of ruining things when they’re going good for him, he’s notorious for self-sabotage and it probably comes from a mix of feeling like he’s invincible so he pushes limits and because he’s almost comfortable in the label of fuck-up at this point, not wanting to get his hopes up too high

ENTITLED: whether he likes it or not, he comes from a good family and a past where most things have just been handed to him. so, while he’s worked hard, he’s never had to work...that hard. he feels entitled to success and certain things in life and he can be a bit of a dick about it, even out of touch with other ways of life. he tends to feel like he deserves things, such as his gallagher education or another chance at racing

SELF-CENTERED: apart from his sister, ricky very much puts himself first and can be a bit selfish. it’s mostly out of self-preservation, but most of his thoughts revolve around him. he actually puts a lot of pressure on himself, which is why he turns to unhealthy coping mechanisms and doesn’t look at how his actions affect others in his life

HEADCANONS.

when it comes to his memory loss, it’s pretty manageable. he keeps up with medication and IF he gets a good night sleep/eats well...it’s good on his brain. but sometimes he’s not so great about it! his most common habits are: putting something down and forgetting where he just put it, asking you a question he’s already asked, and he’s bad with names

used to be good at fighting games but now he isn’t and he still tries and it’s sad :(

as you can guess, he’s really bad at card games but he likes to gamble so he’ll just bet on other stuff. always ready to put money on the results of a sports game or something, loves to do fantasy brackets

really likes anime movies! watches a lot, but his faves are obviously redline, akira, princess mononoke, perfect blue, and ghost in the shell. he watches anime too and tbh probably a lot of anime i’ve never seen like naruto, one piece, and cowboy bebop. for my sanity please don’t talk to much about them with him bc i won’t know what to write.

loves to skateboard and snowboard, and is pretty good at it because really the main thing is confidence and he has plenty of that! 

loves to play pranks in class or on people, he’s got a whole repertoire of tricks he used to play on his nannies growing up and has no issue with playing them on a teacher with a stick up their ass

his primary coping mechanisms are 1) hating his father 2) cocaine and 3) acting stupid 

is bisexual and honestly doesn’t give a fuck! guys, girls, whatever, sex is sex and he’s gonna like who he likes. has never come out to his parents but has never known them well enough for it to matter. 

had a steady long term girlfriend but she broke up with him when he started to tank his future and started partying more, probably as self-preservation for herself and ricky feels guilty about how he treated her, doesn’t want to put anyone else through that

really likes german cars so it’s a bummer that he missed out on the berlin trip, he’s going to geek out and cry any time someone mentions berlin to him, he’ll be so jealous of their semester

has wicked good eyesight, 20/20 vision which is great on the track but he also has really good aim on a shooting range, he’s a pretty observant person as well 

WANTED CONNECTIONS.

BROTHERHOOD CONNECTIONS. Someone who also had someone close to them (likely a family member) that was also arrested for being involved with the Brotherhood by the strike team. Both Ricky and your muse are dealing with the shock of this together. 

FAN? SOMEONE WHO FOLLOWS RACING? Someone who watched Ricky’s rise and fall from grace by being invested in F1. It would make sense if they were a big fan of Ricky’s grandfather...and Ricky is the disappointment. Idk someone with predisposed opinions on Ricky. 

PARTNER IN CRIME. The two of them just vibe like immediately they both have the same chaotic energy and encourage each other’s recklessness to take chances and do stupid shit, are probably hilarious and can’t take anything seriously when they’re in the same room together, the kind of friends that other people can’t stand to see them together.

WHOLESOME FWB. They get along really well as friends and mainly just need to scratch an itch sometimes. None of that toxic shit, they probably lay around and talk about their crushes and are actually friends.

CONFIDANT. Late night rooftop conversations, this person can get Ricky to open up, is probably someone who is really chatty and comfortable with their own emotions and they encourage Ricky to be open about his. 

INFATUATION. Ricky doesn’t know your muse at all, just sees them in the hallway and thinks they’re super hot, probably an older and unattainable student that wouldn’t give him a second glance but he’s like...this is my future spouse. They just don’t know I exist. Has never talked to them and they might not even vibe if they ever spoke lol. 

ENEMIES? They simply don’t! Get along? Hate at first sight? They see Ricky smoking a blunt on campus and think he’s stupid irresponsible? He doesn’t remember their name when he should have? He makes a stupid immature comment that rubs your muse the wrong way? Any of the above, ready to fight at any moment. 

RACING BUDDIES. Another driver’s ed student who is willing to race with him after hours or practice together, they both wanna fuck the cars, they both are super competitive and bring that out in each other. 

OLD FAMILY FRIENDS. Their parents knew one another, likely on his dad’s (Blackthorne/spy) side, and they grew up closely. After the kidnapping happened, your character’s parent stopped speaking to the Alonsos and distanced themselves. Your character is probably the only one who knows about that part of Ricky’s past in any detail. 

GOT OFF ON THE WRONG FOOT. Ricky tried to flirt with your character but actually wound up pissing them off by seeming like an entitled white boy, which he is. He’s trying to prove to your character that he’s not so bad! This connection has nothing to do with feet I just had no better ideas for a name I hate feet. 

REALLY BAD SEX. your muse has ricky saved in their phone like [link]...prob a hookup that happens on one of the first days after he heard about his dad but...he’s fucked up and sad and he can’t get it up! It’s literally so embarrassing, maybe they’re both embarrassed, he wants to die when he sees ur muse around bc they saw his limp ass sad boy dick.

CAT AND MOUSE TYPE THING. essentially ricky has a bunch of attempts to flirt with your muse & your muse fucking hates it. Tom and jerry but like, if tom wanted to fuck jerry. I think of this gifset. 

[valkyrieofsmut]

Captive Love   5

UF!Sans x Reader (or Frisk if you wanna)

Summary: (Y/n)'s day at the skelebro's house, Sans' day out.

A/N: So, in this chapter, we find out that (Y/n)'s soul trait is integrity; honesty and strong morals. The only problem with having integrity as a main soul trate is that, because you're so honest, even if you don't want to trust people, you can have the tendency to believe people easier, because you expect others to mean what they say as much as you do. Even extremely smart beings with the trait can second guess their instincts or have them overwritten because the person lying is someone they (want to) trust or have positive feelings about/ for. Based on the note... can you guess what's going to happen in this chapter... lol Also, sorry, guys! I kept trying to get this to post all day, but I guess that tumblr hates long posts...? Or me... Might just be me... lol.

Masterlist      Series Masterlist

Story

Little lies never hurt anyone.

Sans leaned on the counter of the odd and ends shop, though it should rightfully be called a thrift shop, since most of its contents had come from other people and not “sources” like a normal store. 

“You got a friend you’re buyin’ all this stuff for?” The bunny on the other side asked suggestively. 

Sans gave her a smirk. “what’d make ya think that?” 

“Well, you haven’t flirted with me once since you walked in the door,” she hinted. 

“ah, sorry, doll. jus’ a lil distracted fer a sec, thinkin’ a comin’ in... did ya want ta hop on th’ sans express an’ ride it ta th’ bone zone?” He asked with a heavy handed lewdness. 

Honestly, he’d rather spend the time with his sweetheart, but he had to keep up appearances so that no one got suspicious. 

Plus, awkward sexual tension filled innuendos were easier to deal in than talking about feelings and shit.

The bunny gave a giggle and continued to lean over the counter toward him instead of going to get his requested items. “Still as charming as ever, I see.” 

Sans flashed his smirk again. “so, can i get my stuff?” 

The bunny giggled again and with a wiggle of tail asked, “so, does that mean that you’re thinking of getting a pet? Going to go out and take one?” 

He let out an annoyed sound. “can i jus’ get my fuckin' stuff?” 

She looked a little startled by the suddenness of the change, but took it in stride as it wasn’t really so strange for the former Underground citizens to be testy, and turned to go to the back. 

"So," the bunny’s brother asked as he brought the requested items out a moment later, "you gonna wear these, then?" 

Sans sneered at him. "you wish ya freak." 

"A little too much denial…?" The bunny suggested with a smirk. 

Sans gave a disgusted face. "go fuck yerself." He turned, flicking his fingers and letting his magic tug on the piles of stuff on the shelves above the bunny's head. "get dunked on, ya ass hat," he called back over his shoulder.

.

“aww, ya ain’t seen nothin’ at all?” Sans asked with a suggestive grin to the small cluster of spider ladies selling their baked goods in the corner of the bar. "'s a human, hard ta miss..."

“Ooooh, no,” one hummed.

“No, not anything… Do you wanna buy a croissant, Sans? It tastes soooo good with mustard…” another tempted. 

“heh. ‘d rather have somethin' a lil sweeter on my tongue,” he insinuated, thinking of (Y/n) at home, spread across his bed, his tongue tasting all sorts of things… 

Drool was slowly pooling between his sharp teeth, and he quickly wiped it, giving an internal groan at how fast his cock had risen to attention at the thought. 

He needed to get with his sweetheart quick, even just enough to curb the appetite growing inside of him. 

The spider girls giggling brought him back to the present. He flashed a grin and went to the bar, getting a mustard to drink as he continued around, checking everyone for info. 

After the rest of his rounds, he headed to his last few information gathering contacts. The ones he knew couldn't keep their mouths shut. 

.

(Y/n) didn’t know what to do. She was stuck in this house, not able to leave, not much to do, nowhere to go. 

Sans’ room was messy, her clothes were dirty, it wasn’t even lunch time… 

First, she went to the bathroom and washed her clothes in the tub the best she could, cleaning herself as much as possible in the process, hanging them to dry so she could have something clean to go home in. 

Then, she went back to Sans’ room, looking around. She couldn’t read any of the books on the shelf, seeing that the words were all written in a strange sort of glyph, and remembered that Sans had told her he couldn't read human language, but as she put all the books on the shelves, she saw the covers had various strange pictures, outerspace, numbers, shapes, most of them looked like school books, but, like they’d be for some advanced courses. She flipped through the pages of a few of them and saw all sorts of charts and formulas that looked reminiscent of something she’d seen on a tv show with Neil deGrasse Tyson as the host. Very smart… and science-y… 

(Y/n) put them on the shelves, trying to keep them together as best she could. Some of the books were obviously not… string theory… or whatever the hell the others were… but, novels or something, a few of them she had only a vague idea, having to make a guess that one with a simple cover of a monster laughing at a casket and a crowd laughing at the two was either a black comedy novel, or a book of dark jokes. 

She leaned toward the dark jokes. 

Under his desk, she found a folded up paper and opened it, trying to see if it was important, though she'd really have no idea, and saw that it looked like some sort of congratulatory certificate. High school diploma, maybe? 

After she got everything sorted, she tried to put it with other things that looked the same. 

She went out into the rest of the house and found a garbage can under the extra tall sink cabinet, and took it up Sans' room, only throwing away things that were obviously trash; food wrappers, crumpled up bits of paper, other strange little things that might have been dried lava, or eternally frozen snow… any way, they were things that looked like they had fallen from his shoes. 

When she took the garbage can back down, she found something that looked like it might be a vacuum, and she looked at it, turning it around and pressing the buttons to see how they worked without any power, before sticking it back in the closet and pulling out the broom and dust pan. 

Sweeping was better than nothing… and also better than blowing up the house. 

The next task (Y/n) tackled was sorting out the laundry, though she couldn’t find any washer or dryer to clean them in. Maybe they made laundromat trips? 

After that she figured it was about lunch time, so she dug through the fridge and ate a small portion of the lasagna from the night before. It wasn’t the worst she’d ever had, but it was far from the best. Maybe if she hid some of the spices he’d used that should have stayed out of the mix, like sage, paprika, cinnamon, nutmeg… really, she thought maybe he’d just put some of everything in the spice rack in there. 

She tried turning on the tv and entertaining herself, but the only channels they seemed to get all had the same robotic actor on them, overdramatically giving monologues, "hosting" or cooking things- awful things… that’s probably where Sans’ brother had gotten the recipe for the lasagna… 

She turned it back off, and decided to look through the windows to try to get an idea of the area she was in. Knowing that she was at least supposedly in danger, and most likely truly could be, she only peeped from the edges of the window for the first few minutes, but after noticing that there didn't seem to be anyone or anything outside but tall grass and flowers, she just looked through it normally. 

I thought they said we were in monster territory…? 

(Y/n) put a hand over her face. What if they were all the way on the other side of the monster territory? She certainly couldn't find any landmarks that looked familiar, and the tall buildings usually on the horizon seemed to be missing. 

Only more support for her 'Sans is actually a nice, though perverted, guy' theory… 

She sighed and decided to go look out the windows in Sans' room, thinking that maybe she'd see something familiar from higher up. 

(Y/n) was standing at the window, wondering what kind of flowers were in the field, when the door opened. She, of course, expected it to be Sans, this being his room and all, but the blood drained from her face was she saw the tall skeleton in the doorway. 

"HUMAN, I THOUGHT YOU WOULD PROBABLY GET HUNGRY, AND I DIDN'T THINK YOU'D BE ABLE TO FEND FOR YOURSELF," he shouted, sounding extremely put upon. "AND I KNEW SANS WOULD BE TOO LAZY TO REMEMBER TO FEED YOU, SO I- WHAT ARE YOU DOING OVER THERE?" He asked suspiciously, cutting himself off before getting to his point about how much of a hassle it would be if she died from starvation.  

Her color had gotten paler when she'd seen him, and her eyes had started darting around the room, as though taking stock of what she could use as a weapon. Papyrus automatically did a check and found that not only did she have a blue soul, denoting her strong integrity, but it seemed to have a bit of a purple glow around the edges showing her perseverance, looking a bit like blue velvet; blue, but purple in the shadows caused by the texture, and she had an extremely low LOVE, around that of a child's, and was surprised that her desire to find a weapon went so against her stats. 

It must be a survival tactic, then. Probably to defend against any oncoming attacks.

She posed no threat to him, but he applauded her instinct to be ready to fight if necessary. 

She swallowed harshly and managed to rasp out a broken whisper. "Loo-n-  ou-si-." She pointed out the window to try to help him understand what she was saying. 

He seemed to have dismissed her, though, looking around the room. "OH MY GOD!!" 

She jumped at his exclamation. Did she do something wrong by cleaning? 

"THIS IS THE CLEANEST I'VE SEEN MY LAZY BROTHER'S ROOM SINCE WE MOVED IN!! BUT, WHY DIDN'T YOU DO THE LAUNDRY? IT'S JUST SITTING HERE IN PILES." 

"C-ou-... cou-n't fi-d," she rasped, shaking her head nervously apologetic. Her hand went to her throat, and the way she winced showed how hard on her throat just getting that much out was. 

Papyrus hummed, his fingers lifting to his chin. It would make sense that she wouldn't wash them if she couldn't find anything to do it with. "FEAR NOT, HUMAN! I, THE GREAT AND TERRIBLE PAPYRUS, WILL SHOW YOU WHERE THE WASHING MACHINE IS! AND HOW TO USE IT!!" 

(Y/n) opened her mouth to object that she did know how a washer worked, but it didn't matter, because he had just turned and started out the door with, "COME, HUMAN, AND BRING A PILE OF LAUNDRY!!" 

After having the instructions on how to use the machine yelled at her, for no particular reason, she was glad that it had been Sans that had found her, and that Papyrus had only come to check on her and would be leaving soon. She didn’t know how long she’d be able to stay in his presence without constantly being on the edge of a panic attack. 

When she came back into the front room from where the laundry room was, behind a hidden door in the kitchen, Papyrus was standing a little awkwardly near the door. 

"W-WELL… I CAN'T SPEND ALL DAY MAKING SURE THAT YOU DON'T DIE! I HAVE TO GO! …" He stood silently for another moment, then announced, "I'M GOING." 

(Y/n) gave a smile and waved, the most she could do without hurting her throat further or risking offending him, and had to hold back a laugh as the start of a red glow touched his cheeks and he looked flustered for a millisecond before he gave a tug to straighten his outfit before he turned and walked out through the door. 

After Papyrus left, (Y/n) mostly just hung around and did laundry, looking through things, but not finding much for her to do until she found a deck of cards, then she sat on the floor and played solitaire, pausing only when the laundry was done, to fold it and put it on the desk chair, not wanting to dig around in Sans’ drawers. 

He was a guy… guys had… stuff … that she’d rather not stumble across… especially due to the strange things that had apparently turned him on before. Also, being a skeleton monster made him different from every other guy she'd known, and the thought of finding super weird fetish stuff that she'd inevitably be morbidly curious about gave her pause. 

She wasn't a "freak" but… curiosity was something that had gotten the better of her before, and some things in life, you just didn't need to know. 

.

(Y/n) had finished the few loads of laundry, folded them, and turned to just playing card games by herself on Sans’ bed by the time the door opened and Sans walked in, looking tired and sweating a weird sort of translucent, but red tinged, perspiration. 

He stepped in and closed the door behind him before looking up, but then froze in place and swept his shocked and slightly horrified gaze around the room. 

For the second time that day, she wondered if she'd done something wrong by cleaning Sans' room. 

He stiffly walked to the chair and pushed the laundry off onto the floor. 

(Y/n) made an indignant noise from the bed, but heard him mutter, "too clean…" 

Ahh, so he's one of those people who need a little disorder to feel comfortable , she noted, feeling the anxiety leaving her as he tossed his coat on the chair and turned to her. 

He smiled and lifted a bag onto the bed. "i, uh- i uh- gotcha some stuff…" His expression shifted to that angry sort of flustered look he'd had before, paying close attention to how his other hand was fiddling with the edge of his red sweater. "somethin' ta wear, s-so ya don't have ta keep wearin' dirty clothes…" 

Sans glanced over at her and felt another pang in his chest at the beautiful smile she was giving him. 

fuck-! so adorable! an'... why d'i feel disappointed that she's not wearing my clothes, now?  

(Y/n) smiled at him, mouthing thank you . She hesitated before nervousness seemed to grow over her a little and her gaze focused on the bed. 

“wassup, sweetheart?” He asks, feeling a bit nervous about what was on her mind. 

She gestured, asking, can I go home? She immediately winced and glanced up at him then back to the bed, as though she were worried he was going to hit her. 

Sans felt his soul throb painfully at the thought of her leaving, and his hand automatically went to it. He realized what he was doing, and changed the movement to scratching his sternum through his sweater. Luckily, he had a reason for her to stay. He move the bag onto the floor, then sat on the mattress and laid back with his shoulders about even with her, making himself comfortable as he told her, “i talked ta alla my contacts, an’ it sounds like no one knows ‘xactly where ya are, but they definitely know that there’s a human on monster turf.” 

Her brow dipped in confusion and she asked, how?  

Sans shrugged as he put his arms behind his head, his fingers running over a crack on the back of his skull. “dunno fer sure-” ok, it might have been from his asking so blatantly if anyone had seen a human around- “but i hadda getcha here somehow. coulda jus’ been spotted on th’ way. tough luck, but, should be good in two or three days. ‘f we wait fer three, they’ll most likely ferget ta be lookin’ fer ya.” 

(Y/n) eyed him, and he was glad that he’d already been sweating so that she hopefully didn’t notice the fresh round of perspiration beading on his skull. Finally, she seemed to accept it, and he let out an internal sigh of relief. 

“so, you, uh, ya have an ok day?” She gave a half nod half shrug. “noticed ya cleaned up ‘round here… an’ i appreciate th’ thought behind it, sweetheart, ‘s real sweet a ya, but, i gotta ask ya; please don’t. kinda wigs me out when ‘s too clean. like it’s a fake fuckin’ storybook,” he muttered. 

She put a hand on his arm, and it felt like Sans’ soul tumbled around his rib cage. He looked up to see the apologetic look on her face. Sorry...

Apologies? Yeah… Those were something that never happened in the Underground. 

In a kill or be killed world, any sign of niceness was seen as a form of weakness, so niceties had been dropped long ago. 

The way his sweetheart was so nice, showing kindness and caring was definitely something he liked about her, but… it also made him uncomfortable. 

Sans would never turn away from her for her weakness, he wanted to protect her, keep her with him and safe. But… he didn't know how to react to this kindness. So he again took it to a place he was more comfortable with. 

“ah, dollface, don’t worry ‘bout it…” He turned and his thumb went out to run down her cheek, trying not to let the tiny flinch get to him. “if it’d make ya feel better, i know somthin’ ya could do ta make it up ta me…” He gave her a smirky grin and took his hand back, putting a fingertip on his cheek. “how ‘bouta kiss?” He watched her gaze turn wary, her body stiffening like she was getting ready to bolt. 

False, flirty affection and innuendo was so much easier to handle than real affection, even if he wanted her affection like a starving man wanted food. It seemed, though, that she knew how to take flirting about as well as he knew how to take a compliment, so he again changed directions.

 “kiddin’- ‘m kiddin’, doll,” he assured quickly, feeling a prick of pain in his soul. He was not kidding. He'd probably do anything to get her to willingly kiss him again. “heya, knock knock.”

She looked at him uncertainly, but lifted a brow and tilted her head. Who’s there?  

“sherlock,” he told her, watching as she puzzled over it. 

Sherlock who…? Seemed to be what she asked with her confused expression after a moment. 

“ sherlock yer door tight, sweetheart,” he told her, watching as her eyes closed as she took it in, then her posture changed as she silently chuckled. 

Sans’ smile widened in satisfaction that she enjoyed his joke. “knock knock, doll.”

She lifted her brow to ask who's there, but it was the cute little smile on her face that made his soul throb. 

“mustache,” he told her, watching her expression contort in confusion. 

Mustache? Can skeleton monsters even grow mustaches? What the hell? She thought and tilted her head inquiringly.

“ mustache ya a question, but i’ll shave it fer later,” he told her with a blow off expression, watching her giggle as squeaks and huffs left her. 

There… that adorable expression on her face was a much better look than her being worried that he was going to do something unpleasant to her. Even if the worry was justifiable, given his track record concerning her… 

He just watched her giggling for a moment, red spreading over the bridge of his nose. 

She tapped her hand to his arm and managed to ask, you know a lot of knock knock jokes?  

“knock knock,” he told her in answer, and she lifted a brow immediately in question. “rhino,” he told her. 

Oh, this one had to be good. She tilted her head and lifted her brow again. 

“ rhino every knock knock joke there is,” he told her, his grin getting a bit goofier at her reaction. Stars she was cute! “so, what else d’ja do?”

(Y/n) wondered if it was something normal for monsters to talk so comfortably with someone they’d only really just met the day before. It really seemed like some ideal relationship situation from some rom-com; he got home from work, told her about his day, asked about hers… The only thing missing was an actual relationship…

She masked the feelings her internal musings brought up with the ease of practice and gestured around the room. She was good at ‘don’t rock the boat.’ 

“jus’ this, huh?” He asked and she nodded before pointing at the cards, indicating that she'd also played cards. “sounds like a  good day ta me, but maybe ‘m jus’ lazy,” he said as he closed his eye sockets. A contented smile tilting his normal grin up. “‘m gonna try ta get a nap in before dinner. feel like joinin’ me?”

(Y/n) shook her head to answer him, knowing he could see her though his slightly open socket. 

“suit yerself, sweetheart,” he told her, shifting his shoulders as he got comfortable.

He seemed to almost immediately fall asleep, soft snores coming from him, and not even reacting when she’d waved her hand in front of his face. 

She went back to her card game, the weird feeling of being so comfortable around a strange man (one that had pushed her against the wall and basically rubbed against her, no less!) struck her as wrong, but she couldn't bring herself to be truly uncomfortable. 

Uneasy and worried from his actions sometimes? 

For sure. 

Uncomfortable? 

Nope. 

Something brushed against and down her back, laying against her butt. 

(Y/n) looked over her shoulder, seeing Sans' arm laid out behind her. She watched him closely, not wanting to miss any tell in his expression, but other than slightly rolling toward her, he still seemed asleep. 

She gave a doubtful glance, but it fell to the back of her mind as she continued her game. 

After a few minutes, she felt Sans rolling toward her more, his hand sliding over the bed, snaking over her thigh, wrapping around her waist and burying his face against her thigh. 

Oh, yeah. He's asleep, my ass, she mentally grumbled. 

She rolled her eyes and went back to her game, not entirely comfortable with this extent of touching, but she knew that some good friends got touchy and cuddled, so it wasn't some insanely strange concept to her, even if they weren't that close. 

Halfway through the next round of her game, (Y/n) felt Sans' arms tighten around her, and she looked down to see him rolling over onto his stomach, putting him on the cards and into her lap, his head awkwardly pressing against her. 

She tried to shift around to get rid of the discomfort of his skull pressing against her hip, and the weird kink he'd put in his neck vertebrae to do so. 

Of course, with all of her edging around his head, and their shifting around, she ended up laying back with him in her lap, his skull laying on her stomach. How could this end any other possible way with her luck?

Honestly, though, with all the terrible things he could possibly do to her, that she knew of and worried about, laying with his head on her stomach hadn't even made the list. 

She gave a shattered, huffing sigh that made her cough a little, but it cleared quickly. 

She kept herself ready in case she was going to have to defend herself from the skeleton, but folded her arms over her chest to feel like she had at least a little cover, and resigned herself to laying there until either he "woke up," or she had to convince him to move so she could use the bathroom. 

Sans tightened his arms around his sweetheart as she coughed, hating that he didn't have green magic to try and fix it instantly, but, thankfully, it quickly ended. 

He tried to be subtle, not wanting to give away that he was awake, but it was so hard when all he wanted to do was nuzzle into the soft squishiness of her belly. Especially when some of her squishiest bits were against his clavicle and were tempting him to rub against them… and give them a sniff…  

fuck- ya smell so fuckin' good, sweetheart… He mentally groaned to himself. 

(Y/n) shifted under him, but he didn't let it disturb him; he was an expert at pretending to sleep. 

"SANS-" 

The skeleton on her belly jumped at the loud voice, giving a grunt of surprise. 

"YOU BETTER BE DOWN HERE IN FIVE MINUTES TO EAT DINNER!!"

"paps, you fuckin' sonuvabitch," he grumbled to himself, not quite audible to (Y/n). 

"welp. dinner time, doll. you joinin' us downstairs 'gain t'night?" He asked as he sat up, not leaving the bed, or her pile of cards, but off of her. 

She gave him a nervous look, not wanting to be afraid, but also very afraid of the tall, loud skeleton downstairs. 

"aww, c'mon sweetheart, he ain't that bad. i mean, don't get me wrong, 'e's bad, but not that kind a bad." 

As strange as it was for her to trust anyone so quickly, his words kind of made her feel better about being in the same room as the taller skeleton.  

She followed him downstairs, deciding that she was misreading the look on his face and posture as content and proud, as though she trusted him to be her knight in a red sweater; it was probably just self confidence. 

God knew she'd never felt that much of it to know. 

Sans pulled out a chair for her, but instead of waiting to push her in, he sat in the chair next to it and shifted the seat, pulling it closer to him when she sat. 

(Y/n) would protest, but she really did feel safer being closer to him, and farther away from the other skeleton. 

He served her a small slice of lasagna, and she knew that it was because he knew it was going to taste awful, and he didn't want to stick her with too much to eat instead of a plot to starve her. 

It was a quiet dinner, much the same as the night before, with the toe of Sans' sneaker hitting the leg of her chair he was so close, and Papyrus giving her not at all hidden suspicious glares, as though he didn't think it was safe to hold a conversation in front of her. 

(Y/n) took another bite of the lasagna and hid her wince. 

She really should have hidden those spices earlier… 

A/N: Oh Sans... there's a difference between telling Paps that he's an amazing cook and telling (Y/n) she has to stay there because there's no possible way she can get home. Also, I recently got a message from someone who had made fanart of another story I wrote and asked if I wanted to see it- uh, fuck yeah, I do! You kidding?! You were inspired by something I wrote?! I'm gonna fangirl... I love it even more because I can't draw... I guess what I'm saying is that if you do anything inspired from something I've written (art, stories, drabbles), you don't have to ask, there's a 100% chance I want to see it. And that I'll squeal.

[alextriestowritestuff]

Mark of Athena Re-read

Hey guys! If you’ve been keeping up with my last couple of posts, you’ll know I’ve been re-reading the Heroes of Olympus (HoO) series by Rick Riordan, starting with the Son of Neptune. If you want to my thoughts on it (spoilers included) and my background with the series, click here. I made a little bit of rant post about my feelings about the HoO series overall so far and you can find that here! This post will be about the Mark of Athena (MoA) and as always, spoilers abound.

Soooo y’all...I think this book is worse than the Lost Hero. I feel so bad for saying that bc I hated tLH (Like I’d give that book 2 stars) but god, this was so bad. No wonder I forgot what happened when I originally read it. Before I get into it, I will say I’m usually not negative in my ‘reviews’-I’ll give credit where it’s due (I did that in tSoN with Hazel and Frank who weren’t really my fav characters to start with) but this book has very little redeemable aspects imo. So I’ll start with the thing I was most irritated about: Piper.

Piper...Piper...Piper. Gods, none of her chapters ever passed the Bechdel test. I DESPISE her and I hated every single one of her chapters. With characters like Frank, I admitted that sometimes his chapters were a bit boring but I never hated the guy’s narration. Piper, however, is an insecure hypocrite. Let me show you.

So at one point, Annabeth, Piper, and Hazel meet up with Aphrodite. The POV is Annabeth’s and while Aphrodite is talking to them, it seems like Piper is just embarrassed to have her around. 

“Mother!” Piper said. “You’re embarrassing me.” “Well, I don’t see why,” the goddess said. “Just because you don’t appreciate my fashion tips, Piper, doesn’t mean the others won’t. I could do a quick makeover for Annabeth and Hazel, perhaps silk ball gowns like mine—” “Mother!” 

And a few lines later she says again “ ‘Mother, Piper said, “is there a reason you’re here?’” (30). 

Okay so someone tell me why this girl says 10 pages later “But also, Piper was secretly hurt not to have her mother to herself. Aphrodite had barely looked at her. She hadn’t said a word about Jason. She hadn’t bothered explaining her conversation with Reyna at all. It was almost as if Aphrodite no longer found Piper interesting. Piper had gotten her guy. Now it was up to her to make things work, and Aphrodite had moved on to newer gossip as easily as she might toss out an old copy of a tabloid magazine” (40). LIKE GIRL MAKE UP YOUR MIND. Do you want your mom’s attention or not? But I’m highkey interested in what Aphrodite said to Reyna tho.

Let’s talk about Reyna for a second. First off, I feel so bad for her?? Percy turned her down-fine, he has a gf. Then I thought Jason had feelings for her but he says this in MoA, page 19: “It’s just…I never felt that way toward Reyna,” Jason said, “so I didn’t think about its making you uncomfortable. You’ve got nothing to worry about, Pipes”. Like damn can Reyna get any love?? I get that he doesn’t like her anymore since he met Piper but to have never liked her? That’s rough. And notice how this quote is from page 19, but again on p. 40, Piper is still so insecure in their relationship. I don’t she’s listened to a word he said at all. Then towards the end of the book, she says oh I love you but she literally didn’t know the man’s age prior to that. Like what?? Did they even kiss this book? I think like once lmao. Also speaking of the birthday thing, Piper says this while she waits for Jason to blow out his birthday candles.

“Well?” she urged. “Blow out the candles.”

Jason did. Piper wondered if he’d made a wish—hopefully that he and Piper would survive this quest and stay together forever. She decided not to ask him. She didn’t want to jinx that wish, and she definitely didn’t want to find out that he’d wished for something different. 

Me @ Jason: This your girl? Come get her. Because Imma hurt her feelings. What do you mean you want him to wish to stay together forever? He should wish for Gaea to you know die so everyone can be safe. If I ever met Piper in person, I’d fight her. ON SIGHT. 

In a related note, I’ve got nothing to say about Jason. He was fine. He passed out alot during this book, didn’t do much for how hyped his powers are supposed to be. I will say when he and Percy were possessed and they fought each other, Percy totally won that fight. He knocked Jason the hell out and was about to end his whole career until Piper got Blackjack to knock him out. But overall, I think Jason’s rather bland and him and Piper have NO chemistry. But I don’t think he deserves insecure Piper as a girlfriend. She’s a whole ass child of Aphrodite and she’s worried about her relationship...let me move on.

My main issue with the book lies in the structure and plot. The previous two books had 3 narrators and each set of trio had a specific prophecy assigned to them-i.e: Percy, Hazel and Frank had to free death, retrieve the eagle. The prophecies are a catalyst to get them to go on the quest. And then obviously, we have the overarching prophecy of the seven that will come to fruition in small chunks until the last book of the series. That’s fine. So the issue with MoA is that now Rick is handling seven characters + Coach Hedge (like why was he necessary??). He has 4 POVs which threw me the hell off bc we had 3 in the previous two books and honestly, I think we could’ve gone without one of them (Percy’s actually). As a writer, it’s hard to balance multiple characters in the same setting constantly. If they have a conversation, one or two of them will have less lines because other characters have already said them. Therefore to give everyone adequate ‘screen time’, Rick had to separate them by keeping groups of three or two on their own side quest. As a result, however, reading the book felt like I was being brake checked constantly. Ex-We follow Percy, Frank, and Hedge to an Aquarium then we follow Annabeth, Hazel, and Piper to meet Aphrodite, then they encounter the Romans, then Piper and Jason meet Hercules and get the horn and so on. Like they’re constantly shifting and doing stuff but not going as a group so it feels like I’m constantly trying to catch up. There’s too many pit stops for my liking. And I deadass have no idea what most of it had to with the MoA prophecy. 

This disjointed-ness is what makes me rate it lower than tLH. Because while I didn’t like Piper or Jason in that book, it was still cohesive. There was a plot and it was followed. Another reason I might feel this way toward MoA is because Rick has a formula and it’s starting to be predictable. Think about the original Greek myths-there’s one main demigod like Hercules, there’s a quest, there’s godly interference so it makes sense the the PJO/HoO characters have the same thing. But all this talking to gods (esp gods we’ve already met like Aphrodite) is taking up so much space and slowing the plot. It also didn’t help that the minor villians in this book are all unlikeable?? All they did was talk. Otis and Ephialtes. Porchy and Keto. Arachane. All they did was talk. Here’s how to defeat a PJO/HoO villain: con them to help you/let you go or fight them. That’s it. 

This book is where I started to really regret reading the series. Like I was just over it. The plot was somehow slow and all over the place at the same time. The last couple of chapters were good because I was like finally, something relevant to the prophecy is happening. 

Let me leave you guys with some positives about this book though:

1. Annabeth’s POV. What a gal. When she faces Arachane, Annabeth mentions that she doesn’t have an active power like the other Seven but she has her intelligence. And I’m like yes girl, you are brave and everything I want to be. I would read the PJO series from her POV over this series.

2. Percabeth. They kept promising to come back to each other and my heart melted. Percy was so worried about letting her go follow the Mark but he knew it’s what she had to do and he let her go. And ugh, them falling got me all over again. And like just their chemistry is off the charts. Piper and Jason could never. 

3.  Percy’s comments about Luke. Percy realizes that he’s around Luke’s age when Luke went all ‘Gods are bad, their children are pawns’ and like I get chills from reading that passage because you can tell Percy’s tired. He can’t have a life because of these quests, he’s constantly moments away from dying. He never really got a chance to be a teenager. And I get he wants to help people and keep the world from being taken over by bad guys but he’s also human. He’s seen demigods die...he’s traumatized. Like Percy, I really understand Luke better now (right idea, wrong execution) and l see how tired Percy is. 

4. The Leo/Hazel/Frank disaster of a love triangle. Like I’ve mentioned before, I want Hazel, a THIRTEEN YEAR OLD child, to be left the hell alone when it comes to romance. But because Uncle Rick insists on pairing up everyone, I have to oblige. So here I am. The amount of times I cackled at Frank and Leo’s digs at each other is astronomical. Like shots were fired, no one held back. I was like is this even MG/lower end of YA anymore with all this salt?? Over the years I’ve been spoiled about the series so I know that Leo somehow ends up with Calypso so I know nothing will come out of the love triangle (and it seems to be wrapping up bc Leo and Frank complimented each other’s abilities toward the end there) but passive aggressive-ness was peak. 

5. Every single conversation between Reyna and Annabeth. Like two powerhouses talking about wanting to save their camps and the world. I loved it. Hands down. I hope they can be friends when this is all over. 

6. And lastly, the reunion of Percabeth. The Judo flip. The fact that Percy talked about having a future with her. 

Thanks for reading if you made it down here and I’ll see you guys in a couple of days with my House of Hades update. This book and the one after it I’m reading for the first time ever so I’m going in semi blind (like I said, I know some spoilers). I’m currently on chapter 2 or 3 of that and ermm, it was a weak intro but I’ll keep going :) rooting for Percabeth to make it through. 

[popculturebuffet]

The Loud House review 4x29: Brave the Last Dance

In a months late review of a show I watch only on occcasion that i’m doing for some reason: Clyde gets the help of the rest of the Clincoln true to find out if his crush likes him or not: Hyjinks and my smouldring hatred of rusty insues. 

With Ducktales only arriving once a week, me missing reviewing and having a lot of time on my hands i’ve decided to branch out a bit.. maybe not a ton, but ocasionally review other animated shows and seasons. If you have any suggetions or any paticular episode you’d like me to look into, let me know. 

For now I decided to take a look at a show I mostly watch whenever the mood strikes; The Loud House. I do enjoy the series, but it’s a casual love... it also dosen’t help that I can’t go into the tags without finding reams of incest but I digress. I do still like the show and despite it’s ocasoinal terrible episodes and even worse creator, it’s still a solid series and deserves it’s spot as nick’s crown jewel.. I do wish nick would stop abusing everything ELSE in it’s lineup, but that’s a whole other story. The point is I like the show, but i’m not a super fan like I am for say Ducktales or Steven Universe where if there’s something new, i’ll go out and grabs it immediately. But I do like it.  And I do regret not knowing this episode existed for two months because 1) This is a holiday episode and I like to watch those around their holiday and 2) Because dance episodes are my shit. More often than not if i’ts a dance episode of a show, i’ts usually pretty good. Community, Big City Greens, Gravity Falls, She Ra, OK KO, Parks and Recreation.. I really COULD go on indefntiely, but I won’t.  Dance episodes usually bring out the best in a creative team, have adorable romance moments, or huge dramatic attacks and everything in between that just makes them awesome to me. So naturally I watched this as soon as possible and my thoughts.. well as with anything they take some context.    You see this episode follows a character who has kind of a .. problematic history to say the least and thus has kinda gone up and down in my opinon. Early on, as most of you probably recall, the series was more focused on LIncoln, the middle child and only boy in the the titular loud house among 10 sisters. And given it focused mostly on lincoln and his shenanigans and schemes to deal with living iwth 10 other siblings. Now the show has evolved since then and for the better in my honest opinon: now all 11 siblings share the spotlight and whose in an episode depends on whose needed, and thus each of the siblings has their own supporting casts of varying depths and episodes, sometimes with NONE of the other family members playing a signifgiant role. But since the show was originally Lincoln centritc, it also picked up an extra main character outside of the 11 loud kids and their parents: Clyde. Clyde is Lincoln’s best buddy, a glasses wearing awkward kid whose dad’s sometimes smother him but are still loving kind guys, and who often goes over to Lincoln’s to share in the feeling of having siblings outside of his surrogate brother Lincoln obviously. However early on Clyde, like most of the cast in the earlier days, had about three character traits: being an only child, being a dork and having a near pyschotic crush on LIncoln’s oldest sister Lori which gave him crippling nose bleeds.  This would’ve been fine, if a touch annoying, had it just been him fainting and nosebleeding.. but instead, it also causes Clyde to be kind of a dick. He perused her constantly despite her rejecting him for a number of obvious reasons, you know him being a decade younger, her being not intrested, him being more like a second kid brother to her, and of course the fact she has a boyfriend, Bobby. Bobby is the nicest guy around, was a great supporting character, and is probably the reason i’ll get around to watching the casagrandes on occasion. Clyde however treats him like garbage, tried to break them up, and in general was a dick to a guy whose only crime is being in a loving relationship with someone Clyde wants to be with but obviously can’t have. It was annoying with the only time it was tolerable was that episode where Bobby was mistaken for cheating and clyde spent an entire episode preparing to beat bobby up if it was accurate, then upon trying (It wasn’t it was just shenanigans), failed spectacuarlly. Bobby is nothing but nice to him by the way.  So yeah it was hard to root for Clyde for a while but eventually it stopped.. not because they had an episode of Clyde TRYING to get over it, they did it just didn’t resolve it, but it was just dropped.. likely because the writers realized it just wasn’t that funny and with bobby put on a bus to the spinoff, they had no real jokes for it and no one really liked the passing out gag. The fact that series creator Chris Savino got fired for sexually harassment is not lost on me and only makes the gag worse.  But thankfully the character did bounce back and by season 3, even before savino was thankfully fired, they put the joke to bed with Bobby’s exit, and it is thankfully buried deeper than the bunker where htey keep walt disney’s cryogneically perserved body... what you thought he just kept the head? Why woudl they? Disney was rich and belived in the future. He probably wanted his body merged with some sort of mechanical man. But with that gone Clyde thankfully became what he was in his better episodes: an adorable dork, with two loving fathers. Though now he’s not the only kid on the block with two gay dads.. he and Violet should get matching friendship t-shirts reading “Gay dad club”... and i’ll probably draw that at some point but I digress i’m several paragraphs in and I haven’t even gotten to the episode, and I STILL have one last bit of explostion for context that most of you may not need.  That last bit is that LIncoln’s episodes evolved a bit around season 3: instead of JUST being him and Clyde, though that can still happen, Lincoln soon got a circle of buddies, each of whom plays a role in the episode, for reasons i’ll get to in a bit, and part of my reason for reviewing it is to touch on my thoughts about them and my weird love of these episodes. So a breif overview since some of you may not know who they are.  Lincoln himself: The former lead and now one of 10, and a great character I enjoy following a lot even if I miss his Zack Morris-esque fourth wall breaks, minus the smug... no one can out smug or out sexually harass Zack Morris.  Liam: A country boy and the only one of the intial five besides Clincoln I actually like. He’s a kind hearted well meaning country boy and is always kind and friendly, and reminds me a lot of stinky peterson but with a tone down accent.  Zach:... I forget he exists, i’m not even sure this is his actual name. He’s just.. there for some reason and i’m not exactly sure why he’s been kept around now that Stella, who i’ll get to next, has been introduced. But he has goggles and wild hair and that’s.. it. Any of his lines could be said by the others without muchc hange.  Stella: My faviorite out of the group, a frieindly girl who was insitally introduced as Lincoln’s third love intrest.. before pivoting to have her not really WANT to be with any of the guys in an episode that’s really good and instead joining the group. She has more personality and energy than most of them, and thus I do tend to seek out an ep if she’s in it. I do also kinda lowkey ship her with lincoln, but only al ittle. her episodde was about hwo every girl who pays attention to you isn’t into you after all and it’s a lesson kids need. I wish I had it when I was that age honestly. Anyways... finally we have the bane of my existance.  Rusty: I hate this kid. I can’t stand his goofy face, and I love goofy goof so goofy faces are not a problem, obnovious wannabe ladies man smugness, or his basicaly being the useless asshole of the group. LIke Zach, I don’t get why he hasn’t been written out. Hell Zach I at least get as the generic guy they can slott in. Rusty is just terrible. it’s telling that his LITTLE BROTHER, who showed up in one episode as a love intrest for Lucy, is far more popular.. mostly because Rocky’s actually likeable and isn’t a dipstick. I just hate this kid and want this character written off already. He’s the weak link in the group and is SOMEHOW more obnoxious than Clyde during any episode bobby and him were in the same room. And tha’ts an acomplishment! Gah. I could rant about this little shit all day, but i’d prefer to move on.  The episode has a pretty basic setup: Clyde is on the dance comitte, and is a good chef which .. tracks. I do think h’es cooked before and his love of Dessert Storm, a in-series cooking show that the Loud’s love too, has been documented in one or two episodes and cooking does fit his personality: he’s a detail orinted kid, he has parents who have lots of money to spend and have been established to like coooking fancy themsevles, it makes sense he’d pick it up. But it’s the Valentine’s Dance and Clyde has a crush on Emma, one of the girls on the comittee. His friends pick up on this and stellas has an adorable “awww” type grin while the boys all have smug shit eating grins but are all willing to help. It’s part of why I like these eps: the 5 really seem to have a nice rapport and be genuine friends.. friends who all fought over a girl once, except Stella who was said girl, but friends nonetheless, who eventually put said friendship over that. Even if one of them’s a block of wood and the other the bane of my existance, you still get the sense their valued.  It’s from there the episode Segues into the standard loud house formula, which is one of the resaons I do only watch the show ocasionally: while the episodes can varry wildly, some just fall into a formula of “character or characters do various things in a row until they realize they were wrong or something”. Now the show HAS had good episodes out of this formula, L is for Love and Racing Hearts, and yes i’m a saluna shipper but the eps are good beyond that, but sometimes it can feel like padding. This is one of those times. Each of the squad tries something to help Clyde find out if Emma likes him or not, he’s too nervous to take it as a sign he should go for it, rinse and repeat 3 more times before the plot finally moves on. This is also why I went into detail on the Clinclon Crew: each one, except Zach because the boy is made of paper mache remember, gets a chance to try helping him out.  Rusty: As if you needed proof I wasn’t overreacting, Rusty SPIES ON EMMA WITH BINOCULARS for the plan.. he did not need them, and the joke dosen’t land like it should because Rusty sucks. And his plan is to drench Clyde with cologne and if she comments on it, she likes him. I do however like the joke about how clyde thinks Rusty’s cousin that gave him the plan, proving Dumbass is a genetic trait, had a girlfriend at a camp who probably dosen’t exist.  Liam: Liam’s plan is a bit funnier... not because of the plan which like the previous one not really that great but hey their 11 or 12 i’ll give all of them but rusty some slack, because he sucks. But the Clincoln Crew which i’m calling them now so there, head to the movies and Liam says ,d ue to a similar thing happening with his chickens, if a girl sits next to you, they like you back. It’s not entirelys ound but the chicken thing got a small chuckle out of me and LIam does have some odd charisma.  Lincoln: And Zach but i’m not convinced they didn’t just swap in a manquin with a tape recorder jammed inside for him for this or any scene. Lincoln uses one of lori’s magazines with some sounder, if flimsy but beliviebly for kids, logic: ask her for a pen: if it’s a regular one they have no intrest, it’s it’s fancy she likes you. like the other two it happens.. but in a resonable bit of writing like the last two Clyde isn’t sure due to a combinaton of insecurity and these plans being as flimsy as the paper they made Zach out of .  Stella: Whose grandma can read tea leaves and actually predicted her moving to royal woods, because stella is great. Stella is also damn good at it as she does predict Clyde at the dance, in a chef’s hat for reasons that i’ll get to in a moment. dancing with a girl. Tha’s lal he needs and this bit finally ends. As I said it’s the tedium. While what happens NEXT is intresting enough, you really didn’t need all of those or have enough jokes and were clearly padding guys, come on.  So Clyde, and crew, stages an elaborate frencha nd boat related danceposal.. that fails. As you probably figured. Emma is flattered, but shoots Clyde down gently. Clyde reacts as you’d expect: by fleeing the scnee as fast as possible, quitting the dance comitte off screen, and planning never to return, which while overracting, DOES feel realistic.  Clyde goes home for some mopey solo time and becomes a tad insufferable, ignoring his friend’’s texts and getting upset as his dad for watching the movie that clearly inpsiried his dance invite plan, depsite it being their valentine’s day he’s interrupting. It woudl’ve played better if he still got upset but iddn’t you know, run in front of their tv and call them out on something they coudln’t of known as he didn’t give them details.  Thankfully the mild annoyance is b roken when, after ignoring his friends texts, which granted for Rusty and Liam is probably normal as liam probably talks about drywall and Rusty uses the word dawg and unlike Lincoln dosen’t seem genuinely worried after Clyde, you know, got rejected in front of a large crowd.  He’s broken out of his mopey solo time by a call: the person he passed cake duty off to screwed up, and after some urging from Cheryl, the principal’s secretary who Clyde knows personally from past episodes and is head of the dance comitte and an utter delight this episode, Clyde does what any normal kid would do: dawn a flimsy disguise and sneak in there. We also get a cameo from Girl Jordan who hasn’t shown up in forever so that’s nice.  Clyde fixes the cake, and Cheryl compares his mustache to a dead caterpillar which was gold, and tries to sneak out only for Chole, another girl, to notice him and stop him. You can probably tell where this is going: She , rather than mock him finds what he did romantic, she also likes dessert storm, he asks her to dance, puts his chef hat back on because time loop,a nd the two dance and even have an adorable bit where they throw their hats to each other. Also Rusty is dressed like cupid and my eyes boil out of my head as the episode ends.  Overall it’s not a bad ep. Had a suprising amount to say about it, but overall it’s a decent, cute ep for valentine’s day with a nice amount of friendship and some nice character stuff for Clyde and plenty of gay dad’s and Cheryl. Overall not a bad way to spend 11 minutes in this ongoing apocalypse. Coming Soon: I feel like quacking so I think Iw ill.. take a look at an episode of quack pack that’s donsy related.  Until next time courage. 

[comradesummers]

I’m curious about 1. Top 5 TV shows, 11. Top 5 female characters and 20. Top 5 overrated characters

Hi, thanks for asking!

Top 5 TV shows

(This list is based on my current mood, and will probably change tomorrow)

1. Buffy the Vampire Slayer 

Yeah, I know, what a shocker. It may be flawed, and old, and a little corny, but well, there’s a reason I dedicated a blog to it. No show means more to me than Buffy, and no show probably ever will.

2. Legends of Tomorrow

You know what, more shows need to be as batshit fucking crazy as Legends of Tomorrow is. More shows need to save the day via our main characters joining together to create a giant stuffed animal that hugs the bad guy to death. More shows need to give us killer unicorns, and sentient nipples, and hot girls with weapons who make out with each other.

Fuck the golden age of television, fuck everyone taking everything so goddamn seriously. Give me a pure, unadulterated, chaotic, drug-addled (I can only assume), queer, joyful, wonderful mess, and I will love and treasure it forever.

3. Crazy Ex-Girlfriend

Look, it’s just really good. I don’t really have much to say, beyond just like, it’s great, and it has great songs, and great comedy, and great drama, and great acting, and great writing, etc. It’s not perfect, because nothing is, but I do genuinely believe that it’s one of the best uses of the medium of television that I’ve ever seen. If any show could make me buy into the golden age of television bullshit, it’s probably Crazy Ex-Girlfriend.

4. One Day at a Time

So there’s this interview with Gloria Calderón Kellett and Mike Royce, where they talk about how the basic structure of any episode of the show, is that there is a topic at hand, whatever it may be, and then we hear the conservative argument (Lydia), the progressive argument (Elena), and the mediator (Penelope). And like, yeah, that’s it, that’s the show. In that sense it’s super reminiscent of Norman Lear’s work in the 70′s - All in the Family was also basically just one big argument.

So, in addition to everything that’s obviously incredible about the show (funny, well written, loving, the representation, Rita Moreno’s very existence being a gift to us all, etc.), there’s just something so brilliant about the simplicity of the basic premise, the argument about traditionalism vs. progress, which is made far more poignant and interesting because the characters are Cuban American. Lydia isn’t Archie Bunker, because her desire to preserve her traditions isn’t rooted in bigotry, it’s rooted in the culture that she was forced to leave behind. And Elena, as admirable as her quest for progress is, often fails to see the importance of preserving that culture (illustrated most obviously by the fact that she doesn’t speak Spanish). And although Penelope represents the middle ground, she isn’t always right either.

Everyone has a point, and that’s what makes each new conflict so fun to watch.

5. Queer Eye

Queer Eye makes me happy. It really is as simple as that. It has perfected the formula of bringing joy to the world, and I think that is a truly impressive feat.

Top 5 female characters

(I’m going to keep it to one character per show, because otherwise I'd be here all day. Also, again, this list is based on my current mood. It could change tomorrow.)

1. Buffy Summers 

Again, what a shocker. I don’t think I need to explain this one.

2. Elena Alvarez 

I really had to struggle to choose between Lydia, Penelope, and Elena, because I love all three of them so so much. But I went with Elena because she’s the person I aspire to be. She’s awkward, and weird, and struggles socially, and she’s not always right, but she also fights for what she believes in, actively. It’s not just about arguing with her grandmother, it’s about taking action, even if that action can be a little awkward and Elena-y. And well, seeing a character like her, who isn’t just the regular armchair activist young person that’s so common on TV, is really important and inspiring and I love her.

3. Rebecca Bunch 

She’s just kind of one of those characters that was iconic right out of the gate. I don’t think I’ve ever seen a character like Rebecca before, ever. And I haven’t seen any since honestly. It’s small stuff, like the fact that a character with Rachel Bloom’s body type is allowed to be aggressively sexual without being seen as disgusting or villainous for it. And it’s big stuff, like the portrayal of her mental illness, the fact that she was never written to be “likable” or whatever the fuck that means, but we loved her so much anyway. The show may have occasionally faltered, but Rebecca Bunch was always its center and its greatest achievement, and I will forever be grateful for her.

4. Regina Mills and Santana Lopez 

Yeah, I’m cheating, this one’s a tie. My justification for the cheating is that these two are in the same category for me, in terms of characters that I love, but I’m kind of ashamed of choosing because of their garbage source material. So yeah, it would probably be more accurate to say that I’ve chosen the fanfiction versions of both of these characters, but in my defense, the fics are a lot better than the shows they’re based on. Also, kudos to both of these actresses for somehow making these characters interesting in spite of the writing they had to work with.

5. Petra Solano 

Look, if it wasn’t already evident that I like type A control freaks, bonus points if they’re super fucked up, and extra bonus points if they’re into women, well it should be clear now. Petra in particular manages to walk the fine line of being easily the most tragic character of the show, and also easily one of the funniest, while also having one of the best redemption arcs I’ve ever seen. Idk how Grobglas and the writers managed to do all that, but it was really incredible to behold.

(I would like to extend my sincerest apologies to Veronica Mars, Amy Santiago, Rosa Diaz, Sara Lance, Zari Tomaz, and a bunch of other characters who have probably slipped my mind, all of whom would have made the list if I was in a different mood, or was currently obsessed with them. I love them all.)

Top 5 overrated characters

1. Wesley Wyndam Pryce

So, full disclosure, I’m just really not a fan of broody men who’s character development involves them being violent towards women and then brooding about it.

Wesley in particular, I get why people like him, he is a very well written and well acted example of this kind of character. But I’ve seen multiple people suggest that he’s the best character in the Buffyverse, and that drives me a little crazy. Like, no. Wesley becoming a broody asshole doesn’t make him a better character than Buffy or Willow or Cordelia or Gunn or Faith or anyone else, and I am so sick of that kind of broody man story being prioritized over every other kind of story.

2. Logan Echolls (please don’t kill me)

I actually like Logan, I think he’s a good character. I just wish the show, and subsequently the fandom, hadn’t prioritized his character over pretty much everyone else not named Veronica. But I do like him, to be clear.

3. Illyria (I’m so sorry)

Like really, I wish I liked her more. I guess it’s just because I was pissed they had to kill off Fred for Illyria, and she spent all of her time with Wesley, which didn’t do much to endear me to her. I guess maybe if she’d spent time with anyone else, I’d get why people like her, beyond Amy Acker being really good at her job. But she didn’t, and I just don’t get it.

I couldn’t think of a fourth and fifth one. As it turns out, I’m not a fan of the concept of something being overrated. All of the characters I named just aren’t necessarily my cup of tea, but that doesn’t mean I think they’re bad, they’re just not for me. And I don’t really like saying that people are wrong to like things. Plus, I just really couldn’t come up with anybody, and I really tried, I’m sorry.

[jan-uinely]

hot takes continued

here we go. season 12 episode 12. 

so. it’s time to chit chat about drag race. if u dont like my opinions sry. 

this is gonna get bigger than one episode or one season. this is meta drag race. 

but first i guess the episode. right. so. obviously it was a “musical” so obviously i wanted to see jan sing and obviously she did not. I do think that this challenge [not necessarily placed in this episode] would have been a great time to do a like returning queens. but i digress.

i think that it was a little muddled. like it wasn't like any of the “girl group” numbers where it’s just the verse and chorus. all of the verses were placed in different spots throughout the show. I also think it’s ironic that this whole episode is to promote this live vegas show which is obviously not happening right now. but alas. 

i agree with bob in that i liked jackie’s verse the best. 

i did not love gigi’s outfit in the challenge. you couldn't make out the heart as easily bc the red was all the same color. I also think the material used was too chunky- it was quilted. i would have rather had the heart be quilted, not have a corset underneath it, and have the rest of the top part not be quilted. i thought it was a good concept but i would have preferred different #choices. i also would have rather the hair been straight instead of curled.

i did not have a huge issue w crystal’s orange and green outfit. i also appreciated the callback stars and stripes hair. though maybe not together?

jaida was good as per usual. i want her to win, but we will get to that later. 

also let us note the basketball wives hair that made a comeback [gigi, jackie]

runway time.

crystal and ******’s outfits did not fit the way i wanted them too, and the problems were both in the hips. when i saw them i thought the hips should be exaggerated, but instead they both looked weirdly deflated. and crystal’s torso section could have been brought in. [i did see on instagram that the person who made crystal’s look [casey caldwell who is a nyc based designer, works w a lot of neoprene/thick materials- just look up on instagram caseyyalater] actually made it for dragcon and crystal bought it right there, so it wasn’t tailored] 

in the dior v dior battle, i thought gigi won. jackie’s dress was just i think a little too large [not in terms of tailoring, in terms of diameter] but it was very jackie

gigi said that her outfit was quintessential gigi, which i think it interesting bc if you look up showgirls performances, it very much is. however in terms of the character portrayed on drag race i didn’t think it was. it was very well made, etc. but it just didn’t fit the “perfectionist trope” of the show. 

jaida is once again wearing a gown with a presequinned fabric, which i am not mad at. it is quintessential jaida. 

critiques. 

again ooh we have to nitpick bc we accidentally cast too many winners on this season blah blah blah. i was not a fan of when they said oh well we will have to look at report cards. as if they didnt intentionally load up gigi and ****** with wins at the start of the show. 

and then it’s like oh well jackie and crystal have to lip sync blah blah blah. and you know that jackie is going home. bc the judges absolutely love crystal, all because of that mullet. 

to quote bob “I used to be really upset at queens who won the judges with their personality” and that is still mostly true for me. i don’t think her placement is unjust or whatever, but like if ru didn’t like the mullet, she would not have been given the confidence boost to turn her trajectory around, compared to jackie and widow and jan, who did most things right but just were not rupaul’s fave, and must have had a much more difficult time mentally on the show. 

and FWIW heidi falls into this category as well. race chaser i think said it - all of her success comes from ru’s ideas. and being naturally funny and charismatic and having ru like you as a person is a huge gift and huge talent, but the inability to wrangle it...  that being said i think she deserves the world and will grow [and has already grown] from this experience.

and the thing is that crystal also keeps going back to the same stuff which could have been funny if the episodes were more than one apart or if she didn't do it twice in one episode but. idk. 

now, who will win, who should win, hmm hmm hmm. tbh i don’t think it will be crystal. they just crowned the oddball and they like to mix it up, or at least try to. also why looking at the history of dusted or busted scores [and s/o to jan for coming in @ 4 [after the disqualification]] crystal is at a 2, and bebe won with the lowest score at a 3 [w 2nd and 3rd place at 4 and 5], and that was in season 1, which was a whole other ballgame. leaving us with jaida and gigi. i am team jaida. i think that she is much more developed as an artist and performer than gigi, and I think that she will bring us something new.

[here comes the meta part]

the title is america’s next drag superstar. and i think in the beginning of the show, they decided that that had to mean something new and exciting, something that pushed the boundaries of what drag could be [which is rly ironic coming from them but]. which has developed this culture of what is the formula to be successful on drag race. and some people were more overt about this [jan] and some people were more subtle about this [gigi and jackie]. 

but for some reason, the [Black] pageant queens will make it to the top and then never win. - and they’ve had overt conversations regarding pageants and pageant culture on the show before - but balls and pageants were like the building blocks of drag culture in the us [from what i understand]. so inherently that means it’s no longer “new” and exciting. but the thing is that so many of these fashion [/nyc] queens work so exclusively with these high end designers to produce these looks [i think bob said it can cost like 10K to prep all your stuff for drag race] and with that the ability to design and sew falls away. 

and i think that is reflected in the challenges and how they have changed. this season there was one design challenge. and that is just so disappointing to me bc i think the design challenges really separate who has a full understanding of their persona and who does not. 

and with fewer and fewer design challenges, you have more and more designer items, and the ability to create something has fallen to the wayside. personally [and i will probably make another post about this later] i want to bring back the design challenges in one of two ways. 1. have an all designers season. where drag designers work to make elaborate costumes based on a prompt and given certain materials. bc on the show designers are not credited as much [that part comes on instagram]. 2. i want to have a drag race blank slate competition. where contestants audition and are given a list of prompts but cannot bring anything except like a notebook. no prepared outfits. you can sketch designs to the prompts, but all the materials are provided. contestants still have a main challenge and a runway, but rather than 2 days, they are given a full week to execute the challenge and the outfit. this would totally change the game in my mind. like one you wouldn't have to have money or take out loans to compete, you could just come and show who you are. and two the audience could see more of what goes into this stuff. AND if drag race really wants to feed us, they could do like a wed. ep and a friday ep. to spread things out. 

my favorite challenges are design challenges, and while i think the first challenge this season gave us a better introduction to who the contestants are, the design challenge is a really good thing to have at the front. 

i do think that if they had not had the debate that there would have been another design challenge in the mix, but bc it was an election year. 

anyways, i want jaida to win bc she’s excellent at what she does. and at this point there is something new and exciting about making all your own clothes and being polished and knowing who you are.  and tbh gigi doesn’t bring anything new to the table. sure the ability to sew and design is good, but compared to aquaria and violet the designs were not as diverse or inventive. on top of that, the fact that gigi is outwardly apolitical [and doesn’t understand the connotation of “privilege” in today’s times] is just not a good look. I also think that it is interesting that gigi came in as the look queen but actually did better in the acting challenges. 

idk my main takeaway is that gigi is really really good at playing other people, and with that comes a lack of self awareness. striving so hard to be perfect can come at the cost of not knowing who you are as an artist. like gigi’s brand is literally “im that bitch/bitch” which again, just isn’t what i want in a winner. 

and tbh the gigi bug bit early but ended when ru gave her the win on the madonna episode. [i will say that jackie could have won snatch game but tbh i was annoyed w her for being a little dickish to the safe girls that week [though what she said was totally understandable] and also i <3 jackie cox [and chelsea piers we stan chelsea piers in this house] i think there is something so gr8 abt being a nerd and being prepared and being on brand about it. also jackie is always the one to hop on the dolls’ lives and comment their venmo. hashtag cool aunt jackie. [though that here for cox t-shirt and the promo photos make me uncomfy though i get it]]

re jackie coming back to complete the top 4... IDK it’s nice and all but they've already established that they don’t want her to win- otherwise she would not have been eliminated. 

also in my mind there are only 12 places so jan actually came in 7, widow 6, heidi 5, jackie 4. 

anyways these are my thoughts. as usual, raw and unedited. 

[themusicview]

Bon Iver: A Retrospective

I think it’s fair to say that, after 10 Years, 4 albums, and 1 EP, Justin Vernon of Bon Iver has established a formula.  Not in the traditional sense, bands like Fleetwood Mac or Maroon 5 are well known for having formulas, but in the sense that his music tends to be about the same thing.  Whether the stripped back, wintery beauty of For Emma, Forever Ago, or the electronic chaos of 22, A Million, Vernon trains his lyrical camera entirely on himself.  Emma is about his failings as a lover, Blood Bank is about recalling the good times, Self Titled is about his past as viewed through age and significant dates. 22 is about his longing to grow past his current place, and his latest album, 2019’s i,i, is about finally coming home.

We begin our tour with For Emma, Forever Ago, the demo tape that was so good it was pretty much released as is.  The story behind Bon Iver’s debut is so poetic, it is told over and over again in the band’s mythology.  After a particularly difficult run of Irish luck in which his former band, DeYarmond Edison, broke up, his girlfriend left him, and he contracted a one two punch of pneumonia and mono, he sequestered himself in a cabin in Eau Claire, Wisconsin, and wrote and recorded For Emma over the course of one very intense winter.  He submitted the demo tape to the indie album Jagjaguar, where it was immediately accepted and sent to print with very minor revisions to add extra instrumentation and clean up the mix.  The album opens with the beautifully atmospheric Flume, a bare guitar emphasized by snowy static and Vernon’s clear, bell like voice.  “I am my mother’s only one”, he mournfully cries, “It’s enough.”  The main idea contained throughout the album is loneliness, and the album’s mix as well as its lyrics go a long way to establishing this theme.  The two standout tracks for establishing this mood the most potently are the third track, Skinny Love, where Vernon laments a love that simply is not going to plan, and the album closer, Re:Stacks, a mournful ballad about being unable to move forward despite being already packed.  It’s no surprise that this track would end pretty much every early Bon Iver show.  This is not to say that the album is entirely without lushness; the side 1 closer The Wolves Pt II is a textbook example of how to build a crescendo in a folk song, showing off Vernon’s aptitude for mood that would become fully fleshed out in later releases.  In retrospect, For Emma is an incredibly strong debut and an album that works well as a thesis for the later parts of the band’s career.

Following the relatively minor release Blood Bank, a 4 track EP that is only notable for the song Woods, a track built entirely out of acapella autotuned vocals and a track that gained the notice of Kanye West, Vernon and his entourage recorded and released Bon Iver’s self titled album in 2011.  This album marked a sea change in the way that Vernon approached the project.  As opposed to the quiet, stripped back sound of For Emma, the self titled album is lush, full sounding, and packed with swelling crescendos and massive climaxes, as if Sigur Ros decided to make folk music.  Tracks such as the beautiful, soaring Perth and the subtle, yet beautiful Michican’t do a great job at providing a lush, pillowy bed of sound that you can just lie in.  However, the true standout of the album is the closing track, Beth Rest, which adds a new toolkit to the Bon Iver sound; electronics.  Granted, these are 1980s power electronics, but they are electronics none the less.  Vernon also goes one step further and blankets his voice in copius amounts of autotune.  The result is something beautiful, yet distant.  As Vernon puts it, “It is the sound of doing something you want to do with absolutely no restraint.”  Bon Iver would go on to be Justin Vernon’s first true success with the group, earning him critical accolades and a truly wide audience, which resulted in him being nominated for, and subsequently winning, the best new artist grammy award in 2011.  Personally, I feel that Bon Iver is the moment when the group truly found its sound, grandiosity and beauty, but filtered through reality and experience.

After the wild success that the self titled album brought him, Vernon put the project on indefienate hold.  He stated that he wanted to decompress for a while and for that to happen, Bon Iver had to take a break.  He didn’t know when, or if, the project would return, and many fans feared the breakup of the band.  During this time, he would only release an itunes session of material from the self titled albums, but no new songs were released.  During this time, he would help Kanye West record two albums, and would work on several side projects.  Bon Iver returned in 2016 with 22, A Million, by far the projects’ most ambitious output and it’s most musically dense.  In a strange move for a folk act, the album contains almost no acoustic instruments.  The album is as lush and beautiful as the self titled album that made the project famous, but takes that lushness in a different, icier direction.  Songs like “22 (OVER S∞∞N)" and, "10 d E A T h b R E a s T ⚄ ⚄" reveal a sharper, more electronic form of songwriting.  Comparisons to Everything in it’s Right Place and The National Anthem off of Radiohead’s Kid A are only too easy to make.  However, this is not to say that all feeling has been drained from the record; tracks such as 29 Stafford Appts. and 8 (Circle) are only too happy to indulge in the previous beauty of earlier releases, with saxophone arrangements by Sad Sax of Shit soaring above Vernon’s autotuned vocals.  22, A Million is a mixed bag of an album.  Certain tracks such as the aforementioned 10, are too dense and difficult for me to truly enjoy, but the album makes a brilliant case for the new direction of the band.  I was left disappointed, but excited to see where the group would go next.

Thankfully for fans who embraced this new direction, Vernon was much quicker on the draw for his next album.  In 2019, when Bon Iver released their fourth album I,i, which feels, for all intents and purposes, like a refinement of what Vernon tried on 22, A Million.  Tracks such as iMi and Holyfields feel like a softer, easier listen than most of the material on 22, A Million. The instrumentation feels more controlled, tighter written than what we saw on his previous efforts.  There is little that sounds accidental, especially when compared to For Emma, which is an album nearly full of accident.  However, this precision does not mean that Vernon sacrifices any of his songwriting beauty.  Hey, ma, and U (man like) is one of the best one two punches in modern folk.  Hey, ma is a lush, dense electronic song about forgetting your roots.  “Tall time to talk your money up while it’s living in a coal mine” chastises Vernon, speaking to someone whose dreams are, perhaps, too big for their small pocketbook.  U (man like) is about improving yourself through constant work and effort. I,i feels like a fitting bookend to Bon Iver’s current discography.  It is Vernon’s most carefully crafted album but also one of his most obviously personal.  There is little that you cannot feel as Vernon does on this album.

There is this idea in music criticism called the best new artist’s curse. The idea is that the best new artist’s Grammy award for any particular year usually goes to flash in the pan artists who end up not contributing anything and flaming out after one album.  Of course, there are exceptions to this rule, but for every Beatles and Mariah Carey, there is at least five Starlight Vocal Bands.  It is my personal belief that the indie music scene is better for Justin Vernon not being one of these artsits.  Bon Iver has accomplished much over it’s decade long existance, and Vernon has established himself as one of the premiere artists of indie folk.  Not a flash in the pan, but one of the most brilliant songwriters of our generation.

[notajinn]

Top 10 Games I Played in 2019

IMPORTANT NOTE: I am finishing this at nearly 2 AM in the morning, so I did not proofread. Excuse any typos.

With 2019 closing out the decade, I want to make a "Top 10 Games of the Decade" list, but first I have to point out my favourites of the year. I actually played over 10 games this year (which is very unusual), so I chose my top 10. As usual, these are not all games that came out in 2019, but I played them for the first time this year. I'm not ranking carried over mobile games this time, although at this point the only mobile I play is Dragalia Lost.

Let's go.

10. Untitled Goose Game (Switch)

There's a lot to love about this game concept alone even though I ignored it for the longest time pre-release.

Pros

The entire goal of the game is just that you are a goose and also an asshole. I've talked many times about how I think being unique is overblown in place of being high-quality, but this is a unique take that really works.

With a vaguely open-world that you're thrown into with no real purpose, you really capture the feeling of just setting out that day to be a jerk. I appreciate that there is a progression system with a list of mischievous tasks you have to do to reach the next area, but it's still presented in a very free way. You'll do some of them accidentally just trying to be a jerk, and others you'll really have to think about. Eventually there will come a clear end goal, which I was pleasantly surprised by.

Controlling the goose is also perfect in how unwieldy and overconfident you feel. You don't exactly move quickly, and there's no attacking, but you still feel better than the humans around you.

The minimalist art design helps sell the really low-stakes nature of the goose's quest. Sound effects are also pronounced thanks to this, and sound is very important for the goose. I also like the slight stealth gameplay that's not at all punishing, as someone who enjoys but is bad at stealth.

Cons

Even for a budget game, it's quite short to reach the "end goal". It's very much a game you can continue to mess around in, and there's a "New Game+" set of tasks you receive, but as far my "have to reach the end" mindset...I was expecting it to take a little longer. I'd say it was maybe 3 hours max, including lots of goofing around.

I also found that I VERY much don't enjoy being a jerk to children (see screenshot), and very begrudgingly did the minimum mean things to get past the kid. Luckily there is only one kid.

Final Thoughts

Honestly the lower ranking is not so much because of negatives, but because I played so many good things this year combined with this being mostly a fun little novelty. I feel like people who are interested would have already played it (if they have the console). Really you can go with your gut instinct of whether or not being an asshole goose sounds fun for you.

 9. Kingdom Hearts III (PS4)

If you told me Kingdom Hearts III wouldn't even make my top 5 in the year it was released, I'd think you were crazy. But here we are with the long-awaited game.

Pros

So much of this game is fanservice for the series, and I had fortunately caught up on the spinoffs enough to enjoy it. Seeing the 358 crew and the BBS crew, all the Organization members...there's a lot of love here.

KH3 also has some of my favourite worlds in the series in Toy Story and Pirates of the Caribbean. Pirates in particular managed to scratch that Wind Waker sailing itch just enough. Meanwhile Toy Story going for a unique plot really helped pull me in, and there's that now infamous Woody scene that I love. Even other worlds like Monsters Inc get some great scenes (like Vanitas and the doors). Tangled is also one of my favourite Disney movies, so while the world itself was pretty average, I was happy to be in it.

Combat-wise, I appreciate getting so many options like dodge roll and blocking right off the bat regardless of your initial choices; previously I always forced myself to take the Shield so I could start with the super-useful dodge roll.

The music is as stellar as ever, although they loop far too quickly given how much time you'll spend in a single area sometimes (looking at you, Toy Story).  I especially love Don't Think Twice, which had the bonus of being a complete surprise.

 Cons

KH1 was the first Aladdin. KH2 was Return of Jafar. So logically KH3 should have been King of Thieves. Instead we get no Aladdin at all!  Just the Genie as a summon I think?

For all the character fanservice, it still feels like only the main trio, Riku, and Mickey are really useful. I can't believe how poorly Aqua does as a Keyblade Master. I can't believe Kairi and Axel's training basically amounts to nothing. I know it's Sora's game, but it's still so frustrating.

And the final fight with everyone is very much so "good idea, bad execution". It just feels so messy. The entire climax is just not paced very well.

The Frozen world is one of my least favourites in the series. Nearly nothing interesting happens (outside of one good Larxene scene), you don't get Elsa as a boss or a party member, and the progression is just "got to get to Elsa's castle, oh no we fell" repeated three times. Also did they really need to put the full Let It Go song in there? I say this as someone who likes the song. This whole world is just a mess, and I think we'd be better off it was cut. And replaced with ALADDIN 3!

Where is the Wreck-It Ralph world? You know, the Disney movie about video games?

The combat somehow feels less smooth than KH2, possibly because of so many things constantly going off. The Park Attraction skills are fun at first, but later they take so long and often aren't worth bothering with. But I think HP of the enemies assumes you'll use it, because some enemies get really spongy later on.

There was also literally no reason not to end Sora's plot with this game; they had a very easy chance. But they also had an easy chance to end at KH2 and they didn't. I don't know why they're so afraid to use a different protagonist. Even if they don't want to make one, there's so many other potential-protagonists in the game already. Some of whom are also technically Sora!

Also the stupid Toy Story music loop is like 10 seconds long. Stop it.

I was actually originally going to put this at 8, but after typing out these Cons I moved the ranking back.

Final Thoughts

For as many pros and cons as I wrote out, the biggest thing about this game is that it's somehow incredibly forgettable. Kingdom Hearts 3, the game we waited over a decade for, is forgettable. And that really hurts.

The ReMind DLC has some real potential to help with this, but it also costs $40 CAD. If you're on the fence for KH3 as a whole, maybe wait and see what people say about the DLC fixing stuff.

  8. Cadence of Hyrule (Switch)

 It really hurts to put Cadence of Hyrule this low, because there's so much I love about it. And I want to see more third-parties work on Nintendo IPs.

Pros

You can finally play as Zelda in a proper Legend of Zelda game! Yes there's the rhythm mechanic and roguelike nature, but you're ultimately still going around a 2D LoZ overhead map in the same way you would a mainline game. But now you can have Zelda go around and play a little differently. For example, you have no regular shield but you have the Nayru's Love barrier which can work defensively in a different way. I appreciate that the characters all play differently when the developers could easily have easily given you three different sprites with one moveset.

The rhythm mechanic of moving on the beat works very well with the LoZ map style. Being able to see the bar speed at the bottom also helps a lot to learn in the first place. Most importantly, you have the option to completely turn it off to play this like a classic LoZ. Obviously the soundtrack itself is full of great LoZ remixes.

The difficulty is just right without being too rough or too easy with only occasional exceptions, and the game is fairly forgiving about respawing when you do die; it usually doesn't feel like a BIG deal. There's tons of LoZ equipment to use, which I really appreciate after how barebones Breath of the Wild was in that regard.

As with any roguelike, you also have a lot of replayability with the map changes and different characters and equipment to try out.

Incorporating classic bosses with musical instruments is also really fun.

Cons

It's as short as you would expect a budget game to be, but it's more expensive than your average budget game. I'm going to chalk that up to using a first-party Nintendo IP, but the price fools you into thinking the game will be longer.

I also personally don't really care for roguelikes, so the selling point of replayability isn't for me. It's a bit unfair to judge the game for something the genre is supposed to do, but I don't think it's a bad game for being like this. I just think it's a game I like less because of that emphasis.

There's also one boss in particular that was super frustrating, and I think it's because I didn't understand the "trick" to beating it.

Final Thoughts

I do honestly recommend this if you like classic LoZ, but just know what you're getting into; something that emphasizes multiple playthroughs and won't take too long on a single run, but which executes the LoZ formula itself really well.

 7. XCOM: Enemy Unknown (PC)

 I can't believe how long it took me to play XCOM: Enemy Unknown given that Fire Emblem is my favourite series. I also owned it for years on Steam, but it was just this year I finally booted up this strategy RPG.

Pros

You want a challenging SRPG? Here you goddam go. This game is punishing as hell, but as long as you don't play Iron Man mode it's still reasonable to deal with. I don't usually care for games that sell on difficulty, but I've played enough SRPGs that I don't mind more difficulty in the genre that's not cheap. XCOM very closely skirts the line of difficult and cheap, again if you are not playing Iron Man (which prevents you from restarting missions).

There's so much dumb RPG numbers to gloss over and spec, and I love it. Things to research, order to research, facilities to build, equipment to craft, skills per each character to learn. If you like pouring over resources like me but don't like the real time nature of an RTS, this is perfect.

I also like the idea that you start off so overwhelmed against an absurdly powerful alien force, and everything you're doing is basically just trying to survive while looking for a way to hold your ground. There's a real desperation in the gameplay that captures the feeling of war in a way that Fire Emblem struggles with.

 Cons

I haven't seen RNG that hates me this much since Fire Emblem: Sealed Sword. And it seems to be a universal experience that the RNG is more stacked against you than it leads you to believe.

I've also seen many people online suggest Iron Man for a person's first run, but that is AWFUL advice. It's why I almost quit the game twice, but ultimately just made a new file without Iron Man. It sounds fun for a second or later playthrough, but there's so many unknowns happening constantly in your first run that it just feels unfair to go Iron Man.

The aesthetic is sci-fi apocalypse; two designs I generally hate. Everything is so gloomy and blue and tech. It's all very forgettable to look at.

Healing options are so limited, at least in the relatively early sections I'm in (I did not beat this). Actually this is one of the very few games I started but did NOT beat before playing something else, which in itself means there's something that I really disliked. At this point I can't remember what that is.

Final Thoughts

If you like Fire Emblem gameplay but want it to be even more resource management based, and can deal with a drab aesthetic, absolutely grab this. Especially since it gets really cheap on Steam. Just do NOT start on Iron Man mode.

 6. Telltale's Batman: The Enemy Within (PC)

There was a Joker live-action movie this year; an entire movie dedicated to him. And yet Telltale managed a better Joker.

Pros

I am one of those weirdo people who considers Joker one of his favourite comic characters. I'm a sucker for a good villain, and it was probably Joker in Batman: The Animated Series that is responsible for that. So I love seeing a good fresh take on the character, and Telltale delivers. This is season two of Telltale Batman, and we briefly got to see "John Doe" in the first season as a proto-Joker who's definitely a violent jerk, but not necessarily a villain just yet. While there are many plot threads in Enemy Within, the main one is about how John grows among the mess that is Gotham. Depending on how you play, you can actually push him to become a vigilante and ally of Batman instead of the villain. This is itself not only a fun take on the character, but also the most uniquely any Telltale game has branched.

I remember explaining once that Telltale is not so much "choose how the story ends", but more "choose how your character's relationships with others changes". But there, you get a wildly different final chapter depending on whether John is a vigilante or villain. I really appreciate the effort it took, but it's also bittersweet since this was one of the last games the studio worked on before being closed.

Telltale gives us other character portrayals that range from standard to occasionally good. They have Harley play the big mob boss who has John wrapped around her finger this time, and they do a good job selling it.

You'll get some great dialogue options, and it seems almost impossible to please everyone. Being forced to make hard choices that will inevitably make someone mad at you is what this genre is about, and it's often not exactly clear cut what the consequences will be.

 Cons

Like other Telltale games, action sequences are done with QTEs. These are relics in this day and age, so I really didn't care for them. It's a good way to get around a probably costly combat engine, but it's ultimately filler to me to get back to the plot. Since this is a Batman game, it has more action sequences than the average Telltatle game.

Other sequences like searching for clues are less annoying, but still not really fun. I did not grow up on point-and-clicks, but it seems the developers did.

You also can't easily restart sequences if you selected an option by mistake; you have to restart that entire chapter. And a chapter is multiple hours. I get the implication of "you have to live with your choices", but when it's an actual mistake because I'm using a PS3 controller on my PC mapped to Xbox buttons...I get a little annoyed.

Final Thoughts

It's a little weird to start at Enemy Within if you didn't play the first season, and it will retroactively spoil things, but you honestly could. It is more fun than the original (which is also good). Easily the big selling point is being able to shape John the proto-Joker; if that doesn't appeal to you, this may not be for you.

 5. Super Metroid (SNES Classic)

Not only is 2019 the first time I played (and completed) Super Metroid; it's also the first time I completed a Metroid game at all! I had played a decent amount of Fusion and the first Prime before, but fell off both of them. This time, I absolutely saw Samus reach her goal.

Pros

How do you talk about such a beloved game? First of all, the SNES era is still visually my favourite in video games. This has a lot to do with nostalgia since I grew with the SNES, but also because it was the height of sprites before the industry turned to 3D models. And as amazing as N64 and PS1 graphics looked back then, they did not age well. The SNES, however, still holds up so well visually.

For a game with a sci-fi aesthetic that heavily takes place underground, I loved the variety and colours Super Metroid offered outside my expectations. This is definitely up there as one of the most beautiful games of the console.

Where I think the game excels the most is Samus' controls. The level of precision they built into her abilities is nuts. Obviously there are games where characters have larger movesets (such as fighters), but for a platformer I love how well you can maneuver Samus. For example, when you do a moving jump. If you hit the D-Pad and then jump, you do the Spin Jump. If you jump and then hit the D-Pad, you do a more standard jump. It may not seem like much now, but I feel like for the time it's very impressive.

There's so many fun abilities you get, and the majority of them can be used simultaneously for some really fun platforming.

You also learn very quickly even without text based on the way power-ups and obstacles are laid out. Even storytelling is done well simply through gameplay; no cinema scenes or text explanations needed.

The bosses feel stressful but almost never too cheap; you always feel like they're possible to deal with. Occasionally you may need more missiles or energy, but it's usually learning and countering patterns.

Music can effectively be atmospheric or lively depending on where you are, and I retroactively wish we had a few more Metroid tracks in Super Smash Brothers.

Also even though I'm not a 100% completion-ist type of person, I appreciate when I do find some secret missile tank by really examining the area.  

Cons

When you're not used to the controls early on, it can be tricky to handle Samus. Mostly those spin jumps. The wall jump also never really got easier.

Weapon switching is a weird situation. I appreciate you can do it on the fly with the Select button, but the fact it always goes in a certain order means it can often take a while to get to what you want.

Personally I also thought Ridley was a hell of a difficulty spike, and the game actually calmed back down in difficulty afterwards? Maybe I'm just bad at fighting such an aggressive and fast boss.

Phantoon was also a tough boss made tougher by the fact the closest working Save Point was a good 5+ minutes of platforming away for me. I like that the nearest Save Point doesn't work because the electricity is off, and it builds on the haunted ship atmosphere, but boy was that frustrating to jump all the way back nearly four times to fight that boss.

Final Thoughts

If like me you've somehow not played Super Metroid, you really should. It still holds up, and it's relatively short (my time was about 6 hours). It may be a little weird at the start with the limited abilities and getting used to the precise controls, but if you stick with it you're in for a good time.

The reason it's number 5 and not higher is not due to any particular negatives, but simply because the next few games left me with more positives.

 4. Persona 3: Dancing in Moonlight (PS4)

The fact that this game exists is incredibly stupid, and I love it.

Pros

Persona 3 is not a happy game in a traditional sense. There are happy moments, but most are bittersweet. It's a game about dealing with and overcoming tragedy, and has a dark visual atmosphere to match.

So the fact we get to see that cast dancing around with bright colours is nuts. But not at all in a bad way. These characters go through so many difficulties; they absolutely deserve to have a fun dance party where they don't have to think about anything else. This isn't the happy kids deciding to dance; this is a bunch of stressed out people who need a break. And as someone who loves Persona 3, it makes me so happy to...well, see them happy.

The majority of the original voice actors were brought back (the main exception being Elizabeth), and they do just as good a job as in the old days.

We get mostly great remixes of the P3 songs, and the original versions of others. Each song has a particular character assigned to it so they can more effectively match their dancing style. The models look amazing.

There's also minor Social Link elements which are used in place of a story, and their personalities are mostly intact. There's certainly some Flanderization, but it's not as bad as Persona Q.

You also get a decent progression system of unlocking songs in batches, and needing to beat them to get the next songs. The Social Link requirements help make repeating the songs fun while giving you something to work towards.

The rhythm game itself is hard to judge since I play very few rhythm games. I found it fun once I got the hang of it on normal difficulty. There's tons of modification options to make it easier or harder depending on your preferences.

 Cons

As with every modern Persona game, the DLC is awful. Tons of Day One DLC, and they even locked Shinji to DLC! Does he not also deserve to have fun without paying extra? There's also a few songs I would have liked, but not at those prices. Otherwise DLC is mostly costumes and accessories which I both don't care about, and which are overpriced.

I also hate that we had an EASY chance to get the FeMC Minako in this fun low-stakes plot game, but didn't. It's not like Atlus forgot about her either; she was in Persona Q2 which came out a little later. If anything, SHE should have been DLC and Shinji should have been in the base game.

The jump in difficulty between Hard and All-Night is absurd. I can beat most songs on Hard with good ratings, but I can't beat the first song on All-Night at all.

Koromaru is not in the game, which inherently prevents it from being perfect. He could have jumped in during Fever Time at least!

Final Thoughts

This game is only for Persona 3 fans, but boy is it some great fanservice for us. If you're a Persona 3 fan that at least slightly enjoys rhythm games, this is for you.

 3. Indivisible (PS4)

 As of writing this, I have not actually beaten Indivisible. If I had to guess, I'm at the 2/3 mark? A big plot thing just happened, but it's clearly not the final plot thing.

Since this game is less known, it's a platformer/fighter/RPG hybrid with a heavy South Asian influence.

Pros

It's a platformer/fighter/RPG hybrid with a heavy South Asian influence.

Look at that sentence! These are all things I love!

I grew up on platformers and RPGs, and I have a lot of fun when I get into a fighter. And as someone who always desperately tries to find even one brown character in most video games, I'm all about a cast that is mostly South Asian!

The combat system is really fun. It utilizes something similar the classic Final Fantasy ATB style system, but at a very quick refresh rate and tons of fighting game elements thrown in. For example, a key is doing combos with your various party members. Each character has 3 standard moves, and knowing when to use what depending on the enemy's position is where the strategy comes in. There's also one party-wide meter that everyone dips into to use Supers. It's a very aggressive and offense-oriented battle system, but they manager to incorporate healers and support units comfortably. But yes, everyone is basically a fighting game character in an RPG battle system.

The platforming starts off very basic, but you get access to so many moves and can use them all fluidly together. There's some really fun platforming segments that really force you to use everything Ajna can do.

The character designs are top-notch, even removed from how ecstatic I am about the diversity. Again, they are designed as fighting game characters who have to be distinct and high-quality. Everyone also feels extremely unique in combat.

I wouldn't say the overall story and writing is amazing, but there's some good moments here and there.  It also follows a somewhat less traditional path for Ajna so far, even though I'm expecting a fairly traditional climax.

 Cons

Okay, so this is in some ways a fighting game. Which means you should have a move list you can look up. While you get a brief explanation of each character's gimmick when you recruit them, there's NO MOVE LIST!

That sucks, but you can go into Training and figure out the moves for yourself, right? Yes, except you don't unlock Training until almost 10 hours into the game! Which means for the early part of the game when you're still learning the mechanics of the system as a whole, you also have more trouble learning what each character can do. Combined with a very high rate of recruiting new characters early on, this can be overwhelming. If they didn't want to make a move list, they should at least have made Training available from the beginning.

Backtracking can be a bit of a pain; there's minimal fast travel points. Ajna doesn't cover as much space as Samus relatively to the game world, so it really takes some time to go around. Enough that it sometimes discourages exploration, which is not good in a platformer.

The sense of progression is also pretty slow once you get past the 1/3 mark. You don't get new characters quite as quickly, and it's not as though your characters learn new moves (they shouldn't, based on how the battle system works). You also only have levels for Ajna, which in my experience don't make a huge difference. And there's no equipment or items give you that sense of growth. What you have are the Ringels; collect enough of them and you can get a major defense upgrade, or add an additional attack slot per turn to every character. They're great upgrades, and fun to explore and find, but it's a long time between upgrades.

I also feel like healers and support are tough to use well in such an aggressive battle system, which is unfortunate because I traditionally love support-type characters.

Final Thoughts

Despite liking it more than most of the games on this list, it's a tough recommend. It's very specific to what it is, and there's nothing to really compare it to. However I really like it, and I especially love the South Asian influence.

 2. Celeste (Switch)

If you showed me a 10-second clip of Celeste gameplay, I'd dismiss it as some easier Super Meat Boy clone.

I'm so glad I didn't.

Pros:

In many ways, Celeste can be called a long series of platforming challenge rooms. Basically once you clear a distinct "screen" and die, you move forward. You die, you restart on the same screen in seconds. There's infinite lives and no timer. You take as long as you need, and you keep pushing forward. It's a compromise of making a classically difficult platformer that removes all elements that make the classics feel cheap. And it's also a great representation of the story Madeline is going through.

Having a young-life crisis, non-mountain-climber Madeline sets out to climb the famously difficult mountain Celeste. There's a few other characters to deal with, but the majority of the game is spent with Madeline and the reflection that represents another side of her. A side of her that's always bringing her down and trying to force her to turn backIt's a short and well-written story, and absolutely worth experiencing. I love the weaving of the "keep trying" gameplay and story, and the fact an Assist Mode to make the gameplay easier is available from the start is important.

The music also nails that Super Metroid feeling of atmospheric or lively depending on what's happening.

Controls are similarly precise but reasonable, and the incredibly low stakes of failure make even the cheaper platforming segments doable. Some of the platforming is legitimately annoying, but being able to try again in literal seconds makes it less frustrating than easier platformers.

Cons

I don't care for the character sprites. They are small and faceless. You understand what they're going for, and I know they have to be small in relation to the area of the game. But it's just not visually appealing.

...I can't really think of any other cons.

Final Thoughts

I feel like Celeste is an important game that will stay with me, far beyond just a good game I played in 2019. It's short, it doesn't cost much, and it's absolutely worth your time if you have any sort of anxiety or self-esteem issues.

 1. Fire Emblem: Three Houses (Switch)

 My favourite series finally returns to a home console after nearly a decade. And boy does it deliver.

Pros

There's two critical things I look for when judging a Fire Emblem game; the cast, and the core gameplay.

The cast in Three Houses is nearly fully presented to you from the start of the game. You have your three separate houses with their individual students, and you choose one to lead. Fortunately you can recruit most students from other houses with some work, so you don't have to worry too much about mutually exclusive units. You will see a few new faces over the course of the game join your team as well, so there's still some surprises. At first glance, many of the characters can be relegated to anime tropes. Claude is the charismatic schemer, Marianne is the quiet girl who likes animals, Hilda is the lazy high-confidence girl, etc. But as you progress through the story and the Support conversations, you'll find that nearly every character has a lot of writing effort put into them. I do not want to give any examples because it's better to get to them yourself throughout the game, but don't take the characters at face-value. Don't expect a full 180 personality shift, but do expect lots of depth to explain both currently personalities, and being able to see the growth of these characters. There's some very relatable issues some of the characters face.

Honestly, it's not a stretch to say Three Houses has some of my favourite characters in the series. It's a big plus that one of the main Lords is dark-skinned for the first time in series history.

Then we have the gameplay. Off the bat we're into some very non-traditional Fire Emblem stuff with the academy system; you use things like lectures to build the weapon levels of your students. Also Cavalry, Heavy Armor, and Flying have their own weapon levels now? Also you don't buy spells, you learn them with weapon levels? There is a LOT that's different.

But what remains the same is the core formula of the strategy-RPG battles. Your process to build your units may be different in many ways, but you're still using the tactics you would expect in an FE game. There's just a few other things to consider now.

Basically I feel that Three Houses' new systems are a good compliment to the classic system as opposed to being a full replacement. Which is why even as an old FE elitist, I absolutely loves playing out the fights. Also they brought back Fog of War!

I really love the incorporation of visible agro lines. Basically when you move your character within enemy range, you actually see direct lines from the enemies so you see who will attack you. Combined with ability to go back to a previous turn, this helps make bad RNG feel less frustrating.

The story is also hands-down the best of the modern Fire Emblem era (everything from Awakening and beyond). It may start off as anime high-school, but having a cast of characters from entirely different countries attend school together as teenagers and then skipping forward to when they are leading their respective countries to war against each other...it's a lot to take in. And you have four different ways to experience the game, all of which are fairly distinct.

New gameplay elements like the lectures and academy activities are actually pretty fun, and dip into a bit of that Persona itch. You also get a better feel for the cast as you see them going about more normal activities. And it's all done in voice acting. Even every generic NPC dialogue in all four routes. Honestly the level of voice acting is incredible for a first-party Nintendo game. Voices also help the game feel so much more alive.

As always, the music is wonderful. The main theme Edge of Dawn is up there with Kingdom Hearts songs among my favourite video game vocal tracks.

Seriously, listen to it:

The option to freely change class so long as you can pass certification is weird, but feels far less busted than Awakening and Fates due to skills taking longer to learn, and mostly being less overpowered. It's also great aesthetically. Being able to use any weapon with any class was also an interesting change.

Also we have gauntlets as a weapon in Fire Emblem now. Which means you can run up to a goddam Wyvern Rider and punch them in the face. This is amazing.

Another plus is that despite incorporating a time skip, there is no child system. Which means Support is not longer a means to getting a perfect gene child unit, but instead to see how characters grow together while also getting a slight stat boost.

 Cons

I kind of miss the Weapon Triangle. I know it's not even the most important thing in the old game, but I have nostalgia for it? You can sort of get the Weapon Triangle abilities once you raise your respective weapon levels enough.

As for more of a real problem...gender locked classes. It's very frustrating that there is only one class that focuses on Gauntlets, and it's locked to males. Like, have you seen Leonie? She's made to be a puncher! And I made her one, but I had to make her a Warrior.

Similarly, the only Master class that focuses on magic is locked to females. It didn't present a problem for me in the Golden Deer route, but I'm sure at one point during the other 3 routes I'll want to make a male magic user. Oh, the Dark Mage line is also locked to males, but doesn't have a Master class.

Master classes in general are a problem. Nearly all of them are Cavalry or Flying, and it's visually annoying. Also because most of my Advanced classes were infantry, so my characters didn't really learn Cavalry or Flying with certain exceptions.

I wish there were no gender-locked classes, and more infantry Master classes.

Also I know it doesn't make sense story-wise, but I wish I could recruit Claude to Blue Lions or Black Eagles because I really don't want to hurt him when I play those routes.

Final Thoughts

I mean, it's number one on my list. Obviously I love it. But it's important to note this is my favourite Fire Emblem game in a long time. I feel like I need more distance from it (and to play the other routes) to really compare it to my favourites, but for now it's at least my favourite game of 2019, and my favourite Switch game.

[it-will-not-last-the-night]

Blegh

In terms of Persona 5 I’d been riding high mostly since P5D. I’d been positive mostly over it because P5D and fan-generated content had been lovely overall and really engaging and enjoyable. It had helped me forget that the main game itself seriously does upset me at times and I have a less than ideal opinion of it.

*Sigh*

Now I’m starting to feel like that again. Both announcements of today have left brought back to mind some of my biggest problems with Persona 5 and the way Atlus writes in general. What are they? A bit of a lesson then in me;

For myself there are three events in Persona 5 that I really REALLY just consider outright despicable. In no order they are; 1) Two homosexual adult males being negatively stereotyped as child molesters targeting Ryuji 2) Ryuji’s friends responding to one of the greatest acts of selflessness in the entire story by physically abusing Ryuji and 3) The Valentine’s Day event making Canon that Akira/Ren is horrible, Sojiro is horrible and that Atlus thinks all the girls are vapid idiots. 

‘Magical Valentine’ raises an issue I’ve always had but makes it even more forceful. You see in the game the Valentine’s Event is only ‘optionally’ canon. You can play a canonical run-through and not have it occur. So you can, legitimately, without needing headcanon or fanon, just have your own canon playthrough in which the girls are not vapid idiots. The anime however, now, makes it that, for the Animation, it is canon that Akira/Ren is an awful person and that the girls are vapid idiots. Oh and that Sojiro is just literally the worst like...like he is scum in this event. As bas as Akira/Ren is (and he’s bad in this version!) the bigger problem I think a LOT of people forget about the Valentine’s Harem Route is that it literally casts Sojiro as a Guardian of Futaba who would lie to conceal her boyfriend’s infidelities...even when said infidelities LITERALLY CAUSE FUTABA TO CRY! 

So the animation is now making it canon that; 1) Akira/Ren sees no reason he has to be honest or forthright with any females in his life 2) Sojiro holds such low regard for his daughter he will aide Akira/Ren in an ongoing deception and emotional manipulation of her RIGHT AFTER SHE OVERCAME A SUICIDAL PHASE OF HER LIFE and 3) That Ann, Makoto, Futaba, Haru, Takemi, Kawakami, Ohya, Hifumi and Chihaya all fall in love with the exact same person and are literally when confronted with incontervertible evidence of his infedilities not only tricked into instantly accepting that them all bringing him chocolate on Valentine’s Day was a ‘misunderstanding’ but, in the case of the Phantom Thieves members, this has so little impact on them that mere days later they have no reaction.

AKA the ending Valentine’s Harem Route basically says: “Akira/Ren successfully cheated on all the girls in his life, and is free to continue to do so since they are so stupid that they could be convinced to assume it was a ‘misunderstanding’ even under the most blatantly false of pretext,” the ending basically gives carte blanche to say that Akira/Ren will probably keep cheating on the women in his life because, well, they’re so stupid that even if they all end up right in front of him, confessing their love for him to each other’s faces...they somehow think this was a ‘misunderstanding’?

That’s gonna be canon now for the animation. Not ‘optional’ canon, just...just outright canon. Literally everything in the Canon is soured now. Did you like Ren’s bond with Ann in the foregoing episodes? Well bad news; Ren literally is willing to commit to an intimate relationship with her and then emotionally cheat on her with several different women at once. Did you like how Ren played a pivotal role in building Futaba’s character and helping her grow out of her emotional turmoil? Well sucks for you cause Ren is literally willing to lie to this girl’s face and tell her he loves her whilst carrying on behind her back with numerous other women.

It sort of goes without saying that this kinda wrecks P5A completely since, canonically, Akira/Ren is now just an irredeemable asshole and the female characters are reduced to stock harem-style idiot love interests with basically 0 individuality because everyone has to love the Protagonist (self-insert!).

But when you think about it even in the original game...this was a problem. Sure you could choose not to do it...but you could also choose to do it. This means, technically, as far as Atlus’ writing is concerned, canonically Akira/Ren has it in him to be a complete asshole with no respect for women or his friends...and the females in the game are all vapid idiots. That’s technically canon since that’s required for the Valentine’s Route to work.

Oh, also, that Sojiro is the worst. The worst.

The Valentine’s Harem Event, like the Ryuji abusing event post Shido’s Palace. does irrevocable damage to the characters and the content itself, kinda ruining it since for it to be canon...well it means the characters are terrible people or stupid. Why I sort of have to choose to ignore them to actually like the story.

Of course what does all this writing have in common? It’s a JOKE! Haha! Ryuji’s being abused, isn’t this funny? Haha! The girls are all vapid idiots and Joker’s such a chick magnet they have no varying tastes in partner at all! Haha! Gay men want to force Ryuji to undress for them! 

Isn’t this funny? I mean, no, of course not. In almost all these cases the ‘humour’ is...someone suffering. A common retort I then see is; it’s not canon, its just for a joke.

But the problem is it is, all, strictly canon. I could definitely understand if these things were packaged as clear ‘not canon’ events. 

Here’s an example; the Blazblue game series has ‘joke’ endings which are explicitly not canon but usually feature bizarre or ‘funny’ scenes. One of said scenes is a reoccuring bit in which the protagonist Ragna is made to wear glasses that causes the female cast to all fall in love with him. Putting aside the fact for the moment that, to me, this still isn’t funny since its treating the Mind Rape of the entire female cast as a ‘joke’ the fact remains that it is, however, not canon. The creators make sure that nothing that happens here technically infringes on or diminished the canon character content by making it explicitly non-canon.

Persona 5, both the game and now the Animation, take no such efforts. There are no efforts to make clear that Ryuji being beaten up is a ‘comedic non-canon overreaction’ or that Akira/Ren being a womanizing prick and Sojiro being the WORST are just ‘comedic non-canon skits’ all these are played as explicitly, irrefutably, canon. That is how the characters are, as far as Atlus is concerned. That is their opinions, their beliefs etc.

Is it weird that P5 Dancing has the best, most wholesome, most healthy characterization of the entire Persona 5 Franchise? I suppose maybe the mangas are good to, I must admit I’ve never read any of them since from what I can tell Ryuji is basically ignored in all of them in favour of focus on the girls.

Atlus has a writing problem and that problem is centered I fear on a simple fact; the protagonist is a self-insert who is assumed to be a self-insert for a very specific formula; a young male who sees female characters as things he wishes to collect for himself and wants to feel adored by. Almost all of the major writing problems stem from this; Girls seem exploited or turned into vapid haremettes? Well, obviously, gotta appeal to that ‘chick magnet’ fantasy. Homosexuality is cast as negative or frightning? Well, obviously, the fantasy being appealed to is explicitly heterosexual in nature, everything else is ‘icky’. Other males seem to constantly be the butt of a joke or consistently shown up compared to the protagonist? Naturally since the fantasy is about making the player feel like ‘the man’ and all other men are simply lame by comparison so that the girls will only love the protagonist (the self-insert).

What really bums me out about all of this is that Atlus can write such amazing scenes as Ryuji’s ‘the place I belong is next to you,’ but then in that same game or anime have the Valentine’s Event and the Ship scene. I imagine in part this is due to it being a game first, story second, so they feel there are ‘beats’ that need to be there (the loser must be made fun of, the protagonist must get all the girls) even if, from a storyboarding point of view...it just makes the characters look A) Very inconsistent in personality and attitude (Ren’s infamous standing up for a stranger being assaulted but then instantly refusing to step in to help Ryuji in Shinjuku) or B) Like massive asshats (The entire Valentine’s Event from Ren and Sojiro’s perspectives.

It is just...its sad. I want to like this story because there is legitimately good characters and writing but...in the name of appealing to the lowest common denominator it gets weighted down by stuff which is explicitly canon and makes the characters awful. 

It really makes it tough to like it at times.

*Sigh*

At the end of the day I don’t know how to handle this. Accepting its canon makes a lot of people awful or stupid. Headcanoning it away is fine but...then I gotta accept I don’t like Persona 5 per say, I like what I, or other fans, create from Persona 5.

Also can we please just be able to date Ryuji. Please Atlus. We don’t need another female character to be another fangirl for Joker, to be another vapid idiot who can be duped by the WORST Sojiro, please Atlus, please. Please. There are ENOUGH love interests Atlus, please try perhaps instead stop treating women like little toys for a protagonist to effortlessly collect and dupe. 

Watching all the Persona 5 Girls (sans Sae) in the Valentine’s Event is painful. They are characters I like, many of them have good writing...and then they are reduced to props to make a player feel “Oh yeah! Such a chick magnet! They all want me! Women are simply a commodity by which I inflate my own sense of self-worth since having multiple of them attracted to me and betrayed by me makes me feel as if this is a positive development and not a negative one!”

And I do mean that seriously. Look at most content or statements around the Valentine’s Event. They frame it positively. The ‘harem’ ending, Joker is such a ‘chick magnet’ and so ‘alpha’ etc. etc. 

Terrible emotional betrayal? Deep seated trust issues? Sojiro treating his own daughter like garbage? Ignored because ‘Joker is a PLAYER! WOOO!” And this is overall seen as a positive development. 

By now I’ve rambled on ridiculously long but if I must have a conclusion it is thus; Please give us a Female Protagonist who can date the other boys and stop selling this sexist approach where non-protagonist males and all females serve the same purpose; inflating the ego of the player character. 

[laufie]

here’s a fun story about a creepy dude/stalker i had. it was a strange situation at the time, and i realize in hindsight i should have been much more scared, but it’s been over 10 years so i can just laugh about it now. it doesn’t describe anything traumatic or graphic, but it’s quite eerie.

anyway, i was about 15 or 16 years old at the time, and it had been just over a year since i moved to canada from ukraine. i still used vk (russian equivalent of facebook) frequently to chat with friends, and had an inside joke in my bio about taking LSD. i wasn’t actually taking anything, as i said it was an inside joke.

out of nowhere, this russian dude sends me a pm about how if im really taking LSD i should be able to name some specific formula or dosage or something. i explained to him that it was an inside joke and i know next to nothing about the drug itself, and he laughed it off. we started talking because i noticed it said on his profile that he currently lived in new york, which was a place i’ve always dreamt of visiting. we ended up talking every day about random things, mostly his love of new york and the array of recreational drugs he does.

he didn’t seem dangerous. he never talked about heavy drugs like heroin or meth, and was heavily against them. he was russian of course, as he was in new york only temporarily, so i felt a sense of connection to him, since i was still overcoming the cultural shock of moving to canada. to my mind at that age he didn’t seem like he had any bad motive. he didn’t ask especially prying questions, he was always nice and well-spoken, and enjoyed philosophical discussion. he gave off a vibe of a trustworthy person, which is a note of positivity that would have persisted throughout this whole story...

had he not been 7 years older than me. an important detail that slipped through the cracks at the time - he was 22 when i was 15. i knew he was more mature than me, but as far as i remember, i never actually got to find out his age back then. in hindsight of course, aside from the glaring age difference, he did give off red flags. calling me much more mature than other girls my age was perhaps the most glaring one. at the time. and of course, the constant glorification of drugs.

mind you, this was more than 10 years ago. the internet was a different place at the time. there was no tumblr or twitter or adults that grew up using the internet to tell me to be careful as a minor. people did whatever they wanted to and got away with it. so naturally, i didn’t catch any of the red flags, neither was i even on the lookout for them in the first place.

skip forward nearly a year, my mom knows a lot about this guy, since i’m quite open with her about, well, everything. my mom has always been my best friend. that summer we were planning a 3 month long trip home, to ukraine. him and i thought it would be cool to met up, since by now he was back home in russia. for reference, ukraine is to the far left side of russia, whereas this guy lived on the polar opposite side, on a piece of russian land that is right above japan. he would have to fly across the entire russia to see me. russia. you know, that massive thing? he was perfectly fine with it. i convinced my mom to let me meet him, and she said only if he stays at our place. naturally.

he came for only a couple days. our apartment back home is quite small so with my mom and constant family guests, there was always a pair of eyes on him. it got a little bit strange eventually. he was touchy, but not in an inappropriate way at all. i’m sure it’s not due to his personal decency, and rather because he would most definitely get caught. he would try to hold my hand, or brush my hair off my face, pat my head. things like that. it didn’t go beyond that. but to me, at the time, it was a grown adult man doing it to me, which gave me an unsettling anxious feeling.

on his last day he wanted to go out because he wanted me to try a drug that he had been talking about the entire time i’ve known him. i would prefer not to go into what it is, but it has a heavy hallucinogenic effect that lasts for a very, very long time. naturally he told my mom he just wanted me to show him around, and i was in on the lie. i was curious. my mom was always very strict with coming back home right on time, so we promised her we will be home by 10 pm.

we went out at around 5. and it lasted longer than he promised. way longer. we came home at 3 am. despite the hallucinations being quite heavy and mind-boggling, the effect of the drug didn’t make me feel “out of it”. my perception of time and space was obviously very skewed, but i knew who i was and where i was, and what was happening around me. he didn’t try anything. there wasn’t even as much as an attempt. except, well, when i realized what time it was i rushed home so fast that i was not going to stop for anything. so i’m not sure. maybe the night wasn’t over in his mind yet, but it was in mine. i felt bad for my poor mother who had been worried sick since 10 pm. it was pitch black outside so i went home through a well-lit road that has a lot of cars. now that i think about it, i may have unintentionally saved myself from things getting worse.

i only stopped when we were outside my apartment, because i wanted to focus as much as i could before going in. he sat down on the bench and beckoned me to sit next to him. and he kissed me. i dont remember how exactly it happened but it just kind of did. i went along with it and didn’t say anything after, i went inside the apartment building like nothing happened. it was odd. i didn’t know what it meant, but i also didn’t care, because i wanted to see my mom as soon as i could, ad it was the only thing on my mind.

one look in my eyes and she knew everything. she told me to go to bed. i don’t know what she told him. i’m not sure she said anything. the next morning she asked me if anything happened. i assured her that i was safe. and then he was gone. she didn’t say anything to him. she just dropped him off to make sure he actually left.

after that we didn’t really talk nearly as much. we tried to keep in contact but honestly, i wasn’t as drawn to him anymore. eventually, out of nowhere, he posted some really mean and rude comments under a bunch of my pictures, and i ended up deleting him.

now for the creepiest part. nearly 4 years later we plan another trip to ukraine to visit family. i have some medical conditions with my spine that i needed to get very uncomfortable and painful massages for. my health is one of the main reasons why we took trips back home often. one day about a week or so into my trip i was leaving my apartment to get into a taxi to go to one of those massage appointments. i exit the building and there he was. sitting on the bench and just looking at me. 4 years later. not a word. across russia.

even though it was bright afternoon and a lot of people were out, i was overcome with dread. i awkwardly told him “sorry, i have to go somewhere” and rushed to get into the taxi. he didn’t say anything, just kept looking. on my way back from the massage i called one of my close old friends that worked in the UKR special forces. my mom wasn’t home and i did not feel safe returning. he picked me up and drove me home, and came in with me, all the way into the apartment, the guy wasn’t there anymore. i made my friend coffee and told him about this guy. he promised to drive by once in a while to make sure he isnt hanging out here at odd hours.

later that day at around 8 pm i got a text from an unknown number. “so, are you scared of me now?”.

i closed all my blinds and curtains, locked both entrance doors, and told my female friends not to come visit me, because he knew their faces. yes, i was scared. i was really scared. he didnt say a word to me in 4 years, somehow found out about my trip and just showed up. i wasn’t sure if i wanted to cry or scream. i knew i had to get rid of him somehow. so i responded, making up a story about being really sick and needing constant treatment, and that i made plans with all my friends to leave tonight to go to another city for 3 weeks.

he was angry with me and very upset. he expected a happy reunion i guess. i was very polite to him and apologized, saying i felt bad he traveled all this way only to be told this. he started writing really cryptic things. “i know a secret how to cure any illness of yours, you don’t need doctors, it’s like a code, you plug it in and you become anything”. “i came here to cure you because you’re the only person it will work on”. “i went to your page to ask your friends if your plans are true, but you have them hidden. why don’t you trust me anymore?”

among this he called me. over and over. between every message, a missed call i refused to pick up. eventually i broke down and asked him why is he acting like this. to which he said “because you are the only woman in the world i will ever be able to love this much”. i told him i was with someone and have been for 2 years, and to leave me alone. after a handful more cryptic messages, he stopped for a while. and ended it in a plea to forgive him. i didn’t respond to anything beyond the confession.

thankfully i had no contact with him since then, and as far as i know there have been no attempts from him. however, i don’t use russian social media anymore, and none of them are linked to any of my active “american” accounts, so to speak. so there is no way for him to find me. if you ever wondered why i never make my real name public and always go under aliases, this is largely why.

[thecartoonarchivist]

Weekly Spotlight #3

Alrighty!! Onto week 3 of the Weekly Spotlight!

In honor school starting up for many individuals all around the U.S. in the next week or two, I’m going to be discussing the TV show--- Drum roll, please!

*a very vibrant drum roll*

Class of 3000!

When I first decided to do a Weekly Spotlight on this show, the only thing I could really remember about this show was part of its theme song. Not the intro itself, but its theme song. To be completely honest, I often find myself humming it or playing it over in my head when I’m doing tasks that don’t require a whole lot of thinking. I also remember an old flash game that Cartoon Network used to have on their website but... that’s not really conducive to this Spotlight.

I have the distinct feeling that when you hear the theme song, a lot of you will start to remember it too. Warning! This theme song is will get stuck in your head if you’re not careful. You have been warned: https://www.youtube.com/watch?v=LSpEd7XI1Fg

To give a little bit of background into this series, this show was produced in a joint venture between the Tom Lynch Company, Andre 3000, and Cartoon Network. Some of you may know Andre 3000 (a.k.a. André Benjamin) as a famous rapper, part of a duo known as Outkast. For those of you who don’t know who this individual is (like me,) Andre 3000 is the musical genius behind the famous hit, “Hey ya!” and worked with other famous individuals in the hip hop genre such as Drake, Jay-Z, B.o.B., Lil’ Wayne, Wiz Khalifa, and many others. To say that Andre 3000 is talented would be an understatement. Of course, going into this, I was a bit skeptical since a lot of series based on famous personalities not only tend to age extremely poorly, but also because the entire foundation for the series itself ends up being built on very shaky ground in the first place.

That being said, rewatching a couple episodes of this series, I ended being shocked at how charming and unique this series was. I actually could believe how much of this show I had ended up forgetting and instantly started to wonder whether or not I realized how good it was when it was still airing.

So! The premise: Sunny Bridges is a famous musician that has many individuals that look up to him as an idol, including a local Atlanta, Georgia boy named Lil’ D. However, having spent so long in the music industry with its main goal to make more money, Sunny has lost his love of music and decides to quit the music business. Lil’ D, having lost both his idol and his school music teacher in the same day, is completely heartbroken along with the rest of his other musical classmates. Desperate to find a new music teacher, the class band together to help raise money for a new hire. After a series of quirky events and shenanigans, Sunny becomes aware of their plight and decides to become their new music teacher. And that’s the basic situation that sets up for the rest of series. The show then follows the wacky situations and crazy solutions that Sunny and the rest of the music class come up with in order to solve their outlandish problems.

And honestly? This show was fantastic. For a show that premiered over ten years ago, I’m completely shocked by not only how relevant the show continues to be, but also how well all of it has aged!

I think one of the things that works in its favor is the strangely unique character designs. Sure, they have the iconic noodley arms, lack of ten fingers, and very exaggerated defining features. But all of it is done in such a way that leaves an imprint on your mind that these characters are their own thing. It’s their own style and their own personalities that even simple “archetypes” fail to do justice to their own individuality. And I absolutely loved it.

One of the things about this series is that it prioritizes fun over everything else. And when I say that, I absolutely mean it. Everything about this series absolutely screams experimentation: from the hand-painted, messy, watercolored backgrounds, to the bizarre, psychedelic, music sequences, you can tell that the creators of this tv show just when hog-wild with it and simply had fun. The jokes are corny, yet surprisingly real. The situations are over-the-top and ridiculous. The dialogue is quick-witted and snappy. I even caught some insane subtle 80′s pop-culture references, such as references to Jumpman (the original Super Mario game) and Flashdance, complete with their own water scene and references to Michael Sembello’s hit song “Maniac.” And the craziest part about all of this? I had fun too.

Did all of it age great? Certainly not. The music sequences constantly made me question: Am I high? Did someone slip something into my drink? 

(Yes. This all came from the same exact show. No, I am not joking.)

Some of the music absolutely screamed early 2000′s. 

https://www.youtube.com/watch?v=MZhXkq9kTNk&index=5&list=PLBB2FE6AE00856C63

https://www.youtube.com/watch?v=kn_EGLtOVGU&index=6&list=PLBB2FE6AE00856C63

https://www.youtube.com/watch?v=_XBRMpvW_mQ&list=PLBB2FE6AE00856C63&index=11

At times, some of the jokes and the writing felt predicable. But honestly, when you put “fun” first and foremost in this series, those flaws don’t seem as completely egregious as your first impression lets you believe.

The music, overall, was extremely catchy. The comedic timing was spot on. Even the situations, although blown completely out of proportion, felt so realistic that I was reminded of my own headaches and frustrations living through music class in high school. Honestly, this series was just fun, interesting, and a great breath of fresh air after watching so many cartoons that use the same episodic formula with no love in what they do. 

So from a musical standpoint, how does it fair? Is it actually, you know, accurate?

The thing about this series is that it didn’t focus on musical lessons per say. Yes, they did have lessons that hearken back to my high school days in the band room with my director standing at the podium, waving his baton like there was no tomorrow. But really, these lessons were more life lessons wrapped up in musical clothing. The pilot opens up with the idea that you shouldn’t forget where you came from; you may want to leave this place behind and throw away all the things that you considered “boring” and “uneventful” but when you get out into the real world, you start to appreciate all the things that made you who you are now. And that lesson? In a kids’ tv show?!  That’s crazy. I could feel myself reflecting on each moral with every passing episode, and I just was surprised on how real it was. I never felt like I was being talked down to, or that the production team was cutting corners, just for the sake of putting out another episode; really, I just felt this outpouring of love and passion into a crazy project that felt like the creators never thought it’d see the light of day. 

As a musician, however, I’m able to notice a few inconsistencies here and there that make the magic less ever so slightly. I was a little disappointed to find that a lot of times whenever the character Madison, a derpy, blonde violinist with a heart of gold, it wasn’t played by a true violin; in all reality, a lot of the music that was supposedly played by Madison was actually just a synthesizer. (In English, that means that they had a violinist play each individual note from lowest to highest; record it; and then use those recording on an electronic keyboard, so that they can play it as if you play a piano. It’s very hard to spot the difference, but as a violinist myself, the difference is rather stark for my ears.) I can understand why they did this--- hiring a violinist for every small violin sound that your character makes just doesn’t make sense on a cartoon budget. Still, it saddens me how little there was of actual violin audio. Speaking of violins and “faking” sounds, I also found that the music that was playing and the music that the kids were supposedly “making” had a surprising disconnect. Often, I see scenes where Tamika, a sassy harpist, Madison, and even Eddie, the rich clarinet player, were all playing and yet... those instruments were clearly absent from the song. Again, the rule of fun first, but still... it always urks me as a musician to see instruments playing when they are obviously not playing in the song. It just looks so stupid. 

There were also a lesson or two that I felt were very important life lessons but were a little... lacking in the musical department. Take “Peanuts! Get Yer Peanuts!” for example. Sunny opens up with a question on what he should start teaching as a music teacher, as he has never done it before. Kam suggests that they do finger exercises, as that’s what their old music teacher used to do. Sunny, instead, decides that he’s going to have the kids be “artistically free” and just... play what calls to them. Have fun with it! Play what it feels like to be in a cave, or on a busy street, or to knock the walls down! What Sunny fails to realize in this situation is that, although having fun with your instrument and feeling what the music is trying to tell you is important, “finger exercises” are the foundation of good playing. Are they boring? Absolutely. Are they tedious? Oh, sweet Macy, yes! But are they important? You better bet your bottom dollar they are! If you can’t play at all, how are you supposed to play challenging music? How are you supposed to play what you feel when you can’t even play with good form? Having fun with your playing is important; you aren’t going to even pick up your instrument if you aren’t having fun. But if you don’t have a certain level of discipline, there’s no way in hell that you’ll ever succeed on a professional level as a musician. That’s just how it works. Of course, the lesson in this episode is focused on working together and how important communication is when working as a group, but I still felt that this... inaccuracy gave a false representation on how being a musician actually works.

But at the end of the day, this is a show about having fun with your art as well as learning some life lessons on the side.

Overall, this show is extremely charming. The jokes were extremely clever and enjoyable. (Tamika: Are you sure you saw Sunny Bridges go this way? Lil’ D: Unless I mistook him for a bear driving a Jaguar. *Bear speeds off in a sports car* Lil’ D: That was a Lamborghini!) And the art was something interesting and stunning to look at. I was surprised over and over by the limits that they tried to take with this show (how many new and interesting was can you draw caricatures of your own cartoon drawings?!) and honestly, this show was just some good wholesome fun. 

Rating this show, I’d have to give it an 8 out of 10. 

It was great. A little weird at times, sure! But that’s the cool thing about experimentation--- you get some weird stuff sometimes. This series is going to the top of my rewatch list because, really, I remember so little about it and the show was so enjoyable that I absolutely want to sit down to relive all the silly adventures that the Class of 3000 will bring me. 

I highly recommend you give this show a chance and see what it’ll give you. You never know--- you might just have a little fun while you’re at it.

[Edit (8/23/2018): I forgot the read more tab... *deep sigh*]

[Edit (9/22/2018): How the fuck did I miss tagging this as the Weekly Spotlight?!? I am so sorry!]

[Edit (11/21/2018): Fixed a broken tagging system.]

If there are any corrections you’d like to make in regards to this post, please feel free to send me a message with your corrections and I’ll get back to it as soon as I can!

Do you remember a cartoon your friends have never heard of? Got a scene from an animated film that you’re dying to know the name to? Send your questions to The Cartoon Archivist and I’ll see what I’ve got in the vault!

[drunkjaked]

Okay so it's been a couple weeks but I started school so ive been a little busy... but I just wanted to say that it makes me so happy to see how much you love art because I also really love art!!! I'm gonna go on a little rant here but it makes me kinda upset when people say they don't like art (of any kind) because they don't get it like the point isn't to get it its about how it makes you feel. Like obviously you don't have to like it but idk it bugs me when people say they don't understand art because art is about making you feel something. And sure there are pieces that were made just to show off and yes there's an abundance of art that Is saying something in particular, but the main job of art is to get you to feel and see the world in a new way and if it does that then that's all you need to understand. Rant over. Anyway I hope you've been well!! Have you read anything interesting lately? I'm reading this book for my French class about a woman who turns into a pig and I like it more than I thought I would! It's really weird but also really interesting! The language is kinda hard, though, I have to look up at least one word per sentence 🥲 it's okay though cause im growing my vocab! I hope you've had a wonderful day/night and that tomorrow is even better <3- 💕

Hey 💕💕💕,,, I completely agree !!! (more under the cut sorry I apparently had a lot to say..)

It makes me a little sad to hear people say that,,, but also everyone I know who says that doesn’t have something artistic that they like to do — like I think if I didn’t have artistic hobbies I probably wouldn’t care for it,,, like I always feel so connected to artsy people even when they create in a different way than I do idk ? It’s so dope how like the only person who knows the true intention behind the work is the one who made it, and like how a hundred people could look at the same painting and all come up with a different interpretation for it ,,, and like .. sometimes, a still life painting of a bowl of oranges is just a still life painting of a bowl of oranges but so many different people can see it in so many different ways !!! Idk if any of that makes sense I’ve had such a long and weird day 👎

I was on a kinda long train ride and I read Love on the Brain by Ali Hazelwood, and even though I enjoyed most of it,,, I’m probably going to stray away from books where the relationship is enemies to lovers because I feel like it’s so formulaic, in terms of like .. stripping the relationship to the barest of bones (person a likes person b, person a freezes every time they see person b,,, b goes on with life assuming a hates them so is mean back, a explains feelings etc) they’re all (that I’ve read,,, which tbf is like 5 maybe(?)) the same and it’s makes the romance less exciting — I will admit though that I understand that romance isn’t necessarily the main reason that the book exists and the actual plot surrounding the relationship was interesting and I liked it but I just love romance and want to see an exciting relationship alongside the plot ,,, sry that this is so long and literally just a useless like info dump ???

I’ve also gotten into reading poetry lately and I think it’s so cool and fun and just really interesting and I love it !!!

Is the book called Penelope? Or the character called Penelope? It kinda sounds like the movie (maybe I don’t think I’ve seen it…) and agh that’s so good though !!! Language learning is so so so much fun (even though I never stick to it) and I bet it feels so good when you find a sentence you can understand omds ,,, go 💕💕💕 I’m really happy for u and proud of u <333 if u read anything else interesting (or even something that you don’t like) be sure to let me know !!!

Thank u sm for ur well wishes, I appreciate and am wishing the same for you, sweet 💕 !!!