#well here have some angst
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@crankbaby said ❛ i would burn the world for you. ❜
"Oh, would you, T?" Mikey stepped closer, letting out a dry chuckle before his expression turned serious - bitter, almost. He knew he would regret what he planned to say next, but he couldn't hold back. "Is that why Franklin was the one who saved my ass from the Chinese while you were off throwing a temper tantrum?"
Temper tantrum might not have been the best word choice. Mikey had betrayed Trevor, he understood that. Still, he'd almost lost his life for something Trevor had gotten involved in. It hurt to know that he didn't even lift a finger to come find him.
"What world did you burn down that day, huh?" Mikey asked, a few more steps closing the distance between them. He lifted his finger, poking Trevor's chest aggressively. "You didn't even try, you would've let me fuckin' die for something you did so don't come at me with that bullshit when we both know it's a lie."
#and i forget just why i taste [michael de santa]#Betcha' kiss your knuckles right before they touch my cheek [Trikey]#well here have some angst
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Want to know what I believe? It's right here
Dig a little deeper and it's crystal clear
.
(WIP)
#atla#avatar the last airbender#zuko#atla fanart#prince zuko#atla art#clear#twenty one pilots#wip#atla zuko#baby zuko#agni kai#Some random general#I have literally nine projects going on#And I started this thing today *sigh*#Good news! If I have the chance to work on it then it'll be ready tomorrow#Be prepared for some angst#fire hazard siblings#This for you two my sweet little turtleducks#You know those moments when you're listening to a random song and a particular lyric just *smacks you in the face*#Well...yeah#I present to you: TØP x ATLA#Because I can#And because Clear is SO Zuko/Royal Family/Iroh coded it's not even funny#I mean#“Where's your home? Where are you going and why are you here? Have you asked these questions? Have you been sincere?”#“I will tell you what I can but your mind will take a stand. I sing of a greater love. Let me know when you've had enough.”#If these aren't the most Iroh lines you have ever read then *takes out a gun* our deal is off#“Introspection is the name of this session. Spread this infection. Reflect it on the next one the next one the next one.”#“And when we're done we'll all have made something new under the Sun.”
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MDZS x ISAT part 1: In Stars and Necromancy.
(Part 2)
#poorly drawn mdzs#mdzs#MDZS AU#In stars and time#ISAT#wei wuxian#lan wangji#Double comic feature for today because they are both small.#I had a hard time coming up with a good crossover for these two series for a while but once the idea hit - Boy did it hit!#I've got a longer comic coming. The angst potential is very...very good.#Ghost YLLZ helping out mxy was painful enough but I can make it so much worse for everyone.#I can't say much without crossing into spoiler territory but I will be back.#Other notes here: LWJ is rock type. WWX/MXY are paper type. Thought it fit well B*)#YLLZ in the starry bath is 100% a reference to Eris in the sinbad movie. Her hair animation still haunts my dreams.#I'll have some 'other side of the crossover' doodles after posting a few more main comic pages. Thanks for the patience this week!#I really needed to just...draw some very self-indulgent art. I'm feeling much better now though!
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"Don't Let Go" (Michael Kinsella x F!Reader, Fic)
Time for Day Six of the Tuna-Tober prompt challenge! I chose the angst prompt, "Shh, I've got you now. I'm here." with Michael Kinsella! I originally planned to use all three prompts (the above plus 'love bites' and 'spread your legs for me') but this one just sorta worked beautifully focusing on the angst prompt alone, despite my plan. May come back and do a sequel with the other two prompts eventually. You can see the rest of the prompts I've chosen here if you'd like to know what's coming this month from me. Also, if you'd like notifications when I post a new story, drabble, or chapter, you can follow my sideblog @pastaxandria and set it for notifications! And off we go!
Ship: Michael Kinsella x F!Reader
Wordcount: 1.1k
Warnings for this chapter: angst, blood, injury care, mention of reader briefly held hostage, language, mention of domestic violence, some shouting and breaking things (Michael is very angry here, just not at you).
His hands shaking, Michael cleaned you up in the bathroom.
You weren’t sure if that tremor was due to fear, or… or exhaustion, maybe. He probably hadn’t gotten much sleep the past two nights while you’d been missing, held captive in an abandoned building by a group of men who’d been looking to blackmail the Kinsella family. It hadn’t worked out well for them based on the dead bodies you’d seen when Michael had grimly carried you out past his brothers, his hands stained heavily with blood and smelling of fresh gunpowder.
It was those hands—the very same hands that had so recently dealt out death and destruction—that now tended gently to your wounds. With barely a word save a soothing murmur whenever you winced, he washed away the crusted grime and dried blood from your body in the shower before settling you down on the side of the porcelain tub. Once you were comfortable, he set about cleaning out and bandaging the bloody cuts on your hands and face, the torn skin on your wrists left by the handcuffs, and the burns along your forearm from the cigarettes one man had decided to put out against your skin when you’d spat in his face.
With every injury Michael cared for, however, the more his hands shook, his breathing growing sharper, hissing out from between his clenched teeth.
No. This wasn’t fear or exhaustion making his hands shake, you realized. This was…
He rose from where he’d been kneeling in front of you. He stared down at you for a moment with those dark eyes of his, taking all of you in for the first time since bringing you back home—taking in every last swollen bruise and vicious cut, every bandage and mark of pain left behind by those who had wanted to harm his family by using you against him.
…This was rage.
He snatched up the first aid kit, turned, and hurled it with a furious scream. It shattered against the wall in the hall, its impact leaving a crumbling hole in the drywall. Gauze and ointment, bottles of pills and splinters of plastic scattered left and right.
“Michael,” you said weakly. “I’m ok now.”
It was as if he hadn’t even heard you. “I’m goin’ ta find the rest of ‘em and kill 'em for this!” he snarled savagely, his accent even thicker in his fury. Gone was the gentle lilt, the familiar softness he always seemed to gain in his voice when he spoke to you or about you. Now he was every inch the dangerous Kinsella that so many feared, though not you. Never you. Even now you weren’t afraid, despite the way he whirled and paced wildly in front of you, as if looking for the very same ones who’d so recently hurt you. This was rage in your defense, and that made all the difference.
“Michael—”
“They think I can’t find ‘em?” he spat. “They really think I can’t? I’ll hunt down every last fuckin’ one’a them filthy little cunts fer puttin’ their hands on ya! By the time I’m done wit’ em, there won’t be enough’a their fuckin’ bodies left for their mams to bloody bury!”
This time it was the drinking glass on the counter that paid the price. It flew out into the hall to shatter violently against the wall just beside the mark left by the first aid kit. Glittering shards of glass, some pieces still damp, joined the rest of the debris on the floor.
“Michael.” You heaved yourself upright on shaky legs, wobbly as a newborn fawn. And it hurt, it hurt to move, cuts tugging, body aching. You tried to blink the dampness away in your eyes, not now, come on. “It’s alright—” “Don’t tell me it’s alright when they hurt ya!” he roared. But the moment he swung back around to face you and saw you on your feet, he spat out a curse. He stormed across the bathroom before you could take more than a step. “Daft woman, sit your arse back down before ya fall over!”
One hand still braced against the wall, you lifted your other arm quickly towards him. He lurched to a stop before he could touch you, an expression of horror twisting across his face, all furrowed brow and parted lips. Only then did you realize what that must have looked like to him—your arm held up to fend him off, trying to stop him from coming towards you, tears in your eyes as if you were… as if you were terrified of him and what he had been doing.
Gone in a breath was the rage, the fury, replaced by a gutted, heartbroken grief. If you hadn’t known any better, you’d have said he was about to cry, too. “Ya didn’t think I was goin’ to…” he whispered, swallowing hard and taking a cautious step back. “I… I swear, pet, I would never—”
“God, no, Mikey. I know you weren’t going to hit me,” you croaked, trying to put your arm out again in a more welcoming way, and if your breath started to hitch, tears now beginning to roll down your cheeks despite your best efforts, well, surely you were entitled to that, because it had been a horrible few days and the longer you stood here, the more you began to shiver and hurt. It had only been a few minutes since you’d been in his arms, but your body clearly wasn’t ready yet for even that much separation. Emotion welled up inside you like a dark wave, endless, bottomless. You were terrified you’d drown beneath it without him to help you keep your head above water. “I was trying to… could you come over here and… and hold me? I just need…”
He caught you just as the first choked sob tore its way out of your throat, the strength of the sound so violent, so raw it almost frightened you. One of his arms quickly wound around your waist, pulling you in against the comforting, familiar warmth and strength of his chest. His other hand rose to gently cradle the back of your head, bringing your head down so you could bury it against his neck. He rumbled low, soothing notes into your ear, tender words of comfort as you desperately tried to breathe in the scent of whiskey and leather, gun oil and rain between your heaving breaths and broken sobs.
“There ya go. Shh, I’ve got ya now, pet,” he whispered, laying his cheek against your hair. He shifted the two of you carefully across the floor until he could ease himself down on top of the toilet seat, pulling you slowly into his lap. You went without a fight, clinging to him, the fabric of his shirt held tight between your fists as if it were your lifeline. “I’ve got ya now. Let it all out. I’m here, darlin’. Yer safe with me.”
“Don’t let go,” you choked out, “Please.” “Never. I promise.”
#tuna-tober 2024#tuna tober#michael kinsella x reader#michael kinsella x f!reader#michael kinsella#kin#kin amc#kin bbc#fanfic#fic#reader#reader fic#x reader#f!reader#angst#tw: blood#tw: mention of dv#prompt fic#prompt challenge#i really liked this one#and i may expand it after tuna-tober is over#maybe a longer one where we see him come for you#and then also some of what happens here#i wouldn't mind working in the smut scene but it just needed more gentle buildup after this than i have time for atm#mikey is playing very well with me though i love him so much
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Dungeon lord Chilchuck
What would his wish as a dungeon lord be? What would he be like? Headcanons & speculation post for fun. But I’ll start with analytic lead up because that’s always fun for me, though feel free to skip and skim.
When it comes to what Chilchuck’s dungeon lord desires could/would be like we have mainly 3 hints: His nightmare, his succubus and what the winged lion says to him.
Why: — From what we see nightmares are based on the person’s worst fears and insecurities, both Laios’ and Marcille’s nightmare were closely tied to their dungeon lord wishes (Laios’ dream monster being summoned to crush the ghosts of relationships that represented the pressure to fit in and belong, Marcille seeking control over death and aging through magic to avoid loss), the fuel behind their desire/goal if you will. Fear and deep-seated desires are seemingly closely tied, something also supported by Thistle and Mithrun’s reigns as dungeon lords (Thistle proving his worth through fulfilling his given duty + protecting his loved ones, being listened to instead of having to listen, Mithrun escaping rigid two-faced elven society and living in a wonderland where he has no enemies and he’s loved, free from everyone he knew yet propped up by the person symbolizing his brother being chosen over him, the bastard child).
— I’ve talked about the significance I assign to the succubi often by now, but rundown: What we see of each character is all very telling if you care to listen, it shows not only someone’s "ideal form" but what they want from it. Izutsumi’s is familial, offering a hug and comfort, Marcille’s is romantic with a character she knows and loves, offering a kiss on a hand and a connection regardless of how distant it actually is, and Laios’ is platonic, arguable at first but then Laios’ fear of judgement is placated and he is offered the picture perfect friend group that accepts his interest (if you want my full look at Laios’ succubus go here). They take on the most alluring form, most ideal person of their victim, even uncovering deep subconscious desires, so precisely and effectively to the point it leaves victims physically frozen before the object of their desire. Succubi and the demon are themselves tied in lore and it’s easy to see how similar their core skill are. Succubi don’t give a good idea of what a character would wish for on their own but they certainly give hints on what they crave, regardless of how you want to read it.
— Last bit is self-explanatory. To placate Chilchuck and win his compliance over, the monster that reads your soul like an open book offers to give him something specific. But! It’s also important to remember that the lion isn’t offering to fulfill Chilchuck’s dream world wish here, it’s a second prize, because his goal with what he promised Laios is that they’d stay in this world, away from everyone and everything else. Chilchuck wants to get away but is kept back, and it’s here the lion placates him with "hey it’s okay! You can’t do that but I can still give you this! This is enough right? It’ll make everything easier on you".
What each bit says: — Long version in another post. Tldlr: His daughters and family are obviously important to him, and this reinforces that he takes on the role of protector a lot, he’s constantly worried for his party members’ lives and implicitly his family’s. Safety and stability, both economical and otherwise, are his core values and goals, and he berates both others and himself if someone fails on those fronts. Here, there’s the fear of not being enough, of not having been able to protect, and of course of loss.
— Chil’s succubi are obviously sexual, and not only that but agressively and straightforwardly so. It’s not like Marcille’s where there’s personality involved, all they do is give him sultry looks and pretty smiles before jumping on him. His succubi aren’t like Izutsumi’s, always the same exact person and appearance, so it’s not someone but an appealing general idea. The idea of a sexual being he can regard as simply a gorgeous piece of meat and a good time no strings attached. In my interpretation, especially with my reading of Laios’ succubus where even with deep-seated desires negative emotions can be too intense to effectively freeze a victim, I think this doesn’t contradict his character. Relationships have been painful to him in the past, in the succubus scene when his wife gets mentioned his immediate reaction is to yell "Don’t bring her up now!", like with his habit of drinking and as a tallman liking his senses feeling dulled, it’s about not having to feel emotions with how difficult they are to deal with sometimes and just feeling good, or at least not having to think, for a while. If a succubus showcases someone’s ideal connection with an ideal person, then Chilchuck’s is with a pretty person that doesn’t stir any negative memory or drama, someone low stakes and low maintenance that doesn’t require him to manage or talk out feelings because there’s none involved in the first place.
— Once more, wife and family are important! He does long for his family, not only his wife but his daughters, and vice versa. This suggests not only that he wants good relationships with them but that he wants them to be with him, a family life. Far from the cut communication they all more of less have during canon, and perhaps far from their life pre-canon when he worked away from home a significant amount of time. We’ve seen recreations of people by the winged lion before with doppelgangers and monsters (naga), and though he claims he can make satisfying imitations, what we’ve seen is that they base themselves on the best memories of that person, like with Marcille’s dad, or twist behavior to be more pleasant, like Mithrun’s lover (and possibly twist appearances depending on the person’s view of them, but that’s Mithrun analysis). The line does suggest Chilchuck would want his family members as they are in reality and not idealized versions, but the circumstances are chaotic and urgent enough in the scene (and again the lion isn’t fulfilling Chilchuck’s wish but trying to make him content for Laios’) that it could just be the winged lion saying what he needs to to convince him the fastest possible, and like we see with Laios that can crumble to give way to deeper or more complex desires.
On top of that we just have general info on Chil. How does Chilchuck deal w his issues? What does he like to do? He likes alcohol and ignoring his problems. We have to remember there is a split between what someone would consciously wish for and what their soul uncontrollably irrationally craves. As always with Dunmeshi, there’s a narrative of irrational deep-seated desires vs active wants, what you crave vs what you strive for, what you dream of vs what’s actually good for you, the animal vs the human inside you, heart vs mind. Chilchuck craving a harem of hot babes in his fantasies but wanting his family life & wife back again is not mutually exclusive. You may crave becoming a monster and tasting what humans are like a little but still want to save the world & your friends more.
Btw can we adress the irony of him terrified of being the last one alive, of being left by his daughters and wife, of having left and coming back home one day to see everything gone or rampaged, yet not caring about dying of liver failure himself, knowing every time that he enters a dungeon there’s a real risk he may not come out. Die somewhere I can’t see you. I prefer leaving you than being left behind. He’s selfish and shortsighted like that… Chilchuck is selfless in many ways of course, but perhaps also due to his own relationship with his parents, he often undermines the effects he has on others in his relationships, both the good and the bad (he talks himself down about being cowardly and greedy yes, but never hints at his bad health habits, alcoholism and starving himself, may have affected his loved ones, doesn’t question his wife falling into a bad mood the night before she left, and talks about the possibility of dying here and there very casually, though obviously he tries his best to stay alive when it doesn’t concern his health).
Chilchuck king of "Let me just avoid and ignore my problems surely they’ll go away, things might work out and if they don’t well tough luck I’ll survive and I probably deserve it anyways". If I don’t look at it it will dissapear <3 Why care when you can simply not think about it.
You might not understand Mister "my love will stay strong through months of work travel and also 4 years of separation" and Mister "well idk my siblings and me are kinda strangers and my dad is dead but that’s kinda whatever", but typically relationships need some form of maintenance and emotional availability…
The actual headcanons finally
I kinda have 2 routes in mind for dunlord Chil and both of them are centered on "I care too much, i wish things were easy", so first is a lot like his succubi, it’s full on indulging in his guilty pleasures like alcohol and bodies and it’s to keep him in a constant state of thrill and euphoria and distracted, unfeeling about stuff that really matters. "Nothing matters except that I’m enjoying the moment!" vibe. He gets to live a life worthy of Dionysus, with alcohol and women and debauchery and like— never having to think again, never having to feel anything but pleasure again, never have to feel guilty or shitty or angry or sad. He has a harem and gets everything on a silver platter.
Breaking news demon magic-induced rush of euphoria and power still not enough to cure this man of his self-hatred nor his capacity for thought!! But in his case a state of euphoria is what he seeks I think, to kinda mask or replace the Everything Else.
The other is what I think closer to what canon suggests, with what WL implied too with "I’ll make you a new wife and kids like the originals!! 😊", it’s a (spoilers) Wandavision type thing where it’s a slice of life where he’s never at work and always at home and the family eats lunches at the dinner table together and everything and everyone at any moment is just. Happy. No issues. It was all a dream, this is real and everything is fine and your family is perfect and happy. I like to think the timeline would be wonky, his daughters would fluctuate in age, but he’d want to be there for what he missed, would want them to still rely on him and look up to him like when they were young, would like to forget that they’re now independent adults and the distance that grew between Chilchuck and his siblings is happening between them as well. Chil would want doppelgangers of his family imo, at its core just a general wish for a peaceful happy family life with no drama, no need to compromise, a little paradise of unconditional love and no consequences. It’s for sure straightforward, but Chilchuck is a man with straightforward desires…
But see Chilchuck is a greedy man, and he wants it both ways without having to sacrifice anything or expanding any efforts himself. He wants to have his cake and eat it too. I think playing with these two opposite directions and mixing and matching is most fun. Him leading a life where he indulges in all his worst habits while still having everything he wants… Him getting to have BOTH his wife and any woman he can imagine up, his life like two sides of a coin he can flip at any moment where he’s partying then he’s at home enjoying the quiet and his toddler daughters playing with toys on the carpet. Christ when you remember it’s all an illusion that’s terrifying, the doppelgangers and succubi from the winged lion playing chilchuck ping pong.
A safe little haven both security-stability wise and emotionally. Gets to have both the relaxing and the thrilling in any dose he wants, mixed or separatedly. What I’d argue he had pre-canon too: Can live it up in taverns away from home, stays away from home for long periods of time, and can come back to home aka the symbol of relaxation and safety whenever he decides to. Something he can leave and come back to at will, an anchor he can trust in (until it’s taken from him and his wife leaves. Or in his worse nightmare people rush in and kill his daughters). The ideal of a house and family to a working man, perhaps…
I think it’s fun to think on wether or not these desires would be interesting at all to the winged lion… In canon he seeks out "rare/complex desires", common simple things like I imagine riches, sex, substances and pleasure would be are boring to him, he’s eaten those so many times already. So perhaps he wouldn’t last long as a dunlord, the WL would want to eat him fully quick, can’t keep him interested or waiting long for a meager meal, too much effort raising the cattle and too low quality meat. By making it more twisted or layered Chil’s desire would become more desirable to the demon, it’s part of what’s fun with the third option to me. But whatever. Has he ever eaten a guy with this much repression and self-sabotage... Like trying to get the meat out of a walnut, enrichment…
Other dunlord Chil takes I’ve seen that are fun and good:
@feelo-fick and @pluvio-floret have a dunlord Chilchuck AU project dubbed "tragedy AU" where Chilchuck is said to be "on vacation", in a weird delirious state, only half-there half of the time… From which he doesn’t want to wake up </3 Quoting Feelo, this is why the vacation thing is only a half-joke cause he is 1) letting all his responsibilities go 2) indulging in himself and 3) "spending time with his family" <- lie but you get what i mean. Additional comments that have me vigorously nodding: because changing is hard why cant things just be okay right now without the effort !!! Life is hard he’s so so tired he just wants to feel good… he just wants life to feel nice and easy for a sec while he can learn to breathe again and lose the stress and trauma he’s accumulated…….. spoiler alert yes !!! in fact a depressed person can suck themselves into their job and lock out the world who wouldve thought !!!
And then Cabinette I know posted about his dunlord take once but I don’t have the link, in which Chil has a lot of nosebleeds because of mana overload which is fun and interesting to think about imo~
In dunmeshi, where characters get underground pockets of the world as their playground disconnected from everything outside and the rest of the world, it’s important to remember to face reality even if it has conflict and people with different views and stances from you, it’s something Chilchuck and Marcille and everyone needed to learn, and the thing with a dungeon lord AU is that you imagine a timeline where he fails to <3
A timeline where his dungeon lord wish is to desire nothing bc hope and want has only ever hurt him would also go so hard. Very universal thing though I suppose.
… And this is why a Chilchuck-centric Coraline AU is really really interesting and fitting and topical— Ok that’ll go in a separate reblog/post at @Fumiku I need to let this end
#Dungeon meshi#chilchuck tims#Analysis#dungeon lord chilchuck#Spoilers#dungeon meshi manga spoilers#Wish we could put just parts of a post under a ‘click to read more’ box that scrolls open and closes neatly#Bc 3/4th of the post is just extra explanation for ppl who don’t See The Vision already but like that’s not what i wanted most of the post#to be really gdbdg#Headcanons#You could say the family also represents something he’s built up with how own hands. If he has self-worth issues and thinks he’s a screw-up#in the virtue/honor and likability department especially— his family destroyed/killed also represents the one biggest good thing#he’s done/created crumbling also. Like his wife leaving without a word while he trusted their relationship this can hugely impact#one’s sense of identity and self-worth and what you’re living life for. In his case it’s not too surprising he turned to simple#physical pleasures for comfort and enjoyment. Like with tasting good food having moments feeling good keeps you going#He always focuses on the bad relationships bring and never the good aghhhh#The reverse of Marcille who often idealizes. They both ignore problems in their relationships in opposite ways.#What do you mean why do i bring up marcille. Okay yes this’ll get a marchil Fumiku short brainstorm reblog as well#Chilchuck is so… curse of having feelings and not realizing the extent of them. Underestimating how much you care#It’s either ‘i’m fine who cares’ or falling into the pits of despair and blaming himself n spilling his whole bag no inbetween#Dunmeshi succubus#Fumi rambles#boy that’s what this boils down to i suppose#Family angst “Hey I came back home from work and i’m tired so don’t talk to me about problems or anything k? I’m here to relax smh damn”#< unwilling to admit he has issues he should be working on or that some things are affecting others negatively#Chil you are so enneagram 6w7 <3
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My Personal Headcanon On Why Amy's Love For Sonic Died Down Lately (and their dynamic)
When they were younger, Amy's love for Sonic was pretty extreme, and Sonic was, understandable, uncomfortable for the most part. He knows she means well, but that girl needs to calm down.
She can fight, but sometimes her hammer could only stun her enemies for a while. (It took her a long time to get rid of that robot that has been chasing her around Station Square.) She wasn't fully independent yet, even if she fought on her own a couple of times.
She often follows Sonic and his friends around. She is part of the team, but she was not a strong as she is now at the time yet.
She admires Sonic. A LOT. And Sonic knows that. Obviously, he could only run away from something like that, since he is NOT ready for that kind of thing, and whether Amy takes the hint or stop, she still loves him.
...BUT, I think things were slightly starting to change between her and Sonic after Lost World.
Remember this line?
You remember that? Okay, okay. Here's another totally unrelated question:
Before the events of Lost World, when was the last time Amy said "I love you" to Sonic out loud?
...YEP. 😈 (Unless I'm missing something, let me know lmao)
As more games and adventures come out, the characters get slightly older, and Amy is 12 to 13 now, and she is most certainly at that age where her body starts to change, but especially on how she views Sonic.
She knows she loves Sonic, but it was this moment during her change where she actually wanted to admit that she loves him.
I believe that Amy was all about sharing her affection to him not through confessions, but through obvious hints. Sonic totally got it, and there was no need to confess. Sonic knows she loves her.
...But she never said it. And she almost did, but she never did again for a while.
I think this was the moment in her life where, oh, God, she actually loves Sonic. SHE LOVES HIM, WHAT.
And she was looking back at all the times she had with Sonic that she can now see were unpleasant to Sonic (At least that's what she thinks) and that's probably why she isn't so expressive about her love to him than how she used to back then.
She wasn't sure what to do with this realization, and sets aside it for a while, and nearly stayed as her casual, peppy self... until the Eggman War happened.
During the 6 months of being with the Resistance, fighting Eggman's army all day and all night, all she can think of was Sonic.
She dreams that he still with not just her, but with her friends. She just wanted to see Sonic again, she just wants to be with her hero again.
But I'd like to think that she was also thinking about how she used to treat Sonic back when they were younger, how Sonic would almost always run away from her whenever she asks him out, or always look so uncomfortable whenever she gets so close to him.
Cringing at those memories big time, she wanted to change and hopefully when Sonic is okay and comes back, she can be better for him.
...Or will he still find her uncomfortable regardless? Would he even be happy to see her at all if he did survive?
But, hold on! She can't just give up her love for Sonic! He made her who she is today! A peppy, nature-loving, hammer-swinging, confident, brave... loud-mouth... annoying... Sonic obsessed... weak... pathetic... lonely little girl.
If she gives up on Sonic, it'll be like she gave up on the one hedgehog who saved her life. If she didn't she'll still be the same ol' Amy.
I also like to think she had parents a long while before she met Sonic, and was even expecting a little sister, but a robot invasion happened from where she was and attacked her parents and instead of trying to save them, after getting hurt, she ran away, hoping that they'll come back okay. But they never did.
She was all alone, and needed someone, a friend, a new family, someone who will hold her hand, anyone, to be there for her. But she was ignored by lots, and at that point, she's better off by herself, but still longed for company.
Eventually though, her tarot cards told her her future hero, and there might be hope after all. She encountered Sonic, held onto the belief of the cards tight, and the rest is history.
So, with that headcanon in mind, not only did Amy loose her parents that she didn't save because of her cowardliness (she was only so little at the time that happened) and also Sonic, who she thought will be her only hope, but now gone.
She doesn't even care if he did come back, he'd probably hate her now after everything she did to him, always talking about their "future wedding" or forcing him to go to Twinkle Park.
For the last few months of the war, it was nothing but Amy mentally beating herself up for either refusing to change or moving on, and they are both not fine choices.
She loves Sonic, but he does not love her, and she finally, finally realized it. And it's probably for the best if no body loved her at all.
But of course Sonic did survive and all of her worries wash away in an instant, she's just not expressive about her love for Sonic AT ALL now, since she's still worried about it but rather not mention it to Sonic because it doesn't matter.
If Sonic doesn't love her, then her feelings don't matter to him, and according to Amy herself, that is okay.
But also, I'd like to think that Sonic was thinking about his friends a lot up in the Death Egg for the past months, sometimes it's Tails (worried for his safety), sometimes it's Shadow (because he's wondering why he would join Eggman.) At some point, for a few days, Amy was in his mind the longest, and he felt bad about how he thought he was rude and pushy to her.
He wondered if she's not thinking about it too much, and if she is, will she give up on him? Yeah, he doesn't feel the same and still not looking for a relationship, but it's so strange but interesting how anyone could ever like someone like Sonic the Hedgehog. Amy was never afraid to show that, and she probably might be now.
He couldn't help but feel guilty. They were kids when she was like this, but he was so... arrogant at the time too. Not a lot happened at the time yet. He'd always have trouble expressing how much he value his friends, until he shattered the Paradox Prism. (I'd like to think Prime took place before Forces. It makes sense.)
She is such a sweet girl, and he probably made her believe that he didn't care for her. Just because he doesn't feel the same, that doesn't mean he hates her at all.
He wished he never ran away from Amy... Worrying for his little bro and wishing to be a good person for Amy was when Sonic cried in the Death Egg for the first and only time.
Frontiers, in my opinion, is kind of confirming their dynamic now. Sonic is a lot more sincere and kinder to Amy and she is not all hyperactive and lovey to Sonic. There is probably a real reason for this now.
They are both hiding their feelings from them, and they are both unaware of this. Amy, hiding her mental issues from Sonic, and Sonic, hiding his guilt away from Amy.
None of those things are important now. Sonic is with Amy and Amy is with Sonic. They are here with each other. They can be finally be better for each other now.
They don't care if they'll ever be something more when they get older. None of that matters anymore. They are here with each other. They can be finally be better for each other now.
Maybe someday they'll both talk about it, but for now, the present is important. They care about each other too much to think about it right now.
It's the kind of love that is unbreakable. It doesn't even have to be romantic. It's just love. Love is important for everyone, in any form. It's something Sonic and his friends need. And especially Sonic and Amy.
Amy Rose is the living embodiment of love, and without her, a lot would go downhill for Sonic and co. Heck, if it weren't for her, Shadow wouldn't have never remembered Maria's promise, which lead him to save the world with Sonic, before he temporarily disappeared from their lives for a while.
She is always there to lend a helping hand for anybody, even bad guys like Metal Sonic, and despite what she had been through, both in Forces and headcanon wise, she still fights back, even without her hammer.
She will pick you back up on your feet, reminding you that you are important and that you are loved, and that you should never give up. It's pretty much the words of encouragement she herself needed also...
She is still the happy, hyper, butt-kicking hedgehog we all know and love, but she still need someone to pick her back up on her feet after so long. Thankfully, she has her friends and her blue hero. The hero who made her who she is today.
I think Amy has no idea how important she thought she is, but Sonic does. Sonic knows fully well how important she is to a lot of people. It's about time he returns the favor to her. It's his turn to remind her how much a lot of people love her.
How much he loves her.
And I feel like The Murder of Sonic the Hedgehog was the moment where their dynamic really shined, but also the starting point of their relationship not only healing, but also the next chapter of what's to come for them.
Everyone, friends old and new, gathered around for a special birthday. A birthday for the confident, unshakable, and radiant Amy Rose.
It was such a special moment in Amy's life. After years of chasing and following the people she look up to, she is part of the team, but most importantly, she is part of the family.
She is fully realized as someone more than just a fangirl, but someone strong, courageous, creative, kind and a big inspiration for others.
I feel like this moment here...
-is where Amy is eternally grateful to call her friends her family. A family she thought she'll never have again. She's not alone anymore, and as long as they're by her side, she'll never will be again.
Her chasing days are over. She's finally caught up to them. She's finally home.
And it's all thanks to Sonic.
If it weren't for him, she'd probably be alone forever. Her past moments with Sonic might be embarrassing to look back on for a while, but they are good memories regardless, because they involve him.
Sonic saved her life in more ways than one, and despite everything, he's grateful to have her too.
He cares about her. He really does... And in her eyes, that all she needed to know. As long as Sonic loves her in his own way, she'll be happy.
Amy hasn't given up on Sonic. As long as Amy always supports him, he'll be happy.
Maybe sometime in the future, they can talk about their problems, but that's a story for another time. At this point, they need to. Right now, they are happy. They are okay.
They are here for each other. They are finally better for each other now.
"You guys won't ever leave me, right?"
"Wouldn't dream of it."
#piko rambles#sonic the hedgehog#amy rose#Meant to be platonic but I don't care if you tag as ship lol#I've been meaning to post something like this for the longest time now but never really got into posting it-#-because you guys REALLY hate seeing these two together for some reason.#Well not for SOME reason. There are valid reasons why you don't ship them. Everyone has valid reason why they don't ship this or that.#But sometimes those reasons can just sound so petty to me. Like the reason why is because Amy is a stalker or Sonic hates her which is FALS#Also those age gap arguments are understandable but so goddamn annoying sometimes. Maybe when they hit their late teens or early twenties-#then they can be together if they want to. Besides a good percentage of Sonic ships are better off if they waited til they're old enough im#I love them regardless of whether they're just friends or an awkward older cringe fail couple lmao#But them being just friends and hiding away all their emotions towards each other just to keep them safe and happy with them- 😭😭😭#Son/adow is my favorite ship of all time and sonamy is my favorite childhood ship/platonic ship because they both have one thing in common.#ANGST 😀#I've been thinking about Sonic and Amy's dynamic as of late and MAN-#Mixed with some personal headcanons of mine and their dynamic as of late just makes me so emotional.#Sonic and Amy have gotten so close now and it's so sweet but so heartbreaking at the same time when you think about it.#I'm so happy they are getting along better and being there for each other but there is so much to dissect here. So much to think about.#I might be a little silly but Amy losing her parents and being alone for so long and being the reason why she's always hanging onto Sonic-#-explains SOOOOOOOOO much about her. At least that's my headcanon for WHY that is.#Amy with abandonment issues speaks to me on a personal level. I'm always afraid of being forgotten or left behind by my family.#I sometimes feel like I'm not good enough no matter how hard I try. I do not blame Amy. I relate to her a lot. It's one of the many reasons#-why Amy is my favorite character besides Sonic and Shadow.#She fights hard to prove she's a valuable member of the team and hates getting left behind but despite all that she wasn't afraid to-#-express herself and her love for people. But after the Eggman War there was some changes that made her less expressive about her love.#Yeah she still loves Sonic but she doesn't admit it because none of that matters anymore and she thought that not being loved by Sonic#-is better than being loved since she nearly wasted her life loving someone who she thought has constantly bothered. 🥲#But I think after TMoStH I think she'll be less afraid of being expressive about it. She and Sonic are just so caring for each other 😭#I love these two way too much that when I think about them for too long I'll start SOBBING 😭😭 I'M EVEN SOBBING RIGHT NOW LMAO
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Made a little fanfic about how Heavy and Medic's first interaction in my TF2 x Beastars AU went down.
If you don't know what Beastars is, I recommend watching at least a little of the anime to get a feel for it (tho' some of the things I mention in the fic will reference certain things that's shown in season 2, so be warned ig). It's on Netflix, but you can also just pirate it if you don't have a subscription. You didn't hear it from me tho' :)
Anyways, onto the fanfic below the keep reading line. It's over 3k words long, and 'cause of that (and how I don't have an a03 account), I'll just use pics instead for what I wrote in order to not go over the character limit :]
#ho boy. first time posting a fanfic here. so I hope it's at least okay in quality and character writing :')#I also hope I got most of the Beastars stuff correct. 'cause I haven't gotten to read the manga yet.#I've only watched both seasons of the anime. and seen some videos about Beastars as a whole on youtube o(-(#my thoughts#my fanfic#I guess? idk if I will post more fanfics or not lol. I guess I'll see after this one#Team Fortress 2#TF2 Heavy#TF2 Medic#Red Oktoberfest#Taggin' that as well 'cause. yeah. this AU will have that. but they're romance would be very slow burn and filled with angst 👍#TF2 x Beastars AU
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His bullfighting days aren't over quite yet.
+
#GET IT??? HIS *BULL*FIGHTING DAYS....hahah yeahhhh im so clever.....#suddenly had the urge to draw old man version matador nando bcs DC randomly called him a matador during quali#and im like oh my god....dc....youre so right....#hoping this piece works as some kind of blood sacrifice for his performance in about 7 hrs :)#get it blood sacrifice??? and hes cutting his hand in this piece???#thats supposed to represent two things.#1. hes doing a blood pact/sacrifice so his performance goes well#2. hes testing the sharpness so he can slay the bull!(and the...horse? 🤭🤭)#had a very interesting convo w Suzuki abt the implications of matador nando#based on a meme i made 😭 abt how our fantasy is that hes gonna be the bullfighter. hes gonna slay the bull#but the reality will be that he looks upon the bull from a distance#hes meant to kill the bull to overcome it. but he just ends up longing to be the bull. he fails.. hahaha get it....#lmao angst aside i think its kinda funny how i can have this reasoning for the matador au in two eras#thats long the old man has been here. has had two distinct periods of challenging the (red) bull#ANYWAYS!!!! hope ya like!!!!!! i think this is pretty relevant hopefully 🤭🤭#quite happy w this one even if it was less of an ordeal than most of my drawings#waaaahahhh hes so handsome!!!!! handsomest guy!!!!!!!#lol scheduling this like an hr before the race cause as i said. its an offering. its a sacrifice. i pray to the racing gods#tw blood#<- just a bit 🥰 he was originally just gonna be holding the sword but i realized ouch! sharp!!!#f1#formula 1#fernando alonso#catie.art.#fa14#f1 art#f1 fanart#matador au
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Broke: Damian is bad at being a Robin because he's too violent
Woke: Damian is bad at being a Robin because he's afraid to hurt people
#obviously it's always funny to do the whole 'what do u have there Damian?' 'a knife!' 'nO' thing#and like make him a horrendous and silly evil gremlin who can and will pull a sword out in the middle of a parking lot to fight#but listen#he doesn't like the assassin background that much and once he learns about like The Normal World he's honestly in anguish about it#that's canon! that's the truth! (right?) (the whole thing with Goliath?? I'm not making it up right???)#i think he's just the kind of guy who loves his swords because they're what he knows and they're a strong connection to his family#but I think it's nice if he spends his time on field telling others what to do because everyone else learned to fight the OTHER way#(by defending and subduing opponents rather than maiming and killing)#so he prefers to take on a tactician general role despite being perfectly capable as a fighter because he knows what everyone else needs#to do to succeed in fights - especially when things are a bit of a mess - but is afraid to be too rough or scary or violent or Demon Son-is#(the things that make him feel like he doesn't belong in a happy civilian world - WHICH IS WHAT HE WANTS IN MY HUMBLE OPINION.)#in this essay I will explain why this allows for him to show awe and love for each of his siblings' fight styles by utilising all of them#and I just think Dami Babs and Tim could really work together as a detective/tactician comms team (with varying distances from the field)#because I think that'd be so fun: Tim is solving (mid-range) Babs is watching/providing supports (far) and Damian is commanding (close)#because the others are like The Bruisers (in their non-lethal way) who trust themselves to only hurt as much as is needed and are good at i#PLUS babs is SO stretched thin and literally the backbone of the bats so I just want a future where some of the kids become HER robins yk#anyway back to the point of the post:#it's kind of alluded to in 2017 supersons; EVERYONE in it comments on how Robin is JUST doing flips and shouting orders#and jon is like The Muscle and the one Doing Stuff - but Jon IS following orders 85% of the time and it works out well for them because#that dynamic of 'I'm not sure I can do it right by myself and I trust you to be my partner so we can do it right together' really#is my favourite like.. they're both filling these ideas of who they're meant to be and they just :( they just seek their own path together#oh no I lost the point again immediately and it became another WHY DO THEY SEPARATE THEM rant#I just think it's really fun to think of Damian as 'the most well trained fighter but ALSO the most likely to step back from a fight'#like yeah when we add in my thoughts on pit rage it adds some angst but that doesn't matter here in THIS post#have I even talked about my hc on pit rage/madness? I don't think I have LMAO (maybe another day)#anyway it's late I'm tired why do I always chat in the tags so much#my posts are literally all in the tags 2% post 98% tags smh#damian wayne#damian al ghul#damian al ghul wayne
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learn to play it right
Previous
Final installment of the trust au.
There will, at a later date, be short stories set in this universe.
~
“What is going on?” Jimmy whispers.
Scott peers down, down at the massive crowd of people gathering, at the long line twisting down the mountain side and into the city.
“I have no clue,” he whispers back.
There are—there have to be hundreds of elves down there, all dressed in black robes, waiting outside the church. And not just elves—others, fae, humans, royalty. Far too many for any normal event. Far too many.
What’s more, a large portion of those actually gaining entrance into the building below are royalty, many of which are elves, but just as many . . . aren’t.
Scott and Jimmy are lying on the roof of the Church of Aeor, early on this cold morning, where they’ve been waiting for two hours—they had arrived just before sunrise, Scott’s exhausted wings barely carrying them to the church’s rooftop. There, with the vantage point it posed and the relative cover from any onlookers, they’d heard and seen the arrival of hundreds of people—including Lizzie, surrounded by a guard of twenty soldiers.
Jimmy had almost gone to her right then. Scott had felt him tense, heard the slight intake of breath, had panicked at what might happen to them if Jimmy were to shout down at her. Scott had subtly readjusted his grip on Jimmy's upper arm, ready to pull him back if need be, his other hand in the air, ready to cover the man’s mouth if he decided to do something stupid.
Jimmy didn’t do anything, thank Aeor. He just gazed down at his sister, mouth moving silently.
Scott turned his eyes back to her as well, marching up the hill to the church. Lizzie looked . . . strong. Her chin was held high, her hair braided back perfectly, her jewelry shining in the weak morning sunlight. She wasn’t dressed in greys and blacks any longer, the mourning period for Jimmy long over, but where she usually wore pastel shades of pinks and purples, her current dress was a deep blue, pinned up again and again in graceful layers, a train spilling out behind her.
Her presence was a regal one, and every person already making their way up to the church had slowed and stopped and stepped aside, allowing her to pass.
She had come straight up to the church—and Ilphas, of all people, had greeted her outside—and they had ushered her in, while the main part of her guard was redirected.
Since Lizzie, they've seen Joel, Katherine, and Pix arrive and be granted entrance, along with various other figures of elvish royalty. Other elves—and guards of arriving rulers, such as fWhip right this moment and Scott’s blood positively boils at the sight of him—wait outside, silent, looking toward the church.
Then Gem arrives, and Scott’s heart collapses into relief that she’s actually still alive. By some miracle—dear Aeor, how had she survived?
Last time he’d seen her, she had been in a heap on the ground, hair white as snow. That sight has haunted his nightmares for weeks.
She’s here, though, hair as red as ever, face solemn as she enters the church, followed shortly by Shelby (who looks exhausted in her shabby clothes, head bowed) and Joey right beside her (Scott blinks back visions of Joey pulling on his wings to wake him up), adorned with far too much gold weaved into a headdress and around his neck, the most brightly dressed of anyone there.
In fact, all of those waiting outside the chapel are dressed in black.
Scott is starting to have a sinking feeling that he knows why everyone might be showing up to Rivendell’s church on an inconspicuous weekday morning.
Pearl arrives last of all the emperors, marching right on in, and Scott knows that there won’t be anything to see from out here.
Not that Rivendell isn’t an . . . interesting sight, at the moment.
The fog of the morning obscures the nearby mountain peaks, tinged red in a way that could be the rising sun (though Scott doubts it). The landscape and city aren’t dead, but . . . muted, almost, as if some of the color and life has been slowly drained. There’s no snow on the ground, and it is summer, but usually there’s a morning frost year-round. The earth seems cracked, dry, neglected.
And, of course, red—red tentacles, he supposes, thread through the city—still, perhaps, but Scott swears they shift when he looks away. One stretching from a normally-busy intersection, curled around a lamppost. Another that wraps all the way around the library, the stones buckling inward under its grip. The flowers of the royal gardens are overrun, large and small vines choking them out of the dirt.
The touch of his brother is clear, but to Scott, the most significant change is the eerie feeling of stale death haunts the air. Death that clings to the back of his throat, to the pads of his fingers, to his cracked lips.
He hates this. This is his land, his country, his people, and Xornoth—
No. Anger will get him nowhere but dead, and he can’t die yet. They have a purpose, here.
To think. He was so worried about Jimmy blowing everything by calling out to Lizzie, while Scott just has to look at nothing in particular to be tempted to scream out a challenge to Xornoth while his lungs still have air.
“We have to get inside,” Scott mutters to Jimmy, shamefully caring more about removing himself from his once-beautiful Rivendell as it suddenly overwhelms him and less about saving Lizzie. “There’s a window in the rafters with a broken latch—or, there used to be. I don’t see why anyone would think to repair it. We can go around to it and swing in.”
“Why do you know that?”
Scott shrugs as well as he can, belly-down on the roof, eyes still fixed on Ilphas below as the elf greets guest after guest. “Good place to hide out from my brother, growing up.”
Forgetting his anger, it might be best for them to get inside a building, anyways—every time Scott sees one of those horrid red tentacles out of the corner of his eye, he thinks it’s Xornoth come to kill him once and for all. They’re terribly exposed in their current place, and it’s a miracle they’ve not been spotted yet (though they’d had a close call with Pix glancing heavenward as he entered).
So Jimmy follows closely (close enough to touch, of course) as he shuffles down the roof, to the back of the chapel, where luckily nobody has begun to congregate.
It isn’t as easy slipping in through the round window there as it used to be—it swings out, for one thing, which almost knocks Scott off his balance entirely as his arm swings out with it. When he flips himself around and starts to slide down the edge of the roof, his feet dangle in freefall for a second (his stomach flips, though Jimmy has a tight grip on his wrist) and the windowsill is just too thin for the thick winter boots he's been wearing, his feet scraping against it for unfound purchase. With only a moment of panic, though, he manages to get both heels hooked on the inside and pulls with all the leg strength he has, slipping away from Jimmy, his back falling with another swoop in his stomach.
It’s more the flapping of his wings that helps to pull him in than it is his quad muscles, but Scott somehow manages to shimmy into the window, barely keeping himself from falling flat on his face.
He makes far too much noise, stumbling over his own feet and almost hitting his head in the cramped attic space, but once he has something of a breath in his chest he scoots over to the side (there's really only five square feet of space in there, after all) to let Jimmy in.
Jimmy goes about it in a . . . creative way, meaning that Scott’s heart almost drops out of his chest when he sees Jimmy fall past the window.
“Jimmy—” he gasps, reaching out far too late (frost brushing against the rough wood wall), just as he notices the fingers curled around the ledge.
Jimmy heaves himself up on his upper arm strength alone, and Scott knew he was betrothed to a swimmer but holy—
Jimmy falls into the room on his hands and rolls, landing hard on his backside. The entire tiny room rattles; they both freeze.
“Hopefully nobody heard that,” Scott whispers, voice pitched high.
Jimmy nods, laces his fingers between Scott’s, and scrambles to his feet (though still bent over to accommodate the low ceiling). “Yeah. Where to?”
Scott pushes past him to the only door in the room, an old, roughly-hewn door that probably hasn’t been opened in decades, lifting it just slightly to avoid scraping it along the floor.
The sound of low murmuring reaches Scott’s ears, along with the gentle strains of harp music. He takes a deep breath, then looks out.
The door leads to a dark drop, though Scott knows that in the darkness is a corner of the chapel partially walled off to hide a ladder. If he sat down here, on the sheet of wood before the door, his feet would find the first rung of the ladder on the wall below. But if he instead slides to the left, tiptoes along the wall a bit, that sheet of wood leads to the beams of the open main rafters—an access path for fixing the light fixtures.
And that is where Scott goes, carefully stepping across the beams, wings flared to keep his balance.
Jimmy is right behind him, his hand now clutched tightly around the joint where Scott’s wing meets his shoulder blade, keeping up a steady stream of whispered curses as he steps behind him. “Scott—if I fall—”
“You’ll probably land on some duke, so don’t do that,” Scott advises, glancing down at the dizzying array below. Sure enough, that looks like the Duke of Evien right under where Jimmy would land.
It’s an absolute miracle that nobody is looking up to the dark rafters, because the church is packed with people. The chapel seats close to five hundred, Scott knows, massive as it is, and yet every pew is filled, people left standing, lining the walls, crowding the entrance.
Scott tears his eyes away and creeps along, careful to test every step before putting his full weight on it, until he reaches a sheet of wood a bit more like a platform than the walkway, where he can kneel and peer down below. Jimmy joins him, slides their hands together.
“What’s going on down there? Why is Lizzie here?”
Scott scans the room, trying to spot everyone. All of the emperors are seated near the front—Lizzie behind Shelby and Joey on the left side, fWhip and Gem on the right side beside Katherine and in front of Sausage—and seated at the very front is Joel, then a priest that Scott remembers kind of liking whenever he attended chapel, then two empty seats.
And before them is the altar. Atop the altar is an unwrinkled white linen, with a very familiar crown resting on it. Scott's own crown. The one that had been hand-crafted for him when neither of his parents recovered from their horrible illness.
It’s a rather beautiful crown, if he does say so himself. A golden base, threads of gold crawling up to support and wrap around several white crystals, clear gems woven into the gold. Scott’s always been impressed by the workmanship that must have gone into such delicate materials to make them into the sturdy thing, and it’s clearly been polished recently, as the crystals catch every ray of light and absolutely sparkle.
Ilphas is walking down the aisle, he notices, and they pause right beside the altar for the briefest of moments before turning out to the crowd.
“Respected guests,” they say, voice ringing through the vaulted ceiling of the chapel. Everyone immediately hushes, turning their eyes forward. “The service will begin with a traditional elvish hymn, written thousands of years ago. The lyrics are in the Old Elvish tongue, but they envision the glory of the afterlife that awaits . . . that awaits. It will be performed by Sarelir of Arde’s Line and Cacil of the Far Forests.”
They incline their head and step back down to sit beside the priest, who shifts slightly, as the harp once again strikes up and an elf stands from the front row, rolling their shoulders.
Scott is absolutely transfixed.
“What’s going on?” Jimmy whispers again. “What is this?”
It’s so surreal, Scott’s not even sure what to say.
“This—this is my funeral,” he finally manages. “We’re watching my funeral.”
-
“This is so odd,” Scott whispers, for what’s probably the seventh time.
“It’s not fair, is what it is,” Jimmy tells him. “Did I have a funeral?”
“Yes, of course,” Scott says absently, too focused on the priest’s readings in Old Elvish to even look at Jimmy. ‘It was a lovely service.”
“I wish I'd been there,” Jimmy grumbles. “Who spoke?”
“Joel gave the sermon, but . . . several people spoke. Er, Lizzie cried during her speech.”
“Wow. Was it sad—I mean, she cried, right—but like, sad, or a good sad?”
“Why are they doing this in Old Elvish?” Scott wonders aloud. “Usually, the priest wants people to understand the blessings. My funeral ought to be entirely in Common.”
As a testament to the lack of understanding, the mourners down below are beginning to look a bit bored. Lizzie is paying rapt (if somewhat vacant) attention, and Gem seems to have some sort of idea of what’s happening (as she’s taking notes), but Joel is fidgeting with the buttons on his purple coat, and Sausage is pelting little pieces of paper at fWhip’s back.
Even the native elves seem confused, disinterested. Some are frowning, focusing hard to understand (and those must be scholars, librarians, and priests, those who have studied the language for a considerable amount of time), but most are simply gazing forward with no sign on their faces that they are even listening.
His people. . . .
His people look unwell.
Their skin appears somewhat wax, though perhaps that’s just the low lighting and the black clothing—even so, many familiar faces are certainly thinner than Scott remembers, and their eyes are dull and redrimmed and scared, and Scott can’t stand to see them so.
But how on earth is he going to make this any better? How will he do anything but fail?
There’s a quiet noise from below, almost a snort, and Scott looks away from the elves to see Joey, head slumped back and eyes shut, mouth half-open in sleep.
“I wasn’t gonna say it, but this is kind of boring,” murmurs Jimmy. “My funeral wasn’t, right?”
“Jimmy, I honestly don’t remember much of what happened at your funeral right now.”
“I wish I could’ve seen it. Then I would be able to compare.”
The priest finishes up cyr sermon with a statement that Scott recognizes despite the language barrier, one that’s spoken at every kingly event he attends—“Blessed by Aeor may our king be.” Then ce sits, and after a moment, Joel gets up and stands behind the altar.
He takes a moment to look out over the massive congregation, the scribes waiting to write down every word he says, the fellow emperors before him.
Scott sees Joel’s shoulders raise in a deep breath, then he speaks.
“When I was asked to do this bit, I was . . . kind of intimidated,” Joel says, straightening his sash. “Jimmy’s was different—there weren’t very many traditions I had to know about, but it seemed like every day I’d get a message from Rivendell informing me of whatever other thing I would have to keep in mind. I’m honestly just glad that there isn't a body—I never quite figured out which shoulder I was supposed to pour oil on.”
A couple of chuckles, mostly from royals of other empires. Some of the elves shift uncomfortably; Scott can just barely see Ilphas from this angle, but he can practically hear the elf’s disappointed sigh at Joel’s flippancy with sacred customs.
“We do the whole mourning thing a bit differently in Mezelea,” Joel says. “I know when Jimmy died, Scott had his year-long bit, and Lizzie had forty days. Mezelea has three days—and only that much if you’re close to the person who passed.
“I took those three days. I may not have known Scott too terribly well, but we were friends, I guess. We were friends, and I know what he’d want me to do.”
Joel looks out over the crowd again, massive as it is, head turning left and right.
“I’m not going to say what Lizzie did at Jimmy’s memorial,” says Joel, voice hard. “But know that I mean it. And the emotions that Lizzie incited in your souls then ought to be roaring right now. Can you feel that? Can you—”
CRACK.
A red tentacle bursts through the floor, and before anyone can do anything, before anyone can draw breath to scream or even acknowledge its existence, it smacks into Joel with enough force to send him flying into the wall to his right, where he slumps and lays limp.
“No—!” Lizzie cries out, standing, but she doesn’t rush forward as with a flash of darkness—all the candles and torches go out, flickering back as red, darkness seems to sweep the room like the death outside, and Scott swallows against the ill, sticky feeling in the back of his throat—the demon himself appears, standing before the altar.
His life as the usurping ruler of Rivendell must be treating him well. Gone are the torn robes, the grimy grey armor—he wears clean armor, matte black in the near-darkness, his robes below grey, a black cape fixed around his shoulders.
His hair is still unbrushed, long and scraggly, and the crown—or, perhaps, a physical pair of antlers—is still on his head, red glistening from the tips. Scott can’t see his face, but he’s dreamed it so many times that he doesn’t need to.
He can picture the way those horrible, bulging maroon eyes rove amongst the crowd, the too-sharp too-big smile with too many teeth as he surveys his prisoners, his prey.
Scott shudders.
He’s been (almost) killed by Xornoth once already.
Can he stand a second time? Can he walk calmly toward that horrifying visage, give him the deranged joy of his brother going to him as sacrifice, a futile attempt to save his people?
The new lighting bathes the chapel in an eerie glow and mist rolls out from Xornoth, obscuring Scott’s vision even further. Gasps and screams from the sudden appearance go silent as everyone waits, dreadfully, for the demon to speak.
Xornoth takes a long, deep breath, an inhale through his nose as he tilts his head back, taking in all the mourners in black.
“There is such power here,” he says eventually, distorted voice bouncing around the high ceiling. Jimmy squeezes Scott’s hand, silent and radiating terror.
Has Jimmy ever seen the demon? A nasty sight for the first time.
Or does he just sense the end, as awful and impending as it is for Scott?
“Such power. Godly power. And many don’t even know it,” Xornoth says, each word deliberate and dripping. “Who knew that the gods still dwell on earth?”
He stares out at—at someone, but Scott can’t tell who.
What? Gods?
There’s Aeor, of course, but Aeor isn’t physically present. Nor is Exor, despite both gods’ champions being here.
Scott knows that other gods exist, but most others aren’t terribly bothered with the elves. Different cultures have different deities, and of those of the Thirty-Three, only the two brothers had ever been documented in contact with the elves.
“And I will soon be more powerful than them. But first . . . a little victory, a personal achievement for me. Elf?”
Xornoth looks behind himself, and Ilphas, slowly, rises.
“Declare me king with my brother’s crown.”
Oh, now that is going too far.
Scott can feel his blood positively boiling. Of course, Xornoth has to have this. Not only is that his crown, it’s also entirely against every burial tradition and even ancient law! It’s nothing but a way to gloat, a move of blatant disrespect and total power.
Nobody will stand against him, though. Nobody can. All they would be met with is death.
And yet, as Ilphas carefully picks up the crown, held in their right hand, they tuck their left hand into their robe.
Scott sees it before anyone else, he thinks. Xornoth takes a knee at the altar, head bowed, setting his dripping and blackened crown of Exor (so it is a crown, not antlers—though—are those bleeding holes in the top of his brother’s head?) on the white burial sheet. The demon doesn’t see a thing. Not the way that Ilphas draws near, nor the way they hold the crown far from Xornoth’s head. Not the flash of silver that Ilphas pulls from their robe and drives into Xornoth's back—
In a fluid move that sends his dark cape swirling around him, Xornoth rises and spins on his heel and grabs Ilphas by the throat, just as he had Scott so long ago.
The hundreds of people in the chapel cry out in a cacophony of sound—Scott can’t see them, Xornoth stands and lifts Ilphas, Ilphas’s shaking hands drop both the crown and the dagger as they futilely push against Xornoth—
The elf chokes, Xornoth’s grip so tight that Scott just knows his windpipe is being crushed—
Xornoth throws Ilphas to the ground with a solid thud and raises his right hand, turned out so the audience sees all that happens. They all fall silent, waiting, dreading.
A red mist—or a flame, maybe, some kind of magic that glows and burns Scott’s eyes like smoke—begins to form in Xornoth’s hand, swirling and intensifying.
“Let this,” he growls, “be the first example of the punishment that awaits insolence.”
He closes his hand, curling the magic into his fist, and points it down at Ilphas—Ilphas stirs slightly, but not enough to move, to dodge the blast about to come, and Scott isn’t going to let another person die while he stands by and watches—
He doesn’t think. Scott throws himself down from the rafter, falling, air rushing through his ears and the ground speeding closer as his aching wings flare out at the last second to catch him, landing one knee on the ground, one hand out to steady himself (ice spreads out across the floor in a crackling radius from his fist), in front of Xornoth.
Silence.
And then the chapel bursts into noise.
Scott straightens up, dusts off his hands, even as Xornoth stumbles back, face slack with shock, the magic vanishing from his hand.
He may be about to die, but Scott feels that he ought to be acknowledged in history books for that entrance.
He’s about to say something cool, like “miss me?” or “I’d like my crown back, thank you” when there’s a whoosh of air right beside him—
Followed by a thud and a loud crack!—
As Jimmy lands in a heap beside him, one leg bent in a way that it surely shouldn’t be capable of.
Scott stares. Xornoth stares. Ilphas stares.
Jimmy raises his head, grabs onto Scott’s rough tunic and drags himself up, hands clinging to him, careful not to put weight on his leg.
“Did you just break your leg?” Scott hisses.
Jimmy nods, face scrunched up in pain.
“Why?”
“It’ll heal,” Jimmy gasps. “Just—just give me a second.”
“Jimmy?” a familiar voice cries, and Scott glances out to see Lizzie, vaulting over the pew between her and the front of the room. “I—what—?”
“What the f—” Sausage’s quite reasonable question is cut off by fWhip’s exclamation of “How are you both alive?”
Lizzie doesn’t get close at all before Xornoth points at her; another horrid tentacle bursts through the ground in an explosion of stone and wraps around her legs, tearing her dress. It swings her through the air over their heads and slams her into a marble pillar near the back of the chapel, which cracks and crumbles onto her motionless body.
The church goes silent again, every person who just moments ago had been rushing to get out of their seat and to the door now frozen in place.
“So,” Xornoth sneers, squaring his shoulders. “Back from the dead? And your little fish boy, too. Was losing once not enough?”
Kind of his thoughts exactly, really. Glad they're on the same page.
What on earth does Aeor expect him to do?
Why is he back?
He has to say something. He has to look like he has some sort of plan, because literally every second of this mission has been last-second decisions with nothing concrete to follow and he hates that, he can’t give Xornoth a reason to gloat atop everything else.
But Scott doesn’t even have the chance to come up with a witty comeback before literally everything explodes.
There’s a ringing sound.
A piercing ringing, drowning out every sound that might be expected, and when Scott goes down, it’s almost . . . slow.
Slow . . . slow, as if by some consideration, the air has decided to thicken to the point of near-water, taking Scott down . . . down. . . .
Scott’s sent flying forward, something hard crashing into his back, holding to Jimmy for dear life as he probably shouts but can’t hear anything but the ringing. They both crash to the floor, Scott beside Jimmy, his eyes squinted shut, one arm pulled up to cover his head.
A hand grasps the back of his coat, pulling him back, dragging him away from Jimmy; an acrid smell washes over Scott and he knows who has him even if he can’t open his eyes for all the dust and grime in his vision—
And then something else knocks Xornoth aside, and Scott stumbles to the side and rubs at his eyes enough that he can squint and see that the entire left wall of the church has been blown off entirely, right behind where he had just been standing.
Rivendell outside, not long ago looking more muted than anything, is bathed in the same red dimness as the chapel. The clouds overhead are dark, darker than a normal raincloud, the ground absolutely writhing with dozens of those massive red tentacles.
His Rivendell, his beautiful Rivendell. . . .
Xornoth is on the ground in the settling dust and splinters of the destroyed marble and spruce wood of the walls, wrestling with—with Katherine, of all people. Jimmy’s still on the ground, covered in scrapes and dust but sitting up, pouring from his waterskin onto his leg, and there are other guests everywhere, panicking and pushing—and the ringing fades, just slightly, then more and more and they’re shouting and screaming and trying to make their way out.
Scott ignores them and stumbles outside through the very large new door, tripping over chunks of marble. The air inside the church is thick with dust, and if he can get out of there maybe he’ll be able to properly see what’s going on.
Once he steps outside, however, something in the air shimmers. Then wobbles.
Then, out of literal thin air, the Grimlands army begins to emerge (clearly identifiable by their strange boxy uniforms and leather helmets), marching through the gardens between the palace grounds and the rest of the kingdom and inexorably toward the church and the masses there.
“No way,” Scott tries to say around the dust choking his throat, the words escaping as more of a cough.
He turns back around, ready to warn everyone to flee—
The guests, just moments ago a mass of chaos, are slowly forming rows behind him, each with a weapon drawn—lots of daggers, of course, but some short swords, some spears, some maces.
Where—what?
How? Why?
The mourners—all these people here to mourn Scott, not just those that were permitted into the chapel, but the hundreds outside as well—have somehow become a small army.
And Joel comes limping through the center of the crowd (they shuffle aside, clearly looking to him for guidance), covered in the dust of the rubble, a bit of blood trickling down his temple.
“Glad to see everyone’s here and ready to fight,” Joel shouts, heading up toward Scott. “We’ll be joined by more as soon as they notice.”
He turns, claps Scott on the shoulder, then points to the approaching Grimlands soldiers. “Fight!”
Their little band, so far no larger than the force of rebels that Jimmy had been leading across the prairie (so many less than the Grimlands, surely), breaks forward at a run, some yelling, some brandishing their weapons. In the middle of it, Scott and Joel stand (and Scott instinctively takes a couple of steps back, fully aware that he has zero control over his curse right now).
Joel looks exhausted—Scott had seen how hard Xornoth threw him into the wall, so he’s honestly surprised that the man is even walking. And not only walking, but apparently leading an army?
“I don't know how you’re alive,” Joel says, grinning, “but it’s good to have you, for however long it’ll be.”
Scott’s imagined this moment several times in the past weeks—reuniting with friends who thought him dead would be inconceivably emotional, perhaps even distressing (as it was with him and Jimmy). But instead of all the planned phrases he came up with for Joel, all he can manage is,
“Why does everyone have weapons?”
Joel chuckles. “We got them to everyone who needed one before the service.”
“You handed out daggers as party favors for my funeral?”
“We’re trying to take back Rivendell, we had to do something! We didn't really expect you and Xornoth to show up, honestly. Can you still do that ice thing?”
“I can’t control it without Jimmy,” says Scott, and as if to punctuate his statement, several icicles shoot up from the earth.
If Joel is confused by his mention of Jimmy, he doesn’t show it. “You don’t need to control it, you just need to not hit our people.”
Joel runs off before Scott can say that part of having a lack of control means that he can’t exactly avoid hitting their people.
There’s people running, yelling, fighting. Xornoth and Jimmy (and so many others) are somewhere in the rubble of the half-destroyed church behind him. Red tentacles are bursting out of the ground all around, lifting up their ragtag bunch of fighters. fWhip’s army is approaching, growing larger and closer by the minute.
And Scott’s here in the midst of it.
He flexes his fingers and runs, ice spreading from every pounding footstep.
-
Jimmy watches, biting his lip, as his leg mends, the bone tingling and straightening. The pain dissipates bit-by-bit, and though it isn’t fully done, Jimmy stands, shaking it out.
Joel’s on the ground, by the wall that collapsed, and Jimmy stumbles over to him. Miraculously, none of the wall fell onto him, but he’s still unconscious, blood dripping down his cheek.
Jimmy pours some water from the skin on his belt onto his fingers, lightly touches his head. Joel stirs, starts to sit up, starts to rub his eyes, as if he had never been more than stunned.
As much as Jimmy longs to stop and hug him, or talk to him, he moves on, over to the altar, beside which Katherine lies in a heap, alone on the floor, blood seeping out under her.
Where’d the demon go? Not his problem. He needs to help these people, then probably—Lizzie? Find her among the rubble? Go after Scott?
Jimmy kneels and places both hands on Katherine’s shoulders, holds her for a moment, letting the tingling feeling leave his fingers and enter her.
After a moment, Katherine moves a little, mumbles something, and Jimmy heads to the next person, just beyond Katherine.
Scott’s advisor, Ilphas, is sitting against the back wall of the chapel, massaging their throat. They look at Jimmy with something like wonder in their eyes as Jimmy kneels down before them and places a gentle hand on their throat.
Ilphas flinches back at the touch, but the appearing bruise recedes under Jimmy’s fingers, and when he draws back, they prod at their throat, apparently amazed.
“You . . . you are a god,” breathes Ilphas.
“Cod, actually,” Jimmy corrects, then heads to the other side of the room, toward a woman cradling her arm.
“Jimmy!”
Jimmy whirls to the side as someone grabs his elbow—Pix, smiling, eyes shining. He’s covered in dust, like everyone else, but he seems almost . . . happy.
“It’s time,” Pix says. He nods once, pats Jimmy’s shoulder.
“Sorry, time for what?”
“The sword.”
Right. Right! Pix had given him the sword, ancient and covered in runes, with the strict instructions to give it up when the time came. Jimmy’s been waiting, assuming that he would instinctively know the time, but apparently it’s . . . now.
He reaches over his shoulder, grasps the hilt, but Pix shakes his head.
“Not to me,” he says. “Scott. Give Scott the sword. Hurry.”
Oh. He can do that.
Which way did Scott go?
-
Lizzie is dying.
She knows she’s dying, because her vision keeps going grainy around the edges, and she can’t feel her legs, and a huge chunk of marble has pierced her stomach, blood seeping out all around it.
There’s something that she has to do, then.
She promised herself over a month ago that if she was ever dying, she would do it.
So Lizzie reaches with numb, trembling fingers into her satchel, past the cold hilt of a dagger and landing on the squishy-yet-solid mass that had been left in the pouch with the mysterious book.
-
Scott pushes a piece of hair behind his ear, rolls up his sleeves for the third time. He’s just narrowly dodged away from a soldier viciously slashing about with his sword, hidden briefly behind a tree that he had once read a history book under.
He’s in the midst of the battle, and he really doesn’t have any sort of control over all of the snow and ice, and he hadn’t carried any other weapon, so he's been trying to avoid just about everyone—
“Scott!”
He whips around—
Gem.
He’d seen her face back then, stone-like and motionless, her hair white, her body slumped in a way that clearly communicated she wouldn’t be getting up again any time soon.
He was certain he’d killed her when she wouldn’t respond to fWhip’s shaking.
But now, she’s alive. She’s alive and moving and breathing—and she’s hurrying toward him across the battlefield that used to be a very lovely park, her bag outstretched.
“You’re going to get him now, aren’t you?” she asks breathlessly, shoving her bag into Scott’s chest. It ices over as he accepts it.
“The crystal’s in there, and one of the boots—we couldn’t find the other,” she tells him with a grimace. “We’re really doing it this time, right?”
Scott just stares at her, his arms burning where her fingers had brushed them.
She’s okay.
He’s spent so many nights remembering that final moment, when the ice exploded out of him and she collapsed, when he barely had a moment to mourn before he was gone, too.
She’s here now, and there’s a bruise on her temple and her red hair is coming out its braid, and her face is smudged with dust, and she’s grinning and so very alive.
It feels good to know that he didn’t kill one of his friends.
Scott opens the bag, and sure enough, the crystal is sparkling within, a familiar, hated boot squished in next to it.
“Well?”
Scott looks back up at Gem, at the hope shining in her eyes, at the smile that he never thought he’d see again.
Does he tell her that he’s dying?
That she’ll have to go through it again in a matter of hours, at most?
Does he prepare her in some small way, or give her a couple of moments of freedom from the grief?
Scott doesn’t have time to make a decision, however, because something to the left crashes.
They both turn, toward the church, not too far away but far enough—
It happens as if in slow motion, crashing through the rubble and still-standing bricks, straightening to full height as stone cascades off it and any people nearby flee.
There’s a monster bursting through the remains of the collapsed wall.
A monster.
Hasn’t enough happened?
The monster is blue, and scaly, and twelve feet tall at least, with long pink hair that tangles down its shoulders and covers its face. It stumbles out of the church, stretches a little, and immediately grabs a Mythland soldier with both claws and chucks him as far as it can.
“What in the world—?” Gem gasps, running toward the monster.
As fun as it sounds to run directly toward the killer lizard thing, Scott decides to turn the other way, looping Gem’s bag over his other shoulder so it doesn't bang against his satchel. The monster, luckily, keeps heading down the path, towards the city itself and not toward his palace, which overlooks the entire city from its place beyond the church.
Scott heads that way, scaling the ivy trellises on the low wall between the gardens and his palace grounds, where already the battle has spread. There’s soldiers and Rivendellian rebels fighting right and left, and horrible black-and-red flags (hung in the place of Scott’s typical blue and gold) have been torn down and trampled, like rags under the feet of the battle.
Scott dodges through the fight—he isn’t sure where he’s trying to get to, just somewhere away, somewhere he can maybe pray for the strength to face his death with dignity—
There’s a storm coming. A snowstorm, judging by the dropping temperature and the little flurries that fall before Scott’s eyes. The land round about is growing even darker, the clouds above looming more and more threateningly.
Scott shoves past a falling soldier, stumbles over an uneven chunk of frozen ground, straightens and continues—
A flash of lightning, followed by a rumble of thunder—
He’s there.
Oh, no.
Xornoth is right there, up ahead maybe . . . maybe forty meters, waiting.
Staring at Scott.
His eyes are maroon pits of nothing, his skin grey and distorted. His blackened lips are stretched into a smile, his long, matted hair falling down around his shoulders. Again on his head is that horrid, dripping crown of antlers, in such opposition to the golden antlers in Scott’s satchel.
He is doom, he is death, and Scott can taste it on the frosty air.
This is the end.
Scott retrieves Aeor’s crown from the Codmade satchel at his side, sets it carefully on his head. Lightning flashes again—Xornoth is closer, red mist rolling out around his feet, spreading across the grounds.
The fighting gradually comes to a standstill—some unspoken beckon brings all eyes toward them, shifting in their formations until there's a good crowd of onlookers surrounding them, watching. Waiting.
Scott doesn’t have a weapon. With Jimmy’s hand in his, he hasn’t needed one—he’s been one.
But Jimmy isn’t here.
And Scott is going to die.
At least Jimmy won't have to see it.
He squares his shoulders, fumbles in Gem’s bag for a moment, extracting the crystal, cool and heavy in the palm of his hand. He lets her satchel fall, ignoring the boot within.
Xornoth actually laughs, the sound barely carrying to Scott over the growing wind.
“You’re going to try that again?” he calls, slowly striding toward Scott, each step deliberate, more mist clouding out with every thud of his clunky boots against the ground. “It failed, brother. Why would it work now?”
Exactly Scott’s question. But he doesn't really have a choice, at this point. It’s not like he can run from the demon.
The wind whistles in Scott’s ears, almost like the ringing of the earlier explosion.
This is it.
Xornoth draws his sword with a shiiing—black, and, like his crown, dripping. He didn’t have a sword before, back on the windswept plateau, did he?
Scott swallows back the cold fear in his throat at being run through with that sword, darkness spilling into his insides, but he puts up one hand, ready to send a burst of ice or something—
People are screaming, yelling over the wind—
There isn’t any ice—
Scott’s hair is whipped into his eyes by the wind and he can’t see much but he sees Xornoth come forward, sword ready to strike—
He can’t move, his feet are literally frozen to the ground—
He squints his eyes shut, dear Aeor please—
Something warm collides with Scott, holding him in a suddenly-warm (warm, home, his Jimmy) hug and he hears a sound kind of like a squnch followed by a gasp in his ear.
The wind dies—not calm, not dwindling, but sharply, leaving silence and the sound of Scott’s heaving breaths and thudding heart.
He opens his eyes to golden, too-long hair, and he feels just barely like he has a tenuous hold on his curse.
He feels warm.
Scott leans back just the slightest bit. Jimmy’s right here, and maybe it’s selfish, but he just wants to see his beloved once more before he dies.
Jimmy’s pale lips tremble as he gives Scott a small smile.
Blood drips from the corner of his mouth.
Jimmy is holding him, and Scott looks past his shoulder to Xornoth right there, holding. . . .
The sword in Xornoth’s hands is buried in Jimmy’s back, and Scott looks down—the point of it is sticking out of Jimmy’s gut, shining with blood. His tunic is rapidly becoming soaked with blood, and Scott realizes that Jimmy is less hugging him and more collapsing onto him.
He’s going to throw up.
He’s going to sob.
Jimmy is dying right in front of him, and Scott can do nothing but hold him.
Xornoth catches Scott’s eye, smirks, and twists the sword.
Jimmy grunts, eyes fluttering closed.
Horror wells up in Scott—horror and anger, cold and terrible, and the snow begins to fall properly as lightning flashes against the dark clouds.
His betrothed is dying in his arms—Jimmy threw himself in the way of the sword to save Scott and now he’s dying, he’s dying again, Jimmy is dying in his arms—
“Scott,” Jimmy breathes, trembling against him. “Scott . . . the sword. . . .”
“I know,” Scott says, frantic, not sure where to put his hands or what to do because everything sounds like it’s coming from underwater and he feels sick, he doesn’t know how to help, “it’s okay, I’ll get the sword out, you’ll be okay—”
“No,” Jimmy interrupts, the sharp nails of his left hand digging weakly into Scott’s shoulder. “Take the . . . the Rune Sword, Scott. . . . It’s time. . . .”
Scott’s eyes catch on the hilt of that sword that Jimmy always wears on his back, that he doesn’t unbuckle even to sleep, the one with the sparkling runes carved into the leather grip.
Xornoth notices it, too. His face goes slack with shock—and maybe a little fear—
In one fluid motion, Scott reaches around Jimmy and withdraws the sword from its sheath with a rring!
The effect is immediate.
Deep inside, the broken parts slide together perfectly with a satisfying click. A tingling spreads down Scott’s limbs, the ice around his ankles melting instantly.
His chest feels like it’s going to burst with something close to elation. Everything feels so—so right, so whole.
He feels like he can take in a full breath without fear that his soul will crack apart.
He feels like there’s a little warmth in his bones—not that the frost is melting, but that it’s a proper part of him.
He’d described it, once, as a door. A door that he had to push against with all his might to keep it shut, and he only had the strength to do so when with Jimmy.
That wasn’t quite right.
It isn’t a door. It’s a piece to a puzzle that has finally been recovered, set in place in the center of his chest.
He feels like everything is right.
He feels powerful.
Snow whirls around him, and he raises the rune sword.
Xornoth tugs his own sword out of Jimmy (who slides to the ground and lays there, crumpled) and raises it, more in a fighting stance than an execution this time.
Scott moves more on instinct than anything else—and not his own. The instinct of someone from long ago, someone who once wielded this very blade against Exor’s Champion.
He parries Conal’s—Xornoth’s attack, swinging the sword like he was born for it. He was trained with a sword, wasn’t he? Long ago—years—centuries—
He steps into Xornoth's space, keeps walking him back—Xornoth is definitely concerned, now, and it’s as if power is literally radiating down his entire body from the crown of antlers. This feels right, this is perfect, his every vein and nerve are singing in perfect harmony—
Alinar attacks relentlessly, frost curling down the sword, illuminating sparkling runes on the blade. The ground beneath them has become ice, and the demon slips with every shuffling step back and he was made for this. He swings and blocks and steps like it’s all a great dance choreographed by the gods, perfectly in time with his God on High, and the music within him swells as he spins Conal around, steps too close to him, and pushes him to the ground, kicking out his knee.
“Please,” Conal-Exor-Xornoth gasps from the ground, his sword fallen to the side, “please . . . Aeor, have mercy. . . .”
“This is mercy,” Alinar-Aeor-Scott says, and he drops the crystal onto the demon’s shoulder before plunging the sword through it, dropping to his own knees to drive it as far as possible.
The crystal ripples as the sword passes through like water, and straight into the demon’s shoulder—
Scott screams, it burns, his arm—
Conal screeches as well, writhes on the ground where the sword has him pinned, red mist is bursting out of him and slowly being absorbed by the crystal and it hurts, it’s as if a sword has cleaved through his own shoulder but Alinar holds on, he has to save his people—
And then it’s over.
The crystal lands on empty, frozen ground, now purely red.
The demon is gone.
It hurts too much to keep going.
Scott had fallen to his knees to push the sword into Xornoth, and now he falls the rest of the way.
He slumps to the ground, sword under him, and knows no more.
-
It nudges at his cheek, hairy and soft, and Scott’s eyelids flutter as his vision blurs and clears, barely focusing on the stag’s noble muzzle.
Scott lets out a breath, short and shallow. His whole body aches, from the tip of his forehead down to his toes, and he cannot even find the strength to raise his head, see his injuries.
For a moment, it seems that blood streams down from between the stag’s antlers, as it so often has.
He’s lying on the forest floor, spongy mud and soft grass under him.
It gives him a moment of vertigo—usually he looks down on the ground, no?
Then the stag speaks, its white eyes fixed on him. It doesn’t move its mouth, just stares at him as Scott hears its words echo through his head.
“Ni’iun ñe ndie Ndíoxī xi’iun, se’eii. A va’a?”
Scott’s mouth whispers the response.
“Va’a vá.”
The stag huffs, nudges again at his cheek.
“Kunda’avi iniyuu yo’o, se’eii. Kundi yu’u nu takundi’i ña’a, ra kuvi kī’viun ñe ndiviyuu xi’i kūsūnku.”
His eyes roll, just slightly, as the stag blurs in his vision.
“Va’á và,” his lips breathe. “Tixa’viniu.”
“Kūsūn, se’eii.”
-
Scott’s eyelids are almost too heavy to open.
His body aches, somewhere not quite beyond the realm of consciousness. It feels. . . .
He isn’t awake. Not really. Just drifting toward wakefulness, the pain more present with every passing moment.
There are strange, oddly-shaped words on the tip of his tongue.
The way his body is laid is beginning to be uncomfortable. He shifts a little to see if it’s a better position, and it is for a moment before becoming exponentially worse, so he shifts back to how he’d been.
Where is he?
(A forest floor?)
His first thought is Jimmy’s little tent out in the woods, but whatever he’s lying on is far more comfortable than Jimmy’s worn bedroll. And his second thought is the Rivendell infirmary, but he banishes that thought from his mind as soon as it appears. There’s no way that would be possible.
Maybe it’s just a really soft patch of ground?
Scott forces his eyes open, blinks a couple of times to adjust. It’s very . . . white, he supposes. Very clean.
Very familiar.
This . . .this is the Rivendell infirmary, isn’t it?
He tilts his head up as much as he can, looks around himself.
It’s rather dark. Only one lamp is burning on a bedside table across the room, all the curtains drawn.
And beside him, snoring in a chair, is Pix.
Of all people, Pix isn’t really the one that he expected to see here. He didn’t really expect to see anyone. Usually when he wakes up in the infirmary, he’s all alone.
Why is he in Rivendell?
It takes a moment of retracing his steps—traveling to the Ocean Kingdom, getting sidetracked, taking all night to fly to Rivendell, crashing his own funeral—to get mentally caught up.
He remembers being . . . more. More than himself. Those moments are odd in his memory, as if in slow-motion, and he doesn’t quite feel connected to them.
Did he . . . did he defeat Xornoth?
No.
Against all odds, did he do it?
Did Jimmy die?
“Pix,” Scott croaks, swallowing. His throat is so dry. “Pix.”
Pix starts, sits up properly. “What? What is it?”
He blinks several times, pushes his shaggy hair out of his face (his crown is nowhere in sight) and scans the room until his eyes fall on Scott.
“Oh,” Pix says, eyes widening with clear surprise. “You’re awake. How are you feeling?”
Scott’s really not sure how he’s feeling. He feels sleepy, for the most part. Sore. Like his limbs are weighed down. “I don’t know. Jimmy? Is . . . is Jimmy okay?”
Pix smiles, just the slightest bit, absolutely still surprised. “Of course. Yes, he’s doing all right. Still healing, I believe—it takes more than a day to recover from a mortal wound, after all. Now, how are you? How is your arm?”
Jimmy’s all right.
Jimmy survived.
They both survived and Xornoth—
“Xornoth—?”
“Defeated.”
“And everyone else?”
Pix chuckles. “Everyone is fine, Scott. Well, Lizzie’s a little . . . different. But there were surprisingly few casualties from the battle, and Rivendell has been reclaimed—I believe Joel tried to claim it for his own, actually, so you may need to be reinstated relatively soon—but you needn’t worry about anything while you recover.”
While he recovers?
Recovers from what?
Why is he in the infirmary? Scott doesn’t remember getting injured. The last part he remembers is—well. . . .
He was different, wasn’t he?
It hurts his head to think about. It’s odd to try and place himself in those final moments, a sword that both was and wasn’t his dancing in his hands, the absolute rightness of the union within him, the fear on his foil’s face.
“How is your arm?” Pix asks again, and Scott looks down at himself.
Lying atop the grey blanket that covers his body, his arms look normal. They don’t feel out of the ordinary. He flexes the fingers of his right hand, then—
Pain shoots down his left arm as he tries to move it, and Scott can’t quite bite back a groan. Now that he’s aware of it, his arm just aches—his shoulder seems to pulse with angry heat, and it’s suddenly all he can do to not just lie his head back on the pillow and cry.
Dear Aeor, it hurts.
He doesn’t remember injuring his shoulder. He doesn’t remember getting hurt at all, but with his battle with Xornoth being so . . . odd (he remembers not being himself, thinking thoughts that didn’t belong to him) so it could have happened, he supposes?
There’s no wrappings on his arm, though. He's still wearing that old tunic that used to belong to Jimmy, and the tan sleeve of his long-sleeved undershirt hasn’t been cut away or rolled up. Nothing seems out of the ordinary.
“What happened to my arm?” Scott asks, doing his best not to panic, when a fresh wave of pain has mostly passed and he can speak without gritting his teeth.
Pix’s eyes are sad, old, and he takes a moment for a deep sigh. “You’re so young, Scott. Alinar was over six hundred when he defeated Conal. You’re just over a hundred.”
A strange statement to make, but not untrue. Scott waits as Pix seems to collect himself, resists the urge to demand more answers. Pix will tell in his own time.
“The sword that belongs to you,” Pix says after a long moment, “is a sword that was crafted by the God of Death for Aeor himself. He used the sword to bind Exor to the Void in the End, and when Conal found Exor and brought part of him back to this world, Alinar wielded the sword to bind him to a crystal. As you did with Xornoth this morning.”
Silence.
What?
“This is all—much information,” Scott says, head spinning a bit—Aeor? The God of Death?—as he tries to figure out what exactly Pix is and isn’t saying. Why does Pix even know these things? “But what does that have to do with my arm?”
“That sword,” continues Pix, “is a binding sword. The runes that adorn it are the magic of the God of Death—it imprints itself on one’s very soul. It bound your magic to you, instead of letting it run wild. And it now has bound Xornoth to the crystal that Gem created.”
Pix sighs, scrubs at his bearded cheek. “The sword could have been more precise, of course. But when two persons already are bound to one another, what the sword does to one will affect the other. And you and your brother have been bound together since before your birth.”
“I—how? Because we’re twins? Or—”
“I don’t wish to worry you with prophecies and the like,” Pix interrupts (which, for the record, sounds like an excuse to Scott). “But know that many have spoken of you, surrounded by the living gods as you are. And since both you and Xornoth have pieces of Alinar and Conal, and Aeor and Exor . . . even without the prophecies, you have been bound.”
That doesn’t make sense. Bindings? Gods?
Does it?
What sort of prophecies is Pix talking about?
“We’re really just lucky Jimmy never accidentally stabbed himself,” Pix mutters. “That would have been bad for you.”
“Sorry?” Pix waves him off. “Oh, nothing. We can discuss it more at another time. Just know that you and Xornoth are bound, and the sword is also binding, and in using the sword to pin Xornoth to the crystal you’ve also pinned your own arm."
He’s what?
“Does my arm still work?” he asks, trying to move his fingers again. His index finger just barely twitches.
“Not well, certainly. And it will hurt for the rest of your days. As far as I’m aware, and not due to his lack of trying, Alinar never discovered a way to regain the use of his own arm without freeing the demon.”
Right.
Um, that’s. . . .
That’s fine. That is absolutely fine. So his arm will always hurt. For the rest of his life, he’s essentially going to be one-handed.
He can process that later.
He’s curious. Terribly, terribly curious. How on earth does Pix know all this? Why has he chosen to tell Scott now, after everything, instead of saving him some time and giving him the answers before any of this happened?
Those questions pale in comparison to his most important concern, of course.
“But Jimmy—”
“Is going to be fine,” Pix finishes, smiling again. “He’ll probably be in to see you in the morning. Now, would you be all right alone? I have some other business to attend to.”
-
It’s maybe two hours later that the infirmary door creaks open again and Scott hurriedly wipes his eyes with his one working arm. He’s a king, and kings don’t cry when something bad happens. And in all honesty, something good happened. Something very good happened. He’s selfish to think of himself in this time.
“Scott.”
Scott’s head shoots up at that achingly beloved voice. “Jimmy,” he whispers desperately.
Jimmy’s standing there, in the doorway to the infirmary.
He’s a little green around the gills, and his green tunic is torn and stained coppery around his stomach, and the shadows under his eyes are deep and waxy, but he’s alive. He’s alive and right there and they made it.
It only takes a moment of staring at each other before Jimmy hurries over to his side (his stride is stilted somewhat, one arm clutched around his stomach) and kisses him.
It’s quick, and not at all deep, and just once Scott wishes they could have a kiss that isn’t urgent and aggressive with the thrill of survival, but it’s Jimmy and it’s kissing, so he supposes he doesn’t mind it too much.
Jimmy only breaks the kiss to pull Scott into a hug, and he smells like river and earth and is very damp, but Scott just hugs him back with his one arm and tries not to cry into his shoulder.
Jimmy’s alive.
They’re both alive, and Xornoth is defeated, and they can finally just be happy.
They made it.
“I can't stay,” Jimmy says, voice muffled against Scott’s shoulder. “Lizzie and I are going to go reclaim the Codlands.”
Scott gives a wet little chuckle. ��By yourselves?”
“Honestly, we probably could,” Jimmy laughs. “Have you seen Lizzie yet? She’s massive.”
“Sorry, what?”
Jimmy finally pulls away, eases himself into the chair that Pix had vacated with a bit of a grimace. “Yeah. Apparently she ate this weird, squishy ball thing that she found in an old book? And—”
“No,” Scott groans. She didn’t. “I literally told her—”
“—and it turned her into this huge blue sea monster. So she’s giving me a ride to the Codlands, and we’re going to kick Mythland out once and for all!”
Scott does recall seeing a monster break out of the church during the battle, before choosing to go a different direction. And that was Lizzie? “Is—is she going to turn back?” he asks incredulously.
Jimmy shrugs. “We’ll see. She and I . . . we have a lot to talk about. And Pix said something . . . odd.”
“Did he imply that you’re a figure of legend that had been prophecied about?” asks Scott drily.
Jimmy nods.
“Well, that makes two of us.”
Jimmy grins, looks down at the floor.
It’s quiet for a moment. A comfortable quiet, not strained or awkward or anything of the sort.
Scott takes a moment just to stare at him—at Jimmy’s straw-colored hair, the glimmering scales pushing through the scar tissue on his face, the sharp cut-off of one of his ears, the delicate spindles of the other.
In the low light of the moon’s glow, he’s gorgeous. He’s always gorgeous, of course, but something about the way the light cast from the window falls over his lover’s brow leaves Scott in awe.
Jimmy is beautiful.
Scott’s sorry there was ever a time he hadn’t noticed.
“I’m sorry,” Jimmy says eventually, just as Scott’s mind has turned back to pondering his arm.
“What?”
“For—for everything. For the whole—” Jimmy waves his arms. “You know.”
Slowly, Scott shakes his head.
“Lizzie told me—well, she said it was really hard. And I know it was, but I kind of figured that—well, I’m not that important. I didn’t think anyone would be very sad about my death after a week or so had gone by.”
Jimmy shifts, one hand on the back of his neck; something in Scott’s stomach squirms uncomfortably, something that he’s been resolutely pushing down since that hug that broke his curse.
“And Lizzie—Lizzie didn’t like that. She said that I don’t know what you all felt and went through, and I don't get to decide what you feel. She’s kind of mad at me, now. And I didn’t really understand why you were upset with me at the camp, but I think I’m starting to get it now. So, I’m sorry.”
It does still hurt. Scott can’t just forget crying himself to sleep almost every night. He can’t forget looking at himself in that black veil every morning, his eyes red and heart broken.
But Jimmy’s here.
“I’m not sure I really get it, either,” Scott confesses. He doesn’t, kind of. He had been so terrible with Jimmy, and for what? For being alive? “But . . . she’s right. I—I lost you, Jimmy. I thought I would never see you again. It . . . it was difficult to leave that grief, I think. It was difficult to have it all built up inside, then have the reason taken away. You’re left with all sorts of awful feelings and . . . and no reason to have them. Does that make sense?”
Jimmy doesn’t respond.
But after a moment, he reaches out and takes Scott’s good hand in his, thumb tracing over the back of Scott’s hand.
His stomach flips, just like every time.
“You don’t have to hold my hand everywhere anymore,” Scott says, more for a lack of anything to say than to try and push Jimmy away. “Something about the sword being magic and fixing it, I’m not really sure. But I can control it now.”
Jimmy frowns. “Wait a second—the sword?”
At Scott’s nod, he continues, “Does that mean that it was the sword all along? Because I, like, always had it with me?”
Wait.
Does that actually make some sort of sense?
Scott had thought it was the power of Jimmy’s love, overcoming even the most stubborn of curses, but maybe Jimmy was just a conductor of sorts for the sword, giving Scott a temporary binding whenever they touched.
Scott’s head hurts. They’ve won, yes (and how wonderful it is to think those words), but each of his current issues feel beyond comprehension. His whole body kind of aches with the need to sleep, the need to process everything that’s happened, the need to just take a break.
“What time is it?” he asks idly. Jimmy shrugs.
“Past midnight. I’ve been asleep for a while, so I’m not really sure.”
So has he.
Well, he’s spent enough time resting. He needs to get up, organize his country, help the injured, properly send fWhip’s army packing.
Jimmy tries to push him back down when he sits up, but Scott swings his legs over the side of the bed and stands, his left arm hanging limply (and hurting quite a lot) at his side.
That's going to take some getting used to.
Dear Aeor, he desperately wants to lie back down and rest until the end of time (or, at least, until Jimmy returns from the Codlands). He doesn’t give in to the longing, though, just squints his eyes shut for a very long time and eventually takes a step.
He really doesn’t want to sleep, anyways. Memories (bad, sharp, unforgiving) push from the sterilized scent of the infirmary, and now that he’s stood he just wants to leave.
He doesn’t want nightmares.
“A king never rests,” he says when Jimmy tries to convince him to lie down. “There’s a lot of work to do.”
“Let Pix and Katherine handle it, okay? Sleep—”
“But you’re going to be—”
“Lizzie and I will be fine, you can—”
“I don’t want to sleep without you,” Scott manages (which was absolutely not what he meant to say), and Jimmy goes a little pink in the cheeks.
“And I need to explain some things, and organize, and . . . there’s business that requires me. Just as there’s business that requires you.”
Jimmy shakes his head, gives him a gorgeous little smile. “Right. Just don’t overdo it, okay? I’ve got to go, but I love you.”
Jimmy leaves with another soft kiss—and Jimmy’s alive, Scott thought he’d gotten over the novelty of it weeks ago, but Jimmy’s alive and they’re back in Rivendell and they have their whole future ahead of them—
And then he leaves the palace as well, stepping outside to look over the kingdom, once again rightfully his.
Even in the dim light of the night, Scott can see the destruction. The very walls of the palace has been pulled down, rubble all over the grounds. The gardens are wartorn, the grass stained red with blood or demolished tentacles, and there are people here and there, cleaning or carrying away bodies. The full moon shines upon the destroyed church down the hill, illuminating its crumbled walls in a holy glow.
Scott limps down the stairs, down, down to the palace grounds—he picks through patches of destroyed grass, abandoned weapons and armor, exhausted people helping others. He walks down the lawn, down to that spot where the grass is so beaten down that it forms a clear circle where soldiers had paused to watch, all eyes turned toward where the final battle had taken place.
And in the grass near the center of the circle, he finds a cloudy red crystal, the size of his palm.
Scott picks it up, weighs it in his right hand.
Then he puts it in his pocket.
~
The language used to represent the language of the gods is Mixteco.
[translation:
“You have the power of god with you, my son. How do you feel?”
“Bad.”
“You are my beloved, child. Follow me in all things, and you will enter into my rest.”
“Okay. Thank you.”
“Rest, my child.”
End translation.]
#empires smp#trust au#esmp s1#esmp fanfic#flower husbands#scott smajor#jimmy solidarity#mas writes#krcu#fanfic#in which scott smajor pulls a tom sawyer#when i first wrote this i didnt like it at all#but after some extensive editing it's in a place i'm happy with :)#over the past week i've added like six or seven pages through basic editing#this is the final bit of the main storyline!#i have ideas for a sequel#but idk if itll ever see the light of day#i mostly wrote it as personal angst indulgence ngl#ok well. here it is#lmk what you think!#love you guys
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Okay let’s torture Zack today: ADHD PARALYSIS STYLE!
Getoutlfbedgetoutofbedgetoutofbedgetoutofbedgetupgetupgetupgetuplazazylazazylazy-
This has been going on for too long now. Why can’t he just get up, huh? Why does this have to be a fight every fucking time? Just get the fuck up dude!
He doesn’t move. Instead his thumb shifts to scroll past another video. He knows Angeals about to bang on the door and demand to know why he’s not out of bed; he knows it’s going to spark a lecture, and he knows his brain is going to feel like it’s been lit up like a firework just hearing anything other than silence. He’s not doing it on purpose. He knows he needs to move.
There’s a knock at the door, and that gets him moving. It doesn’t sound like Angeals knock, it’s too hesitant. Also nobody has walked in which means they don’t have a key…
He opens the door to Cloud who’s standing there looking a little unsure. “You good?” He gives Zack a once over, closing off a little at whatever he finds, pulling his scarf over his mouth in nervous habit.
“Yeah I’m fine why?” Zack blinks. What did he forget?
“We er, we were going to meet for lunch.” Cloud looked away from him, and Zack feels like a grade A asshole. “It’s okay if you changed your mind, it’s just- a text- I mean… a text would have- it’s fine.”
“Cloud I’m so sorry!” He cried trying to stumble around looking for clean cloths from the pile of washing that’s mixed with the dirty laundry on the chair. “I completely lost track. I’m- I- I’m reall-“
He hadn’t realised he’d started crying until Cloud makes him stop with a hand on his arm, and he takes a huge stuttering breath. Why does he keep doing this!? Why does he keep forgetting these things and then upsetting his best friend!
“Zack breath,” Cloud says, kind of commands actually.Zack stops and focuses a little more on taking some breaths.
“Good, that’s good. Just… did you forget or did that thing happen again?” Cloud asks and Zack holds up two fingers to indicate option 2.
“Okay,” Cloud sighs and tries a little smile that he only ever seems to give to Zack. “Okay, that’s fine. I’m sorry I shouldn’t have put that pressure on you. Do you want to eat here, or do you think you need to get moving to kickstart something?”
Zack took another breath and struttered “m-moving.”
“Okay, I’ll leave you to get dressed then. 300 second okay?”
“Okay.”
Once Cloud closes his door again Zack moves around the room like lightning. He shoves on a shirt that smells clean, does his belt, grabs his phone and wallet and shoves his feet in his shoes.
Outside Clouds holding Zack’s coat out already and helps him into it.
“283 seconds. New record.” He bumps his elbow into Zack’s side lightly, making the other man laugh breathily.
“Cloud I really am so-“
“Don’t. I know you are and you don’t have to apologise. I get that it’s hard for you.” Cloud cuts him off.
Zack just looks at him. How can one person hold so much acceptance in one tiny body? How can somebody who’s known him for no more than a year accept and help him in ways not even his parents could.
Cloud never makes Zack feel bad for this. he never gets mad at him, when he has every right to. All Cloud has ever done is occasionally been insecure himself and even then he changes his approach when Zack explains.
“I really love you, you know that right?” He asks, wrapping his arms around Cloud. “Like, a lot,”
Cloud blushes “shut up,” he says, leaning into the side hug.
He doesn’t say it back, but he doesn’t have to. Zack knows Cloud loves him to and that makes all the difference in the world.
#oh oops this was meant to be angst#oh well#here have some fluff#ffvii#cloud strife#zack fair#crisis core#zakkura#implied zakkura#can be read as platonic if you like
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DC x DP Idea Thing #3
Voluntary Admissions AU
What if Danny voluntarily Admitted himself to Arkham Asylum as a patient?
"Patient #10304-M, also known as, for his safety and security, Janus D. Astrophel. Voluntarily Admitted himself to Arkham Asylum on [date is scratched off with a thick, green ink], having arrived in a rather critical and vulnerable position, both physical and mental."
Rumors often spread quickly in Arkham. After all, not much better things to do when you're locked up and deemed either crazy, dangerous or even both in the eyes of Gotham. So it wasn't a surprise when news spread like wildfire amongst inmates and patients inside those dreadful halls.
A new addition had joined the ranks of the madhouse. Voluntarily at that. Likely the youngest patient to roam these halls for a non-Gothamite at least. After all, no native Gothamite would willingly put themselves in such hell.
The newbie went by Janus Astrophel. Kid seemed anything but normal. Seemed like he'd fit in well with Gotham's brand of sickness after a bit. Then again, kid looks as fragile as a twig. Almost as skinny as Crane, creepy as him too. Gives off Freeze vibes though, oddly enough, with hints of Dent.
[Those types of comments were quickly picked up by the aforementioned rogues. Rather than start a scene, they took interest immediately after hearing more words of the newcomer.]
Astrophel's a meta, just from the collar he adorns on his neck. Seemed modified as well. Didn't look like the standard ones the super-powered rogues commonly wore. Nobody knew what power he had. Seemed like it helped him more than anything though.
[Some inmates recalled when Astrophel first arrived. Didn't have a collar the first day. Kid could barely stand and was bleeding profusely. Next day, kid looked better, wearing the collar everyone associates with him now. Some think it's like Freeze's suit in a way. No one said a word bout it after receiving a cold glare]
Thing was, it ain't just the collar or how sickly he seemed that caught people's eyes.
Scars. Kid's littered with them. Some managed to glimpse a multitude of what looks like surgery scars [vivisected was often echoed, especially from Quinn and Nygma], and others looked like he was zapped by lightning [Litchenberg Scars around the chest specifically]. Kid even wore some stitches where his joints were [Frankenstein was an insult for a brief moment before Dent flipped a coin and shit them up]. Some would've mistaken him for some sort of zombie, like Grundy, had it not been for the fact people had seen him breathe and bleed... Albeit, it was a toxic green rather than crimson red.
Rather discerning as it held a resemblance to certain Demon Head's waters...
Kid didn't talk much. He was polite and friendly, sure. Some of the rogues took a shine to him. He seemed scared, though, not that anybody blamed him. Arkham was filled with rogues who earned their titles and infamy for a reason. But he wasn't scared of others... No. Crane said the kid held a certain look of fear...
Astrophel was afraid of himself... Everyone can't help but wonder why.
[They later see a glimpse as to why after he saw Joker for the first time. Least to say, Quinn called dibs even though others would like to say otherwise]
#dp x dc#dc x dp#dc x dp prompt#Had to reupload this cause tumblr seemed to not be working#anyways#brain said angst so here is angst#brain really needs to stop making angst#Danny needs a hug#danny goes by Janus here#Arkham staff knows bout some of his circumstances#They're being the proper medical staff they're suppose to be now since he joined#cause the government's corrupted and they're after a kid#The fact that someone sees arkham as a safe haven should really say something#but yeah#the collar around Janus' neck stablizes his powers cause the experiments messed with it#Arkham found family#Give Danny/Janus all the fanily members he can get#After all he doesn't have Jazz Tucker or Sam here#and the ghosts are currently blocked cause of the GIW messing things up#Danny's part of the gallery. Not a rogue but might as well be one of them now#Danny Protection squad#danny fenton#Arkham Asylum#ghost king danny#Not really obvious now but will be a prominent part of the story later#not beta'd#I have no regrets#Voluntary Admissions AU#Danny's scared of himself cause he doesn't want GIW hurting others like they already did and he's scared he might turn into Dan#Which is one of the reasons why he admitted himself as it is
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White Blood, Red Teeth
a story where Luffy is constantly found by his friends having overdoses. It's a terrible behavior that started after Ace's death and everyone thinks it's a horrible coping method and finally gets together to admit him to a rehabilitation clinic. It's against his will, of course, so he resists and has withdrawal attacks and it's so bad that he goes on a hunger strike and loses a huge amount of weight and subsequently ends up with deteriorating health. A year and a half later, finally, after all this, the clinic considers him rehabilitated, although he is still underweight and doesn't eat as much as he should, but everyone is sure that Luffy will never look for drugs again. They are wrong and less than forty-eight hours after being released from the clinic, Zoro and Sanji find Luffy having another overdose in the bathroom of the apartment the three share. This time, the two decide to take a more aggressive approach and go after Luffy's drug dealer. Luffy is always talking about the guy, whom he calls Torao, who supposedly helped him cope with Ace's death. Whenever asked what he's on, Luffy responds "Torao's white blood", which Zoro and Sanji assume is the name of some homemade drug or something. Whatever it is, this Torao guy, is clearly taking advantage of Luffy's grief. to make a profit, so they stop at the drug dealer's address, almost knocking down the door, ready to give this guy 'Torao' a good beating and deliver him directly into the hands of Luffy's grandfather, a half-crazy police officer. They are surprised when the person who answers the door is a guy who goes by the name Penguin, who, strangely enough, lets them in easily after discovering that they are Luffy's friends. The house is nice, clean, airy, comfortable and cozy, everything you don't expect from a drug dealer's house. The place looks practically sterile in a hospital kind of way, which makes sense when they are finally introduced to the infamous Torao, a tall, malnourished guy who walks around on an IV. They confront 'Torao', who introduces himself as actually being Trafalgar Law, about the drugs he has been giving Luffy and the effects it has on their friend and, strangely, are surprised when: Law says he has never given drugs a Luffy and b: Law is surprised and then irritated when he is told about the "Toraos white blood" thing. Law then sighs and surprisingly takes off his shirt and displays his torso, covered in deep, fresh-looking bites, and proceeds to explain the craziest story of all time: Vampires are real and Luffy was turned into one the day Ace died. Law found him, injured and starving, and saved his life. He then explains that he is sick, his blood was infected from a young age with amber lead and he was living on borrowed time, so he had no qualms about feeding Luffy his blood. But they were both taken by surprise by the fact that, every time Luffy fed on him, his condition unexpectedly improved. But Law had no idea that his blood caused Luffy to overdose. He knew that there seemed to be a factor that made him somewhat dependent and Luffy was always lethargic in the first few minutes after feeding, but he never thought that his blood was acting as a drug for Luffy's undead organism. That's why in the year and a half that Luffy simply disappeared, Law, and his friends, simply thought that the vampire had gotten tired of helping Law and had left. They had been surprised when, last night, Luffy appeared out of nowhere on their doorstep and promptly attacked Law, feeding on him until Law was barely able to stay awake. Furthermore, in the time that Luffy was gone, Law's condition simply deteriorated terribly and he was practically convinced that he wouldn't make it until the end of the year. And now, they have to find a way to balance Luffy's feeding so that Law can survive, but in such a way that Luffy doesn't suffer side effects either. Everything becomes a mess when Robin, a mysterious friend of Zoro, gets involved, announcing that in fact, Law has been cursed by a witch.
#Luffy: It's gay if I constantly overdose on my friend's toxic blood to keep him alive#Law: It's gay if I let a guy constantly feed on me to the point where I pass out#zosan: yes it is#they both: nah#This is one of those ideas we have to give context to that one cool scene we imagine at three in the morning#the cool scene would be a dramatic confrontation between law and luffy#law's angsty ass being angsty about luffy being gone for a year and a half and abandoning him#and luffy's worried ass blaming himself because law was dying while he was stuck in some stupid clinic#law: it's gay if I care more about my pet vampire leaving me behind than about my life#Luffy: It's gay if I care more about the life of my pet human than about my physical and mental well-being#This seemed like it could be fun at first but think of all the angst we can shove in here#one piece lulaw#lawlu#lulaw#one piece#background zosan#supernatural au#vampire au#codependency#i mean look at them#trafalgar 'i dont care if i die as long youre with me' law#and monkey d 'i dont care if im killing myself as long you can survive' luffy#We can apply some murder mystery to the background#trying to find Ace's killer and how the whole incident of his death led to Luffy turning into a vampire#and then complicating the plot with law's curse#how why when and who cursed him#and spinkle some gay all over the top#hmmmm good smell frrrraavor#robin in the background being mysterious as fuck
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3l!grian is frequently depicted as a tragic figure and sometimes i wonder if we even watched the same series
#like yes he is tragic. every character in the series is tragic but i think hes easily the least tragic of the winners#(except maybe cleo. i have my own thoughts about how cleos victory plays into her core themes and why its not as joyous or triumphant as#cleo the players and the fandom at large make it seem that i will have to make a real post about at some point)#grian dies Laughing. he smiles and calls it a dual victory before the final fight. his last words are “its been amazing.”#to me Grians arc is about how he came in with this sense of mirth. had it ripled away by the reality when his joke gets Scar killed.#and then rediscovers it as he learns that the horror of their circumstances doesn't need to keep him from delight#plus also ive never seen a man more delighted to explode three of his friends#ill also bring up that Martyns lore has Grian involved in the games explicitly to COMBAT the angst#that Grians inherent silliness and joy makes the players less hopeless as they meet their endings#and theres obviously parts of martyns lore i can take or leave but this is one area where Eyes and Ears lines up very well with what actions#the characters take and so im happy to bring it up#unlike other parts such as “limlife pearl and cleo retained more trauma between seasons than any player has before”#which i do directly refute as it doesn't seem to line up with the way the characters act and the story plays out#thats for another post though#my point here is 3l grian was having the time of his life and i think there are some fanon interpretationd that disregard that#which theyre free to do im definitely someone who has ignored canon plenty of times in the past (glances at worm)#but i think this is the sort of thing that makes the canon more interesting and compelling#anyway. um. rambled longer than i meant to there#grian#trafficblr#3rd life#3rd life smp#3lsmp
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I always found that sweet how a lot of the time in TLG Med would jump to reassure Khadgar or even apologize after snapping at him
And yet in some ways the cruelest thing Medivh said to Khadgar in my opinion was correcting him when he called Karazhan “Our Tower.” And reminding him he was there at his whim and he could send him away at any time.
And he never did apologize for that one and honestly I don’t really blame Med for that per se? It is his tower and Khadgar can’t tell him who is allowed there. What I mean is going by JUST the power dynamic they have as mentor-apprentice, Khadgar is absolutely out of line there
In some ways could have come off quite spoiled and entitled but the thing is I don’t think that was the case at all.
He’s become so comfortable in Karazhan he’d started thinking of it as his home. Then Medivh has in one conversation reminded him it very much was not his home and he could send him away at anytime if he so wished it
He’d finally found someone who cared about him, respected him and treated him as a person. He found a place where he felt he belonged for once in his life and…
No wonder he was so jealous of Garona for a while after that. He’d been reminded that all of it could be taken from him at any moment and here was someone stealing his Master’s attention.
Just thinking about how that jealousy so obviously comes with feeling like he’s not enough and insecurity about his place in Med’s life.
Just very interesting how I think it could very well have went over Med’s head as not that big of a deal too? One of those things he’d be like huh oh yeah I said that? Meanwhile Khadgar is spiraling about it
He could of also been absolutely aware of how harsh it was because Medivh does lash out like that on occasion (especially towards the end of the book as Sargeras gets harder and harder to fight) he can be a little shit we know this
(Don’t really blame him for that given being possessed by the demon lord Sargeras is probably just a teensy bit tiring /s)
Also seen valid and honestly very possibly canon interpretations where he’s also trying to push Khadgar away cuz he knows what’s coming and what Khadgar is going to have to do.
The more attached to him he is the more difficult it will be for Khadgar to do what needs to be done.
What better way to push someone away then hit them right where it hurts?
And yet even then I think those words hurt Khadgar deeper than he’ll ever know :(
#wow blogging#angst angst baby#something something power dynamics and Med inadvertently enforcing it there when he also ironically often tries to make their relationship#there’s some interesting scenes where Med does reinforce it because well they ARE mentor and apprentice#but also how he also seems to want it to be more than a formal/professional relationship and tries to encourage that#I think that’s one of the reasons he corrects Khadgar for calling him Master or sir or whatever#less formal and more equal#jokes about Khadgar totally having a kink aside#(I could talk forever about how I think Khadgar calling him Master is actually really sweet and I think it comes from a different place#than Med thinks it does)#how the title is actually very meaningful to Khadgar I think#and in some ways it shows the same level of affection that Medivh calling him Young Trust does#I don’t think Med realizes that though and he’s just like hey chill you don’t gotta call me that#and Khadgar just instinctually keeps doing it (even DECADES later it Outland he refers to him as his Master)#there’s something to be said I suppose for how it could be pure habit from growing up in the environment he did#but I like to think it’s..deeper then that#(he also does totally have a kink for it but that’s besides the point here)#(don’t get me started on how most of my headcanon kinks for him to stem from his issues with self worth and fear of abandonment)#love playing with power dynamics okay#they are so interesting#how do you balance it all#lines slowly blurring in the mentor apprentice relationship as it becomes more than that#because they do very much care for another obviously#no matter how you interpret their relationship#absolutely rife with angst potential honestly#….#no i shan’t say#raventrust
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Do I know you? Do I know you? Do I know you? (Patreon)
#Doodles#SCII#Damned#Helix#DAX#ZEX#The Captain#Dexter Favin#Max Vyer#Yeah if anywhere needed the distinction between Zelnick and Caleb it'd be here lol#Hhhhghghh I love iterative outcomes so muuuuuch#What matchups would result in what dynamics! And of seeing them play out! I want them all!!!!!#Three aliens is wonderful and delightful and endearing and cute and hwahuwahuh - I love them I love them I love the three of them#For all their little squabbles they really get along quite well! ZEX and Zelnick obviously hehe their relationship <3 <3#But ahh DAX <3 Happiness truly to have them all together ♥#Which makes what they'd be like if they were their ''real'' versions stuck together in the Institute post-Helix So fascinating to me#Would Caleb be angry! He's so sweet... But he was also hurt terribly! And Dexter would Definitely be angry#It really is such an interesting role reversal to me how ZEX is treated with so much respect and DAX follows him with such care#Switching to Dex and Max it's So different Max is ignored where he tries to move and affect and Dex is so - agh!!! It's just so much!#I really do wonder if Max would be able to pull him back if the last of the trio weren't there tho! Since Max ''knows'' Zelnick!!!#No good to go yelling at someone who wasn't there! And Max would have some piece of information Dex wouldn't from his dreams!!#Although presumably Dex would remember DAX :00 Which is its own deep interest! Ah! They're all just So!!!!#DAX out of the loop of the other two humans is quite funny to me haha - Max all paranoid like ''I'm going to be removed''#DAX has long since given up on that ZEX! Wait (lol)#DAX and Zelnick rely a lot on ZEX so the thought of Max completely failing to meet that role hehe <3 Would they all get along as well? :3c#The glue to hold them together ♪ No way DAX would listen to Max would he? Hehehe#Dexter being there would be picking right up from him being outside and agghhh the angst potential wagh agh <3 <3#Even worse to completely lose his one real tether to himself - at least when Zelnick died there was a kind of sick closure#Able to grieve and move on - tho he never really did :'( But with Caleb there what proof does he have of being ZEX! Aghh <3#At least the last one would be fairly light I imagine haha - humans humaning! Silliness and mistaken identity (and also poisoning lol)
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