#weimar photography
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Genuinely frothing at the mouth .. world's most beautiful diva .. . Her and annemarie schwarzenbach life ruining crossover episode .. second pic is literally the most beautiful pic I've seen ever maybe
#vintage photography#vintage photo#vintage fashion#vintage style#1920s#1920s fashion#1930s#queer history#annemarie schwarzenbach#ruth landshoff#weimar photography#weimar republic#bisexual history#lesbian history#vintage lesbians#jewish history
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Covers of Die Freundin (The Girlfriend), the world's first lesbian magazine, published in Berlin from 1924-1933
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#die freundin#lesbian#wlw#dykeposting#sapphic#lesbian history#lesbian art#lgbt history#lesbian ns/fw#nsft#german#newspapers#magazines#weimar republic#lesbian photography#1920s#1930s
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Wilhelm Weimar. Chrysanthemum, 1896 -1901.
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Oskar Schlemmer, Theatre of the Bauhaus, Figure with geometry and spatial delineation, 1926
#my post#oskar schlemmer#lux feininger#bauhaus#germany#weimar republic#1920s#photography#b&w#performance art#geometry#gelatin silver print#theatre of the bauhaus
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Weimar, Germany 1910
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source: bishopsbox
Weimar girl.
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kaiserswerther Straße // köln bilderstöckchen
a small residential ensemble combining elements of new building and expressionism is located in bilderstöckchen. the buildings differ in small details of design without losing the character of a coherent complex.
the only drawback is that the individual sections of the buildings are in different states of preservation and that there have been differences in the design of the façades during renovations.
eine kleines siedlungsensemble, welches elemente des neuen bauens und des expressionismus verbindet befindet sich in bilderstöckchen. die gebäude unterscheiden sich in kleinen details der gestaltung ohne aber den charakter eines zusammengehörigen komplexes zu verlieren.
das einzige manko ist, dass sich die einzelnen gebäudeabschnitte in unterschiedlichen erhaltungzuständen befinden sowie, dass es bei erfolgten renovierungen zu abweichungen der fassadengestaltung kam.
#photography#architecture#germany#architecture photography#design#urban#cologne#köln bilderstöckchen#bilderstöckchen#weimar republic#neues bauen#expressionismus#brick architecture#modern brick architecture#expressionism#expressionist architecture#architecture weimar republic
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Rathaus der Stadt Weimar, East Germany Black and white negative 1970s
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_project: Poly Yongchang Castle Cultural Art Center _architecture: Weimar Design Agency _photographer: Chill Shine丘文三映 _location: Longwan District, Wenzhou City, China
#architecture#aesthetic#photography#Chill Shine丘文三映#weimar design agency#poly yongchang castle cultural art center#longwan district#wenzhou#china#landscape#jiangnan garden#garden#castle#cultural art center#public buildings#design#flora
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#street photography#streetphotography#photographers on tumblr#urban#germany#black and white photography#weimar#streetsnap
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becket, peter glenville 1964
#becket#peter glenville#jean anouilh#1964#richard burton#peter o'toole#edward anhalt#laurence rosenthal#pope joan#joan of arc#boris godunov#the last emperor#the cell#macbeth#hamlet#the canterbury tales#about photography#weimar#fürstengruft#pavia#certosa di pavia#filmförderung#korruption#pressefreiheit#meinungsfreiheit#pasolini#polanski#herzog#tarkovsky
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Ruth landshoff with creature and critter and beast!!!!! I love her a lot .. I love when gay people have critters
#vintage photography#vintage photo#vintage fashion#vintage style#1920s#1920s fashion#1930s#queer history#ruth landshoff#weimar republic#weimar photography#bisexual history#lesbian history#1930s fashion
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Hod Carrier, 1928, by the German photographer August Sander, from his "People of the Twentieth Century" project.
#hod carrier#august sander#people of the twentieth century#German#Germany#labourers#labourer#deutschland#weimar republic#bricklayer#1920s#portrait#portraiture#photo portrait#photography#handlanger#masculine#masculinity#men
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Frieda Riess, Der Boxer Erich Brandl (Boxer Erich Brandl), ca. 1925. From Der Querschnitt 5 (Sept 1925).
#Frieda riess#erich brandl#male nude#female photographer#1925#Weimar Republic#male nude photography#der querschnitt#boxer#boxing#sports#1920s sports#photogrpahy#black and white photography
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Technik from The Tanzmasken of Lavinia Schulz and Walter Holdt, 1924
#my post#lavinia shulz#walter houldt#mask dancers#german expressionism#1920s#minya diez-dührkoop#photography#costume design#weimar republic
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"Berlin was in a state of civil war," Christopher Isherwood writes in his Berlin Stories. "Hate exploded suddenly, without warning, out of nowhere." The failing Weimar government teetered on the verge of collapse, and along with it, the hopes of millions of Germans. Yet within the tumultuous early 1930s, high fashion nevertheless prevailed in Berlin.
Yva, a pioneering German-Jewish photographer, was a leading figure in the vibrant queer community of pre-Nazi Berlin. Her innovative work embodies the subtle elegance and boundary-pushing expressions of early 1930s aesthetics before the Nazi rise to power. Her evocative multiple exposure techniques and deliberately ungendered emphasis on the female figure offer a nuanced counterpoint to the artistic norms of the day, capturing glimpses of gender non-conformity and artistic sexual liberation that would soon be brutally suppressed.
Unfortunately, Yva was tragically unable to escape Germany before she and her husband were deported and murdered at the Majdanek concentration camp in 1942. Most of her negatives were destroyed, but in the years following the war, her surviving works were displayed at her last home in the Hotel Bogota at Schlüterstraße 45. Currently, the Staatliche Museen zu Berlin website maintains a digitalized collection of her work.
#1930s#1930s fashion#great depression#interwar period#yva#christopher isherwood#berlin#weimar republic#weimar art#history#fashion history#queer history#vintage#vintage fashion#vintage photography
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