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alostwanderernotfound · 4 months ago

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PANDEMICS- Hostile Power Takeover? Learnings on Urban & Domestic Warfare, “Disease: Bacteria Part 1, Fundamental Considerations”:

Let’s say the hostile power is more technologically advanced & half robot/half machine or full machine, so seemingly unkillable. Organic beings are very vulnerable to having disease used as a weapon against them.

Disease can be a major benefit to this type of hostile power & it would be an incredibly powerful weapon. This allows the destruction of an organic-based domestic population & it can also allow the harvesting of resources to build new bodies and/or reuse of the entire body depending on the disease process.

There are many insidious ways diseases develop & spread. This process DOES NOT just occur in a laboratory. Remember that there are many different “groupings” of entities we refer to as pathogens or things with the ability to cause disease.

Bacteria are an important one. Bacteria & other pathogens can reproduce by multiple means. Here I’m going to speak about bacteria with the capacity to do Bacterial conjugation. This involves passing characteristic between two different bacteria similar to how sexual reproduction can pass on characteristics. This is overall an important conversation because a lot of the most complex & common life forms in our daily lives also spread these characteristics through similar principles through sexual reproduction.

> A lot of bacteria to our awareness are able to pass on characteristics. Bacterial DNA contains the “instructions”/“resources” for bacteria to either have or not have characteristics.

-Bacterial conjugation for example allows one bacteria to attach to a second bacteria & send resources to the second bacteria. After this process, the second bacteria is able to transform and display the characteristics transferred to it. Example: Bacteria A can change colors like a chameleon. Bacteria B cannot change color. Once Bacteria A attaches to Bacteria B and they are compatible, Bacteria A passes on resources to Bacteria B. Bacteria B then acquires the ability to change color. Bacteria B now can change color & has attainted the same advantage as originally only bacteria A had. Now Bacteria A and Bacteria B can change color like a chameleon.

- The other way characteristics form & occur in a bacterial population is through mutation. If a bacteria’s DNA is altered or mutates then it can produce a bacteria with new traits & characteristics. Radiation for example, like from X-rays, often causes mutations. Sometimes mutations do “nothing” we can really perceive with our eyes. But overtime, they will eventually create large changes and can produce huge benefits for bacteria. For example: A bacteria could have always have been wiped out from nuclear weapons then overtime from mutations it can acquire the ability to survive living inside an area with nuclear radiation.

-This is a very important concept to fully understand so that you can become cognizant of how insidious this process is when discussing what bioterrorism in the modern world can look like. Pandemics are not caused just from mysterious lab leaks. The practices we do everyday are still contributing to the next pandemic occurring.

-This also gives everyone a better understanding of how MRSA or an antibiotic resistant bacteria really was “made” inside our hospitals.

> Bacteria can possibly have random or genetically engineered characteristics.

-If there are 100 random bacteria on an isolated surface that formed there naturally, some will have favorable characteristics to cause severe disease. But, some bacteria will not have those characteristics to cause severe disease. The bacteria lacking these deadly characteristics, but are still part of the same family of bacteria, would be considered weaker pathogens (weaker pathogen meaning they would cause less severe disease in organic beings).

-**But it is important to remember, If someone purposefully put bacteria down on a surface there is a chance it will not be a random distribution in strength of bacteria & they will mostly all be bacteria with strong characteristics. That group would probably be closer to 100 out of 100 of the bacteria carrying the deadly characteristic.**

>There are 2 main basic premises (which can be further subdivided and added onto when discussing what makes pathogens strong, but for now I’m discussing a more fundamentals explanation) we consider when determining bacterial pathogen strength: number of bacteria & the amount of deadly/harmful characteristics each bacteria possess.

-Reducing the overall number of bacteria in a group of random bacteria does not always mean you make a pathogen less strong. (Example: Purposefully killing 50 bacteria out of 100 and now there are only 50 bacteria in the group.)

If you destroy many of the weaker bacteria & only leave strong bacteria to reproduce, pathogens overtime can get stronger & more deadly. So, by destroying only the weaker bacteria in a group of bacteria, you slowly make pathogens stronger through this natural process & it doesn’t have to occur inside of a laboratory. To make a bacterial pathogen less strong by focusing on decreasing the overall number of those bacteria that exist in our world, you would also have to consider how many of each strength you eliminate. This is because we currently we do not use practices that wipe out groups of bacteria 100%, so we must consider these two elements together instead of separate when evaluating pathogen strength. Example: Lets say there are 100 bacteria and you wipe out 90. Bacteria A can cause humans to be paralyzed. Bacteria B cannot paralyze humans. Out of the 10 bacteria still alive, if all 10 are Bacteria A then you have eliminated the chance people would be infected with the less severe version of the disease, with Bacteria B. In the long term Bacteria A now has a strong chance to reproduce & when Bacteria A infects people it would then cause paralysis in everyone & the population could collapse. In another scenario, consider if you wiped out 90 bacteria out of 100, but you did it purposefully. Out of the 10 bacteria left, 9 were Bacteria that were Bacteria B & couldn’t cause paralysis. The last 1 out of the 10 left was Bacteria A. Then when those 10 bacteria reproduced it effectively helps “dilute” this negative characteristic in this bacterial family. Based off randomness & probability, when there this group reproduces to the size of 20 bacteria only approximately 2 of them may carry Bacteria A’s paralytic characteristic & 18 will carry bacteria B’s characteristic that does not cause paralysis. So, even though we can’t stop the bacteria number from growing, since we mindfully intervened we can still divert the trajectory of the pathogen from becoming a pathogen with the ability to become “pandemic level” and/or very very harmful.

>Two ways pathogens can get weaker is by lowering the amount of bacteria in the world & by lowering its severe disease characteristics, but this these two categories have an important interplay.

-This is an oversimplified explanation of how disease spreads & evolves, but the fundamental principles are VERY important to the overall understanding of what’s occurring. Imagine a group of bacteria you count has 100 total bacteria. 50 of them carry a gene to cause paralysis in humans & 50 do not carry this gene. When 100 people come in contact with the 50/50 bacteria distribution and get sick only 50 out of 100 of the people get paralyzed. This allows the other 50 people time to work on vaccinations & interventions to stop everyone from eventually being paralyzed.

-But, if you kill the 50 out of the 100 bacteria that do not carry the gene for paralysis then your bacteria group went from 100 to a total of 50 in size. In the short term the spread of the disease is likely to go down, as it is less likely people will randomly spread 50 objects instead of 100. BUT, those 50 bacteria with the gene to cause paralysis will only reproduce with other bacteria that also have that gene. So this bacteria, since you wiped out the 50 that don’t cause paralysis, now ALL cause paralysis & anyone who comes in contact with this bacteria strain will get paralyzed. So eventually with time the group of 50 bacteria will reproduce to 100 & spread at the same rate as they were originally, but now they cause more harm to people.

>When you unknowingly touch a colony of bacteria on an object or life form, you pick up a random sample of random “strength” of bacteria.

>****PLEASE READ: you can ALSO pickup a sample of bacteria that is all “strong bacteria” but this is NOT usually a natural occurrence you will see & is suggestive someone or something altered the bacteria and purposefully put those bacteria there. A group of bacteria that looks like it formed organically vs one that was purposefully placed there can be differentiated with taking samples of surfaces and people & counting how many strong bacteria vs weak bacteria there are, but we as a population do not regularly test for this in this way. Due to this I’m going to speak with the viewpoint of natural bacteria groups that have a gradient of “strengths”. In an ideal world we would identity groups of bacteria that have gradients of strength of bacteria vs groups of all similar strength, as interventions to stop them from becoming strong pathogens work DIFFERENTLY.)

>After you touch those bacteria they attempt to multiply and stay alive on you. Then if you touch other things they can be placed on another surface or thing. Sometimes they are placed on other surfaces in an environment or you touch your body & they are placed closer to an entrance to the inside or your body & then they are able to enter your body.

-This process will cause one of the following to occur: bacteria will stay in the area you touched & colonize it, they will die when attempting to enter the body, the bacteria will give you a disease , or in some cases the bacteria will live symbiotically inside you & help your body. If a bacteria lives symbiotically with you & does not cause harm then we do not refer to that as a pathogen, but rather just as a bacteria.

>Anytime you wipe out a group of bacteria by taking out 100% it causes that pathogen to get weaker overall, but the issue is that we do not do interventions that wipe out 100%.

-Currently anytime you clean an object in the hospital with a sanitizing wipe, you always kill less than 100% of the bacteria. This leaves behind a certain % of bacteria & they will be the strongest of that group of bacteria, because they were able to live even though you applied a cleaning product on them. This means the strongest bacteria left, even though there are less after cleaning, are now reproducing over and over again & getting stronger.

-So, when there is an environment with a large amount of bacteria variability (so all these new patients with new exposures to new bacteria that travel and touch things all the time), with shared equipment, with not 100% effective methods to destroy pathogens, & this long list of variables, we slowly produce very strong & deadly pathogens inside of hospitals.

-IF someone purposefully puts deadly bacteria ontop of a surface inside a hospital and it is a group of 100 strong & identical or cloned bacteria with no difference in genetics then wiping them out through imperfect cleaning will overall reduce pathogen deadliness. This is because there are no “stronger” pathogens vs “weaker” pathogens. They are all the same strength in this example and therefore will always get weaker when you reduce their number because they won’t reproduce to be more deadly.

>People often think when people are trying to cause them harm that would only occur when someone makes a pathogen in a lab & then deceptively goes and places some near you. This is not accurate.

-With knowing this do you see how for a hostile power there is actually LESS incentive to going through with all that work & instead a hostile power can abuse the system to cause harm? If you expect biological warfare to ONLY come out of a lab, this means you would be looking for the wrong patterns of behavior & pathogens will spiral out of control.

A lot of practices we currently use now unfortunately heavily contribute to this process that causes pathogens to get stronger.

#pathogens #doctor #medicine #physician assistant #nursing #nurse #registered nurse #evolution #disease #bacteria #np #nurse practitioner #pa #md #rn #meds #pharmacy

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starksweasley · 6 days ago

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No Promises // Rhysand

Summary: In which you and Rhysand hate each other, but maybe not really.

Word Count: 2337

The air of the Autumn Court woods is thick with the scent of damp earth and decaying leaves. Your blade whispers through the air as you move, every sense heightened. A mission deep in Beron’s territory is dangerous, but you’ve grown used to danger. What’s one more trek into hostile lands compared to centuries of warfare and subterfuge?

But you hadn’t expected them.

The rustle of leaves is subtle but distinct, and you spin, blade raised. Two figures step out of the shadows, their faces as familiar as your own reflection—Rhysand and Cassian. The High Lord of the Night Court and his brutish General. Your grip on your weapon tightens, though Cassian’s hands are raised in mock surrender.

“Fancy seeing you here, sweetheart,” Cassian says with a lopsided grin, his hazel eyes glinting with humor. His stance is deceptively relaxed, but you know better than to assume he’s unprepared. Every inch of him is coiled, ready to spring into action if necessary.

“Cassian,” you say curtly, though you don’t lower your blade. Your gaze flicks to Rhysand, who steps out of the shadows with a grace that seems almost lazy, though his sharp violet eyes miss nothing. They rake over you, taking in every detail of your stance, your weapon, and the defiant tilt of your chin. It feels like he’s weighing and dissecting you in a single glance.

“Still Tamlin’s loyal little pet, I see,” Rhysand drawls, the corner of his mouth curving in a smirk that you’ve dreamed of wiping off his face for centuries. His voice is as smooth as silk, but there’s an undercurrent of something sharper, something taunting, as if he’s daring you to respond.

You bristle, your fingers tightening on the hilt of your blade. His words cut deeper than you’d like to admit, but you don’t rise to the bait. Not this time. Instead, you force yourself to sheath your weapon, though you keep your stance defensive, muscles taut and ready. “What are you doing here?” you demand, your tone clipped and icy.

Rhysand’s smirk deepens, and he steps closer, his shadows curling around his boots like loyal pets. “The same thing as you, I imagine,” he says smoothly. “A little sabotage, a little chaos. Though I doubt your reasons are as noble as ours.”

“Noble?” you scoff. “You mean self-serving. Don’t pretend you’re here out of the goodness of your heart, Rhysand.”

Cassian steps between you, his massive form an unspoken reminder to keep your tempers in check. His broad shoulders block your view of Rhysand, and his tone carries a note of exasperation. “Alright, kids, let’s play nice. The Autumn Court’s our real enemy, remember?”

You barely hear him over the pounding of your heart, your glare locked on Rhysand like a tether. His expression doesn’t waver, still fixed in that insufferable smirk that makes your blood boil.

“Stay out of this, Cassian,” you both snap, your voices colliding with identical vehemence. The sound carries in the stillness of the forest, as though the trees themselves are judging your childish bickering.

Cassian sighs, muttering something under his breath about being surrounded by stubborn children. He raises his hands in mock surrender, stepping back just enough to let the tension between you and Rhysand simmer unchecked. His gaze flicks between you both, clearly unimpressed but unwilling to intervene further.

Before Cassian can offer another quip, a sharp thwip breaks the tense silence. An arrow embeds itself in the tree beside you, the shaft quivering from the force of the impact. Instinct takes over, and you lunge to the side just as another arrow whizzes past where your head had been a heartbeat earlier.

“Ambush,” Cassian growls, drawing his sword in one fluid motion.

Rhysand is already moving, his shadows unfurling like serpents, slithering through the clearing to sow chaos. His hands glow faintly, magic sparking at his fingertips as he summons blasts of darkness that hurl two sentries into the trees with sickening thuds. You barely have time to curse under your breath as the Autumn Court sentries emerge from the underbrush, their weapons gleaming like fire-forged teeth in the dim light.

They move with precision, flanking and attacking in coordinated bursts. The first soldier lunges at you, and your blade meets his with a deafening clang. You twist sharply, driving your heel into his knee and bringing your weapon up to slash across his exposed side. He crumples with a guttural scream, but there’s no time to savor the victory. Another attacker barrels toward you, his axe glinting in the sparse moonlight.

Cassian’s roar splits the air as he intercepts the soldier, cleaving through his opponent with a brutal swing of his sword. Blood sprays, painting the clearing in a macabre sheen. “Focus!” he barks, casting a quick glance your way before turning to block another strike aimed at his side.

Your attention snaps back to your immediate threat as a sentry’s dagger slices through the fabric of your sleeve, nicking your arm. You hiss in pain but counter with a swift upward thrust, catching him under the chin. He shouts, collapsing to the ground.

Rhysand’s magic pulses in the air, a suffocating wave of power that crushes three sentries in its wake. His shadows dart and weave like sentient beings, tripping attackers and wrapping around throats. One sentry collapses mid-lunge, his sword clattering uselessly to the forest floor as the life drains from his eyes.

It’s chaos. The clash of steel and the cries of the dying create a symphony of violence that rings in your ears. You’re holding your own, barely, when your peripheral vision catches a glint of movement. An archer perched in the high branches, his bow drawn and aimed at Rhysand’s unprotected chest.

Time slows as you watch the arrow leave the string, its deadly tip slicing through the air with cruel precision. Your heart lurches, your body moving before your mind can catch up. The world narrows to the single act of stepping in front of the High Lord of Night.

A sharp, searing pain explodes in your abdomen as the arrow buries itself deep. The force of it drives you back a step, your breath hitching as you clutch at the wound. Warmth seeps through your fingers, staining your tunic crimson. The clearing tilts and sways, but you grit your teeth and force yourself to stay upright, raising your blade to block a sentry who charges you, wild-eyed and snarling.

“No!” Rhysand’s voice cuts through the chaos, sharper than any blade, filled with something raw and unfamiliar. In an instant, he’s at your side, his magic surging outward in a dark, furious wave that obliterates the remaining sentries. The clearing falls eerily silent, the only sounds the ragged breaths of the three of you and the faint rustle of leaves disturbed by the fading shadows.

“You reckless fool,” Rhysand hisses, his hands pressing firmly against the wound in your stomach to stem the bleeding. The warm stickiness of blood seeps through his fingers, and his usual smirk is nowhere to be seen. In its place is an expression you’ve never witnessed before—raw, almost panicked, as if the sight of you like this unravels something deep inside him.

Cassian drops to his knees at your other side, his face pale and drawn. His voice is steady, but you catch the tremor beneath it. “We need to get her to Madja. Now.”

“I’m fine,” you manage to grit out, though the sharp, twisting agony in your stomach makes the words sound more like a desperate lie. Your vision blurs, and every breath is a battle.

“Shut up,” Rhysand snaps, his sharp tone a mask for the desperation in his eyes. His hands are unnervingly gentle as they scoop you into his arms. The movement sends a fresh wave of pain radiating through you, and you gasp, clutching weakly at his shirt.

“You’re not dying in this gods-forsaken forest,” he mutters, his jaw tight with determination. He glances at Cassian, and with a nod, they’re both moving. Rhysand’s grip on you is firm yet protective, his magic already whispering at the edges of your consciousness, keeping you tethered to the waking world.

You try to speak, to argue, to tell him that you don’t want to owe him anything. But the weight of exhaustion presses down on you, pulling you into a darkness that feels cold and endless. The last thing you hear is the faint, frantic thrum of Rhysand’s heartbeat against your cheek as everything goes black.

When you wake, the first thing you notice is the soft glow of faelight illuminating the room. The second is the figure sitting beside the bed, his elbows resting on his knees, his head bowed. Rhysand.

“You’re awake,” he says, his voice uncharacteristically quiet as his gaze meets yours. There’s no smirk, no taunt—just an intensity that makes your chest ache more than the wound.

“Why am I not dead?” you mutter, your throat dry.

“Because you’re too stubborn to die,” he says, a flicker of a smile ghosting across his lips. Then his expression hardens. “And too foolish to stay out of danger. What the hell were you thinking, throwing yourself in front of that arrow?”

The sharpness in his voice startles you, and your chest tightens with indignation. “I saved your life, Rhysand. Forgive me for not wanting the Autumn Court to take out their greatest threat.”

“You think I needed saving?” he snaps, leaning forward, his violet eyes blazing. “Do you have any idea what could have happened? What almost happened?”

Your temper flares, and you push yourself up despite the pain. “And what was I supposed to do? Stand there and watch you die?” Your voice rises, fueled by frustration and the lingering sting of his words.

“Yes!” he bites out, his shadows curling at the edges of the room like restless predators. “Yes, you were supposed to stay out of it. You could’ve died, and then what?”

His anger collides with your own, a clash that leaves the room feeling charged and suffocating. “I’m not some fragile thing that needs to be protected,” you retort, your voice shaking slightly but no less fierce. “I made a choice.”

“A stupid one,” he growls, standing abruptly. The movement is fluid, and it sets your heart pounding for reasons you can’t entirely explain. “Do you think I want your blood on my hands? That I want to…” His voice falters, and he turns away, dragging a hand through his hair. “Gods, you drive me insane.”

The words hang in the air, heavy with an emotion you can’t quite name. The tension is unbearable, and before you can stop yourself, you say, “Maybe you should stop caring so much, then.”

He spins back to you, his movements swift and precise, and the heat in his gaze has shifted. The anger still burns in those violet eyes. “Maybe I can’t,” he murmurs, his voice dropping to a husky whisper, like a confession he didn’t mean to make.

You blink, caught off guard. Your chest tightens with the weight of his words, and for a moment, you forget how to breathe. He takes a step closer, and the room seems to shrink. The shadows around him flicker like flames, as though they, too, are drawn to the pull between you.

“You…” he begins, his voice breaking slightly, and he looks at you with an intensity that makes your heart skip a beat. His hand twitches at his side, as though he’s debating whether to reach for you or pull away.

The silence stretches, taut and fragile, until he finally makes his choice. He steps closer, his presence overwhelming, and when he leans down, the space between you feels electric, crackling with unspoken words and unresolved emotions. “You…” he begins, his voice a whisper, but whatever he was going to say is lost as his lips crush against yours.

The kiss is raw and desperate, filled with years of anger, frustration, and something far more vulnerable. His hands cup your face, fingers trembling slightly as they press against your skin, grounding him in this moment. You’re too stunned to react at first, your mind racing to catch up with what’s happening. But then the fire of his kiss ignites something deep within you, and you’re kissing him back with equal fervor, pouring every ounce of defiance and longing into it. Your hands find their way to his shoulders, clutching the fabric of his shirt as though holding onto him will keep you anchored.

When he finally pulls away, his breath is ragged, his forehead resting against yours. His eyes search your face, as though looking for answers to questions he’s too afraid to ask. “Don’t ever do that again,” he says hoarsely, his voice breaking on the last word. For once, there’s no command in his tone, only a plea.

You swallow hard, your own breath coming in uneven gasps. You don’t know whether to push him away or pull him closer, and the weight of the moment threatens to crush you.

For a moment, silence lingers between you, thick with unspoken truths. Then, with an unexpected gentleness, Rhysand’s hand trails down to your wrist, where his thumb brushes over your pulse. It’s steady now, unlike his own heartbeat, which thunders against his ribs. “You scare me,” he admits quietly, his voice barely above a whisper. “And I hate that I care enough to be scared.”

“Rhys,” you begin, unsure of what to say. His name is a soft exhale on your lips, but it seems to be enough for him.

“Just rest,” he interrupts, his voice firmer now, though his eyes remain soft. “We’ll talk later.” His shadows curl protectively around the edges of the room, as if creating a barrier between you and the rest of the world. “And promise me you'll never pull shit like that again.”

You close your eyes, feeling a sort of calm blanket you before you finally whisper, "Can't promise that."

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daryl-dixon-daydreams · 1 year ago

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Words: 4,692 Pairing: Daryl Dixon x Reader Reader pronouns: she/her Era: War with the Saviors, specifically TWD S8 E13 after the battle at Hilltop Warnings: fear and anxiety, language, angst alert! Summary: You took an arrow to the shoulder during the battle at Hilltop and when the injured are sickened and turn, Daryl realizes his worst fear is going to come to pass.

“What the hell happened!?” Daryl spat, looking around at the now still corpses in the main entryway.

“I dunno,” Rick growled, spinning. “Maybe walkers got in?”

“Maybe during the fight,” Morgan echoed.

Daryl scrutinized the bodies. “These—these are all our own people though…”

Suddenly, there was a scream from upstairs and they raced up to find Carol standing over Tobin’s now silent body, blood dripping from the end of her knife.

“Are ya alrigh’?” Daryl asked, surveying the scene. Rick and Maggie stepped in beside him.

“Yeah,” gasped Carol. Her eyes were fixed on Tobin’s body. “He—he wasn’t bit. But he turned.”

They all exchanged tense and confused glances until Rick spoke. “Negan’s bat… when I was out there with him, it was covered in walker blood. I just thought he’d crossed some but… maybe…”

“They have us workin’ for them again,” Maggie said. “Killin’ our own.”

“Poisoned weapons with walker blood?” Carol said. “It’s some sick biological warfare.” Her eyes drifted back down to Tobin’s pale body on the floor and her heart ached.

Daryl didn’t say another word and abruptly left the room, his boot steps receding rapidly down the hall.

“Daryl?” Carol called after him, moving to the doorway.

Rick hung his head and passed a hand over his eyes. Maggie put a hand on Carol’s shoulder. “It’s—” Her throat was tight and she had to clear it before she could get more out. “It’s Y/N,” she said quietly. “She took an arrow in the back of her shoulder.”

Carol’s hand flew to her mouth. “Oh, God…” Her wide eyes met Maggie’s and stung with tears.

Rick rubbed a hand over his face and paced a tight circle. “And Tara too. And who knows,” he kicked out at the nearby dresser, “how many others.” He fell to cursing Negan, though he knew it wouldn’t help.

_ _ _ _ _ _

Daryl lingered at the closed door for a long moment, staring at the wood, his hand moving to grip the door knob a couple times before falling down to his side. Finally, he grasped it and turned, pushing into the room.

You were asleep in the bed and Enid was sitting beside you. At the expression on her face, his stomach dropped through the floor. She looked worried, and had apparently been studying you. She shot up to her feet as Daryl softly closed the door behind him and stood there looking grim.

“What was all that shouting?” Enid asked.

Daryl gulped, his eyes fixed on you in the bed. “How is she?”

Enid hesitated and then returned to your side. She shook her head. “Her wound wasn’t life-threatening. But—”

“But what?” Daryl urged her to go on.

Enid looked down at your face again. “She looks pale and—I don’t know. Her breathing changed.” She glanced back up at Daryl, her brow furrowed. “What’s going on?”

Daryl hesitated for one moment and then walked over to your bedside and scrutinized your face. You indeed looked ashen, and there were small beads of sweat starting to form near your hairline. His stomach churned. He met Enid’s questioning gaze and chewed on his bottom lip for a moment, trying to gain control of the wild emotions threatening to crush him at that moment. “We think The Saviors did somethin’ to their weapons. Ev’rybody that got wounded last night turned.”

Enid’s eyes went back to you asleep in the bed. “No,” she breathed with horror. “Oh my God.”

Daryl nodded, biting the inside of his cheek hard enough that the tang of copper filled his mouth. “Yeah…” He cleared his throat and did his best to appear steadfast. “Ya should go check on Tara.” His eyes strayed back to you again. “I’ve got this…”

Enid nodded, and with one final look at you and one anxious glance at Daryl, she quietly left the room.

Daryl stood at the end of the bed for a moment, watching the subtle rising and falling of the blanket over your chest. He thought it did seem a bit shallow. He slowly wandered over to the bedside and drew the chair closer, sinking down on it heavily and leaning forward with his elbows on his knees and his hands clasped in front of his face. His brow tensed. The rising panic was returning. Your hand was lying on top of the quilt and his eyes traced the graceful curve of your fingers.

Part of him wanted to wake you, to see your eyes open and hopefully, clear. But another part of him knew he should let you sleep while you could.

It was short-lived.

Your breathing became shallower and more rapid and the clamminess of your skin increased. You stirred beneath the blanket and pushed it off, your eyes opening and a grimace passing over your face as you stared up at the ceiling.

Daryl leaned forward and you turned when you noticed him beside you, managing a tired smile. “Daryl,” you said softly, looking up at him. The corners of your eyes still crinkled even though the smile was a bit weak.

He chewed on his bottom lip. His anxiety was plain. Deep furrows were evident between his brows.

It didn’t take you long to remark on your condition on your own. You lifted a hand to wipe at the sweat on your forehead and then a shiver ran through you. He saw it clearly and tugged the blanket back up over you. “I’m sick,” you said. It was almost a question and then your eyes found his again. He saw mild confusion in them. “Daryl,” you said again. He looked so grim standing beside you. He held your eyes for only a brief moment before he felt the bubble of emotion rising up his throat and threatening to burst and he had to squeeze them shut. “What’s happened?” you asked. You reached for his hand, which was dangling at his side, and his eyes shot open again and looked at your fingertips touching his softly. He took your hand in his gently and warmed your fingers. Then his blue eyes found your ashen face again.

He felt like someone had rammed an icy blade up between his lungs and into his heart. He fought with emotion again and struggled to clear his throat enough to speak. Your eyes flickered between his, worried and puzzled. He opened his mouth to speak but then ducked his head one more time, passing his free hand over his eyes and drawing in a shaky breath. “They—the Saviors,” he started, his voice a mere whisper, “they did somethin’ to their weapons.” He swallowed down the tightness in his chest with great effort. “Ev’rybody who got hurt in the fight is either sick or—or already turned.” He waited for your reaction and forgot to breathe.

Understanding washed over your face and your expression fell, but you simply nodded. You seemed to shrink away into some depths within your eyes and Daryl was afraid he wouldn’t be able to reach you again. He fell into the seat at your bedside again and squeezed your hand. What could he say? There was nothing to say. No words would help at a time like this. You were going to die. It was that simple. And nothing he could say would fix it or make it any better. Your name caught in his throat and you looked over at him again. “I—‘m so sorry,” he said. His voice broke and the sound of it cut both of you like a scalpel. You were both wounded from this happening, and you would die, but Daryl would be left carrying that wound for the rest of his life. Why did you have to be the one to… Why couldn’t it have been him who was hurt? You of all people—it was too hard to bear. He should have been there. He should have protected you. He should have stopped it!

Your eyes grew glassy and a few tears escaped. You laced your fingers with his and gave him a sad smile, guessing his whirling thoughts. “It’s not your fault,” you told him. “They did this. It’s not your fault.”

He felt himself crumbling. “‘M so sorry,” he breathed again. He clasped your hand firmly between his and lifted it towards his mouth, but he didn’t press it to his lips, though he wanted to. His head dropped and you could tell he was struggling not to go to pieces. He was always trying to be strong, even when he didn’t need to.

“It’s okay,” you breathed. “It’s okay…”

“No, it ain’t,” he whispered back. His voice was shaky. “Nothin’ ‘bout this is okay. That bastard’s gonna pay for—”

A grimace tightened your features and your breath hitched. The sound stopped Daryl mid-sentence. He rested your hand back down on the blanket and a panicked look crossed his face. “What? What is it?”

Your eyes closed for a moment. “Nothing,” you said, shaking your head against the pillow. “It’s nothing. Just—hurts a little. Aches is all. It’s okay. I’m okay…”

Daryl gulped down his emotion and regained himself. “‘M gonna be righ’ here. Ya ain’t gonna be alone. Okay?” His thumb moved against the silky skin on the back of your hand and you nodded.

“I know,” you said, managing another weak smile.

Suddenly, the door opened quietly and Enid came back in with Maggie trailing behind her. Both of you looked up.

Enid’s face fell as she readily saw your worsened condition. Maggie’s eyes filled with a glassy light as she came to stand beside Daryl.

“How’s Tara?” Daryl asked.

“She’s not sick,” Enid replied. “No sign of the fever yet.”

“Good,” Daryl said, staring back at the paleness of your hand in his.

“But we’ve got six more so far in here, and likely more outside. I sent Carol and Jesus to check on everyone, including the prisoners,” Maggie said. She bent down and stroked your hair. Her eyes filled with tears again. “‘M so sorry,” she whispered to you. “Do ya need anythin’? Anything we can do to make you more comfortable, just ask and we’ll do everything we can.”

Daryl’s head dropped and his eyes squeezed shut. “I’ll—‘m gonna be righ’ back,” he murmured. He met your eyes again. Your brow was furrowed and you were watching him carefully. “‘M gonna be back in just a minute. I promise,” he said softly.

The chair made a harsh noise as he stood up and your eyes tracked him all the way out the door.

Out in the hall, Daryl put some distance between himself and your room, striding down to the end of the hall and standing at the window, staring out at the beginnings of dawn just starting to tickle the deep blue sky with shots of pink and yellow. His fists clenched and his nails cut in little red crescent moon marks on his palms. How the fuck was the sun still coming up when you were laying in a bed dying? It felt like nothing should go on as normal ever again. He suddenly kicked out at the tall wooden cabinet beside him and it rocked and wobbled. And then he broke down. His head dropped and it was all he could do not to scream in agony at the painful chasm in his chest, sticking between his lungs and growing larger and larger as you paled and ached in that bed. Tears poured down his face and he pressed his forehead to the coolness of the glass in front of him.

He startled as a hand landed lightly on his shoulder and he hurriedly mopped his face, but when he turned he knew Maggie had already seen his overwhelming distress and grief. His shoulders shuddered as he gasped in a ragged breath and he shook his head. He saw his own pain, or some version of it, reflected on her face, and he thought of Glenn.

She only nodded and pulled him into a hug briefly. He sniffled and managed to get his breaking under control again. “Go on and be with her again. Enid and I will look after the others. Listen—when it’s time to say goodbye—”

He nodded. “I’ll send somebody to get ya’ll,” he croaked out. He mopped at his damp face again and pulled in a breath.

“Daryl, if you haven’t already, you need to tell her,” Maggie said. And with that, she headed downstairs.

Daryl took a few more deep breaths, steeled himself, and rushed back to your room. Enid gave you a kind smile and released her hold on your hand and quietly took her leave. Daryl swallowed hard and came to sit beside you again. Your eyes followed him across the room.

Your skin was feverish and he could see it making your hair and clothes damp. Had those dark circles been beneath your eyes when he’d stepped out? How long was he gone? How many minutes? It couldn’t have been more than a few, and yet you looked far worse… He got up and went to a pitcher and basin on the chest of drawers and poured in some water. Pulling out the bandana he always carried, he dunked it into the bowl and carried the whole thing over to the nightstand.

You watched him swirl the cloth in the water and wring it out. He pressed it to your forehead and it was cool. Your eyes were still trained on him. He knew you’d likely be able to tell why he’d stepped out of the room. “Here. Drink a little water if ya can,” he said, helping you with a glass Enid had brought.

You swallowed thickly and he set it aside again. “Are you alright?” you asked him. Your voice sounded thin.

He let out a dry laugh as he refreshed his bandana in the water again and dabbed at your neck. “Yer askin’ me that?” he drawled.

“Daryl,” you said softly, and your hand came up to grip his wrist, surprisingly strong. He met your eyes again and yours flickered between his.

He bit down on his bottom lip hard, trying to fight back the tidal wave and scream in his chest. Tears stung his eyes as he looked at you. Your hand floated back to the bed and the place your fingers had been felt hot. He shook his head almost imperceptibly. “No,” he said. “I ain’t alrigh’. And I dunno if I’ll—if I will be.”

A shiver ran through you and Daryl tossed his bandana back down in the bowl and helped you pull the blankets up to your chin. You sighed and your eyes shut for a long moment. Daryl was afraid they wouldn’t open again, but they did. And when you looked straight at him, they seemed clearer somehow, and you smiled at him again despite the devastation written all over his face.

“What’re you smilin’ ‘bout?” he asked. There was a rasp to his voice.

“You,” you breathed. “Just you.”

He ducked his head, listening to each of your breaths, analyzing them for any change. He was far too aware of his knife on his hip.

“I need you to promise me something,” you said.

“Anythin’,” he nodded, leaning in.

“Don’t let this consume you. Please. Negan’s taken enough. Don’t end up one of the casualties too. You have so much good in you. Don’t let him take that away.”

He stared at you for a long moment and then suddenly stood up and leaned over you. His rough fingers brushed gently at your hair and then clasped your face. In that moment, maybe some trick of the changing light, but he thought you looked less ashen. He saw more color in your lips and in your cheeks. Your eyes were bright.

He kissed you then. His lips landed flush against the soft pillow of yours, and it was tender and wanting and desperate and soft all at the same time. He tried to put everything he wanted to say into that kiss. It lasted only a few seconds, but both of you mourned the separation, felt the profoundness of that connection as it had shifted your whole world. He sank back down at your bedside and grabbed your hand in his again, chewing on his bottom lip nervously. He refused to take his eyes off you now.

A smile grew slowly on your face and though your eyelids were heavy, the outer corners of your eyes smiled too, like they always did. “How’d you know that was on my bucket list? ‘Kiss Daryl Dixon.’”

He brushed your cheek with the back of his fingers and shook his head at you.

“I can die happy now,” you said.

“I shoulda told ya every damn day… I thought—I thought we had more time.” His voice broke on the last word.

“So did I,” you agreed. “Life’s a motherfucker like that,” you said dryly.

He almost laughed. “What ‘m tryin’ to say is I—ya know, I—” The words stuck in his chest. He couldn’t seem to get them out no matter how much he wanted to. I’ve been in love with you almost since I met ya.

“I know,” you breathed. “You didn’t have to say it, Daryl. I felt it too.” Your eyes closed again and you sighed, another grimace passed your face as your joints and muscles throbbed. “I’m not sure I can stay awake much longer,” you murmured. “I’m so tired.” You forced your eyes open again. “Would you lay with me? Please?”

Daryl’s chest ached so intensely he thought he would die of it. “Course I will.”

He came around to the other side of the bed and climbed on, scooting over toward your side until your body was almost against his. “C’mere,” he drawled, and he gently looped his arm underneath you and pulled you toward him. You felt featherlight in his arms. You laid tucked in against his body and closed your eyes. This close to you, he could easily hear your every breath, feel every shudder of your body, feel the fever and the chills—but he could also feel the shape of you, your weight, breathe your smell. Your head rested against his shoulder and nuzzled toward the crook of his neck.

“I’m so tired,” you said again, sighing. He could feel your breath on his skin. The silence stretched and his rough fingers drew absent shapes on the bare skin of your arm. Your weight grew heavier against him. “I want you to know… it’s alright if you can’t do it. At the end… It doesn’t have to be you. I need you to know that it’s okay if you can’t. Someone else can…” you trailed off.

He gulped and nodded. “I’mma be righ’ here.”

“I know,” you whispered. Your eyes were closed. “I love you…”

He pressed a kiss to your hair. “I love ya too...” His voice broke, but you didn’t hear it. You were already asleep.

He didn’t know how long he had laid there with you. He was still scrutinizing your every breath and every moment, waiting for the horrific change to take place, or waiting for you to awake in agony as the sickness progressed. But so far, you just slept on. He didn’t dare move. He didn’t want to, anyway.

Eventually, the door creaked open and Rick stepped in barely over the threshold before he froze, seeing Daryl there with you on the bed. They locked eyes for a moment, Rick’s eyes grew glassy and he gave a nod, but then he immediately retreated. No one should intrude on that scene. And he made sure no one would, unless they were called for.

_ _ _ _ _ _

Daryl was staring at the bright sunlight streaming in through the sheer curtains. He had no concept of time as he lay there with you asleep against him. Every moment felt agonizingly long and cruelly short at the same time. He was watching the dust particles floating in the currents of air when you stirred. Your hand landed flush to the center of his chest and you turned on your side almost curling into him. He gently took your hand in his and ran his thumb over your soft skin.

Your stirred again and let out a sigh, stretching beside him. Your eyes blinked open. “Daryl…” you said suddenly.

He squeezed your hand gently. “Yeah. ‘M righ’ here.”

“I—I know.” You pushed yourself up on the palm of your hand, still angled in toward him. “Daryl, look at me.”

He did. Your eyes were wide and surprised, but beyond that you looked… like yourself. The color was back in your face, in your lips. Your eyes were bright and clear. You looked well. Your name slipped past his lips.

“I’m not sick,” you said with disbelief. “I don’t feel—I mean, my bones felt like glass before. And—I’m not hot or cold. I—”

Daryl was sitting up now too, staring at you bewildered. He clasped your face and pressed his hand to your forehead. You didn’t feel feverish. Your skin wasn’t clammy. “Ya ain’t sick…” he drawled, the same disbelief dripping from every word. “Ya ain’t—” A laugh bubbled out of you as he popped up onto his knees, kneeling in front of you on the bed, staring with bafflement. “How—how?”

You shook your head. “I—I don’t know…” you stammered, your heart racing. “I felt—I was dying. I felt it. And now—I still feel like I got hit by a truck, and my shoulder hurts like a bitch but—I’m not sick.”

Daryl took your face in both of his hands and his lips crashed down onto yours. You arched into him and kissed him back, relishing the feeling of his hands drifting down to your waist and gently pressing on your lower back to pull you in against him. He still looked dumbfounded when the two of you broke apart, but you couldn’t stop smiling.

“I gotta—we gotta—” Daryl vaulted himself off the bed, leaving you kneeling in the middle of it, surrounded by the rumpled blankets. He ripped the door open and shouted out into the hallway. “Maggie! Enid!” He turned back to stare at you, his chest heaving as he seemed to have lost his breath. A stampede of footsteps answered and soon Enid, Maggie, Rosita, Rick, Michonne, Carol—even Tara—were bursting in looking grim and worried. Seeing their expressions, Daryl realized they all thought it was time to say goodbye to you. He hurried to correct their assumption. “She—she ain’t sick. Look! Her fever’s gone and she—she ain’t sick anymore.”

All eyes drifted to you sitting upright on the bed, almost looking as if nothing had happened to you at all.

Enid stepped forward, shock written on her face, and you could only smile as she reached a hand out and pressed the back of it to your forehead. She snapped around to look at everyone else again, a teary smile on her face. “She doesn’t have a fever,” she said, shaking her head.

A whoop went up through the room and soon nearly everyone was hugging you and kissing your cheek, patting you on the back as if you’d done anything at all consciously. But Daryl simply stood by the door, leaned up against the wall watching the scene with a teary smile on his face that wasn’t budging. As the last of your family hugged you, your eyes connected with his again and you felt a shock of electricity run up your back and butterflies erupted in your chest.

“I—I don’t understand how this is possible!” Carol laughed happily.

Rick was shaking his head, smiling.

“Has anyone ever heard of this happening before?” Rosita asked. “I mean, should we still be worried?”

Enid shrugged and shook her head, looking at a loss. “Well, it’s not the same as a bite. It seems like maybe her body was able to fight off the infection.”

Rick rubbed a thoughtful hand over his face. “Maybe it’s like how some people get sick from gutting up the first time, some people the twentieth, and some people never do.”

“Some combination of immune system and dosage maybe,” Maggie said thoughtfully, her eyes still glassy with happy tears.

“Well, whatever it is, thank God. We needed another win,” Michonne said.

Enid nodded and looked back at you on the bed. Daryl was still leaned up against the wall by the door. He couldn’t take his eyes off you. “She may not have a fever anymore but I don’t want to push it. Back in bed,” she said, grabbing hold of the blankets again. “I want you to rest. Your body has been through a lot.”

You moved a little gingerly laying down again, realizing now that your shoulder that had taken the poisoned arrow did still hurt a lot. “I’ll rest… feels like I’m still trying to shake the worse flu of my life.” Exhaustion was settling back over you again. The adrenaline had waned. But your cheeks and lips still had a healthy, rosy glow.

Enid filled the glass on the nightstand with fresh water again for you and instructed everyone to leave so you could sleep. Everyone listened, except Daryl. And somehow, everyone knew he was the exception.

He shut the door softly behind Tara as she went out and the two of you were alone again. He wandered back over to the bedside and you looked up at him through your lashes, your eyes growing tired again.

“Are you still going to keep watch over me?” you asked him.

He nodded. “Mhm… now and every damn day of yer life. If you’ll have me that is…” he said a little abashedly, ducking his head. “Actually, ‘m gonna do that whether ya want me to or not.”

You smiled. “Can you do that from in this bed again? Please?”

“Are ya kiddin’?” He climbed in beside you again and you rolled toward him, tucking yourself into his body. Your breathing was strong and steady; no sign of the ragged, shallow respiration that had plagued you overnight.

“You want to know what I think saved me?” you asked, resting your head on his chest, your arm draped over him.

“Hmm?” he hummed, now feeling his own exhaustion settle over him like a heavy blanket. Now that the terror and devastation and fear and grief had receded, he was drained.

“I think you cured me. With that kiss,” you said, and he could hear a smile in your voice. “Love saved us. The universe decided it couldn’t separate us.”

Daryl let out an amused exhale. “I ain’t magic. Pretty sure this ain’t a fairy tale.”

You sighed and nuzzled against the crook of his neck. “I’m starting to think it might be,” you whispered sleepily.

Daryl’s cheek pressed against the top of your head. He tugged you in more snugly and paused thoughtfully. “Well… I do kinda gotta agree with ya there. Now, sleep,” he hushed you. “I dun wanna risk anythin’. Ya need rest.”

“You too,” you said with a yawn. “And now we’ve got time.”

#daryl dixon angst #daryl dixon reader insert #daryl dixon x reader #daryl dixon fanfiction #daryl dixon twd #the walking dead #twd fanfics #daryl dixon drabbles #daryl imagines #daryl x y/n #fanfics #writers of tumblr #twd drabbles

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makingqueerhistory · 12 days ago

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Stories Are Weapons: Psychological Warfare and the American Mind

Annalee Newitz

In Stories Are Weapons, best-selling author Annalee Newitz traces the way disinformation, propaganda, and violent threats--the essential tool kit for psychological warfare--have evolved from military weapons deployed against foreign adversaries into tools in domestic culture wars. Newitz delves into America's deep-rooted history with psychological operations, beginning with Benjamin Franklin's Revolutionary War-era fake newspaper and nineteenth-century wars on Indigenous nations, and reaching its apotheosis with the Cold War and twenty-first-century influence campaigns online. America's secret weapon has long been coercive storytelling. And there's a reason for that: operatives who shaped modern psychological warfare drew on their experiences as science fiction writers and in the advertising industry.

Now, through a weapons-transfer program long unacknowledged, psyops have found their way into the hands of culture warriors, transforming democratic debates into toxic wars over American identity. Newitz zeroes in on conflicts over race and intelligence, school board fights over LGBT students, and campaigns against feminist viewpoints, revealing how, in each case, specific groups of Americans are singled out and treated as enemies of the state. Crucially, Newitz delivers a powerful counternarrative, speaking with the researchers and activists who are outlining a pathway to achieving psychological disarmament and cultural peace.

Incisive and essential, Stories are Weapons reveals how our minds have been turned into blood-soaked battlegrounds--and how we can put down our weapons to build something better.

(Affiliate link above)

#queer books #lgbt books #nonfiction book

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abasilence-ministries · 1 year ago

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It's not enough to quote the names of the pieces. You must put them on and activate them. Are you Dressed for Battle?

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#all manner of prayer #belt of truth #breastplate of righteousness #cloak of zeal #feet shod with the preparation of the Gospel of peace #helmet of salvation #loins girded with truth #shield of faith #spiritual warfare training #sword of the spirit #The Whole Armor of God #Trained for Battle #weapons of our warfare

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thewordfortheday · 5 months ago

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Corinthians 10:4-5 For the weapons of our warfare are not carnal but mighty in God for pulling down strongholds, casting down arguments and every high thing that exalts itself against the knowledge of God..

The Word of God coming out of our mouth is a powerful weapon against Satan. When we speak it, it becomes a two-edged sword that defeats him. The Word of God chases the enemy, driving him back.

We should never be the ones who back down from Satan in defeat. No! We must be bold in our faith and continue to push back the powers of darkness by using God’s Word as our weapon. Satan fears those who truly take hold of God’s Word, it's the only offensive weapon against him. Jesus taught us this truth. The enemy is no match against God's word.

God sent forth His Son, Jesus, to die for us so we could have victory over the evil one. Our victory was bought with the price of Jesus’ blood. We, therefore, are protected by the blood of Christ and because of this protection Satan cannot have dominion over us.

#spiritual warfare #bible verse #daily devotional #christian quotes #bible quotes #inspiration #daily devotion #christian quote #christian life #bible

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ballad-of-the-lamb · 7 months ago

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For every person who dreams up the electric lightbulb there’s another who dream up the Adam bomb

isn't it crazy that in only around 50 years or so after creating the electric lightbulb that kickstarted the revolution the atomic bomb was made a weapon that can literally wipe out the planet at any given moment because of corporate greed and technically all the major companies in the world could force the government into world-ending warfare if they just decided it 'fuck it we ball' one day and then inventions started to stagnate again but that's all boring we should talk about one of the oldest perpetual stews to ever exist that actually ended because of world war II because they ran out of food to fill the stew with, it ran on from the fifteenth century to ww2 and technically would've been our only hint to what certain meats and vegetables would've tasted like ages ago before they came to stagnate where they are in their evolution line now, and that notoriously sourdough and stew kept from those eras have such a distinct and different taste than to anything we have now. it's existence has also assisted in scientists figuring out what certain vegetables and fruits had the craziest evolution lines, like apples for example. it's theorized they used to be more like pomegranates which puts the story of hades & persephone into an entirely new light anyway here's my thesis o

#munpost #i have found out you asked many people this question and it's what tipped me to check my ask box today so now #suffer your consequences

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mswyrr · 4 months ago

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One of the most important bits of dialogue in hotd is from Viserys in 1x01:

"The idea that we control the dragons is an illusion. They're a power man should never have trifled with. One that brought Valyria its doom. If we don't mind our own histories, it will do the same to us."

This is a man who bonded with Balerion, The Black Dread, the oldest dragon who had actually hatched in Old Valyria. This was the same dragon who flew Princess Aerea, a 12-year-old girl who bonded with him, back to Valyria against her will - sickening and killing her in the process (Fire & Blood, p 263). The little girl was away from her home at the time and probably feeling "I want to go home" but what Balerion did with that feeling killed her. His will was strong and his memory was *deep*.

Viserys only rode him one time, his inaugural flight, and then never again. IMO he experienced something bonding with that ancient beast that--in addition to studying the family's history and Valyrian lore--convinced him of the danger and fundamentally uncontrollable nature of dragons.

It is totally in keeping with canon events that Vhagar, in the current timeline the most ancient dragon alive--a dragon who drank deep of bloodshed and war with Visenya during the Conquest and *likes* war--translated Aemond's anger at Lucerys into murder of the boy and his small dragon. It is perfectly in keeping with what the show has been saying since episode 1.

An ancient, powerful and wilful dragon overcoming the will of its rider is *literally canon*. Princess Aerea must have been terrified during the whole, long flight to Valyria, and yet all her protests couldn't stop the dragon she'd bonded to.

I would also say that the Valyrians turned magical creatures, dragons, into weapons of warfare - that the dragons, in that sense, represent war. And the show is imo fundamentally antiwar - so here war is something you cannot control. GRRM has said the dragons are "nukes," which fits with this reading:

“Dragons are the nuclear deterrent, and only [Daenerys Targaryen, one of the series’ heroines] has them, which in some ways makes her the most powerful person in the world,” Martin said in 2011. “But is that sufficient? These are the kind of issues I’m trying to explore. The United States right now has the ability to destroy the world with our nuclear arsenal, but that doesn’t mean we can achieve specific geopolitical goals. Power is more subtle than that. You can have the power to destroy, but it doesn’t give you the power to reform, or improve, or build.” (source)

War and nukes - you cannot aim them only at the guilty, only at those you hate; you cannot prevent them from consuming the innocent as well. They a raging fire that consumes, that is all. And so, on that level, I just adore what they're doing and how it all fits together.

Aemond's domestic violence fits too - boys go to war thinking it will be honorable and manly and they'll protect "their women" but instead come home and hurt those very women. This thing burns and burns until it is exhausted, and it doesn't stay contained, not within you or outside you. "So it goes," to steal a phrase from antiwar writer Kurt Vonnegut.

The reason I keep coming back to my antiwar reading of the show is that things that people dismiss as "bad" or mock actually come together beautifully if you don't expect to war to be glorious and masterful and heroic. If you take the text seriously, in terms of what the dragons are metaphorically and what characters have outright said about their fundamentally uncontrollable nature. The lore supports what Vhagar did! That she could overcome a teenaged human's will with her century old bloodlust.

#hotd meta #house of the dragon #vhagar #balerion #viserys targaryen #aemond targaryen #asoiaf meta

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victoriadallonfan · 7 months ago

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Lets Talk: The Predator Franchise

About two months ago, I put my thoughts into my feelings on the Alien Franchise, and why I felt that they've been faltering so much.

It felt only fitting that I do the same for the Predator franchise, but I ran into a very curious thing... there's only one bad Predator movie.

A shocking statement, I know, but I'm not counting the AVP movie series (that's it's own separate thing). The Predator (film) is easily the only bad film in the entire series, but I'll get to that later.

First things first: lets talk about Predator (1987).

It's an all time classic, a great deconstruction of the 80's action film, with insanely quotable dialogue and memorable characters - not just the Predator itself, but all the human characters are easily recognizable.

Unlike the Alien (1979) and Aliens (1986), Predator is not predominantly a horror film, nor is it emphasizing a tough topic such as sexual assault. It does HAVE horror aspects (the first time they find the skinned corpses is intensely unnerving, especially when they realize that this group of marines apparently lost all self-control and fired in all directions), and it does touch a bit on how the US government is using its own soldiers as cannon fodder to destabilize third-world countries.

But it's not really built to scare the viewer so much as to present a simple idea: what if these action heroes met a bigger, stronger, more advanced version of themselves? And the result is a near total party wipe.

Watching the original film, you realize that the Predator is depicted as incredibly unfair. The majority of its kills are it sniping someone from afar, rushing them when they aren't even looking (while cloaked), and doing a combination of the above. It would have killed Arnold while his back was turned, if the net trap hadn't been set in place.

Hell, it even kills a wounded soldier that Arnold is carrying, after Billy's "last stand" (that lasted mere moments at best, implying the Predator didn't give him the time of day).

(Also, speaking of Billy... he's psychic? Apparently?)

But yeah, the Predator depicted is not the honor clad warrior that some fans may stan (and some writers believe) but more like the equivalent of Counter-Strike hacker. The fact that it takes Arnold untold amounts of traps, ingenuity, and willpower for the Predator to finally face him man to man, no tech, no weapons is meant to be a testament to how impressive Arnold is.

Likewise, the Predator decides to blow himself the fuck up while cackling manically like a supervillain as he tries to finally kill Dutch, also opens him to showing that as alien as it is, it's remarkably human. A spite filled asshole of a human, but humanish nonetheless (amplified by him copying human speech on prior occasions).

It's a really great film about how alien life, if more advanced than our own, might see us as lesser people or outright livestock to hunt (keep a pin in that).

Predator 2 (1990) is often divided amongst fans.

Some hate the fact that it takes place in the "modern day" LA, instead of sticking to the blazing heat of the jungle (as the lore of the first movie implies that the Predator or a Predator visits at the hottest time of the season to create the local bogeyman figure), but this film does a fine job justifying the LA heatwave and honestly... the idea of keeping the Predator to one type of biome is pretty limiting. So I don't mind that.

As one can tell already, I don't think this movie is bad. As good as the first? No, it rehashes a bit too much for that. But it's still a fun and good movie.

And, notably, scarier.

But for context, Predator 2 is set in the far future of... uh, 1997 LA, where there has been open warfare between the LAPD and the Jamaican and Colombian Cartels. Like, not drug busts or stings, but actual warfare with armies of gangs and shit.

The late 80's and early 90's loved to depict LA as a dystopian hellscape where "law and order" was the only defense from total anarchy (as anyone who has ever lived in LA can tell you, racial tensions, especially between the public and police have not been good to say the least).

This entire setup is like a D.A.R.E nightmare or wet dream depending on who's asking.

(Also the Jamaican drug leader, King Willy, might also be psychic? This is the last time it's brought up, but man, I sort of wish we could see future plot lines where people are randomly psychic in these films.)

Anyways, the situation is certainly perfect for this Predator (named City Hunter to differentiate between Jungle Hunter), who takes to the city with a gusto. The difference in how the Predator is portrayed is fascinating, because the bare bones remain the same: he hunts people who are deemed as sport with alien technology.

Fitting with the ultra-violent theme of this film however, this Predator feels like a legitimately horror movie monster. Unlike the Jungle Hunter, City Hunter doesn't prefer to attack from afar, but rather ripping and tearing in close quarters combat, and when he does use ranged weaponry, it's stuff like spears, bladed discs, and nets that shred people into bloody messes.

And he's 110% a bigger asshole that Jungle Hunter: when the City Hunter decides to focus on our lead man, Danny Glover, he doesn't just hunt the man but psychologically torture him. He murders his partner - who is probably the least threatening human in the entire series - just so he can taunt Glover with his necklace at his own grave. He then copies the innocent words of a child just so he can use it as a creepy catchphrase when he decides to hunt Glover's other partners.

The iconic subway massacre perfectly exemplifies both aspects of the City Hunter. He interrupts a massive stand-off between armed civilians, gang members, and the police, just wading in and killing everyone indiscriminately as people frantically scream and claw over each other trying to escape.

(Speaking of, this film does have a LOT of fun having the Predator on modern sets. The above subway scene, City Hunter investigating a meat locker, and him performing emergency surgery in an apartment bathroom are all really cool).

Also, for being so divisive, this film creates a lot of Predator lore: the Predator won't kill (unarmed) children, he won't kill pregnant women, and he WILL kill the elderly if they are packing heat.

And this includes the trophy wall (with xenomorph skull - actually funny because we never see a Predator collect a xenomorph skull in the AVP films) and that the Predator tribe will honor and respect those who defeat their kind with a reward.

It does include that the government is aware of the Predator existence and tries to capture them, but this won't be a major plot line again until The Predator (2018) though it gets some tongue in cheek reference in Predators (2010).

Anyways solid film, lots of cheesey scenes and very tropey stuff that hasn't aged well (or aged in a way that makes it amusing). It's also that last movie that actually tries to be true horror, in my opinion. The rest of the films stick to Action with Gore, but Predator 2 is truly the last film where you feel like this was written to be a horror film.

Also, this film will be the last to really play into the world as being an overly dramatic action movie earth. It's all realism from here.

And then the film franchise will go quiet until 2004 and 2008 for the AVP films (that I won't cover here).

Finally, we get to Predators (2010), and obvious title call back to Aliens (1986) and I have to say, a pretty good trio of ideas: The human targets are actually kidnapped and dropped on a safari planet, there are multiple Predators with their own unique designs and gimmicks, and there is a internal war between the Bad Bloods (aka the Predators who break the "honor code") and the 'normal' Predator clans.

(It should be noted that Bad Bloods have been a thing for years in comics and books, but not really in the mainstream until this film introduced it to movie audiences)

I have to say, despite having a fondness for the film and loving the new ideas, this film is not as enjoyable as Predator or Predator 2. It unfortunately suffers from what I call 2010ism, where there's a lot of CGI blood/gore, a lot of lighting/shadows aren't natural in a horror sense, and the dialogue isn't memorable because it wanted to ditch the action movie dialogue.

The last part isn't necessarily too bad, and it even works with how Adrian Brody is portrayed as a cynical asshole who is purposely meant to be the opposite of Arnold in every way. But the most memorable dialogue is definitely from Walter Goggins (including his highly disturbing "bitch raping time" speech).

Also, it really wastes Topher Grace, Laurence Fishbourne, and Danny Trejo, along with the whole idea of a gang of multinational killers/soldiers/enforcers forced to work together. Not nearly enough time is given to them to bond as a team and have a moment where they show off how cool they are like Predator and Predator 2 did.

Coupled with the safari world being just... a jungle, it feels like a lot of good ideas with "safe" execution.

I don't mean to rag on the film, it's still very fun, and a lot of that is due to the Bad Bloods.

The idea of a particular group of Predators being so evil that they are even warring with their (smaller) counterparts is a great idea, imo, and these Bad Bloods are memorable for their gimmicks.

You had one who used drones as "falcons" to scan and scout out large tracks of terrain, another who employed alien "hounds" to harass humans like a fox hunt, and the leader who had a rapid-fire plasma caster that was overpowered as hell. They also employed other tech like alien bear traps, net traps, and voice decoys.

This movie definitely had the most advanced Predator tech seen on film at the time, making the Jungle Hunter and City Hunter look low tech by comparison, and I think also served to try and force the idea of the Bad Bloods being really "unfair" compared to others.

And of course, we get our first Predator vs Predator fight, which was suitably graphic and badass. Also, I liked that one Predator died by a human pulling a suicide vest attack. Idk, I thought it was pretty ironic considering that's what predators do when they are about to lose, and thought it was neat.

Ultimately, there isn't much else to say about Predators (2010), even though the film ends on a cliffhanger with more people (and aliens) being dropped on the planet. I enjoyed it, it had a lot of cool ideas, cool tech, and cool lore... but if the prior films could be compared to novels, this one felt more like a guidebook.

And now... eight years pass and we get The Predator (2018)

Where do I begin with this movie.

I guess I start with the obvious: it's bad. It's a genuinely awful movie with few redeeming qualities. I'd say it's on the tier of Alien: Resurrection, except this movie is actually offensive because of autism ableism (turns out that autism is actually the next step of human evolution and makes you naturally predisposed to using Predator technology).

And don't get me started on the sex offender controversy.

Sorry, I'm getting ahead of myself. It's just that this movie... jesus christ, I rewatched it for this post, and it feels like a fever dream.

The Predator (2018) ultimately, is a film that looked at everything that came before it and said, "What if we did it all on a grander scale? And make it bad?" The plot is that a Predator is being hunted by an even larger, more powerful Predator, because it plans on harvesting humanity. You see, in this movie, some Predators use the genes of animals they hunt to improve themselves. The Super Predator as he is called, is a massive 10 foot tall monster that has turned his body into a super weapon, with technology built directly into his biology.

The Good Predator arrives on Earth to warn humanity and deliver a "Predator Killer" suit of Iron Man armor that will help humanity defend the Earth from the oncoming invasion force. The Super Predator wants humanity harvested because... autism makes them super geniuses.... and he declares that a 12 year old boy with autism to be the greatest Predator he's ever met... just because he has autism...

Look, I don't know how the fuck I'm supposed to describe the plot of this movie. It's just bad. It's stupid. At one point they turn a Predator hound good by giving it a bullet lobotomy.

It feels like this movie hates everyone. It hates the Predators, literally killing off the Good Predator not even halfway through the film. It hates the cast, because all of them are forgettable except for Olivia Munn and Super Predator, and it kills the mystique of the Predators because it has Super Predator monologue like an actual supervillain.

The dialogue is genuinely awful, the actors have no chemistry, and the comedy (oh yes, this film acts like a comedy on several occasions) is the definition of cringe. I would call it "ChatGPT writes Predator" but honestly, ChatGPT could do it better.

Let it be known that my words do not do how awful this movie is justice. You can only understand how bad it is by watching it, but it's absolutely NOT worth the time.

Is there anything good about this movie? Besides the Holiday Special on home release?

The effects are pretty good. We see a lot of high tech Predator stuff and that's always cool. I think this had the highest budget of any of the films and it shows.

There's an action set-piece where Good Predator escapes from a government facility and uses an M4-Assault Rifle which is badass. One of the best action scenes in the movie and a neat tie-back to the government investigating them.

The Super Predator is a cool concept and I actually enjoyed him for a large part of the film. I liked that he could just pick up a human like a toy and gut him like a fish before tossing him aside. I love the idea of a Predator that isn't a hunter, but rather a soldier sent in to fuck shit up, showing off the different tech. Really gives the impression that their society has different roles and tech for Predators beyond hunting.

I wish they gave him a helmet and didn't let him monologue like a supervillain.

And that's it. That's the good stuff. Nothing else matters. It says a lot that I don't think Super Predator or the autism plot has been accepted into lore in comics or books.

It's even been argued that this film was deemed non-canon because of how abysmal the reception was.

Suffice to say, after this awful film, fans were pretty low spirit. Which made it all the more surprising when Prey (2022) was released 4 years later.

There was a lot of drama about this film: the franchise is dead, why is the film so woke for including woman and minorities, how can any human expect to beat a Predator with a bow?

This drama is stupid and should rightfully be mocked.

Prey (2022) was a breath of fresh air for the franchise and I'd argue the best film in terms of quality.

It quite literally goes back to the roots of the series and does something that really elevated the film: it made the Predator symbolise something!

This film takes place in the 18th century on the Great Plains, following Naru the Commanche healer who dreams of being a hunter. Meanwhile, a young Predator - known as the Feral Predator for his aggression - is dropped on the planet for his first ever hunt.

Obviously, you can see the parallels between the two as Naru learns to use tricks and tools to handle her weaknesses, while Feral uses brute-force and high tech equipment to slaughter the animals and humans of the planet. The Bear hunt scene, where Naru is forced to flee from a bear and helplessly watch Feral kill the creature with it's bare hands (haha), thus condemning her in his eyes as not a threat is perfect character foil.

Also, he's such a piece of shit, cheating the moment he feels like his prey has the better of him. But in a good way that makes sense for his character.

But on the grander scale, the Predator represents colonialism. A secondary antagonist of the film are the French fur trappers, who have been skinning wild buffalo and depriving the commanche of their food source, openly compared to the Predator skinning animals/humans for trophies instead of resources.

It's actually a lesson Naru has to learn from her brother and mother, that to become a true hunter is about doing so to support a community, not just for ego and idolization.

Its no accident that the Fur Trapper leader dies when Naru sabotages his gun and Feral dies when Naru does the same to his gun as well, with both of them trapped and crippled without any means of escaping their demise.

This film finally moves to make the Predators feel like evil villains who are supremely selfish, much like the first 2 films emphasized (and the third film did to a lesser extent).

But talk of how amazing Naru is as a protagonist and how great the Feral predator is as an antagonist, the film is just good. The cinematography is gorgeous, the actors are great, the Predator effects and costume are terrifying, and lore wise, it does a lot to show that the Predator society is not stagnant.

They evolve over the years and it shows.

And my god are the action scenes incredible. The Predator vs Fur Trapper fight is probably one of the most iconic scenes in the entire franchise now, and for good reason.

Or Naru's knife fight massacre

All in all, this film really shows that the Predator films can be more that action films and... whatever the fuck The Predator (2018) was trying to be.

These films can be used to explore the history of humanity and symbolize concepts that deal with oppression, bigotry, and dehumanization.

The title of Prey - the focus on making the protagonists human - versus the Predator title is incredibly fitting.

While a sequel is left up in the air, we do have confirmation that a new standalone film - titled merely Badlands - is set to come out soon.

I can only hope they learned the right lessons from Prey and we can leave the horrid past of The Predator (2018) behind us for good.

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