#we're so problematic...

[idlesuperstar]

Donald was the best partner in movies I ever had. We were brothers and we loved each other. We had such a deep, sublime chemistry. There was nothing intellectual about it, just this amazing natural harmony. I first met him in the commissary at 20th Century Fox when Robert Altman told us to have lunch together after I’d been cast in M*A*S*H. At first I thought: I don’t think this guy likes me. But it was just the opposite. The thing was: we were such opposites. I’m a Jew from Brooklyn and he was a Canadian from Nova Scotia. But it was perfection: never any conflict, just bread and butter – a relationship that felt like a miracle. Making M*A*S*H made us immediately close because while everyone else was working with Bob Altman, we worked for Bob Altman. He kept us a little segregated. We were both really unsure about the improvisation, the direction of the movie and Bob’s approach in general. Donald was hired well before me, but once I signed on we had the same deal: no less than second billing, and the same money. Later in production, Richard Zanuck, who was at that time running 20th Century Fox, said they wanted to give me first billing. I thought: “Oh that’s a nice honour. But Donald is my friend! I’m not going to be opportunistic – he was here first and should have first billing and I’ll stay in second place.” That’s what Donald meant to me. I never told him about that. A few years later, I turned down the screenplay for the movie that became S*P*Y*S, about two bumbling CIA agents. Then Donald called and said: “Would you do it with me?” And I said: “Oh that’s a different story. Of course!” On the first day of shooting in London, we drove to work together and he said: “What do you think of the script?” I rolled the window down, threw it out and said: “It’s a piece of junk. The only way this will work is if we swap parts.” But the producers could not digest that, so we just did the picture. Yet we did bring some of our own ideas to the table. There wasn’t an ending, for instance - so Donald and I agreed that we would just walk up the road with our backs to the camera and sing Side By Side. We worked together and we succeeded together, but we didn’t socialise very much – though having the opportunity to develop a relationship with some of his family was a total joy. Once, Donald was making a movie in the Bahamas and I came to visit because I had a week off from making The Long Goodbye and was interested in his leading lady, Jennifer O’Neill. Kiefer, his son, was five or six and Donald introduced us. Kiefer wanted me to stay, so when I said goodbye, I said: “Kiss me, Kiefer.” He had an ice cream cone in his hand and put it on my face – he kissed me with his cone. Donald was a true human being – and not all of us are. He could identify with any of us. His presence and his nature, his life and his mind are an asset for everyone. We all come and go physically, but as a being, he was really special and unique. I don’t put anything in the past. With me, it’s all in the present. My feeling is that for as long as I am living, Donald will be with me. I have no doubt about that, and I’m not being sentimental. I can see Donald now. I will see Donald for ever.

Elliot Gould - Donald Sutherland remembered by Keira Knightley, Elliott Gould, Ralph Fiennes and more in The Guardian

[aishabellasbigblogofeverything]

I love it when women hate men. I love it when women are allowed to vent to each other about how horrible and creepy men are. I love it when women form friendships with and prioritize each other over relationships with men(whether they're attracted to them or not). I love it when women put men dni in their bios and on their nude photos and on posts on their blogs. I love it when women refuse to mollycoddle and accommodate entitled male feelings with "but this doesn't mean I hate all men, I know a few men who are great, I love my father/sons/brothers/uncles/male cousins/guy friends" I love it when women complain about men WITHOUT "not all men" being a disclaimer. I love it when women avoid socializing with/refuse to be around/befriend/get close to men because they know men can't be trusted. I love it when women make "kill all men" jokes. I love it when women offer absolutely no concern or care for men's feelings and if their misandry offends men whatsoever because why should we, men are the oppressor class who have raped and killed and abused us and kept us as subjugated as second-class citizens for millennia, they regularly mistreat us and the women in their own marginalized communities still every single day and make this world so much harder and more awful for us to be in, and if we choose to hate them and not spare them any sympathy then so be it, and I don't just mean "men as a class" either, you can be a woman who doesn't want to have anything to do with any man on an individual basis and completely cuts off men from her personal life too and ykw I will love and fucking support you in that because men deserve absolutely NOTHING from us. If they're so tough and strong then they can handle it just like they can handle being lonely. If you are a woman who hates men, ESPECIALLY IF YOU ARE A LESBIAN AND/OR A TRANS WOMAN, then just know that I love you. I love you, I support you, and you are safe here.

[rejaytionships]

cannot believe i gotta say this but please don't follow me if you're comfortable selfshipping with canon racists. i don't care if you headcanon them as otherwise, because if their racism against a real group of people is a key facet of their character (much less incredibly important to the telling of the story that this character is a racist) then i do not wanna see it. this is not the safe space for you

[funeralprocessor]

I feel like the Primaris should have been the catalyst for like, an imperial civil war. At the very least, much unrest in the house of Guilliman. Their existence, let alone rollout/integration, should have had many chapters absolutely rioting. It should be beyond the pale by several orders of magnitude and be seen as an enormous overreach by the more autonomy loving chapters, a blasphemy by the more orthodox chapters, and an existential threat to chapters with geneseed quirks. Plus anyone with any awareness of the thunder warriors should take one look at them and recognize the writing on the wall. Guilliman should absolutely recognize what they represent, what they imply. Like they're the leading wave of a paradigm shift that doesn't bode well for what came before. And I say this as someone who's not averse to Primaris, I just think they could've, should've, been a waaaay bigger deal. I know they loathe changing the status quo and we're never getting rid of the posterboys but I think we missed out on something interesting.

[piratecaptainscaptainpirates]

Can't believe no one is talking about how erasing Doug from the narrative of OFMD is blatant erasure of autistic representation (I have decided to be angry because I headcanon Doug as autistic with no evidence from the text and I will become angry if you point out how it's easy to read other characters as autistic)

[emahriel]

as my good friend and i like to remind each other:

don't yuck people's yum. if you do so, at least keep it in the dms. no point in making people feel absolutely miserable for liking a certain thing, for having an oc you don't like - whatever it is. people constantly hating just for the sake of hating truly sour the fandom experience on social medias. there's a problem if the only way you feel better is by making others feel like crap.

and you, who shares the things you love online, who creates original characters and talks about their ships - know that you will never be able to please everyone and that's okay. don't let it stop you from sharing what you love, if it brings you happiness then keep doing it. you don't owe anyone anything, if what you like somehow upsets people, they can very easily just block you and move on. it's really that simple!

[starliteonearth]

Love Oshamir but I'm not sure I quite agree with this insistence that Qimir isn't at all being manipulative because first of all, he basically kidnapped Osha. She is not in his mancave on some unknown planet in the middle of fuck-knows-where of her own freewill. Let's not forget that. Secondly, he may be honest in what he's saying to her but he for sure isn't doing this out of the goodness of his heart. He wants something from her, wants her to be something to him. He's deliberately pushing her in a specific direction to make her what he thinks she can be, what he wants her to be, to be like him. That IS manipulation.

[lovegrowsart]

the argument i keep seeing that the choice qimir gives to osha to leave the island in episode six isn't a "real choice" because in the real world it'd maybe be realistically logistically/physically difficult to cross that body of water is driving me up the wall because it's such literal thinking when star wars has never been and will never be concerned with what's realistic or logistically plausible. there's fire in space in the first episode of the show, because fire needed to be there to give osha that moment of flashback to the trauma of her childhood and help further establish her character - it's entirely in service to the story, doesn't matter that that's not how it works irl.

the reason the ship is there is because it needed to be in the distance to facilitate the visual storytelling - osha looking back at the ship, her chance to flee/escape the underworld, then looking back at qimir walking away off screen and making the choice to follow him. that's literally (heh) it. he even suggests waiting for low tide if she wants an easier time of it if we're gonna be that concerned about how oh so terribly hard it'd be for osha - who is an adult ex jedi and a mechanic that does such dangerous jobs on space ships that the republic legit made it illegal for anyone but droids to do them - to manage a bit of a difficult swim :(

ymmv on the qimir being manipulative angle, but i think it'd benefit a lot of people's understanding of the dynamic between osha and qimir in episode six to remember that star wars is fairytale - it is metaphorical and psychological mythology. it is not realistic or grounded in reality, nor is it meant to be read with realism in mind, because then you're simply analysing/critiquing from a position that the story isn't operating from.

you don't have to take a creator's words into consideration when developing your own interpretation, but such things can be helpful and valuable. leslye headland's made her intentions re: osha and qimir's dynamic pretty clear - that it's not meant to be manipulative, that one of the purposes of episode six was to explore qimir's "lighter" side and osha's "darker" side (hence the wholly unsubtle costuming choices, him in natural-looking off-white and osha entirely in solid grey). while qimir isn't being wholly honest with her right off the bat (cause why would he be?), he also isn't deceiving or tricking her about anything re: who he is and what he's about - how could he? she knows his face. she knows entirely what he's capable of and what he did in episode five. he can't play the master and the fool the way he did with mae, he can only be as honest as a man like him can be if he wants her to listen to him. i don't think she's naive about him at all, and i think people struggle with understanding that - that she doesn't have any illusions about his morality or lack thereof - and understanding that she still has the agency and desire to listen to what he has to say. you can believe it isn't "good" for her to listen to him, sure, but that doesn't mean she's being maliciously manipulated maliciously.

[onlyancunin]

Just a quick request ~

Please don't separate my art from me as an artist.

There's a post circulating about how it's alright to separate art from artist if you want to appreciate just the art.

I starkly disagree with that stance. People did that to me before and it felt incredibly offensive and objectifying.

If you can't see the artist in their art, you're not looking hard enough. Don't do that to the art, don't do that to the artist. If you hate me, hate my creations as well, don't be an apologist coward.

And if you love my art but hate me as a person, hateromance me. Don't go around proving how you can't see the humanity in the creation. How you can't see the person beyond their way of communication.

[sherlock-is-ace]

I'm sick of reboots, I'm tired of spinoffs, I don't care for remakes... For the love of God, just make new stuff!!

[sugarsnappeases]

hi karaaaaaa talk to me about any rare pair you feel like yapping about <3

aaaaaa hiii this made me so happy <333 i’ve decided it’s Time for us to have a proper chat about tomlily….. @quillkiller and i’s second-born child

the first thing you need to know is that they’re both sociopaths (sociopath lily oh how i looove youuu)..... i made this post before about the quote 'beautiful monsters composed of every individual perfection' and how it relates to lily, but i think it's interesting to consider in terms of her being a sociopath (this is actually how our first tomlily convo began, way back whenever it was). her making sure that every part of herself is viewed as perfect, carefully curating her public image - she's the miracle muggleborn! so smart, so kind, so helpful and friendly and every single good characteristic! a shoe-in for head girl, the perfect prefect, responsible and hard-working and everything that anyone could possibly want from her! and she's good at it too. everyone sees her exactly as she wants them too..... not unlike our good friend tom marvolo riddle when he was at hogwarts...........

i think one of the central parts of their relationship is the concept of immortality. they’re both kind of made up of the same sort of thing. they’re the same at their cores. both of them showed up at hogwarts as muggleborns thrust into a completely new world and they’re both so determined to succeed and be more than what they came from and to have absolutely everything, to have their cake and eat it too!!!!! for lily, this comes in the form of being revered, putting herself on a pedestal, she’s going to Leave Her Mark and be remembered and she doesn’t care what she has to do to get there (btw i really recommend this fic about sociopath lily, it’s so so interesting and i think nearly entirely encapsulates my vision of her……). the idea that if she can’t be immortalised in her deeds while she’s alive, she’s going to become immortal in her death, martyring herself. she’s a saint, she’s a puppet master, she’s as close to a god as a girl can get.

without. of course. resorting to actual immortality. which is the path tommy boy chooses. obviously. i think there are such parallels here. he’s a presumed-muggleborn, in slytherin, the house of the ambitious and the pureblood supremacists, he’s got the biggest god complex known to man and he grew up in an orphanage in london in the middle of the blitz!!!! all factors that contribute to his fear of death and his desperation to be More Than That. more than just another orphan killed by a bomb. more than just another nameless muggleborn lost in the pureblood-centric society. more than anything that anyone has ever seen before. he’s going to make a name for himself, and he’s going to make sure that nobody ever forgets it, and he’s going to be immortal. he’s going to be more god than man (even if it makes him a monster).

anyway. taking them together, as you can see, they’re cut from the same cloth (although side note!! i think lily’s lack of fear of death gives her the potential to be even more dangerous than tom is….) and bc of this, they’re the only ones who can see under each other’s carefully curated masks (although!! another side note… i think they each have another person who can - dumbledore for tom, and petunia for lily, but that’s not entirely relevant rn).

they understand each other and they want to cut each other open and burrow their way into each other’s rib cages. they kill people together - lily is much more messy w it, all blood under her nails and on her teeth. tom prefers the cleanliness of an avada kedavra but the blood gets all over his clothes anyway from when he touches lily. also cannibalism and intricate blood rituals that bind them together forever and intertwining themselves so thoroughly that nothing could ever separate them (although! another side note! jen and i don’t think they’re at all interested in sex. the other things they do (murder etc) are far more intimate and romantic and exciting to them!!!!).

and in the end, they’ll kill each other, pull each other apart and devour each other entirely. the only person who could possibly kill tom is lily, and vice versa, they’re the only ones that would have the right to, or the power to, or deserve to etc etc. at the end it’s always them, a ticking time-bomb. them and a knife or a gun or a curse or a fire and their teeth sinking into each other and their blood flowing through each other’s veins and over each other's dying bodies. bc tom is the only one that Sees lily and lily is the only one that Sees tom, and they recognise themselves in each other and it’s soul-deep and dangerous and nasty and hungry and knowing and self-destructive and so so so sooooo interesting to me

consider: two people w the most Pristine public reputations. they’re politicians or something w bright white smiles and absolutely No skeletons in the closet. it’s a Win for non-purebloods worldwide to see them succeeding, they’re exemplary students and people and Public Figures. EXCEPT!!!! as it turns out!!!! they’re fucking serial killers!!!!! i imagine them falling asleep in each other’s arms covered in blood from their latest victim, having their morning shower together, washing the blood out of each other’s hair and then going into the office….. they get caught. eventually. obviously. and it’s probs lily’s fault lol. but GOD guysss just imagine the scandal. the headlines. the shock and intrigue and horror at these two Perfect People having done such horrific things. they go on the run and/or commit a little bit of murder-suicide before they get caught btw. like i said nobody kills them but each other…. anyway enough from me!!!! thank you for letting me ramble <333

[sam-reid]

the fact that there's so much emphasis on purity culture in the vc fandom lately is deeply disturbing

[finitevariety]

THR Yellowjackets interview

[bandtrees]

Annoying fandom people when you tell them characters do things based on writers’ decisions and biases and are not fully autonomous sapient beings they’re watching in a terrarium

[linusbenjamin]

Lost 3.23 | Through The Looking Glass II

[shaylarain]

Sign of being terminally online is letting randos ruin your day because you ship something they don't like

Sign of being terminally online is caring very hard about what others ship that you make content for it, ya know? y'all just do you, you know?