#we're not dealing with their initials being similar

[meekmedea]

Ok, this has been nagging at me almost all week, but the epilogue for fatum faciendum est got me thinking…

Do Clemensia and Coriolanus end up having more than one child? Probably. They both seemed open to the idea.

And then I fell down a rabbit hole of random thoughts. I think it’d be a bit funny if their daughter in the epilogue gets their wish granted. So without further ado, let me present my ramblings: 

Clemmie’s doomed to be the only one in the family with pin-straight hair. It’s kind of funny because she’ll just be waiting, bored to death as the rest of them go through their 12 step hair routine. (Coryo probably takes the longest to style his hair 😆)

At the same time, Coryo’s fated to have children that mostly take after Clemmie in her eye colour and hair colour

Pandora - their eldest is a little bit of a blabbermouth (she’s like 5 - let’s cut her a little slack). When she next sees Tigris and the topic of gifts comes up, she mentions to Tigris that she’s getting a sibling for her birthday.

Tigris tries really hard not to laugh at Clemmie + Coryo, while these 2 are like “huh, maybe we should have a talk with our kid about what info should stay a secret.” Because there’s no way in hell that Coryo wants to deal with that info being shared to Clemmie’s parents. 

Number of kids? Hmm…maybe 4?

Pandora, their eldest (dark curly hair, and brown eyes)

Eirene - another daughter - this is their only child that has his blond hair + blue eyes

To everyone’s amusement, Pandora is disappointed that her new sister has blue eyes, but says she guesses it’s acceptable (Pandora’s parents are amused - Clemmie more so than Coryo)

A boy follows very quickly, this time it follows Pandora's request lol (dark curly hair and brown eyes). Eirene and Aurelius could be considered Irish twins with how small the gap between them is. 

Then there’s a considerable age gap between Aurelius and their last child. Unplanned, but it’s another daughter –Lytta. (Another dark curly haired child, but with blue eyes)

When asked if they have a favourite child, they both say ‘no’. But whereas Clemensia means it, Coriolanus doesn’t. (Hint it’s his eldest.)

Their parenting? 

Clemmie is a bit more involved than he is

At her behest, the children have some sort of artistic education whether that be music, art, dance etc...

And at some point, each of their children have probably approached Coryo for something that Clemmie has said ‘no’ to. When asked why they’re asking him then, they’ll say, “because Mom isn’t the boss of you.” 

The first time he’s hit with that, Coriolanus wonders if it is a trick question. He has now learnt that there is a correct and an incorrect answer. Being President of Panem doesn’t exempt him from Clemmie’s ire. (He really wished it did though.)

Very quickly, he realizes that most of their children have taken after Clemmie's ability to charm just about anyone. Especially their eldest. Despite it not being as efficient as Clemmie’s - he’s fallen for it more times than he should

~

Bonus: one of Persephone and Festus’ kids falls HARD for one of Clemensia and Coriolanus’ kids. 

Worse yet (for Coryo) - it’s his eldest AND it’s reciprocated 

[natsmagi]

??

??????????????????

surely not. are you implying that during date plan natsume was struggling with coming up with an idea and not only went to tsumugi, a completely irrelevant third-party with probably ZERO dating experience for advice, but then used tsumugis OWN IDEAL FIRST DATE as a base to work off of rather than, oh, i dont know, GOING WITH YOUR IDEAL DATE????? WHY ARE U BASING UR DATE PLAN ON TSUMUGIS IDEAL DATE AND NOT UR OWN ARE U STUPID. ARE U GAY. my eyes must be deceiving me bc aint no way

[skufdaddyswansea]

Mouthwashing, Dual Protagonists, and Captain Curly

While the vast majority of Mouthwashing is shown from Jimmy's perspective, the events leading up to the Tulpar's crash usually follow Curly. There are several interesting reasons for this, but there's one reason in particular that I'd like to focus on.

By setting Jimmy and Curly up as dual protagonists, we're invited to draw comparisons between them. Not only are they the lenses through which we view the story, they pass the role of Captain back and forth between their chapters.

It's easy to feel sympathy for Curly, given the state he spends the larger part of the game in. It can also be easy to gloss over his more subtle shortcomings when measuring him up against Jimmy.

In this post, I want to take a closer look at Curly's character. And more specifically, how he relates to one of the game's most obvious themes.

Is Curly able to deal with the consequences of his actions? Does he realize his own failures and how they harm the people around him? What does he do with the power he's granted over others?

Does Curly take responsibility?

Jimmy's fixation here gives us a good jumping-off point. It's certainly possible that he's only really been told this once or twice, but because he's Jimmy he's blown it out of proportion out of spite. It's also possible he's entirely making it up because he's projecting, but I think the former is more likely if anything.

And, if I had to take a guess where he heard it from, I'd put my money on The Pony Express itself.

In the eyes of The Pony Express, a "great leader" isn't someone diligent or able to meet the needs of his crew. The real reason Curly was able to rise to the top of the ladder and become captain is because he gets the job done without rocking the boat.

I'm establishing all this because I think it's worth examining by what metric he's being judged. Because, while it may be Jimmy who most often digs this point up, Curly doesn't disagree with him. Even in the depths of his ennui, it's important to him that not only is he the Captain, but a good one at that.

When comparing the two, that can again seem difficult to argue against. Jimmy is quick to lash out and shift blame. His resentment and insecurities often drive him to pick fights. Curly prefers to avoid conflict, but knows his position doesn't always allow him to do so. He tries to pick his battles, but when he has to get involved he focuses on de-escalating the situation.

But although their similarities are few, they do exist. And they greatly influence the narrative. Because it is from their shared selfishness, callousness, and cowardice that the entire story is born.

It's time to address the elephant in the room. We can't draw any conclusions about Curly's nature, his character, his role in the story, and his relationship to its themes without digging into his handling of Anya's assault, and the chain of events that follow.

I find it interesting that we never see the initial conversation Anya has with Curly about the assault. We simply know that she confided in him. He is the Captain, after all. The crew is his responsibility.

The thing is, we don't really need to know the exact conversation they shared, because we can imagine it went quite similarly to their conversation about her pregnancy.

She tells him how scared she is. She fears for her life. It never even occurred to him that she was upset about anything other than losing her job. He swears to her that everything will be fine. They'll fix this. All he has to do is talk to Jimmy.

He does not talk to Jimmy.

Maybe the first time he really did intend to. He just needed time. Jimmy has always had... struggles. If we want to, we can be generous to Curly, we can assume his old problems were much less vile. Otherwise, he would have never pulled the strings to get him this job, never put him in a position of power over vulnerable people. Right? But now, this was whole new beast altogether. Because he and Jimmy go way back, he had to process this, figure out what he was even supposed to say.

But at the same time, The Pony Express had just gone gone under. He'd been struggling with dissatisfaction and indecision for so long, and now his hand has been forced. He has his own problems. And Anya seems fine, doesn't she? If she hadn't said anything, he'd never have even known there was anything wrong. It just doesn't seem that important.

Anya talks to Jimmy herself.

She's scared, she fears for her life. But now she knows now that Curly won't defend her, nor give her the means to defend herself. Still, he promises her, they'll fix this. He just has to talk to Jimmy.

Things are different now. He can't sit by and wait for things to work out anymore. After all, it's not only her problem anymore.

Now it's Curly's problem too. How is he supposed to find another job with this on his record? There's only one other person on this ship who understands what he's going through.

He talks to Jimmy.

And he understands. Not that what he did was wrong, of course. Not that he'd done something horrific, irreversible, cruel. But that it now had consequences, and that he wouldn't suffer them alone.

Curly made his decision. He chose his paper-thin illusion of peace and his eroding friendship with Jimmy over the safety and well-being of his crew. And when it all came tumbling down, he decided it was better to bury them all under the rubble than to face the struggle to rebuild.

If Jimmy hadn't been there, hadn't been his co-pilot, Curly almost certainly would not have been able to bring himself to actually follow through with something so selfish and reckless.

But Jimmy was there, and Curly made sure of that.

So, it's time to ask again. Does Curly take responsibility?

Well, yes.

But it's too little, too late.

As much as Mouthwashing is about Jimmy fighting furiously against the consequences of his actions, it is also about Curly being forced to watch them unfold anyway. His silence and inaction, once a choice, are inflicted upon him by his mangled body.

Jimmy may have crashed the ship, but Curly gave him the keys. And so it's fitting in the end that Curly is made to take the full weight of responsibility by the man who he helped avoid it so many times.

[antifainternational]

10 Years Of Antifa International!!!!!!!!!!

This month, the Antifa International collective celebrates our 10th anniversary! Back in 2014, we saw a need for a crew dedicated to reporting on different anti-fascist actions around the world, who could also come up with ways to support anti-fascists around the globe and promote the tenets of anti-fascism.

We started with two people and a Tumblr blog and have since grown to a collective of ten members in eight different countries, posting on nine social media platforms, where we've put up over 20,000 posts over the last ten years for our 110,000+ followers to have a look at.  

Since 2014, we've also initiated a number of projects we're quite proud of! 

The International Anti-Fascist Defence Fund: it was not too long after we started our collective that we saw an increasing number of anti-fascists around the world calling out for support after encountering an emergency situation resulting from their work. Whether it was court costs, legal defence fees, emergency relocations, or medical expenses - anti-fascists were facing dire consequences for standing up to hate and then would have to do whatever they could to get help dealing with those consequences. Our solution was to start a standing fund that would be devoted to providing emergency aid to anti-fascists facing problems related to their anti-fascist work. We would do whatever we could to fundraise for it on an ongoing basis, and then use the funds to help antifa in trouble. All decisions about how the Defence Fund runs and is used would be made by the people who've contributed a minimum of $20USD to it, via consensus wherever possible and majority vote where consensus was not forthcoming.   Nine years later, the International Anti-Fascist Defence Fund has provided nearly $250,000USD to more than 750 anti-fascists in 28 different countries. More than 1500 anti-fascists from around the world have been invited to participate in the Defence Fund by helping to make the decisions about how it is run and what it is used for. To our knowledge, the Defence Fund remains the only project of its kind, devoted to providing emergency support to anti-fascists around the world, but it has inspired similar defence funds.   THIS IS A PROJECT YOU COULD BE INVOLVED IN!  A minimum donation of $20USD will get you invited to participate!   

International Violent Hate Crimes Research Project: from 2017-2022 we tracked media accounts of violent acts motivated by hate or committed by far-right extremists around the world. Over the course of those six years, we documented over 3000 such attacks, in which more than 1800 people were killed and a further 5254 were injured. The Project allowed us to examine trends in the types of attacks being committed; who was being targeted; and where the attacks were taking place, among other things that we wrote about in our annual reports.  Unfortunately, a lack of resources compelled us to discontinue the project in 2023.   

25 July: The International Day of Solidarity with Anti-Fascist Prisoners: July 25th is a day when all anti-fascists are called upon to demonstrate their solidarity with those of us who are locked up behind bars. Taking the baton from NYC Antifa, who started this project, we've set up a website with information and resources about the day, including translations into several different languages and a list of current anti-fascist prisoners. We also maintain a donation page and sell this t-shirt designed by a former anti-fascist prisoner; every July 25th, we pool what was raised and send it directly to current antia prisoners/their families/their support teams.  WE STRONGLY ENCOURAGE YOU TO DO SOMETHING TO MARK JULY 25TH! You'll find some ideas and resources here. If you put anything about the Day on social media, please use the hashtag #j25antifa so others kind find your posts!  

Training for Anti-Fascists: Beginning in 2020, we organized a series of online training and skillshare workshops for anti-fascists on a number of topics, including digital security practices, de-escalation tactics, open source intelligence gathering, intelligence sharing, first aid, self-defence, and far-right radicalization warning signs & intervention strategies. Each session was attended by anti-fascists from around the world, who were able to take what they learned and put it to use in their own communities.  

Anti-Fascist Flags, Shirts, & Stickers: Although these were originally intended as fundraising items for the Defence Fund, the anti-fascist flags, shirts, stickers, and other items we produced soon took on a life of their own. To date, we've distributed hundreds of anti-fascist shirts & flags and nearly 90,000 anti-fascist stickers around the world.  Our Antifa International flags have been spotted in Afrin, Boston, Brooklyn, Kiev, London, the Hauge, the Scottish Highlands, Kobane, L.A., Melbourne, Oakland, Philly, Standing Rock, and Toronto, among other places.  

deathtofascism.com: is the site we've set up as a repository of free, downloadable anti-fascist flyers, reports, and 'zines that anyone can read, print out and give away. If you're tabling an event or show, there is probably a few things there that you'll want to hand out!   

Antifa Shirt of the Month: from 2021 to 2024, we produced a new anti-fascist t-shirt each month as a fundraiser for a different antifa crew somewhere in the world, raising nearly $20,000USD for those crews. You'll find most of those shirts still available at our online store.

We're not telling you all of this to brag (well, OK, we might be bragging a little bit!); rather, we're hoping some of what we've done over the past ten years, as volunteers, without any funding or resources to speak of, will inspire you & your friends to think about what you can do where you are! 

[p0rk-guts]

"Pork you literally posted Charlie a few days ago why are you so Hazbin obsessed rn-" ssshhhhshhsshhs.h........ anyway

VAGGIE REDESIGN! And I changed her name also bc I'm jus like everyone else fr. Meet Verbena :)

BREAKDOWN BELOW!👇🏾+ Exorcist uniform redesign :3

Starting with her name this time. Back when she was still a sinner apparently she was Salvadorian and since she's (apparently?) not a former human at all I decided to take a small creative liberty with her decent and made her Venezualan instead. SOUTH AMERICUH❗❗✊🏾 I'm pretty sure Verbena flowers are native to South America so that's where the name comes from.

Onto the design! I don't have much to say abt her design honestly. It's not egregious, but it doesn't really speak to me either. It looks like simple formal wear or uniform with some strange meaningless accessories attached. And those weird itty bitty shoes that look like they're part of her thigh highs... I'm starting to think all the characters's shoes were a last minute afterthought. All and all it tells us nothing about her character. The hair wings are cool tho so I did steal those

Also the whole deal with her eye is strange to me. Why Is the floating X there??? It's a real physical part of the world, other people can see it. Do pink X's always float over angel wounds? If her arm got chopped off would an X float over it? Was it like. A fucking curse visual placed by Lute as a constant reminder of her disloyalty? Why did Carmilla point out it was an obvious marker for her being an angel???? My brain can't fathom why it's canonically attached to her wound. If she was a sinner I'd kinda understand but. Yeah idk. Weird

Also her missing eye does not look like an empty socket it looks like a purple circle was sticker pasted on to her face. It's very flat. How did we go from this

to this

(IT'S EVEN OVERLAPPING ONTO HER NOSE IN THIS SCREENSHOT WHAT IS THAT THING.)

Anyway. I made her hair resemble Polyphemus moth wings because 1. They have eye looking spots and angels are all eyes and 2. Well. Polyphemus has 1 eye. So . 💀

Her overall coloring however is inspired by a Promethea moth. I could say it's because Prometheus defied the gods and Verbena did a similar thing but the real reason is I made a spelling error while initially looking for a Polyphemus moth reference 💀 but hey they both have eye spots! And Iike their coloring for her way better

I also redesigned the exorcist uniform for her redesign bc I wanted her outfit to have reminiscent elements from it.

I gave way less time to the uniform designs, but I still had some main details I wanted to adress. I don't like how they have no armor save for their helmets. Their arm and leg pieces are made of some flexible material that tears easily. It's not giving soldier it's giving soldier costume from party city. The devil like horns are also confusing to see on an angel and the paradoxical design is never addressed. They can be evil and look imposing, but the horns just seem kinda nonsensically on the nose to show how evil they are. At least to me.

In my designs I gave them actual metal armor on their bodies so you can easily tell they're soldiers and it makes sense for them to battle in armor anyway. I also gave them more light "angelic" colors with gold details bc I wanna use gold as a symbol of angelic nature in my rewrite. I wanted their masks to show completely static expressions with wide grins to show how unnerving they are and to allude to the idea that everyone is happy in heaven, and they're all happy to do what they do.

Verbena's belt and shoulder pads draw visual similarities to the pauldrons and mid section pieces in my new exorcist uniforms to draw a connection between her and her past. The Blazer draping behind her back is also supposed to mimic the visual of folded wings. I also tried to do this with all the gold details in her design. The big hoops and belt we're 80's inspired because I decided to follow how in one of her old designs she died in the 60's (even had the big hoops and everything). In my rewrite exorcists are all former humans but I'll get into that later. Also she's got an eye patch now! Just. A normal one.

Charlie is still taller than Verbena just like in the original and idk how tall Vaggie Is exactly but Verbena is like 5'5 while Charlie is 5'11. Verbena's also got more muscle on her bc unless their muscle mass is hidden magically or they don't gain muscle for stupid dumb idiot lore reasons all the exorcists look way too slim to be military grade soldiers but what do I know

I combined a lot of pointy shapes with boxy shapes bc— more similarly to her pilot self— she can be volatile and fierce but also grounded and impassive. I added the slits to her skirt so she can be a sexy formal lady who can still comfortably throw a few kicks, and the heels— well. Idk I feel like she could slay in heels! She definitely doesn't wear em all the time but yeah. Chunky heels. I like them they're cute. Also she's got her little name tag on bc she takes Charlie's job for her SERIOUSLY! she's uh. Idk what is she. A bellhop? General security/protection? Either way she's locked in.

I imagine she had white irises like Adam and Lute along with brighter more saturated and heavenly colors in her hair (color picked from the Polyphemus moth) that turned darker and more harsh after the fall (color picked from the Promethea moth). Really visualizing her emo phase /j

Also I think the little eyes in her hair can emote with her. In the final design the line kinda makes an eyelid and it'd match her eyelid's movements. Sillay

Alright that's a wrap on my Vaggie redesign! No bonus sketches this time bc they're within the texts! Who knows what I'll do next. Who I will deface. I sure don't. I think I might rename Charlie so there's that. Anywhozies hope you like her <3

[gabrielleyueerrrrr]

My thoughts on Influencer Arc Ep.1

Major spoilers for Influencer Arc Ep.1. "Green's channel"!

Alright, we've all watched the newest episode, and I have to say, the plot is nothing new. The kids exploring something they've never seen/done before, accidentally going too far/making a few mistakes, and now there's this eldritch being with cool powers trying to kill them. We've seen it before,

again,

and again,

and again.

Ok, I get it, what is a stick animation without epic fighting scenes? And the fighting scenes in the new episode are so creative and well crafted. The gang utilized Adobe Premiere's features to battle the glitching video Green, showcasing seamless teamwork and impressive adaptability, and ultimately dunking it into the recycling bin with a final breathtaking move. Not gonna lie, I was grinning like an idiot the whole episode.

What makes the glitching video green(I'm just going to refer to them as glitch from now on) unique is that they weren't an established entity like Herobrine, Youtube and Lucky Block. For the first time, the color gang were fighting someone, or something, that was entirely their own creation, hostile because they were created as a mistake.

Does that ring a bell? Yes, I'm talking about how similar the glitch was to Victim. Both were created unloved, both rebelled against their creator(s), and both met a swift end at the very hands that brought them to their existence.

So how was the glitch different? Why should Alan be blamed for abusing and murdering his creation but not the Color Gang? Is it because we're emotionally attached to the gang so we can turn a blind eye and convince ourselves it's not a big deal?

Well, not really. Unlike Alan, the color gang is totally justified in this.

Firstly, Alan created Victim out of malice (hence the name), Victim was meant to suffer, to be humiliated and toyed with, all for his creator's entertainment. But the color gang didn't hold such malice. Yes, the glitch was a result of their failed editing, but who would have thought they would suddenly gain sentience and came to life? (If all the failed editing projects I discarded in the past came back to haunt me I'd be buried three feet beneath the gound by now).

(And really, how does creation of digital life even work in the AVA universe? Why did this particular video come to life but not others? Is it just spontaneous and random? I guess this would remain a mystery like Second's creation unless Alan decides to explain it in future AVA episodes:/)

Secondly, the colour gang, although wary of the glitch, shown kindness upon the initial encounter.

Even after the glitch attacked Green first, Second still intervened to stop Red's aggression, instead grabbing the glitch in a questioning manner:" Why did you punch our friend when he was trying to be nice?"

It was only after Second too was struck to the ground did the gang start to treat the glitch as an enemy.

On the contrary, Alan started the assault, forced Victim to act in self defence, eventually deleting him.

Still, an overly sentimental part of me still felt bad for the glitch. Being created as a distortion, a mistake, unwanted and unloved, they had a reason to be mad at their creators. If only there was a way to get rid of those excessive effects and turn the glitch back to a normal video, then maybe the gang could earn themselves another cool friend.

Or maybe not. If the glitch's existence was born from their identity as a "mistake", would they still exist once that very "mistake" was rectified?

[lu-is-not-ok]

Hello Limbus Gamers

Why did I title this post that.

Anyway, yeah, it's that time again. I'm gonna analyze the RR4 trailer. Some of you may be asking why, but. You'll see.

Oh boy you'll see.

Starting off, we get a very brief animation of the nodes of the new Railway. And by brief, I do mean, this shit speeds past you like instantly.

They even make sure to not show the whole thing all at once to make it harder to count. I did count though. There are thirteen of these nodes in this animation. This might be subject to change, but we shall see.

Then we get the title card. We're back to single word Railway names from before RR3, and in the background we get to see some silhouettes. We're gonna learn what they are during the trailer itself, but you can already tell they're the abnos from the Battle Pass E.G.O - Dreaming Electric Sheep, The King in Binds, and Portrait of a Certain Day.

We also see silhouettes of some Sinners, and while it's hard to make out with the text in the way, I'm pretty sure there's N Corp Don, N Corp Faust, and BL Yi Sang in there.

Now THIS is interesting - a new Railway gimmick! Not just one gimmick though, but after throwing the screenshot into Google Translate, it turns out we might be dealing with two!

First, the one that doesn't need translating to figure out - the Backup gimmick. I believe it's shown a bit clearer in the next scene, so I won't be speculating on it too much yet, but from my guess it's a replacement for a similar mechanic in RR3, where you could throw another team of Sinners at an Abnormality after your initial team of 6 died to finish the Abno off from where you left it at.

That's not the most interesting part though, this is.

Our Sinners are also going to be recieving individual buffs in this Railway, potentially based on selection order, considering PM has been pushing more and more for the selection order to matter with the recent addition to the E.G.O Gifts.

If I'm correct and the buffs are based on selection order instead of being completely random, we can see the buffs are as follows:

Selection 1 - Identity Level +2

Selection 2 - SP Gain Efficiency +3

Selection 3 - too blurry for google to translate

Selection 4 - Defense Level +2

Selection 5 - Max Speed +2 (the 5 came from the semi-transparent level 45 number lmao)

Selection 6 - too blurry for google to translate

Selection 7 - Final Power +1

Selection 8 - Damage taken -10%

Selection 9 - this one i'm not too sure on but it might be Aggro +5 (the 45 came from the semi-transparent level 45 number lmao)

Selection 10 - scene cuts away too quickly to read it

In addition to that, some IDs (primarily the Backup selections but also for some reason Faust) get a head start of +10 SP when they join the fight, which is a very nice way to help off-set the issue of having to gain sanity in harder fights to even attempt winning clashes.

Next scene shows us what seems to be the Backup mechanic. It's an admittedly very brief shot that barely shows us anything of how it works, but considering everyone's low sanity and Ishmael's stagger, I'm guessing what happened is two units died and the backup units were put in there in their stead.

An interesting gimmick that honestly feels more lore-accurate than the current system LMAO.

Next up, we get our excerpts from the new Abno Logs. This one, based on the background, is for Portrait of a Certain Day. It's a bit hard to tell who wrote this Log based on the English translation, but it does give an interesting insight onto the Abnormality and by extention its E.G.O, Bygone Days.

Something about taking advantage of deaths through parading mementos of the dead in connection to Yi Sang and Gregor, huh... Gregor is the one who gave Aya's mask to Yuri as a memento, and then proceeded to keep that mask as a memento of Yuri. On the other hand, while Yi Sang personally didn't keep mementos of the League around, both Dongbaek and Dongrang had a strong emotional attachment to the last remaining picture of the League all together. There's something there I think.

Then we get to see the excerpt from Dreaming Electric Sheep's Abno Log. Again, not very clear who's writing this from the English translation. And this is a very interesting excerpt too! This is the clearest connection we get between the Abno and the 'Dreaming' part of its name! I feel like I'd need to see the whole Log to get a better idea of what is being conveyed here, but it is good to see we're getting to see some new angles on the Abno.

BIG SHEEP! It's notable that it's attacking Faust.

And there's Portrait, in all its low bitrate glory! Note that it's attacking Yi Sang.

What follows is two more shots, one of each of the Abnos, and then...

It might hard to see in that glorious 240p low bitrate, but yes. That is, in fact, N Corp Don and N Corp Faust, covered in a purple glow, attacking the Sinners.

And then, the bombshell.

Guys.

Guys.

These are Envy Peccatula.

Envy Peccatula are doppelgangers.

DO YOU REALIZE HOW HUGE THIS IS FOR SIN ANALYSIS??? Envy is one of those sins we got barely anything on due to its lack of Peccatula, and yet here we are, RR4 gave us a fucking blessing.

Anyway, back to talking about the actual fights themselves, I believe we're going to be dealing with faction-themed Envy Peccatula stages. The one we see in the trailer is N Corp, complete with a relevant background, and in the in the title card we can see Blade Lineage Yi Sang, implying we could get a BL-themed node as well. Notably, these are both factions that have enough IDs to form a full team.

The only other full team ID factions we have are W Corp and Liu Association, so these are also contenders for Envy Peccatula nodes. Seven Association is also possible, as they are only missing one ID from being a full six ID team. We could also potentially get a fraud Pequod Trio that's made up of the Pequod IDs, which would be really funny, but I'm not sure how likely that is.

Back to the trailer itself.

We finally get the Abno Log excerpt for The King in Binds, and it's very evocative in my opinion. The poetic language makes me think that Yi Sang is the one writing this Log.

This seems like an excerpt that's being used to describe a game mechanic - The King in Binds might have a mechanic where he tears himself free from his throne if certain conditions are met. Very interesting considering what we know about the abno.

What follows is some extremely quick and hard to see snippits of The King in Binds attacking Yi Sang. Yes, this is the best frame I could get from it.

Aaaand that's about it!

All in all, extremely excited about the potential Envy lore and fighting against out own units, and I guess the abnos are there too.

[hollowtones]

ayy monhun fan! what are you thinkin of what we've seen of wilds so far?

The initial trailer they dropped months ago was pretty cool. "World" is my least favourite game that I've played (even thought I liked it a lot!!), and 90% of why I felt that way was "this is the first time they're making a game of this scale / scope / direction", so it's exciting to see them make a successor to it now that they're not also learning how to make a game like it from the bottom-up & not also building the tech side of it from scratch.

Big desert environments have me excited!!!! I love the way these games do deserts. I'm always dreaming of Val Habar. I love the colour palette they're using for this area. Big fan of Yoshi being a new mechanic. In general I'm noticing a lot of things in "Wilds" that feel like a really cool mix of ideas from "World" and "Rise" in a way that feels a little more grounded. It's cool that they're bringing back a buddy you can ride around on & control. I wonder if they'll let Yoshi fight with you. I don't remember if they showed that off already. Getting to hotswap between 2 weapons without having to run back to base camp feels like a big deal that I haven't really wrapped my head around yet.

The focus mode thing seems fine. More granular control over aiming sometimes seems neat, & the footage we've seen makes it feel like positioning & animation commitment are still a part of it, which I like. Expanding part-breaking into "opening wounds that take more damage & enable special attacks" seems cool! (There was a similar-ish tenderizing mechanic with the Clutch Claw in "Iceborne", and I fuckin hated using it. Loved the idea of it at first. Having to do this whole separate action that interrupted the flow of the fight in a weird way to enable more damage felt awful after a while!! And they designed all the fights around the fact that you have it & use it! So I'm glad they're seemingly taking what I liked about it & chucking out the rest, haha.) I remember there was some hubbub about focus existing at all when news was first dropping. Some people were mad about it? I feel like this happens every time they announce a new Monster Hunter. They reveal a new feature, and a couple guys crawl out of the woodwork to go "THEY HAVE MADE THE VIDEO GAME PITIFUL AND EASIER - THIS IS THE DEATH OF THE FRANCHISE!" The franchise has died every game since the first one, by my count. (They end up buying the game anyway, of course.) I hope they put out a demo soon, though. I wanna get my hands on it & see how it works in the middle of a fight to see how I actually feel about it.

Weapon & armour design so far has been great. Happy about that. The bits of NPC designs we've seen have been cool. I don't really like the smith's look very much. Which makes me sad because I'm pretty sure she's supposed to be Little Miss Forge. LOL

When they first showed the game off I remember thinking "yeah, that's cool, I'm looking forward to this, but it's coming out Next Year & we're not even halfway done with 2024." Well now we're almost two thirds of the way through the year. And they keep dropping gameplay trailers. And they look hype as fuck!! And now I'm feeling more impatient!!! I wanna try this shit out soon!!! I wonder if they'll drop a public demo after Gamescom or something. I wonder if my computer could even run it...

I liked the way Hunting Horn played in "Rise" but it's cool to see the more traditional recitals back. (But faster!! And with new combo paths!!) I think I've spent a cumulative hour or two watching that horn trailer over and over again for little details. The funny bubble reminds me of bead of resonance but it seems like it might also be some kind of AoE team buff? It could also just be extra damage like bead was. But I loved bead. So I'll take it. Being a Hunting Horn fan is accepting that you'll be playing an entirely different weapon in every subsequent game, so I suppose I fuss less about whether or not it plays like any one specific game. But mannnnnn it looks cool as hell this time around.

[the-smut-analyst]

Making Characters That Make Sense

Walk-through character template & "how to" guide for writing complex, original protagonists.

If you google "character templates for writing", you'll get a lot of very basic examples that read like a grocery list: eye colour, hair colour, skin colour, positive traits, negative traits, etc.

And sure, filling out this kind of template isn't completely useless - but it's also not particularly useful, either. Choosing whether your protagonist has blue eyes or green eyes isn't going to determine whether readers connect with them or not.

Instead, I prefer to use the below template:

There's some fairly left-of-centre categories here, so in this blog post I'll be creating a character from scratch to demonstrate what each section means and how to use the template effectively.

Primary Goal & Raison D'Être

Fantasy Romance is having a bit of a tournament-to-the-death moment right now, with Hunger Games-inspired stories like Fourth Wing, Throne of Glass, The Savior's Champion, and The Serpent and the Wings of Night in high demand - so that's what we're going to work with in today's blog post.

The story premise and primary goal of the protagonist are almost always interconnected. In this case, the story premise is a tournament to the death - and the character's main goal is to win that tournament, obviously.

But where there's room for some originality is in the raison d'être. This loosely translates to "reason for being" or "purpose". It's the why of it.

For example: what motivated this character to risk their life by entering such a tournament in the first place?

It is sometimes helpful to look at similar stories when thinking about this category. Not so you can copy their protagonist's motivations - but so you can do something different.

The whole selfless-self-sacrifice thing, for example - that's done. At least in relation to this particular sub-genre. We can do better for our hypothetical Maera Mystfang character.

Actually, let's really turn the trope on its head and make her raison d'être incredibly self-centred.

Already, this is character is shaping up to be something a little bit different within the niche of tournaments to the death. Which goes to show how putting a little bit of thought can go a long way, even with something as simple as identifying your character's initial purpose.

Primary Obstacle

Every protagonist needs a goal - and every goal needs an obstacle. This is what gives the story some tension and keeps readers turning the page.

An obvious choice of obstacle for this hypothetical character, since we're dealing with a fantasy romance, would be that Maera starts to develop feelings for one of her fellow competitors.

This concept has definitely been done, but that's okay. Not every section of this list has to break the mould. Tropes exist for a reason and it is totally okay to lean into them sometimes.

However, just for funsies, I'm going to try and put a slightly different spin on this one too.

Instead of the obvious "I love one of the people I'm meant to kill", let's make Maera's (previously dormant) conscience be the problem. Her reasons for entering the tournament may have been self-motivated, but as she gets to know her fellow competitors - admires some of them, even - she starts to second guess those reasons.

Core Traits

A lot of character templates will divide personality traits into positives and negatives - but I don't think this is particularly helpful. It is far too one dimensional - not to mention unrealistic. The key components of someone's personality aren't usually so black and white.

In fact, most core traits are both good and bad at the same time - it just depends on the context.

Instead of being wholly positive or negative, try to think of three core character traits that can serve as two sides of the same coin, with both positive and negative implications to each.

For Maera, I've given her these core traits:

Self-reliant;

Rebellious; and

Good-humoured.

Her self-reliance means that she is incredibly capable - but it's also the cause of her selfishness. She's always had to look after herself, so she expects others to do the same.

Her rebellious attitude means she isn't willing to accept the status quo. But at times she is also a rebel without a cause, causing trouble just for the fun of it.

Her good sense of humour means she is fun to be around, but she also tends to not take things as seriously as she should.

Thinking of core traits in this multi-faceted way not only adds realistic complexity, but it also sets you up well for showcasing character development and growth throughout the story.

Fatal Flaw & Character Arc / Growth

You've probably read negative reviews that throw around terms like "Mary Sue" or "Gary Stu". People tend to be over-zealous with these terms, especially for Mary Sue, but the gist of it is that the character in question is "too perfect".

They're the chosen one, they're good at everything, all the boys like them, etc.

Some characters can get away with this just fine. Look at Aragorn. He's the ultimate Gary Stu but I still swoon every time he opens those damn doors. You know the scene I'm talking about.

Ooft.

But for the most part, you want to incorporate a fatal flaw into your protagonists - because this is what gives them room to grow.

And, no. "I was born to be King but I don't wanna" does not count as a fatal flaw.

Instead, think bigger. Think worse. Think about where your character starts versus where you want them to end up. Think about how you want the events of the narrative to change their world view - or even their initial goal.

For Maera, her fatal flaw is pretty obvious, given her initial motivations for entering the tournament. Similarly, her growth/arc is linked to her primary obstacle, which is developing a conscious.

Her journey throughout this hypothetical story might be learning to appreciate how her past shaped her, while also acknowledging that there are things she can do to ensure others don't have to go through what she did. By being shown acts of kindness, she learns to appreciate their value.

First Impression

Now that we've covered all the "big picture" stuff, let's get into some of the smaller details that give your character some texture.

The first impression category is a hypothetical exercise where you image how your character might appear to a room full of strangers. In dual, multi, or omniscient POVs, you might even get the opportunity to include this impression somewhere in the story.

But even for first-person narratives, it is still worth thinking about, because it will help to inform how other characters interact and respond to your protagonist (at least at first).

For Maera, I've written this first impression as: a fun person to have a few drinks with - so long as you keep a close eye on your wallet.

From this description, we can guess that Maera probably likes to have a good time, but also comes across as untrustworthy. Whether that impression is deserved or not is up to you, as the author, to decide.

There's also a lot of deeper directions you can take this first impression category, too. Like if most people react to Maera this way, but one particular character doesn't, then your readers are going to sit up and pay extra attention during that interaction. Especially when that person reacting atypically is the future love interest.

Spirit Animal

Ah, this one is a fun one!

I always encourage my authors to assign a "spirit animal" to their characters - especially when they're doing multi-POV.

There are two main reasons for this:

It will allow you to assign some very distinct adjectives and verbs with that particular character; and

It is an opportunity to flesh out some additional character traits beyond the core traits.

For Maera, I've chosen "spider" because she is solitary by nature, opportunistic, and patient.

But, more than that, I also like the idea of Maera being the kind of person who knows how to watch and wait. While her first impression might be "here for the good times", her joking façade is actually a mask she wears while carefully observing others.

For example:

Her words were laced with venom. She crawled her way across the rooftop. At some point, weaving lies had become more of a past time that a necessity. Her thoughts were a tangled mess. She didn't bother to conceal her predatory gaze. Inch by cautious inch, she crept forward. Her sanity was already hanging by a thread. If there was one thing she knew how to do, it was spin a good story - truth be damned.

I've never outright compared Maera to a spider in these examples, nor have I made it blatantly obvious that that's what I'm doing. But by peppering these kinds or words throughout the story, I'll be able to subtly create a very distinct kind of impression for her character.

For comparison's sake, let's assign "cat" to the love interest. Examples of possible words to consider in this instance might be:

He clawed his way through the bushes. "What are you doing?" he hissed. The comment had some bite to it, that was for sure. He slunk away into the darkness. His still, unwavering focus was unnerving. He prowled towards her. In a few quick, agile steps, he'd made it across the parapet. He yawned and stretched out beside her.

Of course, not every single word you use in association with a character needs to be related to their spirit animal. But keeping a certain type of animal in mind - and finding opportunities to throw in some subtle messaging through language choice - can be beneficial on so many levels.

It helps to distinguish your characters from one another through the kind of language you use to describe them - but it's also just really, really fun way to add some bonus texture to your characters. Giving your readers some little easter eggs like this is never a bad thing.

Love Language

If you're unfamiliar with the concept of the five basic love languages, then here's a quick visual overview:

Love languages aren't a consideration that's specific to romance. They're important for friendships and familial relationships too.

Because thinking about what your protagonist values most in love is going to tell you a lot about who they are. Especially when you take the question deeper and think about why this is something they value.

For Maera, I've chosen "Acts of Service" because this ties in quite well to her character arc.

In terms of Maera's why, I could easily go with "because this was how she was shown love as a child" - and this is a good enough option most of the time. However, since her love language is very much tied into growing out of her fatal flaw, then I actually want to do the opposite.

Maera winds up valuing acts of service because this is something she craved - and wasn't given - as a child. She had to do things the hard way instead. Hence why she ends up appreciating the kindness of others so much. Such generosity is new to her - and precious.

Conflict Response

This is potentially one of the most overlooked character components. Conflict and tension is central to story telling, yet there is so little attention given to creating authentic, original responses to conflict.

The way I see it, there are three main considerations in regards to conflict response:

How your character reacts in the moment;

The unhealthy methods they use to deal with the aftermath; and

The healthy methods they use (or discover) to self-sooth.

When faced with conflict, Maera's immediate reaction is to antagonise. She doesn't like to back down and enjoys creating trouble.

However, in the aftermath, the conflict affects her more than she lets on. She stews on it - and her solution to that is to get drunk until she can forget about it completely.

But even though she sometimes forgets it, Maera has a more healthy coping mechanism at her disposal. When she is surrounded by nature - in the forest, by the sea, whatever - it calms her.

In addition to identifying your protagonist's various responses to conflict, it is also helpful to think about why. Again, this is a great opportunity to insert something unique into their character backstory.

With Maera, for example, let's think about why she finds nature so soothing. Perhaps, amidst a very bleak childhood, one of her fondest memories is of picking grapes in a vineyard.

Perhaps the elderly woman who owned the vineyard was very rude and abrupt - but also quite kind to Maera in her own way. Maybe she would sometimes stitch up Maera's clothes or feed Maera a hearty, meaty dinner - even though she didn't have to.

If you're struggling to think of a real, tangible, unique memory such as this - then it's always helpful to go back to the old classic of write what you know. Think of a real life moment or memory - something that's stuck with you, no matter how simple - then adapt it to your character.

To create this vineyard example, I simply drew on my experience of picking strawberries with my Nonna after school.

Mentor / Idol

I could write an entire thesis on mentors. Or, more specifically, the "death of the mentor" trope - both in its literal and metaphorical interpretations.

But, for the sake of brevity, let's save that sh*t for another time and focus on what's important for a basic (yet complex) character template. And that is:

The Formative Mentor (past); and

Transformative Mentor (present).

The formative mentor (or idol) is someone who influenced your character prior to the events of the novel. Sometimes they're a character the reader will meet, or other times, they're long gone before the novel even begins.

The transformative mentor is a much looser term. It doesn't necessarily have to be a traditional mentor character, but rather it is a character who heavily influences or changes your protagonist throughout the events of the novel.

For Maera, I want her earliest idol to be a random female sell-sword who she crossed paths with. Prior to meeting this sell-sword, Maera was living without hope for a future, surviving on scraps and petty crime.

But after seeing an independent and moderately wealthy sell-sword in her local tavern, Maera got a glimpse into the kind of life that might be possible if she learned to fight. With the right kind of skills, she might be able to earn some decent money for a change - and travel the world.

This is an example of how "mentors" don't always have to be a wise wizard who oversees your protagonist's training and education. Young minds are impressionable - and even distant figures can have a lasting impact.

Just look at all the women who cite Legally Blonde as the reason why they were drawn to law. Elle Woods wasn't even real - but for plenty of young girls, she made an impact.

Similarly, your protagonist's "present" mentor or idol doesn't necessarily have to be a wise wizard either. It can simply be someone who motivates them to change their world view or strive to be better.

In romance, it is more than acceptable to have the present mentor coincide with the love interest - especially in standalone enemies-to-lovers. I know this seems counter-intuitive, since the word "mentor" implies a power imbalance, but it makes more sense if you readjust your definition of mentor to be "inspires change".

However, for Maera, I kind of like the idea of pairing her up with a love interest who shares some of her flaws. I vibe with the idea of making him a bit self-interested too, although for different reasons.

So in her example, I've listed the present mentor as a selfless secondary character. The way I would envision this going is Maera and the love interest team up early on - but somewhere along the way a secondary character saves them both. They're both heavily influenced by this character before this character sacrifices themselves. The aftermath of this incident rattles both Maera and her love interest, and serves as the spark for growth.

I hope you found this template - and very long explanation - useful!

[dellalalakang]

yjw: up first

masterlist | main masterlist

jungwon slowly discovers the pleasures that come with having a partner

contains: what they're doing is sfw! but it contains some spicy talk and some racy action. i guess it's 15+ 

oh hey guys.. what's up?

yjw

For the whole two years I (well, we) spent with Della, I have never once had any sexual thoughts about her. Not even when I heard the hyungs and her go at it like animals in heat.

I know Sunoo did, which is why he went ahead and did stuff after he turned twenty. We made a pact to not lose our virginity before everyone's an adult, and he took full advantage of the loopholes.

Though I don't blame him anymore, because I get it now.

I don't know what it is but a switch turned on. Everything seems different when you're twenty. Especially everything Della does.

"Kiss here?" Della pointed at the side of my neck. This is our first comeback since I turned into an adult, and they want kiss marks on our necks (excluding Niki). Incredibly suggestive and sexy. 

We were initially really against this, but turns out Della would be the one to leave the print, so I guess it's totally fine in the end.

But I'm up first and I've never had my neck kissed. I don't know why I'm so nervous. It's probably similar to a normal kiss, right? 

Right?

"Yup, just there," the creative director nodded. "Maybe have it slightly askew."

"Okay, understood," Della nodded, putting on a burgundy lipstick as the cameraman for our photoshoot sketch recorded her. The rest of the members were all watching from afar, trying to be subtle with how excited they are for their turn. "Ready, Wonie?"

"Mm," I stretched out my neck for easier access. "Della is gonna make a kiss print on my neck," I explained to the camera.

"We're all friends here," Della clarified. "This is just bros being bros," she said in English.

Yeah right, like Engenes (or anyone) is gonna believe that.

"It's just a print," I added, immediately holding my breath when Della's head moved close.

When it happened...

Yeah the kiss itself barely felt like much, probably because it was so short. 

Though as someone who doesn't understand what being ticklish is like, her breath on my neck left a weird sensation. I couldn't decide if I actually enjoyed it since it ended so quick. 

But I wanted more, I needed more.

"Like this?" Della asked the creative director.

"Uhh..." he stepped back and thought of it for a second. "It might be too sexy actually. It's a little too... suggestive– too grown up" he tilted his head. "Will buttoning up his shirt help? Jungwon, can you button your shirt?" from the corner of my eye, I could see the hyungs now openly staring at us.

"I think we have to discard the kiss idea and just switch to vampire bites," the creative director said. "Unbutton them to how it was before and I'll inform the makeup team of the change," damn, I hope the hyungs can control their expressions when the news gets delivered. "Please scrap this from the video," he informed the cameraman before walking away.

"I'll get going now," Della bowed her head and left to join the others.

"What happened?" I caught Sunghoon asking the girl. 

"The kiss thing is scrapped. We're getting vampire bites instead," immediately after, a chorus of 'ahh...'s were heard.

I barely managed to hold in a scoff. It's just one tiny neck kiss, what's the big deal?

If it's just one tiny neck kiss, then why are you wanting more?

Maybe it's good that I was up first.

"Hyung," I approached Jay as he was cooking. Deja vu. "Can I ask you something?"

"What is it?" I looked around to make sure no one was hearing.

"Is sex... that good?" what the actual heck, Yang Jungwon. That was not the question I wanted to ask. "I mean! Not sex! But like– l-like.. is there a reason why the hyuppas are so... horny..?" he let out a laugh and ruffled my hair before answering.

"What's got you thinking about this? Are you having dirty thoughts of Della?" I started to play with the sleeves of my shirt.

"The photoshoot yesterday was just... I don't know... Her breath on my neck like that... It just got me thinking," I shook my head. What is up with me. "Like you were all really looking forward to it and I wondered exactly why and figured it had something to do with... sex I guess?"

For God's sake, Jungwon. Do you know how ridiculous you sound? Your girlfriend left a PECK on your neck and now you're seeking advice from your experienced hyung.. again.

"Ahh, well I think that the intimacy of sex is like no other. The pleasure's great and all, it's basically like jerking off but better," he explained everything without halting his cooking. "The intimacy is what's amazing really. You know how good you feel when you make out Della? It's just that but tenfold."

That's... it? I expected him to go on and on about how life changing it is.

"Honestly I'm the wrong person to ask because I'm not as horny as the other three, but!" he stopped a bit to look at me. "I can tell you that you should start off slow. Based on your question, it seems like you've never even experienced neck kisses, and that is almost entirely innocent. You can just start off with that."

"I know that! I'm not gonna get into it and immediately ask for a..." I didn't know what the word was so I just mimed myself pumping an imaginary penis.

"A handjob?" ahh, that's what it's called.

"Mm! Anyway, I was just mostly curious as to why you guys are always getting at it," he raised his hands in defense after my point.

"Eyy, you should ask Della why her libido's so high too! It takes two to tango, you know– well... at least two in our case," ...gross. "–and for the record, the reason why we were bummed about the photoshoot's kiss cancellation was entirely out of possessive reasons like we just wanted to show off how we're Della's."

Well in that case, I'm glad that I went up first for the shoot.

'Just take things slow, Wonie,' Jay's advise was in mind as I approached Della's room. 'Start with neck kisses.'

Should I approach Della and be blunt about this? Should I just pretend like I'm going with the flow and vibe of everything? I usually go with the former but it's also usually never something racy.

I have to admit that I'm a bit envious of how her relationship with the other members have progressed. Our first kiss took place five months into our relationship, and it was only about a year later that we began to include tongue. We're progressing so slowly that even Niki is moving faster. Way faster.

I think I had this preconceived notion that things like french and neck kisses were sexual acts, and I learned very late that it isn't (always) true. Jay said that it doesn't have to be if they're gentle and doesn't contain any provocative intentions.

Well... what should I do? Do I have provocative intentions?

Am I thinking about this too much? Should I just ask her like normal? Is it too weird though? What if she thinks I'm lame? Does she already think that way becau–

My anxious thoughts were cut short when the door suddenly opened to reveal the devil herself.

"Jesus! 깜짝이야!" Della jumped and placed a hand on her heart. [kkamjjakiya = i'm sure you all know what it means because of jake]

"Sorry! Sorry!" I held my hands up in front of me. "I didn't mean to surprise you, I was gonna knock!"

"No, no, it's fine," she leaned against the door and let out a breath. "What's up?"

"Were you planning on doing something?" please say no, please say no.

"Just wanted to get some strawberry milk, but that's it," oh thank God.

"Can I come in and just chill? I miss you," she let out a smile before coming close to give me a peck.

"Of course, Wonie. I'll be quick," is it just me or does she want me in a different way? Her eyes are looking a little different.

Damn, I guess Sunoo wasn't kidding when he said that everyone has a bit of delusion mixed in them.

As I was left alone for two minutes, I came to a quick conclusion that I should.. start it off? Maybe I should kiss her neck first.

"You're in the mood to cuddle, darling?" Della took a long sip from her drink and joined me on the bed.

"Mmm," I closed my eyes, wrapping my arms around her.

"Do you wanna watch something?" I can feel her gaze on my face as her fingers played with the hair by my nape.

"No," I opened my eyes to stare into hers. "I wanna kiss you though," was that too blunt?

"Eh? Do you wanna try something?" darn... she knows me too well.

Your cover's blown, Wonie. Just come clean.

...nah, I'm just gonna kiss her.

I didn't answer her question and just connected our lips together. Her mouth tasted of the strawberry milk she just drank, and her lips were a bit slick from her lip oil. 

But yet again, the kiss is going slow like it always is. It's usually how I like it but I'm over it now. I want more.

So I decided to take charge.

I gently pushed her on her back and got on top of her, deepening the kiss and adding tongue. I could feel Della hold her breath for a bit, possibly taken aback from the shift.

This is also a first for us. The only time we've ever hovered the other was for performances.

My hands went from her waist to the sides of her face, really getting into the kiss. She hummed and brought one of her hands to my cheek while the other kept their grip on my hair.

Here goes nothing.

I slowly pulled away and immediately started pressing kisses down to her neck.

From what I've observed (mostly from Heeseung), I'm pretty sure that her 'sweet spot' is located under her right jaw. Otherwise why else would they constantly target the same spot over and over again.

I'm not really sure what makes this spot so sweet and I'm also unsure why everyone's is different. I'm guessing it means the person's ultimate pleasure point.

When I reached it, I started to just gave out small pecks which eventually turned to normal kisses.

I could feel that the vibe was a bit awkward based on how tense Della was. It was as if she didn't want me to kiss her neck.

"Wonie– darling," she pat my shoulder. "Give me a second," but before I could fully pull away, Della had already used her strength to flip us over so she was on top. "Lemme try first," and then she attached her lips to my neck, just like that.

She started leaving open kisses from my Adam's apple and slowly travelling towards the right side of my neck. I didn't realise that I was holding my breath until I breathed out when she reached a certain spot.

Again, I'm not a ticklish person by any means but I'm guessing that this is what it feels like.

But it feels amazing. It's what I imagined having your neck scratched as a cat would be like.

It's really, really nice.

Without even realising it, my throat let out a small moan while my body just stayed frozen in place, unable to fully comprehend what was happening.

She relaxed her posture and focused on that one spot, tilting her head to kiss deeper.

I began to let out soft moans after moans as her tongue swirled around the skin. 

"A–ah!" I hissed when she started sucking lightly. "Lala," I start to notice my stiff hands and brought one up to her hair.

"Do you like that, Wonie?" she whispered against my skin. Fuck me.

"Yeah," I breathed out, caressing her hair gently.

"Was this what you wanted to try out?" she giggled in between her kisses. I felt her mouth and tongue circling their way around the area. She wasn't in the exact same spot as earlier but the ticklish feeling was still there.

"Mm," I held my breath as she began to suck some more. I heard her let out a low chuckle.

"Cute," no fucking way.

I immediately placed my hands on her back to turn us over again. Her lips automatically detached themselves from my neck and the surprise was clear in her eyes. Especially when I pinned her hands beside her head like they do in the dramas.

"I'm not cute," I pretty much mumbled. 

I caught a glimpse of myself on Della's mirror and quickly did a double take at the sight.

"Oh my God," I whispered in English, stretching my neck to get a clearer look at the marks she left. This actually happened and is actually happening.

"They'll fade away in half an hour or something. I didn't suck too hard," Della bit her lip.

"Thirty minutes, huh?" I looked to the mirror again. "Now that you've taught me, I guess I can suck a bit harder," I turned back and stared into her eyes.

"Gotta make sure the members know what happened."

I'm really glad I was up first for the shoot.

please i hope my creativity is back and is willing to stay

bonus scene in my first acc!

taglist: @duolingofanaccount @lalalalawon @clar-iii @deafeningballoonpeach

[hauntingofhouses]

I was wondering, what do u think Taigen reaction to finding out about Mizu being a woman will be? Although I don’t think he will have a bad reaction I wanted to know what u thought about it?

OOH I like this question because the thoughts on this have been swirling around in my brain for a while and I don't think I ever properly talked about this, outside of maybe this post (which is barely coherent imo). There, I compared Mizu/Taigen to Mizu/Mikio, as well as to the main romantic couple in the movie Yentl. Then from both those comparisons, I tried to speculate on Taigen's reaction to Mizu's gender reveal, based on what would make the most narrative sense.

However, I didn't really analyse Taigen himself in that post, and neither did I ever come up with a concrete conclusion to what his reaction may be. So this ask gives me a good chance to speculate even further and hopefully come up with a proper and more in-depth answer.

Similar to you, anon, I don't think Taigen will have a bad reaction per se, though I guess it depends on what you'd define by bad.

Because this is Taigen we're talking about, I don't think he'd exactly be chill about it. He's very much a drama queen, especially around Mizu, as he's never afraid of stepping on her toes, and thus will vocalise his feelings to her whenever he's feeling them. That, combined with his short temper and his brashness, means that there's almost certainly going to be conflict when he finds out the truth. He will be shocked, and because he's immature, he'll be angry and upset because of this shock. Simply because he doesn't know, and hasn't yet learned, how to deal with his emotions in any other way besides getting angry.

So I think that will definitely be his first instinct. To get upset.

I don't think he'd immediately know why he's upset. Maybe only after a few minutes of angry questioning (think something along the lines of "Why are you telling me this now?!" and "You've been hiding this all this time?!"), he'd finally come up with some tangible cause for his anger.

What would the cause for his anger be then? Well, it could be several things.

Possible Reason #1

He feels "betrayed" because Mizu didn't trust him enough with the truth even after the two have grown close, and after Taigen has put his life on the line for her numerous times.

Possible Reason #2

He feels "cheated" because Mizu is not the man he'd believed she was, thus making it feel like their entire friendship was a sham. This is because the basis for their relationship, in the way he'd related to her, bullied her, envied her, admired her, allied himself with her, and eventually grown attracted to her, had been entirely based off the premise and belief that Mizu is his fellow man, his peer, comrade, and fellow samurai. Thus, discovering that Mizu is not a man would, initially, feel like all of that has been ripped away from him. And this is actually related to the third possible reason.

Possible Reason #3

This is a big one, and the reason everyone, including myself, is putting their bets on: misogyny.

Essentially, Taigen would find out that this whole time, the person he'd been envious of and struggling to beat in every single fight, is not a man, but a woman. And as far as he knows, even if women in feudal Japan could once be warriors (see: the Onna-musha), perceptions have since changed by the time of the Edo period. Furthermore, even if women could fight, men were still expected to be stronger, because men are supposed to protect women.

However, I believe that Taigen's particular flavour of misogyny is a little different, in that he does not view women as "inferior." Because remember, his fiancee was Akemi. This was a woman who took no shits! She was snarky and playful and intelligent, and moreover she was a princess, superior to him in every way, and he knew and respected all of that, and respected her as an individual who could make her own choices. When she'd told him the news of their engagement, Taigen asked her, "He's [your father] sure? You're sure?" And then, when she tried to seduce him in Ep 2, he asked her, "Akemi, are you sure?"

His respect for her is the only reason why Akemi had been so desperate to marry him in the first place. She did not love him, but knew he would be good to her. Because she could not guarantee that any other man would treat her nicely as he would.

Thus, with that being said, I don't think Taigen is some "alpha male dudebro" who thinks women belong in the kitchen etc. Instead, I think Taigen simply believes women are just... different from men. So it's not that women can't or shouldn't fight, it's that they just don't. It's not that women can't or shouldn't be friends with men on equal footing, it's just that they aren't. You get what I'm saying?

It's like, imagine your whole life, you're told, and fully led to believe, that a lamp can't light up. They're just meant to be in your house as decoration. And then suddenly, you find out that your lamp lights up! And you're like, "OMG a lamp is lighting up! How is it doing that?! I thought light only comes from candles and the sun! This can't be right, I thought lamps never light up! Isn't that a fundamental part of their design?"

Now, put aside that this is a pretty bad analogy because it's 1am as I'm writing this and I can't think of a better one atm, but I hope the point comes across, in that this is clear-cut misogyny (I'm comparing women to a piece of furniture here on purpose), but the lucky thing about this particular flavour of misogyny is that it's rooted in ignorance, and is not inherently malicious. It can be, but it isn't necessarily.

Ignorance can be undone through learning and educating oneself. And luckily for us, my friends, educating oneself out of ignorance is the entire point of Taigen's character! He represents the uneducated masses who blindly follow the flow of the fucked up system. This is in contrast to Mizu who has never had a place within the system to begin with, Akemi who has spent her whole life struggling to go against the grain of the system, and Ringo who has always tried to follow the system, but due to his disability, is denied full access to it.

Thus, we've already seen him take the first steps to unlearn his xenophobic and racial prejudice, and we've also seen him start shedding his massive ego and desire for glory, which are both used to mask his own insecurities. If Netflix gives us all 4 planned seasons, then we have 3 more seasons for Taigen to fully grow out these backwards mindsets and finally reach his full potential to become—not a good man—but a great one.

THEREFORE, whatever the reason for his upset at discovering Mizu's gender, I firmly believe that Taigen will get over himself in the end, regardless of whether his anger stemmed from his misogyny, hurt, confusion, or whatever else.

Because Taigen's short temper and emotional immaturity is born from him spending his whole life on the move. Unlike Mizu, who is always alone with her thoughts and meditates constantly to try to cleanse herself of her restless emotions, Taigen is used to surrounding himself with people (see:him in the Shindo Dojo) and ignoring his emotions completely (see:him trying to forget Kohama). Which is why, when he does feel anything, it's overwhelming, and he doesn't know what else to do with it except let it out, usually in an angry outburst. Only when given the proper chance to reflect in Kohama in Ep7, does Taigen finally go through some substantial growth and start feeling remorse over how he'd treated Mizu.

Hence, I suspect something similar will happen when he discovers Mizu's gender, in which he will get upset and shocked and confused first, but then he'll reflect and regret and try to make up for his past behaviour.

And this is what I meant earlier when I said that I don't think he'll 't have a "bad reaction."

Essentially, it is my belief that his reaction will not follow in the footsteps of Mikio's, but instead, directly oppose and subvert that. This is related to the points I referenced in the post I linked above, but also, more importantly, because Taigen and Mikio are narrative foils.

Thus, where Mikio had betrayed Mizu and left her for dead, I believe Taigen will, at the end of the day, remain loyal and continue to fight by her side until the very end.

Because the thing about Taigen, as a person, outside of all the attitudes and prejudices that have been ingrained into him, is his relentless devotion. He gives himself into everything he does, puts in his all, and does not do things halfway. That's what makes him such a good soldier. He does not lead, but follows. He is inherently self-sacrificing and driven by a desire to protect, and we see this in how protective he is of Mizu to the point of enduring torture for her and telling her to use him as a human shield; how his first instinct upon hearing Akemi had been dragged off to get married against her will, is to get up and try to go to her; and how, when hearing the shogunate is in danger, he immediately goes straight to Edo palace to try to warn the shogun, even if it might get him killed in the process.

I could go on about why I think this is what makes him so good for Mizu (because Mizu's arc, especially in Season 1, is literally about accepting help and opening herself up to others) but this post is already atrociously long, so I'll just leave it at that.

So, anon, I hope I answered your question! I'm sorry I can never give short answers though, but I think at this point, it's to be expected from me lol. Thank you for the ask btw! And on that note, my inbox is always open for more 👀

[inamagicalhallucination]

i love this so much

becuz on one hand it looks like atsushi is the light breaking apart the otherwise darkness oozing out of akutagawa

like we all know akutagawa's design is super sexy becuz he was specifically designed to blend into the dark - becuz he's a character so much surrounded by darkness (it's why his little bug eyes dont have any light in them) but here, he's not completely dark, becuz look, atsushi is coming in w/ the contrast

and atsushi in general serves as a figure of light for akutagawa not becuz he can "use" atsushi to prove himself to dazai, like akutagawa initially thought - but simply becuz atsushi has become something for akutagawa, whether he'll admit to it or not

not even from a shipping lens - atsushi is just something to akutagawa - something worth dying for

this pic is also similar to how he stops being an all encompassing drenched in darkness figure when he gives rashomon to atsushi

look at how they switch

/

and on the other hand it looks like akutagawa is the force protecting atsushi and his light (becuz the coat melts into the ground)

now we know atsushi isn't a fully white/light character becuz no one is realistically all good or all bad (also if we're looking at it through just chracter design, then the character who pops up in my head as predominantly colored white is shibusawa and he's a piece of shit)

anyway

atsushi is relatively balanced (not developed fully into what all the characters are reaching for - a balance of their "good" and "bad" sides becuz we all know atsushi still has a way to go) but atsushi is a character who aims to do the "right" thing (though occasionally for selfish reasons) and often times becomes the "light" figure for other characters (kyouka for example) but he himself is held back becuz of his past and his inability to move on (i dont blame him tho becuz his "past" was like a few months ago for him lmao)

atsushi needs to make peace and understand his own "dark" side before he can ever develop

when atsushi wears rashomon

he becomes a predominantly, in terms of design, dark/black character - which i think is on purpose becuz one thing akutagawa gives him is assurance that the past is just the past (in his own mean akutagawa way) and atsushi isn't really a character who we see deal with his past (king of trauma dumping but never actually talking about his past)

of course this is the edited version from the @akutagawa-daily account but the og pic

is still like that

i feel like i could add something about dazai being there but it might be a reach so

sorry this is ramble-y and doesn't make sense but i had to get it off my chest

maybe one day i'll rewrite this in a way where you can tell what im saying (i will not)

saying dark side so many times made me feel like a 2012 emo kid aslfkdjf

[raayllum]

Time to be wonderfully self indulgent and talk about a scene comparison I've wanted to for a hot second (while pointing very decidedly to This Post for posterity's sake).

So let's talk about the hostage exchanges for Callum and Rayla in 4x09 and 5x08, shall we?

First, let's look at the scene setup.

In 4x09, Rayla is very much the aggressor and pursuant, and the one who — initially — has more power. She has her sword up to Terry's throat, neither him nor Claudia have strong reason to think she wouldn't go through with it, and she explicitly threatens Terry's life precisely because of his importance to Claudia. This is similar as to why Finnegrin threatens Rayla (though there are differences, which we'll get to in a moment), so both elves start out as the aggressor in each scenario.

However, there is soon a shift. Callum's "deal" happens because he escalated violence against Finnegrin (the infamous punch), a tad more similarly perhaps to how Rayla is only threatening Terry because she believes Claudia and co. are a threat to the whole world. Now to be fair, Claudia is only threatening Rayla's parents because Rayla is threatening Terry, but we can assume she had the realization of their connection to Rayla a while ago and has been sitting on it just in case she needed leverage, given that she doesn't seem to need a second to consider. I also think we're inclined, typically within the show, to see the person offering up Options / a choice to make as the one who holds more power in the immediate situation (i.e. Karim's whole sun seed for Janai debacle) even if it may be 60-40 the way it is here.

Not a huge power imbalance, but enough that people are being pushed into corners, and that's exactly where Claudia and Finnegrin attempt to do, and arguably do more successfully, to Callum and Rayla respectively.

We've talked a fair bit about Claudia, so now I want to talk about Finnegrin, simply because he gets a whole episode of corner backing, and therefore there's more stages.

The first stage is Finnegrin attacking Callum as an individual — "Look at you: slave to your friends, your loyalties, your pride. I can give you your freedom though" — and it's the least effective, as Callum never budges or shows any real hints of budging even under torture. However, Callum's admission that he has indeed done dark magic before ("I did one spell. One. I had to, to save my friends") gives Finnegrin the tools he needs to create the next prong of his approach.

Stage two is attacking Callum through his friends, and is far more effective. This is why he sets the hand cutting challenge, and Callum buys into it, i.e. the idea that he has to choose, over the idea that Callum could conceivably offer up his own hand instead. This is not to say that he wouldn't — there's little doubt in my mind that Callum wouldn't have seriously considered if not outright done the chain spell up on deck if Rayla hadn't tried to intervene, since as Finnegrin correctly assesses, "They would do anything for you, so clearly you'll do anything for them" — just that his own hand didn't occur to Callum as an option the way it might've to someone like Rayla.

The third stage, of course, is the one that's most interesting to us, simply in how Callum's "hostage deal" differs from Rayla's in both its construction, their assumptions, and their responses.

Claudia: One thing I don't know though — if I threw the coins in the lava, would it release your spirits? Or would they be trapped in some kind of eternal burning agony? Let's trade. You let him go... and I'll give you the coins.

Finnegrin: The cave is for his protection. This way, he lures us a leviathan but doesn't get eaten. The one getting thrown into the sea serpent's hungry mouth is your elf girl.

Claudia's offered deal is different from Finnegrin's in a few ways.

1) Claudia's deal is explicitly stated in not just the text, but the scene itself ("Let's trade") meanwhile Finnegrin, unlike the two stages prior, does not offer Callum any notion of freedom this time around. Even though neither ends up being a fair deal regardless, the setup of said deal is different. Rayla is being legitimately offered; Callum is making a (desperate but understandable) assumption.

2) Exemplified in a drabble I wrote in which Finnegrin was bluffing, I think it's worth noting that the peril Rayla's parents were in was much more apparent. They were completely defenseless, Claudia was already holding them over the lava, and just one quick throw would be enough to potentially leave them in an "eternal burning agony" (which sounds worse than death by sea leviathan to me; at least that decidedly ends at one point). Rayla could see and hear all this. Callum, by contrast, did not see Rayla tied up, or in distress, and Finnegrin had no proof other than his word. That's not to say Callum was wrong to believe him — he'd just watched Finnegrin torture her, and Finnegrin was very much not bluffing in canon — but that normally Callum is a bit more skeptical and wants a bit more proof in regards to things, and this was a time where emotion really pushed him forward. The immediate consequences of however Rayla responded would be seen with her own eyes, where it's unlikely Callum would've even known precisely when Rayla had died/been eaten with any of his senses or knowledge; it's arguably the one 'mercy' that Finnegrin provided him.

3) And as stated, both Claudia and Finnegrin end up being disingenuous. It seems likely that Claudia always intended to trick Rayla, even if she'd let Terry go, given that while we don't see her slight of hand in general on screen, it doesn't seem like it would've been possible for her to take the coins back out again and switch them before tossing the pouch. That seems like a one and done type of thing earlier on. Finnegrin, of course, takes Callum to task for his assumption ("Oh my poor lad; that deal was no longer on the table") and given his choice to feed Rayla to the sea leviathan anyway, I don't think Finnegrin was ever telling Callum about his plans in order to get him to give up the info. I think it was just supposed to be a punishment, plain and simple, for the literal blow to his pride.

But now for the difference I think everyone clicked on this meta for, realistically, are the choices that Callum and Rayla made in response to the offered Deals.

When Rayla's parents lives are on the line, she considers, but ultimately refuses.

She does not partake in the deal. Rather, she escalates her own refusal of it by pushing Terry to his knees, says so outright — "I'm not making a deal with you!" — and looks up at Claudia, watching and waiting to see how she responds. Claudia as wholly tossed the coin pouch, and Rayla is seeing it arc down towards the lava, before she finally releases Terry to go and try to save her family.

Rayla does not fold the second her parents are verbally threatened, or when there is a possibility of getting them back. Despite her wanting to stop Claudia and Viren, the bigger issue is ultimately letting Claudia escape > actually keeping Terry away from her as an ally/helper. It is only when her parents will burn to death in front of her eyes that she relinquishes her stalemate in an attempt to save them.

You can argue that Rayla going back on her refusal means she made the same choice as Callum in 5x08, and that's fine; it's your prerogative, it's your interpretation, it's cool beans.

However, that doesn't ignore the character beat that Rayla at least refuses upon the first possibility of a threat. Claudia directly threatens three of Rayla's loved ones, and Rayla doesn't budge and verbally/physically refuses to give Claudia what she wants.

And Callum does the same with Finnegrin under torture... until Finnegrin threatens Rayla. The second Callum realizes that Rayla is in danger, that she will or might be killed, Callum folds.

The parallel response here would've been Rayla letting go of Terry the second that Claudia said she might throw the coins into the lava, but Rayla doesn't. And Callum does, even though as he said earlier ("I'm not going to help you murder the Archdragon of the Ocean") this makes him complicit in murder.

And this is where Callum's assumption really bites him in the ass, because he assumes that Finnegrin is still operating under the terms of their previous deal ("Told me something I wanted and now she's free as a bird") even though Callum isn't asking for his freedom, but Rayla's. But Finnegrin's pride is wounded — this was always meant to be a straight up punishment, not enough form of coercion — the wick of his anger lit, so it makes no difference.

Rayla refuses Claudia's deal when thinking it existed, only to find out it didn't. Callum agrees to Finnegrin's deal only to find it out it no longer exists. He gave Finnegrin what the pirate wanted and it isn't even going to save the person he gave it up for.

Both failed exchanges — or in Rayla's case, a failed rescue — end in defeat and devastation: Rayla sobbing and letting out a scream of anguished frustration, and Callum laying on the floor in despair, totally sideways from how much he's pulling at his chains.

I don't think I have to say much else as these scenes and comparisons basically speak for themselves. Neither choice these two make is necessarily the right or wrong choice — for Rayla, her inability to put what she wants first could've resulted in her parents' deaths and has caused herself and others a lot of suffering; for Callum, he understandably wanted to protect a loved one at all cost, even if that left him exploitable and unsuccessful amid Finnegrin's ire, and gave the pirate a dangerous piece of information.

However, I do think that although Callum's choice spells an ominous future (and that Rayla's foreshadows the uncertainty of what she may do when Callum is, inevitably, possessed again, and their futures collide), it's worth examining it as his biggest, more positive difference from Viren, and that's what my next post will be about — so stay tuned if you like.

[funnier-as-a-system]

i know not every system has roles, but for those that do (or those that really want to), how do you figure out what those roles are?

do you know how one (or many, lol) could figure roles within the system? i know not all systems have roles but none of us know ours and we really want/need them if only to feel as though we're. actually contributing something. thank you!

(anon)

As these asks are rather similar, we'll be answering them together.

Most of us either fell into our roles and then discovered the terms for them later, or found the words for specific roles that resonated with them and decided to take up that role officially. The rest of us identified roles for ourselves through trial, error, and experience. Here are a few examples of finding roles from our system:

Tana is a caregiver and emotional protector. He used to be just an emotional protector, and as far as we can tell he came into existence with that role, but it didn't feel complete until we realized he was also acting like a caregiver to the rest of us. For Tana, it was a matter of having specific roles he was meant to fill from the get-go, but not initially having the words for all of them. It's similar to not realizing a calling in life until someone else helps you put a name to it.

Astrophel found the term "hygienist" and decided that was what xe was going to be. It wasn't something ae were exactly "born to do" in the sense that ae came into existence already acting as a hygienist for us, but once ae found the role, ae decided that was what ae were going to be for our system.

Alterisa used to be a socializer, and he decided upon this role simply because he was good at talking to people. He gave it up for a time, but we're helping him explore the idea of returning to the role by setting up situations where he can try out the duties of a socializer and see if he feels they're still a good fit for him. He's also tried out other roles here and there, but being a socializer seems like it might be what fits him best.

Crime is exploring niche roles in our system not through specific terminology, but by trying out different things to help the system. So far, it looks like she might be one of our best selves at dealing with intrusive thoughts. She didn't spawn with this role; it's a talent she discovered out of the blue and has been developing over time. Sometimes she even forgets this ability of hers, due to how niche it is.

With those examples in mind, we recommend that if you want to have a specific role in your system, it's good to look at your strengths and try out different things. There are lots of system roles out there, so experiment and explore what speaks to you, and I'm sure you'll be able to find something you enjoy doing to help your system. It can be as common as a protector or as uncommon as a hygienist; it can be as niche as dealing with intrusive thoughts or as broad as talking to people outside the system.

Of course, you don't have to have a role to be valuable, or to help your system. But system roles are useful tools for understanding what one does in their system, and most folks like to have their own way to help others out, so if you're looking to find one of your own, we wish you good luck!

[myapothecarydiary]

Thoughts from reading The Apothecary Diaries Manga Ch. 2

Starting off kind of where I ended in ch. 1–with how Jinshi and Maomao overlap in their deduction/style of thinking. The first two panels with Jinshi and the pov on Maomao + the insider information on Gyokuyou work to establish that we're following his perspective, but I think their inner monologues sort of run into and resemble each other.

The similarities in the visuals between these two pages and the information they are conveying, from Jinshi and Maomao's perspectives respectively, solidifies this for me. It's interesting to see the blend of subjective and objective and who we learn certain information about the characters and the world from.

Insight into Jinshi's initial thoughts on Maomao. He views her as a useful pawn and someone he has power over. I also think it's funny how to him she has the defining characteristics of being "freckle-faced" with "poison expertise." He does note her looks as she notes his, but it seems her value comes more from her knowledge and abilities.

And though we later see Jinshi expressing annoyance at using his looks, he appears almost excited at the prospect of using them on Maomao. Maomao's knowledge + Jinshi's looks are also lumped together here as tools and we see he is self-aware about his beauty.

How much is Jinshi planning on using Maomao for work purposes vs his own amusement? It also amuses me that Maomao always comments about him having too much time on his hands but here we see him doing his job and the thought he puts into it.

Here we've got more of both Jinshi's enjoyment of using (or attempting to use) his looks on Maomao + Maomao's "Jinshi has too much free time"

Also more of Maomao as a pawn, something she and others are aware of as well. The different reactions from different characters to the idea of Maomao as a pawn is interesting as well–pity, enjoyment/excitement/satisfaction, resigned acceptance...

Something something poison as a metaphor and Maomao as a metaphor for poison?

Jinshi is smarter than he looks/knows more than he lets on? He is testing her (and her patience lol) Also just look at him/the chibi style

You know what they say about assumptions and conjecture...you can't totally blame them for coming to this conclusion. I just thought it was a cool (and funny) little moment showing others doing as Maomao does, albeit less successfully. There is something to be said for how characters perceive each other.

And though Maomao is all about the social hierarchy and knowing her place (and acting accordingly...well, debatably sometimes), she does not seem to really give a shit what others think about her. One might even call her an eccentric.

And though Maomao aims to respect the hierarchy and act accordingly, she just can't help letting her true feelings slip when dealing with Jinshi's antics (or the antics of his fake persona?). It's like she's being respectful and disrespectful at the same time or really skirting the line.

A small moment that indicates the seriousness of how Jinshi's looks impact how others treat him.

Okay, was his goal to actually have Maomao eat them? Or was it just another test of her knowledge? Both? I also just love the dynamic here with how Gyokuyou is so amused by Jinshi and Maomao's relationship (and specifically Jinshi's behavior regarding Maomao)

Maomao tries to exit stage left as soon as possible where Jinshi is involved. At least for now.

It seems potentially noteworthy that Maomao's first request from Jinshi involves an aphrodisiac (and specifically making one). And that aphrodisiacs are lumped in with medicine + how this volume ends with the discussion of love as medicine (and here we get the phrase "love potion"). There's a sort of overarching theme here. It's also an interesting place to start considering how aphrodisiacs are less grounded than topics later explored in the story.

Also of course Maomao can't imagine Jinshi needing a love potion, yet later you could say he's in need of one to gain the affections of the only girl he cares for XD

End of chapter 2!

[miraculouslbcnreactions]

What's your opinion on malewife/house husband Adrien posts? I asked this to another blog, and like I said to them, I find them a guilty pleasure: The concept is cute, but I know that would be the last thing Adrien would ever wanna be after all his dad put him through.

I don't think that it would be the last thing that Adrien would ever want. I actually think it suits his character in a lot of ways, you just have to handle the topic with care.

First let's talk about why it suits him.

Miraculous has totally failed to give Adrien any sort of career-based passion and - if we ignore the senti complication - I honestly love that for him! I want more characters with no major life ambitions to balance out the Marinettes of the world!

I think that society places way too much pressure and value on finding the perfect career that fulfills us in every way while also allowing us to put food on the table. Most people will never find that and that's okay. It doesn't mean that you've failed or that you're lesser. For most people, the goal is to find a career that pays the bills and that you enjoy enough that you don't hate doing it 40hrs/week. Along similar lines, for most people, your passion will be something that doesn't make money. It will be something like a hobby or spending time with those you love or analyzing badly written French TV shows.

This brings us back to Adrien.

Adrien seems to get a great deal of joy from being around his loved ones and making them happy, so I can absolutely picture him finding a lot of joy in running a home. This is extra true because Marinette is pretty clearly career driven and she's planning to go into a creative field, so she'll probably have a pretty crazy schedule and struggle to stay on top of it all. Having a loving husband to take things like cooking and cleaning off of her plate would be a blessing and a gift that she'd greatly appreciate, but that would feel unbalanced if Adrien was working, too. (Yes, they could hire staff, but that risks the secret identity thing, so I don't see them doing that.)

If they both have power careers, then they'd barely see each other and I hate that for them. I think that it would make Adrien incredibly sad and depressed. Plus, while Marinette thrives off of competition and staying busy, only needing occasional breaks before diving right back in, Adrien seems to hate busy schedules and heavy work loads.

Given all of that, I think that there's a lot to be said for Adrien stepping away from the working world. Especially since he's been in it for years and being a child celebrity is no joke! I think it would be nice for him to escape from strict schedules and expectations. Dinner fails? Order takeout!

While we're on the topic of food, I really like the idea of Adrien falling in love with cooking. Dude needs a creative outlet and that's honestly a great one (I hate it when people write characters as unable to figure out cooking like it's some cute quirk. While an initial struggle is believable, it's not a mystical art that takes years of practice. Between YouTube, the wider Internet, and maybe some classes if he wants to get fancy, I think that he'll be fine.) There's so much variety with what you can do in the kitchen and the end result gets to be shared and appreciated by those you love. It just seems like a perfect fit for him, but I would never make him a professional chef because the hours are insane and the pressure to be perfect is high. I only see him loving it as a hobby where he can go at his own pace, take days off, and make lazy meals when he's not feeling like being a show off.

The big concerns that come with making him a homemaker are a lack of financial independence and a lack of socialization. I don't see the first thing as an issue for Adrien since he comes from a wealthy family, so that one doesn't phase me.

The isolation could very easily be an issue, but it could just as easily be a problem if he started working, too. It's not as if a job is a sure way to have friends or even just consistent positive social interactions, which is another reason why I don't really see a need to give him a traditional job. You can get a vibrant social life in lots of other ways.

Here are the two big things that I keep in mind when writing an Adrien-as-a-homemaker or similar setup as it is where I tend to have Adrien land for all of the above reasons:

Adrien needs to be active in some organization or project. Volunteer work is a good fit as is being an active stay-at-home parent or some combination of the two. Voice acting is also on my radar, but my default is to have him act as the head of team miraculous' out-of-battle activities. Scheduling meet and greets. Going to see sick kids. Jetting around the world for humanitarian aid missions. Basically let Chat Noir be his "career" which gives him a lot of much needed flexibility for making his own schedule, especially if he's a stay-at-home parent to any eventual kids. I also like the poetic nature of Adrien finally being proud to be the face of a "brand" via his hero side while his civilian side becomes just some guy that people kind of remember from old ads.

Consider having a non-traditional living arrangement. I am a big fan of hero teams living together, so my default is to take the Agreste mansion and remodel it into a secret HQ for the team. Adrien and Marinette would have their own apartment/wing/whatever, but they'd still be surrounded by their found family on a near-daily basis, so that social isolation is the last thing on Adrien's mind. There's almost always someone to hang out with! You could also just have Alya and Nino or other friends live in the same apartment building so that they're over a lot/Adrien has a place to hang when Marinette is working late because you know that she'd do that.

Basically, Adrien's rich, so he doesn't need to make money and he doesn't seem to have any interest in a normal job, so I really like letting him having a unique life where he doesn't have a traditional job. He is a superhero, after all. Unique career paths are pretty par for the course. You just have to be careful to make sure that all of this feels like his fully informed and carefully considered choice and not like you forced it on him to make Marinette's life perfect (I only brought her up earlier because this is a story and it makes sense to design characters around each other). I usually do this by sending Adrien to therapy in his late teens or by giving him some other parth of self discovery.

Do note that all of the above is inspired by my read of Adrien which may be totally different from your read of him and that's fine! I just can't picture him as someone who thrives in a traditional career path based on knowing people who strike me as similar to him and from whom I draw my understanding of how to write that part of Adrien's character. I think that he'd be perfectly able to have a traditional career path, but I also think that he'd be pretty miserable for a lot of reasons.

I'll also note that I'm not sure what posts spawned this ask, so there may be elements of those that I'd have criticisms of. This post was about the general concept of Adrien being a homemaker. I tend to avoid the broader fandom for my own sanity and the use of the term "malewife" has me concerned that I'm implying support of something I wouldn't actually support because that's a new one for me and it sounds incredibly sexist.

I'm not a fan of implying that the default definition of "wife" is "submissive homemaker" so a man taking on a homemaking role is clearly submissive and acting like a woman does while his aggressive, domineering wife is acting like a man, which is the definition of this word that I'm finding online and yikes! Wife and husband are legal/social status in my book. They are not clearly defined jobs/roles/personality types, so I'm not a fan of using gendered terms to refer to stuff like this especially since I do actively try to use gender neutral words in my own writing whenever I can, though I'm certainly far from perfect on that front.

I also don't see homemaking as a submissive act. It certainly can be, but that's not how I picture Adrien at all! I picture him as relaxed and plesent, but 100% in charge of the home and all choices about how it's run. I also see him being in charge of their finances like homemakers often were in the "old days" since they were the ones in charge of things like scheduling cleaners, buying food, and other things that needed strong budgeting skills while the person who worked wasn't actually spending money or managing the home since they were at work. I like to think that Nathalie would prep Adrien to be a wealthy man and so he'd have strong skills in finance management.