#we're gonna make it if it kills us

[theadderproject]

Happy Pride, bitches. Be gay or what's the point

Ko-Fi | YouTube

[starry-bi-sky]

*points at bruce and danny in 'late at night when the nightingale sings'* THESE TWO MFERS MEAN SO MUCH TO MEEEE

no thoughts head empty just these two socially inept fools finding family in one another. like yes you go you funky little death omens stole that one from a comment on the fic, so if you see this you know who you are, discover that family isn't only tied in blood.

bUT onto less mushy stuff: these two being shenaniganizers; tomfools. Bruce realized that Danny didn't actually know he was Bruce Wayne and instead of going "oh actually im bruce wayne" he went; "hrm... how long can i keep this going until he realizes...."

like. i think they deserve to be the sillies. just utter goobers the both of them. like, danny makes the wittiest side comments, dry quips, under his breath towards Bruce while they're out in public (Danny covering his face with a face mask) and Bruce is trying not to laugh. Meanwhile if Bruce makes one sly comment about someone to Danny, Danny's gonna collapse with laughter.

Bruce plays straightman in most of their bits, he has the best fucking poker face. But also I firmly believe he does actually enjoy Danny's puns. Look me in the eyes- look me in the eyes. Try and tell me that a man that willingly agrees to call a car "the batmobile" even after his eight year old ward grows up (thus negating the need to go along with his antics) doesn't enjoy a good, well-placed pun. Look me in the eyes and try to tell me that. That's right you can't.

He's gonna spit out a well-placed pun in the driest, most boring Batman Voice Ever one day while he's getting ready for patrol, and Danny's gonna fucking die of laughter. He's gonna lose his mind. Bruce is going to have a half-dead sickly teenager laughing his lungs out in the chair. That's a new core memory right there, every time Danny thinks about that he's gonna start giggling.

just!!! these two making each other laugh! That's so important to me. So so much. I nEED Danny to get Bruce to smile and laugh and I need Bruce to make Danny do the same. Danny's all snark and sass and Bruce is all deadpan and dry quips. Do you all see my vision.

[i-dreamed-i-had-a-son]

I cannot emphasize enough how much everything In-ho did during his time in the games was in service of breaking down Gi-hun. Every glance, every story, every comment was incredibly and deliberately calculated.

His first interaction with Gi-hun immediately places the blame on Gi-hun for the games continuing: "I pressed the O because of you." He also explicitly asks for Gi-hun's help on behalf of the group. This sucks Gi-hun into being a mechanism of the games themselves (not just a player, but one telling others how to play) while robbing him of his agency to do so: whereas he was confident in helping during the first game, because it was his choice, In-ho's request forces him to share about the Dalgona prematurely, and he then has a nightmare about misleading the players. This also leads to many players becoming hostile when the game is not Dalgona, which--who could have guessed?--In-ho jumps in to stop. He orchestrated the situation so that Gi-hun would feel maximum pressure and guilt, before In-ho himself relieves it to build trust between them.

Then there are the introductions. In-ho uses Gi-hun's name before they are introduced, which may have been a genuine slip, but was very likely intentional given his response. In-ho's method throughout the games is to parallel and associate himself with Jung-bae, Gi-hun's only actual friend (he saves him during the merry-go-round games; he eavesdrops on Jung-bae's conversation with Gi-hun and directly uses the "get me a soju" line from that conversation to subconsciously build Gi-hun's trust in him during the firefight). So when he uses Gi-hun's name, he says he does so because he heard Jung-bae doing it, and Gi-hun allows him to continue--this creates the first of the links between them. But then, when they are properly introduced, In-ho laughs that "Seong" just means "last name;" in doing so, he implies to those who don't know him that Gi-hun may not be telling the truth, and in context of their conversation (focused on the significance of their names) highlights how Seong Gi-hun is "no one special." He's just an everyman.

Another reason that "slip" was almost certainly intentional is that In-ho is very deliberate about showing moments of weakness. His breakdown during the Six-Legged Race was designed to both further stress Gi-hun (and if Gi-hun had failed, they were in the very last groups present, so they could have been selectively spared as needed) and to strengthen their bond, as Gi-hun got to "encourage" In-ho; then In-ho helped Gi-hun and the team win by kicking with him the final time. Even cheering along with Gi-hun while the other teams went was in service of cementing their connection; and, any time a team failed, In-ho got to observe Gi-hun's reactions under the guise of empathy. In-ho may have felt some genuine emotions while cheering or comforting Gi-hun, but they aren't to be trusted.

That's particularly true because of his biggest "weak" moment: telling Gi-hun why he is in the games. The show confirms, when Jun-ho finds the winner file, that In-ho actually did join the games years before (from his family we know that it was because of his wife's illness), and that he won them himself. So he isn't lying about the details of his personal story--and he even gets emotional--but it is, once again, all in service of ensnaring Gi-hun and earning his trust. In-ho is not faking all of his emotions, but he is controlling and weaponizing them, which is why none of his apparent fondness for Gi-hun can be trusted. He uses his emotions as a tool, rather than being affected by them.

The ultimate result of this manipulation is that Gi-hun is made to feel that everything that happens is his choice (even the things he didn't choose). From the beginning, In-ho has ascribed his choices to Gi-hun. Throughout the games, there are several moments where In-ho explicitly has Gi-hun choose for him; other times, In-ho suggests an approach and Gi-hun shoots it down, and In-ho always coalesces. Gi-hun gets to have "his way." But "his way" doesn't seem to work, and he, like the rest of the players, is changed by the games. His final plan, as In-ho forces him to face, involves a sacrifice of some for the good of the many. Only after he admits this (through his silence) does In-ho agree to help. Then, during the firefight, when Gi-hun tries to give In-ho the ammunition he risked his life to get, In-ho asks, "Are you sure?" Gi-hun's choice to trust In-ho leads to him running out of ammunition earlier, forcing his surrender; meanwhile, In-ho still "dies," and Jung-bae is shot in front of Gi-hun's eyes. None of Gi-hun's choices made things better--they made it all his fault. He is left with the blame, as the Frontman (who is In-ho! And always has been!) tells him point blank.

But none of Gi-hun's choices have really been choices. They have all been based on lies, within a system that uses the information they have to actively orchestrate events against him. The same is true of the players in the game; their choices are not free, because their circumstances (largely caused by unfairness in the world) have trapped them. The baseness they resort to is not what they would do if they really had the choice, and some are even able to choose virtue within the hellscape, but over and over, the system facilitates the dominance of cruelty. And In-ho, the personification of that system, targets Seong Gi-hun, the "Everyman," to make him submit to it--to make him choose to believe that there is no other way.

[bakudekublogblog]

kacchan there is actually a way you and izuku can be together forever i have this crazy inventive solution for you it's called a marriage license

[luck-of-the-drawings]

OOH YEAH BABY ITS THE SURGERY EPISODE BABY!!! ME AND THE HOMIES NEED SOME NEW FACES FOR OUR NEW PLAN, AND WHO BETTER TO GET THE JOB DONE THAN THE TWO MOST EVIL PEOPLE WE'VE EVER HAD THE MISFORTUNE OF HAVING OUR LIVES VIOLATED BY? I MEAN IT WOULD BE FUNNY. IT WOULD BE FUNNY.

[bloodshotgun]

have you noticed that before saw VI we only see hoffman killing others indirectly, as in via traps? he kidnaps people and puts them into rube goldberg machines and leaves them to die, but he doesn't actually kill them on screen with his own hands. in saw IV he plays the role of damsel in distress, in saw V he's a seductress baiting and luring strahm into his house. his violence is feminine in a way, even losing a fight and being thrown into a coffin could be seen as him tricking a stronger, more directly violent man into doing what he wants from him. he's a liar and a backstabber, but he's only a murderer in so far as a woman poisoning her husband's dinner is—strictly speaking, eating the poisoned food was her husband's choice, and it's not her fault he chose wrong.

and yet during the saw VI ending hoffman is forced to kill people directly: stabbing perez to death, slitting erickson's throat and burning him alive. he was cornered and it was the only way out, so he lashed out and killed people personally, directly—and was immediately punished for it, meant to lose his life but losing his "formerly handsome" face and his anonymity in the process. he can't seduce, can't play the role of an innocent and well-meaning person anymore, so he starts threatening and killing others outright, all the while wielding a slasher-favorite, perfectly suited for penetration knife. how very masculine of him

[beneathsilverstars]

i keep adding things to this one post and then realizing they'd make more sense as a separate post. so here's how the party explained what happened in dagger ending au to bonnie:

Siffrin was very sad and worried about everyone leaving, because he was alone before he met us and he didn't want to be alone again. But he didn't talk about it because we all had plans that seemed very important, and he didn't want to get in the way, and he didn't want to admit that he didn't have anything else to do. It sounds pretty silly when you put it like that, but the rest of us were nervous to admit how much we cared about each other, too! Sometimes it's hard to tell someone how important they are to you, if you don't know whether you're important to them.

During the quest it was okay, because Siffrin knew we would stay together until Vaugarde was saved. But getting to Dormont meant the quest was almost over, and they got so upset at the idea of everyone leaving, that they didn't really care about what they were doing. Why did it matter what happened to them, when they were going to be sad and alone tomorrow either way? So they weren't very careful while they were training, and they got hurt. Luckily Odile saw, and Mirabelle healed them right up.

Now, he's really glad that we all decided to stay together longer! But he might still feel worried for a while, because it's hard to believe that everyone isn't leaving, after he's been dreading it for so long. And sometimes when you're sad for a long time, your brain just tries to keep being sad even when there isn't any reason to be. But if we keep reminding him that we love him just as much as he loves us, it'll start to stick in his brain better! We might also need to remind him to be careful and take care of himself, because that can be hard to remember when you're sad. And while he practices that, we can help take care of him, too!

[masterj]

Mid Sodor Manager: "Now, Smudger, don't crash those trucks!" 😁

Smudger: *Crashes trucks*

Mid Sodor Mananger:

Image credit to Trampy

[ectonurites]

jesus fucking christ. perhaps if you're one out of five admins on a facebook page for an event that is still in the midst of planning and you have not been involved in most of that planning because you haven't been around, you shouldn't go rouge and make a fucking post about it publicly from our event page?

[necrotic-nephilim]

for the ask game (i'm so happy you're still doing it!)

in a bit darker version of canon, one of the antikilling batfam members actually kills someone (i'm thinking dick or tim). maybe it's an accident, maybe the're spiraling and reach a breaking point or maybe something happened that irrevocably changed their worldview. how do they feel? do they cover it up? do they continue killing? who knows about it, who helps them cover it up, who joins them? how does bruce, the rest of the family and hero community react if they find out?

for the ask game!

ugh i LOVE when characters are pushed over the edge and have to deal with the consequences of their actions. especially Dick and Tim who are just. both so dedicated to their moral codes and having them shatter. you get both versions bc i have thoughts. we'll start with Tim

there are a lot of routes you can take Tim killing someone. but i specifically would have it happen right after the Titans of Tomorrow and/or Lonely Place of Living arc, where Tim faces an evil older version of himself who's very pro-murder and has led the Titans down this dark path as Batman. because that's what Tim's afraid of becoming. he's afraid of what being Batman would do to him, and he's afraid of whether this future is inevitable or not. so to have Tim in this mindset of hypervigilance of what he's capable of and he kills someone anyway? i'd love to toy with the "is the future inevitable or can we change it" concept. i like the idea Tim's kill is Captain Boomerang, given the death of his dad and all. Tim insists up and down to Bruce that he can handle this mission, it won't be too personal for him, he's fine. and the funny thing is, he feels fine. he's compartmentalizing all his feelings pretty well. so well, in fact, he doesn't realize he's killed Boomerang with his bare hands until it's already done, and there's blood everywhere and Tim has to figure out what to do. he has to cope with the inevitability of the future he's convinced he just set into motion.

he would know, realistically, there's no hiding it. especially not from *Bruce*, who knew Tim was on this mission. someone's going to notice Boomerang is missing sooner or later no matter how well Tim cleans up this crime scene. honestly, i think he'd call Helena. he's close to her, and she's pro-murder, making her the least likely to judge him for it. what he doesn't expect is that when she shows up, she takes the blame for it. she fully looks Batman in the eye and says she murdered the guy and somehow, Bruce buys it. Tim keeps waiting for the other shoe to drop. because more than just committing murder, it'd terrify Tim to get *away* with murder. to know it was just that easy, he had to call one person and it all went away. Helena doesn't even seem particularly bothered by taking claim for it, she's killed men for less and she thinks she's helping Tim with this, helping ease his conscious on the whole thing. she even tells Bruce that Tim tried to save Boomerang, that's why Tim is covered in the blood. it makes perfect sense to Bruce he doesn't think about it further. so Tim falls deeper into this spiral of knowing what he's gotten away with. and of course he doesn't open up to Helena about the Titans of Tomorrow stuff, so she has no idea how this could rattle Tim so much. why he doesn't believe her when she promises him this is just a one-off thing for him and she knows he won't do it again.

i think Tim's spiral would just keep going. it's one of those paradoxical things, where he is his own enemy. he's convinced himself he is this thing, so he's becoming it. what could've been just a one-off moment fo weakness with a man who hurt him and he got away with becomes an obsession. Tim can't stop considering how selfish it is, that he gets to kill Boomerang and yet everyone else has to live with the people who hurt them being alive. i think it'd be fun, if Tim turned to Tony Zucco, or someone similar who's hurt a member of the Batfamily. it's not a serious idea, it's a late night thought that plagues Tim. if he knows how he would do it, then he can avoid actually doing it. very "Opeidius trying not to fuck his mom" complex. but the more Tim tortures himself over it, the more he notices how easy this is for him. to plan out how he could murder just about anyone and plot a clean getaway for no one to even know there was foul play. he doesn't act on it. he refuses. but it consumes him. if he's awake, he's thinking about how he'd kill the people who hurt his family, and how easily he could get away with it.

eventually, Tim forces himself into early retirement. it's so sudden, no one expects Tim to just suddenly say he's hanging up the cape. everyone has at some point, gotten cold feet and insisted they were done with the life, but Tim. he really means it. he stops being a vigilante completely, he doesn't even like running comms. he starts to isolate himself just to be sure he won't get to close to someone to want to kill for them. no one can really get through to him and talk to him about what's going on, and it's been enough time since the Boomerang incident that no one, not even Helena, seems to put the pieces together about that being the catalyst to all of this. they want to respect his decision, but something is clearly wrong and no one can figure out what it is. they try to reach out but well. the world keeps turning. there are crises and villain attacks to deal with and eventually, it slips on everyone's mind to check on Tim because they have to save the world again.

in the end, it all comes back to that inevitability. Tim does kill again. who he kills and how he kills them doesn't even matter, and that's the worst part. he knows it doesn't matter because this was a path he set himself down bc he could never avoid it in the first place. he kills and he gets away with it, even when he's not a vigilante. he never would've ended up on this path if he hadn't seen his future self. grandfather paradox and all that. eventually, Bruce does find out. but by then it's too late, and Bruce has no real hard proof, just a suspicion he can't tell anyone else because everyone would just jump to Tim's defense. Tim has Bruce in a corner, and for once. Tim starts to kind of enjoy the game. madness spirals babey.

and of course, the Dick version

i know, with Dick, we all like to talk about that time Dick technically made the Joker's heart stop by beating him so badly. and sure, that's a fun canon moment. but it's the *Joker*, you know. i think Dick accidentally killing someone is far more fun if it's just. some henchmen. some low level villain who would've at best gotten a five year sentence for what the did. you can almost rationalize it, when it's the Joker. but when it's no one? it's just some guy? that's crunchy. that's far worse to handle. Dick wouldn't mean to do, it was the stars aligning for the worst situation. he doesn't pull his punches because he's tired and angry about something unrelated he doesn't even remember. and he just. keeps punching until some random guy is dead underneath him. and there's no bringing him back.

Dick would confess *immediately*. like, he'd firmly believe he needs to face consequences for what he did and it's the only way to rectify the situation. Bruce has taught him everybody deserves justice and Dick is sticking to those guns. he tells Bruce, he tells the Titans, hell, he even tries pretty hard to turn himself in to the police. of course no one will let him though. because it's *Dick*. they know it was an accident. they know Dick would never dream of doing that on purpose and that Dick shouldn't destroy his life for a mistake. and Dick is so torn up that no one will let him face real consequences. everyone tries to tell him stories of the people they failed to save, but to Dick, this is different. this isn't getting there too late and the bomb goes off, this is beating a man with his own fists until he felt the guy's chest cave in and still going anyway. the guilt eats Dick alive.

Dick would have a panic spiral, but very different to Tim's in the above. instead of being terrified and self isolating, Dick forces himself into overdrive. if he can't get anyone to let him face real consequences for what he did, then he has to make up for it. he has to save *every person* he can. he's overworking himself on this desperate need to be better. he knows it's unsustainable and so does everyone else, but Dick won't stop until he literally collapses. because if he had energy to kill someone, then he has to have energy to save someone.

there of course comes a breaking point. Dick stretches himself too thin and i think the culmination of it would be a long talk with Bruce. maybe Bruce opens up about the people he failed to save and they really discuss it all. Dick's guilt, his fear of himself, his anger, all of it. it's probably the closest Dick comes to therapy about all this. i do think. it's fun if some more unsavory people like Slade find out about what Dick did and try to use it as an in to manipulate Dick. pull the whole "you're no better than me, now we both know what you're capable of". and Dick has to fight that. he's stuck between a genuine support system and Slade or someone similar trying to drag him down. bc Dick knows he's not a killer, but deep down that voice inside of him is impossible to silence completely.

though i think Dick comes out stronger at the end of it, he would falter, for just a moment. he has a brief time where he almost gives in, or maybe he starts to give in. he agrees to be Slade's apprentice, unable to cope with his guilt. he's so close to killing again, but it's the light at the end of the tunnel, realizing he could never do this again. it snaps Dick out of it. he's never going to uproot the worst of the guilt from his chest but he's proven it to himself this isn't who he is. he's able to be stable again and it's all a growing moment. that said, it still haunts him. when Jason comes back from the dead, he hears whispers that Dick killed someone, and Jason holds it over his head in fights. villains know about it. maybe it even taints Dick's image, the whispers of how Nightwing beat a guy to death once. sure, he grows from it and all, but it never *quite* leaves him.

[bumblingbabooshka]

One of the best Voyager scenes to indicate Tuvok & Neelix's dynamic and how I think Tuvok is just as if not more 'annoying'(positive) than Neelix is when Neelix pours Tuvok a fresh squeezed glass of a fruit juice blend and Tuvok's like (paraphrased) "I don't want to drink this." and Neelix is like "Can you please try it?" and Tuvok's like "I don't want to, you're really bad at this sort of thing. It's going to taste bad." and Neelix says that Ensign XYZ said she LOVED it, she even had a second glass! And Tuvok says Ensign XYZ could drink poison without a second thought and Neelix is like "Tuvok could you please just TRY it? Just try a little SIP of it PLEASE??" and Tuvok sighs and rolls his eyes and sniffs it before taking a sip and it turns out he loves it. Turns out it tasted good actually. And then after all that Neelix tries to talk to him over eggs (which he's again cooking fresh for him) and Tuvok tells him he doesn't wanna hear "the life history of his breakfast." Absolutely insufferable this man I would have burned his eggs on PURPOSE!!!!

[magicalgirlmindcrank]

Damn this trial kinda getting to us in a way

[softshuji]

yk people talk about how you can't heal in the same place you got hurt in and I believe that entirely. Because truth is, no matter how much internal healing I do, no matter how much I try to change my perspectives or do journaling or work or spend time with friends or do cute hobbies, all the time I have to come back to this house, and yknow something funny? this house is exactly where all the bad things happened in the first place. this house is where everything that still bothers me to this day happened so every day i am always aware that i'm coming back here, and not a single day goes by that I don't think about how much I hate this house. the four walls, the too small rooms, the issues with its structure, the fact that my dad has never fixed it up so me and my siblings are all crammed into this tiny box house like canary birds - the fact tbat my dad throws this same house at us every time we argue because he knows we have nowhere else to go. we have no family, no cousins no relatives and no money, and I don't earn enough to be able to move out just yet, least of all without my siblings. so no you cannot heal in the same place you got hurt, and while i'm living here i'm never going to heal either but where else can I go?

[euclydya]

ok. no i get it. ok

[tinycontainer]

i think more business owners should look inward when they complain about issues. is it annoying to have to hire multiple times a year? yes, absolutely. WHY do you think the turnover is so high if everyone says they enjoy the work?? surely. no. it couldn't be the person in charge.

[odysseys-blood]

the zionist idea of absolutely needing to have a "home country" to "return" to has always baffled me as a black person.