#we should not be trusted

[mllenugget]

The exact opposite of being doomed by the narrative

I discovered this game while playing with a group of friends on Halloween, and I must say it was quiet immersive because we each wanted different things so we always had to argue together on what to do before the Voices would Took 3 days to complete a single run

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[hinamie]

thank u canon plant nerd megumi for my life

bonus:

[garlicace]

I can fill this with whatever I want huh. Yeah, no thanks what the heckidy heck is one to even post?

[tsarjozinzbazin]

Snow blindness

[fluent-in-lesbianism]

Folks need to stay on RedNote and leave TikTok in the fucking dust bc how fucking funny would it be if Trump’s plan to propagand the youth absolutely failed bc folks found a better alternative where they get to do the same shit they did on TikTok but now in English and Mandarin

[ffcrazy15]

There's this way of doing female-ness in Christianity that I call "pastel flower journal Christianity." I've got nothing against pastel flower journals per se, but for some reason people believe it's the end all and be all of female spirituality, and I think it's a real disservice towards young Christian women.

One of these days I'd like to start a prayer-and-reading group or something for young women, but there would be no floral themes or over-focus on how "God thinks you're beautiful even if the world doesn't" (a true statement, but it's wayyyyy too often the focus in women's spiritual reading). Instead we would be reading:

Seneca's Letters from a Stoic

Frankl's Man's Search for Meaning

Sheed's A Map of Life

Portions of Pieper's book on leisure

Kreeft's Three Philosophies of Life

Guardini's The Lord (or something similar)

Therese's Story of a Soul

and some select portions of the Nicomachean Ethics.

(Also they're all getting the porn talk. I don't know why we give the porn talk to young men but not young women. There's this idea that women don't use porn and they only need the talk about "guarding their heart." Bullshit. There's porn on the YA shelves of Barnes and Nobles and before that there were bodice rippers. Young women need the porn talk too.)

Every young woman needs to be getting a basic grounding in virtue ethics, logic, natural law, scholastic philosophy and Biblical hermeneutics if they're going to get by in today's spiritual landscape. Enough faffery and emotionalism in young women's spiritual education! Give them real food to chew on, not pasty sentimentalism!

[probablyanalienindisguise]

my favorite thing is explaining to people one of my favorite fictional characters is an entire fuckinh spaceship who is also in a love-hate relationship with another ai

[watchyourbuck]

just an overstatement bc I know you guys know but still. no harm in repeating it.

your fandom experience is safe with me. whether we ship the same or not, whether we like the same characters or not, whether we agree with tropes, arcs, theories or not. i will never recur to homophobia, hate speech or other just bc smth isn’t my thing. if it isn’t my thing I won’t engage. I will always go out of my way to support the creators. I believe in tolerance and I believe in community. even if it’s an online one about a silly show. i respect the people behind the characters, the blogs and the show. i respect the character themselves.

so please, be assured that your fandom experience is safe with me.

[fumifooms]

I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after

The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually

Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-

He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.

And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.

When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings

"Man they really know what you hate huh." Being socially unaware literally plagues him, he knows, he knows it so well.

It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)

"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species

[poorly-drawn-mdzs]

Reasons to play In Stars and Time: Canon Pronoun Warfare.

[transmechanicus]

The transgender contrast of loving your parents but also for Trust Reasons longing for an additional external authority figure you can count on more unconditionally to support or protect you that totally doesn’t risk becoming a kink

[dreamyintersexouppy]

"boo hoo this site is so hostile to transmascs nowadays" a choice few transmascs have constructed a platform on harassing transfems, are we supposed to be nicies to them or something??? you are not them, you shouldn't feel threatened by any kind of frustration they get in retaliation and if you have this fear because you identify with them i need you to ask yourself why because they are not people you should look up to or identify with, what they do is just full faced transmisogyny you are not under threat because a few guys are sexist and their victims decided to speak up about it

[ofbardsandmen]

birdbros.

[rocketbirdie]

Weird thing that bothered me about Rebirth and I want to hear other people's thoughts.

Um... Why did they gentrify Gongaga? I can't be the only one who feels cheated by the chummy suburban development vibe in Rebirth.

OG Gongaga is an isolated village deep in a jungle. It's possible to completely miss the first chance to visit, because it's practically unheard of. All the young folks fled to the big city. A reactor blew up and killed most of the inhabitants, leaving the town in a state of decay. The houses are falling apart, the people are desperate, it's derelict and miserable.

An understated theme in the OG is how life is difficult without modern technology. Avalanche sets out to destroy these reactors without considering the consequences for their own futures, thinking "well it won't be easy but i'm sure it'll be fine." Gongaga is the story's way of showing you just how fine everything is going to be— despite being in a lush rainforest, long since violently cut off from Shinra's influence, these people still suffer immensely.

I wanted to see it in hd so bad honestly. The splintered rotting wood, the furskin rugs, the dirty brick walls. The unspoken yet unignorable trauma. The mournful purple twilight that quietly hangs over the whole village. I wanted to see the survivors' spiteful determination to make things work without mako.

Instead we got a squeaky clean Crisis Core rendition of Gongaga, with its down-to-earth upbeat stardew valley soundtrack and generic hard workin' country folk. The houses are like... twice the size i expected them to be. Neat and tidy, no holes in the roofs, no dishevelled interiors. No sign of struggle. Everybody is content at worst.

The reactor may as well have never exploded. Nobody talks about it. We hear some bullshit about Shinra trying to "make amends" or compensate people for the damages, and that's about it. Apparently everybody's just fine with this, because all of the original version's resentment and grief is gone.

Don't even get me started on the barker stationed at the town entrance. "Come experience nature's bounty!" Man... why are we treating it like a goddamn hippy tourist attraction. OG Gongaga would have had someone knock this kid's teeth out.

Idk I'm just sad. The melancholy is what made Gongaga so memorable despite its bump-in-the-road identity. I wish we could have gotten that instead of one big callback to CC.

[dirtytransmasc]

Sevika protecting Isha (and my feelings below):

I think the most heartbreaking, yet endearing, part of this whole scene, is that Sevika only has one arm.

in holding onto Isha, she renders herself defenseless. she has no clue what she's running into, but she won't put Isha down. she runs blind and unable to quickly fight back with her remaining arm.

and she doesn't give Isha a chance to run on her own. she just holds her. doesn't get angry when she fights her. doesn't scold her. just holds her tighter. and keeping a squirmy kids still is hard enough with two arms, let alone a kid fighting you as hard as she can with just one.

and she's soft with her, just in general. none of that normal tug and sharpness we're used to seeing. she's of course fighting her enough to keep her from slipping out of her grasp, but that's it.

I just. I'm not normal about them.

mother and child, your honor.