#we love to imperfect beings being wonderful

[dekariosclan]

I had a thought about Gales reaction to/feelings about stretch marks on his partner. Not ones from pregnancy (I personally feel those are kind of different. I have a lot of them just from fast weight gain, and even after losing that weight seeing them seems to only remind me of my shame that I ever let myself go that much).

I feel like I already know the answer - he is so loving, and so truly does not care about physical “imperfections” on his loved one or things that may be outside whatever beauty standards apply in his world. If he knew his partner was insecure about them, he’d likely go out of his way to make them feel better about them. But I’m still curious how you would describe his thoughts on them, if that makes sense. Would he even notice them? What would they represent to him, if he knew they were from a time his partner was neglecting their health (or even being very lazy)?

I hope this isn’t a nonsensical ramble. I think I’ve lately found myself trying to change my own negative perceptions of myself by thinking through the lens of what Gale would see, so asking an expert like yourself for your take might help me get there on this topic <3

Not nonsensical at all anon! 💜 And I love your idea of thinking through the lens of what Gale would see—the world would be a much kinder (and chattier!) place if everyone did so.

Your thoughts about Gale’s response to his partner’s insecurities are spot-on. But he’d also want to reassure them (and you!) that there is nothing shameful about the fact that their body changed shape or appearance. He would hush any disparaging comments about ‘letting oneself go’ or ‘being very lazy’. He’d be very, very proud that his love was no longer neglecting their health, but he would not apply any shame or negativity to their bodily appearance, either in the past or in their present condition.

I honestly think a lot of people struggle to understand Gale’s way of thinking because we have been-force fed toxic beauty bullsh*t for our entire lives. By our society’s beauty standards, Gale is hot. And Gale had a hot Goddess girlfriend; therefore how could Gale love a non-hot person? I’ve seen countless posts about Mystra being his ex and how ‘my Tav could never compare.’ But we’re the ones who have it all wrong; in Gale’s eyes, when he falls in love with Tav, it’s Mystra who can no longer compare.

So I’ve come to think of it like this: we all know Gale loves and treasures books, right? If you try and destroy the Necromancy book, he gets mad. He geeks out thinking about shopping at Sorcerous Sundries. He has a massive overflowing library in his home in Waterdeep. In short, he absolutely adores, respects and reveres stories. And I think, when Gale looks at others, and especially at his beloved Tav, what he sees and values first and foremost is their story—because that’s what defines who they are. Gale doesn’t judge a book by its cover, he judges it by the quality of the writing.

So, to answer your question about how he would react to Tav’s stretch marks, and whether he would notice them, and what they would represent, I believe he would simply see them for what they are: A physical representation of a chapter in Tav’s life. Not an imperfection, not something shameful, but an experience that, like all the other chapters in Tav’s life, helped shape them into the wonderful person that Gale loves today. An experience that helped to write Tav’s story.

And in his eyes, what could be more beautiful than that?

[sonicboomrevisited]

There's been something I've been wondering about for a while now. The SG-1000 pinpoints errors in a subject and repairs them. And when Sonic got caught in the machine, we saw a glimpse of a chart that showed what imperfections were being targeted.

The wrist and ankle are easy for me to assume there were old injuries there. Maybe that’s why Sonic wears sports tape - to support his weakened joints. The side of his head could've been an old concussion as well. But the thing that's specifically caught my eye is the error located in his chest. Is that an injury too? Is it a scar? Is it a condition he was born with? Does Sonic have a problem with his lungs or with his heart that we don't know about? I'd love to know!

None of the "errors" are necessarily injuries Sonic has sustained. It's simply the computers way of saying "this is something that the SG-1000 can improve upon" from a machines perspective (whether it actually does so is questionable).

Sonic's chest, as the most prime example, holds vital organs that can easily be damaged. So this "imperfection" in Sonic's "design" is replaced with mechanical parts the machine thinks will be more efficient.

Sonic was perfectly healthy before, but he could be better, no?

[welcometoteyvat]

if genshin ever releases the liyue bow that has lore of azhdaha POV (unlikely, pretty sure it's been sent to the abyss), I will pull for it

"in his sweet dream the dragon king saw again the little comrades it once followed" "—Why did he say such things? He had loved the land where he had shared fond memories with that person."

you can't just say that I'm in shambles now. his little comrades T_T. and his fond memories of morax contrasted with morax's cold eyes and retuo's heartrending agony. in other news, zhongli bow user alt when, he literally wears that archery thumb ring

anyways, this has also got me thinking about a rezhong animatic to water melody/但愿人长久, mostly because the "palace on the moon" stuff and the angst of them separating bc erosion reminds me of it. poem + annotations below

When will the moon be clear and bright? With a cup of wine in my hand, I ask the clear sky. // zhongli POV, perhaps? visiting the tree at nantianmen with a flask of rice wine, on lantern rite or on midautumn In the heavens on this night, I wonder what season it would be? // azhdaha POV, half awakened from his underground dream, thinking about (more like hazily, instinctively recalling) the past, and the adepti gathering on mt aocang. "the heavens", the adepti in the mountains and the prosperous harbor, contrasted with the dim crystal cavern he's sealed in

I'd like to ride the wind to fly home. Yet I fear the crystal and jade mansions are much too high and cold for me. // insert the line from the bow "If we ride on your back and cross these mountains, we can reach the palace on the moon, right?". btw the "crystal and jade mansions" in the poem is referring to the Moon Palace Dancing with my moonlit shadow, It does not seem like the human world. // cut to azhdaha's sealing away, zhongli's cold eyes. the warmth in his gaze is gone and he's unrecognizable, like a stranger, and all the memories of their past become warped and distorted in retuo's failing eyesight

The moon rounds the red mansion, Stoops to silk-pad doors, Shines upon the sleepless, // cut to the battle between morax/adepti and azhdaha in the chasm amidst the red cliffs. idk not much to say Bearing no grudge, Why does the moon tend to be full when people are apart? // erosion. bearing no grudge is giving zhongli sealing azhdaha away because of his duty to liyue, as part of their contract. probably insert an image of azhdaha (or the zhongli in retuo's memories) slowly being erased, bit by bit and piece by piece, as retuo's eyes close underneath nantianmen. gratuitous use of a flurry of ginkgo leaves floating in front of the viewer as screen fades to white

People experience sorrow, joy, separation and reunion, The moon may be dim or bright, round or crescent shaped, This imperfection has been going on since the beginning of time. May we all be blessed with longevity, Though thousands of miles apart, we are still able to share the beauty of the moon together. // straight angst lol. "May we all be blessed with longevity" makes me think of erosion, but also "When you reach the end of time, those people, those past and future relationships predetermined by fate… they will be waiting for you" said by kun jun/azhdaha in no mere stone. when zhongli goes to meet them, he'll be waiting too

a fic set to the song/poem would also fuck. i simply think that more retuo content is neat!!! hes literally a blind rock given vision, a rock that can sing and dream, and zhongli is retuo's tiny god with a heart of stone, a heart nonetheless. arent they so interesting can we have another azhdaha mention in game soon

[smallpinapple]

I love that Violet has bags under her eyes. It's so real of her.

Like yeah, she's a teenage superhero. Of course babe is sleepy.

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[youandthemountains]

it probably is insane how much I wish I could express the thing about spones. the vibes about spones. Like there's the joking fun fandom vibes and I love them, I love to play with them, of course of course. but the THING. the CORE to me. i wish i could capture it and share it.

[anastacialy]

alright as much as everyone (including me) has been nitpicking and critiquing season three of bridgerton i have to hand them one thing and that's no other season has made me this insane

[what-have-i-unleashed]

welcome back blud what-have-i-unleashed ✨✨✨✨✨ what's your favorite theme present in dust's lore :3333 ❓❓❓❓

hi tricycle!!! it's good to be back hehe :333

hmmmm there are a lot of delicious themes in murder's lore that i love, but right now i guess this conflicting desire for nostalgia in him is the one i vibe it the most (totally not because i've been writing and obsessing over it or anything 🙂). he wants things to go back to the way that it was so bad, but also he hates his past self and he hates being stuck in a loop of ostensibly the past also...... it's all so very thematically interesting 💖💖💖

[spiritsonic]

Can you and the rest of the staff stop making references to the bad games like Shadow, 2006, Black Knight and Forces? This franchise needs to be better, and that can’t happen if critics are constantly reminded of this franchise’s miserable failures.

"Bad" is a relative term. I have a close friend whose favorite game in the whole series is Shadow TH; it was there for them at an important time, and brought immense comfort and strength. Sonic '06 gave me my favorite Sonic character, Silver, who was central to me figuring myself out as I came of age. Black Knight tells one of my favorite Sonic stories, and I can't describe the excitement I felt when I heard a traditional English folk song, one I had been learning in my studies of Celtic music and loved dearly, used in-game. We wouldn't have Whisper the Wolf without Forces. And beyond me and mine, there are countless fans finding wonder and meaning in every single Sonic game, despite their flaws. While I agree that self-reflection and critique is essential to any creative endeavor, it can be done without shame. I would never choose to deny the recognition and celebration of their joy, or ignore the beauty to be found in the imperfect.

Assigning too much value to the judgement of others is self-destructive. Sonic fans don't need the Sonic series to be "good" or "respectable" to love themselves, because they are human beings whose worth is infinitely greater than a video game's metacritic score. Be cringe, be free.

[thebctman]

Rewatching the show has given me a whole new perspective 3 years later. And one fundamental moment that I have an entirely new perception of is Viktor’s run. I truly believe it is the most important moment of Viktor’s story.

Not only because it underscores Viktor’s need for the hexcore but also because it fundamentally contrast Jayce’s inability to understand Viktor’s desires until the end of season 2.

Viktor is able to walk without support, to run. He is able to not just keep up with, but outrun the boat in the background of the bridge scene. The first moment of Viktor’s childhood we see is him try to keep up with the toy boat he made and set across the river. Viktor fails because of his disability and later him being able to do what his past self could not is an incredibly exhilarating feeling.

Jayce is the epitome of strength. He is a builder, a forger and a worker. He is loud, he is strong and unshaken. He is the personification of a hammer, always striking to leave an impact.

Jayce in his privilege, does not know what it’s like to be able to walk without support, to be able to live without the fear of having a countdown in your lungs due toxic fumes in your home.

And it is with this privilege Jayce does not understand how monumental it is for Viktor to want the hexcore destroyed. It is his one chance of freedom and he wanted it gone. Jayce does not understand this until it was too late.

Viktor was born waiting. He has always been waiting. Waiting for a chance to breathe, to live and to have a legacy. Viktor waits and waits to see if the Hexcore will him and it is that longing that binds his soul to the Hexcore.

Jayce does not understand this longing until Viktor is almost taken from him. He waits for him to return back to him but Viktor can wait no longer. Jayce is always a little too late when it comes to Viktor until the finale.

And it is in the finale where Jayce finally understands that makes it all more personal. That the Glorious Evolution comes from Viktor’s fear and his want.

The verbalization of his love for Viktor was incredible. That his imperfections were what he loved about him. That when he hallucinated Victor over that fire, Viktor had his cane with him. That Viktor can no longer wait, but Jayce can go with him. He can be there and choose him.

I now understand on a personal level what that scene means and what it meant to Viktor to not just be able to walk without support but to run.

I’ve been dealing with a knee injury for over half a year that has me unable to walk properly or even climb a single step without a brace. I don’t think it’s getting any better and I hope one day I have a bridge scene as well. I would do anything to be able to run again without pain, to wake up without pain.

I see myself in the way Viktor shifts all his weight onto his good leg without his cane, in the way he angles himself ever so slightly in the hopes that something will alleviate the pain. In the pure cathartic wonder on his face when he runs for the first time.

To see that all verbalized on Viktor’s face was incredibly bittersweet and I don’t if I could give up the Hexcore if I was able to do that. This moment underscores Viktor’s resilience, his personal strength and his want.

[emmyrosee]

His foot taps anxiously against the floor of the flower shop, eyes glazing over the beautiful bouquets and vibrant colors that splash under the fluorescent lights that crackle above his head. The smell of so many flowers is getting into his head, powdery and sweet, but the nausea brewing inside of him is not budging.

He messed up. He knows that.

He also knows he relies on the bet that you’ll accept flowers every time he messes up, which while seldom, happens more than he still would like.

You deserve the utmost love and respect. And he can’t stand that sometimes, he feels like he can’t give it to you and has to hope flowers will be enough for your trust again, like a bandaid on a scraped knee.

After this, he’ll run to the bakery for a pastry, wrapped in a little box, waiting for you to enjoy it-

What is he thinking, countless gifts won’t make up for it, for all he’s done. You’ll never forgive him, each bouquet and each slice of cake when he messes up surely is only driving you away, and he cards a hand through his blonde hair as he has a small, teeny freak out in front of the display.

He looks to the old man next to him who easily picks out a bouquet of assorted flowers with a predominantly purple color story. The old man sniffs them, and smiles, before sighing happily. He turns to Atsumu with small nod, “think she’ll like ‘em?”

Atsumu tenses up before offering the old man a small chuckle, “sure is one of the prettiest bouquets in here,” he encourages, and the man hums as he looks around the boquete for any imperfections in the petals. “She’ll be lucky to have them from ya, yessir.”

The man smiles, “no, son; I’m lucky to have her.” He sighs dreamily, “there isn’t enough bouquets in the world to show her how much she means to me.”

Atsumu freezes. For some reason, unbeknownst to him, a lump forms into his throat at the man’s words. He tries to swallow it thickly, keep his emotions at bay before he wails to this strange man about all the ways he’s hurt you over the years and how always, he’s never been able to fully forgive himself despite you assuring that you do.

This argument would be no different.

Atsumu nods his head in understanding, “I think you might be in the same boat as me,” he says, wondering if this man too, is making up for a mistake he made. If this man is trying to repent, and the first way to do it is to bring her flowers, a symbol of a love he’s determined to keep blooming, keep alive, keep beautiful.

But maybe, just maybe, he’s not relying on the fact that flowers are an apology, perhaps they’re being purchased just because, just to make you smile.

Perhaps Atsumu should start doing that for you. Just something nice.

Something to look forward to.

The man chuckles once more; it’s raspy, like perchance he’s one to indulge in a cigarette when the craving arises, but it’s comforting, and for the first time in hours, Atsumu feels a little more at ease.

“At least we’re in the boat, my friend,” the man says. Atsumu swallows thickly once more, but he flashes the man a comforted smile.

“You’re right. We sure are, sir.”

The man bows at the blonde, “you take care of yourself,” he says simply, before coolly turning to make his way to the registers. Atsumu looks back at the boquetes and grabs one that reminds him of you; bright and pristine, like bubbles on a warm day, a warm blanket at night. Like the movie you can repeat by heart by now, but he’ll still watch with you like it’s the first time.

He smiles, sniffles and blinks the sting in his waterline, thrilled to be in the boat with you.

[sarahreesbrennan]

Are all the themes in “in other lands” supposed to be a commentary on something? Or do you just like writing sex scenes between minors, age gaps, and reverse misogyny?

Genuine question.

Ohhh, my dear anon, I don't believe this is a genuine question.

But it does bring up something I've been meaning to talk about. So I'll take the bait.

Firstly. Yes, my work contains a commentary on the world around us. I wonder what I could be doing with the child soldiers being sexually active in their teens (people hook up right after battles), and the age gap relationship ending in the younger one being too mature for the elder. What could I possibly have been attempting when I said 'how absurd gender roles are, when projected onto people we haven't been accustomed by our own society to see that way'? I wasn't being subtle, that's for sure.

Secondly. Yes I do enjoy writing! I think I should, it's my life's work. Am I titillated by my own writing, no - though I think it's fine to be. The sex scenes of In Other Lands aren't especially titillating, to be honest. It is interesting to me how often people sneer at women for writing romance and sex scenes, having 'book boyfriends,' insinuating women writers fancy their own characters. Women having too much immoral fun! Whereas men clearly write about sex for high literary purposes.

… I have to say from my experience of women and men's writing, I haven't found that to be true.

I’m not in this to have an internet argument. Mostly people use bad faith takes to poke at others from the other side of a screen for kicks. But I do know some truly internalise the attitude that writing certain things is wrong, that anyone who makes mistakes must be shunned as impure, and that is a deeply Victorian and restrictive attitude that guarantees unhappiness.

I've become increasingly troubled by the very binary and extreme ways of thinking I see arising on the internet. They come naturally from people being in echo chambers, becoming hostile to differing opinions, and the age-old conundrum of wanting to be good, fearing you aren't, and making the futile effort to be free of sin. It makes me think of Tennyson, who when travelling through Ireland at the time of the Great Famine, said nobody should talk about the 'Irish distress' to him and insisted the window shades of his carriage be shut as he went from castle to castle. So he wouldn't see the bodies. But that didn't make the bodies cease to be.

In Les Mis, Victor Hugo explores why someone might steal, what that means about them and their circumstances, and who they might be - and explores why someone else is made terribly unhappy, and endangers others, through their own too rigid adherence to judgement and condemnation without pity. The story understands both Jean Valjean the thief and Javert the policeman. Javert’s way of thinking is the one that inevitably leads to tragedy.

Depiction isn't endorsement. Depiction is discussion.

Many of my loved ones have had widely varying relationships to and experience of sex (including 'none'). They've felt all different types of ways about it. If writing about them is not permissible, I close them out. I'd much rather a dialogue be open than closed.

I do understand the urge to write what seems right to others. I've been brain-poisoned that way myself. I used to worry so much about my female characters doing the wrong things, because then they'd be justly hated! Then I noted which of my writer friends had people love their female characters the most - and it was the one who wrote their female characters as screwing up massively, making rash and sometimes wrong decisions. Who wrote them as people. Because that's what people do. That's what feels true to readers.

I want my characters to feel true to readers. I want my characters to react in messy ways to imperfect situations. I love fantasy, I love wild action and I love deep thought, and I want to engage. That's what In Other Lands is about. That's even more what Long Live Evil is about. That sexy lady who sashays in to have sexy sex with the hero - what is her deal? Someone who tricks and lies to others - why are they doing that, how did they get so skilled at it? What makes one person cruelly judgemental, and another ignore all boundaries? What makes Carmen Maria Machado describe ‘fictional queer villains’ as ‘by far the most interesting characters’? What irritates people about women having a great time? What attracts us to power, to fiction, and to transgression?

I don’t know the answers to all those questions, but I know I want to explore them. And I know one more thing.

If the moral thing to do is shut people out and shut people up? Count me among the villains.

[blueblossomrose]

OMG pediatrician Riddle 😍 I never thought of this idea but it's just so cute and wonderful 😭 can we have more hcs about this?

Of course 🥺

This post is part of the Twisted Parents Series.

Content: Post-canon, fem!afab!mc, fluffy, MC is mentioned as also being in the medicine area.

Comments and reblogs are very welcome ♡

Riddle's controlling mother expected him to become a doctor. He was resigned to that pre-overblot, and post-overblot, when he started thinking more for himself, he thought about being a lawyer.

Something related to laws seemed perfect for him indeed, until in a conversation with MC, he realized how calm he was around children.

He and MC were still in the early stages of their dating, and the day before MC had asked him for help with a social project she was participating in. This project involved children.

MC noticed how good Riddle was with children. This was a surprise even to him, personally.

After that it didn't take long for Riddle to realize that he liked being around children.

Like, they were so genuine and sweet. Yes, they could be quite demanding and stressful at times, but nothing a serious conversation and a lot of patience couldn't solve.

Riddle soon realized that he could easily convince children by speaking softly into a conversation they could understand (sometimes offering them some candy can also help).

He feels calmer around children. Those excited smiles, those hysterical little screams of joy, the sound of little feet and shoes hitting the floor, the words coming out fast, jumbled or wrong. It's all so imperfect, but so honest at the same time...

He doesn't feel like he needs to be 100% perfect around them. And this is pure gold for him.

He already knew the basics of medicine because of his parents, and after taking care of the children, he became curious about the profession.

He took a course to see if he really liked it, and when he discovered this new passion, he dedicated himself completely.

He is an excellent pediatrician, as if they could expect nothing less from him.

The children love him as much as he loves them. They all want to see the Dr. Rosehearts.

He is kind and calm, very professional. Both children and parents feel at ease in his office.

He's the kind of doctor who gives them candy if they behave after the appointment.

Even for those parents who are visibly controlling? He secretly gives the child the candy.

This is reflected in his own relationship with his children.

He is a very calm dad. Calmer than you might imagine. He tries with all his might to avoid screaming.

Sometimes a scream or two ends up escaping, but it's very difficult for him to shout.

His daughter is afraid of injections, and most of the time he is the one who gives them. When she was a child it was especially difficult, he even cried with her.

He usually works with a specific age range of 9 to 17 years old before he had children, so it was all very new to him. He began working more with babies/toddlers after the birth of his children and excelled in that area as well, as expected from him.

[vroomvroomwee]

Aziraphale's vest

I'd like to take a second and talk about his vest because I think it's a really good metaphor for Aziraphale's internal feelings.

At first glance it's obvious the vest is quite old. Really old in fact if you note the way it's practically disintegrating.

And it got me thinking a bit. The way the white practically bleeds from the edges of the neck, shoulders and buttons, going further and further, one day if he's persistent enough to wear it, it might even take over the entire vest. You could say that that, somehow, mirrors Heavens influence over Aziraphale. Slowly, slowly, biding their time, until it has completely ridden him of any colour. Until it has completely washed him of his identity, of his originality, of his character.

Take a look at his clothing when he's up in Heaven.

Completely and utterly white. Every piece of clothing he's wearing is pure and untarnished white. Upon entering Heaven, against his own accord, it has stripped him of his uniqueness, of anything that might distinguish him from any other angel who blindly follows orders and who's sole purpose is to do Heavens bidding.

Now, he could miracle the white patches on the vest away easily. But he doesn't want to.

The thing is. He likes the imperfect. He likes partaking in human activities and pleasures, like food, music, etc. Likes to indulge himself in earthly things Heaven would label as sinful or "sullying." And as someone who bas been on the receiving end of Heavens ridicule and passive aggression for millenia, as someone who for centuries has been told that he's underperforming and needs to do better, as someone who is all too aware of his own impurity by the standards an angel should hold and of the quite frankly unholy behaviour in performing immoral temptations and directly going against Heavens orders no more than a few times throughout the eras, it's no wonder he finds comfort in the imperfect.

He keeps the deteriorating edges because they are a perfect representation of his own internal feelings and image. After all, there's no rule that says he can't. And a big kudos to the costume department, for the patches perfectly encapsulate his religious trauma. Without it, he would probably be a very different person. He wouldn't be the same Aziraphale we know and love. The same way he likes being old-fashioned with his clothes and how that is a part of who he is, his trauma is a part of him as well, along with Heavens influence that has shaped him into who he is today, whether he likes it or not.

Every part of the vest illustrates Aziraphale's character and internal feelings, which brings me to another point I want to draw attention to, and that is the BACK of the vest.

It's DARK. And I don't think I'm mistaken when I say that most of us didn't expect it to look like that from behind. We all just assumed that it would be the same beige colour as the front, which is in tune with the rest of his attire. After all, seeing him wearing a dozen different outfits all throughout history, all of them some shade of white, it was the logical conclusion.

But no.

It's not white. It's a dark, slightly viridian or a dark blue colour. "Dark blue suggests a more mysterious depth or ominous quality. Power and authority: Dark blue signifies power and responsibility. "

Not what we would have expected that colour at all. Similarly to how one wouldn't expect an angel to perform temptations or be gluttonous, or envious, or slothful, or hedonistic. Not at first glance anyway.

Not unless you look carefully.

Not unless you know him.

The coat almost acts like a cover. The light over the dark. Almost as if it's trying to hide something. The only times we see Aziraphale not wearing the coat is in his bookshop. Which is logical, of course. You wouldn't wear a coat indoors, obviously. Except he DOES. He wears the coat when he and Crowley are drunk, he wears it when he's reading Agnes Nutter, he wears it when Gabriel and Sandalphon pop in, he wears it when he's talking to the Metatron, he wears it when he's listening to Shostakovich, he even wears it at the Ritz where it would be custom to take off your coat while dining. And it's worth noting that during the events happening (at least in the first season), the season is summer. Which would make it quite ridiculous to be wearing so many layers everywhere you go and therefore risk boiling. But he still wears the coat.

The only times he doesn't wear it is in the first episode after the sushi, when he's all ALONE, and in season 2 at the bookshop when Crowley comes back and in 1941.

And there's something oh so personal about that.

I don't think it's a coincidence that the darker part is specifically the back of the vest. There's always been this natural human instinct to protect yourself by never ever turning your back on a foe. And I don't think this is a conscious effort on Aziraphale's part, but rather genius writing, directing and costume design, and anyone who's watched and read Good Omens knows that almost nothing is coincidental.

Note this is probably the first time Aziraphale has called Crowley his friend, seeing how uncertain and doubtful he was to even say the word in this scene and how quick he was to deny their friendship in the Shakespeare scene. And the camera immediately cuts from Crowley to Aziraphale, who is turned away, whose back is turned to Crowley oh so casually without a care in the world. Just before he calls him his friend. His back is turned, and so is the dark part of his vest.

The dark part he only shows in his bookshop, when he's alone and there's no one there. The part that he now only shows to Crowley as well. Crowley who knows him so well and who's been with him through everything. "I won't tell anyone if you won't." And "you said trust me""and you did". Just this small motion of Aziraphale depicts exactly how much trust he has in Crowley not only that he'll keep him safe and protected but to accept him just as he is, to not judge him, to not demean him for his imperfections as an angel. Practically mirroring Crowley's self-protection mechanism that is reflected in his motions to hide his eyes with his sunglasses (there's a wonderful meta on this by @simply-brightly-zee here )

And it might just be clothing, or it might just be genius symbolism, but note how self-aware Aziraphale is of his looks when Gabriel pops up.

The desire to impress is almost unconscious in this scene, and how does he go about doing it? By making sure he looks presentable. Presentable, despite the white patches and the vest that is falling apart, he doesn't even realise it. Therefore, it's clear Aziraphale puts thought into his clothes, whether consciously or unconsciously.

I personally dont think any of this (the coat, the patches, the way he turns his back, when, where and around who he's most comfortable) is a deliberate and intentional act on Aziraphales part but rather creative brilliance from the directors and producers. So him being shown to expose the back of the vest only in scenes with Crowley (and the one in s2 infront of an amnesiac Gabriel with the intelligence and awareness of a squirrel) is a master move on the costume department's part. The symbolusm being so small and imperceptible, but holding so much meaning. This small metaphor shows how much Aziraphale trusts Crowley and how comfortable he is around him. Crowley who knows about Aziraphale's transgressions, sins, unholy behaviours, lack of interest and dedication to his job, and overall "incompetence" as Aziraphale might put it and how he's "just enough of a bastard to be worth knowing". Crowley, who will accept him and love him no matter what. Not despite those things, but because of those things.

They have found their "own side".

Edit: Not that important, but I just want to mention how, despite being tattered and falling apart, the vest is still in perfectly good condition. No matter the white seeping in and draining its colour, the vest doesn't have a single seam torn, not a button lost, perfect as the day it was bought. No matter what it's been put through, it's still kicking, whether by miracle or sheer willpower. Very much like the person wearing it.

[strawbeerossi]

Dress

Pairing: Husband!Spencer x Wife!Reader

Description: When you’re getting ready for an event over at Rossi’s, you express how you feel you don’t look your best in the dress you had your heart set on. Spencer is gonna do his best to show you just how beautiful that you are.

Content/Warnings: Body image issues, full body kissing, oral (f receiving), praise, pet names, just some good love and fluffy sex.

Word Count: 1.9K

Kinktober Day One: Body Worship

Navigation || Kinktober Masterlist || AO3

The dress looked so beautiful whenever you bought it. The black silhouette did good at hugging your frame, highlighting every dip and curve. Most people would’ve loved to wear a dress like this one, to steal all the attention of the night and feel nothing short of a beauty queen. It was elegant, a smooth velvet that showed poise. However, it didn’t really work out that way for you the more you looked at it without the presence of wine and the loving encouragement of your friends.

That’s why you found yourself standing in place, trying to smooth out what you deemed as imperfections that just wouldn’t go away. This was a nightmare.

“We are going to be late, my love.” Spencer called from his spot in the shared bedroom, looking in the standing mirror on the back of our door as he was fixing his tie. Formal events at Dave’s house were always a fun time. You’d actually managed to feel fancier than normal, the champagne and pleasant conversation adding onto that. You were also quite fond of the idea of socializing with some of the people who had known Dave or even the other members of the team at any step in their lives.

“I think I’m gonna have to pretend to be sick..” You sighed while making your way out of the bathroom, heels clicking against the wooden tile and catching Spencer’s attention. “Why would you pretend to be sick?” He asked, voice filled with concern as he was approaching you, his hands gently cupping your warm cheeks.

Now there are many answers that you could’ve come up with to deter from the overwhelming amount of insecurity festering inside of your mind and body from the dress that you so desperately needed to buy online. Marrying a profiler meant that he would be able to call you out on the lies.

You opted for honesty.

“I just..” Your eyes were trained on the mirror across the room. There was hatred for the sight looking back at you. In a way, it felt as if you were drowning in poor self esteem. Fuck this dress. Why did you have to pick one right off the rack without trying it on first? JJ told you that it was sleek, sexy. It felt the complete opposite. “I don’t like the way I look in this dress. I don’t have anything else to wear over to Dave’s house and I don’t know if I could show my face wearing this.”

There was no doubt that Emily, JJ, Tara and Penelope would be elegantly dressed with flattering attire that highlighted every positive about their bodies. While all having different body types, it was easy to see the beauty in each of them. They all had such well defined features, their bodies being sculpted from the finest stone. They were all four Persephone reincarnated.

Then there was you, the awkwardly shaped one who never felt like she fit in. Your hair wasn’t as nice as theirs, your teeth weren't as nice and perfect.. Sometimes you found yourself wondering why Spencer chose to marry you whenever he had such fine women on his team. The self deprecating thoughts were cut off by Spencer, a soft shushing sound leaving his lips. You’d been crying for a minute without realizing.

“I think,” He began while leaning forward to press his lips against yours. “That you look,” He continued on with his soft, sweet kisses as they moved to your jaw. “Absolutely,” His lips were soon on the flesh of your neck as he let his arms wrap around your waist. “Ravishing.” He finally finished, his hands running over your hips in an effort to soothe those wandering thoughts.

“You don’t believe me.” Spencer’s voice stayed steady, a frown forming on his face while you were blinking away a few tears.

“It’s okay, I will have to just show you just how beautiful you really are.” With his hands moving to the zipper of the dress, you could feel your cheeks heating up. “We are going to be late,” You spoke while letting your eyes fall shut as the wet kisses were slowly trailing down to your shoulders. “I think David would understand. Besides, I can promise you that it’ll be an all night affair.” He chuckled. Which, yeah.. That made sense. David Rossi could keep an event going all night if he truly wanted.

As the black dress pooled by your feet, you offered a shy smile as the kisses continued, your skin being filled with warmth from all of the love radiating off of Spencer’s lips from each kiss that was littered across the skin of your shoulders and collarbones. “Besides.. I’ve been punctual for the past fifteen years in every aspect. I think that I can be late just this once.” He chuckled, hands coming up to unclasp the black bra you’d picked out, letting it fall with the dress before he was lifting you in his arms, prompting you to let your arms to quickly wrap around his shoulders. “We shouldn’t take too long anyway.”

Your body hit the clean duvet when you were laid back on the bed, the cover still smelling of the sea breeze fabric softener that you’d become so obsessed with. Your husband’s lips continue to trail wet kisses across your skin, his hands running up your body as he was on his knees beside you. “You’re so beautiful, my love.” His words were soft, sweet. “Especially laid out like this for me.” You’d been nearly bare, panties separating your wet pussy from his loving gaze. His hands massaged the skin of your hips, lips littering more kisses around your chest area. “My perfect girl, I don’t know how a guy like me could be so lucky.” Love dripped onto your skin akin to the feeling of the bright sun shining against your skin on the hottest days. Your response came in the form of a soft breath, feeling his tongue flick over your right nipple.

His tongue flicked over the sensitive bud, the male humming in delight as he could feel it hardening at the wet muscle massaging over it. He knew the sensitivity of your body, his hands kneading at the warm flesh of your breasts. You were reduced to soft moans, encouragement for more as your fingers tangled in the once neatly styled curls. “Fuck, Spence.” Your words were a melody to his ears, the male not always being so fond of partaking in swearing or really listening to it. However, whenever you did? He enjoyed it. That meant he was doing his job in the intimate positions that you both had found yourselves in.

Pulling off with a loud ‘pop’ filling the room, the honey colored irises were focused on your face, still contorted in pleasure as his hands were massaging your tits with his large hands. He repeated the same action with the opposite nipple, one hand dropping and his fingertips trailing down your skin, the goosebumps on your body standing at attention as his thumb was pressing against your clothed clit, hips wiggling in an effort for more.

Who was Spencer to deny his amazing wife the pleasure that she so desperately deserved?

Even if he didn’t want to, the male was detaching his mouth from your chest while his long fingers were hooking into the waistband of your panties. Your hips lifted out of instinct, body feeling hotter than ever as you were desperate to feel more of the touch you craved in the place that you needed it most.

After the panties were tossed somewhere behind him, the male let his hands carefully push your thighs apart, eyes focused on your slick cunt that looked more beautiful than he could put into words. His mouth was agape at the sight, those pretty honey eyes slowly disappearing in the black of his pupils.

“Fuck,” The swear was rare, yet hearing it fall from his voice in the dulcet tone never failed to surprise you.

“We’ve got twenty minutes before Dave starts calling,”Spencer spoke while glancing at the alarm clock, eyes falling on the mouthwatering sight nestled between your thighs. “So, think you can do it?”

The question was rhetorical. He knew by now how your body operated.

Before you could answer, his face was disappearing between your thighs, lips pressing kisses to your inner thighs as he sucked and nibbled at your skin. Leaving hickies between your legs was the best place, mainly because they were for his eyes only. It wasn't something unprofessional to where you couldn’t go to work without covering up. Less headache. The man was practical.

His tongue lapped over your clit as he was delving in, eyes fluttering shut. His favorite place had to be between your thighs. Stressful case? He’s licking and sucking your wet cunt from the safety of your hotel room. You want intimacy but he’s not in the mood for sex himself? He’s disappearing under the sheets.

He was intoxicated by your sweetness, drinking in every ounce of arousal that you were so happily giving him. His tongue ran alongside your velvety inner walls, your pussy spasming from the muscle that was darting in and out of you, having to alternate between your clit and your core.

Your hands were tangled in the now messy curls, your back arching off the mattress while the sounds of your moans and cries filled the room in addition to the suckling and groans coming from your husband, who was so focused on licking every inch of you.

You felt the familiar warmth deep in your stomach, a knot tightening inside of you as your pulsating walls were closing in on Spencer’s tongue. With your hands shoving his face deeper into your weeping pussy. “I’m gonna cum, Spence.” You panted out, eyes fluttering shut as your head tilted back against the pillow behind your head.You know that you couldn’t hold back any longer, your body giving every indication that it was ready to unleash a wave of ecstasy.

The man licking and sucking didn’t let up, his hands having to hold your hips down as your orgasm was building. The more you wiggled and thrashed, the more that he knew that it was coming.

“I-” You tried to get out, however that didn’t work out in your favor as a moan was chasing what was supposed to come out of your mouth. Your legs were shaking as you were finally hitting release, your nails digging into your husband’s scalp while your mouth was agape.

The warm muscle was licking and cleaning up your thighs before you were seeing your husband’s face again. His chin was wet and his hair was an absolute mess as he rubbed your thighs.

“Let's get you in that pretty dress and get to Rossi’s.” He breathed, letting his teeth playfully bite at your inner thigh before he was pushing himself up.

Which you didn’t argue, the post sex haze making it difficult to speak. Even after you were redressed and Spencer had his hair fixed once more, he was coming to wrap his arms around your waist as he noticed you in front of the mirror.

“Feeling better? Cause I promise that you are going to be the most gorgeous woman there, you’re gonna have all of Rossi’s friends flirting with you.” He mused, nuzzling his nose against your cheek as you let out an airy laugh.

“Let’s get going, hmm? I need my beauty queen to make me look good.” He offered his arm out to you as they linked together, his free hand on your arm as you both made your way downstairs.

[prying-pandora666]

ATLA Fandom and its Rejection of ATLA’s Messages

Can we talk about something for a moment?

The ATLA fandom loves to go on and on about all the ways the characters are “toxic” and who “deserves” redemption, in ways that are completely at-odds not only the messages and themes of the show but also in ways that are simply incompatible with being imperfect humans.

More than that though, there’s a complete failure or unwillingness to engage with philosophies unfamiliar to them. No effort to try and broaden their understanding. No, it’s all about pearl clutching.

Look at this:

Pretty funny little meme. Was posted on Reddit. Not that far-off from what actually happened in the episode.

Now let’s look at a couple of the comments.

The first commenter outright claims that a remorseless person doesn’t deserve forgiveness. No elaboration. No reasons given for why they disagree with Aang in this moment. It’s just stated as fact and several people uncritically agree. It is assumed that Aang’s thinking is wrong and everyone should agree.

You can see my comment countering this blanket statement, and bless the commenter below me for tying this back in to what Aang said. Understood the assignment! Succinct and to the point.

But then look at this:

The thing that really gets me about this is not only that they ignore the entire message of the very episode being shown here, but that they wholly condemn Aang’s (and his people’s) way of thinking as cowardice or a failing driven by fear. It frames Aang counseling Katara to not murder a man for vengeance as him somehow wanting Katara to stay afraid??? What???

Is it any wonder so many people twist and misrepresent this episode and its lesson?

No wonder then that so much of the fandom—and indeed even NATLA—is full of apologists for the Fire Nation despite their horrendous actions. The irony being that the one Fire Nation character the fandom widely condemns and refuses to extend empathy towards is the same one who expresses the very same sentiment contrary to Aang’s beliefs!

Remember what little Azula said about Iroh surrendering at Ba Sing Se?

The Fire Nation are the ones who believe in vengeance and violence. This is why Zuko thought killing Yon Rha was what she needed. It’s what he’s been taught. It’s what he and his sister were raised to believe. But the show is explicit about the fact that this is wrong. Iroh ends up living in Ba Sing Se peacefully! No revenge necessary!

The Air Nomads, meanwhile, teach forgiveness as a way to cultivate peace within yourself. Of course Aang reflects this teaching. And although Katara isn’t able to fully forgive Yon Rha (nor does Aang feel she has to), she is able to let go of her anger and find closure. She spares Yon Rha. She turns the other cheek. She moves on. Aang is explicitly shown to be right.

You don’t have to agree with all the messages of the show, but can we at least try to engage with them?