#we literally just wanted to see the male lead of the show

[landonkirbyappreciation]

I’ll never understand why the writers chose to alienate not just Landon, but Landon fans too basically. Like it had already sucked being a Landon fan in the legacies fandom, with all the relentless hate Landon got and we got as Landon fans. But then not even halfway through the show, the writers decided to join in on the hate too. Which was so clearly reflected in the way they treated Landon and had the other characters treating him, and the narratives regarding Landon’s character. As well as the way they would validate totally false anti Landon arguments that came straight from haters. (Which ended up making absolutely no sense whatsoever in the show because none of it actually applied since it was made up by people who just wanted to hate on Landon.) They’d support crap that antis would say, would bend the narrative to prop up their biased and hateful opinions, and even added in some lines that were practically taken word for word from anti Landon/Handon tweets. Which all just fueled more hate from antis. So not only were Landon fans dealing with the hate in the fandom, but we were seeing the same garbage repeated in the show as well, which made everything even worse. At least before we could still enjoy the show for the most part, even though all the hate in the fandom sucked. But once the writers joined in on the hatred, there was no escaping the Landon hate at that point. And not only did the hate become rampant in the show amongst the characters and the narrative, but we didn’t hardly get to even SEE Landon in the last two seasons. Like even trying to enjoy the bare minimum of just seeing Landon, we couldn’t even have that. Because the real Landon was gone for the majority of season 3 and then was hardly in season 4. And by then there were no fake Landons either so we hardly even saw Aria. Like I still don’t understand how a TV show can get to a point where fans of the leading man are desperate for him to simply show up throughout a whole season?? We really went episode after episode hoping he’d be in it, and we either got nothing at all or only a few minutes of screen time that did nothing good for his character. We had next to nothing to even watch in the end, and the little we did get was horrendous. The few episodes where Landon did get more than a few minutes of screen time, it was all centered around screwing him over even more. Basically every moment of screen time he got (or didn’t get) was an insult to his character. The way he was treated, the narrative surrounding him, the messaging, etc. it was all completely insulting. And it made being a Landon fan absolutely miserable. And on top of all that, the writers also strung us along (surely to keep us watching so they wouldn’t lose any more viewers) by having Landon trying to escape limbo for most of the season, making it seem obvious that he would eventually, and also teasing that he would be the one to bring back Hope’s humanity (even more reason to believe he’d escape limbo). And then when they didn’t give us that and instead changed the narrative to Landon suddenly being content to stay in limbo, they then baited us with a Handon reunion and “big Landon stuff coming.” Only to give absolutely nothing but the very worst for Landon in the end. It’s just crazy how the writers hated Landon on so many levels that they clearly hated Landon fans as well.

[genderqueerdykes]

as an intersex trans wo/man, i've noticed that unfortunately it has become painfully obvious that not only do radfems and terfs try to abuse trans men into falling in line with their beliefs, but unfortunately, this happens to trans women and transfemmes as well. i've unfortunately seen several trans women fall down the the "men evil, women innocent, trans men have cis male privilege, trans men don't struggle, trans men aren't men or trans they're just confused butches," pipeline really quickly after transitioning or their eggs cracking, and it's not necessarily that transfem's fault, but rather an abusive person sweeping in to take advantage of someone who needs and wants validation in feeling like a woman. the person who put the terf ideals in their head during this crucial stage in development is to blame, it is not inherently the trans woman's fault.

vulnerable transfems and trans women become indoctrinated into these things. trans women and fems are not inherently bitter, shitty, hateful people. it's a select few who become groomed by radfems who push this belief, and push it hard, because that's what you do when youve been indoctrinated into a cult. it's not an issue inherent to trans women and transfeminism at all- it's vulnerable people being groomed. this is a serious issue of trans women and fems being groomed and brainwashed.

this is a huge deal and we have to stand up for each other, because the transfems getting groomed into this need support and help to get out of this cult. it is not okay for women who are just trying to find their footing to almost instantly get sucked up into a literal hate group. we have to help trans people who become indoctrinated into gender essentialism, antimasculism, and transandrophobia just as much as we help other trans people unlearn transmisogyny. these issues are both damaging our community on the whole.

radfems are aggressive and will try to indoctrinate anyone they can into antimasculism, transandrophobia, and gender essentialism. a lot of trans women in the early stages of transition really want to be validated as women and such, will become groomed by these groups of cis women who will gladly feed them toxic ideals like women can never be wrong, women are always innocent, men are always harmful and evil, it just benefits the radfems, not the trans woman. this behavior grooms yet another person into spreading radfeminism without realizing it. when one espouses these beliefs they become a spokesperson for radfeminism and terfism

i'm plain tired of seeing this argument, because it is nothing but gender essentialist binarist bullshit:

"transphobia is worse for trans women than trans men because of x, y, z."

its not worse. its different. but equal.

i understand that many folks have not lived the life a trans man leads, but whenever you try to speculate on what it's like, you will always be wrong, no matter what, because you weren't in that person's shoes. it's impossible to see the nitty gritty of how a specific group of people are treated unless you are that person or spend lots of time around large groups of those types of people. trans men face homelessness at a disproportionately high rate compared to other groups of queer folk. we also deal with forced detransition. we deal with being dehumanized by she/her pronouns. we deal with having lesbianism and butchness weaponized against us. we also deal with sexual violence. we also deal with physical, mental, and emotional abuse. we deal with gaslighting, lying, being robbed, abandoned, injured and killed. its virtually impossible to find support if you're a pregnant trans man.

trans men have a lot of unique struggles. this is not a comprehensive list, but rather to show you that ALL trans people struggle. we are united under the same banner of transphobic treatment. we are struggling, but we are struggling together, and we can uplift each other without tearing each other down. punching down on another trans person hurts us all.

belittling the trauma of other trans people is a form of queer infighting that terfs want you to do in order to fracture our community further. queer infighting doesn't help anyone whatsoever. trans men do not have it harder than trans women. trans women do not have it harder than trans men. amab and afab and intersex enbies don't have it worse than each other. these are all completely different and unique struggles that deserve to be acknowledged for what they are. you cannot use the same scale of severity for a totally different problem.

people love to completely gloss over the issues trans men face for the sake of believing that all men benefit from patriarchy. saying that trans men are not affected by specific kinds of transphobia is spreading the radfem belief that only women struggle under patriarchy. queer men, men of color, intersex men, gay men, bisexual men, trans men, polyamorous men, genderfluid men, bigender men, gender non conforming men, feminine men, men who crossdress, disabled men, neurodivergent men, mentally ill men, and other marginalized men suffer under patriarchy as well.

i'm not tolerating radfem gender essentialism being woven into queer ideals anymore. this behavior has to go. when you genuinely believe these things, we all lose.

[obsessed-with-fake-men]

After His Show

After seeing the band play a gig in the city, you ride back to town on Seb’s motorcycle. But, you get a little distracted along the way…

Sebastian xF!Reader, Sebastian xAFAB!Reader

Rating: Mature/Explicit

Tw: nsfw, mdni, smut, p in v sex, unprotected sex, mentions of cigarettes, pet names, semi-public sex, oral male receiving

AN: This fic can be read as a follow up to Under His Desk or as a stand alone. I have been on the motorcycle thirst trap side of the internet lately and I thought that perfectly aligned with a fic idea. I have never ridden a motorcycle so if my descriptions are inaccurate, I’m sorry :)

Wc: 4400

It was another fall day and you had just finished a harvest which meant one thing - it was time to pop into Pierre’s for some more seeds. You head down the road that leads into town trying to decide if you want to focus on artichokes or if you have enough time left in the season to plant some fairy roses. You’re so lost doing the mental calculations that you would’ve run into Sam if he hadn’t grabbed you by the arms.

“Look where you’re going, farmer! You could’ve made a dent in me,” he jokes, squeezing your biceps. “No, but for real you’re strong right?” 

“Uh yeah, I guess I am?” you shrug.

“Well, we could use an extra roadie for the Goblin Destroyer show tomorrow night if you’re free,” he says. “I know Seb would be really happy if you were there.” Sam winks at you.

You flush, forgetting that Sam knows you and Seb have been fooling around since he almost walked in on the two of you. If you’d only grabbed your bra before hiding under Seb’s desk this embarrassment could’ve been avoided.

“Yeah, sure I don’t have any plans for tomorrow,” you say. “It would be cool to see y’all at a real gig and not just rehearsals.”

“Sweet! Okay, we’re meeting at the bus stop at 4, see you there,” Sam calls as he heads for home.

The next day you finish your chores around the farm as quickly as you can. You may be a roadie tonight, but you’re a groupie at heart and you want to look the part. When you’re satisfied that you look somewhere between halfway decent and slightly hot, you head for the bus stop. 

As you approach, you see Seb leaving. You try to catch his eye but it’s clear his head is elsewhere. When you get to the bus stop, Abigail whistles at you.

“Damn girl, you clean up nice,” she exclaims. You hadn’t really had a chance to dress up for a night out since you moved to Pelican Town a few months ago.

“Thanks,” you laugh. “You look great too, very punk rock.”

“Dude I wear this outfit literally all the time, but thanks,” she laughs.

You help load the rest of the equipment, looking around every now and then hoping to see Seb. By the time all of the gear is loaded, Sebastian still hasn’t appeared. You see Sam lingering by the doors to the bus.

“Hey Sam, is Seb… I mean I saw him heading to town when I got here and we’re about to leave,” you trail off.

“Oh yeah, he had to help his mom with something, he said he’ll meet us there,” Sam replies.

Disappointed, you board the bus behind Sam.

The ride to the venue goes by faster than you expected, and you spend the whole time laughing and joking with Sam and Abigail. Upon arrival you jump into your role as a roadie, unloading gear off the bus with the same focus you use to plant or harvest crops. When everything is set up, you head outside for a smoke break. You’ve always smoked off and on, but since hanging around Seb the habit has admittedly gotten a bit worse.

Searching your pockets for a lighter, you come up empty. You wish Seb was there, he always has one on him. As if in answer to your prayers you hear a motorcycle nearing. Looking up, you see Seb riding towards you. You had to focus to keep your mouth from falling open. Sure you’d seen him working on the bike and that was objectively hot, but seeing him ride up on it was another thing entirely. You weren’t sure if it was the confidence he rode with, but even with his face obscured by the helmet he looked sexy.

Seb pulled the bike up right next to you. He was surprised he parked straight because he had been looking only at you since he entered the lot. Seb knew you were going to be there tonight, but damn he didn’t know you were going to look this good all dressed up in black. He knows that it’s the traditional color crew wears, but he hopes you considered his reaction as you picked out your outfit - the thought makes him blush. Those tight black jeans seem to hug every curve and your top is cut just low enough to get his heart racing. 

Sebastian pulls off his helmet and runs a hand through his dark hair. 

“Need a light?” he asks, nodding toward the unlit cig in between your fingers.

“Yeah, your timing is perfect,” you say, as Seb dismounts the motorcycle and pulls a lighter from his pocket. 

You lean forward, breathing in as he lights the tip of your cigarette. 

“Sounds like you were missing me,” he teases, plucking the cig from your fingers to take a drag.

“Missing you or just your lighter, who’s to say,” you retort.

Seb offers the cig back to you, instead of taking it, you lean forward making eye contact as you take a drag while it’s still between his fingers, lips brushing his digits. Seb’s cock twitches at your brazen flirtation and he huffs out a laugh. Damn, you really know how to get him going.

Seb grabs your hand and pulls it up to his mouth. He kisses the inside of your wrist, causing you to draw in a ragged breath.

“Well I missed you, y/n…” he whispers against your wrist. 

You can’t think beyond his admission and his breath dancing across your sensitive skin. It makes your heart race and you’re certain he can feel your pulse quicken under his soft touch.

“Are you sure you haven’t missed me too?” he teases, pulling your body flush with his. Seb’s other hand captures your chin, forcing your gaze to meet his - the cherry of your cig reflected in his blown-out pupils. 

“You can tell me, baby,” he coos. “I know how to keep a secret.”

The back door to the venue opens with a bang.

“Yo Seb, you out here?” Sam’s voice calls. “It’s time for the final soundcheck!”

“Yeah man, I’ll be there in a minute,” Seb shouts back, not taking his eyes from yours.

Without warning, he pushes you back against the wall of the building, lips locking with yours, cigarette dropped forgotten on the pavement.

His hand travels to your waistband, fingers skillfully popping the button of your jeans.

“Seb what are you doing??” you hiss. “Someone will see us!”

“Not if I’m quick,” he promises with a wink.

Undoing your zipper, his long fingers find their way to your underwear. A moan escapes your lips as he brushes over the wet cloth barely covering your pussy. Seb is quick to capture the sound with his mouth.

When you quiet he whispers in your ear, “Can’t believe how wet you are for me already sweetheart.”

Gently he runs a finger through your folds under the fabric. You gasp, struggling to remain silent. Seb plunges the finger deep into your hole, covering your mouth with his other hand to keep you from crying out. 

He pumps his finger into you a few times, just enough to make you ready to beg for more when he removes his digit from you, bringing it to his lips. Watching Seb suck your juice from his finger causes your walls to clench around nothing - you can’t get over how hot and bothered this man makes you.

“Don’t worry baby, I just wanted a taste. Let’s call it a good luck charm,” Seb chuckles. “C’mon, they’ll be wondering where we are.”

As Sebastian heads onstage for sound check you grab a drink from the bar and join the waiting crowd. You’re not in the first row but you don’t mind. Positioning yourself in front of the keyboard, you look around, shocked by the number of unfamiliar faces at the show. The second the lights go down and the band takes the stage, there’s a palpable shift in the energy. Sure you’d been to rehearsals and a couple of local shows, but seeing the guys and Abby on a stage in the city, they look like they belong up there.

Seb had played it cool in front of you, but as he walks onto the stage he can feel his hands begin to shake. Shit, this is the biggest crowd they’ve ever had. He can NOT fuck it up now. Positioning himself behind his keyboards, Seb blinks through the spotlights to the sea of faces. Well maybe not a sea, but it’s a decent-sized lake. As soon as his eyes adjust, he sees you. He’d recognize your smile and bright eyes anywhere. He’s always nervous for shows, but locking eyes with you, he lets out a breath he didn’t realize he was holding. You mouth “you got this” and blow him a kiss. God you’re so cute, he thinks, shaking his head to himself as his heart swells.

Abby starts the count-off with her drumsticks and muscle memory kicks in. Seb loses himself in the music as he always does. Forgetting he’s on a stage in front of a crowd of strangers, his fingers know just where to go. As the first set ends Seb slowly comes out of his daze, guided by Sam’s voice distantly addressing the crowd.

“We are Goblin Destroyers, thanks for coming out tonight!” Sam shouts as the crowd cheers. He introduces the band, and as you hear him say “...and on the keys we have Sebastian!” a huge cheer erupts from the audience. It’s a little too big of a cheer for your liking, and you can see Seb trying to hide his flushed face behind his dark fringe. You feel a sudden surge of jealousy and mentally kick yourself for not having marked Seb’s neck with your lips and teeth before the show. You’ll have to remember that next time. 

The music starts back up and you surrender yourself to the sound. The bass thrums in your chest and your eyes are glued to Sebastian. You love watching him play. It’s as if all his worries melt away leaving just Seb and the music. It’s so hot to see him this way, totally raw - the mask he usually keeps up between himself and the world is replaced by a look of utter calm.

The only other time you’ve seen him like that is when he’s inside of you. Watching his fingers expertly fly across the keys sends a shiver down your spine as you remember where they were just an hour before. You try to keep your lust at bay and enjoy the show, but the only music you want to hear now are the sweet groans from Seb’s lips as he fucks you.

After a few more songs, the show is over and people begin filtering out of the venue. You head backstage to help pack up when a hand grabs your arm and pulls you into a dark corner. Just as you open your mouth to shout, Seb slots his lips between yours for a devastating kiss, full of tongue and teeth and the adrenaline high he still has from the gig. You pull back for breath and punch him in the arm. 

“Ow, what was that for?” he asks rubbing where you struck him.

“For making me think I was getting kidnapped,” you laugh, putting your hands around his neck. Leaning up, you whisper into his ear, “You looked really hot up there,” and you take his lobe between your teeth. Seb lets out a soft groan and cups your ass in his hands. 

“Ahem,” Abigail clears her throat. 

The two of you freeze, debating whether it’s too late to pretend you were doing something, anything more innocent than what she’s seen.

“Oh my god, chill out you two,” she scoffs, rolling her eyes. “I know you’re fucking, Sam called me as soon as he left your little sex pad.”

You burst out laughing and Seb says, “Ew, Abs don’t call my room a ‘sex pad’.”

“Whatever, will y’all just help pack up the gear?”

You turn to leave, but Seb pulls you in for another quick kiss.

“If everyone knows, I might as well show you off,” he says with a wink before walking away.

Packing up is quick work and before you know it everyone is piling into the bus.

“You want the same spot?” Abigail asks. 

“Oh um actually Seb said he’d give me a ride back….” you say. 

“Ah, I get it. You two drive safe and use protection,” She says, closing the last door on the equipment storage.

You flush and stammer, “wha- we won’t uh-”

“Oh my god wear a helmet, dumbass,” Abigail laughs, punching you lightly in the arm as she heads for the bus.

You make a final sweep of the venue to make sure nothing is left behind. Emerging into the parking lot you see Sebastian, leaning against his bike. The lone streetlight above like another spotlight, and he’s putting on a show just for you. Seb’s lips curve into a soft smile as takes a drag from his cigarette. The smoke curls up around him, obscuring all of his features except his gleaming eyes that track you as you approach. All his.

Finally alone, the desire that has built up over the course of the night threatens to overtake you right here in the parking lot. You reach for him as Seb puts an arm around your waist pulling you close. He leans down, kissing up your neck to your ear.

“Did you get all dressed up in black just for me?” he whispers, nipping at the sensitive shell of your ear. You let out a shaky breath. 

“All for you Sebby,” you sigh.

His cock hardens from both the nickname and your admission. He pulls your body flush with his. You gasp as you feel his hard length pressing against you. 

“Let's get you home sweetheart, there’s so much I want to do to you,” Sebastian growls into your ear.

Taking one last drag from his cig, he drops it to the pavement putting it out with a twist of his foot. Seb reaches behind his back and produces two helmets. He hands you the smaller one.

“I thought you only had the one helmet,” you tease. 

“Gotta keep my girl safe,” he says with a wink. 

The two of you put on the helmets, and you watch as Seb straddles the bike. Ugh, he looks so hot, something about the helmet covering his features, only his neck exposed, really gets you turned on. He starts the bike and revs the engine. Seb reaches out a hand to you and you take it, straddling the bike behind him, you wrap your arms around his stomach. He reaches back, running his hand down your thigh, giving you a quick squeeze. And then you’re off.

God, you feel so good nestled behind him. Your arms hold him in a tight hug as your thighs squeeze him. Fuck he loves your legs and with your tits pressing into his back, he’s in heaven. Seb has always loved taking his bike out, he feels so free flying down the quiet highway under the stars.

His heart swells at the trust you place in him, to keep you safe as the two of you speed through the empty streets. He hopes you’re having a good time too when he feels you lean back and let out a whoop into the night air. Seb laughs and does the same. When he’s with you, it’s like gravity’s endless weight is lifted and he can dream again. You must sense this because you squeeze him tighter for a moment. 

Something no one ever told you about riding a motorcycle is that it’s basically one giant vibrating seat. And with your arms around the man you’re planning to fuck the second this ride is over, the sensation is making you extremely horny. You can feel the wetness pooling between your legs and you try to adjust your position to get the vibration right where you want it. Seb must think you’re uncomfortable because the moment you shift his hand reaches back to squeeze your thigh again.

His worry for you makes you determined to let him know just how good you feel. You start to move one hand, running it down his stomach. Seb returns his hand to the handlebar, thinking your touch is to reassure him, but you aren’t done. Your fingers drift downward, searching and finding. His cock stiffens and his hands clench the handles. You give him a rough squeeze through his jeans and he lets out a groan barely audible through the sound of the wind. You tug on his length as you rock your hips on the seat.

Closing your eyes you begin a slow pace of jacking him off over his jeans and grinding your pussy into the vibrations. You’re so lost in seeking your pleasure that you don’t notice Seb has turned off the highway until the motor cuts off. You whine at the lack of vibration, not fully comprehending what’s happening until Seb pulls you off the bike. His helmet is still on but his visor is open. You can see the desire flashing in his eyes. 

“My needy girl, couldn’t wait to finish the ride before needing my cock,” he growls. 

“I- I didn’t mean to…” you whimper as Seb pulls off his helmet, and runs his hand through his hair. 

“What am I gonna do with you,” he huffs out a laugh, shaking his head.

Setting down the helmet, Seb circles the bike. You take off your helmet, shaking out your hair. He drinks in the sight of you, the moonlight shining off your hair, the desperate look in your eyes, the way your black clothes cling to you and how he wants to peel them off. He pauses in front of you, hand palming his now aching erection. Your gaze is glued to that hand, taunting you.

Seb undoes his belt buckle, pops the button on his jeans and slowly pulls down the zipper. Watching you squirm with every small movement, he could do this for hours, basking in your hungry gaze knowing that you want him just as much as he wants you. But he won’t keep you waiting. He eases his cock out, hissing as the cool night air trails over his hot length. 

“On your knees baby.” 

You oblige instantly, he chuckles at your obedience. 

“That’s a good girl,” he growls. 

He shudders as you grab him, pressing a light kiss to his tip before you flick your tongue along the slit dripping with precum. And when your warm, wet mouth wraps around his length he has to stop himself from thrusting into the back of your throat. You take your time, sucking with your mouth and pumping with your hand until he can’t take it anymore.

He grabs a fistful of your hair and rocks his hips forward. Forcing his cock to hit the back of your throat. The feeling of your tongue on the underside and the light scrape of your teeth on top force out a groan from deep within his chest. His eyes lock on yours, so full of tears just waiting to spill out. He thrusts a few more times, relishing in the feeling of his balls hitting your chin. When your throat squeezes him as you choke on his cock, he swears if he died right now at least he’d die happy.

And as much as he craves to chase his own pleasure and pump his seed into your waiting mouth, he has to make sure you’re okay. Pulling his dripping length from your lips, Seb crouches down to cup your face in his hands. You cough and take in a few ragged breaths before meeting his gaze. He strokes your cheek, “such a good girl for me” he sighs pulling you in for a searing kiss.

“Up you go,” he says, pushing you up to standing. You lean back against the parked bike, not trusting your legs to hold you. Now it’s your turn to look down at Seb, even though you know you have tear streaks on your face and drool on your chin, his eyes are full of adoration. It’s so cute you don’t know if you want to laugh or to cry.

He rubs his hands soothingly up and down your thighs. Then his fingers catch the hem of your shirt, lifting it just enough for him to press a soft kiss to your stomach. He grabs the waist of your jeans, eagerly undoing the button and zipper he pulls them down to reveal your black panties. This pair has a little bow just below the waistband like you’re a present that’s his to unwrap. He stands slowly, moving his hands from your waist to cup your breasts. 

He kisses you softly then whispers in your, “Turn around for me baby.” 

You do, bracing yourself against the bike. He softly touches your ass. It’s fully on display, framed by the lacy black straps of your thong. He growls, slapping your soft flesh. You let out a moan as the cool night breeze instantly soothes the sting. Seb cups your pussy and chuckles when he feels the hot wet crotch of your panties. 

“If I knew you’d like the bike so much, I would’ve put you on it ages ago,” he teases, pulling the fabric to the side.

He teases your slit with a long finger, dragging it through your folds to lightly flick your clit. You gasp and arch your back. Fuck he loves how responsive you are, every touch eliciting a reaction. He plunges two fingers into you, pumping his cock at the same pace. He gets lost in watching his digits disappear into your warm, wet hole. 

“M-more Seb, please,” you whine, pulling him from his trance. Before you register the loss of his fingers, the tip of his cock is already teasing your folds. You moan, pushing your hips back. 

Seb chuckles. “Is my sweet girl ready for my cock?” he asks under his breath.

He knows the answer is yes, he knows you’ve been ready since before the show, but he likes making you wait. Teasing you until his cock is the only thing that could make you feel better. He notches his length at your entrance and slowly pushes into you. You groan, finally getting what you’ve been craving for days. Your toys at home can’t compare to this feeling. Being filled and fucked by your man. 

He slowly enters you until his entire length is sheathed inside your perfect pussy. Your walls clench around him causing his breathing to turn ragged. His grip on your hips tightens, as he eases out of you until just his tip is inside of you. Then without warning, he shoves all the way back in. You cry out, arching your back and Seb knows he’s hit the spot inside you that makes you see stars. He thrusts into you again and again, fingers leaving bruises on your flesh as he steers you closer and closer to orgasm. Your walls squeeze him tighter and he knows you’re close. 

“That’s it, baby,” he grunts, “Cum for me, you can do it.” 

And you do, expletives and his name string together in a chant that he’s sure could raise him from the dead as you cum around his cock. He follows you over that cliff, pushing as deep as he’s able, sealing his body with yours as tightly as he can. If two souls could join, it must feel like this, he thinks as he empties himself into you.

The two of you stay in this position, you draped over the motorcycle like Seb’s wet dream and Seb still inside you, head hung low, trying to keep his legs from giving out as he decides if he ever wants to move again. And then your pussy flutters around his length and he’s sure if he doesn’t pull out now he’ll die from the overstimulation. Easing his cock from you he watches entranced as his seed drips out of you.

He’s never wanted kids but his mind is suddenly filled with images of your belly swollen as his child grows inside of you. He flushes and his cock twitches painfully at the thought. He pushes that desire down, your relationship (if you can even call it that) is so new, he’ll do anything to keep from scaring you away.

Carefully, he covers your dripping pussy with the thin strap of fabric that is your thong. You groan and wiggle your hips as he rubs you through the fabric. Seb slaps your bare ass, huffing out a laugh at your little yelp. After tucking his cock away and pulling on his jeans, Seb helps you up and turns you around. Leaning against his bike, he pulls you into his arms kissing the top of your head and breathing in the smell of your hair. You rest your head on his shoulder, kissing his neck.

His heart is so full he fears it might burst. You pull back to see his face, the look in his eyes is so tender, so loving you have to hold back tears. You slide your hands behind his neck and pull him in for a kiss. The kiss is long, full of hope and passion and all the things you are too nervous to say.

Pulling away from the kiss, Seb squeezes your still-exposed ass. “Let’s put this away before you tempt me to go again,” he says pulling up your jeans. You giggle, buttoning your pants. When you look up Seb is back on the bike, his arm extended toward you with helmet in hand. 

“What do you say, baby, let’s keep this adventure going?” he asks, hoping you understand the weight of his words. You know that after tonight, your heart is his whether he knows it yet or not. You take the helmet and climb onto the bike behind him. You whisper into his ear, “Lead the way Sebby,” and set the helmet on your head. He starts up to engine and with a whoop, the two of you speed off into the night. 

[trillscienceofficer]

from Cinefantastique Vol 28 #4/5, November 1996

TABOO BREAKER: Another Trill gender bender, “Rejoined” echoes TREK's legacy of exploring the nature of love.

By Dale Kutzera

Thirty years ago STAR TREK broke a long-standing television taboo by presenting the first interracial kiss—a fact Gene Roddenberry often boasted about. Early in DS9’s fourth season a similar taboo fell. Though not the first lesbian kiss—LA LAW and ROSEANNE have done it, as did PICKET FENCES (albeit with the lights out)—it was certainly the most passionate. For 15 incredible seconds, Jadzia Dax and the wife of a former host kissed. And not a closed-mouth kiss, turned away from the camera as between Kirk and Uhura. This was passion.

The writers did not set out to create a “gay” show with “Rejoined.” The original story involved a male lover of one of Dax’s previous hosts and how their renewed attraction broke a Trill taboo against relationships with lovers from past lives. “We had talked for a long time about doing the show about Dax and a former spouse,” said staff writer/producer Robert Hewitt Wolfe, “and we always suspected that was a Trill cultural taboo. But how do you make the audience understand that even though Dax is doing something they would find acceptable, it’s against the norms of social behavior for her society? The story came before the decision to do the same sex couple. It was always an analogy to the way homosexual relationships are treated in our society. Trills have no reason to be against same sex couples, but what a better way to show that they are a totally different, alien society than to see them reacting in self-righteous indignation just because they were lovers in a previous life? That society should dictate who you should and should not love is a sad thing and that’s what the show is about. We didn't sit down and say ‘Lets do a gay show.”

Credit Ron Moore with taking Rene Echevarria's story and re-shaping it by making the past lover a woman. “Initially it was a man, she was a woman, and here they are,” said Moore. “I remember reading the story and thinking about it. Literally, I was on my way home and started to think this would be a much stronger story—it would really be a stand-out episode of the series—If this was a woman. Play it as a woman and really go for it. I called Ira from my car and he was receptive and the next day we just dumped it on the staff. It got batted around and there were reservations here and there and then everybody signed on board.”

“Ron is the one that made it happen," said Echevarria. “People had talked about doing a so-called lesbian angle in other contexts. Ron is the one who brought it together and said this is the show. The taboo was Michael Piller’s idea and Ron merged it, saw how they tracked and said, ‘We will do the show and never even mention the fact that these are two women. This taboo tracks with our own taboos or many audience members’ taboos about homosexuality and the argument will track straight down the line and it will be great.”’

Realizing that, as in any story of rejoined lovers, it would inevitably lead to a passionate kiss, Moore wrote a memo to Ira Behr and Rick Berman justifying what could be DS9’s most controversial episode. “We knew it was going to be a controversial episode if we went for it, so we clearly had to go to Rick and the studio,” said Moore. “Rick questioned us. He wanted to make sure we knew what we were doing and why. He focused in on it and then he went to the studio and their reaction was the same: “Why? How is this going to work? How are you going to handle it? Is this going to be just salacious? Is this going to be tasteful? And how far are you going to go?’”

The studio was concerned that some viewers may infer that the two women were having sex, and worried that some affiliate stations would not air the episode. “It really boiled down to how far are you going to go and how are you going to handle it?" continued Moore. “The fact that this show was not known as NYPD BLUE and was this shocking the audience and taking them by surprise? I think we pushed it in the kiss scene. That is a powerful, amazing scene. You can’t get around that. That is the show stopper. It was not a gratuitous scene—I thought I would have done it if that character had been a man. So I didn’t think we were doing it to grab attention. It was the right thing to do in the story and it’s going to hit you in a more powerful way. One of the arguments we used was this is part of our franchise legacy. The original series prided itself on TV’s first interracial kiss. We've been priding ourselves on that for 30 years, so why not take the next step and be true to our ideals and convictions. STAR TREK has a point of view, a not completely middle-of-the-road view of the future. This is part of our view.”

Before proceeding, the general premise was run past actress Terry Farrell. “Ira called me last summer to say Michael [Dorn] was on the show and would I mind kissing a woman?" said Farrell. “At the time I said, ‘As long as she’s beautiful.’ I was just being silly. Then I thought as soon as you get the script I want to see it, because if it is anything sensationalized or a joke I don’t want to do it. [Ira said], ‘No it will be a love story with integrity.’ And I thought it was.”

With the green light given, Moore and Echevarria began work on the script. “This was a love story and the trick was to write it as a love story and forget the fact that she was a woman,” said Moore. “The backstory helped in that they were married once. They were husband and wife—write them that way. Two people who really shared something. One of them died. They never got to say good-bye and years later, in different bodies, they run into each other again and play that out. The thing with the Trill taboo was a perfect metaphor for issues of sexual tolerance and intolerance and we played that taboo without really playing our taboo."

The writers tried not to focus on the fact that both lovers were women, and simply wrote the story as a straight romance. “It’s easy to do on paper because the name Lenara is not one you really associate with women anyway,’’ Moore said. “We made it up. So on paper it’s easy to forget and just write this love story and this taboo is what we’re dealing with. It’s not until you’re sitting in the room watching casting sessions that you got two women playing these scenes and you go, ‘Wow, this is really going to hit you in a different way when you see it.’ But we tried to stay true to just telling the story and not going for the easy shots.”

“I was excited, because they were brave,” said Farrell of the writers. “If I were to change the names to Frank and Sara I totally believed that love story. It didn’t matter what the names were, these two people were in love with each other. I was so happy that I was the one who was willing to fight for the love. I knew people would relate to me. And at the end I was so sad. No matter what anybody else says, it made me really proud.”

For Farrell the episode also offered her an opportunity to express on film her off-screen respect for Avery Brooks. In a moment of critical decision, as Dax contemplates breaking the Trill taboo and throwing her future into chaos, Sisko advises her against the hasty decision, but vows to stand by her whatever her choice may be. “I didn’t even need to do homework on that scene. I just used my relationship with Avery. The first year was very difficult to adjust to the dialog. People got impatient with me, other directors and other actors. I was 28 years old. but I felt like I was 18. I lost my confidence. I must have driven them nuts, but Avery was always very supportive and strong. He really helped me build my confidence. He’s strong and silent. I don’t know anything about him personally, but he’s been incredibly giving to me emotionally. We cried a lot on that scene. A lot more than you saw. It felt weird not crying too hard, but holding back. It helped to have a director [Brooks] you trust. I needed his opinion on that.”

Director Brooks had Farrell and gueststar Susanna Thompson (who earned thepraise of everyone involved in the show) rehearse the critical scene up to the momentof the kiss. The actual description of the scene in the script was general, leaving it up to the actors and director to stage. “I said it was a kiss they have been waiting a hundred years for. It’s a powerful moment, let them do their magic on the set,” said Moore. “Avery and the two actresses staged it and pretty much it was left as Avery, Terry, and Susanna wanted it.”

“It described I was touching her face and whispered in her ear—her husband said it turned her on,” said Farrell. “We rehearsed up to the kiss then stopped. I thought it was great Avery directed it. because he was really into being honest and telling the truth, trying to pretend we’re not aliens in outer space, and being honest in the emotions. Avery talked about being passionate and sensuous. What was really hard for me was it starts out in my close-up, then a two-shot and the kiss. She said one word, then gotcha. We wouldn’t dissect this. If I were kissing a man we would say, ‘No tongues? Okay, no tongues.’ Avery didn't want them to cut it down too much. We wanted to make sure that didn't happen. You don't go through telling that kind of story and then say, ‘We can’t be very brave.’”

The writers and cast were pleased and a bit surprised that the kiss was kept almost intact through the editing process. “We saw the kiss and thought, ‘Boy how is Rick going to edit this,” said Echevarria. “We were just so gratified and thrilled to see that he did not pull back on the emotion of the moment. He allowed it to happen. It's by far the most passionate gay kiss I've ever seen on television.”

The reaction to the episode was predictably mixed. Some affiliates did not air the episode. Others excised the scene with the kiss. Mail to the writing staff was heavier than for any other episode they had been involved in, and much of it negative. "My idea that sci-fi fans are socially far-thinking, that they are in many ways liberal, leftist, humanist, whatever, was totally blown apart by some of the incredible comments we received,” said Behr. “There’s a strong conservative strain in the American soul and maybe it’s there in sci-fi, too. I don’t think we were saying anything that was that extraordinarily out of line, but maybe we were and that's pretty sad.”

Not all the mail was negative, however, as Echevarria remembered. “I would say it was ten-to-one pro—saying thank you very much and you don’t know how important this was. Letters from teachers, counselors, groups that counsel gay teens—saying how important something like this is. My mother was just scandalized. For the first time ever she culled me and said, ‘I can't believe you did that. It's so bad and so bad for the children of America.’ I couldn't have been happier.”

“It was a challenge emotionally for me to have a relationship with a woman,” said Farrell. "It wasn't anything I ever thought I’d want to do in my career. I've taken jobs to pay the rent. It was a great feeling to get to do a show that was that special as an actress. A lot of people go through their whole career and don’t get to do something that controversial or with that artistic integrity. I’m very proud of that.”

[kanekoii]

How do you think Luxiem and Noctyx would react to collabing with the Reader who is a popular indie vtuber and their kamaoshi?

lyra’s notes -> methinks…you should read and find out

pairings -> luxiem, noctyx x gn! indie vtuber! kamioshi! reader

!! since this is intended to be romantic sorta, reader is male in uki’s part !!

genre -> scenario

song -> don’t wake me up - jonas blue & why don’t we

warnings -> they all have a crush on u, food in mysta’s part, joking mention of death in fuglur’s

VOX AKUMA ->

he’s going full adorable fanboy about it, screaming with joy when you agree to collab with him and freaking out over it on his twitter- i mean x. xitter. he will be so stoked about the opportunity to talk to you in person when he usually just lurks in your chat. he’ll take the opportunity to flirt with you and try to show off a little bit, only to fail miserably and be met with a laugh. yet he still made you laugh, so mission accomplished. he was so excited to collaborate with you and make you laugh, and he’s sure to ask to collab in the future.

IKE EVELAND ->

compliments. so many compliments. he’ll straight up tell you how excited he is to work with you and how you’re his kamioshi. ike will be sure to tell you how adorable he thinks you are and just how much he genuinely admires you. he is so absolutely smitten that poor boy can barely handle talking to you without blushing or getting flustered. the more times you collaborate, the more used to it he’ll become and the more he’ll start to hint at his crush on you.

LUCA KANESHIRO ->

he didn’t even believe you’d ask. you’re his literal kamioshi and you asked to collaborate with HIM of all people? he’s absolutely grateful for the opportunity to work with you and be able to talk to you more than just occasional comments in your chat when he’s not streaming. it was an off-collab too, so you’d be seeing him in person to see if he was just as pretty off camera as he was on. someone (me) akasupa’d and asked to give opinions on each other and the revelation that you loved his content just as much as or even more than he loved yours had his heart soaring.

SHU YAMINO ->

he would get SO flustered and nervous before you hop on call together to play the horror game he had chosen. it would likely lead to poor boy getting more scared than usual just because he’s nervous to be talking to someone he admires that much for the first time. he would most definitely try to flex his math skills too as some weird way of trying to gain your attention. every time he makes you even smile with his silly comments, his heart will soar out of pure pride.

MYSTA RIAS ->

he’s keeping it cool. or at the very least, he’s trying to. he knows his personality type doesn’t appeal to everyone and he’s so happy when he finds that you actually enjoy his loud yet introverted personality and his weird antics. the stream you did together was you teaching him how to cook without poisoning everyone. please teach him how to wash rice properly and how to cook it without the starch water. please i’m begging teach him how to cook and he will be so happy, bragging to chat that he learned this recipe from you.

FULGUR OVID ->

hooligan wants to play co-op rage games with you just to see you mald and absolutely lose it. hear me out, what if he invites you to a crab game or among us collab and introduces you to everyone and he gets teased for teaming with you and trying to essentially carry you. instead of die for nari it’s die for you. he will see to it personally that you win every game you play together just as a little chance to impress you and get you to smile. that would make him SO happy.

SONNY BRISKO ->

cutie will be so taken aback to see you in his chats sometimes, so a collaboration would be more than heaven to him. he looks up to you and your content so much that he’s sure he’s dreaming when he has a full conversation with you on stream. your collective chats ship it SO much. imagine all the ship edits when you do a stream together in person as an off-collab.

UKI VIOLETA ->

(male reader for this one) he would definitely do a baking stream! much like the ones he’s done with his fellow nijisanji en members, he gives vague instructions and you try to figure it out from there. while uki is muted, his viewers would be subject to comments about oh my god he’s adorable he’s trying so hard to make me happy. ugh boy is down bad and let’s just say there will be so many more streams like that in the near future <3

ALBAN KNOX ->

he’s SO insanely shy and nervous it’s adorable. though, as the stream with you goes on, he becomes less nervous and goes back to his normal silly self. if he needs to, he’ll break out the mickey voice to make you laugh but that’s a last resort. his personality compliments yours in such a way that it’s just so enjoyable to watch, and he’s such a comforting person to be around as well.

[starrylayle]

no it's not "forced diversity", you just hate seeing minority leads.

I really didn't want to comment on this, but as someone who has recently rediscovered monster high and loves the new show, I've seen so much criticism that isn't exactly...constructive?

I've seen a lot of people say that making Frankie non-binary is 'forced', 'lazy' and 'uninspired', when that is just simply not true?? Let's unpack their character for a moment. They are made of a ton of different dead body parts, some male and some female. If you were to use the 'biology excuse' it wouldn't even make sense in this context -- they literally have male and female organs!! Also alot of nonbinary people feel as though they have lots of parts to themselves,, what better way to portray that than through a monster character struggling with the same thing? It's literally such a cool allegory!! Creators have been using magic/fantasy to describe/symbolise real world issues and feelings for ages,, why is it such a big deal creators do this for more marginalised people. [also,, the orginal Frankenstein creature was heavily queer coded in the first place so its a sweet easter egg).

I also see people say,, 'oh why couldn't they just have made a new character be non-binary instead of changing the pronouns of a former one'. I hate this argument so much because it sounds like it's in good faith, but really what they're trying to say is "stay away from my white cishet characters and go make one of the irrelevant side characters queer or or just make a whole new show starring them that I have no interest in watching'. Just admit you don't want to see queer characters as leads.

I also think that sometimes cishet ppl (or non-marginalised ppl in general but i've mostly been seeing an attack on the queer characters hence the example) forget that we also grew up watching monster high?? and related to the characters?? And we would be so excited if we saw our favourite characters with similar traits to us?? Like sheesh,, cishet ppl have so much representation like let us have this pls 😭 😭

Actually speaking of representation in Monster High, g1 was already pretty diverse and inclusive, and its nice to see g3 follow in its legacy and become even more inclusive as times change! Like, they really said 'fuck you' to all the conservatives and included a drag queen character, a non-binary main character, autistic side character and so many more!! It makes me so happy to see and its probably why its one of my comfort show rn amidst the rise of the anti-lgbt rhetoric, especially concerning children's media.

So respectfully, to all those people claiming that the new monster high is "forced diversity" --- fuck you xxx

[markantonys]

I am beyond sick of the "the show is doing Rand and the Dragon dirty" opinions. There's this argument that the show hasn't shown what it really means to be the Dragon which is a problem cause it's two seasons in. As if that's something that doesn't really start getting addressed in TSR? That's definitely gonna be a s3 plot point now that he actually is publicly the Dragon. Also that "show onlies don't get what the point of Rand is. He didn't really do much up to this point especially in both finales." As if he didn't kill Ishy twice and take out like 12 Seanchan singlehandedly? The disrespect. A lot of this is coming from bitterness from book fans seeing some show fans are hating on Rand cause they think Egwene should be the dragon which is somehow on Rafe cause Eg is his favorite character so of course to them that means he's gonna give Egwene everything and screw over everyone else 🙄

yeah!! it's especially ironic because in THE LITERAL LAST BATTLE, egwene is leading the physical/magical fighting out on the frontlines while rand is doing a 1v1 faceoff of philosophy & ethics with ishy. aka exactly what's happened in both season finales! they are co-protagonists and these are their respective roles! egwene is the warrior hero and rand is the philosopher hero. methinks that it's actually these readers who don't get the point of rand, if they think that rand spending the finales showing moral strength in the face of the shadow is less The Point Of Him than having cool swordfights or channeling explosions.

the show has also been showing that female channelers have training institutions in place whereas male ones do not, and showing the consequences of that. hence egwene is much better-positioned than rand to pull off or be involved in major channeling feats early on (1x08: has little training herself but can contribute her supernova strength to a circle because a trained female channeler is there to lead it; 2x08: received enough training at the white tower and forcible training with the seanchan to do major channeling feats by herself). meanwhile rand is out here functioning off a fragmented 2-page excerpt from "male channeling for dummies", so he is nowhere near as capable as egwene at this point in time. that contrast is logical and it is deliberate, but i guess when this group of rand stans says "the show needs to show why it's bad to be a male channeler" they just mean "we want to see Poor Perfect Rand getting bullied by Awful Women Who Are Wrong" rather than "we want to see a major capability disparity between rand and egwene to reflect the impact of one group having institutionalized training at their disposal and the other not".

plus, the show is taking the forsaken and the threat they pose MUCH more seriously than the books did. in the show, while they're still entertaining and fun to watch, they also feel like genuinely terrifying and powerful villains, whereas in the books many of them felt like cartoon villains who are better at providing comedic or melodramatic value than actual threat. and none fits the latter description better than asmodean, our resident Most Pathetic Forsaken. in the books he was always just a clown loser to me and never once did i consider him a credible threat, ergo, it didn't take much to convince me that rand should take him on as a teacher. in the show, if he gets a similar glowup as ishy and lanfear so that he does feel like he poses serious danger and is scary, then rand will need a VERY GOOD reason to agree to take lessons from him and the audience will need a very good reason to believe that it's worth the risk (especially because iirc lanfear is the one to suggest that asmo train him, and lanfear ALSO being a much more credible threat in the show is another reason why we'll REALLY need to be given reasons to feel that rand listening to her in this instance is a calculated risk rather than batshit stupidity). hence, it was crucial for s2 to do exactly what it did: show how badly rand is struggling without training and how few good options he has for teachers (i.e. absolutely zero options as of the end of the season since logain was a bust).

also the "show-onlys thinking egwene should be the dragon" phenomenon comes from the fact that, as of right now in this early stage, egwene is a go-getter gifted kid teacher's pet (affectionate) who yearns to be part of The Plot whereas rand is a cottagecore househusband being dragged into The Plot kicking and screaming, so OF COURSE right now egwene seems like the better candidate for the chosen one who has the fate of the world in their hands! right from the start she's been much more of a Gets Shit Done person than rand, and that was absolutely true in the early books as well even if they never explicitly raised the idea of egwene being TDR instead of him. but that doesn't mean rand won't grow into a Gets Shit Done person now that he's accepted the responsibility of being TDR and it doesn't mean show-onlys won't grow to agree that he's the right choice for TDR. or even if they don't, who cares? boy, i bet this crew who's spent 20 years declaring "rand is a saint who's done nothing wrong ever in his life and egwene is a worse villain than the forsaken and seanchan" into an echo chamber of like-minded fans isn't coping well with seeing show-onlys not share all their opinions. they got so used to being the majority opinion for 20 years that they cannot handle seeing other people now have different takes! i can't wait to see them have a collective aneurysm when show-onlys think that Malewife Supreme Gawyn is the superior trakand boy over Alt-Right Dipshit Galad (and show-onlys WILL think this, i've planted that seed and i will see the harvest).

[dulcewrites]

Hmm well now that Disney went and showed their asses (again), I feel like I can say this without putting bad juju out/jinxing anything. I honestly think the writing was on the wall when amandla, who was arguably the most excited pre the show coming out, essentially went radio silent. Then my gut feeling was only compounded by them (Disney - Lucasfilms - whoever) clearly pushing Qimir/Manny as the lead… which is just not how the show works??

There are possible reasons for that. As for pushing Qimir, it’s clear he (and maybe Sol as well) ended up being breakout characters from the show. I can’t begrudge that - Qimir is interesting as hell. But we see him through the eyes of our leads - he wants an acolyte. There is no acolyte without Osha and Mae. Also why isn’t Manny being pushed in tandem with the actually lead of the show. As for Amandla not being invited to things like d23 or swcj (like Manny), I’ve seen people be like “well, they could just be taking a break considering all of the racist stuff that’s been hurled at them”. And like yeah maybe, but you’d think the people that employed them, would ya know say something about it. Especially considering that Amandla has been burdened with dealing with racist since like the age of 12.

But this is Disney and Star Wars and Lucasfilms where everyone outside of the main story gets treated like shit.

Now for the thing that I didn’t want to put out there before actual news of s2 - I’m sorry but I can’t help but feel like this is them pushing the black nonbinary lead out so they pluck parts of the acolyte for something else. Because while I don’t cruelty pass them (releasing this news on Manny’s birthday is vile), something about them dragging Manny out in particular to several events knowing they were canceling the show just doesn’t make sense? Nothing is set in stone obviously but now I’m seeing people talk about them highlighting Qimir and Darth Plagueis (literally who gives af about that hag) but gutting the story of anything else.

I hope no one takes this as me saying Manny hasn’t dealt with his fair share of shit. He’s been outspoken about how hard it is being a Filipino man in Hollywood. But at the end of the day, Qimir (and by extension Manny) being a mysterious double lightsaber wilding MALE sith gives him an element of protection Osha and Mae (and by virtue Amandla) don’t have as characters. Because notice how much of the ire with the shows casting is about the lead character(s) being black women.

Anyway this is just me rambling about something that’s been on my mind. Tbh I actually have hope that it won’t happen simply because I don’t see the creator/writers of the show being down with that. Also Manny has been vocal about supporting Amandla and not being able do this without them

[mossyeyeballs]

I’m unfortunately talking about the flip side again (I can smell the comments now so I’m is gonna say I’m joking when I say unfortunately. I’m talking about it because I want to, not because I think it’s necessary. If I relish thoguht the game was THAT terrible, i wouldn’t put effort into talking about it)

So I made a post on TikTok about this game and how bad it was, and I wanted to talk about some of the comments I got/saw under other posts.

1. “This game was from Jeckas perspective, that’s why everything was so out of character and different”

I find this to be a dumb counterclaim for a few reasons. One: the only different thing we see was how Nicole treated Jecka during that foot ending + the Jeffrey dying ending. every other character,personality, setting, style was the same. Nicole had similar references to pedophilia and men, Jeffrey literally liked feet in the re up and it’s just carried over, the teachers being freaks, Ari being a girl kisser, Emily being a druggie, everything was the same besides Nicole in BOTH foot routes.

2. “Every character acted different, they were just showing their true selves.”

I also find this to be a dumb counterclaim considering they’ve already had two whole games to show their true selves, and have. Like I said previously, Jefferey still likes feet, Ari is still gay and would kiss any girl, all of the male teachers are still freaky to kids. It would make zero sense to say this game specifically is where they acted like the,selves since we see everyone THE MOST in the re up. It was purely this game that was different.

3. “Nicole is petty/a sociopath, she’d absolutely do that to Jeckas dad”

While I do agree that Nicole is petty and sociopathic, she still wouldn’t have gone that far with Jecka. It’s not a “what she did” argument, it’s a “who she did it to” argument. As my prime example: Ari stole an excuse Nicole commonly used to escape homework, and as a result Nicole mentally and verbally abused her. This small thing Nicole took as an attack turned into Ari literally not dating women again out of fear of abuse. Meanwhile, Jecka wouldn’t let Nicole crash with her when Nicole was homeless, and Nicole just guilt tripped her. This wasn’t necessarily an attack, but Nicole did take it personally. Yet all she did was tell jecka how shitty being homeless was. Plus the aspect of effort. Nicole only seemed to want to put in effort into ruining people’s lives when it came to not knowing or not liking them. Why would she put in all of the effort to ruin Jeckas life not only because it’s Jecka, but also for something so small as not telling her how she got into footwork? I also think people are forgetting what sociopaths are. Sociopaths don’t real,y reel empathy or understand people’s emotions, but that in no way means they can’t form connections or care for those around them. Nicole, while not maybe understanding why Jecka would be upset, still protects her feelings and defends her. So yes, Nicole is a sociopath. But that doesn’t mean she doesn’t care about Jecka. This leads me to my next comment.

4. “Nicole doenst actually like Jecka, it was just fun for her”

I fully disagree, point blank period. Nicole clearly cares for her. We see this at LEAST two times. 1: when Nicole literally bullied Jeffery’s to the point of YEAR LONG COUNSELING with the PEDOPHILE TEACHER her gains absolutely NOTHING talking to just so Jecka could smoke without getting gawked at. It benefited her absolutely nothing to do that, but she did it anyways specifically for Jeckas well being. (Even though Nicole and others have stated that Nicole only does stuff when she gains from it.) and the other instance where she helps her steal a CD/ shirt. Again, something that didn’t benefit her in any way, yet she did it FOR Jecka. I’m in no way saying Nicole is a good friend, because she isn’t, I’m saying she cares for jecka at least a little.

5. “The feet endings were on brand for class of 09, it was just shock value.”

to some extent I do agree. Class of 09 was made to shock and uncomfort people, it was the creators intention to make it edgy. However there’s a difference between South Park dark humor edgy (like it’s trying to be) and full on fetishizing. The dark humor aspect of it all wasn’t there in my opinion because it wasn’t even funny, it was JUST weird. I’ve seen some argue that it’s supposed to be that weird, and I get it. But compared to the first two games it was just distasteful. Clsss of 09, and the re up were shocking and weird because you never ever see games talk about how creepy adult men are towards kids or that it’s areal world issue that we’re ignoring. But what was the issue supposed to be in the flip side with the feet endings? That people with foot fetishes exist? Wow so funny guys! But in all seriousness, at first I couldn’t quite place my finger on why this one was different. In both Nicole and Jeckas sex work endings, they experienced weird men obsessed with their bodies, informed the other one of their sex work, made decent money off of it, benefited from it if even just a small amount, and felt disgusted with themselves sooner or later because of it. But then I found out why Nicole’s story was so much more consumable and entertaining. It was because in the end, she accepted her struggle, she realized it fucked her up and she’s coping with it, she’s genuinely trying. But with Jeckas ending Nicole literally gets hired by her dad, purposely makes sure they get caught, and laughs in her face at how pathetic her and her dad are. And then, Jecka kill’s herself. The entire ending was fucked up, even for the usual dark humor edgy aspect of class of 09. I’m not saying the creator should’ve made it funny, beaus he shouldn’t have. Nicole’s ending was bitter, and portrayed as such in a way that was hard to watch but still made you think “wow, that was good,” I’m saying I think it would’ve been better if they didnt show such graphic details of Jeckas sex work. During Nicole’s ending, it was breiefky mentioned what she did, and they went into detail later on. But with jecka, they actively showed if I can remember 4 and a half graphic scenarios of her with these freaks, the weird shit they said to her, and then still showed how happy she was with the money after? This part is probably more opinionated than the rest, but it genuinely felt weird to me how they played this out, and I would’ve personally enjoyed it if they went more in depth about how gross jecka felt about the whole thing instead of just being like “oh yeah, she didn’t like it but her breaking point was her friend doing it to her dad. NOT the selling her body” which was a stupid choice in my eyes considering jecka breaks down to a therapist about how gross she felt. Why only make it sometimes that she feels gross? Why JUST that one part? And then during that therapy session she isn’t taken seriously because how much she makes?? That felt so stale.

So while I guess what I’m saying is it wasn’t technically out of class of 09s boundary set, I’m saying this time they did a shitty job conveying it in a way that was both entertaining, funny, sad, and bittersweet. It was all just bitter.

6. “I liked the game though!”

that’s perfectly fine! I’m glad you enjoyed it and you got your moneys worth. I’m in no way saying everyone has to agree with me, I’m just saying my opinion. If you liked it, good for you, I just personally didn’t. The few moments I did enjoy were the 7 seconds joke, the hatman scene, and the killing Ari route. The rest was kinda meh

[miraculouslbcnreactions]

Something I found really neat about Season 3 is that they have the mini arc where Adrien initially trusts Lila to eventually come around, but little by little she starts taking more and more advantage of how lenient he is - and when he notices how detrimental this is to Marinette, he calls Lila out himself. Despite the… writing blunders of Lila’s character, I found it kind of compelling.

Which makes me question why he’s more than happy to tolerate Chloé for almost two whole seasons more than Lila? I always found it odd, even if Chloé’s been his only friend for who knows how long, surely he would’ve noticed a pattern after Miracle Queen went down? I think Season 3 would’ve benefited from fleshing out only one of those stories and leaving the other for later, or cutting one of them entirely - it’s basically the same Adrien arc, with two different bully characters.

Me, I would fix it by having the Queen Bee matter stay in the air for most of Season 3, and Chat Noir specifically lending the bee - so the conflict doesn’t come from “Marinette NEEDS to break up the Adrigami date”, it’s an actual tough decision for him to make, and have him explain the situation to Chloé right in the season finale. Perhaps it’s too much of a shock, or Chat Noir’s too harsh, or Chloé feels lost without Pollen, or everyone else already drifted away from Chloé and she’s clinging to her Queen Bee identity only to have it snatched from her (which also goes with the theme of loss Miracle Queen wants to convey), literally anything that counts as a valid akumatization reason because “waaah Ladybug didn’t pick me” doesn’t do it for me.

Then the Lila thing, I’m still not fully sure, maybe I’d have Marinette be the lenient one that eventually realizes how much Lila’s affecting Adrien, and somehow puts a stop to it - maybe Lila’s being sympathetic to Marinette, and only really wants to use Adrien to her advantage, so Marinette lets Gabriel know after uncovering some particularly nasty stuff, and he cuts her out. Now Lila has a better (IMO) reason to start a rivalry with Marinette, Marinette can grow closer to the Agrestes even if just a little, Adrien has a good point of reference to realize Chloé’s being out of line (without writing the same arc for the same character twice), and you don’t have an explicit Lila & Gabriel alliance (which is great, because I always disliked that part of the plot - unnecessary extra complexity that only really takes away from every character involved IMO).

How would you model the two arcs?

My stance has pretty much always been that Chloe should have been Adrien's problem. Why make Marinette try to fix her bully when Adrien is right there with none of that baggage? I'm still baffled that they made Adrien and Chloe friends because that plot point went nowhere so why make it a thing? You don't introduce a juicy tidbit like "the female lead's bully is the male lead's only childhood friend" unless you're going to do something big with it!

There's a lot of ways you could take Adrien and Chloe, but no matter which path you pick, it should be used to set Adrien up to be more mentally ready to accept all the messed up elements of his home life when he finally grasps that he's a victim on multiple levels. It's much easier for him to learn those lessons of when to forgive and when to give second chances from a peer and not his parent who still has full power over him. I like this leading to a "redeemed" Chloe because I think you need an example of when to give a second chance to make the example of when to not give a second chance really pop, but that's just my preference. Chloe teaching Adrien how to set boundaries and cut someone off so that he can do that again on a much larger scale is also perfectly valid.

I think the Lila thing should have been used to develop Alya and Nino, not Marinette and Adrien. The show writes all the teen characters as pretty terrible at navigating or even identifying things like abuse. We see that in their constant love of confronting Gabriel, never once stopping to think, "Huh, will this actually be a good thing for Adrien or are we putting him in danger?"

You could include Marinette in this arc, too, but I think that she should take a backseat and let Alya and Nino take the lead since they're the ones who see Lila as a good person. Learning to be a little less trusting and a little more thoughtful is a good lesson for the way both of them have been characterized. Alya needs to learn to be a little less willing to trust sources and season-four-and-five Nino needs to learn to be a little more focused on the feelings of those around him over his own goals. Plus Marinette already has so much going on! The writers really need to let others have the spotlight for a bit so the poor girl can rest and stop looking terrible as the plot twists itself into a pretzel to always make her the one who needs to learn a lesson.

[who-dat-homeless]

I apretiate people who try to back up their head canons for vulcans by saying "well it's very logical" but my siblings in christ vulcans are as logical as sigma males. As traditionalists who say that we've being doing things a certain way for ages and we will continue doing it no matter how harmful it is.

They never were quiet logical and never will be because the core of their culture "purging emotions" is already dumb as fuck. Literally this idea sounds as "we were using our hands to slap each other, well to eliminate violence let's cut our hands!" bro, for real???? Their whole purge of emotions looks like teenage boys screaming no homo after doing even the slightest good thing or touch their male friend. "You're being emotional!!! - Oh no, well, you see, it's actually pretty logical you're just dumb to understand it"

And it leads to the same old prejudices and stagnant traditionalist culture. Do you really want to look me in the eyes and say that "well yeah instead of founding the way to suppress pon farr or at least make it less dangerous let's continue with this fucked up tradition where women are essentially a sex object that we will be fighting for to death!!!!". Or that being bigoted towards people that show emotions is logical? Or letting kids bully a biracial kid because of course he's lesser than us is logical ?????????

Vulcans have a perverted sense of logic, always had, and to me saying that "of course they will do it because it's logical" is to fall for their propoganda and not to see that they're dumb af most of the times

[desmon1995]

Female Warriors, Broadway, and the American Dream.

The Warriors have been out for about 2 weeks now and it's slowly but steadily building up a pretty passionate following.

I think one of the biggest changes that have been rough for some long time over years 79 fans is that the Warriors are now female, which some argue ruins the point of the original and or softens the story too much.

While I do respect everybody's opinion when it comes to artistic criticism, I do think that dismissing the concept album just because it features women is a little short-sighted IMHO.

Regurgitating the original male cast just in musical album form would not only be repetitive but would make it no different than other Broadway show that focus on gang violence like West Side story or now The Outsiders.

We have so many shows that focus on brotherhood, kinship, and just masculinity not even within film but also on Broadway, but we hardly ever see the same for female characters.

The Female Warriors are very rough around the edges, foul-mouthed, violent at times, and in the case of cowgirl, lustful.

They're also different body types, present themselves differently, and are all played by BIPOC.

I've seen a lot of Broadway shows in my 30 years of living, and we just don't get diverse female characters like this a lot if at all.

If any female character had the above traits they would likely be presented as being the less than ideal woman or flat out villainous.

The girls have flaws, but these are just things they picked up because of how rough the world has been to them, and at the end of the day they're not only friends but a family.

That's a big difference between the female warriors and their male counterparts from the movie and novel.

The Male Warriors are supposed to be seen as what ends up happening when youths get tangled up in gang culture and how it turns them into monsters.

When the police arrest Ajax in the film it's because of how unruly and savage he was acting and likewise Fox getting killed along with Cleon is supposed to be seen as a consequence of them even being a part of this culture to begin with.

I've said it before, but I think while the intentions may be good it's viewing these marginalized groups through a very White and conservative lens.

Nobody wants to be a part of a gang or run away from home but sometimes living in poverty, an abusive household, or just being crushed by the system forces people to do desperate things and more often than not that's banding together with like-minded people.

Another thing is that most of the Warriors in the original film are White and that's largely just due to the fact that an audience back in the 1970s would be less willing to watch something that didn't at least feature several white main leads otherwise they'd be uncomfortable and uninterested.

From a modern-day perspective, a person like male Ajax would likely get away with his sexually aggressive behavior because of the color of the skin ( you can look at a certain orange politician to see that in present day) and we now know thanks to things like BLM that the police do not always operate in good faith nor to protect the people.

I think that's why the concept album is so good and culturally relevant despite having being created nearly a few years ago.

The Warriors consisting of a group of marginalized women that banded together to support one another to conduct a world that really doesn't care for them is a story you really get to hear not just on Broadway but in Hollywood in general.

Luther being a white gang leader and killing a black cultural figure like Cyrus in cold blood to stop any semblance of progress is the tale as all this time and how he mocks the AAVE the non-white groups he surrounds himself with after making life hell for them is especially painful.

Luther and Crosby literally don't have to worry about ever being hounded by the police because of how they look which allows them to get away with literal murder, but it is very telling that he ends up crumbling the moment he's confronted and called out for his misdeeds.

The cops themselves are also completely reworked for the concept album as opposed to them just being the boys in blue doing their job to get rid of the trash that is the Warriors like the original film, they're essentially the biggest antagonist even more so than the Rogues.

Both police officers that appear in the album have a cat calling motif which doubles as sounding like police sirens just to illustrate how dangerous and cancerous they are not just to the Warriors but to the community as a whole.

Captain Victor and Barnes abuse their power and end up nearly subduing the Warriors by killing Fox and sexually a harassing and later arresting Ajax.

In Derailed Victor even tries to kill the warriors with his squadron before they run away to the cemetery and all of this is done because they can.

The fact that these two are portrayed by people from the 1979 Warriors film sort of acts as a double entender because in the original, the Warriors themselves are supposed to be seen as monsters and what happens when kids fall too deep into the sins of the world, so the cops view the women as nothing more than street rats who need to be exterminated .

The Warriors are guilty because they're marginalized women and that's enough for them to be blown away as far as society and the system is concerned.

I think in some ways, the Warriors is basically the reverse of LMM's other work Hamilton because it shows that the American dream isn't really for everybody and that sometimes you have to find another means to live by.

The system very much failed the Warriors so they had to rely on themselves to make it through the world because nobody else would bother with them.

It's for this reason why I'm sort of against the idea that this album needs to be radically changed in order for it to move the Broadway.

Doing things like giving Luther more complex feelings, adding in things to help the predominantly white audience and critics understand how Urban culture works, and rewriting the characters themselves just to be more stage appropriate seems like it undoes what the musical was trying to say.

I think this story as it is is one worth telling and beyond maybe a bit of polish I don't really think it should be tempered with too much.

If Lin and Eisa were to doll the Warriors up too much it would basically be a completely different story altogether and what we would have is just another Broadway musical that allows the audience to digest certain things that they may not understand nor possibly want to hear.

I think we as a society have moved beyond watering down things so that people who aren't even from the community that these stories come from can sleep better at night.

I think that's why this album and the original movie have dedicated fan bases to them because it does speak to a generation of people.

[spotlightlowlife]

codependency isn't couple goals.

To add to cresent moon and this notion of a cornered victims imperfections being equivalent to power, we have a whole line up of characters who could do with working on themselves because their setups are good.

Yes fantasy has a habit of toxic relationships but the difference is they tend to be related in escapism, this show along with it's parent series tend to give us dynamics that they clearly want us to root for when they serve as little but a means to an end.

Over in Hazbin we have the push at Husk x Angel, where Angel casually sexually harasses Husk, much to his annoyance, as Husk works at a hotel bar through little choice of his own while Angel stays their for free, for shits and giggles too, yet Husk is not allowed to be upset Angel, that's insensitive, Husk must realise that they're both 'losers' and be more receptive, adjust his mood and make himself more outgoing when required.

We have Charlie x Vaggie, an established relationship yet this would never be apparent if it wasn't for us being told or already knowing because of the fandom. These two have the least chemistry of any pairing of either series, don't be fooled into believing their lack of crassness which is abundant when male characters are present is a lack of chemistry, these two just have nothing, Vaggie could literally be yet another sinner working at Charlie's hotel.

Charlie doesn't get to hide behind the excuse of behaving professional and busy at work because she's no professional and she doesn't work, this could work if this main character was actually given time and focus in her own series and her every interaction with her girlfriend wasn't some occasional glance from either of them, a peck on the forehead or slight touched hand at the same time as some pressing issue.

Both ladies are friendless yet they lack presence to such a degree that they maybe pass as acquaintances among all others hanging about in Charlie's hotel with nothing in particular to do.

Vaggie's new backstory had them meet the moment after she 'fell' (which Charlie conveniently didn't witness), laying injured and now homeless, Charlie, the princess of hell and not just any princess but the daughter of the leader of leaders, approaches to help, she was kind, caring and immediately interested, Vaggie became her sidekick along with the above.

Vaggie has little of her own, keeping quiet about her past could have been character strength or a weakness that can be developed, only it wasn't, nor were her intentions to improve her combat in preparation for the conflict that was on its way through no fault of her own, she is simply there with the plots simply happening to her, he major backstory, no big deal, gloss over Charlie's breif upset, no extra angel powers for Vaggie or effort to bring order or do anything to prove she had any stance pre Charlie, no, these leading characters were not given the time, the take away was that Vaggie now has wings and is even cuter.

Back to HB, Millie and Moxxie are a good couple but they're codependents with Millie having little outside their relationship.

Moxxie is very attached to Millie who is very attached to him, he loves how much she loves him and how keen she is to view in his interests, something he didn't get at home, but he's also attached to Blitzø, a friend he made in jail who was nice to him and had great dreams, Moxxie stuck around to see and help realise these dreams, dispite Blitzø being a horrible boss, not a nice friend, invading his personal space and bringing his bratty adult daughter to work with them. He had it thought growing up and like Blitzø who too experienced a crocked dad and a apparently caring, apparently quiet and apparently dead mother, Moxxie too now has a new family.

Why was Moxxie in jail? Because of a comicaly douchy ex boyfriend who also happens to have dated Millie too. They were both oblivious to dating the same douche and what he did to get Millie so upset is unknown, a truly pointless plot device.

Now on to Millie, who serves as validation for Moxxie but let us know that she too needs validation and a little moment to shine, I'm sure this sound sweet to some.

I truly believe that the Sallie May and Millie short was of no benefit to Millie's character, it further reiterated that her husband and her family must be separated parts of her life, yet this isn't a step away from codependency, this is yet another example of her complacency in her refusal to stand up to her nice enough but rowdy and judgemental family that no doubt is the reason she simply loves attention, loves the opportunity to be aggressive and loves the attention she gets from a guy who loves her for her exuberance and her love for him in return.

Millie was in an environment where she blends in, getting the chance to go elsewhere and stand out for being different gives her the spotlight she seeks, but how sustainable is it when she's just going to blend again because of her lack of interests?

She managed to have an ex, also Moxxie's ex, I assume while away from home, she managed to get her job where I assume she met Moxxie, she's been in the city, why not let her have hobbies, her favourite places to be where she's the one initiating outings, let her have friends she can enjoy shopping and clubs with rather than just her sister, let her enjoy live music and not just because it's her husband's passion.

It makes sense why they are given so many grande gestures.

Millie x Moxxie and Vaggie x Charlie are almost copy paste, a charismatic pushover from powerful family who isn't respected at work and is struggling to get their idea heard, is maybe the nicest person in their group but has selective moral compass, is a bisexual with a slimy ex but the current relationsip in a serious with a woman who comes from a different world and has eyes only for them, she's in the background somewhere. Millie x Moxxie work well because of the absence of unfair power dynamics, equal neediness and affection that can range from very tame to very vulgar.

Ozzie x Fizz very briefly took over as a healthier Millie x Moxxie until Fizz was humbled out of having any life of his own. Fizz has had it tough but now he's with royalty and living a life of fun and smothering loving, he doesn't need anything else.

Fizz also serves as proof that Lust itself is capable of love, yet dispite all the time they have been given and all the effort in that one episode to tell us how awful Fizz's boss is (the ONLY HIGH UP CHARACTER SO FAR to manage active and balanced leadership, live up to their villainy and not be dating the customer) and why he should stay home which fizzled out on us because Fizz's issue then became not feeling good enough for Ozzie and desperately seeking the validation we are constantly seeing him getting we have yet to see how Fizz x Ozzie become a thing, until then why believe that Fizz is the one even though Ozzie the great and the powerful predates time?

How they got together is something we have not seen in either of the leading established couples (if it's true that Vaggie x Charlie became a thing when they met under those circumstances, then it's arguable that Vaggie joins the sugarbaby club).

Previously I touched upon these two being a shortcut who piggyback off what some in the fandom want for Blitzø and Stolas.

Now if you honestly separate any likeness between these two ships, forget Fizz is an imp like Blitzø, forget the shared trauma experience, forget Ozzie is royalty like Stolas and forget the working relationship, what do these two have? Especially Fizz now that he's out of his other job that lined up with his life long aspirations?

Blitzø has been just another of a long line of partners who sleeps and works with the other, only with Blitzø the partnership is a transactional and a monthly over daily job.

He's not the default best friend even though Stolas wants to believe that, a total delusion on his part to believe into his adulthood that the 'lowly' child and open thief and vandal who was bought to your home because 'you like them and you're rich' those decades ago is your friend. They got to eat together on the one not date that Blitzø had a choice to not take further and chose not to. Blitzø is vilified for that time he called on Stolas out of contract because he needed a plus one or for liking sex which should come as no surprise considering the sex jokes are constant with him followed by virtually every other male character.

It's Blitzø who needs to get with the program and submit to his sugar daddy who holds all the cards.

Healthiest couple are Millie's parents.

[jbaileyfansite]

GQ Magazine Interview (2024)

It’s about four hours before the Los Angeles premiere of Wicked, and the actor Jonathan Bailey, who’s playing the male lead Fiyero in the feverishly-anticipated movie musical, is busy… playing Lego?

“I’m currently constructing,” he tells me, “the Atlantic Ocean of a globe, which I'm building as I travel around the globe [for Wicked].”

In a sunny Santa Monica hotel, in the middle of a whirlwind international promo tour for Wicked—director Jon M. Chu’s screen adaptation of the megahit Broadway musical, starring Ariana Grande and Cynthia Erivo—the award-winning star of Bridgerton and Fellow Travelers says that playing with Lego has become one of the things helping him stay centered. “Lego’s 18+ Adult level, that's what gets me going these days,” he says.

It is, after all, a high-stakes moment for Bailey. Fan expectations for Wicked are sky-high, and every detail of the project’s rollout has been the subject of intense scrutiny.

Even Bailey’s seemingly innocuous decision to wear shorts to a photocall for Wicked in Australia made waves, and photos of Bailey in black pleated shorts and a sheer black long-sleeved polo by Giuliva Heritage quickly went viral—the gams seen ‘round the world.

“The idea of a very relaxed, elevated day look is something I've always enjoyed,” Bailey tells me, about the fit. “And of course, in Sydney and down under, we should be showing down under.”

“It's funny,” he continues. “Sometimes, you feel like what you decide to wear chooses you. The waist, the cut of the trouser, the pleat, and the waist—it made me feel very elegant.”

When the photos spread on social media, comments sections buzzed with people wondering about Bailey’s leg workout. Inquiring minds want to know: how does the Winkie prince get those legs?

“Well, they should be dancing from a very young age,” he says, laughing. “It's encouraging your sons to dance and do ballet. I played rugby growing up as well, and I play a lot of tennis now. I did ballet for a good few years, and I think the way that the body responds to that and gymnastics, I think, that's the key… Lots of handstands and deep squats.”

Another moment on the press tour that’s already gone viral is a video where Bailey talks about a small travel mishap during pre-production, in which every part of his Fiyero costume wound up stuck in airport limbo—except the footwear. "There's an amazing photo,” Bailey teases in the clip, “that no one's ever gonna see of me, in nothing but my boots, which sort of felt right for Fiyero somehow.”

When I bring it up, he reiterates firmly: “Never to be seen.” But maybe, I propose, that photo finally makes an appearance in a future museum retrospective on his career, the kind London’s Victoria and Albert Museum does for Britain’s most iconic performers? “Literally, let's not get ahead of ourselves,” he says, laughing. “There'll be maybe some shed in the Cotswolds that will be some sort of weird relic to my former career. Maybe it will be laminated there.”

It’s been exciting to watch Bailey’s red-carpet evolution in the last few years. Early in his career, the actor mainly stuck to more traditionally buttoned-up suit-and-tie looks. But recently, there’s a newfound confidence and playfulness to his red carpet style, a willingness to flip some red carpet traditions—and a frisky inclination to show off that body.

Part of that confidence has to do with just how fit the actor is. “I probably am in the best shape I've ever been,” he says. But it goes deeper than that: “I honestly think it reflects a confidence in identity, in one's self,” he says. “You realize how important it is just to be completely yourself.”

“Jonny is a whimsical, mischievous delight, so we try to show that through his sartorial choices,” says Emma Jade Morrison, his stylist. “He is joyful and cheeky, with an old soul, so I love to modernize classic shapes through colors, materials and saucy bits of skin.”

For the Los Angeles premiere of Wicked last night, Bailey once again turned heads in an exciting ensemble—this time, in custom Versace, in a slinky, body-caressing chainmail shirt paired with immaculately white trousers, ruby-red slippers and a poppy boutonniere. (The cherry on top? A mischievous tuft of chest hair peeking out from that Versace shirt.)

“It was Donatella’s idea to allow me to wear the chain mail, the iconic Versace chain mail,” he says. “It's so part of the Versace DNA, and I wanted that DNA pumping around my veins tonight. It's a beautiful thing to wear.”

Bailey, who calls himself “obsessed” with the ‘90s, remembers the iconic image of Kate Moss in a Versace chainmail dress from 1999. “The thing that I remember is the way that it clings to the form of the body. It feels sculptural and sexy,” he says. “All I can see is the way she moved, [the way it] caressed every nook and curve and cranny… I'm excited to be celebrating nooks and crannies tonight.”

“From my moodboard, Donatella and her team honed in on two images of Errol Flynn and Cary Grant and put their iconic Versace twist on them,” Jade Morrison tells me. “We kept the shapes classic and the shirt a bit slouchy to stay true to Jonny’s style. There is literally no material as sexy as Versace chainmail and using chainmail felt like a princely nod to the Winkie Prince.”

“We loved the red slippers with the poppy—as Dorothy says, there’s no place like home, especially since the LA premiere was the weekend before Remembrance Day in the U.K.,” Morrison continues. “Versace also made us a Winkie Prince bomber—a perfect ode to varsity jackets of the 1930s and something that Fiyero would absolutely wear himself.”

“That's the thing about Wicked, and that's the thing about Oz,” Bailey adds. “It's like visually and thematically so inspiring to so many generations that when you work with creators like Donatella, and you work with fashion houses who have so much to say and [we have] so much respect [for] and so much in archive that we feel so nostalgic about these fashion pieces, it's like everyone just goes off like fireworks. And you come up with something incredible.”

Last time Bailey and I spoke, we were doing a mini pub crawl through Manhattan’s West Village with his Fellow Travelers co-star Matt Bomer last year, to talk about their work on the acclaimed series. During that interview, Bailey talked about the tricky balance he had to strike in order to shoot Wicked, Bridgerton and Fellow Travelers simultaneously. Now, with the benefit of hindsight, he sees how the projects inadvertently informed each other—and emboldened him as an actor.

“I just look back on Fellow Travelers with such fond memories,” he tells me now. “The confidence in telling that story, I think, is actually present throughout Fiyero. Wicked is so about identity. The resonance of the themes is even louder I think on film... Playing Tim [on Fellow Travelers] just beforehand allowed me to sort of maybe expand the part in a way that I wouldn't have done otherwise.”

At Wicked’s Sydney premiere last week, Bailey experienced a full circle moment that left him in tears. “I sat with my sister, who’s based in Sydney, and had my two nieces watching it for the first time in front of an audience. And I felt a volcanic sense of emotion,” he says.

“Me and my sister went to the back and had a pint and we both just had a good cry. What Jon Chu has achieved in this film is exactly the sort of cinematic experience, that my whole entire family loved [when I was] growing up, and it's what inspired me in the first place to want to [become an actor].”

At 36, Bailey is a veteran of the stage and the screen—he’s stolen scenes in Phoebe Waller-Bridge’s acclaimed pre-Fleabag series Crashing, held his own with Patti LuPone in a revival of Stephen Sondheim’s Company, and broken hearts in his award-winning turn on Fellow Travelers. But he’s hardly jaded and still finds himself overcome with emotion during various career milestones. “The wonder hasn't left me,” he says.

It’s that same wonder he hopes to impart to young viewers watcing Wicked. “The idea that some lads somewhere might turn to their mom and dad and go, ‘I really want to dance’? That's what it's all about.”

“And also,” he says, with a laugh, “they'll get bloody good legs in the process.”

Source

[maevelin]

Colin Bridgerton needs to suffer meta.

Wait...wait...hear me out first!

I am one of those fans that want to see Colin Bridgerton SUFFER for Penelope yes. BUT with good reason I promise.

Because aside from the book material here in the show Colin had a different path in some stories. He believed himself to be in love and got heartbroken because of it.

He actually needs to feel that burn, that suffering to realize what being truly in love actually means. To actually feel there is no comparison to the real thing. To feel that what he believed being in love meant was not actually real or comparable in any form or way with what he is capable of feeling...for Penelope. (Book reference: This was Penelope...and this was love.)

No one can blame him for seeing Penelope as a friend so far. I think that is understandable but he also is a man who has had privilege in all his life, he has traveled the world from his secure place and is oblivious when it comes to certain things. He is a great guy, loving, devoted, honorable, a flirt and whatnot, but in order to mature he needs to go through some serious introspection. He does need to find his purpose and I would like to see that too in this season (himself as -book spoiler- an aspiring writer too).

I also want him to feel the pain and the struggle that comes with the LW reveal for him to realize that when we speak about a love of the magnitude he feels for Penelope not even what he deems as betrayal can make him give her up. It just does not matter. He will defend her no matter what, he will love her no matter what.

Let me quote Doctor Who for you (yes again):

"You betrayed me. You betrayed my trust, you betrayed our friendship, you betrayed everything I ever stood for. You let me down!.... Do you think I care for you so little that betraying me would make a difference?”

THIS is what and who Colin Bridgerton is for Penelope but to get there he first has to realize it and for that he needs a shock. HE NEEDS THE DRAMA. He is a Bridgerton guys if he is not a messy drama queen who suffers then what is the point? lol... Colin needs to have that maelstrom of emotion. The whirlwind. The pain, the jealousy, the YEARNING, the realization. He needs to be brought down on his knees (I do not oppose to the literal thing btw lol) before he rises again. Stronger than ever. And on the ready to protect his WIFE.

There is just no other way. And I will sure enjoy this because this...is what falling in love is and this season is about romance and Mr. Colin Bridgerton is our MALE LEAD HERO and as SUCH I want him to earn his position which means: HE IS OUR BELOVED IDIOT! YES HE IS GONNA SUFFER. YES I WILL CHEER FOR IT. YES I WILL BE HAPPY FOR MY GIRL PENELOPE AS THIS HAPPENS. YES TO ALL!

IT IS TIME!

I waited long enough! Now bring me season 3!

[chuunyu]

thoughts on this take?

https://www.tumblr.com/stupid-juku/766965711651454976/daily-reminder-if-sega-confirms-that-mizuki-is

Their explanation is under their notes in the comment section.

I personally disagree but I was wondering what was your take

Ya this is wrong and not paying attention to canon!

I'll quote here what @stupid-juku said: "daily reminder: if sega confirms that mizuki is tfem they will be the WORST trans rep :P

At first Mizuki doesn't have gender dysphoria, at least it hasn't been shown. The idea was for this character to break gender stereotypes, to show that clothes are just a piece of fabric, and pink is not just a girl's color, while showing what they had to go through because of this ... but if devs confirm that they are cis, who just loves girly things, it would show how society is still affected by gender stereotypes and how people who love things that do not belong to their gender getting bullied even by so-called 'queer-friendly' society. They pretended to be a girl to avoid being bullied for their interests and taste in clothes. They reacted this way to the revelation of their secret because it was not they personally who did it, but someone else and their deception flared up"

Does Mizuki have gender dysphoria?

Yes! We can see this in their depression during their period of self repression during middle school, where they were suicidally depressed. Part of their depression was how nobody would accept them, part of it was their sister leaving, part of it was how after giving up their love for making feminine clothes, etc, they didn't really have anything left.

During their repressed period, we can also see that the mirror in their room was covered with a sheet, meaning they couldn't bear looking at their body, face, and/or short, masculine hair. Their masculine form was too painful for them.

So, Mizuki can't bear to see themself in a masculine form and they're extremely depressed in part because they are forcing themself to repress their identity. If their mirror wasn't covered I wouldn't say this as confidently, but this is a textbook example of a dysphoria.

Could Mizuki be cis? Are they just an oppressed femboy?

No. Think about it. Mizuki lives literally every moment of their life presenting female. If they were a crossdresser, femboy, or any male-aligned identity, they would get gender dysphoria against being a woman and this would lead to them going in and out of a feminine gender presentation. In addition, having to pretend to be a woman would be deeply distressing and Mizuki would be written MUCH differently as a result. That would be a whole giant, separate struggle that Mizuki's story would have to deal with.

Mizuki definitely WANTS to be a girl.

We can also look at how the songs portray Mizuki

Kuyamu to Kaite Mirai and Phony both have lines about how Mizuki sees themself and their body. Kuyamu to Kaite Mirai

“If it’s like that, why are we in this world in the first place? In such imperfect bodies? Even now, now still having hearts.” 

Their frustration over having an “imperfect body” makes a lot of sense for a character who wants to live their life as a girl, but has the body of a boy. We have also been shown this frustration in the story like I just explained.

Phony

“Why, oh why, does it hurt here so much.”

Let’s edit this quote so that it can make sense out of context. In context, this would be more like:

“Why, oh why, does [being a phony] hurt so much.”

This line, as sung by Mizuki, is telling us that one: Mizuki feels like a phony, and two, that being one hurts. If we think back on the line from kuyamu to kaite mirai, about Mizuki’s frustration over having an “imperfect body,” we can see what they mean by phony. Mizuki is someone born male, who wants to be in every way a girl. As much as they try to pass as a girl, they will never be able to change their birth sex. Being this way, how could you not feel like a phony? So, of course it hurts them, feeling like a phony.

Some other bits from songs and cards:

In IDSmile, they call themself a "minority," using the japanese loan word that can specifically refer to sexual minorities AKA LGBT people.

They sung in Villain. It's literally a song explicitly about being trans. It has a manga about a gay man and a trans man falling in love. Like!!!!

if we take a look at the 3D music video for the song where Mafuyu and Mizuki both perform together, when Mafuyu says the line “I take on the form of a boy in front of you,” Mizuki waves to the camera with a smug expression, making a peace sign as the camera cuts away.

What is this trying to say? To me I think this is Mizuki trying to get our attention, saying “hey! This is the sorta thing I do!” However, this shouldn’t be confused with crossdressing, as this song isn’t talking about crossdressers, it’s talking about trans people. So really, what is this saying? I think this is Mizuki saying: “hey! Look! I’m trans!” or, maybe I’m insane, and this little wave meant nothing, but from all that we’ve seen, I think it’s true. After all, the writers are very, very intentional.

Also, like in the card “Between Feelings and Reality,” they are depicted symbolically as a butterfly. It happens SO MANY TIMES. In the trans community, the butterfly is a classic trans symbol, and in Japan, it represents becoming a mature woman.

Like how can you see all of the things from the story and songs talking about Mizuki's frustration over their amab body AND see the otherwise BLATANT trans coding and think "Mizuki could possibly be cis." No. Literally no.

Anyway,

While I too have little faith in Japanese companies to put an explicitly trans character in their game, I don't think that the writers EVER intended for Mizuki to be cis in any way. It's clear that they are frustrated over their body - they're gender dysphoric. They WANT to live their life as a feminine presenting person but things get in the way and they aren't able to truly be themself in the way they desire.

I think Mizuki is great trans rep. No, they aren't perfect, but I love Mizuki in great part because of how deeply I see my life in theirs. Sometimes it almost feels 1:1.

If you like what I said here, a lot of this comes from my video essay that should... hopefully be done before the end of the month. In it, I'll explain all of this in way more explicit detail along with clips from the story.

Anyway, sorry to the random person who I just tore apart. No bad feeling towards you!

Actually, wow there are some fucking idiots in my comments I'm not sorry anymore. If you don't even speak Japanese, get the fuck out of my comments trying to say you know shit about Japan. Thanks, bye.