#we have a right to be bothered by the lack of care this storyline brought

[cjlouwho]

is2g if we get tommy back (hell, if we get tim to have to answer questions about this) because you would not shut up about writing on instagram, facebook, and submitting to abc, I'm gonna kiss you directly on the mouth.

can we make sure tim knows it was 'loulovingho' that brought demand for answers? just so he has to say loulovingho

[andreafmn]

Collision - Chapter 2

Word Count: 1,477

Characters: Female Reader Uley Character, Sam Uley, Allison Uley, Charlie Swan, Bella Swan, Seth Clearwater, Billy Black, Jacob Black, Emily Young, Paul Lahote, Harry and Sue Clearwater, Leah Clearwater

Story Description: (Y/N) Uley is back home after being away for four years. Her life at it’s first standstill and she is taking this time to find out who she is without school. But she never thought that coming back to the reservation would turn her whole life around. In the midst of secrets and mystery, a man crashes into (Y/N)’s and her life will never be the same.

*DISCLAIMER* I do not own in any way Twilight, all credits of the pre-established characters, script, and storyline belong to Stephanie Meyer and Summit Entertainment. The only thing I own is Uley Reader insert, any upcoming characters, and her storyline, as well as her effects in the others’ story line.

Chapter: 2/?

A/N: There’s no Cullen’s in the first chapter, we’ll see them soon though. Also, Esme is in the story but her and Carlisle are not together romantically. If you enjoy my writing I’ll also be posting them in AO3 and Wattpad along with other stories (I also hope to start taking requests if ya’ll want) Hope you enjoy and all constructive criticism is encouraged.

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Chapter 2

The next day she awoke at half past ten. She looked at her bedside clock flustered, knowing she had wasted almost all morning. She could smell breakfast already prepared and her mother downstairs doing some light cleaning.

She hurried into the bathroom and took a small time to finish her morning routine, flying down the stairs. Allison laughed as she noticed her daughter stumbling with hurry down the stairs, clearly heading to the door.

“Eat some breakfast before you go, darling!” Allison shouted as she swept the floor of the dining room.

“I’ll just get some on the way,” (Y/N) said as she put her jacket on, seeing in the distance dark clouds adorning the sky.

“I made you a sandwich so you can take it with you and a travel mug filled with coffee.”

“Thanks, mom. You’re the best,” (Y/N) kissed her mother’s cheek and grabbed the food from her hands.

“And be careful on the streets, the tires haven’t been changed on the truck and the roads are supposed to be very slippery today.” Allison called out to the girl who was almost completely out of the door.

(Y/N) barely heard her mother’s warning as she jogged up to the truck parked on the driveway. There was a sandwich hanging from her mouth as she backed up and sped to the main road. It was quite a long ride to Port Angeles, and she wanted to be back before dark. She spent the ninety-minute drive listening to background music and noticing how the sky changed from blue to dark grey to a lighter grey as she passed and left Forks. She rarely visited the neighboring town, listening to the stories by the elders gave her enough reason not to. Unlike most of her friends and even her own brother, she believed the string of words that they sewed. There were so many things that were unexplained in the universe that it would be ignorant of her to not believe that the supernatural could exist. Although, the past four years she had started to disregard the tales as made up stories, not being able to prove that they were veracious.

Once she arrived, she parked in front of an antique store and started perusing through the various stores in the strip mall. Before she knew it, five hours had passed. Her feet were sore from walking back and forth, her arms were read from all the bags she had carried, and her head was hurting from a lack of food. It was already five in the afternoon and (Y/N) was ready to go home. She got back into the truck and started her drive back home. An hour into the drive the sky darkened more than it should’ve, and heavy rain cascaded from the clouds. Her vision was impaired from the thick droplets and her heart was beating hard, scared of what could jump out in the darkness.

(Y/N)’s worries were confirmed when a deer jumped onto the street and had her swerve the truck. The car spun for some seconds and slid off the road, crashing into a tree. The girl’s head flew forward on impact and connected with the steering wheel in front of her. Her vision blurred and her headache grew exponentially. She could hear her name being called from far away but couldn’t distinguish whose it was. As it came closer, she could finally make out the frame of the sheriff, Charlie Swan. He was speaking to her, but no words registered in her head.

Charlie moved closer to the truck and tried to open the door, but it wouldn’t budge. The sheriff reached into the open window and carefully tried to retrieve the wounded girl. She wasn’t in the right mind and in this rain an ambulance would take too long to get here. He laid (Y/N)’s head on his shoulder as she mumbled incoherent words, then reaching his arms under hers to pull her softly. He was careful not to scrape her body too much against the broken window, laying down his jacket first to cover most of it. Charlie tried his best to see amid the harsh rain, praying to whatever being was controlling the weather to stop. The blood that was gushing from (Y/N)’s forehead had washed off as soon as her head had exited the car but it didn’t stop flowing. After what felt like hours, the sheriff had the teenage girl in his arms and carried her to his cruiser. Turning his emergency lights on he sped as carefully as possible to the hospital.

He felt the ride eternal as he heard the hurt girl in the back of the car moaning in pain and noticing the shirt he’d wrapped around her forehead was soaking up too much blood. As he neared the bright lights of the hospital, he slowed the speed down as to not slam on his brakes and cause more damage to (Y/N). He carefully grabbed her limp body and entered the hospital. It seemed like the emergency room had a slow night, but he only brought trouble. 

“I need some help here!” Charlie called out, worry laced in his voice. 

“Sheriff Swan, what happened?” A nurse asked as she accompanied the team wheeling a gurney for the unconscious being in the officer’s arms. 

“This is (Y/N) Uley. She hit her head in a car accident, I assume her car swerved as she avoided an animal in the street. She’s been unconscious since I got her in my car. When I found her she was barely coherent.” 

“Okay, why don’t you wait for us in the waiting room. We’ll let you know as soon as we have some news.” The nurse smiled. 

All Charlie could do was nod and sit down for a second, later pulling out his phone to dial Allison Uley’s number. 

“Sheriff, to what do I owe this pleasure,” Allison chimed. 

“It’s not good news, Allison. (Y/N) has been in a car accident.” Charlie could feel the panicked energy coming from the other side of the phone. Close to this time last year he had gotten news that his own daughter was hurt through a phone call. “Now, Allison, I know you want to speed off to the hospital but I would advise you not to. The roads are really bad over here and we can’t have you both admitted.” 

“But I can’t leave her alone,” she sobbed. “I need to be there for my baby.” 

“I know, but she won’t be alone. I’m gonna stay here until she’s good to go and I’ll take her back to your house. Now don’t you worry, you know she’s a strong one.” 

“I know,” Allison sighed an air of defeat. “Alright, just please keep me updated on everything. Doesn’t matter how late.” 

“Will do. I’ll have my buddy pick up the truck and leave it at Billy’s.” 

“Thank you, Charlie, so much.” 

“No problem, Allison. Try to get some shuteye, it looks to be a long night.”

And a long night it was.  

Thankfully, (Y/N)’s injuries were minor and she would be able to leave as soon as she woke up. Charlie spent all night in the hospital, calling a friend to drive (Y/N)’s truck so that Jacob could see if it was worthy of repair and leaving a message for his daughter that he would not be coming home that night. The nurses were nice enough to bring the officer a blanket and some coffee as it seemed he wasn’t going to leave and come back the next morning, keeping his promise to Allison that he’d stay beside her daughter. 

Once a room was given to (Y/N), Charlie managed to catch up on a little bit of sleep on the armchair next to her bed. The girl slept even through the morning light that slipped through the window that woke the sheriff up. He updated Allison on the persistent status of her daughter. Once again, the nurses showing kindness by bringing him a cup of coffee as he waited for (Y/N)’s eyes to open.

(Y/N) was engulfed in darkness during what felt like a second. She tried fluttering her eyes open but was met with a painfully bright light and a pulsating headache that rang through her body. Her eyes closed once again to try to minimize the discomfort, to much avail. She barely remembered what event befell her to end up in this situation, but she could hear she was not alone.

“Are the lights bothering you, (Y/N)?” Sheriff Swan spoke, noticing the girl had awoken. She promptly nodded and he stood up to turn off the lights as the room door opened. “All right, they’re off now. Hello, doctor.”

She tried opening her eyes again and was met with the most radiant eye color she had ever seen.

Golden.

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[cienie-isengardu]

Erron Black. Arguably a character I don't know much about. Is Erron Black feminist, sexist, or just soft on girls? Now I know MK everyone can fight everyone, but in story mode...

In MK10 Milenna impale his hand with a knife, but he doesn't fight her. I'll except injury for that one.

But then with Cassie Cage later, he fights her, only after she engages him, but once he knocks her down he stops fighting her to fight Kung Jin in the market.

Later on the bridge fight, we do see him fighting Jacqui Briggs, in the background, but she charged him, so she initiated it, and when they focus in he is fighting Kung Jun again.

In MK11, when young Erron Black goes after Jade and Kotal, he let's Jade leave without so much as a glance.

In the Black Dragon fight pit, even though she is right next to him, he ignores Sonya Blade until she actually attacked him. He doesn't even point the other gun at her, he points it up and looks away, until she punches him.

The only time it looks like he initiated a attack on a woman was when Sheeva got shot in her shoulder armor (and shrugged it off), but we immediately see him chasing down Nightwolf, so that looks like a accident. And they only fight after she punches him across the room.

And in the comic's when he kidnapped Cassie and Jacqui he defended them against Kano, telling him not to hurt them, and when he realized they were in serious danger, tried to free them and help escape.

Unless I'm missing something, well he doesn't avoid it, he doesn't fight initiate fights with women.

Before I will talk at length about Erron Black and his attitude toward women I wish only to emphasize this is my subjective opinion and there is no need to agree with me on this. Because no matter how much source material will be brought into discussion, there are many ways to interpret his mindset, especially since A) what Erron says is not always compatible with what he is doing and B) the specific game mechanics that limit and/or adapt his “personality” to the needs of the storyline.

Long text ahead!

Mortal Kombat X’s stated Erron Black was hired by Shang Tsung 150 years ago. So he was born and raised at least the previous century and half, thus his approach to women may be old-fashioned but I wouldn’t say he was somehow deeply concerned per se about gender to begin with. Yes, the mentioned examples suggest otherwise but their context is as important as Erron’s action alone. Because the context of the game will not always work well with in-universe logic. I’m talking here stricte about game mechanics that are built around chapter’s main hero that must win against the opponents and in the mentioned examples Erron was sadly just an obstacle to beat down so it is not like he could headshot Mileena, Sonya or Sheeva or any woman and be done with the problem despite how marksmanship is his forte. Also, the game mechanic in MKX kinda made me joke that Erron shouldn’t be left on his own for too long because his competence in those chapters seemed that bad (from Outworld’s main cast only D’Vorah looked to me as a competent character and she was a traitor, that says a lot about Kotal’s team doesn it?). Anyway, on the basis of the specific nature of the game alone I wouldn’t go so far to judge Erron’s mindset, especially since he was a background/supportive character in MKX and MK11 story modes. So far, Black didn’t have his own chapter - thus the story isn’t told from his POV.

To be honest, games and comics present Erron in different lights, thus his approach to women may vary from one source to another. Because of that let’s firstly look at the sources separately.

In MKX, on Kotal’s voiceless order, Black was going to kill Rain. Mileena attacked Erron by surprise before he could shoot down the rebel but it was Kotal’s chapter so the emperor was the one that dealt with her. Erron was part of the background during chapter 2 without any impact on the story.

Then we have chapter 4 about Kung Jin.

When Cage Team met Erron Black for the first time, the man demanded to know what is Special Forces’ business here including “a reason why we shouldn’t kill you”. Despite the not so friendly welcome, Erron was willing to address Takeda’s remark (“I can read you… You’re not from Outworld.”) and did not resort to violence once Cassie’s explanation did not satisfy him. Looking at the uncertain situation of Outworld, Erron’s lack of trust is understable - Kotal was still at war with Mileena thus in constant danger. Of course, it is up to interpretation, did Erron listen to Jin solely because the prospect of money spoke to him so much or there is some bias (thus the cynical remark about Raiden’s seal and dismissive attitude) against Cassie, the woman in charge. I personally tend to think Erron was simply cautious because the last Earthrealm that got close to Kotal tried to kill the emperor. And yeah, Kano is nothing like Cassie, Jacqui, Takeda or Jin but there was no way for Black to know that for sure, especially since Outworld and Earthrealm weren’t really at the best terms at that time and Raiden’s name did not foreshadow anything good.

The next sequences may be interpreted as Erron being soft on women but I’m gonna present here different possibilities:

Once Jin went ahead to disrupt the execution, Erron’s first reaction was to shoot him yet Black took aim instead of shooting blindly without care for the crowd (or at least the slow down of his action is how it looked to me). Because he was focused on Jin - the main culprit whose action caused unwanted riot, Cassie easily stopped the attack. Should Erron be more focused on the female soldier at his side? Most likely, but all of this happened in mere seconds so I can understand why stopping Jin acting on his own accord was priority to the mercenary since it was related to his job and he was the one that agreed to take Earthrealmians to Kotal. Which may be the reason why Black just knocked down Cassie and immediately ran after Jin. And mind you, Erron knocked down Cassie by hitting her on the head with the butt of the pistol, which is not a gentle way by no means.

The chapter 6 is focused on Takeda and partially on Cage Team’s run from captivity. The Earthrealmians were important hostages, even if falsely accused of working with D’Vorah. So it makes sense that “Outworld Champions” weren’t trying to kill them. Otherwise Kung Jin would be shot down for good yet Erron kept him just at gunpoint. Once again, the game mechanics don’t make much sense considering how Jin stayed behind as air support but somehow ended up on the bridge while Jacqui disappeared somewhere in the background. Also, the same as with Cassie in Chapter 4, Erron did not kill defeated opponents nor tortured / injured for fun (Rain is a different matter because Erron went for killing only after Kotal’s voiceless order to finish the traitor).

In Chapter 11, Erron is even more degraded into a support role and he did not attack nor take part of the skirmish in the forest until Jacqui beat down Kotal. Personally I suspect he could be (in universe) too injured for hand to hand combat but once Team Cage was surrounded and Kotal gave the order for execution, Erron was aiming at Jacqui and if Sub-Zero did not show up, Black most likely would shoot to kill.

(Also, he did not shoot any enemy from a distance, so the women and men were treated the same although if this is a matter of game mechanics or Erron’s own moral code, hard to tell. Black recognized himself more as Outworlder than anything else so he may actually follow the common there idea of one on one fight.)

So, MKX story mode alone does not tell us much about Erron’s mindset about women because he has never been the one starting fights in the first place. This kinda makes sense since he is a mercenary and kills or injures only those who Kotal wishes to see dead or punished. Besides that he didn’t injure / kill Cassie when he had a chance but he didn't do so with Jin either. MKX!Erron gives the impression of a collected, detached type of person who is far from macho stereotypes or psychopath/sociopath like Kano.

Thankfully there is additional information like dialogue intros and Erron’s ending (from what we learned about Erron's approximate age) that aren’t canon per se but at least give some insight into his psyche.

The best counter argument for eventual Black’s habit of going easy on women is his own ending in which he ambushed and killed Cassie, Jacqui, Takeda and Jin (this situation was repeated in Briggs’ ending except this time Cage Team was saved by Jax). This is a rare moment in which Erron was the attacker and on his own initiated the violence toward others. In this case, he attacked women and men alike.

Then we have intro dialogues in which Erron usually deals with people in a professional manner, some even sometimes addressing in a polite way. Like “Mr. Kung” to Lao, “Mr. Hasashi” to Scorpion and “Mr. Takahashi” to Takeda. Surprisingly, he addresses Cassie and Sonya by their military rank (Sergeant Cage and General Blade respectively) which suggests that whatever Erron learned a century or two ago about gender-related social norms most likely evolved accordingly to his own life experiences, especially those gained in Outworld.

At the same time, it seems some of outfashioned - harmful - convictions are still enough deeply rooted in him to say stuff like that:

Kenshi: The friendless wanderer.

Erron Black: Least I don't take orders from a woman.

Kenshi: Which century are you from?

Which is kinda ironic since Kenshi takes orders from Sonya whom Erron addresses by high military rank without any snide comment about a woman in the army. But as far as I managed to check the intros, this is the only(?) one outright sexist thing Erron said to anyone and surprisingly, he didn’t say that to any woman, just to Kenshi. Frankly, if the idea of taking orders from women was so offensive, why would Erron bother to call Mileena the Crownless Queen or Kitana the Fallen Princess, if both titles by itself imply facing women that are used to give commands or even hire people like him? Once again, there is little to no sexist attitude toward women in context of their power over other men. Which suggests that whatever prejudices Black may have, he does not allow them to affect his interaction with other characters. Usually, at least.

Okay, the insult toward Kenshi could be some of Erron’s deep-seated sexist beliefs adding to the reason why he didn’t support Mileena in the fight for the throne. Yet, at the same time, if that was the case, he could outright say he doesn’t agree to be bossed by a woman to her (or he could be accused of that by her or any character really). Of course, it could be something similar to Black’s claim to care only about money with MK11 strongly hints he is saying one thing and doing differently but I will come back to this topic in a moment.

Another argument against this insult: Erron was one of the characters that did not mock Mileena’s look, origin or called her crazy. If he really thought listening to women's orders was so bad, then he didn’t show that when interacting with her or other female characters.

At the same time, like many other male characters, Black is not immune to the beauty of women around him and some of his comments sounds disrespectful and are unwelcome by the ladies:

Sonya: The gunslinger.

Erron Black: I could take you away from all this.

Sonya: I must be a jerk-magnet.

→ Sonya is not amused by Erron’s words at all.

Erron Black: Hello, beautiful.

Jacqui: Messin' with the wrong girl.

Erron Black: But it feels so right.

Jacqui is like the only one woman described by MKX!Erron as the beautiful one, the other he usually referred to along the lines of hot / sexy. Yet once Jacqui outright warned him to not mess with her, Erron deliberately ignored her because it amuse him. Whatever it is a sign of an old-fashioned mindset (a remnant of the times he grew up) or just simply (male’s) egoism on his part, Erron likes to flirt with women but he does not always respect their opinion or wish to be left alone.

At the same time, Erron rarely tried to change women’s minds about him or their eventual relationship. So far, only the intro dialogue with Kitana seems to be the exception:

Kitana: Stop!

Erron Black: We've barely begun, my lovely.

Kitana: It will end quickly.

Black may put his own amusement above other people's personal comfort, yes, but didn’t act creepy like Kano did, especially toward Blade-Briggs-Cage family as a whole.

So we have this

Jacqui: I really don't like you.

Erron Black: I really don't care.

Jacqui: As long as we're straight on that.

in which Erron doesn’t care for Jacqui’s dislike of his person but doesn’t impose himself on her. He does not resort to the common rapist “excuse” that woman says no but her body says otherwise, like Kano did (“Your mouth says Kano, but your eyes say Kan-yes.”) and this contrast puts Black in a more positive light. Similar thing happened in the intro dialogue toward Tanya.

Erron Black: My friend, Tanya.

Tanya: We are not friends, bounty hunter.

Erron Black: Have it your way...

Again, whether trying to be friendly or ironic, once Erron was “turned down”, he simply accepted the situation without any additional crude remarks.

Interestingly, interaction with Sonya showed that Black was capable of rethinking his statement about hot/sexy women:

Erron Black: Girls with guns? Always hot.

Sonya: I'll shove 'em up your ass and fire.

Erron Black: Almost always hot.

Those examples suggest Erron may treat women differently, depending on their “fighting experiences”, age and origin and maybe even how sexually / aesthetically appealing they are to him. For example, veteran Sonya’s threat was taken seriously while (novice / new generation) Jacqui’s warning was ignored. At the same time, the intro dialogues didn’t hint at any romantic or sexual interest in Ferra (a young female symbiote) nor D’Vorah (Kytinn) and relatively good looking Mileena who deserves a separate paragraph.

To be honest, Erron, Johnny and Kano are like the main three men openly showing their (sexual?) interest in women around them. Understable, Black’s flirting / comments rarely were appreciated yet he still was less creepy or aggressive towards others than Kano. Erron didn’t bother to hide his eventual (sexual) interest in beautiful women but it can’t be said A) he had no control over his sexual drive and B) has rapist / sexual predator tendencies.

Another interesting thing: with few exceptions like Kano or Quan Chi, Erron threatened people with violence usually after they offended him and most of the time maintained professional neutrality toward his rivals. In that regard, Erron treated other characters the same regardless of their gender.

This is something worth keeping in mind how Black, as mercenary, in general is not the initiator of violence. Unless someone will pay him. For money, Erron would attack (kill) anyone, including women (to Tanya, “The Kahn wants your head.” + Erron’s Epilogue).

The last detail to talk about: one of the intro dialogue with Cassie suggests Erron thought she was an easy opponent.

Cassie: Is something funny?

Erron Black: I'll win this easy.

Cassie: You're going down hard.

but to be fair, he thought the same about Sub-Zero

Erron Black: You're an easy target.

Sub-Zero: As are you.

Erron Black: Bullets beat snowballs any day.

so I wouldn’t say it was the bias toward Cassie because of her gender and just Erron’s own arrogance (and maybe lack of good judgement on his part).

In summary, MKX!Erron in game alone tends to act in a professional manner. He had an occasion to shoot defeated opponents but did not seize the opportunity against not only Cassie but Jin as well. During the storyline he was rather collected, emotionless. In intro dialogues he openly expresses his interest in tough, relatively attractive women yet the banter is far from the creeping tone of Kano’s interaction with female characters.

Then we have Mortal Kombat 11 in which past and future timelines are messed up. Sadly, Erron’s characterization departs from the neutral-polite one seen in the previous game. Of course, this could be blamed on the younger version of Erron, but frankly, twenty years for someone living at least for a century and half shouldn’t make that big difference in behaviour and well, MK11 outright claims Erron is prone to violence for violence’s sake instead of just money. Which is one of many plot-holes and divergences between both games I guess.

Anyway, Erron, again, was the background character to beat down, so it is worth remembering that he couldn’t permanently hurt or kill anyone from the main cast. In chapter 2 he let Jade get away when he was facing Kotal and frankly, there is little explanation for that in-universe wise. I personally suspect it may be related to Erron’s own sense of honor, as in respecting one on one fight without cheap moves like shooting someone’s beloved person. Not practical in the mercenary job but it is possible for someone born and raised around two centuries ago. Also, Shao Kahn’s anger was focused mainly on killing Kotal for taking the throne. Because of that Erron could be not interested in Jade who simply did not have any significant political matter at that time. Sadly, it is really hard to say for sure what was on his mind.

In chapter 6, past!Erron stormed the Special Forces Base alongside Black Dragon members. There were women in that group but sadly, Black did not interact with anyone beside Johnny Cage. We can at least assume, Black did not mind fighting side by side with women.

Similary, present!Erron in chapter 7 showed up in the background during the alliance attack on Coliseum. The attack was led by Kitana (albeit did Erron join her to save Kotal out of loyalty or for money, it was not explained) and there were female fighters in the group. It seems then Erron does not mind fighting side to side with women.

During the pit fight (chapter 8), past!Erron faced the past!Sonya and the past!Johnny. Frankly, the same as in the previous chapter, game mechanics make little sense because there was no real reason for Erron to open the ring and face the characters when he could simply shoot down both from a safe distance. This really undermines the whole point of Black being a gunslinger, isn’t it?

Anyway, Cage took the forward position (which I think is both because despite his injuries he tried to shield Sonya AND because he actually met Erron during an attack on a Special Forces’ base) and got shot in the arm. After a short skirmish, Erron knocked down Johnny and aimed to kill the injured man.

The most logical thing for Erron in this situation would be to shoot down Sonya first and then finish already beaten down and exhausted Johnny. In defense of the Black though it is worth emphasizing that he didn’t completely ignore Blade nor turned away from her.

Most likely the weird slow-down action of aiming at Johnny was a moment of distraction that Sonya simply used to attack. Similar to MKX, game mechanics do not allow Black to headshot the main heroes, even though, in-universe, he should do just that and be done with the job. There is also a possibility that past and present Kano still wanted to keep Sonya alive for their own amusment (torture and sadly most likely rape) what could explain why Erron didn’t shot her from safe distance. I mean, the game alone did not voice what Kanos really ordered Erron to do.

I know that MK games like to slow down action for dramatic effects, but I strongly believe it was actually a matter of a few seconds of distraction (Erron looking aside to shoot Johnny and aiming) that Sonya took advantage of rather Black ignoring her on purpose. Even more since Black did not hesitate to shoot at her and seemed to enjoy facing “the legendary” Sonya Blade.

The same as MKX, Mortal Kombat 11 does not explain Black’s mindset. He does not shoot Jade or Sonya when he has a chance but he does not make any rude remarks toward women in general. However the intro dialogues shed a light on the complicated relationship that Erron has with women.

From what we learn about Erron, his childhood was far from normal or safe. We don’t know details, but what he shared with Cetrion and Cassie strongly suggest that Erron’s both parents were abusive people:

Cetrion: You shot your own father, Erron Black.

Erron: Sonofabitch had it coming.

Cetrion: Honor thy parents, mortal!

or

Erron: My Ma would’ve loved you, Cassie Cage.

Cassie: Aw, sounds like you miss her bunches.

Erron: I hated Ma.

or

Erron: I grew up around tough women.

Cassie: Didn’t they teach you respect?

Erron: They taught me to hit back.

The last statement suggests young Erron was abused by women (most likely including his own mother) to the point he is now willing to hit back anyone regardless of their gender without remorse. Erron himself says “I ain't above shootin' a lady” (intro dialogue vs. Sonya).

Beside that, an abusive mother alone could influence Black’s approach to women - and most likely she did, since he admitted to hate her. Surprisingly, Erron uses the past tense (“I hated Ma”) so there is a chance he gained distance over time in that matter. It also seems like whatever he feels about mother usually doesn't affect his relationship with other female characters. For example, in the mentioned banter he did not insult Cassie for reminding him about the abusive parent. Despite the bad childhood intro dialogues hint Black actually likes dangerous women.

Erron Black: I stepped out with Nitara before you.

Skarlet: You clearly have a type, Erron.

Erron Black: Just like living dangerously.

Like in the previous game, Erron openly shows his (sexual) interest in various women. The interesting change however is how:

His interest extends now to more alien-looking female characters like Nitara or Sheeva. Surprisingly, Mileena’s advances are still rejected. Also, Erron has like zero respect for the goddess Cetrion but to be honest, he does not respect any god.

Erron is more disrespecting by using nicknames like Legs or Baby Doll for Sonya or Sugar for Cassie. Of course, it may be just the “charm” of younger Black - hard to tell in most cases which version is speaking - but it creates an overall feeling of ironic, at times irritating or insulting approach to female fighters. At the same time, there are women that Erron refers to in a rather consistently respectful manner - Jacqui (Miss Briggs, Little Lady), Jade (ma’am, missy), Kitana (Princess, Kahn).

Before I will focus on the complex situation with Mileena, I need to talk about Erron’s important trait: he often says one thing but does the opposite. This is especially noticeable in intro dialogues concerning money and loyalty. Both games agree the main motivation for Black is a good payment, albeit MK11 highline also the thrill of danger. Anyway, Erron admitted he is willing to betray Kotal, a current employer, if someone offered a better deal (“Until a better offer comes along.”, “There's always a better offer, Kotal”). This strengthens the impression Black cares only about himself yet he rejects all propositions coming from Kotal’s enemies such as Shao Kahn, Rain or Mileena, Quan Chi, Shinnok and Kano/Black Dragons. At the same, he is willing to work with/ for Kitana who happens to be the best friend of Jade, Kotal’s beloved. Which makes Erron still operate in a group wishing no harm to the ex-emperor.

I’m bringing this into discussion because there is strong possibility that under the tough guy act, Erron still follows some “old-fashioned” sense of morality and is decent enough to not attack or harm women (and in my opinion, people in general) unless A) it is part of the job or B) is self-defense. Which could explain why he let Jade walk away or why he didn’t shoot Sonya from a safe distance but faced her in hand to hand combat. Depending how long he lived in Outworld, he could simply adapt into local customs - the people of Outworld are a combat-focused society and because of that have a strong sense of honor code. Erron’s eventual softness toward female fighters would get him in serious problems and I doubt he could afford such weakness when serving Shang Tsung or Shao Kahn.

So, why did Erron not want to serve Mileena, the designated successor? As the Empress, she was in position to offer the best (materially wise at least) deal after all.

In MKX!banter Erron claims Kotal paid him better:

Mileena: You aided the usurper.

Erron Black: He offered more coins.

Mileena: ...and no protection.

Meanwhile, MK11!Black outright says it was not a matter of money but of Mileena’s behaviour. Considering how prone to violence she was, it is no wonder why Erron decided to work for someone else.

Erron Black: Now what's got you all rip-snorting mad?

Mileena: When I gained the throne, you abandoned it.

Erron Black: Wasn't no pay worth dealing with your crazy.

This brings me back to the MKX’s banter suggesting Erron may dislike being bossed by women. Considering the implication he is currently negotiating a proper deal with Kitana Kahn (“New Kahn, same deal?”), the problem is more complex than judging someone by gender alone. I mean, Erron worked for Shao Kahn who himself was a cruel tyrant so sadism shouldn't be anything new for Black, right? Except, he was hired by Shang Tsung and because of that I think it is highly possible Erron had just indirect contact with the Emperor. Thus Erron could be not ready for Mileena’s unstable nature(?) and cruelty.

I mean - Erron comes from a pathological family and grew up around tough women. In his opinion Cassie has some traits or behaves in a way for which his mother would’ve liked the girl. So there are certain things that Black connects to hated mother. Now, Cassie is more of an extrovert type of person, showy and with sharp ripostes but she is one of the good guys and cruelty for fun is not her thing. So, if someone like Cassie can somehow make him think of a hated parent (that most likely is dead for decades now), how much Mileena could trigger Erron in the wrong way? To the point he chooses his mental health over money and/or thrill of danger?

If this is true, we may further wonder if bad experiences with tough women in childhood are the reason why despite flirtatious nature, Erron’s interest in female fighters usually is strictly sexual attraction? Because it really looks like he does not try to emotionally connect with women. Even his “thing” with Skarlet seems to be more a matter of thrill than a serious relationship, considering how Erron was okay with her eventual death.

(The possibility of Erron being freaked out by Mileena also rises an interesting question about her mental state between MK9 and MKX)

This is why I think Erron did not have a problem with working for women as long as they did not remind him too much of past abuse. And this is pretty nice implication, considering how tough guy Erron is for most of the time.

Because of that, Kotal questioning if Erron is jealous of Jade could be read in different way too:

Erron Black: So, you and Jade, huh?

Kotal Kahn: Jealous, Erron Black?

Erron Black: She's quite the looker, Kotal.

And yeah, Erron brings this to the matter of appearance alone, but hopeful as I proved earlier, Erron sometimes says one thing but does (thinks) something totally different. Because of that I suspect he may not be really jealous of Kotal for having a sexy lady but actually of the relationship itself. You know, build on respect and love than just build on sexual drive.

Like I said before, the game cutscenes and character banters may be interpreted in many ways but for me MK11!Erron Black - at least the older version - seems to mask his trauma and/or complex nature of his relationship with women under the act of tough guys. At the same time, there is a high possibility he still follows an out-fashioned sense of honor and though he is not above shooting women, he does not attack them unless it is demanded. Though to be fair, in my opinion this is how he approaches everyone. A mercenary’s mindset that distinguishes him from the likes of Kano.

In Mortal Kombat 11: Aftermatch, Erron met Sheeva, when the Shokan Queen in the company of Fujin, Nightwolf and Shang Tsung carried a coffin to the Soul Chamber. Black and Baraka decided to confront the Shokan woman and it quickly turned into a fight (and the typical game mechanics).

There is a question though - did Erron really take Kitana's offer or did he stay with Kotal? Because it’s really suspicious that he happened in the place where defenless, injured Kotal was in the healing process. Anyway, whatever the case, Black directly or indirectly worked for the new Kahn so it is highly possible his actions were dictated by Kitana’s best interest rather than his liking or disliking anyone.

Let’s just look at the situation - Kitana is the empress but she promised to treat her allies as her equals. That means Sheeva, as well respected Shokan Queen, plays an important role in the new regime - killing her or permanently injuring was out question, otherwise Shokan people could rebel against Kitana and in result the freshly established peace would go straight to hell.

In my opinion, this is why Erron asked Sheeva’s group to go with them quietly so the situation could be explained to Kitana without unnecessary violence. Black actually was okay with Sheeva go to Soul Chamber as long as Shang Tsung (Shao Kahn’s sorcerer) and the suspicious coffin was returned to him. Thanks to Shang Tsung, one of Tarkatan warrior died and thus the situation got out of hand. It makes sense Erron was more focused on Shang Tsung (hated by Kitana), Nightwolf (whose current self is revenant) and Fujin than on Sheeva who, potentially, was protected by political immunity.

When the Shokan Queen beat down Baraka, Erron in my opinion did not try to hurt her, only fired a warning shot. Maybe to make sure Sheeva will not kill Baraka (another important leader whose support Kitana needed to uphold the peace in Outworld). The Earthrealmers on other hand were another matter. Maybe Erron was too trusting or too reckless to not pay more attention to Sheeva or simply didn’t really think she was the traitor. It was after learning she is trying to resurrect Kitana’s evil mom - a dangerous, not consulted with Empress decision - Erron faced Sheeva in hand to hand combat.

Not much to analyse here, especially not with limitations of game mechanics yet I strongly believe Erron’s course of action was dictated by political situation and Kitana Kahn’s best interest so killing or seriously injuring Sheeva could be out of question. Also, like I said previously, Black is rarely the aggressor, what I believe is related to his mercenary’s mindset.

The last source, Mortal Kombat X comics series, requires a little clarification: I treat it as a potentially additional insight into Erron’s psyche than any real canonical material. Partially due to many plot-holes but also because of overwhelming violence used for violence’s sake alone. That said, here what happens:

Earthrealm (Special Forces) and Outworld (Kotal Kahn) weren’t on the best terms. To help Kotal, Erron and Black Dragons kidnapped young (under 21 years old) Cassie and Jacqui and took them to Outworld. During the journey through the dangerous jungle, girls tried to run away but got hurt in the process by Kano. Erron openly talked against brutal treatment of prisoners.

Looking at the difficult situation of Kotal, it was in Erron’s best interest to keep Cassie and Jacqui in one piece. Otherwise the whole plan would fail and then Kotal would be forced to deal with really pissed off Sonya Blade. And that would take a bad turn for Black himself. But like I said earlier, the tough guy act could also cover Erron’s more empathic nature that in the mercenary world was seen as a weakness to exploit. I personally think he did not like torturing people if that was unnecessary but also that he would have spoken against it even if Cassie and Jaquie were boys.

Then the Red Dragons attacked to take over hostages.

(Once again, a tough guy act with the “girls are Kotal’s property” as in cover up his worries about the situation or his true mindset, or mix?)

When the fight started, Erron went to tied hostages:

One one hand, Erron needs the girl to stay alive and not be taken by the enemy. On the other hand, he does not promise them safety nor ask them to run away. He is freeing them so the two girl (both under 21 years old) will fight against experienced criminals armed with swords and other dangerous stuff. This is actually an interesting detail, because it suggests Erron thought Cassie and Jacqui had a chance against thugs or that at least that way they wouldn't be a burden to him.

Jacqui punched him and Erron, either was taken by surprise or did not want to hurt her, was “saved” by Kano. And then betrayed by the Black Dragon leader.

Kano’s worlds raise a question, how much Erron is driven by the money and how much he uses the tough guy act to actually hide his unwanted “vulnerability” (as in, having moral sense and not being the heartless psychopath like Kano).

My general conclusion about Erron is that, for a side character he has a really complex relationship with women around him. I strongly believe that Erron sticks to some old fashioned sense of honor that mixes well with a mercenary's mindset. Thus rarely he is the one attacking first. This most likely influences his interaction with female fighters but at the same time, Outworld is not a place where people are judged by gender but for their skills and powers. So, Erron living there for decades for sure got influenced by that mindset to some degree.

I would not call him a feminist - not because he couldn’t be one but for lack of proper material to analyse. Feminism has many shades but in the most general sense is about establishing the political, economic, personal, and social equality of the sexes. Erron does not show much opinion on that matter and does not interact with “common” women; those truly weaker than him, disabled or anything else other than warriors, soldiers or queens. With lack of such interaction there is no chance to come to a proper conclusion.

Does Erron have a soft spot for women? It is possible but that would not stop him from hitting back or killing them if the situation called for such action. I think the safest option is just that Erron is in general a more emphatic and honorable human that he wants to admit, to not look weak or be exploited by others. In contrast to Kano, Black for sure has some moral code he follows no matter what. Even if this get him into trouble more often than not.

Hope it answers your question!

[life-rewritten]

Tharn and Type 7 Years: The duality of TharnType and LeoFiat

Okay, let's crack on to episode 4. This is going to be Looong! Strap in.  Another episode that yes I enjoyed. This show is like returning back to an old love, it feels nostalgic, it's the best thing in the day to end with, you're excited but also scared at the same time because you've become so attached that any issues that ruin this will break your heart into pieces. And I wasn't expecting it, but I became pretty attached real fast, I fell hard again. I am so grateful for this show for bringing back that excitement, and longing because waiting for the episodes is beginning to start to hurt. 

Addressing the Complaints 

In episode 4, fans have said that this episode was another filler episode full of nonsensical scenes and purely another LeoFiat storyline, fans were upset at the lack of screen time apparently for MewGulf (who play TT).  I say apparently because that's rubbish, they still have more screen time than others. Fans also thought the plot had started to be stagnant and nothing was happening. Hmm, I can see how fans may think of the last one, because I too even after watching episode 4, felt the story was on hold; however, I wasn't angry, I was intrigued. I know that the writer of this show leaves clues, information for where her plot is going right now; Tharn and Type are on a roller coaster, everything right now keeps building up, moving up waiting till it reaches that pause before we all fall and lose our minds. Because of the angst and drama. Because it will be painful. On Today's analysis, we're going to break down The dichotomy and duality of our two prominent couples this season in episode 4; LeoFiat (LF) and TharnType (TT)

Now, this is an example of the duality of LeoFiat and TharnType. We get two scenes at the beginning of episode 4, both associated with the making of or eating cake. It's funny when I analyse some shows as sometimes I hate looking deeper into scenes that may not even be planned or aren't actually that deep. But I got irritated because people stated that it was pointless having the cake scene; one because it was censored and we didn't get a kiss from TharnType, and that's what the scene was for to them, two because why the hell is Fiat eating a cake happily so important for TharnType? 

Well, I'm here to tell you that it is essential, every dialogue in these two scenes with cake is needed as much as the shopping scenes and the long focuses on characters doing mundane things. It's actually again telling you and building up the story in subtext. TharnType the show has always been a show that uses subtext to build up the tension and show what's going on secretly below the surface, in season 1 we saw this happen the opposite, we saw the angst and the fights and the pain on the surface, but we realised the depth, the meanings, the actual psychological links of our characters in subtext. In season 2 we have this reversed, we're getting the angst and the conflict being built up in the subtext. On the surface, we see ordinary moments that seem like they hold no meaning.

 Except they do: Take the cake scene, for example, we are again shown the mindset of our characters and behaviours towards the plot of the story: The marriage conflict with TT and the Fiat's interference with TT as the villain of the show. We're shown hints again to their personalities, mindsets and behaviours. 

Let me break it down even further: 

THE MESSY THING ABOUT CAKES

Cake Scene Number 1: Tharn has woken up to make a cake for Type because it's his day off in a while. Tharn isn't a great cook, so he's made a mess of the kitchen, in order to prevent more messes and Tharn getting hurt, Type distracts him with his body and intercourse. Type then proceeds to ask Tharn out for shopping, and a date and they tease each other. 

Cake scene Number 2: Fiat is happily eating cake, Leo shows up and berates him for his messiness, and Fiat pushes it off. Leo continues to complain whilst babying Fiat, Fiat and Leo then discuss Leo's family and how Fiat likes being seen as the favourite son in that family. Fiat then convinces Leo to take him out to go shopping for shoes he wants. Leo says he'd go alone, Fiat disagrees and manipulates him into letting him go by being more baby and cute. 

Tharn and Type: 

Messes and Destruction

So why is this cake scene so important? The dialogue and behaviour! Tharn is shown to be impulsive and rash. This is repeated throughout the whole episode. It's a warning, Tharn is spontaneous; ready to do new things, step out of comfort zones despite the mess and destruction it could cause to him and his safe space. With cooking he does it because he promised Type, it's to make sure Type is comfortable on his day off because he worries about him overworking (this is also repeated for the plot of this episode). However as much as he promised to cook always for Type, we've seen twice with his cooking, that Tharn is prone to making more of a mess than something useful. We even see a pan of the camera to the counter to show how much chaos he had caused. There's a reason for why it panned out. We've seen his battles with the eggs, the first time he hurt himself and Type was over-worried, and this time he messes up and destroys the kitchen to get one egg broken for the cake. It's cute but look at the dynamics:  

Type's Protective and Reactive Nature

Type is more reactive to Tharn's hurt, mess and destruction, and he's protective over what they have and is more on the watch for the damage rather than the gesture. Tharn wanted to be romantic, but he ended up ruining it by rushing, by being impulsive, by not slowing down; the gesture is for Type and to make Type happy, at ease and comfortable but it doesn't end up like that. This is foreshadowing; the cake making is the marriage plot. The reason why Tharn wants them to be married is so he can have a stable and secure relationship with Type, to make them happy and feel safe. Still, Type is more worried about the results of marriage, the 'mess' of their relationship if people get involved with their relationship or if the marriage doesn't work out because of society's laws.  This again shows how much both of them are doing things for each other but not actually not seeing each other and understanding each other. The more Tharn pushes the more Type will be worried and overreact. This was foreshadowing.

Leo and Fiat:

Messes and Obstructions

This is the one everyone said was a waste of plot except it wasn't. Look at the first details, we see Fiat happily and messily eating a cake, he's so happy, peaceful and joyful. This is the first scene we've seen him this way so far we've seen him anxious, mean, grumpy, loud, obnoxious and just overall unstable. The reason? Because Leo wasn't there. His friends mentioned it, he himself said it to Leo in episode 3 that he was losing his mind without him there, but he didn't want to bother him since Italy was so important to him. That one minute of him eating cake and smiling peacefully is there for a reason; its to show him blissful and different, the effect of Leo on Fiat. 

He's not meant to be a devil or evil he's just a kid who is spoilt and bratty.  Fiat knows how he is with Leo, and he appreciates it, he enjoys all that Leo has done for him, and it makes him love Leo. Yes, Love, Leo. He knows about his feelings, but he pushes them down because Leo keeps pushing them aside and seeing them as nothing. I wrote a post previously (here), detailing how both Fiat and Leo have feelings for each other, Fiat has been forced to let go of those feelings because Leo keeps rejecting and sweeping past his feelings because Leo sees his love as fickle or part of his spoilt personality; for example with this scene when he replies to Fiat's confession, 'You always say you love someone to whoever pampers you all the time'. 

Leo doesn't take Fiat's feelings seriously because he thinks Fiat plays too much with people, and he doesn't want to be that to Fiat (just a game to distract him so he won't get bored). Fiat just wants to be with Leo and to be by his side at all times. For Fiat, if being friends is the only way to do so, then it is better to stay friends. That's what this scene is showing you with their dynamic and with their dialogue.

Fiat's spoilt persona

Which brings us to Fiat's childish personality. I said in my previous post, Fiat felt neglected by the people around him; his parents, his friends who see him as an annoying brat and Leo, who didn't take his feelings seriously. We find out this episode that Fiat is close to Leo's family, he's like their son they take care of, but because they live far, he still feels neglected and alone. His actual family definitely don't show him care and emotional support, but they do spoil him with materialistic stuff probably. Hence why Fiat has embraced this spoilt child persona because it gives him what he wants; his parents attention, Leo's family's attention as the favourite 'son' (basically he's babied by them and spoilt by them) and Leo's care and affection.  

In fact, this is the reason why he proceeds to eat messily like a child, he knows Leo will clean it for him, and this is why he proceeds to whine and cry and complain because it gets Leo to baby him. Fiat embraces this childish, immature, spoilt personality because it makes it easy for him to be taken care of by Leo. See the cake scene for example; his mouth got wiped by Leo, Leo brought him water and then proceeded to accept Fiat's wishes to go with him to the mall because of him acting like a baby. 

On the other hand, Fiat just wants to spend as much time as possible with Leo; it's why he was so determined to join him at the mall despite coming up with other reasons. Fiat knows he loves Leo, probably knows what it means, but Leo's constant rejection and blindness make him think it's unrequited and failed.  But one thing most important to this plot, Fiat gets what he wants by being a baby. He doesn't like when he's being neglected, so he becomes manipulative, stubborn and immature whenever he wants something. This is why he becomes our villain. Leo can calm him down, but Leo is also the person who's making Fiat more of our villain because he refuses to accept Fiat's feelings; if he had taken him seriously, we wouldn't get this conflict. Fiat needs Type to distract him from his frustrations with Leo.

Plot: Fiat and Leo have known each other for a long time, are close to each other's families, and Fiat is used to being spoilt and babied. 

IT’S A DATE!

Shopping scene Number 1: It's a date, Tharn and Type eat and Tharn tries to get the marriage conversation in again, and Type becomes a bit possessive when he notices Tharn on his phone, changes the subject and we get Tharn's work philosophy, Type tries to warn Tharn to slow down, but it ends with Tharn proceeding to hint to marriage again, Type smiles whilst rejecting it softly. 

Shopping scene Number 2: Leo is possessive and jealous about Type, he wants to ensure that Type is just a fling to Fiat, Fiat doesn't get why Leo is acting this way and proceeds to say its because he gets what he wants, its a conquest basically, Fiat distracts Leo by complaining about his legs and then Leo continues to put shoes on Fiat as Fiat stares at him lovingly.

Tharn and Type.

Tharn; The hasty and rash

Again we get a repeat of this motif. Tharn wants to rush out some plans for his work, but Type is worried about him not slowing down and waiting to see the results. Again we see this misunderstanding of each other's perspective. Tharn wants to rush work stuff because he wants to make things stable and secure for him and Type fast, so their future is safe. Type doesn't understand why Tharn doesn't focus on the now, and take things slow and be protective of his work more carefully. Tharn's business is a metaphor like the cake for their relationship. Again the reason why he's being impulsive is for Type, and again Type doesn't see the reason for it. 

This is repeated again with the shopping scene, Tharn is rash and likes to spend money without thinking, because he's used to being wealthy and spoilt, (like Fiat). Again Type is protective of finances, he's their financial planner, he thinks of the big picture. He protects their relationship from any potential signs of harm, stress or issue. We actually see him do so this episode once he discovers Nana sneaking around in Tharn's life. It's him being protective and preventive. This date scene dialogue also foreshadows what will finally get Tharn and Type to the end of the conflict; possessiveness, communication and understanding.  These are three things that get Type willing to accept the proposal;

Possessiveness

Because Type finally realises that many people are still trying to ruin him and Tharn and marriage will help him get security and stability. Because the reason why people keep doing this is that they think he and Tharn are single. He realises he needs them to be exposed to the world to avoid these minor issues. 

Communication

It's only after Tharn explains why he rushes his work style for their relationship that Type finally gets his point of view, it makes him understand more why Tharn is more eager and trying to push things, it's for their security and stability, its for Type, so he also starts to feel grateful and happy at the thought of the ring on his finger. Hence the smile. 

Understanding

It's not yet happened but its losing Tharn that would make Type understand why marriage was needed. It's through them finally reaching a breaking point that will eventually push him to accept it despite his fears.

Leo and Fiat:

Leo: The oblivious and the envious 

Fiat basically says again the reason why he acts spoilt is, so that Leo pampers him; he doesn't like the idea of Leo not doing so. Obviously, the shopping scene is vital to the plot, it introduces Leo to Type, and at first, you seem him react uncomfortably because he's guessed it's one of Fiat's 'fake' relationships, people who he flirts with and sleeps with and gets bored of quickly; a quest. He still doesn't notice Fiat asking for his feelings; Fiat asks him if he thinks he's handsome Leo walks away (again pushing his feelings to the side/overlooking them). Fiat also explains why he likes Type; because he's hard to get, and a quest, it excites him, and it makes him determined to win his heart. 

We get even more clues to this when Fiat tells Leo he's always gotten what he wanted, but he had one thing he could never get. If the audience pays attention, you'd see him pause on Leo. Leo's feelings are what he couldn't get and what he had to give up on, but he diverts it to a lie, which he says that it's wanting Leo to stop nagging him. Thing is this shows Fiat's mindset again. Leo's requited feelings are something he's tried to get, but he didn't have a chance according to his perspective. Again Fiat knows he loves Leo, you see it again when he looks at him lovingly as Leo puts the shoe on him. These two aren't seeing each other eye to eye. But yes, shopping for shoes is important to the plot.

Plot: Fiat sees Type and proceeds to be eager and ensure he can keep texting him. Fiat admits he wants to be with Type to Leo. Leo isn't happy. Tharn notices Fiat and worries but gets distracted by Type so forgets about him. 

PHONES, SOCIALS AND PICTURES 

Scene 1; The social media scene: Type and Tharn discuss Tharn's worries for Type's work and how much energy he puts into it. Tharn wants Type to be more comfortable and at ease, and sends a picture on Instagram showcasing his ownership for Tharn. Type feels happy when seeing people's reactions to Tharn until he sees that Nana has liked all of Tharn’s picture, he's worried there's a homewrecker upcoming, and asks Techno for what he knows. Techno reveals he saw Nana and Tharn together. Type becomes possessive, looks through Tharn's phone and proceeds to go confront Nana.

Scene 2: The gym scene: Fiat is happily on the phone texting Type, he sends a picture (just like Tharn) to Type and discusses his behaviours and attitudes since he started getting physical therapy. Leo gets jealous and tries to get Fiat's attention, finally asking Fiat if he sees Type as something serious, Fiat says Yes. Leo loses his cool and becomes upset. Fiat doesn't notice as he's distracted happily texting with Type. 

Tharn and Type:

Possessiveness and Preventiveness:

We see Type again lean towards marriage when he notices how happy he is when Tharn declares his ownership. But also they communicate, and Tharn tells Type he's worried about him overworking, he wants to be the one taking care of Type. Type is happy and grateful, he understands he's Tharn's number one priority. And he likes seeing people react to Tharn as a good boyfriend. But we see his fears come back, because the reason why he hates being exposed to the public, why he keeps refusing to involve people in their relationship is because of people like Nana.

Now I just want to speak about Type and Tharn's possessiveness and irrational jealousy. Obviously, people would say this is the reason for toxicity of TT except if you know the show and understand them it isn't. The way they started their relationship is enough to show you why they are so jealous of people, it wasn't to do with them not trusting each other, or being toxic and controlling. It's not to do with any of that. 

It's to do with Long. Remember him? In Season 1 Type had to go through a lot because of people's interference; San kissing Tharn, (making him finally call Tharn his boyfriend) and Tar returning and chasing after Tharn ( making him also protective and find out Long's interference causing them to break up). Finally Long had been manipulating Tharn for a very long time psychologically, emotionally and physically. Type knows Tharn is easily manipulated and easily attractive to problematic people.

 Nana is one of them, she's a flashback to all these people who tried to ruin what they had, and both TT has shown repeatedly this season are extremely overprotective of their relationship. It's not a surprise Type looks into Tharns phone and answers Nana and goes to her, he's being protective and preventive not toxic. He knows Tharn won't cheat; it's not about him; it's about as I keep repeating preventing measures that could cause harm to their relationship. Same reason why Tharn wants to get married and declare ownership, its to protect and secure their relationship. They have the same goal, just different methods. 

Leo and Fiat: 

Possessiveness and Proclamations

If you guys didn't notice Leo was mirroring Tharn is season 1 episode 2 I think. Type showed attraction to Tharn shirtless and drinking water, and the jealousy seeing him text someone else. We’ve those scenes before because we’ve seen Tharn do all that is S1. First thing to notice is; Leo is confident, he can distract Fiat. This shows you he's been doing it before, he's used to getting Fiat's attention on his body,  and he's used to getting Fiat distracted from other people, this is why he hasn't bothered with others. Because Fiat gets bored and returns back to obsessing and flirting with him. 

The problem here is Leo is too late when it comes to Type; it's his lack of presence in episode 1, 2 and 3 that led Fiat to seek comfort and trust in Type. Fiat finally found someone else to be excited about, someone else to feel inspired by and someone who makes him not bored when Leo isn't around. Fiat likes that about Type, he wants that; he's being distracted from his own feelings for Leo, he doesn't see or understand why Leo is acting out. He's too focused on his quest. And I get it, he finally has a chance to move on from Leo and still keep their friendship intact. Type is the way to do that. 

 The Problem With the Unofficial Label

This is the danger of unofficial relationships. Leo thought his comfort zone was being in this unofficial thing with Fiat. He had feelings, but he also thought Fiat wasn't going anywhere or getting distracted because he always returned back to Leo probably whining and throwing tantrums, he probably also again threw his shot and flirted heavily with Leo.

 Leo was okay keeping what they had this way (like Type was okay with keeping him and Tharn hidden), but it's only when he realises that their relationship isn't stable or secure for him to declare ownership that he reacts, he's learning just a bit too late. Fiat's entire focus has shifted to Type, and it isn't going to change any time soon. Leo has pushed Fiat away too much that now he's going to be regretting it and being hurt because of this. 

To all the people who feel bad for Leo, Fiat isn't manipulative or using Leo, he has no clue about his feelings for him, he gets hints sometimes, but it's always pushed away once Leo rejects his flirtations. If you noticed this episode before Type showed up Fiat was saying how he felt to Leo repeatedly; 

'I love you the most in the world."

"I'm handsome don't you think"'

"If I stop, won't you pamper me anymore?" 

 Each time he got rebuffed by Leo, Leo assumed Fiat was saying I love you to anyone easily as long as he was spoilt by them, he believed it was fickle and interchangeable. He walked away when he was asked if he thought he was handsome because of jealousy, and he failed to see Fiat's fear when he said the last quote. Leo doesn't see Fiat's feelings and Fiat has stopped trying to see his. Hence fixation on Type. Again this is for the plot, Fiat is a villain. After all, he's started to want to win Type's heart because he likes how he feels with him, and he's never lost a quest before. 

Plot: Type is getting closer to the idea of marriage, Nana has come into the picture. Type is determined to prevent her from doing something and goes to confront her. Fiat is also starting to fall harder for Type and has decided to pursue him. Leo, on the other hand, is also getting jealous and losing his control of his feelings and Fiat's attention. 

‘A MUNDANE PLOT AND STAGNANT STORY TELLING’ 

Three scenes with immense depth to character building mirrors from season 1 and more plot building. The plot hasn't stayed still, Tharn is more determined and closer to getting Type to accept his proposal, but he's impulsive, rash and rushes things without giving Type room to think. His brother warned him about this in the episode and its foreshadowing he needs to stop and slow things down. Give Type time! Type is possessive of what he has with Tharn and is also closer to leaning towards marriage, but if rushed, he'll panic and lose his cool. 

Fiat and Leo's plot is building, both have feelings for each other, but because Leo refuses to tell Fiat straight up or take his feelings seriously both think it's unrequited; in response, Fiat finds distraction and excitement with Type and so proceeds to focus on that conquest, he's determined to win Type's heart, but he also likes being with Type because Type seems to understand him and is just like him remember.

 Leo, on the other hand, this episode realises someone has actually taken his place in Fiat's mind and is now panicking and no longer willing to keep their relationship unofficial.

 See? Is that not a plot? We get both information and a build-up to Fiat becoming the villain, whilst again making us feel sorry for him. We get the marriage plot still ongoing, there's more manipulation to get Type to say yes, and he's close to it, but if rushed, he'll stop. There's still miscommunication and misunderstanding of each other's perspective when it comes to both our characters. The plot has not paused; it's always moving, everything was needed this episode. So all those people who keep complaining, please for the love of god calm down. 

More Tharn Type Analysis: Masterpost Check under Tharn and Type Here

[solo-23]

I'd debated about whether or not to post this because it's definitely a rant and there is definitely a lot of negativity, but I need to vent after last night's episode (with some leftover issues from earlier this season, too). If Betty is your favorite and you don't like to read anything negative about her, you will not like this post.

1. The way the voicemail has been blown completely out of proportion by the writers, reviewers, and some shippers is ridiculous. We keep hearing about how it was terrible, emotionally abusive, toxic, and something that Jughead definitely needed to apologize for, but nothing he said was actually out of line. There is absolutely nothing in that voicemail that Betty should have been surprised about, let alone treating it like it somehow turns her into the victim in the fall of Bughead.

It's not surprising that Jughead has now apologized twice for the voicemail, even if he doesn't actually remember all of it, because he knows that it hurt Betty. He can also probably guess what he said because he knows what he feels and how it can be exaggerated when he's feeling depressed or under the influence of drugs and alcohol. Generally if you actually admit what you're thinking or feeling when you know it would hurt someone, you feel bad about it. It doesn't matter if it's true or not, or if you're under the influence. A good person apologizes if they know they hurt someone. Jughead is a good person.

Just a note here, I've seen other people saying that Betty's actions while high should be excused just like people have said Jughead's voicemail should be excused because he was under the influence. Being under the influence DOES NOT excuse the voicemail.

The fact that Betty cheated on Jughead, did continue to sneak around with Archie while debating whether or not she wanted to "officially" pursue him, hid the whole affair until Jughead actually caught on and she had to make up a direct lie to his face or confess, never actually explained anything to Jughead (things like she was the one who stopped the affair, she wanted to stay with Jughead, etc.) even after he asked if they could talk about it, stood him up at Pop's a year later, and then stood him up again at the book release party justify Jughead's voicemail. And he has apologized for it twice.

2. That is why it was so intensely frustrating for Betty to just brush off his apology (again) and then turn the conversation to her, but without actually apologizing for anything. When Jughead mentioned not really being able to remember the voicemail, she could have brought up what bothered her in it so (a) he would know and (b) they could actually discuss the issues, which could have led into Betty actually explaining what happened with the cheating, including how the affair ended, and she could have apologized for that. It still wouldn't have been fully satisfying because Betty never apologizes first for her actions, but it would've been better than nothing. She also could have apologized for standing him up, although at least she explained why she didn't make it to the book release party.

3. However, she still didn't admit to or apologize for giving away Jughead's manuscript. The entire reason Jughead relapsed into drinking and almost plagiarized Cora is because Betty gave Jessica his manuscript. No, Betty does not get credit for "saving" Jughead because she was present when he got a phone call from Samm and admitted that he wasn't the author. She's the reason he was in that position in the first place. Yes, she had been drugged. Yes, Tabitha was present and didn't stop her. No, neither of those things excuse it. It also doesn't excuse her from sharing the voicemail with Tabitha and Jessica.

Why not? She and Tabitha were still shown as functional when all of this happened. Jessica admitted that she drugged them to try to get the manuscript. They were both capable of thinking and arguing. Betty chose to give the manuscript to Jessica. It wasn't until afterward that Betty and Tabitha started being really impacted by the drugs. Jughead's manuscript wasn't Betty's (or Tabitha's) to give away and doing so completely screwed Jughead over.

There are some questions here--did he switch over to his typewriter and that's why there was no backup? did he forget to save a copy on his laptop? did his laptop crash or get lost? who knows, but in the story it doesn't matter. There was one copy and Betty gave it away, placing Jughead in the position of losing his agent or plagiarizing another author.

Also, for playing the voicemail, Jessica had just brought the drugged fries to the table. No one is shown as having felt the effects of the drugs until Tabitha made a comment about being warm after the voicemail is over. Betty had been reluctant to help from the beginning, before Tabitha mentioned the "don't be a Betty" line, and made fairly rude comments about Jughead throughout the episode. I don't think she needs to apologize to Jughead for sharing it, but I also thought that playing the victim and having some people blame it on "being high" was ridiculous.

4. You cannot convince me that Betty cares about Jughead in the slightest when he was telling her he was an alcoholic and he's trying to get better and he's clearly drinking alcohol right in front of her and her response is "I'm an addict, too. I'm addicted to serial killers." She's struggling, yes, and it's good that she's opening up, but if she cared about Jughead at all an appropriate response here would be "So, why are you drinking?" or "are you okay?" Show some sort of concern for someone who is relapsing in front of your face. Jughead does it for Betty when he suggests she should take a break, even though he's in a moral quandary caused by Betty, depressed, and drunk.

Also, no, chasing serial killers is not an addiction in the same way as drugs or alcohol and it's insulting to say they're the same. Chasing serial killers could be described as a compulsion for Betty, or a hyperfixation, but it's not the same. It's difficult, but you can choose to not follow a compulsion without experiencing the often severe physical side effects experienced by actual addicts. I'm glad Betty recognized that she has a problem, but no, that is not an addiction.

5. The entire conversation is extremely awkward. It's clear that it isn't what Jughead had in mind, but his life that he had just been starting to get back together fell apart. He sank to new (or at least different) lows. Betty seemed like she wanted to leave as soon as she got there (understandable given how awkward it was, even secondhand) and disappeared once Jughead was distracted by a phone call. It's understandable, but disappointing. The part that was really frustrating, though, was that after talking to Jughead about how unhealthy her serial killer obsession is and how she's worried about her mom, she still goes out. Alice was passed out on the couch, which Betty paused to acknowledge. That should have been a turning point for Betty and it just wasn't. Screw these writers.

6. I loved that Tabitha and Jughead had mutual apologies, discussed their issues, and genuinely seemed to care about each other. I also loved that Jughead still cares and worries about Betty (frustrating as it is when it seems unreciprocated) because it's so true to Jughead's character.

7. It is absolutely fine and understandable if Betty has moved on from Jughead. She seemed to believe that if he found out about the cheating in their senior year, it would be the end of their relationship. She started shutting him out and trying to move on the next day.

However, as a Jughead fan, it's intensely annoying to see him still struggling with the lack of closure and continuing to have feelings for Betty after all of that. I would have preferred to see either both of them move on, then rediscover each other later (or not, depending on where the show is going), or have Betty be the one who still clearly has feelings for Jughead and have her regret blowing up the relationship.

8. Overall, I hate a lot of what the writers have done this season. I don't particularly like any of the backstories for the characters during the time jump, I don't like each character following a separate plot line(s), the lack of interaction between characters, and how disjointed everything feels.

The mothman plot was interesting, but seems destined for a disappointing end. There have been a lot of missed opportunities to bring storylines together (Jughead went missing while Archie was looking for escaped prisoners, he could have found Jughead; Jughead hitchhiked with a random trucker, even without the trucker attacking him he could have seen clues or found Polly; Sweet Pea or Fangs could have seen Betty playing hooker and organized an intervention instead of having the weird cult plot line; I'm sure there's more). Maybe it'll be better with a binge watch, but I'm having trouble maintaining interest in the final three episodes, let alone rewatching this mess of a season.

BONUS: I was relieved that the Bughead talk did not go with my worst case scenario. Based on the possible B/A return, I was a little bit worried that Jughead would apologize for the voicemail and remember what he said, then talk about how he always knew Betty had feelings for Archie. Betty, who said she'd been "wanting this since high school," would then nod along and say she was sorry for hurting him, but acknowledge those feelings. Then Jughead would ask why they never acted on those feelings after the breakup, Betty would talk about the FWB, and Jughead would go full B/A cheerleader and tell her to give it a chance (like the Pacey and Joey chat about Dawson at Mitch's funeral in Dawson's Creek). I was dreading that possibility and I'm so glad the show didn't go there. I'm sorry if I've given anyone nightmares.

[kim-ruzek]

The unit beyond Hank Voight: or how Intelligence should look if/when Voight is written out

Finally, part two. This was very fun to write and I'm glad I actually did it before season nine airs (I'm cutting it late I know!!!). I've had how I'd want the show to do this in my head for the longest time-- although, I'll say, I technically get to the root of this further into the meta, after the second header. So if you don't want to read it all and just my general thoughts, you can just skip on down to that! But I hope you read it all!

In this fandom, as a whole, no matter what ship or characters are our faves, we've all be debating whether or not it's right to still have Voight as the lead, or if they should write out his character.

If we break it down, take out all the nuance and the external and internal factors, I say yes. But if we don't, it's much more complicated than that.

I watch Chicago pd primarily for Burzek, that is why I decided to emotionally exhaust myself with a new show. But I liked that it was set in Chicago, and it lent into all the bad/darkness of Chicago, and not just on the streets, but the cops (even if they can and should do better there, because it's still very much on the side of bad cop propaganda).

And like it or not, Voight is a big part of that. People call him an anti hero, and by definition, he is, but I struggle to like addressing him as such. But the way that he is, his characterisation, it is woven into the very essence if the show, into the unit, into their dynamics and group chemistry.

This is why it's a complicated matter, that should Voight be written out is not a simple question with either yes or no as the answer. Or, at least, not just a yes or a no.

Taking Voight out of the unit isn't like taking out Jay or Kevin, or any of the others. The other team members are easily replaced. Of course, their specific dynamics and chemistries will never be replaced, it's a sign of a badly written character and storyline if it is. But they are, in the grand scheme of things, replaceable. It is as easy as having Jay transfer one episode and introducing a new detective the next. (The only other exception, I should mention, is Trudy. You get rid of Trudy and you'll just get a desk sargeant as a replacement, with none of that chemistry in any way).

Voight is different. He's the lead-- and leads are always harder to move out a show without it crumbling-- and he's the literal leader of the unit. Every dynamic within the show is interlinked through Voight's character even if Voight has no impact on the dynamic. And so you can't just write him out one episode and then introduce a sparkling new sargeant the next-- especially if the sargeant is a pre-existing character.

A lot of this fandom wants Voight gone asap and Jay as sargeant immediately after. That's just unrealistic and honestly it would be a bad move on the show's half to do so. In general, I don't want Jay to be sargeant. Not even for the reasons I'm about to list-- well, not just them-- but for personal ones. However, if it's in a few seasons time, I'd be more up for that, if the show gave time to improving his character-- even if I'd still grumble to myself about it!

As I said, removing Voight's character and immediately replacing it would already be a bad idea because of how much the show's dynamics are mixed up in him. Jay being the replacement would fuck this up even more, because he's already got his own dynamics with his unit.

Jay is definitely a leader type character. He was brought in to be. I could see him being a sargeant, and he's definitely the 'big brother' of the unit, even if they're all around his age. He definitely can have a clear head and is tactical and has that aura that people would be comfortable following his lead.

But he's also ignorant, impulsive and selfish. People say he'd make a good sargeant because of his morals-- but they're very much surface level morals. It's actually why I can see what drew him to joining the military, not just that want to leave, but he's clearly got a good-bad black and white line drawn in his head and this is what makes the military attractive to him.

Jay always thinks he's in the right. And technically, on the surface, he is. But he misses the nuance and he gets very caught up in his black and white view. This is what also makes him impulsive. He mentally, clearly, orders people into the good and bad categories in his mind and then he's pretty rigid in them-- jumping to conclusions.

He's got a good heart, but he doesn't take much time to stop, think and learn. Like with the racial issues prevalent and blm, he's only got a surface understanding and he does not make any effort to get a deeper one. Mainly because he doesn't realize-- because he thinks a lot of himself, in his black and white view. He is "good" and he cares that people suffer and therefore he thinks he understands.

He does not.

Say what you want about Adam-- and I'll be leaving my own personal biases out of this-- but even if you say he has a worse understanding than Jay, he's better because he makes more of an effort. He gets that he doesn't understand, and he's brash and vocal when he shouldn't be, but he also listens. And he tries to learn, he really, really does.

Jay doesn't. And Jay's also from canaryville. He went to Catholic school, Catholicism was clearly very prevalent in his life growing up. His father was an emotionally closed off man. He went to war. He's got his own biases but he's got this basic understanding and thinks that's that.

It's not. And it's barely okay with his current position in the unit, and it would be definitely not okay if he was their leader. Especially if he did what the greater part of the fandom wants, and leans on Hailey. Which let's face it, he would, because Jay doesn't think he has anything to learn and what he may think he does he thinks he can do it on his own, that he doesn't need to ask Kevin for guidance.

And yeah, Kevin is "only" an officer (and I'll get back to this point). Jay's got the higher role. But Kevin has been a black man, living in Chicago... Oh yeah, all of his life. That trumps promotions and titles, especially when Kevin has also been a cop for a lot of his adult life and has raised two kids in this racially charged city.

And then there's the fact that-- and most of this is because the show refuses to show the team bonding-- he's actually quite isolated from the team. We rarely get to see his supposed friendships with them, and this would affect how he can lead them and how they can follow. The dynamics would be off and it would be filled with conflict and, at times, be like a herd of sheep without their shepherd.

So, Ree, you ask. How should the show move on from Voight?

The show has been incredibly short sighted when it comes to Voight. He's been a problematic character from the literal start, and now we're reaching a point that a lot of the fans want him gone. And since the most vocal are the upstead and Hailey stans, I do believe the show will be thinking of ways to do this.

In my opinion, this should've been built up from season five, from when the reform storyline began. Instead, the show just shaved some aspects away from Voight's character.

He has changed a great deal, has grown a lot. I don't see what happened with Roy as a sign he can't change, because everyone's journey has back and forths. Especially when Voight likes to have control when people are hurting his family, he sees himself as their protector, but not as a bodyguard, but as an executioner.

And so I think the show will do two things to eventually write him out-- either promote him, or have him retire. But even this isn't simple and needs a lot of build up and work.

The show should've seen that Voight's days are potentially numbered and set up things so it's easy to slot his exit in place. For example, they should've kept consistent with having a captain in the precinct, even a lieutenant. This would have pre-existing roles for Voight to slot into easily, so they can still have his character around but let other characters get promotions or take on more work.

This would also help set up for retirement. Because even if he just retires as a sargeant, we already have other leader characters in the show for the others to bounce off-- instead of just introducing someone new. This would also help a sargeant Jay storyline, because then he'd have bosses to report too, making it very much seem that he is just the next link in the chain and would help balance out those dynamics.

Although, in a way, I don't blame them for not having foresight in season five. For other reasons but also-- because back then we also had Antonio and Al. We had a more layered and diverse unit. Instead, now we have the dad and the five children. Antonio would've made a good next sargeant, especially if we introduced a lieutenant role. Because I can see him aiming higher and helping to groom Jay into his replacement. Especially if Al was still around as a nice wall to bounce off, although it'd still be okay if we didn't.

Antonio would also be a good stepping stone because he had well developed relationships with every member of the unit. Well, apart from Hailey, but if they went down this route, they could've nurtured a dynamic there.

It would've also helped if they replaced their characters when they wrote them out. I get why they didn't. Al leaving made the partners even numbered, Rojas was after Antonio. And I wonder if covid affected their ability for season eight. But it's still the massive problem-- they keep trimming the fat, when it's unnecessary and not believing that maybe they should fix that.

And of course. They're all young. Even when they did bring in others, they're still young. And officers. And that would be okay, if they actually bothered promoting Kim, Kevin and Adam.

The unit's dynamics and feel is already off because of the lack of diversity in characterisation, race and age. And the show is doing nothing to fix this, and Voight should not leave until they have. Especially when against popular belief, history actually shows that Voight doesn't like blank slates, but people whose core characteristics fits what he wants his unit to be.

So: what does life after Voight look like? Well, hopefully, a more racially diverse group, with more age differences, different dynamics and friendships explored, Jay (and Hailey) being called the fuck out on their biases, more out of unit bosses dynamics to stop it being so insular and a happy ending exit for Voight. Because let's be real here-- Voight is not going to be written out by going to prison.

Even if he deserves it because one-- the unit would not survive that and they'd be repercussions for all and two-- realistically, as he was in prison once, the brass would not let this happen because how it would reflect on them.

In this day and age, they'd rather force him to retire quietly than publicly admit they got him out of prison and now is putting him back in. It may not be right, but realistically, they'd cover their ass first.

[ectora]

So, after the post of season 2, I decided to continue with season 3. I wanted to do Until episode 9 cause that’s the strict half but I knew there was along break after episode 10 so I was like let’s do until ten. For the second part, I might do it for every episode separately in some sorte of episode review or whatever, or just wait for the end of the season and do a global season 3 post. We’ll see I guess, I’m an indecisive so I hate taking decisions lmao. Anyway, let’s get to it.

Screen time

Macy : 3h03m10s (10/10)

Mel : 2h47m12s (10/10)

Maggie : 2h40m57s (10/10)

Harry : 2h09m34s (10/10) (+Jimmie 7m37s)

Abigael : 47m40s (5/10)

Jordan : 1h02m24s (9/10)

Again, those numbers are not to the second but scene wise. The only time I would separate the screen time in the scene itself was if the focus was completely on one character (vision + sound) and we know another character is there but we don’t really see them).

As before, here a graph of the screen time per episode for each character.

*harry and jimmie’s screen time are mixed for the graph but again, Jimmie’s is like 7 minutes.

And here a graph of all the characters screen time by episode so it’s more easily comparable.

Now, again, the screen time is pretty obvious on the fact the sisters are and stay the focus of the show. But far. Though I’m Ngl, I was really surprised to see Maggie being the last of the three sisters. She had way more screen time in season 2 but idk in season 3 it also felt like she was also a bit ahead. At least of Mel. But I think that’s a question of how they handle the story. I think Maggie is actually the one with the best treatment out of the three sisters, with the more consistent development. So maybe that’s why she feels more present. Because she’s actually getting development. Mel, imo, can’t really say the same. She doesn’t have that much more screen time than Maggie and yet, to me, she feels a lot more less developed. Macy had her story focused around men last seasons. And if this season hasn’t fixed that issue when it comes to Hacy imo, I do feel she gets a bit more personal development. But still, Maggie feels the most developed to me.

Jordan is more present in the story so that’s good. I love him and I hope they can find him a good place in the story as a human because he’s a sweetheart. To be honest however, he could have a bit more screen time Ngl. Same can be said for Abigael. I personally have the feeling that the story she has now wasn’t necessarily planned if I’m being honest, which is why it feels so detached. And obviously she needs to have her story more liked to the main storyline and TCO so her presence can be more natural and cohesive. However when you think about it, half the episode when we’re half way through the season, for a regular/main character, it’s a bit weird. I hope going forward, they’ll fix both these issues. Have her be in more episode and linking her to the main story.

Detailed screen time

As I did last time, here are the tables with their detailed screen time with each other main characters.

* group means 2+ characters of the core six that doesn’t involve all three sisters.

To be honest, these tables brought light on issues we - I think- were already aware of. Mel/Macy for example is basically inexistant. It’s really sad to see them barely share scenes just the two of them. Like Mel and Maggie have really nice scenes together where we can see them talk and bond. Macy has that sometimes with Maggie too. But Mel and Macy ? We barely even know what their relationship is if I’m being honest. Like it feels like Maggie and Mel have each other and they make Macy have Harry. He is her one to go, the one they develop her relationship with the most which, imo opinion, shouldn’t be the case.

It brings me to my next point. I know it’s only half season but TCO purely together isn’t even the biggest screen time anymore. Hacy actually is. Love them or not, that’s not the topic, I think there is the need of a discussion about how they slowly shifted the focus of these two characters toward each other. The pairing isn’t an issue, the way it’s handled kinda is. Because at the end of the day it’s also a disservice to both of them. I know COVID is to be taken into account and that they’re limited in the interaction and that Harry is the most integrated of the three main supportive characters but it is still an issue. Even in the story, Harry is all about his relationship and sometimes forgets his duties. Macy’s first thought is basically Harry. They could have used some of this time to develop further the sisters between themselves. Like Maggie and Mel don’t feel as centred on their romance while Macy definitely feels like it’s the major characteristic of her character right now. Same with Harry.

In a general manner however, they’ve been doing better with the sisters sharing scenes that aren’t all about fighting but there is still some serious work to be done. As said, Mel and Maggie for example have some nice scenes where it’s a bit more domestic. They talk about their actual lives more. Maggie has that a bit with Macy too but it’s mostly Mel/Maggie. While Macy talks to Harry.

When it comes to their personal time, by that I mean without the core six, they have around the same time so that’s good. Tho again, as I said before, they have around the same time but it feels like some character just have better written development.

I’m also glad to see Jordan and Abigael share screen with a bit more characters but also would like to have more mix between the mains. It’s almost odd at this point to see Jordan interact with anyone else than Maggie and Harry. I loved his episode with Macy but it almost felt random because he shared 90% of his time with Maggie. Abby it’s a little bit less the case because I feel like in season 2 she had the opportunity to share scenes with all of them (and I want more cause I love it) but now I would like to see her interact with others more too.

PAIRINGS

Hacy : 53m11s

Joggie : 18m18s

Abimel : 12m37s

Melby : 5m58s

That’s probably one of the things that annoy me the most in the show so bare with me.

Let’s start with the small things. I’m Ngl, I’m a bit confused about Maggie. Jordan is pretty obviously supposed to be her love interest I think we can all agree on that. I don’t know if they’re trying to throw some love triangle drama or fake drama with Antonio but well. In any case, I think they’re just a bit more slow burn. And I do think they’re actually the best written romance in the show since the beginning. Maggie never feels centred around Jordan. And tho Jordan does majorly gravitates around Maggie, he also gets a story and development. And yet their love connexion is obvious. Don’t know why they can’t do that with others.

I think I made my issue with Hacy rather clear. Not the ship itself but the way the show does it. I mean their time is clearly superior to everyone else (and i know it’s because Harry is technically the fourth character in terms of importance and is integrated in the story but still, I think there are still things to be fixed about this) and I think the way the show tend t have these two continuously gravitate around each other first is a disservice and just too much at this point. Like in ten episodes they have had more than the entirety of season 2. I’m pretty sure it means something.

Which leads me to my last point. And the most annoying one. Mel. It’s a whole other level. The show has a serious issue on their hands. Mel is the only sister that isn’t straight. And her relationship are not even remotely treated the same as her sisters. Season 2 was one thing. But season 3 makes it so painfully obvious. And it’s not ok. She has two potential ships. And yet, the screen time of these two combined is barely above Maggie’s with Jordan. And not even half Hacy’s. And that’s a genuine issue. I need the show to start treating their lgbt relationship the same way they do the straights. I’m tired of ghosts. I’m tired of unseen. I’m tired of two dimensional. Of the lack of development. Or the unbalance with her sisters. It’s enough.

Talking about her potentiality, the show definitely has me confused with the whole Abimel/Melby situation. They’re hinting hard on the first one while keeping the second in the background. Which is entirely confusing. And low key a problem too. Because yes I ship Abimel but I do think Melby deserves better. And if the show is just keeping melby while they can develop Abimel then that’s just weird too.

I’ve said it before and I’ll say it again, Melby just doesn’t feel like a relationship the show has any interest of putting effort in. Ngl, when Mel said at ClexaCon that the writers didn’t really give them backgrounds or anything, it didn’t sound like freedom, it sounded like they just didn’t care enough to develop it. Sometimes, it almost feels like they just kept it around because of the Abigael backlash, so have a sapphic relationship while they can develop something else on the side. Ruby has a charming actress so she has that working for her, but her character is very superficially developed, they didn’t bother to give her depth and it doesn’t feel like it was meant to last with the whole not wanting to be involved in magic thing. I’m not trying to bash anyone or any ship, but that relationship does feel very superficial in terms of writing. And honestly if they’re just keeping it around while building something else, it’s in itself annoying due to the nature of the relationship. Like at that point it’s not even the bare minimum.

Abimel seems more build up already. They’ve been hinting at it since season 2, poring them all the time. The lines. The tensions the chemistry. The connexion. It genuinely feels like that’s were they were going toward. Because it just makes sense. It also makes sense in terms of pairing. All three sisters have their love interest in the main cast. Enemies to lovers trope. As said, it makes sense. But also who actually knows. Because let’s be honest, the show has an history with not treated sapphics the same way as straights. Which is even more obvious in this first part of the season and looking at the numbers. Again I understand Ruby is not a regular (which reinforce my previous points). But likes. That’s what brings me to say again and again that at this point, the show needs to either actually commit to that relationship and make Ruby an actual part of the show or let it go. Because what we have right now ? Not ok. Because they give us zero energy. And I’m pretty sure that if they wanted to actually do more, they definitely could have. Right now, the show is under a pretty bad light when it comes to lgbt characters and their treatment. It’s a bit ridiculous and it’s just not right.

Anyway, I think this concludes my rant. I’m sorry it’s very, very long and for WHAT 😭 I have too much time on my hands I’m telling you. Anyway, if you read all of that I hope you’re enjoyed but also you probably, too, have too much time.

[youreacowgirllikeme]

White Lie

note: this plot entered my head and refused to leave, so here we go. Enjoy

words: 2.7 k

warning: swearing, smut (unprotected sex)

“Bliss!” you thought, taking in the unique smell of the bookstore. The last few weeks had been crazy, work keeping you on your toes even on the weekends. This was your first free day in over a month, and what was better than spending it at your favorite place in town.

You loved aimlessly browsing the dozens of shelves for something new to read, your favorite pastime since childhood. You were still contemplating about the kind of lecture you were looking for when a bright red book spine caught your attention. You had always been a person who could be easily attracted by a pretty, colorful cover, so your hand instinctively surged forward to grab the book out of the shelf. But before you could get a hold on it, another hand got in your way, blocking yours and snatching the volume right under your nose.

You were about to complain to whoever had the audacity to get between you and a book, when you looked up at the stranger.

“He’s so tall.” Was the first thing that came to your mind, followed almost instantly by “And hot.” You could feel yourself starting to get slightly flustered, your initial anger forgotten.

“Oh, I’m so sorry, I didn’t think anyone else besides me could be that interested in the medias influence on the US’s political relationship with China.” The stranger said. He had a smooth, deep voice, the kind of voice you could easily imagine yourself listing to for hours. You stared at him, your usually quick brain a bit overwhelmed with your body’s visceral reaction to the mans presence .

“Political relationship with China?” you repeated, confused and sounding like the biggest idiot ever to your own ears.

“Yes, because that’s what this is about.” The man turned the book around so you could look at the cover. “You’re aware that you’re in the politics section?” He added, slower, like he was talking to a child.

You tried to collect yourself, you usually prided yourself on your quick-wittedness and you didn’t like how nervous this stranger was making you at all. You didn’t know what it was about him, maybe his imposing figure or his intense gaze, but he was intimidating.

“Oh, yes, I was searching for a similar looking book.” You lied quickly. “My mistake.”

Turning around to another shelf with some new arrivals, you grabbed the first red-spined book that caught your eyes.

“Here. That’s the one I actually want.” You replied, showing the random book to the man. He mustered the cover and a small smirk settled over his face.

“The Hellfire Club, huh? You’re a fan of political thrillers?” he asked, a hint of amusement in his voice.

“Of course, huge fan. I’ve read all of the authors works, been really looking forward to this one. I heard it’s set in New York.” In reality, you didn’t have the slightest clue what this book was about, and even less why you were lying to this random guy about it. Did you just want him off your back, or did you want to impress him, engage him in conversation? He was fascinating and for some reason you felt like this conversation was spinning a bit out of your control.

The man raised his eyebrows at you, looking like he could sense your nervousness.

“It’s a decent book, I guess. But I heard the author is a real prick.” He gave you an almost conspiratorial wink. “I have to go now, but enjoy it. New York is definitely a fascinating city.” He turned around and left in the direction of the checkout.

You opened the book, looking inside to find out who this guy was having such a low opinion about. There was a small picture of the author in there, and as you studied it you felt like you might get sick.

It was the stranger from moments before. Jake Tapper. You had lied to Jake Tapper. You groaned internally, why the hell hadn’t you recognize him?

Yes, you didn’t watch his shows, too little time. But he was something like a celebrity, and you blatantly told him absolute bullshit about his own book in an attempt to appear cleverer than you were. How had this guy been able to unsettle you that way?

“The damn Capitol is literally on the cover, you idiot.” You whispered to yourself, absolutely mortified. You had to go after him and clear this up or you would never rest again.

But as your eyes scanned the bookstore, he was already making his way out, disappearing onto the crowded street.

+++

Two weeks later, you still couldn’t think about the encounter without being totally embarrassed. You had bought the book, and of course it wasn’t set in New York. But it was a fascinating read, you weren’t able to put it away for the whole weekend, finishing it only three days after you purchased it.

At the same time, you weren’t able to stop thinking about Jake Tapper either. Even in the brief moment you shared with him, he had managed to leave a lasting expression, and your thoughts were circling around his dark eyes and deep voice more often than you’d care to admit.

The sound of an incoming email disturbed your thoughts, and as you checked, it your heart did a little jump in your chest. It was the newsletter from your favorite bookstore, announcing an event with no one else than Jake Tapper himself, signing copies of his latest political thriller The Hellfire Club.

Without even thinking about it twice, you signed yourself up for the event. You had to see him again, try to explain yourself and get some closure about the situation, or those thoughts of him would probably haunt you forever.

+++

You’ve been anxiously waiting in line for thirty minutes now, and finally it was your turn. As soon as the man’s eyes landed on you, he raised his eyebrows and a smug smile settled over his face

“And so, we meet again. I sincerely hope the lack of New York content wasn’t too much of a disappointment.”

So he remembered you. Great.

“Ok, I deserve that.” You murmured, embarrassed by the whole situation. You started to regret even coming here, but now you had to get it over with.

“I just came to, well, apologize, I guess. And prove that I’m not an idiot.” Why were you blabbering like that? This man’s scrutiny made you so nervous, his attentive gaze was fixed on you while you were struggling to explain the situation.

“I loved the book, by the way, great style and the storyline was very captivating. Even without New York.” You added, a weak attempt at a joke. To your total surprise, he chuckled, a sound that made you even more agitated. By now, you were sure that your face was the color of a fire truck.

“I’m glad you enjoyed it.” Jake replied. “And no hard feelings about what happened. Maybe I should let my next novel play in New York in reference to our encounter. Also, I am at a bit of a disadvantage here, you know my name but haven’t told me yours.”

You quickly introduced yourself, and he reached over the desk to take the book you held in your hand. When you didn’t let go immediately, his hand stopped, and he looked at you with a puzzled expression. His fingers were brushing against yours, a fact that obviously overwhelmed your brain as you weren’t able to move a muscle to hand over the book.

Touching him made a spark went through you, and from the way Jakes eyes slightly darkened, you could tell that he had felt it as well. You stared into each other’s eyes for seconds until someone in line behind you coughed, and you snapped out of your frenzy.

“I assumed you want me to sign your copy.” Jake mumbled, still holding onto your book.

“Yes, of course. I’m sorry.” You replied hastily, handing him the volume and internally cursing your body for the nervous, awkward way it behaved in front of this man.

Jake grabbed a pen, signing the front page and scribbling a note into the bottom right corner. He handed it back to you, and you opened to read what he had written. It was a row of numbers, and before you could make sense of it, he spoke again.

“That’s my number. I would love to hear some more of your potential book ideas, if you’d be interested. Maybe over dinner, or some drinks?” His voice was smooth, but there was a hint of insecurity, like the smallest crack in his façade.

Was he asking you out? Quick, you told yourself, say something.

“Uhm, yeah, sounds good.” Wow, great response. Pulling yourself together, you added “I’d love to.”

“Great. I’m looking forward to hearing from you, Y/N. Now, I’m sorry, but I think there are some more readers who demand my attention.” Jake said, pointing to the waiting people behind you. “I’ll see you around?”

“Absolutely!” you burst out, your own voice sounding terribly loud to your own ears, and without saying goodbye, you turned around and fled the bookstore.

+++

Back at home, you tried to make sense of everything that had happened. First of all, you had, one more time, acted like a train wreck in front of Jake Tapper. And secondly, it obviously hadn’t bothered him too much, because he had really asked you out.

What brought the next problem, what was an appropriate time to call him? Your head went through every possible option, from phoning him right now to never contacting him again to save yourself from further embarrassment. After some back and forth, you decided to wait another day, that gave you enough time to think about what to say to him.

+++

“Hello, Jake Tapper speaking.”

Hearing his voice was enough to make your own go slightly shrill with nervousness.

“Uhm, hi, this is Y/N, from the bookstore yesterday, you remember?”

“Of course I remember.” Jake replied, “To what do I owe the pleasure?”

“I was wondering, if the offer still stands, I’d love to have dinner with you somewhere.” You were proud that you managed to keep your voice steady despite your fluttering nerves.

“Absolutely, whenever your free. How does Saturday sound?”

+++

It was Saturday, and the restaurant you had agreed on was packed with people. The food was great, and the company even more so. After a glass of wine, your initial anxiety had eased down a bit, allowing you to engage in some actual conversation with Jake. He was as fascinating as you had expected, and you found yourself dreamily staring at his eyes and the way they lit up when he was talking about something he was especially passionate about.

You discovered your shared love for books, and the bookstore you had met in in particular, it was Jake’s favorite as well.

“How is it that I have never seen you there before?” you asked.

Jake shrugged, leaning back into his chair.

“Unfortunately, I don’t have much time to go there, and when I do its usually first thing in the morning when they open up. But I buy a book every time. And I’m glad we finally ran into each other.” He leaned towards you again, focusing his eyes on you in a way that made your body heat up.

“I’m glad you even wanted to see me again after that awful first impression.” You mumbled, it was still uncomfortable to talk about that. But Jake just chuckled softly, reaching out to grab your hand, intertwining his fingers with yours. For a moment, the soft stroking of his thumb against your skin was everything you could focus on.

“It definitely wasn’t awful, far from it actually. And please don’t assume I wasn’t nervous as well, you are gorgeous and were browsing the politics section of the bookstore. I just had to talk to you.”his voice was dropping a bit as he pressed his thumb down against a sensitive spot on your palm, making you gasp slightly.

Somehow, the knowledge that you had made the Jake Tapper nervous gave your ego a slight boost.

"Well, you didn’t show it, but I’m glad I’m not the only one who felt that way.” You said, squeezing Jakes hand and, in a moment of bravery, began to slide your bare foot slowly against his leg. His sharp intake of breath told you that it had the intended effect on him.

“So you buy a book every time you’re in the store.” You continued, trying to appear unfazed while still keeping contact under the table. “Your bookshelf must be impressive.”

“I have quite the collection.” Jake replied, his voice a low growl now. His pupils were blown, making his eyes appear dark and almost hungry.

With a quick move, he reached under the table to where your foot had almost reached the inside of his tight and grabed your ankle in a strong grip. A tingling sensation went from where was was touching you all the way up to your core and you clenched your legs together.

„Careful, Y/N. Don’t tease me.“ Jake pressed out in a slightly stained voice.

The tension between the two of you was almost palpable by now.

“I’d just love to see your bookshelf, Jake.” you whispered, biting your lip. You wanted this man, and from the way he was watching you, you could tell that the desire was definitely mutual.

+++

One hurried bill and speedy car ride later, you found yourself pressed against Jake Tappers bookshelf by the man himself. Your hands were tangled in his hair as he was kissing you, his own fingers nestling with the buttons of your jeans. Your shirt already lay discarded on the floor along with his own, and the bare skin of his chest felt amazing where it was pressed against yours.

You groaned when Jake moved his lips to your jaw, kissing down your neck and softly biting into the junction of your shoulder. He slid your jeans down your hips, and you hastily stepped out of them before doing the same to his trousers, leaving the both of you in only your underwear.

When you grinded your core against his boxer-clad erection, he roughly grabbed your ass and pulled you over to the sofa.

"Enough with the damn teasing.“ he growled into your ear, pushing you down onto the soft cushions.

“Jake, please.” You whimpered as he unclasped our bra with one hand and pinched one of your bared nipples with the other.

You could barely think straight anymore, aching for his touch, your panties already slick with need. He pulled them down your legs, his fingers leaving a burning trail where they were brushing over your skin.

“Fuck, you’re soaked.” He whispered when his fingers finally found their way between your tights. He circled your clit, but the soft pressure he applied wasn’t enough for you.

“Please.” You repeated, your voice only a breathy moan by now. “I need more.”

Jake softly swore under his breath, retreating his fingers before standing up and getting rid of his underwear. He took a moment to look down at you, taking in your naked body, splayed out on his couch, your legs spread.

The intensity of his gaze made you squirm and bite your lip in anticipation, he looked like he wanted to devour you.

“Look at you, all needy and ready for me. You are gorgeous, Y/N.” Jake said in a stained voice, before moving to lie on top of you, claiming your lips in a bruising kiss. His erecrion teased your entrance, his hands grabbing your thighs with a hard grip as he slowly entered you. You groaned into his mouth as he filled you until he bottomed out.

With a nudge of your pelvis, you encouraged him to start moving. His pace was slow at first, but he increased his speed as you raked your nails across his back and spurred him on with whispers of his name and pleads to go faster, harder.

“You feel so good, fucking amazing.” Jake growled, one of his hands grabbing a fist of your hair while the other one squeezed your ass, his nails digging into your skin, creating just the right amount of pain to drive you crazy.

You wrapped your legs around his hips and he groaned against your skin as he deepened his thrusts, driving you closer and closer to your climax.

His hard, relentless gaze never left yours as he was fucking you and being the focus of his unwavering attention gave you a heady feeling.

When he told you to come, it almost sounded like a command, and you clenched around him as you reached your peak. He followed you after a few more thrusts, holding you tightly as he came inside you.

“Wow.” You whispered, pressing your forehead against Jakes. He stroked your hair, eyes still settled on you, and it felt as if he could see your every thought.

“That was incredible.” you continued, and Jake hummed in agreement before pulling out and rolling off you. He still watched you with the same unreadable expression for a moment, before he spoke out.

“I want to be honest, Y/N. I hope tonight wasn’t a one-time thing for you.”

Your heartrate that had just slowed down a bit sped up again, a broad, happy smile settling over your face.

“That depends.” You replied.

Jake arched an eyebrow at you. “And on what exactly?”

“How impressive the content of your bookshelf really is.”

[janiedean]

Amazing how you can erase and twist everything someone says and not even bother to check things before launching in your 1000 words answer where you repeat the same things over and over again. When I say “Theon’s story is about destroying death”, I AM talking about his trauma and abuse. I’m not saying that Theon is a superhero, I’m saying that Theon’s story is literally about surviving and saying no to the dying of light, he’s always been trapped between life and death. How is that less meaningful than Jon being AA just because he’s special. Jon is stereotypical, not matter how much you deny it. He is the bastard son of the “good” Ned Stark that everyone seems to venerate, he becomes important, he’s actually a prince, and heir to the kingdom, he’s going to come back from the dead and apparently it’s not enough because he’s also AA. Also “I search for AA and see only Snow”, how is that not a red flag? Didn’t you think that it could be about Ramsay hiding Theon? I didn’t say that everything is about mythology and ancient literature, I said Theon has a lot of connections to it, connections that are hard not to notice, that actually make sense and are not taken out of nowhere like everyone in this fandom does. Theon’s story is about himself, not about Bran or any Stark, you’re just obsessed with throbb. Theon is connected to magic and to the gods, Theon is the rightful king of the Iron Islands, so why it’s so amusing to people when someone suggests that Theon has something to do. I’m not saying that Theon has to be important for his story to count, but why it’s so amusing to people the idea that Theon is an abuse and rape victim and at the same time he has something to do. When it comes to female victims, they want them to do great things, when it comes to Theon they constantly reduce him to poor say boy, but Theon is not like that, Theon is in pain and he wants everything to end, but he’s also angry and he wants to be free. I didn’t say that he has to explore the sea because he’s an Ironborn, you said that, not me. I think that that’s something Book!Theon would want to do if he survives everything. Because he would be free and he would go into the unknown. That’s not true Theon has no connection to the sea, the Drowned God himself wants him as king and he likes ships, there’s also the fact that he never learned how to use a ship because he was kidnapped at 10. Also what’s so wrong about him connecting with his culture? He could change things, he wouldn’t be a viking, he would be an explorer. The way you talk about it, it’s like dealing with trauma means closing himself in an house. And about the prophecy, what’s so amusing about saying that Theon has a lot that fits? I know that the prophecy is vague, but Davos and Stannis don’t come close to it as Theon does. Theon died in almost every possible way and managed to come back on his own. He keeps saying that he died in Winterfell. Read the last chapters in ACOK, it’s all there and it all happens at the same time, and still there’s so much more, so many things. And it’s like this HAS to be true, but you say no to everything, you don’t even think that he has something to do with the Iron Islands, you just think he has to “atone” to Bran, so how are you different from D&D? Theon doesn’t have to atone to Bran, Robb or anyone else called Stark, his story is about identity. And Bran is talking to Theon and yes, Theon took Winterfell, but it’s not the only reason their stories are connected, Theon taking Winterfell from Bran was a foreshadowing to them interacting in the future for different more important reasons, that was always clear to me

... anon never mind that I hadn't talked about this in ages so like you came into my inbox with some 500 words of replying at 8 am on a sunday morning and idk how *I* am supposedly twisting things when

you brought this out of nowhere

I hadn't talked about the AA thing nor anything wrt theon's ending in like... a year

you are basically making up half of what I said or didn't because like 'oh I didn't say he had a tying to the sea because he's an ironborn' but two lines later you say 'what's the issue if he reconnects with his ancestry' which.... means that he'd have a tie to the sea because he's an ironborn so what's the truth here

'you're obsessed with throbb' I didn't mention robb once in my entire answer nor throbb nor I have written throbb meta recently like... I ship throbb but I don't see how that has any relevance to an answer where I literally didn't mention it and I said theon's sl can't be just about the starks

idk why you seem to think I have great stakes re jon snow and 'he's stereotypical no matter how much you say he's not', I'm saying that for a chosen one archetype he's a deconstruction so he's not stereotypical in the way h*rry p*tter is or aragorn is or whatever and it's like objective text and honestly I have fic to write and stuff to do and I could have like completely ignored your ask and said 'I think you're wrong' instead yesterday I spent half an hour answering you like... you don't need to sound that aggressive or come at me with this entire block of text when I wasn't even the one starting this conversation

what’s so amusing about saying that Theon has a lot that fits?

anon I explained in those 1k reply or whatever all the reasons why everything theon has that fits is something every single other character has at that point dany has the exact same reasons for fitting it and I told you all the reasons why jon has extra things that fit that no one else has, like.... it's my opinion, I haven't changed my mind since 2012 on it, you aren't going to change it and no one is until grrm writes different, you don't need to convince me or look for me to validate your reading because you can have whichever reading you want and no one stops you, I just don't think it's correct, the end

The way you talk about it, it’s like dealing with trauma means closing himself in an house.

anon you keep on saying I say that but you are aware that if I say I want char X to get their little house in the village/woods/city of their choice and grow strawberries with their loved ones and be happy I'm not saying what you said and I'm talking abt endgame? jaime and brienne both also deal with trauma and when I say that I hope they get married on tarth have fifteen kids and never set foot in a court again I'm not saying having children is the only way to deal with trauma like.... one thing is the endgame one thing is how you get there, where did I say theon is gonna lock himself in a cottage in wow and stay there until ados? nowhere, like.... please a bit of chill here? you read a thing and arbitrarily decided it meant stuff it doesn't mean but I am the one twisting and erasing? like sorry but it sounds like you want a fight about it or smth and believe me fighting about who is AA is not on my list of to-do things for today, also 'I died in winterfell' is like... yeah, theon greyjoy died in wf then he became reek then he became theon again, it's metaphorical, jon literally died, also like if AA wasn't a main fiver then it'd probably be someone completely out of left field that no one gaf about and for that matter there's a character who has been dying and coming back to life who has a flaming sword since like acok, but do I see you telling me it's textual proof beric is AA? no, but that would make more textual sense than theon imvho so *shrug*

in short: anon sorry but it sounds like being that theon is your fave - which... I mean he's in my top three so I agree that he's a great fave choice - you want him desperately to have the main role in the main storyline which is imvho not the case and again... even if jon was stereotypical (which we can argue on but like... from your wording I think you hate jon ngl which fair enough everyone has their dislikes) it wouldn't make the textual evidence less evidence and like... idk how to say it nicely but not liking the protagonist is more common than not and if you don't whatever but that doesn't mean he's not and that the textual stuff indicating he has the mystical hero storyline doesn't exist, I'd suggest you make peace with that concept and with the concept that your fave doesn't need to have any specialness in their sl to be a legitimate fave, also like... in asoiaf everyone who is special™ has a shit life and when grrm says he wants a bittersweet ending like in lotr, do I have to remind anyone what was lotr's ending? samwise gamgee goes back to his little house and children and wife in the shire and says he's home and we're all happy that the dude who deserved it most got it great, if that's what he's aiming for I really don't think presuming everyone gets the magical great™ storyline is in the cards X°D but most of all: again, everyone who's had a sl being full of magic prophecies and shit in these books has had a crap life and hated every second of it that was related to those prophecies and I want theon to be happy at the end so in lack of any imvho text proof that says it's anyone but jon I'll stick with that because it means none of my faves is in line to hate their life, which is exactly what happens to jon if he's AA and exactly what I think is gonna happen and I don't particularly like that for him either bc I do want jon to have nice things but idt he'll get them, doesn't mean I'm trying to find any textual reason to decide on my own that AA is dany (a char I care a lot less about) so that she gets the brunt of it because that's now how it works, I made peace with it too X°D

[santiagonex]

As 2020 is nearing, it’s time to see what 2019 has brought us when it comes to gay representation in tv shows and movies. Below ‘read more’, there’s a whole list of tv shows/ships/movies (with pictures and basic description) which include/are about gay (used as an umbrella term) men and couples (so basically have gay storylines and at least one gay person is a main character of the show/movie).

Since I’m a gay man, I keep up mostly with mlm, if I included wlw as well, I don’t think the list would be complete with my lack of knowledge, so sorry about that. I’m pretty sure there are more competent people who can do that instead of me.

Total Count of TV Shows in the list: 65 Total Count of Movies in the list: 27

 Anyways, here we go.

TV SHOWS

TV SHOWS WITH TITULAR/CENTRAL GAY CHARACTERS/SHIPS

The Other Two: the funniest most-relatable show centered around three siblings – one of them is gay (left). A must-watch for sure. He’s pretty much the hugest part of the show, there are some love storyline (...and they were roomates), some self-loving moments and iconic lines. Just watch it, you won’t regret it.

Sex Education: show about two best friends, one of them (right) is gay. His name is Eric and he gets involved with his enemy Adam (left). Amazing show.

Special: show about a gay man Ryan (right) with mild cerebral palsy, who wants to live his life as an independent person to the fullest. Easy and short show to watch.

Druck (German SKAM Remake): if you don’t know SKAM, it’s pretty much a show where each season is devoted to one character. Third season of German SKAM aired this year and it was revolved around a gay guy (left). For the first time in SKAM history, the main character’s love interest is a trans guy (right).

Skam France (French SKAM Remake): the French version of SKAM had a gay season this year as well. 

WTFock (Belgian SKAM Remake): Belgium has a season focused on the main gay character this year as well.

El corazón nunca se equivoca: I’m pretty sure you’ve heard of Aristemo from ‘Mi marido tiene más familia’. Well, they’d already aired the first season of the new spin-off centered around their lives in college (I think).

Merlí: Sapere Aude: Bruno (left) and Pol (right) fans, it’s time to make some noise. Brunol is coming back because Pol is getting a spin-off which will be taking place in university. Bruno will be in it as well. First episode airs on 5th of December this year.

Pose: second season of Ryan Murphy’s popular show with main transgender and gay characters has aired this year.

The Politician: another show from Ryan Murphy was created. The main protagonist of the show (right) is played by Ben Platt and he’s gay. The show contains many LGBT+ main characters.

Tales of the City: the revival of the Tales of the City sequence of miniseries aired this year. The show includes many LGBT+ storylines.

The L Word: Generation Q: the revival of The L Word show will air on 8th of December this year. The show is mainly about lesbians, but based on trailer, there will be a gay couple included as well.

Years and Years: very futuristic show with a political message. Includes both mlm and wlw as main characters.

The Red Line: the plot of this show involves a white cop in Chicago who mistakenly shoots and kills a black doctor named Harrison. Harrison had a husband (left) and daughter (right). The show deals with the consequences of the event.

Now Apocalypse: all I’m gonna say is that Beck from Victorious got to make out with Scott from Teen Wolf, Matty from Awkward and Jake from Glee. The show was renewed for second season and later this statement was taken back and it got cancelled – which I guess says enough about the show.

This Close: the show is about two best friends who are deaf. One of them (left) is gay and has a storyline and spicy scenes with the guy on the right and some other guys as well. 

Schitt’s Creek: David (right) and Patrick (left) aka the cutest softest couple of all time. The last season of the show will air next air. Watch the show if you wanna laugh and watch the healthiest gay couple on tv. They also got engaged this year, which was beautiful.

NEW TV SHOWS (1 SEASON) WITH MAIN GAY CHARACTERS/SHIPS

Daybreak: both main characters and basically on different sides of the battles. Who wouldn’t want to watch enemies being in love Romeo & Juliet style.

El Juego de las Llaves (The Game of Keys): very interesting and fun show to follow, the one on the right is the main character. He’s closeted, has a girlfriend and gradually realizes there’s something else out there. Nice kissing scenes, plus one very spicy scene. Doesn’t hurt that the guy on the left he will be involved with looks like a dollar store Chris Evans if you squint hard enough.

Five Bedrooms: 5 strangers moves in. The guy in the middle is gay. His mom is a very traditional Indian woman who just wants grandchildren. The whole show is heart-warming and sad at times. The guy gets fair share of screentime and some love interests including a cop from the neighbourhood.

Made In Heaven: Indian show that follows the lives of Tara and Karan (left), two wedding planners in Delhi running an agency named Made in Heaven. Karan is gay. Very progressive show with spicy gay scenes.

What/If: haven’t seen the show yet but friends said these two have a nice storyline in the show. Threesome included.

Bonding: show about two best friends Pete (left) and Tiff (right). Pete is gay. They basically... do freaky shit for work... umm. Just watch trailer or something.

Osmosis: I have no idea what the show is about but the guy on the left is set to betrying to find a soulmate or something. I think I remember seeing some spicy scenes.

Pretty Little Liars: The Perfectionists: basically some gay romance with the guy on the right and someone else. The one on the left dies the first episode so I did not even bother after that. But you can be the judge of it.

Doom Patrol: Larry (left) is a superhero, kinda. There’s something haunting his past, though. Something that involves being gay.

The Umbrella Academy: Klaus (left) my favorite character. He’s kind of a hero along with his other siblings. There’s a deep gay storyling along the way.

Weird City: anyways... all I’m gonna say is that Dylan O’Brien played a gay for one episode in a show. Wish there wasn’t this huge ugly age difference.

Roswell, New Mexico: cowboys, aliens, bisexuality, homosexuality and all that. Didn’t really see the show but there’s a lot of content with these two.

Good Trouble: never saw the sow but the guy on the picture is a main bisexual characters. There are some mlm scenes.

The Society: Grizz (right) and Sam (left) literally the highlight of the show. Just watch it, it is worth to see it for both of them. Sam is also deaf. The show is basically about a bunch of teenagers getting stuck in a town with no one else in or around.

High School Musical: The Musical: The Series: The High School Musical tv show has just started airing on Disney+. Carlos (left) is confirmed to be gay and to be getting a nice development this season which will probably involve Seb (right) as well.

The Heights: Australian tv show. Sully (left) is gay. Got a thing for Ash (right) at the start. Then things were messy. Then they suddenly kissed. And the things are messy again.

El Club (The Club): very interesting show. The gave these two really (like REALLY) spicy scenes. Some romantic stuff. But there’s really not much depth in my option. Check and see.

Volevo fare la rockstar: didn’t see it but it’s an Italian show and there’s a romantic storyline between these two.

No Good Nick: Jeremy (right) came out this year on this sitcom. Nice and very weid sitcom. Unfortunately it was cancelled, but the way they handled his gay storyline was rather nice.

World on Fire: follows lives of ordinary people from Britain, Poland, France, Germany and the USA during World War II. Two of them are gay. And yeah one of those two is Will from sense8.

TV SHOWS (1 SEASON+) WITH MAIN GAY CHARACTERS/SHIPS 

Andi Mack: the show that made history. Andi Mack is a Disney Channel show and for the first time in Disney Channel history, Cyrus (right) came out using the word ‘gay’ and made it official with the recurring character TJ (left) this year. The two-season slow-burn was really worth it.

Shadowhunters: Malec got married this year. Yay.

Grey’s Anatomy: Levi and Nico still going strong.

La Casa de las Flores (The House of Flowers): despite the first season making it seem like it was the end for Diego and Julián, that’s not the case. In season 2, they’re stronger than ever, the scenes are spicier than ever and the show is gayer than ever.

Baby: first season was mostly focused on Fabio (face on right) realizing he’s gay. The second season has shockingly showed us that Brando (face on left) is gay as well. Very toxic ship so if you enjoy Gallavich this is probably for you.

Élite: Omar and Ander continuing their journey.

Shameless: Ian (up) and Mickey (down) came back to Shameless season 10 as main characters. About time.

Station 19: new love interest (left, a deaf character portrayed by a deaf actor) was introduced for Travis (right) in the season 2 finale. Let’s see what happens in season 3, which airs in 2020.

Ackley Bridge: they pretty much baited us with Cory (left) and Naveed (right) this season. They stayed just friends, but Naveed found a love interest, so that’s nice.

Find Me In Paris: Never saw the show, but Jeff (on the picture) is gay and his love interest Isaac gets introduced in second season that aired this year.

13 Reasons Why: Tony and Caleb going strong. It was also revealed that Monty (right) is a closeted gay and had a storyline with Winston (left). There’s probably more to come with them in next season. 

Insatiable: unfortunately they didn’t serve much Bob (right) & Bob this year. But they introduced detective Rudy (left) and there were some scenes and twists and turns. Whatever.

Riverdale: I don’t care. Kevin (left) is still there. There are some gay charcters based on wiki, but yeah. Crumbs, I bet. Whatever.

Charité: second season (which has the two main gay characters) takes place in Berlin in 1943. You don’t need to watch the first season at all, to understand the second one with them, it’s basically a stand-alone.

Animal Kingdom: Deran and Adrian’s story coming to an end?

The Magicians: Well, they killed off the central bi character Quentin (on the picture), so fuck them. 

How to Get Away With Murder: Connor (left) and Oliver (right) still there.

Dear White People: haven’t seen it, but Lionel (on the picture) is still there and he’s gay.

Zoe Valentine: there’s this web series and these two have a storyline in second season that aired this year.

SOAP OPERAS AND TELENOVELAS

Sturm der Liebe: Boris (left) and Tobias (right) are married and lived happily ever after. Really cute and sometimes dramatic storyline overall. Check it out.

Malhação: Vidas Brasileiras: Santiago (left) and Michael (right) had a gay storyline but the show ended this year.

Malhação: Toda Forma de Amar: Guga (right) and Serginho (left) have a gay storyline in the show.

Eastenders: Ben (left) and Callum’s (right) storyline has begun this year.

Neighbours: David (right) and Aaron (left) aka husbands still in the soap.

REALITY SHOWS

Queer Eye: five gay guys helping others. Season 3, 4 and a special have aired this year.

Are You the One?: for the first time in the show’s history, season 8 of this dating reality show had an all-sexually fluid cast this year. Which means mlm and wlw and anything else. Really fun show.

MOVIES

Benjamin: don’t even remember what the movie was about but I rec because it was cute and I mean hello Merlin.

Boy Erased: homosexuality and religion. Has a Troye Sivan in it. Very decent movie.

And Then We Danced: my favorite gay movie of this year. All the things they had to do to be able to film this in homophobic Georgia (the country)... just wow. It’s a must-watch.

Who Would You Take to a Deserted Island?: didn’t know what to expect from this movie. It is based on a play and it shows. Watch and be the judge of it. The acting was really highlight of the movie.

This Is Not Berlin: hasn’t seen it yet since it was just officially released. But it is included in an LGBT+ section so... hopefully they didn’ lie.

Rocketman: movie about Elton John with Taron Egerton and Richard Madden... I mean, phew.

Un Rubio (The Blonde One): gonna watch this, apparently it’s amazing based on what some of my mutuals have said.

The Death and Life of John F. Donovan: Jon Snow being gay and kissing Chris Zylka. Made by Xavier Dolan. A literal tripple threat. Genuinely enjoyed the movie and the soundtrack.

Ranchlands: haven’t seen this but my friend said it’s amazing.

Steam Room Stories: this movie was something... Eating Out levels of ‘I-’ but without all the sex. I guess watch this if you are bored.

Posledice (Consequences): very spicy and intriguing movie. Slovenia snapped with this one.

Papi Chulo: didn’t like this movie and the concept of it but... you can check out and see for yourself.

Dolor y gloria (Pain and Glory): Antonio Banderas kissing a man. Hopefully it really is a gay-related movie because I haven’t seen it yet.

Die Stropers (The Harvesters): brilliant cinematography but I expected much more from the movie.

Giant Little Ones: what happens when you’re into your best friend’s sister but the best friend gives you a BJ. Well... watch and see.

Kanarie (Canary): a war musical about a small town boy who gets chosen to serve his compulsory two year military training in the South African Defence Force Choir and Concert. Loved the involvement of the Boy George music, aesthetic and story. One of my favorites this year. 

Luciérnagas (Fireflies): haven’t seen it yet but the description says that the main gay character (right) “flees from persecution in Iran and ends up living in the tropical town of Veracruz.”

El Angel: haven’t seen it but apparently there are some implications it was lowkey gay... so yeah.

Dear Ex: from wiki “San Lian was devastated when she discovered her late ex-husband left his insurance payout to his male partner Ah Jie. She decided to bring her son to fight for their rights, but her son instead chose to stand on the other person's side.” Will watch this soon, sounds interesting.

Sauvage: one of the best gay movies this year. Don’t know how to describe it so let me copy paste the description “ Léo is a sex worker who uses drugs whilst longing for love.”

Sócrates: haven’t seen it yet as it was just released.

Marilyn: story about a farm worker who discovers his sexuality in a hostile environment. Didn’t see it since someone has told me there are some scenes that are really HARD to stomach and I ain’t about that life.

Les Crevettes pailletées (The Shiny Shrimps): the movie is about an Olympic swimming champion who makes a homophobic comment in a television interview, and is disciplined by the national swim team with the responsibility of coaching a gay water polo team who aspire to compete in the Gay Games. Sounds and looks like an amazing comedy and can’t wait to watch it when I will be able to.

Fin de siglo (End of the Century): it’s not out yet as far as I know, but it’s about two men who meet in Barcelona and realize they have met already 20 years ago.

Matthias et Maxime: another excellence by Xavier Dolan. Story about life-long friends who question their sexual identities after they kiss. Looks amazing and I can’t wait for it to get released finally.

The Goldfinch: not a gay movie, but I’ve seen many people considering it as LGBT+ cinema because of the book and you know what, they kissed after all so you can perceive it beyond friendship if you want. If not, then just skip it. I feel like it is worth mentioning it tho.

Mapplethorpe: movie is about the life of photographer Robert Mapplethorpe. Didn’t see it but Doctor Who plays him so there’s that.

UPCOMING

TV SHOWS

9-1-1: Lone Star: The spin-off of a popular show 9-1-1 by Ryan Murphy is premiering 19th of January 2020. It’s confirmed that the main character TK (a firefighter, left) will be romantically involved with the main character Carlos (a police officer, right). The show will also have a main trans man.

Love, Simon: The Series: A Disney+ Love, Simon spin-off is on its way and will premiere in 2020. The series will follow Victor (right) and his coming-out story at the same high school where Love, Simon took place. Didn’t find a photo with his love interest. The guy on the left will most likely be his enemy.

[inspector-montoya-fox]

let’s talk about the criminal mistreatment of Athena Cykes

Ace Attorney: Dual Destinies isn’t really big on women. They’re either dead, fully motivated by self-interest, or on the wrong side of the law. And in the wacky world of Ace Attorney, the game seriously lacks in original wacky female characters. And then there’s Athena Cykes; Phoenix’s new, cute! protégé with a brand new skill for some fresh gameplay and a seriously messed up backstory to captivate the player. Here’s the problem: that pretty much sums up Apollo’s character and reason for being introduced literally one game prior. So why introduce this new character when she wasn’t even needed?

(major spoilers ahead)

Let’s start by pointing out that, throughout Dual Destinies and Spirit of Justice, Athena only handles one case on her own. And that case (Turnabout Storyteller) is a mess, imo. We don’t get to investigate as Athena, her skills as a rookie attorney are being constantly diminished by everyone, even her client, and she relies on Blackquill to bail her out when shit hits the fan. In the original trilogy, Maya also helped out Phoenix when in need, but Phoenix was literally the main playable character, having enough cases to redeem himself after stumbling once or twice. Athena is given only one chance throughout the span of two games.

If Athena was the only new character, tackling only one case on her own would be more acceptable because, with the absence of Maya, she’d play the pivotal role of Phoenix’s assistant, aiding him. And that would actually be ideal. Imagine Athena being introduced in Dual Destinies as Phoenix’s assistant, investigating with him and providing advice during the trials. The game would wrap up nicely by having us explore the Space Centre and have her backstory unravel. That’s basically the first game’s premise: Maya is introduced in Turnabout Sisters and by Turnabout Goodbyes we explore part of her backstory (mainly Misty Fey going MIA) via Edgeworth’s trials.

What really screws up Athena’s chances of succeeding as a new character, are the other new characters, Apollo Justice and Trucy Wright. Apollo Justice was literally supposed to be a reset for the franchise. Bridge to Turnabout wrapped up all the story arcs of the trilogy in such a masterful way that there wasn’t anything more for Phoenix and Maya to do. The 7 year time jump and the introduction of Apollo were supposed to kick off a new trilogy and showcase a new era of the law, a time in which the system started failing, despite the fact that it was already messed up. I go into detail about why Apollo Justice failed in this essay no one bothered to read (yea i’m bitter, bitch) but basically, to sum up, Capcom didn’t have the balls to strip the series of its main character and due to backlash, brought him back one game after.

I 100% believe that Dual Destinies tries its hardest to be what fans wanted Apollo Justice to be. As a result, it has too much on its plate. Giving Apollo a new backstory, portraying Phoenix’s return as an attorney, trying desperately to sell the Dark Age of the Law and repeating ‘the end justifies the means’ about a million times, delivering interesting cases with interesting witnesses (at which it fails miserably, imo), all the while introducing Athena and exploring her backstory, which includes the new prosecutor and new detective, whose final twist, although unexpected, doesn’t save the game. That’s a lot, like too, too much.

What was the reason for Athena’s introduction? As I mentioned above, Apollo was literally introduced one game prior to Dual Destinies, providing the writers with countless opportunities for interesting storylines. What we got instead were interesting storylines which were never to be revisited again, e.g. Apollo and Trucy being Thalassa Gramarye’s children, and the jury system. What the fuck. Instead of progressing Apollo’s saga as a rookie attorney taken under Phoenix’s wing, he gets sidetracked for the sake of Athena, but as we soon find out, that isn’t even the case. Actually, Apollo as a new protagonist gets sacrificed for the sake of Athena, and in turn, Athena gets sacrificed for the sake of Apollo being a sidekick. Again, what the fuck.

After Apollo Justice, the games try and fail to course-correct Apollo’s character. Dual Destinies tries to shoehorn Apollo and Athena’s backstories into two cases (The Cosmic Turnabout and Turnabout for Tomorrow), while wasting such an opportunity with its first three cases (no, Turnabout Academy’s rushed exposition on Athena and Juniper’s friendship doesn’t count). And I’m being blatantly honest when I say that I literally couldn’t give less of a shit about Clay Terran and dArK Apollo with a bandage over his eye. I literally don’t care because the game doesn’t do the work in order for me to care. It just dumps a bunch of new info on Apollo and Clay’s friendship at the beginning of a trial for which there isn’t even an investigation. That’s just lazy. Instead, I’m much more interested as to why the robots at the Space Centre recognize Athena.

Athena’s backstory, although redundant and painfully familiar, is pretty interesting. Why is it redundant and painfully familiar? Because Maya Fey also lost her mother due to an incident with an upcoming prosecutor and eventually was misled into thinking she was the culprit, the truth being revealed by Phoenix at the end. Despite the similarity, the details surrounding Metis Cykes’s murder are so captivating. Aura Blackquill is introduced, a mysteriously sexy tech gyal whose dialogue on Metis seems to suggest that they were romantically involved, Blackquill’s imprisonment is explained, there’s hostages involved, and the Phantom is revealed. Turnabout for Tomorrow isn’t my favorite case but in terms of setting up Athena’s backstory, it does everything right.

I honestly love Athena. I love that we have another female attorney alongside Mia and Calisto Yew. I love that she introduces psychology into the trials. I love her yellow suit and her narration, and her moon earrings and relentlessly joyful attitude. She’s such a joy to have around. That’s why I hate how Dual Destinies handles her character, having Apollo ask her questions on who she is and what she does during The Monstrous Turnabout’s investigation and waiting until Turnabout for Tomorrow to continue her exposition. Instead, Apollo gets most of the attention. If Capcom wanted games 4-6 to be Apollo’s trilogy, they should’ve done that. Not dilute Apollo Justice by including hobo Phoenix, not introduce Athena and have Phoenix return in Dual Destinies, not do anything they did with Spirit of Justice. I really wanted Dual Destinies to be Athena’s game.

Spirit of Justice handles Athena even worse than Dual Destinies. She is quite literally reduced to a side character and, even though we get to play her first solo case, her character gets absolutely zero development. Whereas Phoenix is reunited with Maya and resets the law in a foreign country via a revolution in which Apollo is caught in the centre of, Athena babysits Trucy (another female character who is given nothing to do). Also, Athena being sidetracked, getting turned from a new attorney to just a character without a purpose becomes so obvious when she’s literally rendered obsolete once Maya returns in Turnabout Time Traveler, during which she becomes Trucy’s lab rat... ???

I literally feel bad for Athena because she was created unreasonably but created with care nonetheless. Dual Destinies tackles too many story arcs and themes all at once, and if the writers removed some of them to focus more on Athena instead, she could have been the next Franziska: a young lawyer with drive who rises to the ranks of the best but not without her flaws. But, um, we got an Apollo Justice Lite, instead.

[solanospetra]

do the rant about jtv DO THE RANT

I never said goodbye to JTV, I didn’t even finish the week that was supposed to be a final farewell and I think it’s because I’m still in disbelief of how it ended. This show that had Jane at its core, the Villanueva’s, the craziness of Rogelio, the earnestness of Rafael, the mischievous of Petra, the grounding provided by Michael, ended up being a tragic mimicry of itself at the end.

Jane no longer felt like the independent i-don’t-give-a-fuck if you like me, this is what’s happening. I’m quitting my job, I’m having this baby, I’m a virgin, and what of it. The same Jane who said fuck your two-parent family, I’m having this baby by myself because you’re being a dick and I won’t stand for it ended up groveling for some man’s attention at the end of the season just because we needed to know that Jane chose Rafael(™). That book she wrote, it flopped, which was fine, but then she suddenly becomes rich off the book version of JTV yet it feels cheap because we don’t get through that journey with her. I guess you could say we saw it in 3B in 4A but even then it was clouded by Michael’s death. We didn’t see an ecstatic Jane with her life almost to normal go through this journey. If anything the book further cements that they all collectively decide to forget Michael when he signs away his rights. 

Rafael, does he ever get over his fear of failure? Does he ever grow? If anything, I think Rafael regressed from the beginning to the end. I’ve said it before but maybe Rafael’s happiness was being single at the end. Rafael never gets to find out who he is by himself. He’s always had some kind of pressure on him and he never dealt with it well. Emilio, Luisa, his mom, his biological parents are all storylines that were never given enough screentime. The cold switch from someone who grieved his father so deeply in season one to the indifferent person, and in season five we find Rafael still had Emilio’s cufflinks. Rafael placed such an emphasis on biological family yet at the end of the day, he still felt he owed something to Emilio. The adoption storyline was pointless and it never served to help Rafael grow. Luisa and Rafael never recover their relationship, they never regain that trust, and while I understand why at the beginning, towards the end you have to ask yourself why they were so distant. Losing his money didn’t help him grow, it turned him into a nasty version of himself and it ends up not mattering in the end because Jane becomes rich, they’ll never have that tiny house with the picket fence and that makes me sad. Should I even bother talking about the fact that they never address the fact that he needs help? You get one shot of him taking pills, the adjustment period, but you never get the why. One of the things I liked the most about Rafael over Michael was that he knew he wasn’t perfect. We meet him at a turning point in his life when he’s trying to make sense of the second opportunity life has given him. He never came off as entitled, not until the later seasons, I’ll argue he starts off more likable than Michael. Rafael did lack self-awareness but Petra and Jane are there to put him in his place up until JTV paints Jane as the one who’s in the wrong when in reality, she rarely was, not towards the end. 

Petra, the finale of season four is really all I have to say. You have this excellent growth that’s been developing since season two, and we reach a turning point where you’re like here, this is the moment her growth is complete. Instead, we find out she’s been gaslighting JR since the start and it’s such a bitch slap because you never saw it coming because Petra wouldn’t do that, not now, not after all this growth, not to the woman she loves. Not when things have finally begun to fall into place for her. Then you see her the rest of the season begging for forgiveness, getting, then being left to hung to dry by someone she loved. Magda is never killed, instead, she’s out there harassing another child that was presumably abandoned.

Do I even want to talk about Xiomara? After she turns down Rogelio’s proposal she disappears. She never gets a decent storyline, she gets cancer and the revelation is she should go to nursing school. If anyone’s unrealistic dream was going to come true it should have been Xiomara’s, she deserved to have more than being shoved into an awkward family with Darci.

JTV ends up shrinking into itself in its attempt to become realistic. In the final season, the fact that Jane’s tagline is always family comes first yet when Michael comes back he is treated like absolute shit. There’s no joy that this person who was part of our family for YEARS isn’t actually dead. He gets treated as an inconvenience, Rafael becomes unbearable and jealous in a way he never was in season one or two. Before he’d been sure and now he’s just a manipulative person that controls Jane’s decisions and Jane is this shell of a heroine who bends to his will when she would have told him to fuck off in S1. It’s hard to understand why Michael was brought back.

JTV was fun, happy, sometimes, campy, with flawed characters but in the end, it isn’t about Jane, it’s about this happy ending that Jennie foresaw when she started and the show’s ending doesn’t fit the journey the characters have all been on. A wedding between two characters who don’t feel true to the characters we met at the beginning, a rushed happy ending for a character who has been through hell and back, and this incomplete sense of family because for all the times Jane claimed they were a family, there was a careful separation of worlds that doesn’t sit right with me. 

[traincat]

I’ve read Waid and Hickman’s FF runs and am currently reading Zdarsky’s 2 in One. I’m planning on eventually reading the Lee/Kirby run. Can I ask, what other runs would you recommend? Is Claremont’s good? Sorry for bothering.

I LOVE Waid and Hickman’s Fantastic Four runs, and Zdarsky’s Marvel Two-In-One was excellent to the point where one of my lingering disappointments is that Marvel brought the Fantastic Four back in a way that prematurely cut off Zdarksy’s 2n1. I know I said I wanted them back but wow did we all get monkey’s paw’d on that one. Zdarsky did really excellent stuff with both Ben and Johnny and the multiverse hopping was honestly fun and interesting. Lee/Kirby is also, in my opinion, just a really terrific run -- it lays the groundwork for not only the future of the Fantastic Four but a lot of big concepts for the Marvel Universe in general, and I think it holds up really well by modern day storytelling standards. Lee’s sense of humor works well with the retrofuturistic vibe and Kirby’s art is always wonderful. In particular I think it’s interesting to look back on The Galactus Trilogy (Fantastic Four #48-50) as the granddaddy of all event comics, for better or worse. 

Claremont -- okay, I love Claremont’s run, let me start off by saying that. Claremont’s run follows on what is in my opinion one of the worst periods of Fantastic Four canon, and I mean bad to the point where the literal canon at that point was that to get things back on track the Fantastic Four had to be put in a bubble universe. Claremont’s run kicks in one or two issues after their return to the main Marvel universe and it’s so fun. I think Fantastic Four is one of those series that kind of flourishes in adversity and Claremont’s run starts off with the Fantastic Four trying to regain their footing in a world that had assumed them dead, their Baxter Building gone, living in a warehouse property. Claremont, in my opinion, also has one of the best if not the best handle on characterization for a lot of key Fantastic Four figures, including Johnny, Reed, and Sue. His Ben is also very good, but I think Ben in particular tends to be an easier sell for a lot of comic book writers -- the outcast, the gruff man, the comic relief. He’s easier to identify with than Reed, the Smartest Man on Earth, or Johnny, defined by his youth and beauty and queercoded since the ‘60s, or Sue, by sheer factor of being a woman. So I think a lot of writers identify with Ben first and foremost and put the most love and care into his depiction, whereas the others are a little easier for them to leave by the wayside. Which isn’t a bad thing -- I love that one of the most beloved comic book characters is also one of Marvel’s few canonically Jewish characters, but there is a wealth of truly excellent Ben canon in comparison to the other three. Especially with Johnny, there’s no one else who has written for Fantastic Four who has put nearly as much thought and detail into Johnny’s relationship with his powers, both the positive and the negative, as Claremont has, even reworking the origin story from Lee and Kirby’s joyous scene of Johnny flaming on for the first time into a deeply traumatizing incident -- being sixteen and traumatized and bursting into uncontrollable flames. 

(Fantastic Four v3 #11) There’s also a lot of women in Claremont’s run! A valid criticism of Fantastic Four canon is that by its initial core team makeup it tends to be lacking in female characters compared to some other big Marvel staples, but Claremont brings in a ton, from Reed’s college friend and fellow genius Alyssa Moy (who has been done dirty by pretty much every other writer who’s ever touched her, including Waid and Hickman) to multiversal bounty hunter Bounty to the most platonic of Johnny’s gal pals Caledonia to Valeria Von Doom, a “time dancing” teenage incarnation of the baby Sue lost back in Byrne’s run, who sets up baby Val’s eventual return. Claremont is also king of Reed vs Doom setups -- if you haven’t read his Fantastic Four vs X-Men miniseries, I highly recommend it, and he brings a lot of the two sides of the same coin energy from that into his Fantastic Four run. 

The downside of Claremont’s run is that the plot is always there and always running and I could not explain half of it if you paid me. Things certainly happen! Like all the time! For seemingly no apparent reason! Stuff gets set up and then it’s not resolved and now we are in Latveria! I don’t think this is necessarily all that detrimental -- the run is still massively fun and the characterization is always fresh and interesting. It’s just that sometimes you have no idea what’s going on and you have to roll with it. And then sometimes you do know what’s going on but in the way where you know Claremont was just writing it because it’s his kink. Which is like, whatever. As authorial ids go, you can pretty consistently do worse than Claremont’s, I’ll give him that. So I do recommend on it the whole, as long as you’re not going into expecting the kind of plots either Hickman or Waid brought the book. Claremont’s is kind of like “stuff happens and it’s either weird or fun so just don’t pay too much attention to it.” 

Aside from Claremont, I feel like I generally like far more Fantastic Four runs than I dislike -- but also I don’t hate Millar’s run, which is honestly bad, so it’s possible I’m just very forgiving with the Fantastic Four. I really like Robinson’s run, which is the last run before the Great Fantastic Four Drought of 2015-2018. It’s short, self-contained, and devoted entirely to one story, so it’s pretty tightly written, with good characterization and some very shiny art by Leonard Kirk. Straczynski’s run is decent enough for the fact that it intersects with Civil War -- I think he does his best to get into the heads of the characters re: their actions in Civil War -- and it leads directly into Dwayne McDuffie’s run, another brief one where Black Panther and Storm take over for Reed and Sue. Very fun. Marvel Knights 4 is also a fairly recent run that’s got some strong moments in it, although I feel it’s a little inconsistent in its handling of the characters. It’s still fun, though. For an older, longer run, I like Simsonson’s -- the art is very dynamic, even if the storyline kind of gets too involved with itself. 

(FF #337)

I recommend Byrne’s run with the caveat that there’s plenty to dislike about it and plenty of reasons to avoid it, not the least of it being Byrne himself as a creator and a person. It’s heavily sexist in how it deals with Sue, it retcons a huge age gap into Sue and Reed’s relationship, and Byrne’s early departure sets up my all time least favorite Fantastic Four story. (Though that one is Roger Stern and later Tom DeFalco’s fault.) It is historic as Fantastic Four runs go, though, and there’s a lot in later runs that’s built over it or references it or borrows from it. So it’s a rec with a lot of caveats and I also understand why people might give it a skip -- I think it’s more important for an understanding of the greater body of Fantastic Four canon and the impact it had than for the actual run itself. I do think Byrne has some very interesting subtext with Johnny, although it never come to fruition, and while his Sue falls victim to a lot of sexism, I really like what he does with the character of Frankie Raye, who like poor Alyssa Moy I don’t think has ever gotten really good treatment ever since.

I have mixed feelings on both Millar and Fraction’s runs, not in the least because I think they end very similarly -- and that Millar did it better, which doesn’t say great things. Millar’s run is kind of like a trashy popcorn flick version of Fantastic Four; it’s not actually good, but I can’t say I don’t like the terrible eldritch monster in Scotland Christmas arc (Fantastic Four #564-565) and I’m sort of into future Sue. Fraction, on the other hand, takes a space road trip and makes it boring, which is the greatest Fantastic Four sin of all. He’s one of the rare writers who I think actually writes a bad Ben Grimm -- not the least because his run goes out of its way to try and label it Ben’s own fault that he was transformed into a monster. I do really like his FF (just the initials) though. 

The only Fantastic Four runs I can say I really truly dislike are Tom DeFalco’s and Dan Slott’s, which sort of unfortunate because DeFalco’s is both long influential (I have no idea why because it’s honestly terrible like in terms of storytelling) and because Slott’s is happening right now. DeFalco comes onto the book on Fantastic Four #356 and stays on until Fantastic Four #416, at which point Marvel hit a literal retcon button to get out of the mess he’d made. (This leads into Fantastic Four v2, which is largely skippable -- it’s basically a mid-90s retelling of a bunch of early Fantastic Four stories that leads back into the FF heading back to the main universe.) DeFalco’s responsible for the Skrull retcon in the JohnnyAlicia marriage and for dragging that out for over 50 issues, the entirety of which feel like he was writing without a plan or outline or literally anything, and I have never felt like a comic book was attempting to gaslight me through its own incompetence or refusal to commit to things it set up itself as badly as I do with DeFalco’s run. (I like other non-Fantastic Four Tom DeFalco runs. I just hate this one.) Dan Slott’s run is just 25 issues and counting of badly written emotionless unfunny pages blandly stapled together and I so badly want Marvel to kick him off the book for its own good.

[kiss-my-freckle]

1x3 Rewatch: Potage

Gif set can be found here.

"Eating her is honoring her." I always laugh when I watch the open of this episode. They chose a doe so they could switch to one of Hobbs' victims. Abigail has a nightmare and wakes from her coma. First time I've seen Alana and Will alone together. A scene over coffee on the opposite side of Hannibal's breakfast. You can feel the difference. Hannibal is stalking Will, and very much wants to get in the middle of him and Jack.

Jack wants Will to see Abigail. Hannibal doesn't care one way or the other until Alana places doubt on her involvement. He wants to see if she's like them, to see how involved she can be. Double intent once he finds out Will is looking into Hobbs' copycat killer. It's just as much about self-preservation as wanting to know Abigail. When you listen to the portion of Will’s lecture about Hannibal's phone call to Hobbs, you can see his reason for calling Hannibal in 2x13. "How intimately did he know Garrett Jacob Hobbs?" That's why he tells Chiyoh he and Hannibal knew each other intimately. "Before Garrett Jacob Hobbs murdered his wife and attempted to do the same to his daughter, he received an untraceable call." When I saw how things played out in 2x13, I saw Will wanting Hannibal to kill Jack, while not expecting Alana to be there. If Will truly wanted Hannibal to leave, he wouldn't have taken a cab to his house. He was going there to run away with Hannibal, then saw Alana on the ground. "I believe the as-yet unidentified caller was our copycat killer." The lion copying the tiger.

Will describes Hannibal's crime scene as I see all of them. He elevates it to art. How they act in life plays a part in their crime scene display. He wants his audience to see his victims how he saw them. That's the difference between the Copycat killer and the Chesapeake Ripper. The Copycat killer is Will's admirer, so he kills with different intent. That's why it takes Will until season two to realize it’s one killer instead of two. I love the smile on Hannibal's face when Will profiles the Copycat killer calling Hobbs. Hannibal fell in love at first sight. In this scene, it reaches beyond that, and Will is oblivious to it. Hannibal didn't expect Will to be this good, but loves the fact that he is this good.

I'm bothered by Alana's conversation with Will over coffee. Abigail not having anyone doesn't mean Will wants to be her everyone. And he's not picking up a stray dog, he's reaching out to a child he feels he can connect with. This is the first time they show him reaching out to a fangless being. Alana should've started with her ending statement. Best Will not see Abigail, he killed her father right in front of her. Abigail is on the money with Alana's gift cards. More of this plays out during Francis' storyline, after Hannibal hands her a Verger heir. She doesn't need to redeem her gift cards because when she wants something, she simply buys it straight with cash. She went out and bought Abigail a new wardrobe when she could've easily went to her house and picked up some of her clothes. She's trying to buy Abigail's trust. I wouldn't be surprised if she struggles with credit card debt, she’s a spender.

A clip from 1x2 in this post's gif set, specific to Will's conversation with Hannibal in their very first session. Will wasn't talking about Hobbs' crime scene, he was talking about Hannibal's. And he wasn't talking about Abigail, he brought the stag back with him after he saw his field kabuki. That's what I like about this series, certain scenes bleed together. This happens as the series continues, so expect me to compare in my gif sets as I go. 

There's a lot of focus to Will killing Abigail's father and how she views that. A nice confrontation between Will and Freddie. You can tell he doesn’t like her - at all.  Just as threatening, the way he approaches her as he threatens her. Her article reads, "A statement like this calls into question the very mind and method of Will Graham and his FBI apologists. This is a man who skirted normal FBI..." 

Will gets upset when he realizes Alana can no longer act as a buffer for him and Jack. Thank Hannibal for that. Jack will regret bringing him into the equation because he has something else in mind for Will. He shouldn't need a buffer. He should give as much as he gets, but he cowers. Hannibal plans to change that. I'll gif what I mean when I'm finished with this post. Hannibal now has three agendas. His mistake, biting off more than he can chew. He should've left Abigail alone and focused on Will. Difficult in his position, the need to know and prevent certain things because Abigail heard his voice on the phone. She knew he's the one who called. It ties into what Miriam said. She doesn't think the Chesapeake Ripper is white. She said he's exotic somehow. His Danish accent is unmistakable. 

Freddie's timing with Nicholas Boyle is impeccable. "We have no way of knowing what's waiting for her when she goes home." Alana gives Hannibal the idea to leave another Copycat victim in order to help close the case and end Will's investigation. It's the reason he questions Abigail about where her father makes his putty. It's where he plans to put his next victim. "It feels like I'm talking to his shadow suspended on dust." A great way to describe what it's like to be Hobbs. His shadow would be Will's shadow. "We should report this, yes?" Hannibal wants Will to report it so he can better sell Nicholas as Marissa's killer. Killing the girl who called her mother a bitch and framing the kid who went after Abigail. 

Will wakes in another sweat and pulls his shirt off. Hannibal knows how he connects, that's why he gave him field kabuki. "Garrett Jacob Hobbs would've honored every part of her." His comment is about Will, not about Hobbs. He would've honored every part of her too, and I love the way he looks at Hannibal when he says it. Will leans into him... "She said she didn't know them." He's looking for Hannibal's support. Hannibal objects to Jack's accusation that Will is being manipulated by Abigail. He loves Will's thought process, the last thing he wants is Will questioning it and doubting himself simply because he’s the one manipulating things. He offers Jack an alternate for Abigail, then takes notice to his exclusion of Will. Superiority shown in Jack's body language when he tells Will he wants him to stay. Like a master and his dog. One of many instances in this episode when Jack’s character pissed me off. 

Jack twice admits he lacks sympathy. This shows throughout the series. He feels no sympathy for Will even though he's hugely responsible. Alana thinks Abigail is hiding something. Yep, sounds like a teenager. Jack wants Will to see Abigail, then gets nasty with Alana when she tries to stop it. He speaks as if she cares to be Will's psychiatrist. She doesn't. She's trying to create a safe environment for Abigail. Jack doesn't care about Abigail, he only cares about his agenda. He treats Will like a child, as if his own voice needs to be controlled by Hannibal. Hannibal trusts Will to speak for himself, to which Jack tells him he shouldn’t. What does this scene tell me? Jack is the master, Will is the dog, Hannibal is the muzzle. This is Jack’s thinking. He then finishes it with overriding Alana’s opinion because it doesn’t suit his agenda, and going with Hannibal’s because it does. Top this off with the fact that Jack questions Will’s profile of the Copycat killer before they even find Marissa’s body. “I need to know if you're right about the copycat, Will.” Made worse when they find her body. Jack is an ass, and he stays that way through the entire series. 

[gumnut-logic]

We’ll Be Home For Christmas 5.1

Title: We’ll be home for Christmas

Day Five – Here on Tracy Island – Part 1 Prologue | 1.1 | 1.2 | 2.1 | 2.2 | 2.3 | 3.1 | 3.2 | 3.3 | 3.4 | 3.5 | 4.1 | 4.2 | 4.3 | 4.4 | 4.5 | 4.6 | 5.1

Author: Gumnut

20 Jun 2020

Fandom: Thunderbirds Are Go 2015/ Thunderbirds TOS

Rating: Teen

Summary: The boys can’t fly home for Christmas, so they have to find another way.

Word count: 3313

Spoilers & warnings: language and so, so much fluff. Science!Gordon. Artist!Virgil, Minor various ships, mostly background.

Timeline: Christmas Season 3, I have also kinda ignored the main storyline of Season 3. The boys needed a break, so I gave them one. Post season 3B, before Season 3C cos I started this fic before we saw it.

Author’s note: For @scattergraph​​​​​. This is my 2019 TAG Secret Santa fic :D

No, I haven’t forgotten about this fic, and yes, it hit the six month mark about two weeks ago. I started writing this 8 Dec 2019. I’m nearly there.

Landmark, though. It is now officially my longest Thunderbirds fic, overtaking Gentle Rain today at around 60,000 words, depending on which word processing program it is sitting in. Never expected it to be this long.

This chapter pretty much wrote itself. It is almost like a role call of the five brothers and their states of mind. So a little bit of all the bros in this. I hope you enjoy.

Many thanks to @i-am-chidorixblossom​​​ @scribbles97​​​​​ and @onereyofstarlight​​​​​ for reading through various bits, fielding my many wibblies, and for all their wonderful support.

Disclaimer: Mine? You’ve got to be kidding. Money? Don’t have any, don’t bother.

-o-o-o-

Day Five: Here on Tracy Island

Virgil woke late the next morning. It was a pleasant awakening, slipping from deep sleep to doze to a peaceful warmth beneath the covers. His room was dark. Darker than his cabin on A Little Lightning and with decidedly less sway.

He lay there for a while, enjoying the lack of need to get up and do anything and the absence of pain. He had slept the sleep of the dead and was thoroughly rested. There was something to be said about sleeping in your own bed at home that no holiday anywhere could provide.

But honestly, he wasn’t one to sit and do nothing for long, his brain kicking into gear while he lay there, listing off things waiting to be done. A visit to Two to reassure himself she had been checked over and was ready should she be needed. Not that he didn’t trust his family, it was just for his own peace of mind.

He should be able to get away with it so long as he didn’t spend too much time down there.

It took him a full half an hour of random rumination to realise that it was Christmas Day.

Oh shit.

The clock said eleven am.

His family...

He sat up abruptly and was thoroughly reminded of how stupid such a move was.

Oh, for the love of...

He grunted and rolled over until his face was smothered in his pillow.

The medic in his brain listed off the reasons why he shouldn’t have done that and why he needed to be careful and, goddamnit, he was sick of this. It was only an appendix, for crying out loud.

Stupid surgery.

That could have been so much worse.

He was being a spoilt child.

He let out a breath into his pillow, its warmth wrapping around his face. Another week and he would be fine.

But now, it was eleven oh five on Christmas morning and he was holding his family up.

He clambered out of bed with minimal complaint from his body, into the shower, a shave and into his familiar red flannel, jeans and boots.

It was such a comfort to be home.

He blow-dried his hair, gelled it up and made himself presentable.

The man who stared at him from his bathroom mirror was one appendix less and a whole pile of experience more.

He hummed to himself, tasting the notes in his throat. He could feel the soft whale skin under his fingertips, hear the lap of the water, the breeze in his hair...

And the music.

His eyes were closed without permission, the imagery taking over his mind. His fingers tapped against the bathroom vanity marking out the beat and rhythm of what he was trying to say, the pictures warping into abstract and lack of understanding.

Salty and long spoken, the notes repeated.

He didn’t know how long he stood there under the bathroom light, eyes seeing another world somewhere below the ocean surface.

By the time he shook off the haze it was eleven forty-five.

Almost lunchtime.

Alan would be foaming at the bit.

He pushed himself away from the sink and killed the light. Walking carefully across his room, he shook himself, rolling his shoulders. Get it together, Virgil. Your family is waiting for you.

Out through the door, down the corridor and, screw the stairs, he was taking the elevator.

It swallowed him whole.

-o-o-o-

Gordon had been up since before the sun. It was a sign that he was home. A session in the pool brought familiarity into the equation. There was definitely a difference between swimming in the pool versus the ocean and it had nothing to do with water salinity.

The ocean was beautiful and he adored it. But the pool sported no threat, no need to monitor his surroundings beyond the presence of a mischievous brother or two, leaving him to be able to focus on his stroke and let his mind wander.

The pleasant warmth of well used muscles pulling him forward through the water, simple thought processing...and considering the last few days, there were a lot of thoughts awaiting examination.

Some he had managed while piloting A Little Lightning on the home stretch, but there were still more needing answers and tactical decisions.

Sam. Mel. Scott. John. Virgil.

As far as he knew, Scott was still planning on inviting the neighbours over today. That would place Sam within reach of the apparently resistant Virgil.

He understood where both men were coming from. Virgil needed time and Sam was just a ball of eager energy.

Gordon was stuck between the two.

Push came to shove, he would side with Virgil regardless. He had too. But he really didn’t want to be divisive. If Virgil would talk just a little, it would help not only Sam and himself, but it might assuage the ball of worried energy that was Scott.

His arms sliced through water until he reached the end of the lane, his body automatically flipping and turning into the push off surge in the opposite direction. Air, splash and his hands slicing through the water again.

Okay, he would admit that he was worried himself. At first it was just amazing. His brother could sing to whales! A breakthrough. But yesterday he witnessed exactly how spaced Virgil became when singing and everything screamed wary. Humpback whales were beautiful creatures, but so big and so possibly unintentionally dangerous.

He couldn’t let Virgil anywhere near a whale alone. It just wasn’t safe. There was so much they didn’t know and the urge to protect his gentle brother just swelled in his heart.

They needed to investigate further. Find out exactly what was going on. Make sure his brother was safe. That it didn’t affect any water rescues.

They couldn’t afford to have Virgil spacing out in the ocean at random. As it was, Gordon wasn’t going to let Virgil anywhere near the ocean during rescues for the foreseeable future. He could stay up in Two.

Safe.

Whale song could travel around the globe.

His native realm had become a hazard for his big brother and that was unacceptable.

They had to find out what was going on.

John and Eos had made a good start, but Sam and himself needed to investigate further and soon.

Virgil needed to cooperate for his own safety.

Gordon broke his stroke, pushed himself to the side of the pool and rested his head on the concrete a moment, letting his body float randomly.

Blood pumped through his ears, his heart still running at exercise rate.

He needed to convince Virgil.

Somehow.

-o-o-o-

Scott revelled in the early dawn light. His feet pounded on his wonderfully familiar route around the Island. A trek he hadn’t laid eyes on for a week.

His runners crunched volcanic gravel beneath them.

The sun was just rising on Christmas Day, the beautiful weather hanging strong, the sea a stretch of glass disappearing off into the horizon. His current trajectory pointed him directly south where he knew beyond the glass lay Raoul Island. A single spot in a sea of blue, so similar to the even tinier spot that was Tracy Island.

Same sea of blue.

A pokey tree appeared on the side of the track, its red flowers quite glorious in the morning sun, and he found himself grinning. Sure, he knew the correct name of the pōhutukawa tree, but Alan’s name was so much easier to pronounce and it made Mel laugh.

His legs took the strain as he jogged up the rapidly steepening trail.

If he was honest with himself, the whole no strings attached thing was a lie. He found himself thinking about the woman more the longer they were away from Raoul.

And they only left yesterday.

As soon as the sun was high enough in the sky to be polite, he would be contacting Raoul with his invitation to her, Sam and Liam. It wasn’t the only time he had invited people to the Island, they weren’t entirely hermits, but it was rare and the first time in a long time.

And he was so looking forward to it.

Penny and Parker were due after breakfast as was the tradition. As soon as everyone was awake, they would have their present opening party, always a major family event. More for the company and laughter than the presents themselves.

He could almost hear Gordon declaring it ‘Tracy style’ complete with the arm movements to compliment the claim.

But Mel...it was like he was excited to show her the Island, perhaps because he knew she would be very interested in the ecosystem that had developed here since their father had begun repairing it over a decade ago.

And he was staring at it right now as he followed the path around the back of the Island. Pokey trees, palms and ferns were everywhere a foothold was available. Scott knew very little about their ecosystem beyond the need to keep it safe. Gordon and Virgil were the ones who knew most about it among the brothers. Gordon focussed on the sea and Virgil sometimes helped out with animal numbers and photography for the scientific group.

But Mel hadn’t been here since Dad...

He grunted and hurdled a rock he hurdled every morning as the slope inverted and started heading down. The view was stunning.

Despite the glass of the ocean, the swell still crashed on the back cliffs of the Island, jagged volcanic rock resistant to the relentless pounding.

Hopefully she would consent to the visit even though it was late notice.

He did have a Thunderbird, after all.

-o-o-o-

John hadn’t slept much. He never did when something was on his mind. His everything drove him to find a solution, particularly when a brother was involved.

Eos never slept, so she was the perfect insomnia companion.

There was also the factor that he was home, but he really wasn’t.

He was missing Five.

Now he was back on the Island, everything was screaming at him to go home.

Not that he didn’t like the Island, quite the opposite. The Island contained his brothers, his grandmother, Kayo, his family and he adored his family.

But the stars were calling to him. His body ached to feel the release from gravity. He wanted his home.

He ignored it.

His body needed gravity. It was an undeniable fact. It had evolved under the pressure exerted by the planet and while his mind adored the stars and the lack of gravity, nature demanded its return under the ‘use it or lose it’ mandate of life on Earth.

So, tired, but awake anyway as the sun hit the front of the villa, John made his way down to the pool where he found Gordon, as expected, in the water, but unexpectedly, not swimming. His head was lying on one arm at the edge of the pool, his body floating lazily behind.

John dropped his towel on a lounger and, bare footed to the edge next to his brother. Folding himself into a seated position he dropped his feet to dangle in the cool water.

“Gordon?”

“Hmm?” His head rose a little blearily. “Oh, John, hey.”

“Merry Christmas.”

“Huh? What, oh, Merry Christmas, John.”

A frown. “You okay?”

Gordon flexed his shoulders. “Yeah, just thinking.”

“Virgil?”

“Yeah.”

John sighed. “Same. But you do know he’s okay?”

“Yeah, just thinking it through.”

John pushed himself into the water and couldn’t help a relieved sigh as the water took away so many of the effects of gravity, cradling his body. “Swim with me?”

Brown eyes turned to him and John saw a reflection of his own worry in their depths. “Sure.” Gordon pushed off from the edge, his movements graceful despite his distraction.

John moved to the lane next to Gordon’s preferred and lined up beside his fish brother. Gordon shot him a brief but grateful smile before pushing off the end in a careless surge into stroke. He was metres ahead before John had even shifted into form.

Typical.

Show off.

But he couldn’t help but smile as he pushed off the edge himself, automatically moving into a strong but leisurely stroke in warm up.

Swimming denied verbal communication, but it wasn’t needed, the two of them just keeping each other company.

By the fifth lap, John started pushing himself, putting his body through the exercise needed to keep it healthy. He had no delusions of keeping up with Gordon. He just paced himself as his body needed it. Twenty laps in, he eased up a little and checked on his brother.

Gordon was still going. John brought himself to a halt, treading water, muscles pleasantly buzzing.

“Hey, John.” The astronaut startled, turning in place to find Scott standing on the edge of the pool. His running gear appeared well used, sweat stains prominent, and he was still breathing heavily. “Just letting you know that I’m going to be taking One out in about half an hour.”

“You going to get Mel and Sam?” Gordon was suddenly beside him. It was a sign of how tired John actually was that his younger brother startled him almost as much as Scott had a moment earlier.

“Yeah.”

“Can I come with?”

“Don’t you want to be here for when Penny arrives?”

John arched an eyebrow in Gordon’s direction. The fish had been looking forward to Christmas for that very reason. Before Virgil’s illness, it had been Penelope this, Penelope that. Apparently, he had the ‘best’ gift lined up for their first Christmas as a couple. Whether or not that was still going ahead considering recent events, John had no idea. Gordon hadn’t mentioned it since Virgil fell ill.

“I thought you had the fastest plane on the planet, Scotty.”

Their eldest brother snorted. “Plane, yes, younger brother, no.”

“Hey, I can be fast.” A strawberry blond frown. “Regardless, I need to speak to Sam.”

Scott eyed him a moment. “Virgil?”

Gordon sighed. “Yeah, Virgil. Gotta handle this delicately.”

Scott’s lips thinned. “Okay, then you better be ready in thirty because that’s when I’m leaving.”

The fish was already climbing out of the pool. Wet footprints marked the concrete as he strode to his towel.

Blue eyes turned to John. “You okay? You look tired.”

John let water run through his fingers. “I am, but I’ll live.”

Voice quiet. “Virgil?”

A single nod, voice equally quiet. “Virgil. Eos, Gordon and I will work it out. We just need time.” And patience. Admittedly, he didn’t have much of that where his brothers’ health was concerned. He could fake it, but it didn’t mean he felt it.

Scott’s expression was thoughtful. “I know you will do your best. Don’t forget to look after yourself.”

A groan. This was why Virgil was always adamant that he was fine. I single hint of something wrong and their biggest brother was all over them, his concern obvious. “I’m fine, Scott.”

That earned him a grunt and John actually struggled not to smile at his brother’s exasperation. John swam to the pool edge and pushed himself out of the water. A wave in the direction of the rising sun’s reflection. “The pool is all yours, dear brother.”

Scott eyed him. “Thank you.”

The morning breeze cooled John enough to raise goose pimples on his arms. Before he could reach for his towel, Scott was handing it to him.

Ever the big brother. It was John’s turn to eye him back. “Thank you.”

Scott smiled at him, a definite smirk on those lips. He knew exactly what John was thinking and had likely done it on purpose. “Anytime.”

Hmmm. “Merry Christmas, Scott.”

Those blue eyes widened as his big brother obviously realised that despite all the preparations underway, despite the tree they had stacked with presents the night before, he had still managed to forget the significance of the day.

It was John’s turn to smirk.

But Scott recovered quickly, tilting his head, a small smile on his lips. “Merry Christmas, John.”

With that he turned and headed off into the house.

-o-o-o-

Alan loved to sleep in. He shared this love with his second eldest brother. Getting up early sucked big time and he had no coffee addiction to help him.

But there was one day of the year when you could witness the youngest Tracy out of bed, while not early, at least a decent time where breakfast could still be called breakfast and not lunch or even brunch.

Christmas Day.

Alan adored the day. Presents, food and family, what more could a guy ask for?

So, eight am found him stumbling down the stairs to the kitchen in search of the second and third items on the list. He found Grandma at the kitchen table eating her fruit and yoghurt.

Alan made no effort to be quiet, but she didn’t appear to realise he was there, staring out across the lagoon. “Grandma?”

She dropped her spoon with a clatter as it hit the bowl. “Alan!” She clutched her hand to her chest, gasping. “You frightened me. Gave my old heart a kick in the pants.”

“Sorry, Grandma. Are you okay?”

“This time. Though I wouldn’t recommend doing it too often.” She held out an arm. “C’mere and give me a Christmas hug.”

Now that was something he was quite happy to do. Grandma hugs were always appreciated. “Merry Christmas, Grandma.” He held her tight.

“Merry Christmas, honey. Are you hungry?”

Uh, that was always a loaded question and there were important indicators related to that. “Where is everyone?” He had expected to find at least John down here. His space brother would eat his breakfast staring out into the lagoon and follow it with work on his tablet just to be around family in his own way. But not today.

“Scott and Gordon have gone to Raoul to collect Ms Fisher and that scientist friend of Gordon’s.”

“Sam?”

“I guess. They were both in quite a hurry to leave.”

That set Alan grinning. “I think Scott likes Mel.”

An arched eyebrow. “I thought she liked Virgil.”

A snort accompanied the grin. “I don’t think she is Virgil’s kind of girl.”

Of course, that was the very moment Kayo decided to enter the kitchen. She had obviously been on a run, dressed in shorts and a high cut top.

“Who’s Virgil’s kind of girl?”

Alan’s eyes widened. “Um.”

Green narrowed at him. “What are you up to, Alan?”

“Nothing!” He held out his hands. “What did I do?”

“I’m more concerned with what you are going to do.”

“Suspicious, much? I’m going to eat breakfast, that’s what.”

She continued to eye him. “No practical jokes today.”

“I wasn’t planning on it. Gee, you’d think I was Gordy or something.”

“Gordon will be contained by Lady Penelope. You, however, are not.”

“And what? That makes me some kind of prank genius?”

“Genius, no, annoyance, yes.”

“Hey, Merry Christmas, Kayo. How about a little of the spirit?”

She glared and him and grunted before turning away and stalking off.

“What’s up her skirt?”

“Alan!”

“Well, you saw her. I didn’t do anything!”

Grandma was quiet a moment. “She has things on her mind.”

“When doesn’t she?”

“Let her be.”

“I didn’t do anything!”

Grandma sighed. “Things will work themselves out for the best.”

Alan stared at his grandmother. What on Earth was going on? Did everyone know something that he didn’t. He sighed. Wouldn’t be the first time. “I’m going grab some breakfast.”

“Yes, dear.” And Grandma was staring out at the lagoon again.

What the-?

Alan grabbed the refrigerator door and flung it open, his eyes raking its contents. Perhaps food would fix things.

A glance at Grandma found that she hadn’t moved.

There was definitely something going on.

-o-o-o-

End Day 5 Part 1

[the-trashy-phoenix]

Supernatural season 5 review (part 1)

Link to part 2:

At the end of the previous season, as you remember, we were left speechless by all the plot twists happened in the last episode, leaving us on a cliffhanger. Of course we already know the aim of the entire fifth season will be stopping the Apocalypse, but we don’t have a clue, and neither do Sam and Dean at first, about how they’ll manage doing it, and that’s the whole point of this part of the show. As always, stopping the evil forces is not the only obstacle the brothers have to face, as there’s also a relational problem between them. This one is maybe the biggest so far, considering Sam himself caused the whole mess, to use an euphemism, they have to clean and will surely cause unpredictable tragedies all over the world (through the episodes, characters often refer to natural disasters). Sam’s guilt is nearly unbearable, and if we consider how considerate and kind he is we can assume it’s deadly painful for him, but that’s not the worst part. That’s not the reason why Dean can’t forgive him. Deep but not so deep inside he’s mad at his brother and can’t trust him because he refused to follow him and his advice and decided to trust Ruby’s plans. As always they’re both right: no one could say how evil Ruby was as she did a very good and long-term job in hiding it, and Dean himself trusted her, but the point is Sam made a choice and Dean can’t bare the fact that the only person he could really rely on chose someone else, especially because Sam’s choice proved to be extremely wrong. So paradoxically the real problem between them is not the Apocalypse, as Dean knows Sam would have never cause it on purpose, but the lack of trust, which is very difficult to restore (especially because they never maturely talk about it and they just do when they explode with anger and resentment) and which by the way prevents them from focusing properly on saving the world.

Moreover, the villain the world must be saved from is the worst you could imagine, Lucifer. This brings the fight on a superior level, as hell forces, now on earth, fight with heaven creatures, the angels we’ve met in the fourth season. The brothers are in the middle of this epochal war in the deepest sense, as both angels and demons want them on their side. Sam and Dean don’t know what to do, but they’re sure they will never ally with anyone, which is quite complicated because they’re deeply connected to both sides in an interesting way. As a matter of fact, in season four we've found out that not only Sam began the Apocalypse breaking the last seal, but also that Dean unintentionally started the whole thing breaking the very first seal when he accepted to torture souls down in hell. This makes Dean feel so guilty as well, and should make him consider Sam less responsible of the Apocalypse, and at some point he does, making it the real turning point in his view, as he realises they’ve been both cheated by angels and demons who made them their puppets assuming they would obey without arguing. Also, the brothers get to know they’re even more involved in the fight: Sam is Lucifer’s vessel, which means he’s the strongest human being able to carry the demon, but of course he has to say yes and he won’t, and Dean is Micheal’s vessel, which means he’s the only instrument angels have to make the archangel powerful enough to fight Lucifer and hopefully win the war. Sam’s choice is easy, as there’s no doubt Lucifer is evil, but still he has to bear a lot of pressure from Lucifer himself and his faithful demons who keep bothering him, Dean and Bobby the whole time.

Dean’s position is a lot more complex: he knows he’s the only hope to defeat hell creatures, but he’s also learned to be suspicious towards angels and would rather die than do what Zacharia wants, as he is not quite the type of person who easily forgives someone who’s been so mean to him. Somehow their only choice is quite clear, breaking free from both angels and demons and begin their own fight against all of them to stop the Apocalypse and save as many people as possible, as they seem to be the only ones caring for them. I think they know it from the beginning, but it’s a great step to take and before jumping into it they have to go through a process of inner growth, understanding how wrong it would be to take a side and how they just have each other to count on, even after all the lies and misunderstandings they’ve been through. After some time they’re ready to start their own fight, choosing carefully their soldiers in the people they trust the most and making an exception just for Castiel. He himself also went through a deep process of growth during which he becomes more and more human, both physically and spiritually, and brave enough to follow what he thinks is the right path despite the pressure from the angels, who are his family, and even if Sam and Dean’s idea of fighting against all supernatural creatures is desperate.

Of course Sam and Dean’s decision is sometimes not so firm: I’ll mention Dean’s temporary choice to say yes to Micheal, because it gives a great view of Dean’s inner self. He knows saying yes to Micheal means dying, so before leaving his body he goes to say goodbye to Lisa, his ex-girlfriend he met again some seasons ago, and tells her that she’s the only one he would imagine to be with in an hypothetical happy life. This scene really broke my heart because it’s one of the rare occasions in which Dean admits he dreams of a normal life, which could seem boring if he hadn’t experienced all the pain his life as a hunter brought him, free from the fear he constantly feels (and tries to hide in every way) and from all the burdens he has to carry every day. Dean seems even somehow happy to die, and it’s clear he hates the hunter life more than Sam, even if it’s the most important part of him. I appreciate so much Dean’s constant growth and development through the episodes and the increasing insight of his personality (which is, together with Sam’s, the most complex in the show) moving from the prototype of the narcissist and sexist guy to a deep and grown man.

In this season we also meet several times the other hunters who always keep in touch with and help Sam and Dean. Of course Bobby is still part of their team, and his storyline is developed as he has an accident that makes him lose the use of his legs. Castiel can’t help him because he’s lost his powers and Bobby cedes to deep depression. He feels more useless than ever and would do anything to have his legs again, considering how this is a huge handicap in his fully active hunter life, so he solves his problem the only way every character seems to know, making a deal with a demon. This one is particularly important as he’s a complex character whose intentions are not completely clear from the beginning, Crowley. He of course is a demon, and a very powerful one, but happens to help the Winchesters apparently without any reason giving them the Colt, the only weapon that could kill Lucifer (but it can’t, and the brothers will find out too late). I think this character will be a great source of satisfaction going on with the show.

Talking about hunters, I can’t but mention one of the saddest moments of the season. During the first attempt to kill Lucifer with the Colt, also Ellen and Jo get to help the “team free will”, as they’ve become full-time hunters after the destruction of their Roadhouse and are committed to the fight. Things don’t go as planned and the two women get killed by hellhounds aroused by Meg. Their death arises Sam and Dean’s guilt for all the good people dying to help them (and eventually they didn’t even manage to defeat Lucifer this time), because they refused to serve as vessels and chose to fight their own way. They still think that’s a good choice, but they have to constantly live with the burden of all the deaths they cause.

One of them keeps on tormenting Sam from the first season. He could never forget his guilt for Jessica’s death, but it becomes even more painful when he finds out she was meant to meet and love him and to be killed by demons from the start. Even his college best friend, who had presented Jess to him, was a demon, so that Sam was never destined to a normal life, even though he had tried so hard to build one, and everything that ever happened to him was meant to lead him to his predestined future, to become a hunter just as the father he had always wanted to break free from. This shocking revelation makes Sam cut once for all the hopes he had to stop being a hunter and to have a family one day: he now knows for sure he’s cursed (like his brother, who on the other hand can’t really let go that idea of a family) and understands he has to face his destiny without running away ever again.

I particularly liked the character of Chuck, the prophet, who can see in advance what will happen to Sam and Dean and help them, and Becky, the most dedicated fan of Supernatural, the series of books Chuck has written about the Winchesters. They also come together with the metanarrative of Supernatural itself, as Chuck wrote the books before knowing the whole story was real, and even after knowing it they keep on organizing events, such as the convention involving Sam and Dean themselves in episode 9, to bring together fans. At first it’s a bit of a shock, both for the protagonists and for us, but you get easily used to this mechanism of the show reflecting upon itself and it’s quite fun. I’m not a TV series expert, but I found this feature so original and kind of self-ironic I think that’s one of the elements which makes Supernatural unique.

Supernatural also touches kind of theological and philosophical themes through the narration about heaven and angels, focusing on their ambiguous morality, but in the fifth season also God has a space. At first he’s mentioned to justify Castiel’s resurrection (he had died at end of the fourth season) and at some point he seems to be the only one who is powerful enough to stop the Apocalypse and the war, but no one has seen him in years. The archangel Raphael says he’s dead and, when Sam and Dean go to heaven (which by the way wasn’t how I expected, as it’s just a place where you relive your happiest memories), Joshua tells them he’s alive but he doesn’t care anymore about his duties. That was quite predictable, but still it makes the brothers even more angry and hopeless, knowing that the angels are following orders from this God and that he has created humanity and forgot about it straightaway. This perspective about God is clearly made to make people think, and reflects how most of them feel about religion and Evil, which cannot be satisfactorily explained by the traditional idea of theology and free will (which by the way is the evocative name the brothers and Castiel give to their team). Sam and Dean need to find a way to reach their purpose to save the world and by doing it they can’t count on God or a good superior creature, but as always they can only count on themselves and do better than God himself did (which shouldn’t be too difficult).

Just when everything seems to be lost, an unexpected character, the Trickster, reveals himself. After giving us the last of his extremely funny and weird episodes, the brothers find out he’s the missing archangel, Gabriel: he’s an outsider in his family who broke free not to fight against his brothers, like Lucifer did, but to live a peaceful life far from all angels and demons’ issues. He’s neither good nor evil, because he doesn’t want to take sides, but it’s so clear he has a preference for Sam and Dean and kind of mirrors himself in their desire to follow their own path outside what heaven and hell have decided for them that he helps them explaining how they can defeat Lucifer. They have to collect the rings of the Four Knights, War, Famine, Death and Pestilence, to re-open Lucifer’s cage, but to do so Sam has to say yes to him and hopefully succeed in leaving it before falling down to hell. Of course Dean is not sure about the plan and doesn’t want his brother to do that, but they both know it’s the only way to stop the Apocalypse; also Sam is well aware of all the risks, but somehow feels it’s his chance to redeem and clear up the mistake he made. In one of the last scenes of the brothers together, Sam makes Dean promise the sweetest thing: he will not try to bring him back if he fails, and he will live a normal life with Lisa and Ben. The final fight ends really badly, as both Lucifer in Sam’s body and Micheal in Adam’s body (he’s the closest relative to Dean and the brothers, even if they tried, couldn’t protect him from angels, as another proof the Winchesters are cursed in their blood) fall and go back to Lucifer’s cage. I thought Dean would have never respected his promise, but the season unexpectedly ends with a peaceful scene of an ordinary dinner table where Dean, Lisa and Ben are happily eating as a proper family. But just when I thought the shock couldn’t be worse, the camera shows us we’ve seen this scene from a particular point of view, Sam’s. How can he possibly be back? What will he do now? We will surely find an answer in the next season…

- Irene 💕