#we hate ads here

[cheddar-baby]

[markscherz]

Happy World Frog Day! 🐸

I hate to make this a commercialised holiday, but you may be interested to know that I sell some frog-related merch on RedBubble, including the poster shown above, stickers, and other fun stuff like an awesome froggy shower curtain! I have one at home, and it’s excellent. Profits go towards supporting your local frog scientist.

[ghostlyarchaeologist]

Evolution of Eliot/Hardison hugs over the years.

And the one time that Eliot really needed a hug:

Leverage S02E08/S03E10/S04E01/S04E07/S04E10/S05E09/Leverage Redemption S01E16/S02E06.

[izzyspussy]

the fact that they made it illegal to make ads louder than programs on tv in 2010 but haven't updated it to apply the same regulation to streaming. who do i have to call.

[ogachukwu-the-freak]

Can't fucking stand Black Butler antis, YES my favorite scene was the fucking asthma scene bitch AND???? I'M WEIRD? WHY DID YOU WATCH AN ANIME WITH CLEARLY SUGGESTIVE SCENES LIKE THAT HUH???

SPEAK UP.

[thirdeyeblue]

“Nine would have treated Martha better than Ten did”

I need to talk about this argument that never seems to stop circulating.

Note: Not a venomous/anti post. There’s more than enough of that across fandom spaces as is, and this is supposed to be a place for ✨sweet, blissful escapism✨

When making this argument, people seem to envision a scenario in which Nine never met Rose.

While I can appreciate a good hypothetical, recognizing Rose's significance to the Doctor (Nine and Ten) is essential to understanding why things with Martha played out the way they did in the first place.

In the third series, the Doctor is grieving. This grief is deliberately threaded into nearly every script, whether spoken aloud or not (and these are just a few examples):

He's burning in Rose’s wake the entire time Martha travels with him, which is why it’s so frequently called upon: It’s 100% deliberate in framing his grief. He grieved as Nine too, of course— having been fresh on the heels of the Time War — but then he met Rose, which changed everything.

Back then, he was still a rude, traumatized pain in the ass, but we watch Rose soften more of those jagged edges with every episode as they grow closer; as he lets his guard down and forms a deep connection with her.

He falls in love (against his better judgment) and it's game over.

And yes: provided S1E1 had been titled 'Martha', one can realistically assume things might have unfolded similarly to how they did with Rose. However, it wouldn’t have been that way just because the Doctor was Nine and “Nine was different” — it would be because he wasn’t already in love with someone else. The same can't be said for the start of S3.

Think of it like this: if Rose AND Martha had been in that cellar — if Nine had taken both of them along with him in S1 — we’d eventually be looking at the most melodramatic love triangle ever, what with him living in close quarters with two brilliant, gorgeous, compassionate young women... But Doctor Who is plenty “soap opera” as is with just one woman in the TARDIS.

(I certainly wouldn’t object to reading that fic, though)

Now, regarding the unrequited elephant in the room…

His inability to be romantic with Martha isn’t because he thinks her lesser, nor is it for lack of compatibility. It isn't because Rose is any better than her. It certainly isn’t just because he’s Ten.

It’s really only for one reason, which can't be denied — and now I’m a broken record:

He is still in love with Rose.

(cut from a tenrosedaily gif)

Nine is Ten, and Ten is only such a mess in S3 because he’s just lost the love of his life. Martha merely got caught in the crosshairs of a volatile Time Lord in mourning, and yes — it sucks. Absolutely.

But it also feels dismissive to chalk Ten and Martha’s relationship up to little more than some sort of mindless dance of pining, jealousy, and toxicity.

Ten trusted Martha with his life over and over again — and hers, with him. He constantly praised her brilliance, happily carting her around time and space with no intention of letting her go. In the BBC’s extended universe of novels/comics/cartoons/etc, there’s so much depth to their relationship: love and trust and trauma and sacrifice. They had their own special bond as mates, their own complexities — so it’s a bummer that it's forever overshadowed by the other things.

I’m not denying that there was a lot of stuff that sucked/was for sure toxic about Ten's S3 behavior, but so many of the things I've seen him catching flak for can be directly attributed to being A Clueless Fucking Alien Idiot (not a trait that’s unique to Ten) — as well as his flat-out obliviousness to Martha’s feelings.

So yes, I agree: if Rose never existed, he would have treated Martha differently as Nine. He also would have treated her differently as Ten. Certainly.

But Rose did exist, and when discussing canon, it matters.

“He tells me that he absolutely, 100% loves Rose... He tells me how my daughter; my wonderful, beautiful, clever little girl saved him from himself before… And he says that’s all because of me! I made her into the Rose Tyler that saved him.”

-Jackie Tyler, Flight Into Hull!

Martha got the short end of the stick in S3. She came round at the wrong place and time, but that doesn't mean it was all bad. It doesn't mean the Doctor didn’t adore her. It certainly doesn't mean the time they spent together was wasted or worthless. They were brilliant!

Sure, he could be a twat, but let it be known that he was a twat with Rose as well, both as Nine and Ten. I’m sure Tentoo can be plenty infuriating, too. So while I'll defend Ten (and Tentoo) into the ground forever and ever and ever, I'll concede that he's fucked up.

The Doctor is a certified Pain In The Ass. It’s one of the things I love so much about this character — dynamics.

But never forget that Martha was goddamn tough as nails and overcame every bit of it. She moved on with her life, and the Doctor moved on with his. One can only pray that, when they inevitably drag her back onto the show (which feels inevitable if I'm honest), we see at once that she's been living her best life for all these years.

[colduncrustable]

the martin antis working so hard to make waves is so funny. like, you are very much allowed to like/dislike any character you please! but making it your whole personality or acting like you’re cooler for it is a little bit silly. you are not morally or intellectually superior for hating on a fiction character.

not to mention all of the characters in tma are very nuanced and complicated, just like real people (!), and erasing all of that to serve a certain narrative is a complete disservice to the entire body of work. jon and martin’s relationship was never meant to be easy, they first and foremost worked closely together as boss/employee, and in a workplace that was actively putting them in dangerous and horrible situations. the whole point is that they’re both super fucked up but they have each other anyway. they both have flaws, they both have gone through a great deal both with and without each other, but they found love anyway. the idea that the dynamic change in s5 is due to martin just being this villain is so wild? like he’s not a doormat anymore but he also loves jon so fiercely and stands by him over and over again?

jon hated him, jon ignored him, was verbally horrible to him again and again, literally sent him on a dangerous investigation and said if anyone had to die might as well be him, jon accused him of murder, screamed at him, jon was on the run, jon died. martin was his number one defender through everything, even when honestly? he didn’t do a lot to prove he deserved it. but martin was strong in his loyalty and did his best to be a supporter anyway. he picked up extra work, he thought of him kindly when no one else did, he mourned him, and he put himself directly in the line of fire for jon. for everyone, yes, but especially for jon, he says that. because after everything, protecting jon is still his number one priority.

it’s so important to his character that he isn’t s1 martin anymore—that he learns to be a real person who has thoughts and feelings and a backbone. jon wanted that, and does it not say something that they don’t work out until martin learns to have a little bite? there’s a difference between being a real complicated traumatized human person, and just straight up being evil, or an asshole. jon had to learn how to be a lot of softer things but martin had to learn how to square his shoulders and stick out his chin. they had different arcs, and that doesn’t make either of them inherently evil or bad. it makes them real and not perfect and very multilayered, yeah.

martin didn’t handle every choice or action perfectly, he made a lot of mistakes, and he never claims to be the best person ever. but jon also fucked up, a lot. it isn’t a competition or a comparison, that’s really not how that works. but they work because of their flaws. that’s a big part of them fitting together. martin represented the humanity they were saving, with all his good and bad. jon was well beyond that, and while that doesn’t inherently compromise his character, it does mean he’s viewed in a much different light.

(meaning i think jon’s sins are seen very very different to martin’s.) (to be clear i think both deserve to be looked at critically, but hating either of them devoutly seems sort of silly.)

i’m not sure how you can listen to tma and all the ways it dissects and reflects on humanity and turn around and run blogs or make posts in the fandom about how you hate one of the main characters for being all of that.

jon never would’ve made it through without martin, even if martin wasn’t the key to everything, he was the reason to push through and not give up. martin is why jon didn’t go full monster mode, why he held onto who he was and his humanity, even with the whole ‘kill bill’ thing. martin gave him a reason to keep going, to try, to care so deeply. obviously there were other factors but jon says it himself, martin you are my reason.

if you can’t handle the fact that martin isn’t a grade a soft boy by the end of the show that’s a lot more about you than it is about him. he grew and maybe not always for the better but he could be a real person for jon instead of some kind of mirror or blank slate to be reflected on. i genuinely don’t understand how he can be misunderstood so deeply.

they’re both fucked up ! and if they are alive Somewhere Else you bet your ass they’re having long talks and going to therapy and fighting and making up and pacing the floors and figuring it all out together. it isn’t clean or easy or necessarily enjoyable all the time, but humanity isn’t either, love isn’t either. they went through unimaginable trauma, and expecting either of them to be holding it together any better than they already are is wild. context, it’s important. but let’s not turn multi-dimensional characters into flat one word answers.

it’s very human to like and dislike, love and hate based off of bias and experiences and perspective. but also opinion does not make fact. everything is relative, everything is subjective, everything everything everything. it’s an open discussion yada yada idk i’m just screaming into the wall about all the nonsense.

and beyond all of that, discourse is so useless. criticism and constructive conversations are really really important but discourse is pointless! oh you ship these people? well that inherently threatens my ship! oh you like this character that i hate? well that makes me feel invalid for hating them. like what you like, hate what you hate, have your feelings. but if you post shit on the internet you will get people who disagree, sorry, that’s how it is. partaking in little arguments over who is right or wrong when it doesn’t actually have to do with anything harmful or unhealthy makes no sense though. posting on the internet about all the hate you have in your heart when the world is already so full of it doesn’t actually do anything but add more bad to an already very large pile of bad.

things can be discussions not arguments sometimes, i promise. it’s not always tooth and nail, and let’s not forget, most of it is over things that never need to be fought over.

[megafreeman]

In retrospect, the student loans thing in Saints Row reboot is fucking hilarious when you think about it. Its actually never mentioned in game despite marketing making it believe its some core plot point, yet everyone who didn't bother touching it but is opinionated on it brings it up constantly as some genuine criticism, completely outing themselves to not have even bothered watching a simple playthrough before forming an opinion

[angelic37]

PETE’S WORLD | To nap or not to nap for @darth-tella

[mantisgodsdomain]

More notes for Roach conlanging. Roach has grammatical gender, in which only Male, Female, and Object are grammatical genders, whereas Worker uses feminine grammar, Queen and King use a slight variant on feminine grammar, and Drone, and Queen-Alate use masculine grammar. This is because King is derived from Queen, due to their similar positions in a colony, and Queen-Alate is derived from Drone, as both are forms of alate.

Queen is an alteration of feminine grammar that functionally just adds a handful of extra syllables to it, and King is an offsprout of Queen that uses the same grammar with different pronouns. Queen-Alate, despite the name, is derived from Drone, as they are both for referring to different types of alate ant.

Most Roach dialects are intelligible to speakers of Snakemouth Den Cordyceps Roach, but Snakemouth Den Cordyceps Roach is not entirely intelligable to speakers of Roach dialects due to a mix of the excessively specialized vocabulary caused by the specific needs of its speakers, the fact that its speakers do not necessarily have Roach mouthparts and thus may not pronounce syllables in a similar way, and due to the fact that Inanimate Object is a full grammatical gender that does not exist in any other dialect of roach and replaces a decent chunk of terminology for things that previously had Other Words For Them.

[south-sea]

i've been promising it for ages, so here are finally some notes on the two iterations of black arms/doom i write for. in this house we ignore the "black doom is an evil space tyrant for the sake of being an evil space tyrant" thing and have fun exploring his motives from different angles

(it's because i had no idea that was even a thing until like a week ago. i've always thought the motivator was Just Food, and i like that significantly more.)

i like to think of eclipse's paternal qualities as something telling to black doom/the species as a whole, at least outside of canon instances. so that's an intentional trend across both.

it's also intentionally implied the alt arms are more or less what aruna's hive could/would have turned out like if he were less traditionally stubborn and foolhardy.

as for their plans and how things ended up:

alt doom started out as generally interested in how humanity might progress. once in contact with gerald, his plan was to trade his DNA for the chaos emeralds as a source of energy for the black comet, as its at-the-time power would have been mostly depleted by the time it circled back around in 50 years. this agreement was doomed to fail; both he and gerald almost immediately realized how badly it could backfire, got paranoid, and mutually planned to destroy each other. the fact humans are good sustenance for the black arms was just a convenient bonus at that point.

given shadow didn't make it past SA2 on this timeline, it left sonic to defeat the black arms. and in sonic fashion, this meant putting them in their place and sending them packing without properly destroying them.

alt doom is not so much one to accept he's been beaten, and more one to re-approach something from a different angle once he realizes his methods were flawed. this leads to him picking up and just going Somewhere Else. he's a scientist too, on some level. he can figure it out. and he does. rather than being all traditional and stubborn, he learns to work with other species, which in turn leads to securing better/more diverse materials, more ethical/convenient food sources, etc. the arms' population booms and advances at breakneck pace from then on. they diversify and spread out. without having to fight for survival, things are chill. it's considered the good end.

aruna's is the bad end. shadow is present on this timeline, and summarily wrecks his entire shit (for good reason).

the trouble with aruna's hive is it was in a constant state of nutritional deficit. they were the multiverse's scavengers, tending to pick planets clean whose populations were already critically low. not for any moral or ethical reason, just that the hive itself was so comparatively small in numbers, they didn't much have a choice.

this led to desperation. he got Tired of it. his last ditch effort to secure some means of easier travel/means to acquire food was to obtain the chaos emeralds. so he struck a deal with gerald, as these things always go.

he comes back 50 years later, finds his son has sided with the humans, and just snaps. just goes absolutely nuclear. if the deal isn't going to be upheld, and shadow sees the black arms as The Enemy, then he's just going to take the emeralds (and by extension the whole planet itself) by force. he's done playing nice. he and his people are starving. have been starving for enough years he's lost count.

this ends with the entire comet being blown up, and that's the last thing he sees as he's falling back to earth.

what all goes on after that point is between nobody but him, the multiverse's worst and, somehow, eventually, a familiar fallen god. (it's going in another aruna-centric post, some day, maybe, i hope.)

there's even still more i could say about how their respective hives operated and how they interacted with them personally, but that also needs to go in another post because this one's already long enough. but oh man is there more to say.

(and a shoutout/direct link to @motobug as always for the mobian design)

[jalo-parker]

I finally drew some dragon forms for them that I like..

They might change again in the future who knows (and yes they're long noodly guys)

[nebulaeyedfish]

LUMINENCE - AN ARTIST RETROSPECTIVE

Taglist: @imflyingfish @swanofstorie @raise-me-up-take-me-up

[dimonds456]

can someone just take Mike's twitter account away from him already. i'm so fucking tired.

like dude just shut the fuck up.

Anyway. I vote we just ignore him forever actually and we do whatever we want with canon now. These two don't deserve it. And no I'm not just talking about this incident.

There's more. [x]

LOTS MORE. [x]

[jrueships]

im going into my new work tomorrow, first time ever😐

[gale-force-storm]

I absolutely adore that vintage chocolate ad that's been making the rounds and just had to do a version with Gale and my Tav, Morrigan