#i got him first try basically..

[jalo-parker]

I finally drew some dragon forms for them that I like..

They might change again in the future who knows (and yes they're long noodly guys)

[bunnieswithknives]

As much as I love angst I think it would be funny if he just didnt give af

[little-pondhead]

Your Ancient History, Written In Wax

-

Danny knew he should have put better security around the Sarcophagus of Eternal Sleep. It wasn’t even Vlad who opened it this time! The fruitloop was too busy doing his actual mayor duties because for some godforsaken reason, the man got re-elected.

No, it wasn’t Vlad. And it wasn’t Fright Knight, either. Nor the Observants. Who opened the Sarcophagus, then? Danny didn’t have time to find out as Pariah Dark promptly tore open a hole in reality and started hunting Danny down.

The battle was longer this time. He didn’t have the Ecto-Skeleton, as that was the first thing Pariah had destroyed. The halfa had grown a lot over the past few years, and learned some new tricks, but apparently sleeping in a magic ghost box meant that Pariah had absorbed a lot of power. The bigger ghost acted like a one-man army!

Amity Park was caught in the middle of the battle, but the residents made sure it went no further than that. Vlad and the Fentons made a barrier around the town to keep the destruction from leaking. Sam, Tucker, and Dani did crowd control while Danny faced the king head-on.

Their battle shook the Zone and pulled them wildly between the mortal plane and the afterlife. Sometimes, residents noticed a blow from Pariah transported them to the age of the dinosaurs, and Phantom’s Wail brought them to an unknown future. Then they were in a desert. Then a blazing forest. Then underwater. It went on like that, but no one dared step foot outside of Amity. They couldn’t risk being left behind.

It took ages to beat him, but eventually, Danny stood above the old ghost king, encasing his symbols of power in ice so they couldn’t be used again. He refused to claim the title for himself. Tired as he was, Danny handed the objects off to Clockwork for safe keeping and started repairing the damage Pariah had done to the town. The tear he’d made was too big to fix, for now, so no one bothered. They just welcomed their new ghostly neighbors with open arms and worked together to restore Amity Park.

Finally, the day came to bring down the barrier. People were gathered around the giant device the Fentons had built to sustain it. Danny had brought Clockwork to Amity, to double check that they had returned to the right time and dimension.

Clockwork assured everyone that they were in the right spot, and only a small amount of time had passed, so the Fentons gave the signal to drop the shield.

Very quickly did they discover that something was wrong. The air smelled different. The noise of the nearby city, Elmerton, was louder and more chaotic. Something was there that wasn’t before, and it put everyone on edge.

Clockwork smiled, made a remark about the town fitting in better than before, and disappearing before Danny could catch him.

Frantic, Danny had a few of his ghost buds stay behind to protect the town while he investigated.

He flew far and wide, steadily growing horrified at the changes the world had undergone. Heroes, villains, rampant crime and alien invasions. The Earth was unrecognizable. There were people moving around the stars like it was second nature and others raising dead gods like the apocalypse was coming. Magic and ectoplasm was everywhere, rather than following the ley lines like they were supposed to.

Danny returned to Amity.

The fight with Pariah had taken them through space and time. Somewhere along the way, they had changed the course of history so badly that this now felt like an alien world.

How was he supposed to fix this?

-

In the Watchtower, The Flash was wrapping up monitor duty while Impulse buzzed around him, a little more jittery than usual. The boy was talking a mile a minute, when alarms started blaring an alarming green. Flash had never seen this alarm before, and its crackling whine was grating on his ears.

Flash returned to the monitor, frantically clicking around to find the issue, but nothing was popping up. No major disasters, no invasions, no declarations of war. Nothing! What was causing the alarm?

Impulse swore and zipped to a window, pressing his face against it and staring down at Earth. “Fuck! It’s today isn’t it? I forgot!”

“What’s today?” Flash asked. He shot off a text to Batman, asking if it was an error. The big Bat said it wasn’t, and that he would be there soon.

“The arrival of Amity Park. I learned about this in school; the alarm always gives me headaches.”

Flash turned to his grandson, getting his attention. “Bart,” he stressed. “What are you talking about?”

Impulse barely glanced over his shoulder. Now that Flash was facing him, he could see a strong glow coming from Earth. “The first villain, first anti-villain, and the first hero,” he said anxiously. “They all protect the town of the original metas. They’re all here.”

“Here? Now??”

“Yeah? They weren’t before, but they are now. The first hero said there was time stuff involved, which was what inspired me to start practicing time travel in the first place.”

“I’m not following.”

“It’s okay. We should probably go welcome them before they tear apart Illinois, though. The history I remember says that some of them freaked and destroyed a chunk of the Midwest during a fight with each other.”

“WHAT?”

[levemetal]

Day 2: Timeloop / Xiao Qi and Jiu Ge

I am cringe and I am not even free

Feel free to reuse this idea but 24 hours are not enough for me to finish an entire comic. I could have taken the simpler prompt but nOOOOOO timeloop is too tempting. Past me why are we like this

[dailyserirei]

Ooh what if Serirei just talking with their past selves, it could be chaotic with past Reigen being extremely energetic, but just imagine kid Seri too being so anxious and his future self helping him out. Now past Seri has a friend weee

OUGH!!!!! ageswap au is great actually that i went a little too far made a comic something like this

Serizawa to his 14 years old self (quite long):

Reigen to his 14 years old self:

[aroaessidhe]

2024 reads / storygraph

The Sword of Kaigen

standalone fantasy set in a rural mountain village at the edge of an empire that still holds traditional values, with families of powerful water/ice magic warriors

follows a powerful young heir who begins to question his beliefs about the empire when a new boy comes to his village from the city

and his mother, a housewife who has tried to forget her youth as a warrior and vigilante in the city since she moved back home to a loveless marriage

when there’s a violent attack on their village that they’re unprepared for, everything changes, and she has to embrace her old skills to protect her family and people

[problemswithbooks]

BNHA Ch. 429

So, I guess Toga is dead, and people are losing it.

I get why people liked her--she was actually queer, being pan/bisexual. She was representation for them and that's rare in shonen manga. But here's the thing--she was bad representation at best and insulting at worst. Nor do I think she was made queer because Hori really wanted to represent a queer girl. Himiko was always the author's poorly hidden fetish--she just was. She liked girls as much as boys because Hori wanted to draw a girl touching sexually on another girl. You can see this in how he draws her and Ochako in solo pics together.

I mean, people seem to understand this when it comes to Momo and her outfit being overly sexual or that both Himiko and Hagakure's Quirks either leave them naked or they have to be naked to use them. These are excuses to draw girls in a sexual manner. Himiko being into other girls is the same thing and that's the kindest interpretation.

Given how Himiko acts and her Quirk being heavily coded sexual desire, and therefore her use of it against someone unwilling being sexual assault, it could just being playing into harmful stereotypes of predatory gays.

As a queer person myself I just found Toga insulting. She was designed to be overly sexual and give the male author a female character that he could draw being suggestive with his other female characters. When he did flesh out her character, her backstory was eventually the trope/fear of straight people, that gay people will be so overcome with their lust that they end up sexually assaulting them.

In the end Ochako accepts this part of Toga and says she'll giver her blood forever, but as much as a lot of readers took that that as some deep lesbian confession, for me it really fell flat. Hori never really gave any of the main kids time to actually learn about their villain or show how that changed their minds toward them. Shoto only works because Touya is his brother (even though he admits he barely remembers him). But Ochako goes from not thinking of Toga at all pre-first war, to one thought about her during her speech, to suddenly caring about her so much she--given how Toga's quirk is coded, is willing to essentially fulfill Toga's kink for the rest of their lives.

It's weird and it comes out of nowhere. It's made even stranger because Toga doesn't actually change or show remorse for anything she did, which included personally hunting and murdering people before she joined the LOV. None of the death and destruction she is also partially responsible for is brought up either, something that Ochako was rightfully upset about during the first war when less people and property had been destroyed. Ochako just accepts everything about her suddenly and her past serious crimes are forgotten so they can cuddle and cry.

Am I shocked Toga died--a little. I didn't think Hori would have the guts to kill off a young girl character, especially one that he clearly got a lot of joy drawing in sexy poses. But at the same time, once he killed off Shigaraki and ended Touya's story with his slow death, I'm not surprised he went the same route with Toga.

This isn't Naruto--Hori isn't really kind to characters that do something wrong, especially if they don't try and change. Enji, Bakugo, Hawks, and Aoyama all sort of got punished for what they did. Enji is the worst off, being permanently crippled, missing an arm and burned everywhere. Bakugo's hand is damaged, his heart weaker, plus he feels bad that Izuku lost his Quirk so they can't compete the same way he wanted them to. Aoyama, despite doing way less wrong and even helping his class during the forest raid, still leaves school because he doesn't feel he earned being there yet. Hawks lost his Quirk and even though him running the HPSC could be seen as good for him, Hawks always wanted a break, but now he has one of the most time consuming and stressful jobs out there.

So, if this is what characters who actively did good things and even changed and fought to be better get, what would characters who never changed and never did anything positive for anyone but their friends/themselves get?

Before the last Arc started, when so many people said the LoV were 100% going to be redeemed I had doubts and always thought it wouldn't make sense with how the story presented redemption or treated other non-LoV villains in the past. That if the main LoV did get some happy ending where they were bffs with the main cast it would clash with how other characters had been treated.

That doesn't mean that I think how Shigaraki, Toga, and Touya ended up in the manga was well done. I think their endings fit far better then a last minute redemption would have, but at the same time you can feel how rushed everything has been since the end of the first war arc. Hori was done with this story months if not years ago, yet he was contractually obligated to finish it. Because of that I think he left out as much as possible. As much as I think he's written some pretty obsessive stuff, particularly towards women, I can't really fully blame him cutting corners or the story being shit at the end.

We know Manga authors, particularly those that work with Jump are treated like shit. That they suffer incredibly long hours at times not even getting to go home for days. We've gotten messages for Hori saying he's sick quite a few times. On top of that, weekly story telling is not a great way to tell a cohesive narrative. Ideas probably change week to week or at least month to month and you can't go back and change the last chapter no matter how much you need or want to. Then you remember he also gave a lot of ideas to the people who made the movies, which would also change his plans for how he wanted the main story to go.

The story is bad--it has been for a while, but I think a lot of people put their hopes on their favorite characters getting a happy ending, even when there were signs that probably wasn't going to be the case. I know how much it sucks when a character you love gets a shitty ending (Stain was my fav, but he got an absolute dogshit ending) but at least, knowing what I know about the industry I can't really blame Hori the way I see some other people doing. Criticize it, sure, but saying Hori hates his readers or is horrible writer isn't true. BNHA was popular for a reason--he's great with characters and the beginning of the story had some great pacing. We'll never know, but I wouldn't be surprised if BNHA could have been amazing if Hori had been treated better and the story hadn't needed a chapter every week.

If anything BNHA has taught me how much a story suffers when authors/artists are treated like crap and forced to work past burnout.

[n0bluev]

@fushiglow hmm….wonder who i’d draw this for all of a sudden and why… 🤔🤔

[ruvviks]

"The outer reaches of space remain unexplored by humankind to this day, but its greed is relentless. We grasp and yearn and hunger for knowledge— answers to questions we cry out into the endless void expecting to understand, expecting the stars to respond. The stars will not, but one day something else will— and we will not like what it has to say." — Rome Solomon, Beyond the Exosphere (1965)

taglist (opt in/out): @shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart, @vvanessaives, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman, @celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister, @killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree

[dutybcrne]

Thinking abt Kae’s Fatui verse,,,,

[transingthoseformers]

Why do people not like rid2015? Cause it's really hard to find stuff about sideswipe ( my baby ❤️)

I wouldn't say I don't like it, but I definitely see the flaws such as

It somehow being more pro-cop propaganda than rescue bots where they're literal cops and firefighters and stuff, this is honestly my main criticism of rid15 and I've talked about it before

he lore being a bit different than tfp even though it's supposed to be a direct sequel, and at times the lore gets messy

The animation style being not what people expected

I can see issues regarding tone because while it's more lighthearted than tfp it suddenly shifts in s4, I can see why people thoroughly expected it to be more like tfp when in actuality it's for a younger targeted audience

Some of the main characters are pretty divergent from other iterations of them, such as Grimlock

It just didn't click with a lot of people, especially previous tfp fans.

Probably other stuff too

There's probably more, but I'm going to share the reasons why I personally find it interesting

Sheer bias, I grew up with rid15 with scattered bits of it I watched on cable and it being one of the three transformers shows on Netflix.

I feel like it gets super creative with the Decepticons, with some very cool design elements like frequently utilizing biolights and playing with optic colors a lot (two of the best ways to win me over sfdsdf)

in my opinion the rid15 decepticons are better than the rid15 autobots. There's characters who beforehand were relatively obscure and now got a second chance in a far more popular medium, like Crazybolt and Thunderhoof.

Not to mention entirely new characters like Vertebreak, Nightra, and Zizza. And Vertebreak again. I like Vertebreak

Some of the lore (especially regarding the colony worlds, beastformers, and in general the decepticons) is interesting, even if some of it diverges some from tfp

[vanivanvanilla]

lifestealtober day 28 - betrayal

it was a long time coming

no shadows + og screenshot ^_^ btw the pumpkin has discarded dead leaves with a healthy green one growing while the dandelion has fallen apart . no particular reason of course ! there would never be symbolism in mc fanart

[pkmoth]

having swap au thoughts. *slaps roof of claus* there's so much mental illness in this guy. im gonna blow up everyone in the room and then myself

[mad-hunts]

the thing about barton and his own 'foil' as she should technically be considered, as she is technically the complete opposite of him in every way that matters, is that sumire [ whom i have talked about a few times on here, albeit briefly, so i will give you a brief refresher on her and that is that... her character eventually commits these killings based on the twelve main tarot cards in a deck based on them not fitting her idea of what 'perfect' looks like (kind of like barton BUT much different at the same time) ] and barton used to know each other as they were best friends as kids — even if it was only for a few years.

and as strange as this may sound, a broken promise between them was partially the catalyst behind what started her descent into feeling this need to 'judge' people, which is quite the coincidence as it may seem. because where do most of her victims end up dying? in these settings where she has set up these 'mock trials' for people. so, i know that i said i would talk about how barton had inadvertently created a monster a longgg time ago, but i now am sharing it with you all. because although one cannot blame barton fully for her actions as sumire, of course, has to take responsibility for them herself; but this did play a part in being a catalyst for her feeling all of this resentment and hatred for the world / people around her that led up to her first murder.

which, as you might have it, was the chariot: a tarot card that symbolizes revenge, willpower, and essentially tries to subconsciously put off this message that you are moving in the 'right direction.' i don't think it's so much just the promise itself though that makes this important — it's also that barton himself essentially forgot about the promise he made to sumire, as terrible as that may sound. it actually kind of gives you more insight as to what was going on in barton's mind as a kid because he basically made sumire promise him this: that, if he ever got on the 'wrong path,' that sumire would be there to show him a better one. and that she would attempt to reconnect with him if they ever got separated somehow / give him a sign of some kind that she was still there, so he could meet her.

and i say that this provides more insight because i haven't really gone into depth about this, but barton has expressed this idea in one roleplay on here. + that is that he didn't want to end up like this. however, regardless of that statement, there is no washing away of all of the heinous things he's done and he chose to do them anyway. i'm just thinking about how messed up it is that sumire, up until the point where she started her murders, had casually been searching for barton because the way in which his victims were found was vaguely remiscent of the way that wesley used to kill his victims. + this meant that he was definitely on the wrong path and she would eventually end up on the wrong one too.

[cator99]

I always get detained at da border because PROFUNC never ended but basically I'm like if a targeted individual didn't even care

[devotedlystrangewizard]

the school arc to me is so good because it drags ciel out of his position as a powerful figure and literally places him in the shoes of the person he could have been. the circus arc ALSO drags him out of his position as big bad queens watch dog/head of the phantomhive estate but the school arc feels like a mockery of a future that never was. this is what he could have been had his parents not died. and even then its NOT because he will never be that kid.

he never was.