#we don’t understand our own story or characters!

[sherewrytes]

𝔹𝕣𝕠𝕜𝕖𝕟 ℙ𝕚𝕖𝕔𝕖𝕤, ℝ𝕪𝕠𝕞𝕖𝕟 𝕊𝕦𝕜𝕦𝕟𝕒 6

↳ Sukuna x f! black reader

Summary: After the death of his grandfather, Sukuna Ryomen is left to shoulder the weight of his family, caring for his younger brothers, Yuuji and Choso. As he withdraws into grief, his relationship with Y/N, his girlfriend of a year, begins to crumble. When Y/N discovers the truth about his grandfather’s passing during a heated argument, it leads to a painful breakup. Now, both are navigating life apart, but Sukuna’s heart aches for Y/N. Determined to win her back, he must confront his pain and find a way to break through the walls he’s built. Can he rekindle their love, or is it too late?

contents: heavy angst, modern au, 18+, smut, dark romance, drug use, talks of depression and similar topics. (a lil )

fic warnings. ooc, profanity, mental health issues, toxic relationships, cheating, explicit smut, serious drug use, mentions of depression + more to be updated as story progresses.

Please read with proper discretion. this is a work of fiction. all characters are written to portray roles that are necessary to the plot and are in no way a reflection of their canon counterparts.

Taglist: @for-hearthand-home@clp-84@thelightknight21@favvkiki  @helightknight21 @dylsw @ria-s-writes @sleepymothafterhours 

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Here is another chapter cause I'm still writing out the other fics right now :)

Previous

Chapter 6: The Weight of Loss

Y/N’s POV

It’s almost comical how different my life feels when I’m at school compared to when I’m at home. At Pratt, I’m a student, focused, and driven, with an entire future ahead of me. The campus is buzzing with the usual energy—students chatting, the sound of sketch pads flipping, the hum of distant studio lights. But the weight of everything outside these walls presses down on me more with each passing day.

It’s been weeks or days since the breakup with Sukuna.The loss of our relationship feels longer than the time we actually broke up but it feels like the echo of it still reverberates in everything I do. I’m trying to push forward, trying to act like I’m okay, but the reality is… I’m not. I haven’t been okay for a while.

The work in front of me should be enough to distract me. Finals are coming up, and my portfolio still feels like it needs a hundred more hours of attention before it’s anywhere near perfect. But I can’t stop my mind from drifting back to that night—his touch, his voice, the way he looked at me when he left, the pain in his eyes I couldn’t fix.

I sit in one of the studio rooms, surrounded by scraps of fabric and sketches, trying to focus on the design I need to complete for my final project. My hand trembles as I draw out another silhouette. It’s difficult to concentrate, especially when my phone buzzes on the table.

I don’t even need to look to know if it's from Utahime. She’s been checking in on me regularly. She doesn’t understand everything, but she knows enough to ask if I’m okay.

I pick up my phone, hesitating for a moment before responding. Yeah, I’m good. Just a lot of work to get through.

It’s a lie, but I don’t want to burden her with the truth. Everyone has their own problems, and I don’t want to be the one who drags them down.

I scroll through the texts, my heart dropping when I see a message from Toji. It’s just a short note, nothing particularly alarming. Sukuna's in the hospital. He’s okay, but he had a breakdown. You might want to check on him.

I read it three times before I let it sink in.

Sukuna’s in the hospital.

I bite my lip, the sting of old wounds coming back. What’s going on with him? Why does everything feel like it’s falling apart? I don’t even know how I feel anymore. I spent so much time loving him, fighting with him, then pushing him away, only for him to spiral deeper into whatever this is. And now, he’s in the hospital… alone?

I don’t even have the right to care, do I?

I put my phone down, my hands running through my hair as I try to make sense of it all. What should I do?

There’s a knock at the door, and I look up, startled. Utahime enters with a cup of coffee in her hand. She smiles when she sees me but then stops when she notices the look on my face. She doesn’t even need to ask.

“Something’s wrong,” she says gently, placing the coffee down in front of me.

I swallow hard, my throat dry. “Sukuna’s in the hospital,” I say quietly. The words feel so surreal coming out of my mouth.

Utahime doesn’t speak for a moment, just nods, as if she knew this might happen. “You’re thinking about going, aren’t you?” she asks, her voice soft.

I shake my head, my chest tightening. “I don’t even know what I’d say to him, Utahime. I—” I stop, the emotions threatening to spill over. “He played with my feelings, and I let him. I gave him everything, and now... now look at us.”

She sits next to me, her presence comforting. “You don’t have to go to him if you’re not ready,” she says, her hand gently brushing mine. “But don’t ignore what your heart is telling you. Sometimes it’s easy to get lost in anger or pride, but if you care about him, and you think he needs you—maybe you should go. Just to know he’s okay.”

I stare at the coffee in front of me, the steam rising gently. I feel so torn. Part of me wants to throw it all away and run to him, to make things right, but the other part is terrified of what that would mean.

“I’m just… so tired, Utahime. Tired of trying to fix everything,” I admit, my voice barely above a whisper. “And I don’t think I can keep doing this. I don’t want to keep getting hurt.”

She leans back in her chair, giving me space. “You don’t have to fix him. You just have to decide what’s best for you. It’s okay to care about him, but it’s also okay to take a step back. You don’t owe him anything.”

I nod slowly, but the weight in my chest doesn’t lift. If anything, it feels heavier.

As much as I want to ignore the message, as much as I want to pretend everything’s fine and keep moving forward, I know deep down that the story isn’t finished yet. But the question is, how do I make peace with it? How do I let go of the part of me that still wants him in my life?

I guess I’m going to have to figure it out, even if it hurts.

I stare at the message from Toji, my thumb hovering over the reply button. I could feel the tension building in my chest, the pull to cave in and see him, to check on Sukuna, to offer whatever comfort I could. But I can’t. I won’t.

I text back quickly, trying to keep my answer as firm as possible, even though doubt gnaws at me. Yes. I’m sure.

I put my phone down and take another sip of the coffee Utahime bought for me. The warmth soothes me, but it’s not enough to quell the rising discomfort I feel. Maybe I’m running away from something I should confront, but every time I think about him—about everything that happened—my chest tightens. I know I’m not ready to face him.

Mei Mei sits beside me, her usual confident and laid-back demeanor a welcome distraction. She smiles at me, her eyes bright despite the obvious tension in the air. “I heard you’ve been dealing with some drama,” she teases, nudging my shoulder playfully. “You always seem to attract it, huh?”

I laugh, but it’s hollow. “Yeah, it seems like it. Just trying to get through finals without any more drama.”

She leans back in her chair, clearly not convinced. “If you say so, but I’ve known you long enough to know when something’s bothering you.” She raises an eyebrow. “You’re not fooling anyone. What’s going on?”

I set the coffee down, rubbing my forehead. Mei Mei’s known me for years. She doesn’t give up easily, especially when it comes to stuff I’d rather keep to myself.

“It’s… complicated,” I say, sighing deeply. “Sukuna’s in the hospital.”

Mei Mei’s expression softens. “Hospital? What happened?”

I explain the basics—the fallout from our breakup, his breakdown, and the fact that it seems he’s been spiraling for months. As I talk, it feels like I’m peeling back a layer of myself I’ve been trying to keep hidden.

“I thought I was doing the right thing,” I continued, my voice shaking slightly. “But now… I just feel like I made it worse.”

Mei Mei listens, her face serious. When I finish, she doesn’t say anything at first. She just looks at me for a long time, her eyes calculating, like she’s trying to figure something out.

“You can’t keep carrying his weight, Y/N,” she says gently, her tone softer than I expected. “He’s not your responsibility anymore. I get that you care, but sometimes stepping back is the healthiest thing you can do—for both of you.”

I nod, trying to hold it together, but her words sink deep into my chest. I know she’s right. If I keep going back to him, trying to fix things that aren’t mine to fix, I’ll just keep breaking myself in the process. But knowing that doesn’t make the choice any easier.

I reach for my phone again, checking for another message. There’s one from Toji.

Y/N, I know you’re upset. I get it. But you need to understand he’s really struggling. He’s not the same guy anymore. Please, just think about it. He’s not okay.

I feel the weight of the message, the silent plea in his words. It almost makes me want to go. But no. I made my decision.

I turn my phone face down, looking back at Mei Mei. “I’m done with it. I need to focus on my future. On me.”

She smiles, a little proud of me. “Good. It’s about time. You’re a strong woman, Y/N. Don’t forget that.”

I lean back in my chair, feeling the exhaustion from the last few months hit me all at once. Finals are coming, and I don’t have the luxury of letting my emotions run the show anymore. I have to finish this. For me.

But even as I sit there, I can’t ignore the small ache in my heart, the part of me that still cares, that wonders what could have been. For a fleeting moment, I let myself imagine a different reality, one where everything with Sukuna was easier, where we were happy and I didn’t have to make these impossible decisions.

But that’s not my reality. Not anymore.

Toji's POV

I stare at the screen of my phone, Y/N’s last text still lingering in front of me. Yes. I’m sure.

The words hit harder than I expected. I knew she wasn’t going to just drop everything and run to Sukuna, but hearing it from her directly… it stings. She’s shutting him out, and there’s nothing I can do to change it. Nothing any of us can do.

I glance over at Sukuna, still out cold in the hospital bed, his breathing steady for now. He’s been through hell these past few days, and I hate to admit it, but I’m worried. Despite all his bullshit, the bravado he puts up like a fucking wall, he’s broken. And it’s not just the aftermath of Jin’s death or the guilt he carries around like a fucking anchor. It’s more than that.

I thought, maybe if Y/N came, it would snap him back. But she’s not coming.

I let out a slow breath, running a hand through my hair. The room feels too quiet now, even with the constant beep of the heart monitor in the background. The silence between me and Sukuna is almost deafening, and I can’t shake the sense of impending disaster that hangs in the air.

I think about what Y/N said—how she couldn’t keep carrying his weight. And part of me gets it. She’s right. I told her before that Sukuna wasn’t the only one who needed to get his shit together, but I guess… I didn’t expect her to walk away. Not like this. Not after everything.

I can’t help but wonder what would’ve happened if we’d all handled this differently. If we had talked more, not let everything fester. Maybe she wouldn’t have had to make that decision. Maybe Sukuna wouldn’t be lying here, broken and lost. And I wouldn’t be standing here, feeling fucking useless.

Sukuna murmurs in his sleep, his hand twitching slightly, and I look back at him. He looks so different when he’s not putting on that mask. I can see the fear, the guilt, everything he hides away in his waking hours. It’s all on display when he’s vulnerable, like this.

He whispers something under his breath, and I lean in closer, straining to hear him.

“Y/N… I’m sorry…”

His voice cracks, soft and fragile. He doesn’t even know I’m here. Doesn’t know I’m watching him break down piece by piece. But I heard it. He said her name.

It’s fucking killing me to watch him like this.

I stand up, running my hand over my face, trying to shake off the weight of everything. I can’t do this. I can’t fix this. No matter how many times I try to tell myself that this is his fight, not mine, I can’t stop feeling like I’m responsible. We all are.

I check my phone again. Y/N hasn’t replied. I don’t expect her to. She’s made up her mind, and honestly, I don’t know what I would say if she did respond.

All I can do is sit here and wait, hoping that Sukuna pulls himself out of this hole he’s dug. He’s going to need all the help he can get, but I’m not sure I can even be that for him anymore.

I glance back at him one last time before walking out of the room. Whatever happens next is out of our hands. I just hope for his sake, he’s not too far gone to fix it.

I step out of the room, needing some space to breathe, even though the weight of everything is still pressing down on me. My phone buzzes again. Another message from Y/N. I don’t look at it. I can’t. Not right now.

The hallway feels emptier than usual, and I’m just about to sit down when I hear footsteps approaching. I glance up, already knowing who it is before I see their faces. Gojo’s impossible to miss, his presence like a fucking storm in the calm. And right behind him, Geto, walking with that same quiet intensity he always carries. They're holding bags in each hand, the smell of fast food wafting into the air.

Gojo gives me a lazy grin like he's just come back from a fun afternoon instead of dealing with a pile of shit that’s only getting worse.

“Got you something.” He waves the KFC sandwich in the air, the crispy fried chicken peeking out from the wrapper. “Figured you could use something real to eat. You’ve been looking like you’ve been living off hospital snacks.”

I glance at him, but I’m not in the mood for a joke. I just stare at the sandwich for a second before nodding. “Thanks.”

Geto just raises an eyebrow and slides a bottle of cold Coca-Cola into my hand. "It’s cold. Thought you could use a little sweetness with all this shit."

I didn't answer immediately. Instead, I take the sandwich, unwrap it, and take a small bite. The taste is oddly comforting, and for a moment, it feels a little bit of normal. But only for a second. My mind is still a million miles away, locked on Sukuna, on Y/N, on everything that’s been happening. I can’t seem to get a grip.

Gojo leans against the wall casually, clearly unaffected by anything going on, while Geto remains quiet, eyes focused like he’s waiting for me to crack. The silence stretches, uncomfortable in its own way.

"Is he awake?" Gojo asks, breaking the tension, his voice light but his eyes searching mine for an answer.

I take another bite of the sandwich and sigh, wiping my mouth with the back of my hand. "Yeah, but he’s not really there. Talking in his sleep… saying her name. Y/N."

The mention of her name hangs in the air for a moment, and I watch as Gojo’s expression shifts slightly. He doesn’t show it often, but I know he can’t be completely oblivious to what’s happening. Not with how tightly he and Sukuna have been bound, even when things were rough.

“I’m sure he’s just… in his head,” Gojo says after a pause, trying to sound nonchalant but clearly struggling with his own thoughts. “He’s got a lot of shit on his plate.”

Geto’s expression hardens slightly. “He’s not the only one, Gojo. Y/N’s been through her own hell. She’s not just some side character in his story. It’s never been that simple.”

“Yeah, I know,” Gojo mutters, though he doesn’t seem entirely convinced by Geto’s words. He glances back at the door where Sukuna lies, still deep in his own turmoil. “We all know what happened between them. It’s fucked up, but that doesn’t change what he’s going through.”

The words cut through the tension like a blade. I swallow the rest of the sandwich, my stomach growing heavier with the implications of their statements. The more I think about it, the more it feels like we’ve all fucked up in our own ways. We’ve all allowed this to spiral out of control, and now, we’re left picking up the pieces.

“I get that he’s hurting,” I say, voice tight, “but what do we do now? What can we even do? She’s not coming, Gojo. She’s done.”

The words feel bitter in my mouth, even though I know they’re true. Sukuna has lost her, and there’s no going back.

Gojo and Geto exchange a look, the silence dragging on as the weight of the situation settles in. Gojo pops the cap off his own bottle of Coke, his eyes narrowing slightly.

“You just keep pushing forward,” Gojo says after a moment. “You don’t get to wallow in this shit. That’s not how it works, Toji. You just keep moving forward. That's all you can do.”

I’m about to respond when I hear a low murmur coming from Sukuna’s room. The door creaks open slightly, and I glance toward it, the worry clawing at my insides again. Gojo stands up and gives me a pointed look.

“Let’s go see how he’s doing,” he says, voice more serious now, and I can hear the weight of his words.

We all walk to the room, our steps heavy with the unspoken truths we’ve been avoiding. Inside, Sukuna stirs in the bed, his eyes barely open but wide enough to see the panic in his gaze.

“Y/N,” he whispers, almost like a prayer, his hand gripping the bed sheets tightly.

The room feels cold as we stand there, watching him struggle with the demons only he knows. His words hang in the air like a knife, cutting through the silence.

“Maybe we can fix this,” Gojo mutters softly, more to himself than anyone else. "But not like this."

I watch Sukuna’s face, the same man who used to be full of fire and rage, now broken. Maybe Gojo’s right—maybe we keep pushing forward. But even I know, with everything that’s happened, there’s no easy fix to the mess we’ve created.

Sukuna's POV

I’m trapped in the in-between, stuck in the land of the awake but not living. I can hear them talking, but my mind refuses to connect. Every word that escapes their lips feels like a blur, and I don’t want to hear it. I don’t want to hear about Y/N or Jin or my own damn self.

The steady beeping of the heart monitor is the only thing grounding me in reality, reminding me that I'm still here, still breathing, even if it feels like everything else is slipping through my fingers. The voices swirl around me, but none of them cut through the fog in my mind. Not even Gojo’s voice, not even Geto’s.

Y/N. 

Her name lingers in the air like an echo I can’t escape. It’s all I can think about. How I fucked things up. How I hurt her. How I lost her. I can’t get away from the image of her, standing there in her apartment, looking at me with those eyes—those brown eyes I used to drown in. Eyes that no longer saw me the same. Eyes that were filled with pain.

My stomach churns. I want to scream, but the words catch in my throat.

My younger brothers.

Yuuji. Choso.

I’m supposed to be their older brother. I’m supposed to be strong for them. They’ve lost so much already, and I can’t afford to lose them, too. But if I keep spiraling like this—if I let this guilt eat me alive, if I let my demons drag me under—then what happens to them? What happened to me?

I’m supposed to protect them, but I’m barely holding myself together. I can’t keep breaking like this. I can’t keep letting everything fall apart just because I don’t know how to deal with the shit that’s happened.

I’m supposed to be better. Better for them.

But how? How do I fix this? How do I fix myself when everything feels broken beyond repair?

I hear Gojo again, his voice louder this time. "He's just... lost in his head right now. We can't help him until he helps himself." It’s all I need to hear to understand that I’m not getting any sympathy here. Not from any of them. They know me too well.

And maybe that's what I need.

I squeeze my eyes shut, hoping to block out the pain. Maybe if I don’t open them, I won’t have to face the reality of what I’ve become. A broken man. A fuck-up.

But the truth is, I can’t run forever. I can’t stay in this fog of regret and self-loathing. I don’t want to be this version of myself. Not for my brothers, not for anyone. I’ve been here too many times before. Spiraling, falling, too afraid to face what’s staring me in the face. I’ve always been this way. But I can’t afford to be anymore.

I can’t let myself be the reason they lose me. Not when I still have a chance to fix it.

I hear Geto’s voice again, softer this time. "Sukuna... we’re here. But you need to come back. Come back to us." His words hit me harder than I expected, and I feel the weight of them pressing down on my chest. Come back to us.

I’m not sure how, but for the first time in what feels like forever, I let myself feel something other than numbness. A crack in the wall I’ve built around myself. A tiny opening to a possibility that maybe—just maybe—I can still get out of this.

But first, I have to face the one thing I’ve been running from.

I have to face myself.

“Y/N,” I whisper to no one in particular, my voice hoarse, rough. "I'm sorry."

I don’t expect anyone to hear it. Hell, I’m not even sure I believe it yet. But it’s the first step. And for now, that’s all I can give.

I open my eyes slowly, squinting at the harsh fluorescent lights above. The hospital room is sterile and unfamiliar, and for a second, I forget where I am. But then it all comes flooding back—the weight of my actions, the destruction I’ve left in my wake, and the realization that I can’t keep hiding from it.

I don't even remember when I said it, but those two words still echo in my mind: I'm sorry. They were the first words I’ve said aloud in what feels like forever, but they carry so much weight. So much guilt.

I sit up slowly, feeling the ache in my chest. I’m not sure if it’s from the panic attack, the guilt, or just the overwhelming sense of being broken. But whatever it is, it makes it hard to breathe, to think. To feel.

Gojo is still here, his presence just as obnoxious as ever. But there's something about him being here that gives me a sense of stability like maybe he doesn’t expect me to be perfect, but he’s still here, regardless. And Geto... Geto is just sitting there, staring at me like he’s waiting for me to get my shit together. Maybe he’s right. Maybe they both are.

“Fuck,” I muttered, running a hand through my hair. "How did I get here?"

Geto looks up from his phone, catching my eye for the first time in what feels like forever. “You’ve been here, Sukuna. You know the drill. You need to pull yourself together, for them.” His voice is calm, but there’s an edge to it. He’s tired, I can tell. We all are.

“Yeah,” I replied, my voice cracking. "For them."

It’s a mantra I’ve been repeating to myself for weeks now—for them. For Yuuji and Choso. They’ve lost so much already, and I can’t be the one to break.

But I don’t know where to begin. I don’t know how to fix this. How do I rebuild what I’ve destroyed? How do I fix myself when I’m not even sure who I am anymore?

Gojo leans against the doorframe, arms crossed. “You’re not alone in this, you know.” His words are blunt, but there’s something softer in his eyes. He doesn’t say it often, but I can see it. The understanding.

"I know." I don’t meet his gaze, my eyes locked on the floor. It’s easier that way. “But I still fucked up, Gojo. I messed it all up.”

Geto sighs heavily, shaking his head. "You didn't just mess it up. But that doesn't mean it’s over. You’ve got to take responsibility for it, man. For her... and yourself."

For a moment, I don’t know what to say. The words feel like they’re stuck in my throat. But then I think of Y/N. Her face, her eyes... the way she looked at me when I ruined everything. I see her pain in every single interaction we had before it all came crashing down. I can still feel it. The way she’d retreat from me, the way she’d pull away. And the way I never truly let her in.

"I didn’t mean for it to go like this," I finally whispered. "I never meant to hurt her."

“You need to talk to her, if she’ll allow it” Geto says, standing up and moving closer. “And if she’s willing, maybe... maybe you can fix it. But you have to start with yourself first.”

I feel the weight of his words, like he’s trying to lift me out of the quicksand I’ve been sinking into. But I’m stuck. I’m stuck in the guilt, in the shame, in the regret.

“What if she doesn’t want me back?” I ask, barely above a whisper. "What if I’ve already ruined it too much?"

"You won’t know unless you try," Gojo says, stepping forward. “You can’t undo the past, but you can at least try to make the future better. For her. For you.”

I feel something shift inside me, something small but significant. Maybe it’s hope. Maybe it’s just the desperation that’s been eating away at me. I don’t know. But it’s there, and for the first time, I let myself feel it.

Maybe it’s not too late. Maybe, just maybe, I can start rebuilding—starting with myself. I have to try. For Y/N. For Yuuji. For Choso. For me.

I stand up, feeling the weight of my body shift. My legs feel weak, but I force myself to stay upright. Geto watches me carefully as if waiting for me to collapse, but I don’t. Not this time.

I might not have all the answers, but I know one thing for sure.

I’m done running from it.

“I’ll fix it,” I murmur, barely believing the words myself. But I have to say it. I have to believe it.

For the first time in a long while, I don’t feel so alone. Maybe I’m not as far gone as I thought. Maybe I can still fight my way back from this.

Maybe I can still be the man I used to be.

the nurse filled in, "We tried to contact your emergency contact yn ln but they didnt respond. Do you have anyone who can keep an eye on you?

The nurse’s words hang in the air, thick with unspoken tension. I feel the room grow heavier as they linger, and I find myself grasping for a response. Y/N’s name still feels like a foreign sound on my lips.

I open my mouth to speak, but the words don’t come. What would I even say? She won’t answer me anymore. Not after what I did. The silence stretches between us, suffocating.

"I have—" I start, but the weight of it stops me.

Before I can finish the sentence, Toji speaks up, his voice cutting through the thick air like a knife.

"You can take my information. What do I need to know?"

I look up at him, and for the first time in what feels like days, I feel a bit of relief. Toji, as blunt as he is, never lets me down. He’s been here since the start, and I know, deep down, he’s always had my back, even when I didn’t deserve it.

The nurse nods, taking out her tablet and entering Toji’s information with practiced ease. It’s almost like they’ve done this a thousand times before, and maybe they have. Maybe they’re used to people like me. People who screw up their lives and end up here, needing a reminder that they’re not completely gone yet. That there's still a chance.

But I don’t know if I believe that.

I watch the nurse leave, and the silence settles back into the room like a heavy blanket. Toji stands there, looking at me with something between concern and resignation. He doesn’t need to say anything. I know exactly what he’s thinking.

"Stop blaming yourself," Toji finally says, his voice low, but firm. “You're not in this mess alone, and you’re not gonna fix it overnight. But you’ve gotta stop running from it, or you'll end up buried.”

I can feel his eyes on me, watching for any sign of weakness, but I can’t give him that. I can’t give anyone that. Not after everything.

"I know," I mutter, my voice barely audible.

Toji shrugs and moves to the side, making space in the small hospital room. "We all fucked up, Sukuna. But it’s not the end of the world. You’re still here."

The words settle somewhere deep inside me, somewhere I didn’t even know was still capable of feeling something. I look away, pretending the words don’t hit me the way they do.

But I can’t stop thinking about Y/N.

Her face. Her eyes. How she would look at me when I failed her. The way she pulled away.

I failed her.

But I still want to fix it. God, I want to fix it so badly that it hurts.

I’m not sure how I’m supposed to do that. I’m not sure if it’s even possible. But for the first time in months, I feel like I can try. I have to try.

For me. For her. For everyone I’ve hurt.

“Thanks,” I say to Toji, my voice gruff and unsteady. "For doing this... for me."

He doesn’t respond right away, just gives me a sharp look like he’s waiting for me to crumble again.

But I don’t.

Not this time.

Instead, I stand up slowly, feeling the weight of my legs beneath me. There’s no escape now. No more running from my mistakes. No more hiding. I have to face this.

And maybe... just maybe, I can start with making things right.

For once, I don’t feel like I’m completely drowning. But the battle is far from over.

"I’ll make it right," I say softly to myself, more than to Toji.

The words feel fragile like I’m trying to piece together a shattered mirror. But I have to try.

I won’t be the man I used to be. I can’t go back to that.

But maybe, just maybe, I can be someone worth loving again.

For Y/N. For everyone I’ve hurt.

And for myself.

I’m finally being released from the hospital. The sterile white walls feel like they’re closing in as the nurses hand me a prescription for the medications I’m supposed to take. But I don't care about that right now. I just want to go home. I just want to breathe again.

The ride back to the apartment feels like it takes hours. The air in the car is heavy with the weight of everything I've done, everything I’ve messed up. I haven’t spoken a word the whole way. Toji’s driving, the only sound between us was the soft hum of the engine and the occasional rustle of the road beneath the tires.

When we get to the apartment, I’m not sure what to expect. The door’s wide open when I walk in, and there’s Choso, pacing back and forth. His voice rises, sharp and full of frustration as he glances over at me. His eyes are bloodshot like he hasn’t slept in days, and I know it’s because of me.

"Sukuna!" Choso shouts, throwing his hands up in the air, his face a mix of anger, pain, and worry. “What the hell were you thinking?! You scared the shit out of us, man!”

I flinch at his words, the sting of them going deeper than I want to admit. But I don’t say anything. I don’t have a defense, not for this. I can’t make it better with a few words. So, I stand there, silent, my head hanging low.

Yuuji’s sitting in the corner of the room, his eyes glued to the floor, his friends Megumi and Nobara beside him, looking as stressed as he is. The weight of it all crashes into me. I did this to them. I’ve been selfish, and it’s clear they’re carrying this burden with me.

Yuuji finally looks up, his voice thick with emotion. "I'm glad you're home, bro."

His words don’t hit me like I expect them to. Instead of feeling the relief I thought I’d get from hearing him, I just feel hollow. I’ve caused too much damage to fix it with just a few words. He shouldn't have to say that. I shouldn’t be the one causing him so much pain.

“Yeah, well, don’t get used to it,” I mutter, the bitterness slipping out before I can stop it. "It’s not like I’ve been some fucking good example for you, right?"

Toji steps up beside me, his presence grounding. “That’s enough,” he says, his tone low but firm. “He’s home, and that’s what matters. Stop making this harder than it needs to be.”

Choso doesn’t let up though, his hands on his hips as he glares at me. "You’ve been running from everything, running from us, from yourself. We were worried you were gonna fucking end up dead, and now you’re back, but are you even gonna stay back?"

I want to answer him, to tell him that I’m trying, that I’m going to get better. But I know he won’t believe me. None of them will. Not after everything.

"Look," I say, my voice thick. "I’m sorry. I’ve fucked up, and I can’t fix everything in a day. But I’m here. I’m not going anywhere right now."

It’s all I can offer, and I know it’s not enough, but it’s all I’ve got. I can’t be the man I was before. I can’t just wipe away all the mistakes I made with a simple apology. But maybe I can try to be better.

Yuuji stands up slowly and walks over to me. I brace myself, waiting for him to yell, for him to say something harsh. But when he reaches me, he simply pats me on the back, like he’s trying to offer something I don’t deserve.

“It’s good to have you back, Sukuna,” Yuuji says quietly, his voice thick with emotion.

I swallow hard, the lump in my throat growing. I don’t know if I’m crying or not. But it sure feels like it. Maybe this is the first step in making things right. Maybe not for everyone, but for me, for Yuuji, for Choso... and Y/N.

The tears come without warning, falling like a flood. I feel them before I even know they’re coming, a warm rush down my face, blurring my vision. I can’t stop them. Not anymore. I’ve been holding everything in for so long, trying to keep the pieces of myself together, trying to be the strong one for my brothers. But I can’t do it anymore.

My knees give way, and I drop to the floor, the weight of everything—of all the things I’ve lost, of all the things I’ve fucked up—crushing me. My chest aches, tight, like it’s too small to hold all the guilt, all the pain.

“I’m sorry,” I mutter through gritted teeth, though I don’t know if I’m saying it to Choso or Yuuji or even myself. My voice cracks, the rawness of it is unfamiliar and painful. “Jin’s gone because of me... and Grandpa... he’s gone. They’re both gone.”

The tears come faster, like a storm I can’t outrun. I can’t hold it together anymore. Not for anyone. Not for them. Not for myself.

I hear Choso’s footsteps, feel his arms around me as he pulls me up, but I don’t want to be touched. Not right now. I want to crawl into a hole and disappear, to not have to face any of this, to not have to be the one who let them all down.

“Grandpa's funeral,” I whisper, my voice ragged. “Our parents didn’t even show up. They didn’t care. They never did.”

The words sting, but it’s the truth. The truth that I’ve been running from for years. Our parents left us. They abandoned us, and the only one who was there, who gave a shit, was Granpa. And now he’s gone, too.

“I’m tired of holding this in,” I choke out. “I can’t keep pretending to be the fucking strong one. I’m... not strong. I’m broken.”

I look up at Choso, and his face is pale, but his expression is gentle. I can see the hurt in his eyes, but there’s something else there too: understanding. He knows. He knows what it’s like to lose, to feel like you’re drowning in your own shit. And maybe he’s the only one who can truly get it.

I look over at Yuuji, and his face is full of concern. He’s standing in the corner of the room, silent, but I know the words are there, sitting heavy on his tongue. He doesn’t need to say anything, though. The fact that he’s here—just here—means more than words ever could.

“I don’t know how to fix this,” I say, my voice low and broken. “I don’t want to be like this anymore. I don’t want to let everyone down. I don’t want to keep losing people.”

But I’m scared. Scared of what it will take to fix all this. Scared of how much of myself I’ll have to break in the process.

“I’m so fucking tired,” I admit, my voice barely a whisper. 

Choso pulls me close, his hands gripping my shoulders as if he can somehow hold me together. “You don’t have to have it all figured out, Sukuna. We’re here. You’re not alone in this. You never were.”

His words hit me like a lifeline, but the truth is, I don’t know if I deserve it. I don’t know if I’ll ever be the person they want me to be.

But I know one thing: I can’t keep drowning in my own shit. I have to try to be better. Even if it’s just for a little while.

I’m home. But the journey to redemption? That’s just the beginning.

[sunfyrisms]

sometimes the ultimate form of self care is pretending season two of house of the dragon simply was never made. and that’s okay!

[fictionstudent]

How to pull off descriptions

New authors always describe the scene and place every object on the stage before they press the play button of their novels. And I feel that it happens because we live in a world filled with visual media like comics and films, which heavily influence our prose.

In visual media, it’s really easy to set the scene—you just show where every object is, doesn’t matter if they’re a part of the action about to come or not. But prose is quite different from comics and films. You can’t just set the scene and expect the reader to wait for you to start action of the novel. You just begin the scene with action, making sure your reader is glued to the page.

And now that begs the question—if not at the beginning, where do you describe the scene? Am I saying you should not use descriptions and details at all? Hell naw! I’m just saying the way you’re doing it is wrong—there’s a smarter way to pull off descriptions. And I’m here to teach that to you.

***

#01 - What are descriptions?

Let’s start with the basics—what are descriptions? How do you define descriptions? Or details, for that matter? And what do the words include?

Descriptions refer to… descriptions. It’s that part of your prose where you’re not describing something—the appearance of an object, perhaps. Mostly, we mean scene-descriptions when we use the term, but descriptions are more than just scene-descriptions.

Descriptions include appearances of characters too. Let’s call that character-descriptions.

Both scene-descriptions and character-descriptions are forms of descriptions that we regularly use in our prose. We mostly use them at the beginning of the scene—just out of habit.

Authors, especially the newer ones, feel that they need to describe each and every nook and cranny of the place or character so they can be visualized clearly by their readers, right as the authors themselves visualized them. And they do that at the start of the scene because how can you visualize a scene when you don’t know how the scene looks first.

And that’s why your prose is filled with how the clouds look or what lights are on the room before you even start with the dialogues and action. But the first paragraph doesn’t need to be a simple scene-description—it makes your prose formulaic and predictable. And boring. Let me help you with this.

***

#02 - Get in your narrator’s head

The prose may have many MCs, but a piece of prose only has a single narrator. And these days, that’s mostly one of the characters of your story. Who uses third-person omniscient narrator these days anyway? If that’s you, change your habits.

Anyway, know your narrator. Flesh out their character. And then internalize them—their speech and stuff like that. Internalize your narrator to such an extent that you can write prose from their point-of-view.

Now, I don’t mean to say that only your narrator should be at the center of the scene—far from it. What I mean is you should get into your narrator’s head.

You do not describe a scene from the eyes of the author—you—but from the eyes of the narrator. You see from their eyes, and understand what they’re noticing. And then you write that.

Start your scene with what the narrator is looking at.

For example,

The dark clouds had covered the sky that day. The whole classroom was in shades of gray—quite unusual for someone like Sara who was used to the sun. She felt the gloom the day had brought with it—the gloom that no one else in her class knew of.

She never had happy times under the clouds like that. Rain made her sad. Rain made her yearn for something she couldn’t put into words. What was it that she was living for? Money? Happiness?

As she stared at the sky through the window, she was lost in her own quiet little corner. Both money and happiness—and even everything else—were temporary. All of it would leave her one day, then come back, then leave, then come back, like the waves of an ocean far away from any human civilization in sight.

All of it would come and go—like rain, it’d fall on her, like rain, it’d evaporate without proof.

And suddenly, drops of water began hitting the window.

You know it was a cloudy day, where it could rain anytime soon. You know that for other students, it didn’t really matter, but Sara felt really depressed because of the weather that day. You know Sara was at the corner, dealing with her emotions alone.

It’s far better than this,

The dark clouds covered the sky that day. It could rain anytime soon.

From her seat at the corner of the room, Sara stared at the sky that made everything gray that day. She…

The main reason it doesn’t work is that you describe the scene in the first paragraph, but it’s devoid of any emotions. Of any flavor. It’s like a factual weather report of the day. That’s what you don’t want to do—write descriptions in a factual tone.

If you want to pull off the prior one, get to your narrator’s head. See from their eyes, think from their brain. Understand what they’re experiencing, and then write that experience from their POV.

Sara didn’t care what everyone was wearing—they were all probably in their school uniforms, obviously, so I didn’t describe that. Sara didn’t focus on how big the classroom was, or how filled, or what everybody was doing. Sara was just looking at the clouds and the clouds alone, hearing everybody just living their normal days, so I mentioned just those things.

As the author, you need to understand that only you, the author are the know-it-all about the scene, not your narrator. And that you’re different from your narrator.

Write as a narrator, not as an author.

***

#03 - Filler Words

This brings me to filler words. Now, hearing my advice, you might start writing something like this,

Sarah noticed the dark clouds through the window. She saw that they’d saturated the place gray.

Fillers words like “see”, “notice”, “stare”, “hear” should be ignored. But many authors who begin writing from the POV of the characters start using these verbs to describe what the character is experiencing.

But remember, the character is not cognizant of the fact that they’re seeing a dark cloud, just that it’s a dark cloud. You don’t need these filler words—straight up describe what the character is seeing, instead of describing that the character is seeing.

Just write,

There were dark clouds on the other end of the window, which saturated the place gray.

Sarah is still seeing the clouds, yeah. But we’re looking from her eyes, and her eyes ain’t noticing that she’s noticing the clouds.

It’s kinda confusing, but it’s an important mistake to avoid. Filler words can really make your writing sound more amateurish than before and take away the experience of the reader, because the reader wants to see through the narrator’s eyes, not that the narrator is seeing.

***

#04 - Characters

Character-descriptions are a lot harder to pull off than scene-descriptions. Because it’s really confusing to know when to describe them, their clothing, their appearances, and what to tell and what not to.

For characters, you can give a full description of their looks. Keep it concise and clear, so that your readers can get a pretty good idea of the character with so few words that they don’t notice you’ve stopped action for a while.

Or can show your narrator scanning the character, and what they noticed about them.

Both these two tricks only work when a character is shown first time to the readers. After that, you don’t really talk about their clothing or face anymore.

Until there’s something out of the ordinary about your character.

What do I mean by that? See, you’ve described the face and clothes of the character, and the next time they appear, the reader is gonna imagine the character in a similar set of clothes, with the same face and appearance that they had the first time. Therefore, any time other than the first, you don’t go into detail about the character again. But, if something about your character is out of ordinary—there are bruises on their face, scars, or a change in the way they dress—describe it to the reader. That’s because your narrator may notice these little changes.

***

#05 - Clothing

Clothing is a special case. Some new authors describe the clothes of the characters when they’re describing the character every time the reader sees them. So, I wanna help you with this.

Clothing can be a way to show something about your character—a character with a well-ironed business suit is gonna be different from a character with tight jeans and baggy t-shirt. Therefore, only use clothing to tell something unique about the character.

Refrain from describing the clothing of characters that dress like most others. Like, in a school, it’s obvious that all characters are wearing school uniforms. Also, a normal teenage boy may wear t-shirts and denim jeans. If your character is this, no need to describe their clothing—anything the reader would be imagining is fine.

Refrain from describing the clothing of one-dimensional side-characters—there’s a high chance you’ve not really created them well enough that they have clothing that differs from the expectations of the readers. We all know what waiters wear, or what a college guy who was just passing by in the scene would be wearing.

You may describe the clothing of the important character in the story, but only in the first appearance. After that, describe their clothes only if the clothes seem really, really different from the first time. And stop describing their clothes if you’ve set your character well enough in the story that your readers know what to expect from them in normal circumstances—then, describe clothes only when they’re really, really different from their usual forms of clothing.

***

#06 - Conclusion

I think there was so much I had to say in this article, but I didn’t do a good job. However, I said all that I wanted to say. I hope you guys liked the article and it helps you in one way or the other.

And please subscribe if you want more articles like this straight in your inbox!

[diltonsstrangescience]

It gets META???

It’s so frustrating that so many people don’t know or realise that Jughead Jones is actually weird, he is a weirdo, and it’s not just because of that stupid hat - it’s because of the way he mines the real life tragedies of his friends and loved ones for his own personal gain, the fact that he’s died at least 4 times, that there is at minimum 3 of him and you could make an argument for there being 6, that only like 4 of the people he’s ever met have liked him and those 4 people do not include his parents, that he trapped his friends in a perpetual cycle of being 17 because he can’t move on or get over anything, that he was asked to film his high school’s production of Carrie and ended up filming a true crime documentary and that isn’t even half of the weird but true facts about my friend Jughead

[cripplecharacters]

Does Your Scarred Character Have to Hate Themself?

[large text: Does Your Scarred Character Have to Hate Themself?]

(TLDR: no. literally no.)

A frequent topic that shows up around facial differences is the self-hatred, self-disgust, self-insert-negative-emotion that we must surely experience. I want to ask* writers without FDs - why? Why do you feel about us in such a way that that's the most common way of depicting us?

*- rhetorical question. I promise I know the answers, but I'm not sure if writers do.

It's frankly worrying to me. Is it really that common to assume that disabled people have this internal, never-ending hatred for themselves? The overwhelming majority of us don't. We hate inaccessibility, when people stare, or some symptoms when they get in the way, or how expensive being disabled is, but I find the concept of us being so completely disturbed by our own disabilities extremely strange. It’s “tragedy porn” intersecting “most basic ableism”.

“But trauma!”

[large text: “But trauma!”]

Trauma of what! People with facial differences don't have some sort of default trauma that we come with like it’s a factory setting. We are a group of people with tens of thousands of stories and experiences!

“Trauma of experiencing ableism/disfiguremisia” - that's better, at least this means something. If you're writing a story about this, please get a sensitivity reader with a facial difference. You can assume how we feel all you want, but in my experience these assumptions are often bizarre and unrealistic. Or just end up writing the same “disability so sad” sob story that everyone has seen a billion times. If you want to write about disfiguremisia, you need to understand the nuance and have more than just the basic level knowledge (which 99% of people don’t have either). If you can’t do that, don’t write about it. Simple as that.

“Trauma of the accident” - thankfully, the accident is an event and a facial difference is a disability. If you want to connect these two like they're one and the same, you're almost surely going to demonize disability. People with traumatic spinal cord injuries, acquired amputees, people with TBI, people with acquired facial differences - we participate in our communities, we have hobbies, we date, we play with our dogs. Disability isn't a death sentence. Media who make it feel like it is certainly don't help people who do suddenly become disabled, don't you think?

Here's a post by @blindbeta about blind characters becoming blind through trauma that’s better made than anything I could hope to write here. I heavily recommend giving it a read.

And, I can't stress this enough - most of us didn't have “the accident”, most of us are born like this! "Traumatic scars" isn't the only facial difference that exists, far from it, it's only one of thousands. It's 99% of our representation and "representation". If you want to make a character with FD - please consider that we aren't a monolith. Just like not all physical disabilities are "wheelchair user with paralysis", not all facial differences are "traumatic scar with somehow no nerve damage".

The overrepresentation of it is incredibly telling, and sometimes - or very frequently - feels like the writer doesn’t actually even want to deal with us. They want to use our disability as a way to cheap drama, moral metaphors, tragic backstories. Not to represent us as living people who are much more similar to you than you apparently think.

Now, I do have enough awareness to know that that's a big part of the appeal. “Horrific Thing #2456 happens” and boom, instant drama! Of course, it's a reasonable response that they would hide their disability for years, avoid talking about it in any way, and magically change their personality to be mean and reclusive, or at least be constantly soooo sad about how much it sucks to be disabled, right?

Do I really need to say that having your character becoming disabled be the worst thing ever is ableism 101? We have been talking about this for so long at this point. Writing about the process of adapting to a specific disability is better left to people who have actual experience in it.

To give an example that will hopefully resonate more with Tumblr users, I will use the fact that I'm also gay. It's not perfect by any means but probably much more familiar territory.

Imagine, let's say, a character. He's gay. The story he's in is supposedly progressive, certainly not trying to be homophobic. The character has experienced an incident, maybe an act of aggression or a hate crime, that happened because he’s gay, which was traumatic. Happens IRL, sure. So of course the character starts hating being gay. He talks about how gross and disgusting it is, he never lets anyone know that he could be “one of them”, certainly not take a stance against homophobia. You can't mention him without mentioning the accident, they're seemingly fused together. No gay love, joy, even basic happiness, he would actually choose to be straight in a heartbeat if given the option to and complains that he can't. This is shown as a neutral, obvious thing that a gay man would do, no one comments on it. He stays like this the whole time, unless there’s a plot twist in the last 10 pages where the world is now magically perfect ("we fixed discrimination, yay!"). This is the only LGBT character in the story.

Keep in mind that there are people similar to this in real life, living with extreme internalized homophobia.

Is this, in your opinion, realistic and thoughtful representation? How does it feel when written by a cishet writer, versus a gay writer who is recalling his experiences? Do you think that it's reasonable for the majority of media representation to be like this, or very close to it? How would it affect younger gay people who might already be uncomfortable with being queer? Are gay men the target audience, or are they not even considered as a group of people who read books? Is this helping or damaging the general public's idea of how it is to be gay? Why or why not?

The Masterpiece

[large text: The Masterpiece]

From 13 to 19 of May, we are celebrating Face Equality week (what a coincidence!). It’s important to me in general - and I wish it was more important to abled people, but I digress - especially its theme for this year.

“My Face is a Masterpiece”

Great statement, it represents the community well, I do enjoy how bold it is. Very cool stuff, I love the work our advocates are doing!

But why do I bring this up?

Well, to very non-subtly show that we aren’t a self-hating group of people. We are a community, a community saying “our faces are beautiful, look!”, we are saying “treat us equally, and do it now!”. Our activism isn’t about self-disgust. It’s about fighting your-disgust. 

Why can’t writers keep up? Why are you still stuck decades behind?

Is this the only reason I bring it up?

The Call to Celebration

[large text: The Call to Celebration]

FEI, the org behind organizing it, asks a very simple question (emphasis mine):

“Why do we so often see stories about facial difference as a ‘tragedy’, when they should be about triumph?” “Calling all artists, allies, creatives, galleries.  You can rewrite the story to bring about #FaceEquality and celebrate the unique artistry found in every face. Your participation this #FaceEqualityWeek will help to tell the real story, that there is a masterpiece in every face.”

Here. We are calling for you to stop. Directly from the biggest international advocacy alliance group that's out there. If you create, this is for you.

The last argument to not have your character with a facial difference hate themselves? Because we don’t want this. We are tired and frustrated. For me personally, I’m also offended by this kind of assumption. We aren’t tragedies or cheap entertainment for abled people to pity or be horrified by. We are people, and if you can’t internalize that, you have no reason to write about us.

For once, celebrate us. Happy Face Equality Week!

mod Sasza

[literaryvein-reblogs]

Writing Notes: Magic Systems

Magic - change wrought through unnatural means

Most fantasy can be placed along a spectrum where there are 3 main points: soft magic at one end, hard magic at the other, and a middle ground between the two.

Soft Magic

Magic that is not well-defined for the reader.

Generally, we don’t understand where the magic comes from, who can use it, or what its limitations are.

Readers can see this type of magic being used.

But they can never anticipate when magic will be used in the plot because they can’t begin to guess how it works.

You can’t break a rule if the rules don’t exist!

Most stories that feature this system will have the magic users be secondary characters, allowing them to avoid explaining exactly how the magic works.

It’s also argued that without knowing everything about the magic, it tends to hold more wonder and excitement for readers.

Hard Magic

Has very rigid boundaries.

Readers know where the magic comes from, how it’s used, who uses it, and what its boundaries and limitations are.

We know the limitations of the characters and can understand why they can’t simply magic themselves out of any particular challenge.

Stories with hard magic systems do not need to avoid the main character being a magic-wielder, as they have the capacity to explain to the reader what is going on.

A lot of writers this system because it gives them very explicit guidelines to follow in their plot and creates some more satisfying pay-offs for readers.

The Middle Ground

The meeting point between the soft and hard systems.

We might understand a bit about the way the magic works, but not all our questions are answered.

While most of the content adheres to rules, these rules aren’t fully explored.

This system relies on the reader’s suspension of disbelief.

The main character can be a magic-wielder or not, and it’s up to the writer to determine when magic will be used in terms of plot.

How to Choose a System

You can and should use these guiding principles to build your magic system. Remember that you don’t have to choose one or the other. Your system can draw from aspects of both. Just stay aware of the weaknesses of the path you choose, and ensure you utilize its strengths.

Use a hard magic system if:

You are going to use magic to solve problems

Your audience is accustomed to the tropes of hard magic

You are okay with jumping through hoops to expand your system

Your magic doesn’t convey a theme

Use a soft magic system if:

You want to convey a theme through magic

You want to create a sense of wonder

You want the ability to expand easily

You want to be accessible to a broader audience

Your magic won’t regularly be used to solve problems

Branches of Magic

Like most writing processes, there isn’t really a correct place to begin designing a magic system. A common, and efficient, place to start, however, is by choosing what type of magic system(s) you wish to employ, such as:

Nature-based magic: water, earth, fire, air, and everything in between

Divination magic: see beyond sight and peer through time and space

Conjuring magic: move objects through space over any distance

Psychic magic: master the world of the mind

Life and death magic: tap into the very forces of life, death, and un-death with this surprisingly versatile collection

Animal- or creature-exclusive magic: some creatures just do it better

Magitech systems: the blurring lines of sorcery and science give magic a next-gen, high-tech flair

Eclectic magic: it doesn’t have to be “real” magic to have a real effect

Uncommon magic systems: the unsung heroes of fantasy magic

AALC Method

How to create your own magic system using the AALC (Appearance, Abilities, Limits & Cost) Method

Appearance

What the magic looks like

Makes the world feel more exotic

Can cause problems for characters but cannot solve them

Usually tied to a character arc

Abilities

What the magic does

Points calculated based on magical effect, range, number of people affected, and duration

Characters have a finite amount of fuel (mana) to use abilities

More powerful abilities require more fuel

The fuel does not have to be overt for the audience to understand

If points not overt, cannot solve conflicts unless a cost system is added

Limits

Unlimited uses of magical abilities

Abilities stratified in codified levels defined by their limits

The more the levels' abilities and limits are known by the audience, the more they can be used to solve conflicts

Focused on clever uses of abilities against stronger foes

Cost system can be added to enhance dramatic moments

Cost

Costs must be greater than or equal to abilities to make them dramatically satisfying

Costs can include time, exhaustion, materials, sanity, morality, etc.

Adds dilemma to magic by forcing characters to make choices

The greater the character's sacrifice, the more audience satisfaction at conflict resolution

Each system builds on the previous ones, so that Cost Systems use all four, while Point Systems only care about Abilities and Appearance.

Multiple systems can exist within the same story, and systems can harden over the course of the story.

The Force, for instance, has been a Soft, Point, Level, and Cost System depending on who wrote it at the time.

SOFT SYSTEMS (Appearance Only)

Window Dressing - magic for secondary characters; can instigate conflict but cannot solve it; e.g., Gandalf

Soft Villain - No explanation or upper limits needed; makes villains more powerful to make heroes greater underdogs; e.g., The Emperor

Chosen One - Unknown power keeps hero safe throughout story; can be considered plot armor unless earned through character arc

Sort Hero Incomplete - Curse or positive ability the character cannot control; hero still learning limits of ability at story's end; powers and arc continued in next adventure

Soft Hero Complete - Hero embraces ability to complete arc and solve main conflict; magic must become harder in subsequent adventures

POINT SYSTEMS (Appearance + Abilities)

Points Opaque - Non-explicit reservoir of energy fuels powers; cannot solve main problems without cost option because characters finding hidden energy reserve feels like deus ex machina

Points Hard - Both abiliites and points system must be explicit like in video games; becomes about resource management; easy to understand but takes sense of wonder out of magic

LEVEL SYSTEMS (Appearance + Abilities + Limits)

Soft Level Static - Unchanging power without upper limits; cannot solve conflicts because feels repetitive; power must be used cleverly; e.g., Wolverine's healing factor

Soft Level Advancing - Increased powers or new powers with unknown limits; cannot solve conflicts unless tied to a character arc like Soft Hero Complete, at which point "unlocks" new abilities

Hard Level Static - Unchanging abilities with clear-cut limits; can solve conflicts so long as setup is properly seeded, usually resulting in sacrifice; e.g., Genie

Hard Level Advancing - Well-established abilities with limits; can solve conflicts based upon clever uses of abilities, usually against stronger foes; e.g., Airbender

COST SYSTEMS (Appearance + Abilities + Limits + Cost)

Static Cost - Well-established cost remains consistent for each use of ability; can solve conflicts since based on personal sacrifice

Cost Fluctuating - Costs change based upon dramatic need; costs must be greater than or equal to ability; possible costs include lost time, money, sanity, health, memory, life, morality, etc.

Sources: 1 2 3 4 5 6 ⚜ Writing Notes & References Writing Notes: Magic System ⚜ Fictional Items; Poisons ⚜ Fantasy

[juniperskye]

Let’s start over.

Sneak peek: Aaron and Reader were together back when she was finishing her bachelor’s degree. It went on for a bit until Aaron started to pull away – after confronting him, you called things off. Years later you return to Quantico to streamline the new child crimes unit which will work directly with the BAU. Aaron is surprised to see you and asks you to dinner…some shocking secrets are revealed. (There are timeline edits to this story to fit my vision okay?!)

Aaron Hotchner x (Fem) Reader

Angst/Fluff

Word count: 5301

Part 2: bonus scenes

REQUESTS ARE OPEN - not edited - please be kind. Requests are open and feedback is welcome if it's constructive!

Warnings: My blog is 18+, minors DNI, age gap (reader is in their 20’s and Hotch is in his 40’s), explicit language, keeping a child a secret, Hotch not being the best partner (past), description of BAU and other FBI units – some canon typical subject matter, OC’s Nora (child) Theo and Leila (agents), mention of hospitals, and mention of febrile seizure, mention of Jack, mention of Haley (their relationship timeline was adjusted to make this work – they separated when Jack was like 2-3 y/o) let me know if I missed any!

I do not consent to having my work translated or reposted to any other site. That being said I do not own the characters portrayed in this story.

** 5 Years Ago, **

“Aaron would you please just tell me what’s going on!” You pleaded.

“Nothing. I told you to just drop it. Nothing is wrong.” Aaron snapped.

Things had been like this for the past few weeks. Aaron was being short with you, snippy about menial things that had never bothered him before. You couldn’t figure out what was going on, it had truly begun to weigh heavily on your relationship.

“We both know that’s bullshit. Why won’t you just talk to me?” You were practically begging him at this point.

“Jesus Christ, would you just let it the fuck go. I said I don’t want to talk. Why is that so hard for you to understand?” Aaron shouted. “Maybe Dave was right.” He mumbled.

“Right about what?” Your voice came out much smaller than intended.

“Maybe you’re too young, too immature. You just don’t understand the stress I’m under.” Aaron huffed out a sigh.

Aaron and you had been together for nearly two years. Initially it had been more of a fling due to the fact that he was teaching a course you were taking to complete your bachelor’s degree. He and you took things to the next level once you’d graduated and now you were about to complete your master’s degree. You loved Aaron, but with how things had been going for the last few months, you couldn’t help but wonder if that was enough.

“I don’t know if I can do this anymore.” You whispered.

“So what?  We get in a little fight and you’re going to throw a tantrum?” Aaron spat pure venom.

“A tantrum?” You said, exasperated. “Aaron I’m not a toddler kicking and screaming because I am not getting my way. I’m a grown ass woman asking for some healthy communication in our relationship. We haven’t had a real conversation in months, and I don’t think I can go on like this.” You gasped, the realization finally hitting you…this had to end.

“Sweetheart, we can work this out. I’m sorry okay?” Aaron reached for you.

“No…” You took a retreating step, your back making contact with the back of your sofa. “I think it’s too late Aaron. And honestly it’s rich that you called me immature, when you are so emotionally stunted. You refuse to act your own age and talk things through. Instead, you bottle things up and push away anyone who cares about you. I won’t be your punching bag anymore, I have too much respect for myself.” Your tears had finally broken free, trailing down your cheeks clouded with black from your mascara.

“So that’s it then? We’re done?” Aaron scoffed.

“I guess that’s it.” You gasped.

With that, Aaron grabbed his bag and left. Pausing for a second, before shaking his head and making his leave. The moment you heard the lock click, your knees gave out and you collapsed to the floor as sobs ripped through your body. You laid there for what felt like days, broken and devastated by the loss of what you presumed was your forever. He was gone and you’d have to move on, something you weren’t sure was possible in that moment.

** Present Day **

“Hello? … This is she … Oh! Director Cruz … yes I am getting everything ready. … I can’t thank you enough for this opportunity, truly. … Of course, thank you. … Alright, I will see you Monday. … Thank you … Bye.” You were practically buzzing as you hung up the phone.

“Was that bossman?” Hestia questioned.

“Yes it was! He was checking in and making sure I have everything I need before I start on Monday!” You gushed.

“I can’t believe you are moving back to Virginia. I am going to miss you so, so much!” Hestia whined.

“I am going to miss you too! But it’ll only be like a month until you join me…right?” You inquired.

“Yes! My lease is up then and as long as you’re still cool with us staying with you guys until we find our own place, we will be there!” She explained.

“Ummm of course you guys can stay with us! Free childcare…I’d be an idiot to pass that up!” You laughed as Hestia threw a pillow at you.

You were actively packing up your life and preparing to move back to Virginia. You hadn’t been back there in nearly five years. After breaking things off with Aaron and completing your master’s degree, you’d looked into PhD programs around the U.S. and had ultimately decided on the child psychology program at Colombia University, and while New York wasn’t too far from Virgina, it at least put space between you and Aaron. 

About eight months after you and Aaron had broken things off, Nora had come as quite a surprise. Despite the shock that was brought on by your pregnancy, Nora had become the greatest gift you could’ve asked for. Having Hestia around to make up for your lack in baby daddy had brought the two of you incredibly close together.

You had met Hestia in a pretty unconventional way, she was one year into her residency for general surgery, and you had appendicitis. So, she worked hand-in-hand with the surgeon who removed your appendix, and well, the rest had been history. She’s been with you through everything in the last four years, most importantly, she’s helped you raise Nora. You’d been sure to repay the favor, especially within the last year…Hestia’s mom had passed, leaving her 15-year-old sister in her care. The four of you had become your own little family.

“So, what’s your plan tomorrow?” Hestia asked.

“Oh, my parents flew in last week and they drove most of my stuff down on Tuesday. My mom said she wanted it to be set up for us, so we’d be able to move right in, especially since I start work immediately. So, I am just getting the last few things together today and we will head down tomorrow, and I guess we will finish getting everything set up this weekend. They’re staying with me, pretty much until you and Selene can come out. They don’t want me to have to put Nora in daycare.” You explained.

“Aw, I’m so glad they’re able to do that! I know by then you’ll be ready to have them out of your hair, but it is nice that you won’t have to leave her with strangers right away.” Hestia patted your leg. “I do have a question for you though…are you at all worried about running into your ex?”

“I don’t even know if he still works there Hes, it’s a huge place. Who’s to say we even see each other at all?” You shrug.

“You are so full of shit!” Hestia laughs. “Don’t act like you didn’t check to see if he’s still there.”

“Ugh! Yes he’s still the unit chief of the BAU! Of course I looked. And yes. I am terrified, Director Cruz said my unit will most likely work with the BAU more than any other team and I’m not sure I can handle that.” You groaned.

“You can’t avoid him forever babe. Are you going to tell him about Nora?”

“Hes, I don’t even know how I would begin to tell him.” You shook your head. “We ended horribly and she’s four now. What if he freaks out?”

“I mean he might. Hon, you have to tell him, she’s his daughter you know… I don’t think there’s an easy way to do it. Like it’s gonna be ugly no matter what. But at least you’re telling him.” Hestia reasons.

You knew she was right, you had to tell Aaron about Nora, but honestly it could wait. You had an entire unit to run, and you couldn’t let your fear of seeing him and having that conversation distract you from the important work you’d be doing.

Monday came far too quickly. Your parents had been a huge help, and the house was almost completely unpacked. Nora had settled in well with them being there with you both, and you were incredibly grateful to them for supporting you.

You had gotten up early to make breakfast and eat with Nora before heading into the office. When you walked into the FBI building, you made your way to the front desk to get your ID and then headed to the director’s office.

“Welcome! We are so glad to have you and your team joining us at the FBI. Child crimes is something that has needed an official unit for far too long, I am just happy to have you leading it.” Director Cruz greeted you.

“Thank you Director, it is truly an honor to have been asked to lead this team. From my understanding, Theo and Leila will be here tomorrow to begin officially.”

“That’s correct. I want to go over some logistics with you before I show you to your office. As of right now your team will just be the three of you, if we see a need to expand, we will. I am going to assign you and your agents each a specific unit for if you are needed in more than one place. You will be the point person for the Behavioral Analysis Unit and the Sex Crimes Unit, Leila will take point with Violent Crimes and Theo will take point with Cybercrimes. I anticipate that your team will work closest with the BAU and SCU.” Director Cruz explained.

“That all sounds good sir. Are the Unit Chiefs of these departments all aware of our arrival? I just want to ensure they will be prepared to work with us and that there won’t be too much pushback.” You posed.

“I understand. Yes, they have all been informed of your team’s arrival and I have made it very clear that their cooperation is nonnegotiable. At the end of the day, we all have the same goal, so hopefully there will be very little pushback from our agents.” Director Cruz reassured you. “Are you ready to see your office now?”

“Yes sir, thank you.”

Stepping off the elevator onto the sixth floor, you immediately took note of the directory sign listing that the BAU was housed on this floor. It made your stomach churn, knowing that you would most definitely see Aaron every day… not to mention in like the next few minutes.

“Okay so, through this door here is where the BAU is, as I mentioned before. There are two open desks down in the bullpen there for Theo and Leila, and your office is just there. You will be between agents Hotchner and Rossi.” Director Cruz noted as you entered your office. “I’d like to introduce you to agent Hotchner before I let you settle in; I think it is important given how frequently you’ll be working together.”

“Of course, sir.” You nodded.

The ten steps it took to get from your office to his felt like an eternity. You felt sick knowing that you’d have to face the man that had broken you all those years ago. You may have ended things with him officially, but he had truly ended it when he decided that you weren’t worthy of communicating with. At this point you were just hoping that he’d grown up in that area, because you really needed him to take the news of Nora well.

“Agent Hotchner, I have the new child crimes unit chief here for you to meet.” And before Director Cruz could give Aaron your name, it escaped his own lips, framed by his shocked expression. “Oh, you two know each other?”

“Agent Hotchner was a guest lecturer for one of my undergrad courses. He was my inspiration for entering this field.” You supplied.

It wasn’t a total lie…

“Yes, she was a bright student. I’m not surprised to see that she made it to the FBI.” Aaron added.

“Alright then, I will leave you to catch up then.” With that, the Director made his way back to his office.

“How um…how are you?” Aaron inquired.

“I’m well Aaron. I don’t really think anymore small talk is necessary. I should go get settled into my office.” You huffed out a breath before exiting the room.

You made sure to take your time getting settled. Placing some personal things out on your desk and shelves. You had a few plants, some of your favorite pens, some file folders, you hung up your degrees, you organized your psychology books on the shelves along with some law books, and the last, most important detail was a framed photo of you and Nora that you sat next to your lamp.

The day had sped by as you made yourself comfortable on the couch in your office while reading through some emails from other units and some case files of theirs from previous cases to see how they typically ran things. You had been trekking along just fine until a quite knock broke your concentration. Looking up, you weren’t entirely surprised to see it was Aaron standing there.

“I just wanted to check in and see how you were doing. It’s almost eight.” Aaron informed you.

“Oh shit! I didn’t even realize!” You scrambled to check your phone.

“I know that you said small talk wasn’t necessary, and I agree. I would however really like to take you to dinner to catch up, and maybe I can explain some things.” Aaron requested.

“Oh, I um. I’m not sure that’s a good idea…I uh-”

“Please. I really need to explain myself, for how awful I was back then. No excuses, just maybe it’ll help you see my point of view. I’ve worked on myself a lot since then.” Aaron pleaded.

“I have to make a call first.” You conceded.

“Of course. I’ll give you some privacy.” He exited your office.

You quickly called your mom, letting her know that you were going to dinner with a coworker, asking her to take care of the remainder of Nora’s bedtime routine. You also had to inform her you wouldn’t need to be picked up. After which you spoke to Nora wishing her a good night and giving her a kiss through the phone. You then gathered your belongings and met Aaron in the bullpen.

“So, I don’t have my car. My parents are in town, they helped me move, so I left my car with them.” You explained sheepishly.

“No worries, if you’re comfortable with it, I can drive us. I can take you home after as well.” Aaron offered.

“Yeah, that would be great. Thank you.” You offered a gentle smile.

Aaron gestured you to the elevator and you made your way down to the parking garage. Aaron, ever the gentleman made sure to open the car door for you, both in the garage and again at the restaurant. There was a tinge of sadness that flooded your mind as you noticed where Aaron took you.

It had been your go to for date nights back when you were together. It was a recommendation from Dave – who you couldn’t help but feel a bit of resentment toward given the “too young” comment. You wondered if Aaron brought you here on purpose, and he must’ve picked up on your thought.

“I’m sorry, I don’t know why I drove us here. I guess it was muscle memory.” He shook his head.

“It’s okay. I’ve missed the food honestly.” You let out a little chuckle.

“I have too. I uh, I haven’t been here since we ended.” Aaron’s voice trailed off toward the end of his statement.

You were relieved that the night hadn’t been filled with awkward silence. It had, however, been a lot of catching up while Aaron avoided the main reason he brought you here and you avoided talking about Nora. You were both saved by the waiter when he came by to get your order.

“Would you like to see the wine list?”

“No thank you. I’ll just have water.” You were quick to answer.

“Water is fine for me also.” Aaron added.

“Are you ready to order your entrees then?”

“I will have the Mezzi Rigatoni, and she will have the Ricotta Cavatelli.” Aaron declared.

The waiter nodded and walked off. You couldn’t help but look at Aaron with a bit of shock. It is what you always ordered, so you couldn’t be mad, but it felt foreign and all too familiar at the same time. He always ordered for you when you used to go out, he used to know you better than you knew yourself…but that was then.

“I’m so sorry – I don’t know why I did that” Aaron was quick to apologize “Maybe coming here was a bad idea. It’s all too familiar.”

“It’s okay Aaron. I was going to order it anyway. Maybe we should talk about why we’re here.” You suggested.

“Of course. I want to explicitly state that I am not trying to make excuses for how I acted then, because I know I was horrible to you in the end. I do just want to give you some insight as to what I was going through at that time. I really want to communicate now what I didn’t then.” He began.

You nodded for him to continue as the waiter brought your food and drinks.  

“So, you know that Haley and I divorced before you and I got together officially. Well once you and I became serious and my time was either spent at work or with you and Jack, Haley didn’t seem to like that. She uh, she tried to fight me for primary custody of Jack.” Aaron explained.

“What? Aaron why didn’t you tell me?”

“Honestly, because I knew you’d take a step back in our relationship. I knew that with how selfless you are, you’d offer to back off and give me more time with Jack and I didn’t want that. I wanted to have you and Jack, so I kept it to myself. Which broke us anyway.” He concluded.

“I really wish you would’ve told me; things may have been different Aaron. I am glad you’re telling me now though.” You desperately wanted to reach for his hand but ultimately decided against it.

Now was as good a time as any, you had to tell him about Nora. He confessed something and it was your turn. And just as you were about to open your mouth, a shrill ring sounded from Aaron’s coat pocket.

“Hotchner. Yes…CCU as well? Yes – I’m with their unit chief now. We’re on our way.” Aaron hung up the phone and looked over at you. “Is your team here in Virginia?”

“Yes, they’re not meant to start until tomorrow.” You provided.

“Call them in, we have a case. Time is of the essence.” Aaron signaled for the check.

The two of you contacted your respective teams as you made your way back to the car. Aaron once again opened your door for you and drove you back to the office. You texted your parents and informed them of the case and asked your mom to let Nora know you’d be home as soon as you could.

30 minutes later you were on a private jet to Chicago with your team and the entirety of the BAU. You had unintentionally sat beside Aaron and began going over the case details with everyone. Aaron had begun explaining the preliminary profile, and you couldn’t help but chime in. Everyone was watching how the two of you riffed and bounced ideas off of one another so naturally.

“Just a reminder, there are new protocols for entry into the crime scene when we are locating the children. We need to follow those exactly to ensure we don’t harm these children more so than they are already. If you have any questions about those procedures feel free to ask me or my agents.” You instructed.

“Right. Now for assignments, Dave, JJ and Theo I’d like you to interview the family of the latest victim –”

“Molly Leland.” You corrected.

“Apologies. Dave, JJ, Theo go to the Leland’s and find out anything you can. Morgan, Prentiss and Leila, you three go to the abduction site, I want to ensure CSU didn’t miss anything. And Reid you’ll be with us at the station to start on the geographical profile.” Aaron finished, gesturing to the two of you.

Six days. It had been six days, and you still hadn’t made any progress on this case. Another child had gone missing, and things were incredibly tense. Both teams had been in the designated room within the precinct going over theories.

“I think we’re looking at this all wrong…” Leila began, “I think the person abducting these kids is younger than initially profiled.”

“Given their disorganization and the lack of consistent victimology, I’d say that’s a pretty plausible theory.” Spencer validated.

“Okay, Leila what were you thinking?” You inquired.

“What if it is a teenager? My thoughts were a kid who grew up in foster care – hence the random victimology. They just want siblings, and that’s why there aren’t any bodies.”  Leila suggested.

“I think she’s onto something. If it was a young adult who was newly alone in the world, they’d be looking to find people to surround themselves with.” Morgan continued.

“Garcia, run a search for kids that just aged out of group homes and foster care.” Aaron called to their technical analyst.

“Within the geographical limits I just sent over to you.” Spencer added.

When your phone rang, you excused yourself from the room, answering the call from your mom. You could immediately tell something was wrong given the slight lilt to her voice.

“Mom, what’s wrong?...Why do you need the children’s Tylenol. … Fever? What’s her temperature? … 103? MOM! You need to take her to the ER. … I’m serious! … I’m coming home. … Yes! … I’ll be there as soon as I can. … Take her straight to Bethesda. …Ok. Bye.”

You turned and jumped in surprise at Aaron standing there behind you.

“I just came to let you know we’re splitting up to check out a few leads. Is everything okay?” He asked.

You could tell he had more questions and that he’d more than likely heard the entirety of your conversation but was holding back in asking them.

“Um no. My daughter is sick. She has a pretty high fever. I uh, I need to get home.” You panicked.

“Okay. We will get you home then. I’ll send the teams out and I will make some calls. For now, just try to stay positive okay?” Aaron had always been the calm in the storm.

He sent three separate groups out to find the unsub and had made a few calls back to the director to get you on an emergency flight home. He went as far as to drive you to the hotel and then to the hangar.

“Aaron.”

“Get home to your daughter.” He offered a small smile.

“Thank you.”

Leila had texted to update you that they had caught the unsub and would be heading home in the next hour or so. You had been grateful that the team had successfully closed the case. What was killing you, was the state of your baby girl. She had an excessively high fever, and it just wouldn’t break.

“Miss, there’s someone here to see you.” The nurse informed you.

You looked over at your mom who gave you a nod and you exited the room. Following the nurse to the waiting room, you were surprised to see Aaron standing there.

“I just wanted to see how she’s doing, and how you are.” He declared.

“I um. I’m…” You couldn’t help but break down.

Aaron immediately pulled you into his arms and moved you both over to a couch in the waiting area. He let his hand brush over your hair and whispered reassurances to you. The two of you sat like this for a while before you slowly pulled away.

“Sorry. She just has this fever, and it won’t break, and they don’t know what’s wrong.”

“Sweetheart it’s okay. She will be okay.” Aaron grabbed your hand.

A moment went by and then an alarm sounded. Your gaze shot up as you watched medical staff make their way to Nora’s room. You got up and ran to her room, with Aaron hot on your heels.

“What’s happening? What is going on? Somebody tell me what is going on!” You were practically shouting as Aaron pulled you from the room.

Your mom was pacing in the hallway as Aaron held you back from storming back in. It was killing him to see you this distraught.

“It was a febrile seizure. This can happen when children have such a high fever. We’ve given her a sedative to try and help her rest and we pushed some more Tylenol to aid in breaking the fever.” The doctor explained.

“Is she going to be okay?” You questioned.

“We’re doing everything we can. A nurse will be by soon to take her temperature again.” The doctor walked away.

“I’m going to go find your dad. That way you two can have some privacy.” Your mom said pulling you into a hug.

“This is Nora.” You told Aaron as you ran your hand over her forehead, brushing her curls away from her face.

“She’s beautiful.” He complimented.

You sat in silence for a bit with him just watching Nora. You could tell part of him was itching to ask, but you also knew that Nora was a bit small for her age so he couldn’t be sure that she was his. This moment of avoidance was terminated the second the billing staff came in to get all of your information.

“Hey there, I wanted to confirm all of the info for billing. Do you have your driver’s license and insurance card?” The staff requested.

“Yes, here it is.” You passed her the card.

She filled in all of your information, clicking away on her keyboard while the rest of the room sat with a looming silence. You could feel the question coming. You had been an idiot to give Nora her father’s last name.

“Okay and can you confirm the patient’s name and date of birth for me?”

“Yes, it’s uh…Nora Leigh Hotchner. That’s H-O-T-C-H-N-E-R. Date of birth is 10/4/2019.” You could feel Aaron’s gaze burning into you.

“Alright, here are those cards back. Thank you.” She made her leave.

“Seriously?”

“Aaron, let me explain.”

“Not here.” He motioned toward Nora.

He swiftly made his way out of the room, and you were quick to follow. In noticing your parents, you signaled for them to sit with Nora as you practically chased after Aaron. He didn’t stop until he was in a private waiting room, it was only then that he turned to face you.

“Are you fucking kidding me? She’s mine? And what, you didn’t think to tell me…I don’t know, FOUR YEARS AGO?” Aaron was fuming.

A part of you understood his response, but another part of you was furious that he wasn’t allowing you to explain before flying off the handle.

“Don’t yell at me. If we’re going to do this, we will talk like adults. I will not sit here and allow you to berate me.” You held your ground.

“Okay.”

“I found out I was pregnant after I left for New York. And at that point Aaron, I was so devastated by our breakup, and I just didn’t think I could be around you. I know that’s not fair, but I had thought you and I were forever and then we’d just ended. I was going to tell you last week at dinner, but then we got called in. Aaron I am so sorry, and I know that doesn’t make up for the time you’ve lost, but I also need you to know that I did what I felt like I had to do.” You let your gaze fall to the floor in guilt.

“I understand. I’m not happy, but I get it.” He reached for your hand.

You accepted the gesture and furthered it by pulling him into an embrace. He wrapped his arms around you and rested his head atop your own.

“I’ve told her about you.” You whispered.

“What?”

“I’ve told her about you. She’s seen pictures and heard stories. She knows you Aaron.”

He held you a little tighter and you nuzzled a little closer. After a few moments he suggested that you both get back to your girl. You both sat with her all night, letting your parents go home. At three in the morning, the night nurse gave you the good news, her fever had finally broken. The next day, Aaron drove the two of you home, leaving with a scheduled family day where you would introduce Jack and Nora. You had also discussed talking to the kids about their birthday party (since their birthday’s are only 3 days apart). With Jack turning seven and Nora turning 5 in a little more than a month, you wanted to plan something big for the two of them.

** One Month Later **

“Okay, the bounce house is set up and the petting zoo guy just arrived. Where should he set up?” Penelope asked.

“On the southeast side!” Dave hollered.

You were setting up the last of the hors d’oeuvres, while the members of both the CCU and BAU helped get Dave’s backyard set up for the kids birthday party. You were so incredibly grateful for this family you’d come to have.

“We’re here with cake!” Hestia announced.

“Hes! Selene! Hey guys, you can set that up on that round table over there.” You pointed.

Selene came over and gave you a hug, you snuck a snack into her hand and nodded over to your bag.

“My iPad is in there with the Twilight movies all downloaded. Dave has a sitting room down the hall to the right.” You winked at her.

“Thanks mom!” Selene said hugging you once more before heading off.

“Do you have another kid I don’t know about?” Aaron joked, wrapping his arms around you from behind.

“Ha ha! No, Selene just calls me mom. We’ve both taken care of her since their mom passed, but it became an inside joke that I acted as the mom to Nora, Selene and Hestia.” You huffed a laugh.

“It’s true!” Hestia confirmed, before taking a case of juice boxes outside to the cooler.

“You know, I wouldn’t be opposed to it.” Aaron murmured, pressing a kiss to your neck.

“Opposed to what?” You giggled.

“More kids.”

“Aaron! We only just got back together, and we are at our children’s birthday party! Behave yourself.” You hissed.

“I know, but this time around, I’m not letting you go. I plan on marrying you and I just want you to know that I’m open to more children, one day, when and if you’re ready.” He punctuates it with a kiss to your lips.

“Well, I’m open to it too. And whenever you ask, my answer is yes Aaron. You’ve proven to me that you’ve grown since we ended before and I can’t stand the thought of going without you again so, I’m in this, for as long as you’ll have me.” You kissed him once more before carrying a tray outside to the party.

Aaron smiled and grabbed his phone, opening it to check the status of his order. There on his screen was confirmation that your ring had been customized, made, sized, quality checked, and would be shipping out soon.

He couldn’t wait to spend forever with you.

[cherishedhope]

Dormleaders Reacting to Their Fanbase.

Genre: Crack?? I think it's crack. Not sure. Characters involved: Riddle, Leona, Azul, Kalim, Vil, Idia, and Malleus. Synopsis: How I think they would react to having so many fans, fanfictions, etc. A/N: I made this a little short. Sorry. :( anyway enjoy!! <3 Disclaimer: This is solely for entertainment purposes only. No hate to any of the ships mentioned!! Characters could potentially be ooc. Mentions of NSFW content but there isn’t actually any in the post. NOT proofread. A/N 2: Malleus’s part was inspired by a convo I had w @moonswolfie . Go follow her. Her twst stories are just- *chefs kiss* Requests: Open!

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— He's a bit shocked that he has a whole ass fanbase. Like-?? What?? I mean, yeah, he's well-known around the school but not for good reasons. But to know that he has thousands of people who actually enjoy are obsessed with him is pretty flattering.

— Ace and Deuce are also just as surprised if not more so. Probably even questioning the tastes of the people in our world.

— Appalled when he sees a bunch of posts dissing his mom. (does find it comforting knowing all of them are on his side and seriously questions his upbringing.)

— Turns into a tomato at an impossible rate of two seconds when he sees that a LOT of people are shipping him with Trey. A bunch of screaming and incoherent stuttering. I don’t think he has ever thought of Trey as more than a friend before. (Ace is dying in the background.) — Cater has already warned him of the nsfw tags so Riddle steers FAR FAR FAR away from it. His brain is already having trouble processing that he has people that ADORE everything about him. He can’t handle reading himself being intimate with hundreds of people. He does read a fluffy fic or two.

— I feel like he would take notes of how he acts in the fanfictions so he can apply fanfic Riddle’s actions to himself.

— Art? People make art of him? — Feels a sense of pride when he looks at the drawings people make of him. He’s flattered!

— Flustered as hell, but also super happy about it. Whenever he feels down he’ll think about all the people that like him and he starts feeling a lot better. :)

— THIS COCKY MF

— HE IS SO SMUG ABOUT IT

— Considers building an entire empire of his own with you guys as his loyal, devoted subjects. Then ultimately decides not to because that’s too much work and not enough time for sleep. (Then again, we would probably understand. You guys wouldn’t dare question HIM, right??)

— Definitely rubs it in Malleus’s face the first chance he gets.

— He is watching every single edit of himself he can find. Y’all don’t understand how big of a stroke this is to his ego. His head?? It's bigger than a hot air balloon at this point. Who wouldn’t react that way if someone made edits of them? It is a huge ego boost!

— Finally, after so long, he isn’t referred to as “Falena’s brother.” No. He is Leona Kingscholar. People like HIM. Hell, he could start an entire army with all the fans he has!

— Nothing can ruin his day.

— …..

— Physically recoils when he sees the Malleus x Leona tag. Powers off his phone and then throws it against the wall. He has never been more disgusted and disappointed in all of his life.

— he still likes you guys!! dw. Just give him a couple minutes hours and maybe he’ll get over it.

— What?

— Sorry, yeah, no, he isn’t believing any of you. There is NO way people would willingly sign up for one of his contracts and enjoy it.

— Once he finally snaps out of Denial River, he is still in disbelief. That quickly gives way to him scheming and plotting on how to use this to his advantage.

— Is a customer acting rowdy after signing one of his deals? Trying to sue him over it? Well, now he has thousands of witnesses to back him up. No one can touch him now. He is the most powerful of all!

— Someone tries to attack him? Tweels, release the hounds.

— He is UNTOUCHABLE

— He's too shy to read the fanfics. And he doesn’t wanna look at the edits of himself either. It makes him cringe inside. Not because of them being made. No, the people creating them have great talent. But the reason is because it's him. — He gets curious after a while and does take a look at one edit. JUST ONE!

— And now he's hiding out in his octopot scrolling through as many as he can find. He cries seeing all the love he gets.

— He prints out some of the fanart and hangs it up in his room.

— Whenever he feels self conscious he looks at the edits and then he’s all smiles and as confident as ever.

— FANS?? HIM??

— EEEE!!!!

— :DDDD

— NO WAY!!!!!!!!!!!!

— SCREAMING! JUMPING ALL OVER THE ROOM! SO MANY FRIENDS! KICKING HIS FEET AND GIGGLING! He wants to meet all of you!

— Feels obligated to read every fanfiction, like every fanart, watch every edit. Not because he wants to make himself feel good about it, but because he wants to see how talented you guys are! And he is not disappointed.

— Gets really sad when he realizes that he can't talk to any of you guys.

— :(

— JamiKali? What’s JamiKali? What's a ship??

— Nsfw?? What does that mean?

— It doesn’t take long for Jamil to take his phone away. He probably even puts restrictions on it so Kalim doesn’t get exposed to the more inappropriate side of his fanbase.

— He does not care.

— Flattered, sure, but not as excited as the others are. Yeah, it's surprising that people still worship the ground he walks on even in another world, but not too shocking.

— He scrolls through a bunch of fan arts and criticizes them. If it doesn't resemble him perfectly then he doesn’t care for it.

— Unironically calls you guys his “adoring” fans.

— Doesn’t even look at the fanfics. He already knows that he'll see things that aren't accurate to his character. (little does he know, a lot of people write him pretty well 😭)

— REFUSES to look at the ships. He doesn’t want to see people shipping him with Neige. He already deals with it from the fans in his world so he doesn’t want to see it in another.

— Most of his reaction to this is basically “um yeah, obviously I have a fanbase. 🙄”

— Like Azul, he also does not believe it. Him?? Why would someone as insignificant as him have a fanbase? You guys must have gotten knocked on the head or something when you were younger.

— Dies and ascends to heaven once he sees that people make fanfics/art/edits of him. HE IS EXPLODING WITH HAPPINESS. Holes himself up in his room and binges e v e r y t h i n g. He makes a collage of all his favorite fanarts and uses it as his wallpaper.

— Dies again when he finds out there are figurines of him. And plushies. And rings. And and and and.

— I think his favorite out of all of this would be the fanart. Have you guys seen Ignihyde stans?? Their art is literally gorgeous omksn

— His hair instantly transforms into pink flames when he spots the ships. Him with Azul? Him with Lilia?? Him with Silver?

— Considers each and every ship he sees. I doubt he can look the other person in the eye for a while.

— His self-esteem grows a lot bit so consider that a job well done for being an Idia stan 👍

— What is a fanbase?

— The only thing this man is going to understand is the art part of everything. He’s probably used to having his portrait done in Briar Valley, so that is the only thing his mind can figure out.

— Other than that, what is a “fan fic”? What is the point of moving pictures of him with upbeat music? A ship? Why do people keep saying he's in a ship with some random person from NRC? He is clearly on the ground by himself.

— After Lilia spends the next three hours explaining everything to clueless dragon boy, Malleus finally slightly understands what the internet is. (He still doesn’t understand ships.)

— So many new additions to the gargoyle club!! On the outside he appears calm and neutral but internally he is ecstatic and doing what humans call “running around the room screaming and crying.” There are so many humans that are interested in him droning on about gargoyles! Some even want to participate in the conversation!

— Sebek is in the background complimenting all of you for having good taste and following the young master.

— He's touched by the fact that so many humans are like Yuu and don’t find him intimidating at all and even look up to him as a father figure :) (Lilia failed to tell Malleus about what the “daddy” comments truly entail. )

— He does not care that you guys are in another world. He is gonna find a way to get into contact w y’all. He is NOT letting this many friends go to waste. 😤😤

[st4rtar0t]

Describing your love trope with your future spouse as a writer

Pick a picture

MASTERLIST ☆ PAID SERVICES

LONG POST AHEAD!

Pictures belong to their rightful owners, I only own the content of this post.

Picture 1

Arranged blind date

I stared at my reflection, the dress clinging to my frame in a way that was both flattering and unfamiliar. It had been months since I’d worn anything other than sweatpants and old t-shirts. My heart pounded as I thought about the evening ahead. What had I let Emma talk me into?

“Trust me, y/n,” she had said, her eyes sparkling with excitement. “You deserve someone who treats you right. This guy is perfect for you.”

I wanted to believe her. After all, Emma knew me better than anyone. She had seen me through the worst of my relationship with Adam, watched as I shrank into myself, convinced I was unworthy of love and respect. She had been my rock when I finally walked away.

Now, she was determined to help me move on, even if it meant dragging me into the world of blind dates.

“You look stunning,” Emma said, stepping into my bedroom. Her smile was warm and reassuring. “And you’ll be fine. Just be yourself.”

I nodded, trying to steady my breathing. “What if he’s... I don’t know, another Adam?”

Emma shook her head firmly. “He’s not. Trust me. I’ve known him for years. He’s kind, funny, and he’s been through his own share of heartbreak. You two will understand each other.”

Taking a deep breath, I followed Emma out the door and into her car. As she drove, I gazed out the window, my mind a swirl of anxiety and hope. The city lights blurred past, a cacophony of life that felt distant and unreal.

We arrived at the restaurant, a cozy little place with warm lighting and the comforting aroma of home-cooked meals. Emma squeezed my hand. “He’s waiting at table five. Go on, I’ll be right here if you need me.”

I hesitated, then nodded. “Okay. Here goes nothing.”

As I approached table five, I saw him. He was looking down at his menu, but there was something about him that immediately put me at ease. He had an air of quiet confidence, and when he looked up and our eyes met, he smiled. It was a smile that reached his eyes, genuine and warm.

“y/n?” he asked, standing up and offering his hand.

I took it, surprised by how natural it felt. “Yes. And you must be Michael.”

He nodded, his grip gentle yet reassuring. “It’s really nice to meet you. Emma’s told me a lot about you.”

I laughed nervously, taking my seat. “All good things, I hope.”

“Only the best,” he said, his eyes twinkling with kindness. “She’s very fond of you.”

As we started talking, I found myself relaxing. Michael was easy to talk to, his sense of humor lightening the mood. He shared stories about his work as a graphic designer, his passion for painting, and his dog, Max, who sounded like a real character.

“So, Emma tells me you’re quite the photographer,” he said, his tone genuinely interested.

I blushed slightly. “I dabble. It’s just a hobby, really.”

“From what I hear, you’re pretty talented,” he replied. “Maybe you could show me some of your work sometime?”

I nodded, feeling a warmth spread through me that I hadn’t felt in a long time. “I’d like that.”

The evening passed in a blur of laughter and easy conversation. For the first time in what felt like forever, I was enjoying myself. Michael was attentive, respectful, and genuinely interested in what I had to say. It was a stark contrast to the indifference and criticism I had grown accustomed to with Adam.

As we said our goodbyes, Michael looked at me with a hopeful expression. “I had a great time tonight, y/n. Can we do this again sometime?”

I smiled, feeling a lightness in my heart. “I’d like that very much, Michael.”

As I walked back to Emma, who was waiting with a knowing smile, I realized something. Maybe, just maybe, I was ready to open my heart again. And maybe this time, I’d find the love and respect I truly deserved.

⁠—⁠☆

Emma hugged me as soon as I reached her. “See? Told you it would be fine.”

I hugged her back, gratitude welling up in my chest. “Thank you, Emma. For everything.”

She grinned. “That’s what friends are for.”

And for the first time in a long while, I felt hopeful about the future.

Picture 2

Friends to lovers

I stood outside y/n’s apartment, nervously shifting from one foot to the other. The city was quiet tonight, the streetlights casting a warm glow on the sidewalk. I had been here countless times, but tonight felt different. Tonight, everything was about to change.

Taking a deep breath, I knocked on the door. Almost immediately, I heard her footsteps approaching. The door swung open, and there she was, her smile lighting up the entire hallway.

“Hey! Come on in,” she said, stepping aside to let me pass.

I walked in, my heart pounding in my chest. “Hey, y/n. Thanks for having me over.”

We settled on her couch, the same spot where we’d shared countless conversations, laughter, and even tears over the years. She handed me a cup of tea, her eyes sparkling with the warmth I had come to cherish.

“So, what’s up?” she asked, taking a sip of her own tea. “You sounded a bit urgent on the phone.”

I looked at her, really looked at her, and realized just how much she meant to me. Her kindness, her strength, her infectious laugh—all the little things that made her who she was. It hit me like a tidal wave. I was in love with her. I always have been.

“y/n, there’s something I need to tell you,” I began, my voice trembling slightly.

She set her cup down, her expression turning serious. “What is it? You know you can tell me anything.”

I took a deep breath, gathering my courage. “y/n, you’ve been my best friend for as long as I can remember. You’ve been there for me through everything, and I don’t know what I’d do without you.”

She smiled, reaching out to squeeze my hand. “I am your best friend. I will always be there for you no matter what happens. Now tell me, what is bothering you?”

I swallowed hard, feeling the weight of the moment. “But that’s the thing. I don’t just see you as my best friend anymore. Somewhere along the way, my feelings changed. I’ve fallen in love with you.”

Her eyes widened, and for a moment, there was a silence that felt like an eternity. My heart was in my throat, fear and hope battling within me.

“oh…” she whispered, her voice barely audible.

I pressed on, needing her to understand. “I know this might come as a shock, and I don’t want to ruin what we have. But I had to tell you. I can’t keep pretending that what I feel for you is just friendship.”

Her eyes searched mine, and I saw tears forming. Panic surged through me. Had I made a terrible mistake?

But then she smiled, a radiant, beautiful smile that took my breath away. “I’ve been waiting for you to say that for so long.”

Relief washed over me like a flood. “You... you have?”

She nodded, tears spilling over her cheeks. “I’ve loved you for years. I was just too scared to tell you. I didn’t want to risk losing you.”

I reached out, brushing a tear from her cheek. “You’ll never lose me, y/n. You’re everything to me.”

She leaned into my touch, her eyes filled with love and vulnerability. “I love you.”

The words were like music to my ears. I pulled her into my arms, holding her tightly. “I love you too, y/n. More than you’ll ever know.”

We sat there, wrapped in each other’s embrace, the world outside fading away. All that mattered was this moment, the love we had finally confessed, and the promise of a future together.

As I held her, I realized something. Love had been right in front of me all along, in the form of my best friend. And now that I had found it, I was never letting go.

Picture 3

Opposites attract

I watched him from across the room, the way he moved with such effortless grace and confidence. The party was in full swing, laughter and chatter filling the air, but all I could focus on was Ethan. He was the epitome of extroversion, charming everyone around him with his easy smile and quick wit.

I, on the other hand, was more comfortable in the shadows, observing rather than participating. I preferred a good book to a loud party, a quiet evening at home to a night out on the town. Yet, here I was, drawn to someone who was my complete opposite in every way.

Ethan caught my eye and waved, making his way over to me. My heart skipped a beat, a mixture of excitement and nervousness swirling inside me.

“Hey, Y/N,” he said, his voice warm and inviting. “Why are you hiding over here all alone?”

I shrugged, trying to appear nonchalant. “Just taking a break from all the excitement.”

He laughed, a rich, contagious sound. “You know, you’re the only person I know who comes to a party to take a break from it.”

I smiled, feeling a little more at ease. “Well, someone has to keep an eye on things from the sidelines.”

“Mind if I join you?” he asked, his eyes twinkling with that mischievous spark I was starting to adore.

“Sure,” I said, surprised by how much I wanted him to stay.

We sat down on the edge of the patio, the cool night air a welcome contrast to the warmth of the crowded house. For a moment, we just sat in comfortable silence, the sounds of the party fading into the background.

“You know, Y/N,” Ethan said, breaking the silence. “I’ve always admired how you can just... be. You don’t need all this noise and attention to feel happy.”

I looked at him, surprised by his honesty. “And I’ve always admired how you can light up a room just by walking into it. You make everything look so easy.”

He smiled, a softer, more genuine smile than I’d seen before. “It’s not always as easy as it looks. Sometimes, it feels like I’m just playing a role. But with you... I feel like I can be myself.”

My heart swelled at his words. “I feel the same way, Ethan. With you, I don’t feel like I have to hide.”

We continued talking, sharing pieces of ourselves we hadn’t revealed to anyone else. I told him about my love for painting, how it was my way of expressing emotions I couldn’t put into words. He opened up about his fear of being alone, how he surrounded himself with people to avoid facing his own insecurities.

As the night wore on, I found myself drawn to him in ways I hadn’t expected. Despite our differences, or maybe because of them, we fit together in a way that felt right. His outgoing nature balanced my introversion, his confidence bolstered my shyness, and his warmth melted my reservations.

Ethan reached out, taking my hand in his. His touch was gentle, yet it sent a jolt of electricity through me. “Y/N, I know we’re different, but I can’t help how I feel. Being with you makes me want to be better, to be more.”

I looked into his eyes, seeing the vulnerability and sincerity there. “I feel the same way, Ethan. You make me feel... alive, like anything is possible.”

He leaned in closer, his gaze never leaving mine. “So, what do you say we give this a try? Us, I mean. I know it won’t always be easy, but I think it could be something amazing.”

I smiled, my heart full of hope and excitement. “I’d like that, Ethan. I’d like that a lot.”

As he pulled me into a gentle embrace, I realized that sometimes, the most unexpected connections can be the most beautiful. Despite our differences, or maybe because of them, we were falling for each other, and I couldn’t wait to see where this journey would take us.

[speed-world]

Idea for a story...based off something I saw somewhere else.

Y/n sucked into the cookie run kingdom game and transformed into a cookie and is a complete coward...like cookies, if they want y/n to come with them on adventures, have to bribe y/n into coming...or drag them as they scream in fear. They are terrified of plot because they know what happens in the cookie run story and feel like they wouldn't survive....

Buuuuut then, as they progress through the story, more cookies are revealed to love y/n and their presence in general make the cookies...nicer and more focused on making y/n happy than the plot lol. Like they start making sure y/n has their treats, that y/n is having fun, etc!

Cowardice…Pays Off?!

(Is this self aware? Kinda i guess right?)

You aren’t sure how or why this happened. One moment you were just by yourself, ready to play a newly downloaded Cookie Run Kingdom-The Game. You saw a lot of videos about its story and characters, and you wanted to give it a shot since it all seemed so cool!! Then, just as you started the game up, your game glitched and got stuck. The screen of your phone went blank. Then, like a vortex, it pulled you inside of the game and your entire body composition changed. You were flat, smelled appetizing, and you were a lot smaller than you were supposed to be.

You became a cookie…which horrifies you immensely!

Sure, it sounded neat to be surrounded by the characters that you loved, until you realize that you now have to go through the same story as them. A story that you knew most of the outcomes…

As you finally came to, you heard the crashing sounds of asteroids from outside. You studied your surroundings a bit more until you realized: This is the Final Battle of the Dark Flour War, which surely means-

“This is…Oh no, what a horrible sight.”

“The whole place is covered in Cookie crumbs!”

You heard footsteps of 5 cookies approaching you. You vividly remembered there words as the same words from the Final Battle prologue scene. But of course, you were there. And you noticed that the Ancients immediately froze and changed once they saw you.

“Despite the foul stench and scene, it appears that a Cookie made it after all…”

“Ah! W-wait, I-I’m not s-supposed to uh— p-please I-I’m so scared, d-don’t h-hurt me p-please!!” You freaked out at the realization, and buried your face in your knees. Tears welled up in your eyes as you began to weep.

Pure Vanilla Cookie softly approached you and caressed your back. He sat down in front of you and held your arm.

“We promise you, the last thing we’d ever want is to hurt you! You don’t have to worry, we’re here to protect you with our own lives, you have my word! I’m Pure Vanilla Cookie, may I know who you are?”

With how softly and assuring he spoke, you held his hand and nodded.

“Y/N…I’m Y/N.”

You hugged him out of instinct, which definitely surprised the healer, but he didn’t mind at all. He reciprocated the hug and then hugged even tighter…as if he’s been waiting for this specific hug with you for a while

“A-wait! You g-guys have to leave!! D-D-Dark E-Enchantress Cookie is too strong for y-you all!! Y-you won’t win against her!!” You panicked as you remembered the fate that awaited the Ancients. They all looked surprised initially, but then they all looked more determined than ever.

“While your concern is appreciated, we assure that we won’t back down from Dark Enchantress Cookie. We’ll take her down AND make assure your safety at the same time.”

You looked at Golden Cheese Cookie, quietly pleading with her and the other Ancients to not go and fight this battle. They all do their best to reassure and comfort you, hoping that you understand they can’t abandon this fight. One Ancient however, stared at you differently than the others. She looked at you as if…she actually knew who you were…

White Lily Cookie saw you catch onto her staring, and she shook her head to snap back to reality.

“I-I believe we should get ready! W-We need t-to find Dark Enchantress Cookie before she finds us!”

And then, as if on cue, you all notice the sounds of Cake Hounds rapidly charging at you. The Ancients ready themselves to fight, and you trembled as you got to your feet. You hid behind Hollyberry Cookie, tightly holding onto her for dear life and shutting your eyes…until you felt various Cake Hounds nuzzling your legs. You opened your eyes to the cute creatures smiling at you and not hurting you at all, which confused the Ancients.

“Shouldn’t these Cake Hounds be attacking us? These are Dark Enchantress Cookie’s forces, and yet they’re…rolling around and nuzzling us?!”

“It appears they’ve a fondness for Y/N. We could use this to our advantage, let’s move!”

Dark Cacao Cookie scooped you up with one arm and carried you as the Ancients ran to the castle area where Dark Enchantress Cookie was.

You screamed and pleaded to not go with them since you knew what would happen. Since comforting you didn’t seem to work, two Ancients had the bright idea of bribing you to come along.

“Come now Y/N, I promise to gift with riches beyond your dreams after we win this fight! I’ll even let these Cake Hounds be with you, but you’ll spend more time with me, my closest treasure~!”

“I’ll be sure to grace you with the finest berry juice ever! My treat!! You’ll never have to worry with me around, I promise you!!”

You were more relaxed after hearing the offers of Hollyberry Cookie and Golden Cheese Cookie. After a while, you noticed everyone had stopped moving. You slowly looked up in horror…Dark Enchantress Cookie was waiting there.

“And so, upon the ruins of your home we finally meet. And it would appear…that you brought an uninvited guest~.”

���She was talking about you. You met your worried eyes with hers, but she didn’t look at you with malice. More she looked down at you like a mother would a little child…and you had no clue how to react.

Pure Vanilla Cookie stood in front of you, and had hardened gaze on Dark Enchantress Cookie.

“Dark Enchantress Cookie! What is the meaning of this?”

“Now, now. No need to be so hostile. In fact, I have a…proposition for you lot.”

“Proposition? What nonsense are you rambling about now?”

Dark Enchantress Cookie focused her gaze on you. You hid behind Pure Vanilla Cookie, but Dark Enchantress’s eyes never stopped following your movements.

“I would like to believe that we have a common interest. The Cookie that you’re shielding - Y/N I believe was your name, no? - There’s something about them that’s quite incredible, wouldn’t you say~?”

“What…w-w-what are y-you getting a-at?!” You decided to speak, or more stutter, for yourself.

“I’m saying I believe we’ve all taken an interest in you. Dare I say, we can come to a deal: I’ll cease my own vision for the world in exchange for the safety and prosperity of Y/N. Does that sound alright with you?”

You were very reluctant to respond, mostly because of how much you were taken aback by this. Is this really the same Dark Enchantress Cookie you remember?! Apparently, the Ancients had the same conflicted expressions. None of them truly knew what to say about this ordeal.

“Can we really trust her words? This could easily be just another scheme-“

“I AM serious about this, mind YOU! It’s abundantly clear none of us want Y/N in any kind of danger, and I can see it clearly in your eyes—all of us feel a special attraction to them, despite the odd circumstance~. There’s no reason to lie about it.”

You looked to the rest of the Ancients in anticipation. You had zero idea what the right answer was, if there was one, but you just prayed that you wouldn’t be hurt in any way.

“…..Fine then. For the sake of all Cookiekind, and for Y/N, we’ll trust you. But know this Dark Enchantress Cookie, we will fight you again if you ever back down from your word!”

“Hah, you won’t have to look forward to it~…”

————————————————————————

It’s been a while since then, and you still have no idea how to feel about your situation.

On one hand, literally nothing wants to harm you in any way. Every Cookie you’ve met has been extremely kind and generous to you, even if they’re evil aligned. The Bear Jellies are so warm and welcoming, and the Sugar Gnomes have virtually become your best supportive friends. Not to mention the Cake Hounds being head over heels for you, which you reciprocated the love for them.

On the other hand…there always seemed to be some small layer of tension whenever Dark Enchantress Cookie comes to see you. She’s always super nice to you, giving you immense affection that at times seems out of character.

Of course, the Ancients always get slightly agitated when Dark Enchantess Cookie visits. Especially Golden Cheese Cookie and White Lily Cookie, who really got upset whenever Dark Enchantress took you away from them.

Granted, White Lily made some sense with her relationship with Dark Enchantress.

But Golden Cheese really took offense to whenever you’re attention was taken off of her

In any sense, the most confusing thing was whenever the Cookies wanted to take you on adventures. Mainly the Gingerbrave gang.

You were incredibly scared of going with them, mostly because you knew of the danger of their adventures and thought you’d either be harmed or get in their way.

Whenever a Cookie invites you to travel with them, they always make sure your safety is prioritized. Sometimes they’ll try to bribe you with treats, gifts, or rewards if you tag along.

But sometimes, they’ll abandon their plans just to be with you and make sure you’re comfortable.

This life of yours was so odd and scary, but your fears would eventually wash away with how much the Cookies would treasure your being above all else. You’d grow to enjoy and love the affection and care, even if it seemed to be overwhelming at times.

[novlr]

I have a bad habit of never finishing writing I start - I work hard on a story, make it to 3/4 of the way through, then lose passion for it and start something else. I know the key to overcoming this is discipline, and I’m trying very hard to make myself keep going with my current story that I like very much and spent so much time researching and outlining, but it’s a struggle every day to make my writing goal. Any advice for how to re-ignite writing spark or how to push through to the end?

We can lose our drive to write for a lot of reasons. It often indicates a growing maturity as an artist — you understand the craft better and your own (current) limitations better, and so you begin to feel overwhelmed in a way you didn’t before. It can also be that external anxieties are getting in the way or simply that you’ve lost interest in your current project. 

Hope is not lost. Read on for some tips on reclaiming your writing spark. 

Shift gears

Sometimes, all you need to reignite your writing spark is to engage your brain in a different way. If you’re struggling with your novel, take a break and try writing a poem or a piece of flash fiction. Or, you could try drawing sketches of your characters, a map of your story’s world, or some possible outfits for your climactic battle scene (it doesn’t have to be good. No one’s going to see it). 

The trick is to stay creative but to approach your work from a different angle. 

Change location

If you’ve been trying and failing to write at your desk, surrounded by crumpled up dreams drafts and last week’s candy wrappers, you may be suffering from an environment with stagnant energy. Try taking yourself on a writer’s date: go to a location that fits the tone of the project you’re working on (lux hotel lobby, seedy theatre bar, the wilds of a nearby park), and see if that gets your creative wheels turning. 

Dress [in]appropriately 

In Writing Down the Bones, Natalie Goldberg has a chapter called “Blue Lipstick and a Cigarette Hanging Out Your Mouth”. By this she meant, “Use outfits and props to step outside yourself and get a new perspective”. You might find it helpful to have a special “writer’s sweater” that you only wear when you’re writing or to dress like someone confident and cool enough to smash writer’s block in the face. 

Do some soul-searching

What’s really going on here? If the above tricks aren’t doing it for you, there may be some bigger issues at play that are inhibiting you from connecting to your writing spark. 

Write letters

I’ve written about the restorative powers of letter writing before, and I’ll mention it again: handwritten letters are a great way to get the words flowing. You don’t actually have to send them when you’re done (although you can if you want to); the recipient doesn’t even need to exist. Simply by putting your thoughts down in a low-risk way, you’re unclogging your creative pipes. 

Join a writing group

There’s power and accountability in numbers. You can find writing groups online, through community centres and writers centres, or by sticking a flyer up in a bookshop and starting your own. There’s even a Novlr writing community on Discord where we share tips, struggles, and just generally talk craft! By inviting other people into your writing practice, you’ll have some support and encouragement to keep you going. 

Find your writing spark with writing prompts

The internet is awash with writing prompts. These can be a helpful way to get something down on paper and stretch out your writing muscles. Whether it’s a premise, an opening line, or a character study, writing prompts can give you a gentle, creative push and even inspire new work.

Experiment with found structure

If writing a traditional story feels like pulling out your own teeth, try a found structure story. This means using fictional “found material” like shopping lists, calendars, to-do lists, ticket stubs, banking records, and so forth to create a narrative. 

Here’s an example: Imagine a week in which a bride-to-be prepares for her glorious wedding, is left at the altar, rages in misery, and ultimately emerges healthier and stronger. Now, write her shopping list for each day of that week. How does it change from beginning to end? How much emotional detail can you communicate to the reader through the items that appear on these lists? This can be a fun way to create a story without the anxiety of writing it.

Set a petty life goal

I am a proud champion of the value of pettiness as a motivator. There are plenty of noble reasons to write: to share powerful stories, to help readers in need of healing, to inspire others to write stories themselves, and to draw attention to important social issues or minority identities. 

There are also some really inane and selfish reasons to write: to become more famous than your ex, to appear on TV and make your ex regret everything they’ve ever done to you, to have your book made into a movie and receive casting consultation rights and pitch your favourite actor in the lead role and allow them to take you for coffee as a thank you. But the thing is… these are the motivations that are really going to pull you out of the dirt when you need it most. Find the silly driving goal that really gets under your skin and hold onto it for dear life. 

Forgive yourself

Many writers experience a lot of shame when they aren’t writing as much as they feel they should. Needless to say, this shame only makes the writing harder. Allow yourself the space to take some time when you need it, process your struggles, and return when you’re ready. The page will be waiting when you get back. 

[byoldervine]

Writing Tips - Beating Perfectionism

1. Recognising writing perfectionism. It’s not usually as literal as “This isn’t 100% perfect and so it is the worst thing ever”, in my experience it usually sneaks up more subtly. Things like where you should probably be continuing on but if you don’t figure out how to word this paragraph better it’s just going to bug you the whole time, or where you’re growing demotivated because you don’t know how to describe the scene 100% exactly as you can imagine it in your head, or things along those lines where your desire to be exact can get in the way of progression. In isolated scenarios this is natural, but if it’s regularly and notably impacting your progress then there’s a more pressing issue

2. Write now, edit later. Easier said than done, which always infuriated me until I worked out how it translates into practice; you need to recognise what the purpose of this stage of the writing process is and when editing will hinder you more than help you. Anything up to and including your first draft is purely done for structural and creative purposes, and trying to impose perfection on a creative process will naturally stifle said creativity. Creativity demands the freedom of imperfection

3. Perfection is stagnant. We all know that we have to give our characters flaws and challenges to overcome since, otherwise, there’s no room for growth or conflict or plot, and it ends up being boring and predictable at best - and it’s just the same as your writing. Say you wrote the absolute perfect book; the perfect plot, the perfect characters, the perfect arcs, the perfect ending, etc etc. It’s an overnight bestseller and you’re discussed as a literary great for all time. Everyone, even those outside of your target demographic, call it the perfect book. Not only would that first require you to turn the perfect book into something objective, which is impossible, but it would also mean that you would either never write again, because you can never do better than your perfect book, or you’ll always write the exact same thing in the exact same way to ensure constant perfection. It’s repetitive, it’s boring, and all in all it’s just fearful behaviour meant to protect you from criticism that you aren’t used to, rather than allowing yourself to get acclimated to less than purely positive feedback

4. Faulty comparisons. Comparing your writing to that of a published author’s is great from an analytical perspective, but it can easily just become a case of “Their work is so much better, mine sucks, I’ll never be as good as them or as good as any ‘real’ writer”. You need to remember that you’re comparing a completely finished draft, which likely underwent at least three major edits and could have even had upwards of ten, to wherever it is you’re at. A surprising number of people compare their *first* draft to a finished product, which is insanity when you think of it that way; it seems so obvious from this perspective why your first attempt isn’t as good as their tenth. You also end up comparing your ability to describe the images in your head to their ability to craft a new image in your head; I guarantee you that the image the author came up with isn’t the one their readers have, and they’re kicking themselves for not being able to get it exactly as they themselves imagine it. Only the author knows what image they’re working off of; the readers don’t, and they can imagine their own variation which is just as amazing

5. Up close and too personal. Expanding on the last point, just in general it’s harder to describe something in coherent words than it is to process it when someone else prompts you to do so. You end up frustrated and going over it a gazillion times, even to the point where words don’t even look like words anymore. You’ve got this perfect vision of how the whole story is supposed to go, and when you very understandably can’t flawlessly translate every single minute detail to your satisfaction, it’s demotivating. You’re emotionally attached to this perfect version that can’t ever be fully articulated through any other medium. But on the other hand, when consuming other media that you didn’t have a hand in creating, you’re viewing it with perfectly fresh eyes; you have no ‘perfect ideal’ of how everything is supposed to look and feel and be, so the images the final product conjures up become that idealised version - its no wonder why it always feels like every writer except you can pull off their visions when your writing is the only one you have such rigorous preconceived notions of

6. That’s entertainment. Of course writing can be stressful and draining and frustrating and all other sorts of nasty things, but if overall you can’t say that you ultimately enjoy it, you’re not writing for the right reasons. You’ll never take true pride in your work if it only brings you misery. Take a step back, figure out what you can do to make things more fun for you - or at least less like a chore - and work from there

7. Write for yourself. One of the things that most gets to me when writing is “If this was found and read by someone I know, how would that feel?”, which has lead me on multiple occasions to backtrack and try to be less cringe or less weird or less preachy or whatever else. It’s harder to share your work with people you know whose opinions you care about and whose impressions of you have the potential of shifting based on this - sharing it to strangers whose opinions ultimately don’t matter and who you’ll never have to interact with again is somehow a lot less scary because their judgements won’t stick. But allowing the imaginary opinions of others to dictate not even your finished project, but your unmoderated creative process in general? Nobody is going to see this without your say so; this is not the time to be fussing over how others may perceive your writing. The only opinion that matters at this stage is your own

8. Redirection. Instead of focusing on quality, focusing on quantity has helped me to improve my perfectionism issues; it doesn’t matter if I write twenty paragraphs of complete BS so long as I’ve written twenty paragraphs or something that may or may not be useful later. I can still let myself feel accomplished regardless of quality, and if I later have to throw out whole chapters, so be it

9. That’s a problem for future me. A lot of people have no idea how to edit, or what to look for when they do so, so having a clear idea of what you want to edit by the time the editing session comes around is gonna be a game-changer once you’re supposed to be editing. Save the clear work for when you’re allocating time for it and you’ll have a much easier and more focused start to the editing process. It’ll be more motivating than staring blankly at the intimidating word count, at least

10. The application of applications. If all else fails and you’re still going back to edit what you’ve just wrote in some struggle for the perfect writing, there are apps and websites that you can use that physically prevent you from editing your work until you’re done with it. If nothing else, maybe it can help train you away from major edits as you go

[erenjaegerwifee]

Your Excuse To See Me

Request by: @twilightlover2007

Pairing: David 'Deacon' Kay x Fem!Reader

Summary: Deacon's case takes him to your bookshop.

Warnings: none, fluff,

Word Count: 2.4k

Disclaimer: all my characters are aged-up! If this makes you uncomfortable please do not interact with my account or any of my notes.

Main M.List | Deacon M.List

“Hey deac” Luca spoke up as Deacon entered the locker rooms. “Morning guys” he replied greeting the rest of the team. “Tan was just telling us about how Bonnie is jealous” Chris spoke up while they all got ready for their shift. “Bonnie is not jealous; I’m telling you guys she isn’t like that” Tan tries to defend. “What happened that everyone things she jealous?” Deacon asked.  

“Last night we went on a date and when we were walking to our apartment in the hallway this girl was getting harassed by this idiot and I helped her out. After he left, she told us she just moved in and it happen to come up she also spoke Cantonese. I happen to mention it was so rare to find another person who speaks it by coincidence and after that Bonnie’s mood has been off. She won’t talk, she’s basically doing everything she can to avoid making eye contact with me.”  

Deacon hisses feigning pain when he hears the story, “hate to break it to you man but that’s jealousy. I can’t believe you can’t wrap your head around this, she is jealous because that woman who speaks your language probably shares your religion and values growing up in a Chinese American home is now living next door to you. She feels less than now that she has someone to compare herself to.”  

Tan took a second to process his words before he finally understands how it all went wrong, he never even thought Bonnie would think like that. “How are you still single? You should have girls falling at your feet” Tan jokes.  

“Jokes on you bro, he does” Street says making everyone laugh as they walk out of the locker room to meet Hondo. Before much words can be exchanged, Hicks walks in with a case assigned to the team. “20-David, we’ve been handed over a case, apparently the financial crimes and the narcotics division can’t solve it and they want us to wrap up this up. Also, we have intel the man doing the money laundering are armed and dangerous.” 

Hicks goes on to explain the details of the case to the team, saying a man who supposedly goes by the name Authur Lopez has been moving money around through other people’s business. He also may be using them as a stash house. The problem is no one can seem to figure out which business he is using to clean his money. “They know he’s dealing but they can’t prove it, we need to find the proof to bring this guy in” 

“We may have a lead though, detective Chase that was previous the lead on this case said he found Auther has an old high school girlfriend who recently moved to town, we aren’t sure if they have had any contact but it’s worth checking out, she might know somewhere he might hide” Hicks finishes up letting the team take the case. Street and Tan both start researching your home and workplace addresses and they found something. 

“She owned a bookshop, just opened a couple months ago, around the same time we caught wind of Authur and around the time she moved into town, her business could be the one she’s using, she sells books, it can be a good cover if her business gets traffic, and judging by the location I think she’d be doing well.” Street says as he pulls up the location of your shop on the screen for the team to see.  

“I found her home address, it’s an apartment complex about 3 blocked from the shop.” Chris says and pulls the location for them to see. “Okay Street, Tan with me we’ll check out her apartment. Luca, Chris and Deacon you can check out her shop she might be there, she what she knows if she’s willing to talk.” Honda hands out their assignments and everyone jumps in a car their destination.   

When Deacon, Chris and Luca arrive at the bookshop they walk in and don’t immediately see anyone around. They walk a little deeper into the shop and you step out from one of the isles the shop isn’t so big that someone can hide, unless they are in the back room. “Hi there, is there something I can help you with?” you say in a sweet voice.  

At the sound of your voice Deacon whips his head, he stutters a bit when he sees you for the first time. Your hair fell curly down your back, you wore jeans that fit your hips but flared down over your ankles with cute brown sandals, you wore a gorgeous floral top that complimented your skin tone so perfectly. “Hi, Ms. Y/n? I’m Sergeant Kay, this is officers Alonso and Luca, we are here to ask you a few questions.”  

You look up at the handsome sergeant standing in front of you and your brain almost lags. “Sure, happy to help” you smile at him clasping your hands together. You gesture to the chairs and small sofas scattered around the room for them to sit and you do the same. “Ms. Y/n, we believe a man you know has been involved in some illegal activity and we wanted to know if you had any information you could share” the girl who’s name you learned was Chris spoke up. 

“Who?’ you asked her, ���The name Auther Lopez ring a bell?” Luca asked you. Authur Lopez, you were never able to look at men the same after him, he was your high school sweetheart. You were going to marry him. That was until you found out he was dealing in high school and left him. “A couple months ago he found my shop, said he was keeping tabs on me and asked if I would consider giving him a job. Auther and I dated in high school, I broke up with him when I found out he was dealing, not only that but he was on them. I’m not sure what I never asked. When I hired him, he promised he was clean and so I agreed. Actually, his shift is meant to start in about 10 minutes, he has to come here.” 

“What is he involved in?” You asked them directly your question to no one in particular. “We believe he dealing again, or maybe he never stopped who knows. We need to bring him in a find the location of his stash house before he can distribute his product.” Luca spoke to you.  

“You’re welcome to wait here until he shows then, I had no idea he was still dealing” Luca made a call to someone while Chris asked to look around the shop and you agreed. Deacon didn’t move though, he sat right there in front of you the whole time. “Are you back together?” his voice was quite as he spoke but you heard him, “No, I’m not interested in starting things back up with him, he has done nothing but disappoint me, I only gave him the job because he said he needed it and he was getting clean.” you matched him tone while you looked at him. 

He was so pretty you could barely take your eyes off him, if you weren’t looking at his chest printing out in the tight SWAT t-shirt you were looking at his chocolate brown eyes, if not that, the you have never seen a man look so good with a beard and that usually wasn’t something you’d go for, the hints of grey just did something to your brain.  

Deacon wasn’t any different, he was too busy staring at you to realize you were staring back, he admired the way your curls look so full but not frizzy at the same time, the way he so easily got lost in your beautiful eyes, and let’s not talk about your figure, he has never seen anyone look so beautiful before.  

“So, Sergeant Kay-” 

“Deacon, call me Deacon” 

“Deacon, you’re a SWAT sergeant what is that like?” you smile when you ask him. He was confused for a quick second how did you know he was in SWAT? Until he remembered he was working, he was dressed in uniform. “It’s good, I like it, it’s dangerous and it’s a lot of work but it pays off in the end. So, books?” he returned the question.  

“Yea, I've always been a reader” you giggle as you continue, “It’s very calming to read, takes my mind off things when I’m stressed, a way to pretend you’re someone else.” 

“How could you want to be someone else?” his tone was breathy, it had a hint of a chuckle in it, it made you blush. It was so easy to get caught up in him you forgot all about what he was here for. Luca walked back into the shop; the noise of the chimes pulled you back to reality. He was met with the sight of you and deacon staring at each other with flirtatious smiles and cleared his throat to get your attention. 

“The others arrested Authur on his way here, they have him in custody. Hondo said meet back at HQ” Chris moves out with Luca and Deacon was about to follow them, “Wait!” you stopped him resting you hand on his arm to stop him from walking. You ran into one of the isles and grabbed a book off the shelf, “Here, an excuse for you to come back that isn’t work related. Now you can go” you smiled at him sweetly and he chuckled at your sweet gesture. “I’ll take you up on that.”  

Deacon walked out the bookshop with a wide grin in his face and he sees Chris and Luca waiting for him with matching grins, seems Luca had filled Chris in and they both clocked the book he didn’t walk in there with. “Ouu someone’s got a crush” Chris said in a sing song tone.  

A few days later the case was wrapped up and Deacon was sitting on a comfortable chair in the SWAT main room with his legs propped up as he read the book you gave him. He isn’t you paid attention to the book you handed in when you grabbed it but it was an interesting book.  

He has been teased non-stop by the team since they all heard about what happened, no one can see him sitting with that book in his hand without saying something about you. They even went as far as to make a bookmark with your face on it and stick it in his book so every time he opened it, he would see you. It was entertaining the say the least but now that the book was in his hand and finished, he felt nervous to see you again, this time he had no motive to hide behind other than he just wanted to see your pretty face again. 

“Hey Deac, we’re gonna hit up Luca’s food truck, do you wanna come with?” Chris asked Deacon as she packed up her things at the end of the shift. “I’d love to but, I have to swing by the bookshop and return this book y/n gave me” He waited patiently for the teasing and right on cue, “You going ask her out?” Chris was grinning like a school girl.  

“I want to, I will, I’m gonna...maybe”  

“Sergeant Kay is nervous? There is a first for everything. But seriously all jokes aside, I saw the way you looked at each other. She will say yes, no need to doubt yourself” Chris smiled at him and punched his shoulder as they walk out of the locker room.  

Deacon rushed to his car saying a quick goodbye to the team and driving to the bookshop before you closed. He opened the door and say you writing something sitting on a high chair behind the desk. “Hey” he said with a small smile.  

You look up from your book and smiled when you saw him, “You came back” you said matching his smile as it grew larger, “I guess my excuse to come see you worked, great book by the way, never thought I’d be into enemies to lovers but apparently I am” he chuckled and put the book down on the desk. 

“I’m glad you liked it; I wasn’t sure you were the type” you giggled. There was a moment of silence between you. A moment where you just stared at each other, admiring. “I have to close up the shop now, it was really nice of you to come back Deacon, it was nice to see you” Deacon smiled at your words knowing exactly how you feel.  

“It was nice to see you too.... hey do you want to join me for some dinner? I know a great food truck not far from here, we could swing by and get something” you wanted to burst with happiness, you didn’t think he had it in him to ask you out but he did.  

“Of course I’ll go with you, let me just grab my purse and lock up” you smiled you sweet smile at him and you giddily ran to the back room to get your stuff, hearing him laugh at your antics.  

When he opened the car door for you at the food truck you smiled and took a big inhale. He watched you fall in love with the smell of the food and you walked right up to the menu, “I don’t know what to get” you said to him, “Order for me”  

Deacon was about to speak when he heard his name being called out, his team was still here. He turned his head in sync with yours and watched a bunch of people walk up to you both. You instinctively stepped closer to Deacon but you quickly recognized Chris and Luca from earlier in the week.  

“I see you asked her out” Chris said. 

“I can’t believe it took him so long” another boy said who introduced himself as Jim Street 

“Oh, give him a break, it’s been a week” their team leader spoke up, Hondo. Their comments made you blush and you hid your face with your hands giggling. Deacon put his arm around your shoulder to shield you from the teasing while they laughed at the situation wholeheartedly. You're so happy Sergeant Kay came to your bookshop.  

🔹I hope you all enjoyed reading! I’d love for anyone to Reblog my work, Like and Comment so it can be shared! I’ve been wanting to write for Deacon for a while and I’m finally starting!

🔹On another note. Deacon is hot as fuck. And I want to write him in a nsfw kind of way. Eventually not atm I’d like some feedback on how you would feel after reading my work.

Taglist:

@twilightlover2007 @fluentmoviequoter @just-a-girl-who-wrytes @spnshortcake

[whencartoonsruletheworld]

"It’s no longer 1937… she’s not gonna be saved by the prince." 

The absolute DISRESPECT for the FIRST ANIMATED MOVIE EVER MADE and its female character who was strong in her own way! The DISRESPECT for Snow White coming from people who plan to """update""" her story??? I'm FUMING. i am FURIOUS. This is the SAME shit I said about Girlboss Cinderella do you understand???

Snow White was an abused CHILD who was isolated within her castle and then suddenly thrown into the  woods and she managed to survive using only her hope and kindness!!! She found a house and offered to work to earn her keep and she DID!!! Snow does not have to be a badass to be a strong female character. And more importantly, SHE DOES NOT NEED TO BE "BADASS" TO DESERVE HER HAPPY ENDING. Some of us in abusive situations CANNOT escape on our own. We CANNOT physically fight back and WE STILL DESERVE HAPPY ENDINGS.

Women don't have to be badasses in order to be strong female characters. So she needs to be saved-- so WHAT? Saying Snow White is an antifeminist character solely because she doesn't save herself is offensive to abuse survivors and to the original character who WAS a good character. You can criticize OTHER parts of the movie– the implication that men living without women will be useless and filthy the entire time, or we can discuss the Queen’s feud with Snow being fuelled by misogynist standards, etc.!! But just saying “she needs to be saved so it’s bad” LIKE. ARE YOU SERIOUS

Badass Snow White reboots are fine in moderation, but just like Girlboss Cinderella reboots, too many and it becomes clear what society is trying to say now- that if you're feminine and can't fight a battle, you don't deserve to be saved. Do you see why this is a bad message????? Some girls are badasses who can kill and fight as well as or better than the boys. Those girls have Mulan, Merida, Raya, Moana, Rapunzel, Elsa. They are good female characters. But you know what? So is Snow White. So is Cinderella.

I'm sure people are going to accuse me of being antifeminist for saying “oh she NEEDS to be saved by a man”– I’m NOT SAYING THAT. You could have her be saved by a woman. Be saved by the dwarves, her platonic friends. By the animals. You could write a badass Snow White reboot without being disrespectful to the original film or tale. Just fucking TODAY I read the Disney Mirrorverse Snow White book– it’s written for 13yos basically so not high art but even with them having to make her an adaptational badass, they managed to keep her personality PERFECTLY. She learns how to save herself in this book, but also remains HERSELF. And her previous inability to fight was NOT CRITICIZED by any character; her sudden badassery was a bonus for her, not an indication of her character!!!

YOU are the ones saying that if Snow White (and Cinderella) isn't saving herself, she doesn't deserve to be saved. But everyone deserves happiness and that includes those too weak to fight for it alone.

anyway that was a long feminist rant. this is also super disrespectful to the FIRST ANIMATED MOVIE EVER, the people who worked on it, Walt Disney himself, and everyone who enjoyed or was inspired by it. You absolute fucking dickheads.

also can't believe i have to say this but if y'all use this as an excuse to be racist towards anyone in the cast i will hunt you down and put shoelaces in your lungs

[dsmp-lainey]

adore the concept of calling DSMP a modern folk tale because it truly is

it has shifted and changed and grown beyond what it originally was and it’s even more beautiful for that. there’s very little that is considered the exact correct story, it’s more like many versions that can all somehow be simultaneously true.

lots of the content is lost to time or difficult to find but the story lives on despite that because of the love people have for it. for the way we are willing to pass on what we know and our own interpretations of it. for the preservation that so many have put into not letting it fade away forever. for the way many have allowed it to inspire their own creations going forward.

just like mythology or folk lore you don’t have to know every tiny detail or every version or even what exactly was said by every person to understand who these characters are and what they mean to you.

dsmp as a story is about love and loss and power and comedy and tragedy, just like any other great story, and as long as someone cares enough to speak of it, the story will never fully die.

[solxamber]

Helloo, I absolutely love you writing! Your understanding of the twst characters’ personalities is phenomenal 😭❤️

May I request both Ace and Malleus crushing on reader simultaneously, and both are aware that the other likes reader (reader is oblivious hehe). Ace gets super insecure since he isn’t powerful nor of royal status and believes there’s no way he can compete against him, meanwhile Malleus gets super jealous since Ace has been friends with reader ever since and is the most close with him.

Ace x Reader x Malleus (Love Triangle)

a/n: the giggle i let out when i saw this!! such a fun concept and thank you so much 🫶🫶

It started with a normal day: you laughing at one of Ace's jokes, completely unaware of the storm brewing behind you. The storm in question was Ace and Malleus glaring daggers at each other over your oblivious head.

Ace was slouched in his chair, shooting side-eyes at the imposing figure standing too close to your desk. Why does he have to hover like that? he thought bitterly. Malleus, for his part, was casting pointed glances at Ace’s casual posture, as if silently saying, Is this the best you can do?

Neither could deny the truth. They were both hopelessly, tragically in love with you. And they both knew it.

Ace prided himself on being the guy you could count on for a laugh. But today, he was on a mission: show you how amazing he was.

“So, anyway,” he said loudly during your study session in the library, “I totally aced—get it?—my magic exam. Got full marks.” He leaned back smugly, hoping you’d be impressed.

Malleus, who had been quietly sitting nearby (because of course he was), looked up. “Impressive, Ace Trappola. But I suppose it pales in comparison to wielding centuries-old magic and commanding legions of loyal subjects.”

Ace choked on his own smugness. “Yeah, well, I bet you don’t even know how to mix a potion without turning it into swamp goo, huh?”

“Actually, I mastered potion-making at a young age. I created an elixir capable of reviving withered flora.”

“Cool, cool. Can you tell me how any of that helps the prefect with our history homework?” Ace shot back, leaning closer to you.

Malleus frowned. “History is one of my strongest subjects.”

“Oh my Seven—” Ace groaned and threw his hands up. “We get it. You’re ancient!”

You looked between them, confused. “Are you two okay?”

“Perfectly fine,” Malleus said smoothly.

“Great! I was just explaining history to Deuce,” Ace lied shamelessly.

Lunch was another battlefield. Ace had secured a seat next to you and was recounting a funny story involving Grim, a mop, and a very angry caterpillar monster.

“…and then Grim screamed so loud, I think half the campus heard him! Right, Prefect?” Ace said, nudging you.

Before you could respond, the shadow of a tall figure fell over the table.

“Malleus,” Ace said with a forced grin. “Didn’t see you there. Like, at all.”

“I thought I would join you,” Malleus said, sitting directly across from you, his gaze unwavering. “Do you require assistance with your meal? Perhaps I could conjure something more fitting for your taste.”

“Okay, that’s just cheating,” Ace muttered under his breath.

“Conjuring food is a skill that requires great control,” Malleus said casually. “It’s a shame some rely solely on mediocre cafeteria fare.”

“Oh, so now the chicken nuggets aren’t good enough for you?” Ace snapped.

“They lack refinement,” Malleus said.

“Yeah? Well, you lack… I dunno, vibes!” Ace countered.

You blinked. “Ace, are you okay? You’re yelling about chicken nuggets.”

“Y-Yeah, I’m good,” Ace mumbled, shoving a nugget in his mouth to shut himself up.

The tension boiled over during a school festival. There was a dance competition, and both Ace and Malleus signed up for one reason: to win your attention.

Ace went first, pulling off a routine filled with flashy moves that he definitely stole from a popular video. The crowd cheered, and you clapped the loudest.

“Not bad, right?” Ace said, slightly out of breath but grinning. “Bet I’m the first guy you’ve seen dance like that.”

Before you could respond, Malleus stepped onto the stage.

“I shall now perform a traditional dance of my homeland,” he announced.

It was graceful, mesmerizing, and undeniably magical—literally. The lights dimmed, and green flames swirled around him as he moved with perfect precision. The crowd was silent, utterly captivated.

Ace stood next to you, slack-jawed. “I… I can’t compete with that.”

You turned to him with a smile. “I thought your dance was amazing too.”

Ace lit up like a firework. “Y-Yeah? You mean that?”

Malleus, mid-spin, glanced at you both. His expression darkened.

Eventually, the competition escalated to new heights of absurdity. Ace baked you cookies, only to find out Malleus had hand-carved you a jewelry box. Malleus enchanted roses to bloom eternally, and Ace countered by organizing a surprise karaoke night with all your favorite songs.

But when you tripped and both of them scrambled to catch you, the ridiculousness reached its peak.

“You caught their hand,” Malleus said, an edge to his voice.

“And you caught their other hand!” Ace snapped.

You, still mid-air, sighed. “Can someone just catch me completely next time?”

Despite their antics, one thing was clear: they both adored you. And while their rivalry was exasperating, it was also… kind of sweet.

Well, for you, anyway. For them? Not so much.

Masterlist