#we can make it longer after if you want

[spacedlexi]

people dont talk enough about how heartbreaking the marlon betrayal mustve been for clem too,,

this dude saves the life of her and her kid. takes them in has them patched up gives them their first hot meal in who knows how long. gives them a safe place to stay. possibly permanently. confides in her that hes trying to be a good leader but feels like and fears that hes failing. asks her to help him take care of the rest of the group. helps her get over her fear of dogs by asking her to trust him. and things go well. she feels safe. like this place could really finally be the home shes been looking for

but as soon as she finds out what happened to the twins. that marlon planned on giving up her and aj too. she immediately becomes a liability to him and he attempts to kill her for it. locks her in the basement to die by walker. then tries to turn the group against her so he can shoot her instead when the first method fails. and he nearly succeeds

then a majority of the group turn against clem the minute aj kills marlon. ignoring marlons mistakes but condemning aj for his. like clem wasnt betrayed by marlon in the exact same way he betrayed the twins. like she literally wasnt almost killed twice? and how long had he been considering giving her up? was it always some contingency he planned? did he truly want to keep them around and things only changed when he feared the raiders had returned? she'll never know

[slashingdisneypasta]

Hey... what's your favourite urban legend or ghost story?

🌲🕸🌲🕸🌲

[batsinurbelfrey]

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[atopvisenyashill]

do love how this is an asoiaf blog but i did not put either show in my top 10 this is the world we live in

[thepoisonroom]

btw if i could give one tip to the anxious bitches as one myself it would be to avoid accusing people who care for you of secretly hating you like either it's not true and you made them feel weird and like you think badly of them or it's true and you should just bounce but either way this will accomplish nothing

[majoringinsarcasm]

“I hate people who mindlessly praise RWBY and deny any of its awful writing choices”

I have no idea what circles you’re in that have people like this. I won’t deny they exist bc I’m certain they do, but I’ve seen so many ppl who love RWBY with all their hearts talk about multiple things across the volumes they didn’t like or wish had happens differently or where a scene was weak or where the pacing was off. Especially after people politely explained issues they had with V9 while still throughly enjoying the volume as a whole.

Again I’m not denying the existence of mindless praise but I have to ask WHO you’re coming across who In Earnest and not as a joke say the show is 100% Perfect For Real. Bc in the 10 years I’ve been watching the show I have not seen those people. Which maybe means I’m lucky?

But I feel like RWBY specially gets so much hate and shade and ppl talk about “bad writing” every other episode for the past six volumes like. Bruh if it’s THAT bad HOW are you still watching? There’s thinking it’s bad and hoping it’ll get better and then there’s hate watching and being confused why people seem to love a thing you hate and that doesn’t sound fun At All

[amummy]

This is a miquella supporting blog, miquella haters don’t interact (I’m kidding idc who or what you like or dislike)

[doctorbrown]

DOCTOBER '23 ⸺ 「 7 / 31 * FAMILY 」

December 31, 1999

23:46

❝Hey Doc, I just wanted to say thanks again for inviting us over. You know, the twins, they really look up to Jules and Verne❞—both Emmett and Marty glance over to the living room floor, where Verne is sprawled out on his chest besides two young, bright blue-eyed children, playing with souped up toy cars on a holographic course that Verne manipulates at will—❝and Jen really loves Clara and—❞

Ellie's car has just crashed into the wall of the bank and Verne makes dramatic explosion noises, earning a series of uncontrollable giggles from the three year old who leaves the car half-phased through the wall. Curie—the longhaired collie—perks her head up from where she was slumbering on the couch and immediately hops down, padding over to where Verne and the children are laying.

Verne sputters when Curie sits down on top of a section of his holographic city. Some of the buildings disappear in her thick fur, only for a few rooftops and spires to protrude from her back instead. She wags her tail and it's young Emmett's turn now to be delighted by the sight of the dog as she cleaves fake buildings in two with her tail.

Emmett silences Marty with a hand on his shoulder and a warm smile. ❝You're family, Marty. You, Jennifer, and young Ellie and Emmett. Besides, you only get to see something like this once! We're welcoming a brand new millennium and there's nobody in the universe I would rather usher it in with.❞

Despite the obvious lie coming from the father of time—the inventor of time travel; even Jules momentarily paused in his channel surfing to throw a look over his shoulder at his father—himself, Marty only raises a brow before breaking out into a wide grin. They could watch the clock tick down to the year two thousand as many times as they wanted from anywhere in the world with the time vehicles, but this was the real deal.

The first time. No universe ending paradoxes waiting to ruin the celebrations, no 'let's compare the various new years' traditions', no extenuating circumstances.

Just them, the people most important in their lives, and a countdown that, for once, designates unbridled hope. The future.

We've made it. And though the temptation is still there to check, to make sure Marty's future continues on the bright path it has been since he finally listened and avoided that devastating accident, Emmett has managed to restrain himself thusfar to allow everything to happen in real-time around him.

❝I almost can't believe it, you know?❞ Marty says, and Emmett nods once, slowly, unable to stop the memories from flooding back. ❝That we've actually made it, and—❞

❝Emmett, dear.❞ Clara's voice rings out from the adjoining kitchen, stopping Marty's thoughts in his tracks. ❝There's only seven minutes to the new year; can you go grab the bag that I left on the counter? The camera should be there too! Marty❞—Clara finally emerges from the kitchen with Jennifer in tow, who is balancing a very large sheet cake in her arms—❝be a dear and clear away the rest of the snacks from the table, would you?❞

Both men nod in acceptance of their respective duties and Emmett pecks Clara on the cheek as he disappears into the kitchen. The bag is exactly where she said it would be and curiosity eats away at him; his beloved wife had clearly planned something else for the evening without his knowledge and he considers peering in at risk of ruining the surprise she'd clearly put a lot of thought and effort into.

The new year will be here in—he checks the wall of clocks, ticking rhythmically in perfect synchronisation—five minutes. He can wait that long.

Everyone is gathered around the table, staring at the cake proudly displayed on the table, where a big blue '2000' is written on top, next to the words, Happy New Year! Jen and Clara are a few steps away from them, looking incredibly pleased with their work, and Clara's eyes light up as Emmett places the bag gently in her hand, then joins the others around the table to look at the cake.

In the background, some announcer's voice drones on about there being five minutes left until the new year while footage of the clock tower and a gaggle of people are projected on-screen.

Clara pulls a small golden hat out of the bag for herself with the year written on the front in sparkling silver font, then hands a matching one to Jen, who immediately puts it on. For most of the boys, Clara produces a garish pair of sunglasses from the bag shaped like '2000' in various colours.

Verne makes a face but slips them on anyway, and both Emmett and Marty hold them up to inspect them as if they're suddenly about to explode in their hands in a shower of sparks.

❝Mother,❞ Jules starts, ❝you really didn't have to do this...❞

❝I know we have the time machines, but it's not every day you live the course of your natural life through the turn of a brand new millennium, so I wanted to celebrate. You only have to wear them for the photo, Jules, and you can take them off if you want.❞

Verne grins and throws an arm around Jules' shoulders. ❝Yeah, come on. They might actually make you look better.❞

Emmett slips on his blue glasses with a shrug and then holds his arms out to Marty, as if to ask how do I look? Marty laughs and shakes his head but follows suit, and there's a comment somewhere about how cute they both look, but neither of them are sure if the comment came from Jen or Clara, so in the moment, they decide they said it in unison.

❝Verne, honey, put this on Curie, would you?❞ Clara hands him a colourful bandanna adorned with confetti spirals. ❝And everyone line up. I'll get some of the clocks in the picture so we have the time and—Emmett, you're sure this timer feature will work?❞

❝Positive, dear. I tested it myself.❞

There's less than a minute left on the countdown by the time Clara sets up the camera and hurries over for the photo, taking her place at Emmett's side.

The flash goes off at exactly midnight and as the two couples share a quick kiss, both Jules and Verne make obnoxious gagging noises while the McFly twins stare longingly at the cake on the table.

A chorus of happy new years ring out among the families and as Marty pulls Emmett in for a hug, ❝Happy New Year, Doc,❞ somebody announces that cake is being served.

Emmett pats him twice on the back, smiling. ❝Here's to the future. Now, let's get some of that cake, shall we?❞

[sniperct]

getting new FF14 story content so soon after I caught up to dragonflight is a kick in the gut at how much better at storytelling CBU3 is compared to blizzard lol

Gonna get a better comparison when I do the DF epilogue and the gilneas reclamation later or tomorrow lol

[our-lady-of-mcr]

everytime i think im done ranting i remember something else LMFAO this one is extra long i hit tag limit god mf damn

[randomnameless]

As im also a big rhea fan i do have to admit i also don’t like “alone b4 u” and at least enjoyed the church moments in hopes. However, i think that can easily be fixed with a few lines of dialogue (instead of the huge revisions ykb needs lmaooo): everything was normal between seteth and rhea and flayn until the eisners arrived, and then rhea started acting strangely; she started pulling away from seteth and flayn, being distant and weird and withdrawn. It can even tie into the diary scene/seteth questioning her, since he and flayn were obviously not privy to her homunculi, until the magic green hair dance happens and they suddenly understand. It can also fix a certain s support by reframing it under “i lost sight of my present and future by focusing on the past” instead of Alone B4 U. It doesn’t even need to change the game’s timeline of events or routes!

As an aside i’m still mighty pleased beach rhealeth is a canon duo and they like spending time together with the sand and the fish. All we need now is duo beach seteth n’ flayn to match them (and cyril but feh is mean to male characters so we’ll have to settle for him being a tempest trial unit i guess) and it’ll be a fun family beach episode 🐉🐠🌴

Oh,

AG is kind of an AU in an AU, but yes, in FE16 proper, I think even with Seteth who returned 20 years ago and Flayn who woke up last year, Rhea's still kind of closed of.

Like, she can goof around them because they are her family and she loves them, but there are still things, imo, she wants to do herself and she doesn't want them to know of, especially the "Rez Sothis" project.

Something like, she's more open with them than with the rest of the world and all, but they have been separated for so long that she and Seteth aren't as close as they were in Zanado, or even, in the War of Heroes.

Also there's something I noted thanks to voice line anon on their transcript of her lines in Nopes, at one point, she says this :

Flayn - "You have been working hard, Flayn. You have my utmost respect." 1,000 Enemies Defeated (same quote for Seteth) "We must strive to build a world where you need not dirty your hands in such a way."

(on pk in the jp version she says this instead "あなた方が手を汚さずに済む平穏な時代を築かなければ……" which more or less means the same thing?)

Coupled with her lines both in Golden Shower or Tru Piss - when she urges them to run away or, in Tru Piss, expected them to run away - this imo tells me Rhea takes her "duty" to protect and guide Fodlan personally.

It's not something Seteth and Flayn should do, and they shouldn't "dirty their hands" to make a better world, her own hands can be "dirtied", but theirs? She doesn't want that.

So yeah, in that sense, Billy's return and existence is somehow tied to her own duty - the one she cannot share with Seteth'n'Flayn - of watching/looking/guiding Fodlan.

And we know Rhea is desperate, because she thinks she's doing a crap job, but instead of complaining about it, she keeps it bottled. A bit like that meme "everything's fine" when the house is on fire, and Rhea has to keep pretening everything is fine, because it's her duty to watch over Fodlan, and Seteth'n'Flayn shouldn't worry about it - she's the one burdened by that, not them. Billy popping up would be her lifeline "it's fine everything is fine look Mother returned and at the end of the month everything will return to the way it was supposed to be, Sothis will fix everything wrong with Fodlan since I'm not able to do so"

and I could see the devs thinking this...

But - and this the biggest "but" - Rhea's lack of supports and ties to characters can't decently be erased by a mere "she ignores them because she hyper focuses on Billy", Rhea's close to her "brother like" figure, dotes on her niece, trains with her knight and protégée, and she'd just ditch them all due to this hyperfixation?

I don't buy it.

As you said, she could be acting weirder and weirder with Billy's signs they're awakening as Sothis's host, or something.

Maybe they could have made supports where Rhea avoids like plague to talk about the "current situation" and big events going on, and just talks about random stuff, like memories, training or picking on Seteth, encouraging Flayn and Cyril to make friends, etc etc...

And with the events of the game happening, her support convos could become more troubling, having supports where she refuses to talk to Seteth about "the demonic beasts" investigations, what's going on in the Empire and all, maybe with the final convo happening just before Jerry kicks the bucket, Seteth would try to grill her one last time, asking her to please let him in, he wants to help, and Rhea considers for a moment (with meaningful "..." points) but she doesn't and say everything's fine, Seteth seemingly abandons, saddened and when he's gone Rhea says she cannot allow him to help her again, it's her burden - (when he discovers the homonculi projet thanks to Jerry's diary he puts 1+1)

And the similar thing with Flayn would be just before the Holy Tomb map - Flayn worries about the "current state of things"and those people who took her blood, but Rhea oddly starts to talk about a celebration for the millenium year festival, how they could celebrate in the Monastery - Flayn could invite her new friends, and then she namedrops Flayn's mother who could also join, to Flayn's surprise, what the fuck is she talking about her mother's dead is she alright?? "yes everything is fine at the end of the month everything will be fine" -

And we know how it ends lol

In the end Rhea's revelation would be something more classical in the lines of her "relatives" pinching her cheeks saying she doesn't need to do everything alone, they can help her too - maybe with them telling her that both back then and now, they help her and Fodlan because it is something they want to do, not because she asks them to.

Maybe they'd tell her to stop feeling bad for what happened during the WoH, sure they lost people dear to them, but they do not regret it at all (with a bonus "Rhea feels like crap because if she never asked for their help during the WoH Cethleann would still have a mom and Cichol a wife and this ate her for 1000 years").

As for Billy -

instead of the "alone b4 u" maybe we could get a Billy centric piece about them feeling kind of bad Rhea apologises for... their existence? No matter the reasons behind their birth or heart transplant, they exist thank to her, right? So they'd tell her thanks, and it breaks her, because everything she thought she did wrong and her biggest sins - creating life - weren't sins since the people who were created were and are grateful to be alive?

I like your idea of "stop being so fixated on the path, look at the present and the future" and it's doubly nice if Billy is the one to say it, because they're Billy, not Sothis!

And it'd make a nice parallel in Nopes - Nopes is supposed to be a kind of bad AU where people don't develop as ideally as they do in FE16 without Billy - because in Nopes Rhea's all on the nostalgia trip, which prompts Seteth to remind her that 1000 years passed since she "borrowed" his shield or since Indech was last here (or since Willy died), they have to focus on the present.

Back to Billy, I'd think they'd be important as the person who tells Rhea that no, she didn't "royally screw up" since they exist thanks to her, and they're grateful + she can rest now, they will take up her job, or even better : since no one can guide the world etc etc alone, will she help them?

Revamped SS without "alone b4u" would still imply slightly tweaking some CGs and cutscenes, instead of having only Billy be present, Seteth and Flayn are here too - when she tells them they're in charge before transforming? Have Seteth with her (maybe saying Flayn already ran away, so what the frick is she doing, they should go, and Rhea nods, talks to Billy, and transforms). The cutscene when she's freed from the prison? Have Seteth pick her up, instead of Billy, maybe Flayn working some sort of magic, and Billy in the scene, visibly relieved as she thanks them and everyone for coming to rescue her. Shambala? More scenes with Cyril and Catherine, asking her if she's alright, if she needs to rest, maybe a CG of Catherine supporting her to walk or something similar with Cyril.

The final scene in the Cathedral ? Seteth enters first with his weapons, because he is the one who said they should kill her (even if i hate this plot mandated fight lol) so he feels like he has to be the one to do it, but Billy catches her and the scene goes as it does in the game.

Anyways - yeah I also like how FeH, Engage (and Cipher to a lesser extent?) represent Billy as liking to be with his lizard family, popping up with them, let it be for a swimsuit alt or for a Halloween alt - sure Gremlin!Sothis ruins the thing - but M!Billy's still on a event with Rhea, just like F!Billy. In canon they need to work a bit on their relationship, but there's no mistake were intended to be on good terms!

(even if in canon you have to be sad to fight against Supreme Leader, so Rhea must be sus, and everyone must tell you Church BaD else Rhea won't be sus, and Supreme Leader might not have a point, and we can't have that + FE16 made Billy the avatar/self-insert so they have to be empty enough to be able to pick each route and support every character)

[devotedlystrangewizard]

on one hand karlach not leaving my party as i do everything that ive done in act 3 is unrealistic and she should have attacked me at this point. preferably right before the end when she realizes i truly have no intentions of doublecrossing gortash.

on the other hand karlach has survived literal fucking onslaughts when me, shadowheart, and astarion were all taking naps on the floor. and fighting her sounds like a bad time even if i get steel watch backup

[freedarick]

So I kind of asked my boss out and after some excuses she said "let me think about it" which here is code for "no". Kind of bummed, kind of still have a bit of hope, kind of just hoping it becomes clear she is 0 interested and I can at some point move on

[todayisafridaynight]

INCREDIBLY FUNNY that I refused to settle for just saying "bread" but yes it was those! So in that sense, the lavish bread physics are integral to conveying how important the little things were in getting him through prison. Still, for the sake of the drip…...... perhaps sacrifices are needed...

But yeah, I'm thrilled you noticed those things about the evolution of Jo's design, too! It's super interesting to think about in terms of storytelling, I don't think you're inarticulate in saying that at all. Speaking of, I also just look up "holder" to find prev asks at this point lol

Jo and Ichi's dynamic is also a major topic of interest for me (as we've seen). I think a lot of what's going on with them is definitely some variation of "old habits die hard." That's natural when you form that kind of uneasy coexistence. But like you mentioned, it's also telling that Jo picked up the nickname in the first place, because I went back through the entire script, and it really is the case that only Arakawa, Masato, Jo, and the people who raised Ichi call him that. It's reserved for his family.

I think this line about Aoki (that I completely forgot about before looking at the script again lol) may also shed some light: "A long time ago, I knew him as the young master. He knew me as Ichi." Because they all do that, don't they? Ichi still says Captain, Boss, and Young Master, Jo still says Boss, Ichi, and Young Master, Aoki still says Dad and Ichi.

Even though on paper these relationships should've dissolved with Ichi being expelled, Masato becoming Aoki, and Jo taking over as second patriarch, to one another, they're all still who they used to be. And as an aspect of how they communicate, the "learned language" that forms in families, it stands out when they're all on the same page with the terms they choose to use.

This line from Ichi also stood out to me: "But my aniki taught me different. He said whoever makes the first move is the victor. The guy with steel balls wins." Like, that's clearly Jo, right? For one thing, the "flavor" of aniki is different from Captain, of course--one is directly an appointed post, and one is more open to interpretation--but it also clearly shows that Jo's imparted his "philosophy" to Ichi in some ways.

I think, to a degree, it's one of those holdovers from RGGO that wasn't fully implemented. Because they're more or less the same in RGGO in this regard, but RGGJo does outright say it makes him weirdly happy that Ichi still calls him Captain, so that's a clearer indicator and makes the idea feel more "complete."

With what I said before about their "learned language," too, the Arakawa Family has this way of saying goodbye that's specific to them, and I really miss it in Y7. It is referenced briefly, but it's not a "thing" like it was in RGGO. It's kinda like how The Gang in It's Always Sunny in Philadelphia greet each other with "Hey-ohhh!" LMAO idk but. I Enjoy. But that's also why it stood out to me that LaD8Jo greets Ichi the same way as Y7Jo and RGGJo.

ALSO that is so sick the author of Soliloquy saw your art…… incredible……….. + as an aside since I was reminded, it's very true that sometimes people seem to "fill in the blanks" with tropes, and my favorite is honestly when it's both funny and offensive. There was this whole "phase" (and to everyone's credit it was short-lived) of playing Mine up like this Huge Misogynist because he's not attracted to women, and it's WILD to recognize that he's gay but still pull up homophobic tropes for funsies.

Like I was mad at the time mostly on account of the mischaracterization (because come on, even if you've only seen Y3, he is still uncharacteristically soft with Katase… not that he wasn't INSANE for The Slap, but it also wasn't at all rooted in the same things as say, Nishiki slapping Reina might've been.) But it was funny. Perhaps not in the way it was intended to be, but it was funny. And, you know, that's why I'm happy to stay in my own little corner as well.

You coulda just said bread it's ok 😭 I WAS right though it WAS a carb......

On the subject of language though, it's def something I picked up on (if my last ask wasn't any indication lmao)! It's a real neat detail and something I think helps push that 'family' theme Y7 has going on (or at the very least demonstrates how despite the times changing, they still have those bonds with each other whether they acknowledge it or not), it definitely being a case of picking up a habit/term from family.

About tropes in fan works though, I can't act like I'm guiltless of it LMAO so I don't have too strong of a leg to stand on when it comes to criticizing it (and I can't lie, sometimes I do find playing into the trope funny if it's at least based on something from the text and it's just exaggerated For The Bit yeah). However I do think the strangest thing was linking misogyny and Mine (I made a post rambling about it but deleted it like. .3 seconds later) because nothing he does in either Y3 nor RGGO is explicitly misogynistic? In the slightest? And as we talked about before he's considerably pretty respectful towards women? Again, he surely did slap a little girl, but it wasn't because she was a girl you know (still cringe to do but if we're gonna talk about it let's do it right please and thank you). As you say though, pushing that trope onto Mine just feels like perpetuating the harmful stereotype that gay men hate women, and in cases like that then I can't really take the piss out of it without having a weird taste in my mouth.

[luxraydyne]

lmao i may never be wanting for horror writing material when with almost humorous timing. i begin thinking permhaps being so restless to move into my own home and private space to the point i can barely concentrate through the fog is actually a detrimental idea when living w my family is all that prevents me from being completely alone. when on cue parents once again resume trying to goad me into becoming a pet grandchild incubator so my sibling’s child doesnt end up lonely whhat teh fuuuck dude. we’re back baby to doomscrolling extortionate private rental cost of tiny studio flats in a cost of living crisis

[mx-paint]

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