#we can feel it so hard

[traumasurvivors]

It's okay if certain popular positive phrases don't sit right with you.

Maybe you see "Holding onto hate is like drinking poison and expecting the other person to die" and the message makes you feel guilty, or wrong for feeling hate or anger towards the person who hurt you.

Maybe you see "People treat you the way you allow yourself to be treated" and it makes you feel guilty for the trauma you endured. Maybe it makes you feel like you didn't do enough and don't deserve to be upset. Maybe it makes you feel bad because you're in a situation where it isn't safe or feasible to get away or set boundaries with the people in your life who do treat you poorly.

Maybe you see "No one can love you until you love yourself first" and you feel terrible. Like no one can ever love you because loving yourself is such an impossible goal at the moment.

It's really okay if certain phrases you see spreading don't sit right with you. They help some people, and that's really valid, but you aren't wrong or a failure if they don't help you. We all have different needs, and no post is ever going to help or be right for everyone.

You are still valid. It's okay to need to hear different things. So, I'll say this to those of you that want or need to hear it.

It's okay to hate the people who hurt you. It's okay to be angry at them. While there are healthier ways to handle your feelings than others, no feeling is inherently bad. And it is okay and valid to feel these things. In a lot of cases, feeling these things is a step in healing because you've realized that they're who you should be mad at instead of yourself. And I think that's great. I think there comes a point when your anger is hurting you, but the emotion itself is okay to feel and can be used in productive ways.

I also want to say that no matter what, it isn't okay for people to treat you poorly. You never deserve it. And it's okay to have complicated feelings. It's okay to feel like you have nothing but bad choices. Sometimes the choice with less consequences is dealing with bad treatment until we can safely or realistically get away from that person. Sometimes you just aren't ready. And I get it, and while I hope you can get away or set boundaries eventually, you don't deserve the treatment just because you aren't in a place to do that now.

And people can absolutely love you if you don't love yourself. I am not at a point in my healing where I love myself. Truthfully, I don't know if I ever will be. I reached for self-neutrality instead of self-love, and it helps. And I know that I am beyond loved by certain people in my life.

It's okay to have different goals, needs, and ways we cope.

[egophiliac]

don't think I'm not still obsessing over 7-12

[forgettable-au]

FORGETTABLE-AU (page 82-85)

THAT LAZYBONES!!

[BEGINNING] [PREVIOUS] [CONTINUE]

[poorly-drawn-mdzs]

Learning to celebrate the little wins!

[bluerosefox]

Waiting... Waiting...

So... This was inspired by listening to EPIC (FREAKING LOVE ALL THE ALBUMS, SO GOOD) and by @noxcheshire post of Tim being Odysseus reincarnated and Danny (maybe also reincarnated) being his Penelope (Here) so I had to turn it into a Dead Tired idea.

The song The Challenge is the main one here. (Cause I LOVE that song... along with Would You Fall In Love With Me Again)

So WHAT IF Danny IS the reincarnated Penelope, after becoming the Ghost King Danny's memories of his past life as Penelope returns and remembers how before dying/ or being reincarnated both Penelope and Odysseus promised to find each other in their new lives, no matter who they are, what new form they take, they will find each other.

So Danny/Penelope, just like before waits for their Odysseus to return to them, but also tries to find him in their new life (CW is laughing whenever Danny asks for hints and gets a 'In due time, just wait' answer, ugh Danny wants to smack CW for that)

However just like in his previous life with being in a high position of power, Danny is being pressured to marry/take a spouse (now its not just men/males though so its a huge headache, I head canon Ghosts don't care much for gender preference) mostly by the dang eyeballs that Danny is still trying to find a way to get rid of without upsetting the Infinite Realms delicate (but slowly healing) balance even if Danny wanted nothing more than to punch all of the suitors out.

So Danny decides to play the long game again.

And waits for their Odysseus return.

Danny's wait is over when they suddenly feel the Realms shift one day, as if welcoming someone familiar home, and the same feeling Danny had when he had been Penelope and saw the storm that was sign of Odysseus coming home, Danny decides its time to bring out The Challenge once again. (CW gifted Danny a few things from his past as Penelope as a coronation gift, like Odysseus's bow (now enchanted to be unbreakable), a painting of when he was Penelope, with Telemchus, and Odysseus, and the Marriage Bed/Olive Tree, AND the Palace Odysseus made that Danny takes to being in over being at Pariah's Keep)

-x-x-

Meanwhile

Tim Drake, aka Red Robin, always had strange dreams as a child.

War, Death, Monsters, Gods, Goddesses.

His dreams were more like nightmares, haunting him and he sometimes woke up in cold sweat.

He hated storms. Hated being in the water for to long. Hated how he felt both tense but also at home when around Greek heroes, as if he was afraid to 'disrespect' them (Cassie was the only one he didn't feel that way around, mostly cause they had been somewhat friends before their heroing since their parents knew each other) but also knew how to appease them should he insult them. He also had a strange hatred for the CoO with a burning passion because he felt like they were mocking real Owls.

The worst part of nightmares that always pop up are of what feels like should be his home is being invaded by unwanted guests (they aren't guests), how they are angry over trying to string a bow and shot an arrow through axes, of the terrible terrible things he hear them saying they were going to do to his loved ones (two names that keep getting muted out).

How it ends in bloodshed with echoing of begging, pleading, mercy, and screams.

However in those nightmares at the end. He also finds himself looking for something in them.

Or rather he always found someone waiting for him at the end of the nightmares. Calling him by the wrong name but it sounds just right coming from them.

The dream always ends with the person asking 'How long has it been?' and before he can answer he wakes up.

So yeah Tim has horrifying nightmares/dreams he could never explain.

And the urge to find someone. To go home to them.

It isn't until he and his friends from Young Justice are hit by a spell from Klarion (who may or may not had a visit from a certain chaos encouraging Time Keeper) and sent to a place called the Infinite Realms in the middle of their fight, that Tim is hit hard with déjà vu when he spots a certain Palace in the distance and overhears some of the 'people?' (they glow and float and some don't even look human?! where are they?) talk about how the 'King' has issued a new 'Challenge' for his 'suitors'.

A Challenge involving a bow, and axes.

And Tim, feels like he knows this all too well and needs to do it.

[nyaaamato]

orpheus & eurydice

[vaguely-concerned]

huh. you know something I just consciously put together for the first time about caterina and lucanis' relationship is that through the game we get to hear them talk about each other a lot, but we get very few chances to hear them speak with each other at any length at all. contrast it with other companions whose storylines have elements of 'believed lost/long time no see relative returns!' like bellara and davrin, where we get to see both of them have several pretty in-depth conversations with cyrian and eldrin. hell I think even rook talks with varric longer in the regret prison scene than we ever get to see lucanis and caterina interact directly.

(and when we do see them interact, it's mostly one-sided -- it is, perhaps unsurprisingly, caterina who is doing most of the talking and giving all the orders, as he ruefully observes is her wont after murder of crows. including jumpscaring him with 'you're first talon now btw' and the shocked pikachu face in five acts he goes through in response lmao. perhaps it's more accurate to say that she talks at him and he reacts, than that they talk to each other much.)

it has such an interesting effect too, because in deliberately denying us direct insight or experience and only having this mosaic of description from each of them to go on, as well as forcing us to pay attention to the negative space of what is carefully not said, it's evocative along the same principle that you never actually show the monster in a horror film. if you've read the wigmaker job you have a clearer image of the more uh. worrying elements at play here going in, but there is something fascinatingly insidious and naturalistic in the way it's 'hushed up' in the game itself. she has his complete loyalty both as a member of her house and, more importantly, that of an abused child to a parent figure. he readily admits several times that she's a difficult person to live with, an even more difficult person to be loved by ("even for me. and I was her favourite")... but never once does he actively blame her nor truly conceptualize that he has every right to do so (that he can be angry with her and still love her, because whether he should or not he unavoidably does), or that she might have acted differently than she did, that she made a choice every time to hurt him. even affectionately he speaks of her as a force of nature, an act of god -- something that can't be reasoned or pleaded with or resisted, something you can only hope to navigate with as little pain as possible and pray to survive. let yourself get carried away by the riptide, resisting it will only make it worse. you don't compromise with a hurricane, you just try to find the best shelter you can and cross your fingers while you wait for it to pass and be calm again.

love is that hurricane. you do whatever she asks. you earn her continued affection day by day by never letting her down. you only want the things she tells you it's okay to want and cut everything else away preemptively. ("A wyvern tooth dagger?? I loved wyverns as a boy --Caterina would never let me have one of these, though." and as we have all wept and gnashed our teeth over, it never even OCCURS to him that he's a like thirty-five year old adult man who can buy himself any dagger he wants at any time. she said he couldn't have one. so he'll never have one. that's just how it works. and maybe if Illario could just accept that and find his peace with it like I have, this whole thing wouldn't be so difficult. oh lucanis.)

such is the price -- and the cost -- of being loved by her, it's a loan on which the interest will never stop piling up. you have to keep paying it down in perfection every day if you want to keep it. who got the worse deal there: the grandson who has abandoned everything else in life to live up to that and mostly succeeded, until the day he's so burned out and broken it threatens to no longer be an option, or the grandson who can never seem to scrape together enough worth in her eyes no matter how he begs, borrows or steals it, how he hustles and plays dirty?

one of the worst things that can happen to anyone is to be loved by a selfish god. another one of the worst things that can ever happen to anyone is to not be loved by a selfish god. (hope that helps, boys!) even in betraying everything else, Illario can't bring himself to hurt his grandmother, because that would defeat the whole point. who would he defiantly be proving himself worthy to, without her. in love, devotion, submission, hatred, frustration, bitterness, everything is defined in relation to her, you can spot the gravitational force of it through how the dellamorte family move through time and space. she -- her love and regard and attention -- is still the sun both of their worlds orbit around, even as adults. the game might never tell you outright 'she used to beat and starve them growing up. for their own good you see, so they'd be strong (and broken down enough for her to build them up again however she wanted but I'm sure that's incidental)', but if you know even a little bit about how these dynamics can work the writing is on the wall everywhere you look and all the more unsettling for it.

follow lucanis' freeze-logic and fraught interpersonal catch 22 irreconcilable mixed emotions problems back far enough, looong before the ossuary entered the picture, and you start to see caterina's ghost around every fucking corner. she is so proud of him. (well, she would be. she made him. she forged exactly the knife she needed and it rests willingly, devotedly, in her hands, it would return to her every time because it doesn't know love as anything but to be a knife. his tama never taught him how to be anything else. his biggest fear with her is that she won't even want him back, the way he is now.) to the best ability of her soul, whatever parts of it survived a lifetime of crow politics and 'five children, eight grandchildren, only Illario and me left now', I think she really does loves him. he certainly loves her, with all the sincerity and artless desperation of a child, of the little boy he was once. and what she's done to him (and to illario, for all his shitty gremlin scar-ass antics lol) is awful. the harm is real, and the love is real, and trying to find a way for these two truths to exist in the same space is driving all three of them their own individualized forms of insane. you know. the way only family can and so often does lol.

through implications and short glimpses and having to put the pieces together yourself, you can have the feeling that there is very genuine mutual love and attachment in this relationship... and that beneath that there is something so profoundly wrong. and the sneaking '...oh shit it gets worse the longer I think about it' horror of that is more effective for me at least than the stark in-your-face presentation of the facts of the matter could have been. the love is here. the love is here. it only ever makes it worse.

[shorelinnes]

favorite lee know looks (2/?) ↳ superbowl (japanese version)

[lucaanis]

『🐲』 — taash's fortune's favour + details

[weaselishmcdiesel]

katnep is the type of ship you'd expect nepeta to try really hard and dress all cutely and karkat be a bit more lazy and wear the same clothes BUT if we're all being honest karkat would absolutely dress up all fancy and nepeta would wear her usual clothes. karkat would go to kanaya in a heartbeat, kanaya would try to reach out to nepeta but nepeta will not comply.

bonus points if kanaya continues to try and make something pretty but also comfortable and fitting for nepetas tastes but it backfires because she then never takes it off and kanaya has to watch it very clearly become worn and ruined as nepeta rolls around in dirt. Kanaya accounted for that of course, but nepeta somehow surpassed her expectations anyways

i think youre totally completely right

[cherry-bomb-ships]

There are benefits to being clumsy... sometimes you get to fall into the arms of a handsome chimpanzee 💜🩷💜🩷💜

Screenshot redraw of a cute scene from what's basically PPG's Valentine Day special! This was so fun to do, I feel like I learn more abt using Illustrator every time I go back to it :3 🩷 Reblogs are all seen and appreciated, click for higher quality!! Tag list + Screenshots referenced will be under the cut 💜

Tag List!! Click here to be added or removed.

@absentmoon, @avas-wonderland, @bee-ships, @beetleboyfriend, @berryshipbasket, @bugthecalmchild, @canongf, @cloudyvoid, @derelictdumbass, @dissonantyote, @edencantstopfallininlove, @final-catboy, @chickenout , @flowering-darkness, @gibles-lovely-selfships, @hoppinkiss, @hyperionshipping, @impulse-exe, @iwishihadfangs, @iyamifucker, @kissingarthurclaus, @lex-n-weegie, @lficanthaveloveiwantpower, @little-miss-selfships, @little-shiny-sharpies, @loogi-selfships, @mandrakebrew, @midoridayz, @mintpecks, @mothfinite, @mrs-kelly, @nameless-self-ships, @nerdstreak, @odysseyyaoi, @oleanderspride, @orbitingaroundyourlove, @paper-carnation, @reds-self-ships, @rotten--cotton , @spacestationstorybook, @squips-ship, @theheroand, @toogayforthistoday, @winterworlds, @yuzuibanagi

[poorly-drawn-mdzs]

Maybe we never had a chance.

[First] Prev <–-> Next

[lizzybeeee]

DATV explaining the 'Regret Prison'

A REGRET PRISON IS STUPID AND I'M TIRED OF PRETENDING THAT ITS NOT

TL;DR: a prison can serve as a metaphor but it shouldn't be entirely comprised of a metaphor.

From what I understood from what the game gave us: Solas has made a new prison to move the God's too - since bringing down the veil would free them from the Black City. This new prison is separate(?) from the fade or so far removed/contained that bringing down the veil would not compromise it...apparently. We interrupt his ritual, Solas gets sucked into the new prison he made, and the elven gods are free.

When Rook gets kicked into the fade they're physically there - which means it's a physical place in the fade, like how it was a mixture of physical/thought when we entered it in DAI. Which makes sense - the gods are real and living beings, they need to be in a place, there must be some aspect of physicality to it.

Alright, cool, it's a Black City 2.0 - I assume it's better defended to prevent people breaking in/out again?

NOPE.

We get there and it's a 'regret prison'?? It's tied to the regrets of those within it? Composed of regrets??? Solas had to wait for the right moment for Rook to be sufficiently 'full of regret' that they could switch places?

So is the prison tied to Solas's regrets? If so, how can Rook escape? The prison seems to work around the idea that it relies on the regrets of the person it's holding to work - which is how/why Rook was able to be trapped and later free themselves (along with whatever remains of the team apparently being able to do something on their end, not that we hear about it).

WHICH IS STUPID!

Are you telling me the prison intended to hold to megalomaniac elven gods was going to imprison them based on their own regrets? Is Solas assuming that Elgar'nan and Ghilan'nain are as self-pitying as he is? They'd break out quicker than Rook did! He made a time out corner for the elven gods to sit in and gave them an out if they reflected on their emotions/regrets or decided that they don't regret what they did. Elgar'nan, a spirit of tyranny, is not going to 'regret' his actions - he is going to justify them by telling himself and others that he knows what's best.

We can come across some of Solas's regrets in the prison if you run around a bit and explore:

Remnant of Failure - talking about the orb from Inquisition.

Remnant of Parting - talking about Mythal

Remnant of Reflection - more vague, talking about the Titans I believe.

So maybe he altered it - maybe he intended the prison to be 'locked' with his own regrets because after a millennia of having a pity party he still can't bring himself to self-reflect and look to the future. But what if Solas died? Or if his guilt lessened - would it diminish the strength of the regret prison?

We already have pre-established lore (though DATV has shown they don't really give a crap tbh) that once the being that has claimed/altered an area of the fade is slain, it's influence diminishes both in and outside of the fade. So if the prison was tied to his regrets then it would require Solas to basically live forever to keep it stable - especially if he brought down the veil and removed the one barrier that kept the world and the fade apart.

Rook and Solas needed some assistance to exit - but it doesn't seem like it was much! Solas used his dagger and Rook just...got out through a fade tear? This is Solas's 'more secure' second prison? It has a worse track record than the Black City! If Rook - who is not an elven god - managed to escape the regret prison what is to stop anyone else from breaking in and out of the prison?

And what did Solas intend to do with the blight - the bulk of which is apparently in the black city?? If bringing down the Veil would free the gods in the black city doesn't that mean that the blight would also be released?! Did he have a plan? Why does he go fully ahead with bringing down the veil at the end if the black city is still there and filled with blight?!

I get it: the 'regret prison' is a metaphor for how Solas holds onto the past and how Rook can move past their regrets and grow. He's trapped by the past - it's a prison. Cool. But this prison is supposed to by a physical place to contain the gods - not just to solely contain Solas. The mission is literally called 'A Cage for Gods'.

The Black City is an actual place that's so far out of reach of anywhere else in the fade that no mage can ever reach it while in dreams - let alone physically, which was only done once and took tremendous effort/blood sacrifices. It made sense - it was cool to see floating in the sky in DAO!

Though it's not said specifically, it's strongly implied that Arlathan is the Black City. You can see in the concept art that floating elven city is exactly the same as the black city in DAO! It's this foreboding thing just lurking in the sky - a constant reminder of the sin that led to the horrors of the blights and darkspawn. A real place with lore and history that also serves as a metaphor for the hubris and destruction of those who call themselves gods and act as tyrants -> for both the evanuris and the magisters.

I WANT TO UNDERSTAND THIS BIOWARE!

WHAT IS THIS KINGDOM HEARTS NONSENSE???!!

[blueskiesandstarrynights]

shout out characters who would lose their shit over realizing they're fictional characters. shout out characters who would punch their creators in the face. shout out evan kelmp. shout out conner bailey.

[sunlit-mess]

I can only take so much, but lately, they have replaced my reflection. And realize I'm just as bad as them.

[randomalistic]

Wait you guys are actually buying Disney products I thought it was a joke

(READ TAGS FOR FULL CONTEXT Sorry it’s long dies