#we can all guess what he is doing
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fl0pera · 28 days ago
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bacchuschucklefuck · 6 months ago
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doing chibi is a good design exercise bc it forces u to think on shapes n essential details, essentially thumbnailing ur designs. its also a terrible design exercise bc it ends up looking cute no matter what
#dimension 20#fantasy high#riz gukgak#very specifically class swap bard!riz#fh class quangle#mm. I may need tags for all the asides Ive been doing lmao#riz's canon design is so coherent and thematically clean that I genuinely struggle to keep up...#bard!riz's whole thing is working out his identity through abject fear so it kiiiinda makes sense that hes got a different thing going#on every year I guess? like lmao the directive I go into each of these designs with changes vastly#freshman bard!riz has to look extremely nonthreatening. and also make you wanna pick him up and chuck him at a wall#annoyingly inoffensive. slides off your memory pretty much immediately. a void of an experience#crucially Does Not Show Teeth While Smiling#sophomore year bard!riz I have been keeping the like. cameraman direction for#I want him to be swimming in clothes a little bit... he kinda lands at like. 80s/90s shlocky horror protag too which I do like#bc what is season 2 to riz if not a horror story lmao#junior year bard!riz I want to be somewhere between clark kent and tintin#the journalist aesthetics is not so clear and easy to build as the detective or spy aesthetics...#but also I just. really like boy journalist lmao this is the BD blood speaking again#and! I actually do draw his hair differently than in my canon junior year riz stuff. its a bit shorter here so it doesn't#obscure as much of his face#its so funny actually going from drawing canon stuff to class swap esp. with riz bc he's smiling SO much here#and it's 100% trained like its crucial for u guys to know he is equally if not more fucked up as a bard#barely anybody can wrangle him in canon it's already been mostly him keeping himself on track. imagine if he actually learned how to act#mmm. I think these designs are still gonna soft change as I draw them. thats fine we have fun#drawing sophomore year bard!riz for those comiclets was fun as hell. I think on this factor alone I call it a success lol
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ruporas · 2 years ago
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invisible scars (referenced previous talk here)
[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."
Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”
Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.
At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.
"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.
Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”
Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."
In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]
Credits for ID here and here
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#another scars comic for one of the vw week days!!!! frankly i think about their scars WAY too often . most notably wolfwood's because#it really symbolizes a lot for him imo bc for vash it's a history of all the people that's ever harmed him betrayed him and the trust he has#given to humanity despite it all. its a beautiful reflection of his character and then u look at ww and presumably#since we dont really see him half naked Ever (shame) and i mean. i guess technically its a hc -- i assume he wouldn't have any scars bc#of the regen potions (which is why he doesnt have his t scars btw the regen pot took them away :pensive:)#in a way its like washing his hands of blood. giving him the body of someone who might never been involved in a fight never held a gun#but he knows thats not true yet he cant really do anything about it anyway bc he's still just human. if he stops taking the regen pots#he can't press forward. so its just a rinse and repeat and growing accustomed to whats inflicted on him because he knows it'll go away at#the end of the day. he's human but he's also not he's far beyond what could be considered a normal human but he still just is.#mortal but also not immortal. idk. i overthink about it a lot GMSKGMDK frankly i dont think it matters THAT much in the context of trimax#but it means a lot to me somehow. also thinking about how no matter how many times ww kills he's never numb to the sensation of it. maybe#the adrenaline gets to him for the beginning half but ive been rereading like.. vol 3? and that entire fight for ww#u can slowly see him spiral as he keeps on going on. anyway anyway. i love ww#ruporas art
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turtleblogatlast · 9 months ago
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No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.
The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.
And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.
He’s their father, for all his faults he did his damndest to make sure they survived.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt splinter#rise splinter#he’s not perfect as I’ve said#and he’s got a whole slew of flaws and faults#but he’s a person - we are all flawed#he loves his sons dearly dearly dearly even if he struggles along the way to show that#parenting is not easy! especially as a traumatized mutant who is forced to do it alone#side note but I think this is one of the reasons why it kiiiiiinda ruffles my feathers to see so many people assign parentification to Raph#and in turn make Splinter out to be way worse and way more distant than he is in canon?#like idk I just don’t see what so many others see ig but maybe that’s just me#i guess my thoughts are like- let parents have flaws without villainizing them?#they’re still parents even if they mess up?#we can discuss the repercussions of a parents actions on a child while not casting that parent as an awful person#parents are peopleeee#I could go on but yeahhh#idk it bothers me seeing splinter’s efforts undermined when he’s been through so much#idk if ppl realized this by now but I love me some flawed characters#tho I do think in this fandom the ones whose faults are discussed the most are like#Splinter mostly then Draxum then Leo#of the main cast#and in Splinters case in particular his faults are made to cover his good qualities which makes me sad#because he is SO INTERESTING#they’re all flawed characters and tbh so interesting because their flaws are ALSO their strengths in many aspects
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mobius-m-mobius · 5 months ago
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You wanna hear a good story? Listen to this one.
Mobius + comfort
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poorly-drawn-mdzs · 1 year ago
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Wardrobe Woes
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puppyeared · 3 months ago
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you are umasou
#I watched it today it was so good#im not big on dinosaur stuff but i like how it was used to approach the predator/prey conversation especially when both sides are sentient#instead of just defaulting to well since predators are meat eaters their actions are automatically immoral so their role in the story#has to match. and then when your characters /are/ meat eaters you just step around that whole topic#heart knows he has to kill and eat so there’s no avoiding it but even he knows he has agency over that#hell he even decided to hunt by himself so umasou doesn’t have to see him kill and eat another dinosaur a day after meeting him#and maybe its because it’s a kids movie but it also doesn’t make a big show over the act of hunting and eating. it doesn’t dwell on it#like yes you can clearly see them ripping into guts minus the graphic details but it doesnt go out of its way to censor it either#its played straight just like hearts mom having more kids like nobody asks who the father is or when that happened cuz it doesn’t matter#what matters is she still loves heart and encourages her kids to greet their big brother and they do!!! it’s sweet#Beckon was also an interesting touch bc they make it clear the only reason he doesnt eat umasou is bc he cant and not that he wouldn’t#but he’s still a funny and interesting character and that doesn’t get in the way of how we see him too much#same for baku he was pretty polite with heart esp from the start when he asks him if hes abandoned implying he would be prepared to#look out for him from the start. and at the end when he decides to spare him. I dont hate him at all hes just intimidating#you are umasou#doodles#I wanted to draw smth more detailed but I couldn’t decide if I wanted to go with the cartoony art style#or smth closer to realistic?? so this is like. some sort of compromise I guess
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thatfaerieprincess · 5 months ago
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WATCHED C3e99 DOWNFALL PART 1 AND UHHH I HAVENT DRAWN FAN ART IN YEARS BUT THE MUSE REALLY SPOKE TO ME THIS TIME
Step 2 figure out how the Emissary actually looks
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secriden · 15 days ago
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*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.
I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.
Point 1: An irresistible opportunity
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The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.
In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:
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So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.
What we, the audience, and what the characters know are very different things.
Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.
Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.
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When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.
(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)
To Style, this is just too good of an opportunity to give up.
Because let's be real, Fadel is so clearly lying and hiding something:
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Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?
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Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.
Point 2: The potential implications of the setting
Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.
There's a few things that make this theory plausible:
(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.
(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.
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(3) Style is clearly the darling of the market aunties and uncles.
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Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.
Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.
And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.
Style is so loved and more importantly so very loveable.
Point 3: What this could mean for Style's character
So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.
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It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.
It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.
@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?
This is catnip to Style; he never had any hope of resisting this.
Breaking news: Style is a complex and imperfect character...
Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.
He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.
And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.
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In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.
And he makes that abundantly clear in this episode:
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Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.
...but Style is also kind of, sort of, perfect.
Because he's exactly, precisely, breathtakingly exactly what Fadel needs.
Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.
Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.
#<my posts>#saw a post about style being one-dimensional and boring and I nearly had a breakdown because what are you TALKING about???#he's so perfectly messed up and terrible and unfiltered and WONDERFUL in all the wrong and right ways#and others have pointed out there's potentially even MORE to style's backstory because of the “coincidence” of Lilly meeting with#someone with the same name as the dog Style talks about in his story#listen the story telling in this show drives me inSANE in the best way and i'm baffled at some of the takes i'm seeing#can we at least... let his story play out maybe before dismissing or hating on Style?? its literally ONLY episode 3.#anyway yes its me your resident style apologist back to be unnecessarily emotional about style again#the heart killers the series#thk meta#the heart killers#style sattawat#fadelstyle#also FUCK ME dunk is just constantly serving every single episode and i've seen so many posts appreciating joong's acting (RIGHTLY SO!)#but not nearly enough love for the frankly INSANE performance dunk has been giving every single episode#i love him i love him I LOVE HIM SO MUCH OKAY T_T#dunk natachai#ALSO (not that this means i can speak for everyone in a similar circumstance)#but as someone who lost my father to cancer as a teenager i DO understand and relate to the FURY Fadel must have felt in ep 3#and i DO think style was wrong to have treated the situation so lightly#but like literally WHAT in this show sets up any expectation for style to have the emotional maturity to do that?#and also this doesn't make him an inherently bad person ACTUALLY#it makes him an idiot and needing to be taught the right way to respond to people who are grieving. but guess what; he's NOT ALONE??#because let me tell you the amount of times i wanted to punch FULL GROWN ADULTS for giving me “well meaning” platitudes at my dad's funeral#...but the thing is they DID mean well. they just didn't realise how hurtful their words were#and life is filled with imperfect people who make mistakes and part of our journey is learning from them and trying our best to be kind
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veryaren · 6 months ago
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reaction image for when short fur affinity kleptomaniac won't put your cravat down
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seagull-scribbles · 1 year ago
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Turtles of Time
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buqbite · 5 months ago
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it's kinda fascinating to me how welt has been "at the end of his life" for like. several decades by now. he goes on and on about how old and weary he is and how "his job is done" and his story is over but- oh wait i just realized i can phrase this in a very funny way- he's kind of sorta immortal now because he got the herrscher core back, so he's really just stuck in the epilogue for all eternity
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emloafs · 4 months ago
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thinking about how hawk joined miyagi do instead of eagle fang in s4 after the two dojos split again just because he's in love with demetri demetri asked him to
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zuiz41 · 5 months ago
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Happy Birthday to Our Dearest Setter! <3
He's 30** this year, can y'all believe that?
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yuseirra · 22 days ago
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a family bigger than 4! side story 2-1.
part 1 / part 2 / part 3 / part 4 / side story 1 / part 5 / part 6 / part 7 / part 8 / part 9
Ever since I thought of what was handled in Side Story 1, I had this on my mind, too. Ai also has some things going on in her life. What this comic does is… it sets up these traumatic situations and pasts that contribute to a character's character in a pretty convincing manner. Still, they just leave it at that afterward and keep the characters suffering on with the aftermaths. Not everything can be healed or resolved, nor does it have to be.. but I want to make Ai really happy in this story I came up with and get all the support she needs about things that hurt her... I think it can happen in a reality like this.
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bromcommie · 13 days ago
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so I was digging through the Vast Legally Grey Junkyards of the Internet in search of better quality footage from AoU for my edits, specifically the scene with the CA FASCIST grafitti in Sokovia—which I unfortunately didn't find, but what I DID find was a bunch of deleted/expanded scenes that I didn't know/didn't care enough to pay attention to before. Which is fine. Most of it is techno babble and rushed plot setup. However. This stupid-ass ten second clip makes me literally insane. It makes me. Want to kill and maim and chew on the bars of my enclosure. And not in the sense that the contents make me oh-so-emotional, but because the potential of them could. Because what do you mean.
What do you mean those four and a half lines were cut for pacing/time when it's a ten second difference and the rest of the scene is in the film anyway. What do you mean you cut it because it didn't fit the narrative. It's literally couched in two minutes of plot it could've been so easy to slip it in there. A passing reference that would add at least a smidgen of depth to both the (already fucking incomprehensible) plot + politics of the antagonists, and to one of the main fucking characters. Like you were SO close what do you mean you cut every feeble attempt that was made to scratch the surface of Steve's character outside the whole nightmare scene we're supposed to feel so bad about what do you MEAN.
The fact that this minimal exchange—paired with that graffiti scene where Steve is confronted with the actual legacy of Captain America and what he's come to mean to people around the world and then quite physically discards the identity + him still circling back to the mantle at the end of the film anyway because he doesn't know how to do or be anything else, feels like he's too changed for this idea of a normal life that stems from before the war and the ice and doesn't know how to live without carrying that, without being useful in this one specific way—has more meat on its bones in the whole lead up to Civil War and ultimately Endgame than half of this movie's sledgehammer-over-the-head lines about home and family with Barton's kids laughing in the background or whatever like some fucked up C list hallmark movie is downright infuriating to me because like. You clearly thought about it. It passed through your head. You wrote some version of it into the scene. You shot it and edited it and watched it a few times and then you went "nah off it goes to the cutting room floor, we have enough of that. Add those seven and a half seconds to the 20-minute long, entirely CGI Hulk sequence, that we need more of. Surely that will fix the pacing issue".
Side note: this is me not even getting into the fact that, at this point in the franchise, this would have been one of the few lines we'd get of Maria actually saying something or interacting with anyone in a way that is even marginally removed (which this barely is) from simply delivering plot information. This is the only time we kinda get her view on something or even an inkling that she used to be a goddamn intelligence agent. And how that history informs her view of the situation and how it could possibly clash with Steve's own. And that woman is in every fucking movie. (Not to mention the fact that the two of them were just in a movie together, for Christ's sake, and going through something together you could pretty fairly characterize as traumatic and bond-inspiring to boot—and in AoU we can barely tell they even know each other. I mean the bar is so low and they still managed to limbo right under it.)
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