#we are really nice and respectful and unhinged

[f1incorrectquotess]

Any Lewis fans who wanna join a discord server?

[good-to-drive]

Not to start shit but there's no non-misogynistic explanation for hating Pattie or Jane

[acircusfullofdemons]

rip 2 my irl friends who gotta deal with me infodumping to them abt my paracosms now lol

[sweetnans]

Stuck in the moment || Bakugo, K. (pt.7)

Pairing: fuckboy Bakugo/hopelessly romantic fem. reader

summary: You made a mistake, a huge mistake. You fucked the most cocky, annoying, bastard, fuckboy you knew. Bakugo Katsuki. And that fact was against all your beliefs. Now, after the rumor (truth) spread like a pandemic virus in college you'll have to live with the stormy consequences of your acts and whatever trash was brought with it.

a/c: Hey, it's me again. Here we are in a new series I plan to continue. I really hope you enjoy it. I put my favorite man in action (bakugo) being a selfish bastard that you would love eventually and I couldn't help to put another "trope" I'm a sucker for (guardian/father figure Aizawa) I'm so sorry if that bothers you. Once again, I'm sorry if I misspelled something, English is not my first language. (Not proofread yet)

Smut ahead, minors do not interact

Pt.1 Pt.2 Pt.3 Pt.4 Pt.5 Pt.6♡

m.list

The date with Todoroki was breathing inches away from your neck, and your ankle was far away from being completely healed. Recovery girl was making all her efforts to put it back in place, but the swell and the red were difficulting the process.

"Tell me you can fix this," you begged to the woman.

"Don't worry, I'll have it done before you know it, lay down and relax, it'll make it easier" She said smiling warmly at your state.

You slept the equivalent of four hours in the span of two days. You were beat, so the sentence lay down and relax was sent from heaven.

You did lay down and relax for six hours, and when you woke up, your ankle was wrapped in bandages and a certain someone was by your side.

"How was the date?" He asked.

"There's no respect anymore, I just opened my eyes," you joked, stretching your arm for a glass of water that you knew Recovery Girl left in the table. He grabbed the glass and handed it to you. "Thanks"

"So?" He was eager to know.

"Well, aside from my ankle, it was pretty nice. He behaved like a gentleman if that's what concerns you. " You gulped the water down your sore throat.

Aizawa watched you carefully. Since almost 5 years, he turned from teacher to a father, but it was a daily challenge mantain two young girls that were in different stages in their life.

"Mrs. Bakugo called me to congratulate me for having a really nice and well-mannered daughter. I know she wasn't talking about the unhinged teenager busting my windows with indie music. " He smirked playfully, and you rolled your eyes.

"That's odd," you said, accommodating yourself in the bed. "Since when does she prefer indie music?"

"Nice try on making me forget about the elephant in the room," he stated, leaning on his chair a bit. "So, are you going to tell me what happened? Or do I have to find out from someone else, like when Mrs. Bakugo told me that my daughter sprained her ankle at her party?"

"There's nothing to explain, actually. We were about to go home when a slow dance crossed in front of us, so he said hey one last dance? And I said yeah, why not? And then tragedy, " you puked your words out.

"Yeah, that matches the description" he hummed in response.

"What description?"

Talking to Aizawa was always so cryptic. You just had six hours of sleep. Your head fetl like a feather, and he started to play around with hidden clues and schemes of secrets.

"Oh, before I forget, your phone is off, Bakugo started calling non-stop, and he was getting in my nerves,"

He said like he was parting ways, but he didn't lift or move a single muscle to get up of his seat. It was a trap.

"Why didn't you pick up?" You asked fetching your phone to turn it on. Jirou would definitely be there with hundreds of texts unanswered.

"Oh, I didn't have the chance before he appeared at the door," he shrugged, pointing at his back with his thumb

You were so mesmerized by the logo of your phone and disoriented that you felt like you didn't catch exactly what he said.

"Come again?" You squinted your eyes at him. "What did you just say?"

"Bakugo and me had a very pleasant chat"

Oh, he was enjoying your suffering. What was happening to the world that all of a sudden, it was the funniest thing to mess up with you?

"You didn't," you said at the same time that he was nodding.

According to what he said, when he saw you in the dress the day before, you were actually pissing yourself to know, but the thought of it came with an immeasurable amount of denial. What could they have talked about? Did you or did you not want to know?

"Relax," he said, stopping the cartwheels in your head. "He told me how it happened." he glanced at your now normal ankle. "And that he was very sorry that he couldn't stop it. That's why I said it matched the description, what you said, and what he said, but do you know what doesn't match the description?"

You were almost afraid to ask. He had his purpose, and you led him exactly where he wanted you. Being a parent wasn't easy, but Aizawa knew damn well how to play his cards when it came to his daughters.

You looked at him, waiting for him to continue the interrogation. He sighed defeated.

"Eri told me about your date with Todoroki, I thought that maybe she was confused, but then I realized when Bakugo told me that he invited you at the last minute, that there wasn't any chance for Eri to know that piece of information even as nosy as she is"

Busted.

After what Jirou said that morning and with Aizawa looking at you, not with disappointment eyes, more like with I don't understand eyes is that you realized that you were in fact betraying at yourself.

You wouldn't lie. Last night, you were just a twisted ankle away to kiss him.

You were madly in love with the concept of love, and even though all this Bakugo mess started like a mistake, it suddenly evolved to something else. You were catching feelings for the bastard. And you couldn't deny it anymore.

He also played his cards very well, being the stubborn asshole who eagerly wanted to get to know you to the point of pushing you out of your comfort zone to in fact, have a good time to him. The one night stand was surely a mistake, your first time doing something so reckless and so unlike you. You wanted to get rid of him because he was the walking reminder of something that didn't describe you at all, but then he turned it in a way you didn't see coming.

Does he feel the same for you? Doubtful. It wasn't a secret that he was used to those encounters you wanted to avoid. The adamant behavior of getting your attention was just the ego boost he needed after you completely flicked him off.

You liked him. As a friend and with real and not so friendly feelings, but you weren't sure that his acts towards you had the same meaning.

"I know what you're thinking, and you're totally right," you said. There was nothing to be ashamed of exploring your options. Todoroki was hot. He was kind, but you had your mind wrapped around another man, and it wasn't fair for him.

"I mean, he's a nice guy, but after my secret conversation with Bakugo, it seems he's not playing around when It comes to you"

You rolled your eyes, and his brows furrowed.

"Just because he wanted to be heroic doesn't mean he's into me. Isn't that the purpose of this school? Acting like heroes when someone is in distress?"

"Yes, it is, but believe, calling the victim twenty times in one hour doesn't seem like the school purpose to me"

Oh, the world was ending. He was delusional too.

"He felt guilty because he handed me the heels," you murmured, trying to convince him and yourself that he wasn't into you that way.

"I'm just pointing at the facts," he stated, smacking his palms on his knees. "About the Todoroki date, are you sure you want to go in that state? You can always say I didn't let you go"

That state had different meanings. One of them was about the now normal but partly healed ankle, and the other was about your train of emotions that was ready to crash.

Dadzawa always setting the bar higher and breaking the daddy issues.

"It's okay. I can't leave him hanging, and besides, I can always turn a romantic date to something completely platonic. I'll give it another try when I get hold of my feelings again, " you smiled through the tumultuous feeling of something breaking slowly inside of you.

You were stuck. Stuck in the moment where you don't know what to do with your feelings, and also, you don't want to hurt somebody else for the sake of it.

...

Bakugo had a rough night. He woke up several times at night wondering of your state. He paced through his bedroom, feeling extremely guilty for not taking you straight to the emergency room. At the first light, he started texting you. The double check stared at him but never changed its colors. Shit.

He started calling after it. The first times the waiting tone received him and made him curse under his breath, and then after what it felt like the twentieth time, the call didn't even get past the first beep. Disconnected.

That was the sign he needed to get his jacket, put on some trousers and go to your room.

"Oh my god, stop it," Jirou spoke through the cloaed door inside, annoyed with the loud knocking that reverberated in the hallway. "What do you want?" She said before realizing that Bakugo was in front of her.

"Where is she?" He asked, gasping for air. He ran from his building to yours and took the stairs in both of them.

Jirou was visibly asleep before he came. She had a lousy shirt and she was barefooted.

"Uhm I took her to recovery girl, and she swore that she would be fine," she said, glaring at the windows. "But now that you mention it, what time is it?"

"It's almost nine," he said, grabbing his phone to check the clock.

"Jeez, I took her at six this morning. She hadn't texted you?"

Jirou walked inside the door, and Bakugo followed. Your bed was made, and there were wrinkles on the duvet. He realized that you didn't catch an eye last night and felt guiltier than ever.

"She didn't text me either"

The state of Jirou was the same as you. Barely three hours of sleep did its damage on her face, and the bags under her eyes were really showing it.

"Don't worry, I'll go check on her, and I'll text you. Go back to sleep ears. " He threw the nickname to level the kindness so unlike him.

Jirou raised her eyebrows at him, very surprised and now surely convinced on what team she was.

The way to the infirmary was long enough to gather his thoughts about you, what to say, and how to approach the fact that you almost kissed last night. He was head over heels over you, and even though he was known to be a full player who liked to mess around with chicks, the gossip about it wasn't totally like that. He never had the need to dissipate the rumors because he realized that if he'd say something about everything that people invented about him he would spend all his college years trying and convincing the people to believe him and that wasn't who he was. He acted by instinct, he made the rules, and he would never follow a bunch of assholes who got nothing better to do than to spread useless information about him.

He never felt the urge to see someone in a desperate way that he was feeling at that moment. He was basically running to get to you through the crowded hallways, bumping into people's shoulders.

How did this happen? A week ago, you were just a pain in the ass, a little and invisible splinter in his skin that bothered more than hurt. He didn't know you very well, but when it came to you, he felt overprotective, he felt like he needed to see you more, to know every little piece of information about your life, damn he didn't even know your backstory aside from stripes of details that people said about you but nothing else, he wanted more and he would do anything to guarantee his stay in your life.

"Bakugo"

The voice of the man who was his teacher on his annoying ages startled him. He was outside the infirmary, his arms crossed over his chest and with the same exhausting look on his eyes.

"Mr. Aizawa" Bakugo felt like all the air of his lungs was pulled out.

"She's fine. She's resting" straight to the point like always. "Her ankle is healed too"

"That's very good news, sr," he said, stuffing his hands on his pockets.

"Yeah," Aizawa nodded. "I was wondering why you didn't tell me"

Damn. The man could be frightening even for Bakugo.

"I don't have any excuse," he said, scratching the back of his neck. "She told me she'd be fine and Iet her, that was so reckless of me." The last part was more for Bakugo than Aizawa. He should've grabbed you and tossed you on his shoulder to the emergency room.

"She's so stubborn" Aizawa stated rolling his eyes and eyeing you from the outside. You were still deep asleep. "She wouldn't have let you, don't be so hard on yourself"

"Yeah, but it was the right thing to do," he said, looking at you too. Your face was relaxed, and your mouth was slightly open to let the air get out of your system. He felt his stomach flutter.

"Your mother called me this morning and told me what happened, I'm glad she was with you." Aizawa was trying not to scare the boy, but it was difficult when you were the one injured. He wanted to say thank you without saying it just to mess with Bakugo. He hoped the poor guy was smart enough to read his intentions. "Before you picked her up, I went to her room, and she was happy, I haven't seen her that happy in a long long time"

He left the "thank you" hanging, but Bakugo knew damn well what followed the last sentence. His cheat puffed out, and he was motivated enough to tell you everything when you woke up.

"I'll stay with her until she wakes up, go to class, I'll tell her to reach for you once she's fine"

Bakugo nodded, and even though he didn't want to leave you, he needed to gather his feelings to come up with the best idea to actually confess.

...

The day went by, and you lingered in your room, watching three outfits laid in your bed. Three different choices, and you liked all of them. That was the first reason why you felt like the date with Todoroki suddenly, and because of your feelings, was turning slowly into something very, very friendly and platonic. You had three choices, and you liked all of them. If the said date was something with relevance, you would be losing your mind over it and in reality you were feeling very chill about it.

You picked a white top and some baggy jeans. It was casual. Todoroki sent you the address at lunch, and you knew the bar very well. Many students went there to watch games or to cry about academic failures.

He didn't pick you up. Instead, you walked alone to the place. It was crowded, and plenty of people were there enjoying themselves, sipping beer and cackling about dumb jokes.

You found your date in the corner of the room in a booth, he was mindlessly scrolling through his phone when you approached.

"Hi," you said, smiling brightly at him.

He did the same and returned the greetings.

"I thought on waiting for you outside your building, but I was coming from the opposite direction," he excused himself the minute you got a seat.

"Don't worry about it," you discarded his apologies. "I completely understand, and besides, the air is warm enough to stay in the open"

"You're right." he played with the napkin under his hand.

The ambient didn't change one bit. It was awkward like the two of you knew that it wasn't going to work or regretted the date right before it happened.

It felt like a huge weight in both of you. Gladly, the drinks appeared not much after the awkward silence, so you jumped into the opportunity of letting go a litte of that enormous tension in the air.

After a sip or two of your drink, you let your tongue take the upper hand of the conversation. You talked about the agency of his father, about some other heroes, college stuff, and people. He told you about his years in UA high school, how class 1A behaved, and how Aizawa was as a teacher.

"And Bakugo, he was the most annoying prick of all, but I liked him, I discovered that pretending and calling him my friend was funnier than to try to ignore his attitude, he changed tho, after the war"

Todoroki was matching your drinking speed, and the date turned into a hangout between two longtime friends.

You laughed about him being so oblivious about people, and he laughed at you very subtly about your stories. You two got along very well, and you felt relaxed when the date lost its label.

"God, I'm really having a good time, you know, I was pretty nervous when you asked me out, and then something changed, and I almost bail, I'm so glad that I didn't"

You speaking more than you should was so you when it came to drinking. You stopped at the third, you weren't drunk just a little tipsy, very aware of your surroundings but not very in control of your mouth.

"I felt the same, don't misunderstand this, you're very pretty and you always caught my attention but yesterday I was scrolling through media and I saw a picture of you and Bakugo at some sort of gala. The date felt wrong after that"

The comment didn't hurt at all. You felt sorry.

"It was so unexpected," you said without trying to justify yourself.

"I heard the rumor, and I remember talking with Midoriya that Bakugo needed some grounding. You humbled him, you're our heroe"

Despise the fact that your act was very public and spoke out loud. You nodded, raising your glass and waiting for him to cling his against yours.

"What a nice surprise, what are we celebrating guys?"

The noise of the glasses clinging died under the voicr of Bakugo, who was suddenly standing beside your booth.

You wanted to die.

"What are you doing here?" You blurted in a messy way.

"I was just passing by," he answered curtly. "Icy-hot I haven't seen you in ages"

The way your eyebrows almost went to the back of your head because of his lack of manners was above you. He ignored you completely to engage a conversation with your so-not date. You were confused and staring at him while he made a huge effort to forget you were right under him in the booth.

"Excuse me," you said, moving his big and bulky body out of your way to go to the bathroom. You pointed to the restrooms to Todoroki, and he nodded, Bakugo leveraged the momentum to scoot himself in your seat.

Your head was buzzing, and suddenly, the effect of the alcohol was banished. You took your phone from the back pocket of your jeans and dialed Jirou's number.

"You're speaking to Denki. Who's there?" You never thought you would be so happy to hear your friend's voice.

"Thank god, put it on speaker," you waited for a moment and then continued. "Bakugo's here talking with my fucking date"

"WHAT?"

The sound of Jirou's drumsticks hitting the floor was loudly enough to have you to take the phone far from your ear.

"I know, I don't know what to do," you said, looking at yourself in the mirror' stall.

"Did he say something?" Jirou asked.

"No, he completely ignored me"

"He's pissed," Denki added, laughing. You heard how Jirou smacked his arm through the phone.

"I texted him earlier about my ankle, but he didn't answer me back. It's not like I could possibly have told him about the date which, just so you know, turned into a not date"

"I'm going to ask for the latter later, where are you hiding?" Jirou said concern dripping from her voice.

"I'm in the bathroom hiding. This sucks. I feel like I have to explain myself, but again, why? I'm not doing anything wrong, and we are nothing and-" you mumbled.

"What about the kiss?" Your friend interrupted and Denki gasped.

"What kiss??"

"There wasn't a proper kiss. It was just the impulse. " You tried to dissipate the chaos.

"I say you go back and tell them you threw up and want to go home, we can pick you up if you want"

You were gathering your options. They were just a few and one worse than the other.

"I'm fine. I'll hold it until Bakugo decides he wants to leave and then everything will be okay again"

Jokes on you. Your date evolved into a threesome.

Todoroki, Bakugo, and you were sharing drinks and awkward conversations where the main topic was something that completely left you out. You were shrinking in your seat, hoping to disappear.

"And then he forgot to pull the lever." Bakugo laughed above the music. He had several drinks on his body, and you were fully sober by the time he decided to stop.

A weird and sudden silence fell amongst yourselves, and you knew it was your chance to finally end your torture.

"Oh my god, how late is it?" You widened your eyes watching your phone and locking it immediately, if someone dared to ask you the time you would have no idea. "I'm going to call it a night, but you two can stay and enjoy, please don't let me stop you"

You urged Bakugo to step the hell up for you to run the far away and as soon as possible.

"You're right. It's been a long night. Since we're heading to the same point, I should walk you home, or do you want to do it, Todoroki?"

Always so polite. And so uncalled.

You could feel the headache forming in your head.

"It's fine by me, I'm going to stay for a while anyways, Midoriya is ending his shift at the agency, so we're going to meet here for some beers" he looked at you. "Is okay with you?"

Internally, you were begging for him to invite Bakugo to stay too. In the outside you shrugged.

"I'll make sure she's safe and sound." he passed his arm behind your back and started moving you towards the exit.

What the future had for you was nothing else than a long and bizarre trip back home.

The walk back the buildings was silent. You shrugged under his arm because of the cold breeze that penetrated your bones.

"Here," he took off his jacket and handed it to you.

"Thanks," you muttered.

You could tell that he was pissed as Denki said. The audacity of the man and the act he played was beyond your own imagination.

You made a mistake. That was something obvious, but he came out of nothing without knowing the entire context. Besides that, he crashed your date without any explanation because you could definitely have your ideas of it, but none of them were fully confirmed.

"My building is over there," you said when suddenly he was walking you towards his building instead of yours.

"I figured that if we are already out this late, maybe we should prolong the night a bit"

His gruff voice did nothing to hide the fact that he felt jealous because of the scene he found in the bar. He went there to have a whisky or too just to cool off his predicament of how to say to you what he actually felt for you. He wasn't very kin to verbalize his emotions, and there was always a chance that they came out wrong. He wanted to avoid that.

Bakugo guided you to his room. For some reason, you were feeling the need to say something about the date with Todoroki to explain yourself. But you were torn inside. What if he didn't care and you were making everything you thought he felt up?

You carried your feet along the stairs without even caring about your ankle. Your mind was clouded with racing throughts that were scrambling your brain.

Without noticing, you were inside Bakugo's room. He turned on the light and started picking up things he had scarred on the floor.

After he picked up a shirt, you took your chance to sit on the marron carpet underneath your feet.

"There's a chair behind you," he said side eyeing you from his spot in front of his bed.

"I need to reconnect with the earth." You tried to joke around, but he didn't even return his gaze at you.

After he folded his clothes and rearranged his closet for what it felt an eternity, he took a seat in front of you on the floor, his back against his bed.

At that point, for you, even if the alcohol was gone, the silence was unbearable.

"Fine, you want me to say it, I'll say it," you sighed. "What you saw is not what you think"

"I didn't know you were a mind reader. Tell me what I think"

The scowl on his face grew deeper by the second. If he wanted to pretend that he wasn't bothered, he was doing an awful job.

"It started as a date. He asked me out before...you know and I said yes and-"

"Why didn't you say no after we went together?"

You knew it was the booze talking. He had a couple of glasses back in the bar, and you were absolutely, one hundred percent sure, that he wouldn't say the things that he was saying fully sober.

"I didn't want to be that kind of person." You shook your head at the sound of your words. You didn't want to be someone who stood up another, but you were willing to be the kind of person to ignore your own feelings.

Bakugo was silent in front of you. He was realizing that he had no right to be mad at you because he still hasn't made the courage to confess properly at you. You were walking on eggshells disguised as assumptions.

"Just so you know, he saw our photos and he wanted to bail the date too"

You played with your fingers, waiting for an answer or some sort of reactions. Your eyes were stuck on the movement between both of your hands that you didn't notice when Bakugo smiled sufficiently.

"Tsk," he called your attention. "The balls of that poor little bastard shrinked because he saw you with me? Pathetic"

You said those words before because you thought that it would mend what was broken. You didn't think it would inflate something that was already full. His own ego.

"I can't stand you," you said, rolling your eyes at him while he smirked across of you.

That cocky bastard. He was the only one who could possibly turn an excuse into something about him.

"Says the one who went out with another guy after almost kissed me," he blurted with a plastered smile on his face. Oh, now he was enjoying it.

"I didn't kiss you." You crossed your arms over your chest and launched your boobs up. Bakugo felt the drool pooling on his mouth.

"That's why I said almost"

The tension was palpable. He had to move from his spot to rearrange his clothes without you noticing. Change of position with a very subtle movement on his Jean's sipper.

"For what I recall, you were the one who tried to kiss me"

You were oblivious to his acts. Lookin straight to his eyes because for one reason or another, the staring contest was on, and you weren't ready to lose.

"It was mutual," he answered, pointing at you from his seat. "I think we should try again, just to see if it was worth it"

He looked at you. Your physical language changed a lot since you two entered his room. You were gorgeous playing dumb when he could see through you and notice that you were almost as horny as him.

"Shut up," you exclaimed. "You ruined my fucking date you don't deserve shit"

"Uh, we are using bad words. It seems like it really got twisted in your panties"

"The only thing twisted in my panties is you"

You noticed about your mistake right after you blurted the words out. The change in the atmosphere had you gasping for stolen air. There wasn't any chance that he would let your mistake die.

"I wish," he said. His tone was completely even. "Just so you know, I like you in jeans, but I prefer you in skirts, I like your legs," he tried to dissipate the tension, but it did exactly the opposite.

"Oh now we're talking bodies?" You quirked your brow at him, and he scoffed.

'If we are talking body..." he raised his arms in defense just to add "l like your boobs"

"I like your hands." You followed his game.

"You have a great ass"

"I really enjoy watching your back and when you flex your arms"

"You do have nice hips, and don't get me started about your lips"

The intensity of his eyes on you were making havocs on your body. You were visibly flushed because of his words, and apparently, you had any will to stop.

"I lied when I said your dick was small.' You licked your lips. He found it the hottest thing he'd ever seen.

"Yeah?"

Only a mumble.

"Yeah, and I lied when I said I never wanted to see it again"

He was looking at you across the room with such an intensity that you didn't realize that you were launching yourself to him until you were straddling him. His hands were quick enough to grab your ass and to reposition your body against his, your core hitting his growing bulge.

His eyes were half lidded, looking up at you. You sunk a little on him to be at the same height. Crimson eyes right in front of you. Full of lust, desire, and just for him to know, a little bit of love.

"Are you going to give me my kiss?" He whispered right above your lips. "Or do I have to do it myself?"

The tone of his voice did something inside of you. It was like electricity running through your system. Forget the alcohol and the adrenaline of being in a battle, this was ten times better.

"I'm starting to think that the only thing you do is talk," you gasped.

His lips tightened closer yours in what it felt like a smile. His upper lip was touching yours, a faint caress spoiling you on what was about to happen.

Instead of the mutual belief, you were the one who connected your lips. The kiss was hungry, adamant, like you were chasing something you couldn't fully reach.

His tongue swept your lips, gaining its entrance to your mouth. Both tongues collided in a war that left you completely breathless.

His hands were groping your ass and swaying your hips to generate some sort of friction on your lower parts. You were definitely turned on by that.

Looking for some air to get inside your lungs, you backed off a little. A tiny string of saliva connecting the two of you leaving trace of what happened.

"Can this get any more messy?" You said, steadying your breathing.

Your hands were fisting his shirt, trying to find some balance between your chest going up and down and your aching core.

"Let's find out." he wasn't drunk because of the whisky anymore, he was drunk because of you. Your smell, your taste, he wanted more.

"I don't want to get fucked on the floor, I'm not eighteen anymore" you said avoiding the embarrassment of being so vocal.

The first time you did what you were about to do, you weren't sure about your decisions, and your senses were lacking direction. Now, the scene was different. You wanted him more than ever.

"Noted," he grabbed you firmly by the back of your thighs and walked you to the bed like if standing up with lifting a body was as easy as lifting a feather.

"I want to be on top," you said when he started to put you under him.

The sudden request caught him by surprise. A good surprise. He couldn't contain the excitement showing on his face.

"Oh, don't let that get over your head, please," you rolled your eyes at him.

"How can I not?" He shook his head in disbelief. "Your wishes are my commands, princess"

He was quick to put you in the same position you two were on the floor. He kissed you this time. Sloppy and slowly. Your hands went up to touch the nape of his neck while his hands grabbed the underside of your breast.

The kissing escalated fast enough that you didn't realize when he was kissing and marking your neck while grabbing your full breast with his left hand.

You wanted to press your tighs together and get rid of your jeans and his. You needed skin to skin contact.

Taking the upper hand on the undressing matter, you latched your neck off his lips and took away your top, leaving your boob in display for him to see.

Bakugo's mouth watered at the sight of them. The first time he had you, he had you underneath him with the lights off. Now he was watching at your body flushed against him right in front of his eyes.

"Shit" he muttered.

"What?" You asked, grabbing his shirt too and urging him take it off. He did.

"Nothing, you are gorgeous, that's all" he said nonchalantly.

You whined and smacked his arm.

"You're gorgeous, that's all," you mimicked him. "You said that like it was nothing, I am fully naked for you, and that's what I get? The only thing you missed was shrugging your shoulders"

He cackled at your dramatic antics and denied it several times before grabbing your lips between his.

"You are more than gorgeous," he muttered against your lips.

"That's better." You smiled and continued kissing him.

It didn't last long before his mouth was over your breast, taking your nipple between his teeth prolonging the ache in your body, you moaned, and he shivered.

The clothes disappeared quickly after that. You were sitting on top of his dick that was hard on your warm core.

He stretched his arm to find something in the drawer. You stopped him mid motion.

"It's fine, we are fine," you said, your fingerpads touching his huge bicep.

"You sure?" He was calm, but on the inside, he was buzzing to the mere chance of taking you raw again. This time fully conscious.

"Yeah, I mean only if you are fine with it, too," you said, and he turned it as a sign to align himself towards your entrance, pushing the tip inside of you. "Shit"

"You okay?" He asked, slowing a bit. You nodded, grabbing his arms that were firmly pressed at your side. "I have to tell you something"

"Yeah, sure, kill the moment"

"Dumbass," he rolled his eyes, trying to hide his smirk. Damn you loved that side of him. "What you heard about me, about my extremely and overwhelming ginormous experiences with girls? Half of them aren't true"

That was something you didn't see coming. You were expecting something less relevant like he was those types of guys who didn't last long.

"What?" You said stopping his sinking a little.

"Yeah, I let the rumors spread because I didn't care about what they said about me. I cared about my friends and no one else, about what they think, I mean " he said, caressing your hair and intertwining his fingers in your locks. "That was until you appeared claiming I had aids or something"

"Don't remind me, please," you tried to cover yourself, but he didn't let you. He wanted you fully exposed at him.

"And just so you know, you are actually the third girl in my life," he said with a playful smile on his face.

"Oh, don't make me feel too special," you joked back at him. "I don't care about what they say either," you mumbled, taking advantage of his state and giving him a slow peck.

The process of not caring about what people said was hard for you. All of this started because you were afraid of being in everyone's mouth because of the naked man in front of you. You didn't care about his body count or about the rumors. You cared about the moment.

After the conversation, he remembered what he was doing before the chat. He sank his member in you, not breaking eye contact in any second. He wanted to see your face, how your brows knitted together, and how your mouth slightly opened.

"Fuck" you said. "I didn't remember it was this big"

That was a boost for his ego and gas to the pedal for him to keep moving. When his dick was situated inside you, Bakugo had to take all his strength to not nut in you.

"Are you ready to-

You interrupted his words with your motions. You started bouncing on his cock the minute you found it comfortable enough. Your knees were deep on his bed, steadying yourself to lift yourself up only to sink down.

"Fuck, princess" he mumbled in the crook of your neck. He started bitting right after that with you moving up and down his member.

You picked up speed, your clit finding the friction it needed to build up the intense wave that threatened to bust.

"You're doing it so good," he purred under your ear, his right hand on your hip moving you and his left hand squeezing your breast. You wished you could talk but the only thing that came out of your mouth were whines and moans.

"Let me hear you," he demanded. His voice gruff and strained.

The same ball of pleasure that you were building on the inside, he was containing it to not spill. He wanted to get you off first, and you weren't so far of his goal.

"Does that feel good?" he said, and you moaned in return. He was moving exactly in the way you wanted it, hitting the spongy spot inside of you that had you curling your toes because of the pleasure. "Use your words, princess"

"Yes," you breathlessly moaned. "Yes, Katsuki, keep going"

The sudden use of his first name got him grabbing you tightly than before. His steady pace evolved in something fast and uncoordinated that had you clenching around him.

"Katsuki, I'm about to -" You moaned through your orgasm, your nails marking his back, and his hands firmly groped at your ass joining your bodies at the point that there wasn't a breeze that could pass through you two.

He spilled his seeds right after you, grunting and going rigid against your arms. You were a sweating mess, and he was, too. Beads of sweat coating at his hairline.

Katsuki watched you trying to calm your breathing while your body still trembled because of the powerful orgasm you two shared.

You sighed in defeat. You were beat.

"Let me take a sip of water, and I'm ready for round two" you whispered.

He laughed against your forehead and left a kiss on it.

"Next time I'll eat you up," he grunted.

You were beat, but not that beat to waste the opportunity.

Katsuki cursed himself on his mind. There wasn't anything to hide anymore. He was genuinely catching feeling for your ass.

(Not proofread yet)

When I said before monday I meant monday, giggles.

End note: Ok, but blame the jackass of my ex-boyfriend for this big fat delay! He's the worst anyway, here it is and babies I have to say that this is getting to an end...there's like one more chapter left :( the great news is that I'm working on something to don't leave you like castaways because I really love your reactions and comments.

A penny for your thoughts about this (not really but express yourself)

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taglist continues on the comments.

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[weebsinstash]

Now don't get me wrong, I like how... calm and unbothered Alastor is, or at least tries to pass himself off as being

but like.... we know he's a drinker.... and we know certain details about him having an alcoholic abusive father who was cruel to his mother which heavily influenced his whole Dexter serial killer morality bs... and I can't help but think of a fic idea where Reader and Alastor are together and, suddenly without warning you break up with him BECAUSE YOU CHEATED ON HIM. you're like, legitimately heartbroken and missing him but you broke up for a good reason and, time passes and you dont see or hear from him, you're basically just going on with your life, and, MEANWHILE HE'S JUST SLOWLY DEVOLVING IN A PATHETIC LITTLE MEOW MEOW

His radio show comes on and he's SLURRING and people are aghast. Alastor is usually such a classy gentleman, so careful with his image??? Meanwhile he's in his radio station with several glasses of whiskey and staring at a wall lined with your photos while he's broadcasting, "ohhhh hEeeEy LiSteNers!! How-how are you all doing this.... 😡LOVELY😤 evening. Isnt..... isn't it... so nice to... spend time with loved ones when you need them? 🥴 WELL I WOULDNT KNOW HA HAH HA" *cue 30 straight uninterrupted seconds of unhinged laughing from a man clearly having an emotional crisis* "so on tonightsssshow I was-i wasszzz hoping to-to discussss-"

Like imagine tuning into his show after avoiding it because it broke your heart and it turns from him like, having an actual topic and planned structure of his show, to then, one day you overhear a broadcast and he's just occasionally slurring, saying really really vague shit about how "real men are supposed to be strong enough to protect and hold onto those they hold dear" and you can occasionally hear the THUNK of his whiskey glass hitting the table meaning he's already drunk but still drinking WHILE broadcasting and, oh honey you already sound so wasted you don't need more--

You guys don't understand. I want this man having a very PUBLIC very MESSY mental breakdown because he was CRAZY IN LOVE WITH YOU and you sat him down and told him you love him deeply but you need sex and you've cheated on him REPEATEDLY and EVEN THEN he was HARDCORE COPING, "w well as long as you promise it won't happen again-" "I cant and i won't. I love you but i cant repress this part of myself" LIKE YOU DECIMATE THIS MAN. Alastor's just beside himself because like, not without valid feelings but you're basically dumping him to fuck strangers. Like. I just. What if he literally had a ring box or was starting to realize he's demisexual on the ace spectrum and was starting to have Those Feelings for you and you're just. Breaking up with him, and all he hears is "sorry but having these disgusting men I don't even know hunch over on me grunting like disgusting animals and defiling me who is definitely way too good for them is way better than being with you my respectful funny classy charming totally-not-husband"

I want you to be walking down the streets of Hell and Vox suddenly comes on their equivalent of a jumbotron and he's visibly beside himself with excitement, "BREAKING NEWS, THE RADIO DEMON IS PISS DRUNK IN THE GUTTER LIKE A FUCKING LOSER, MORE NEWS ON THE SCENE" and it just snap cuts to him facedown in the street somewhere. Have you ever seen Intervention. You can have grown ass adults with successful careers and loving communities and when they find something that breaks them you'll be seeing shit like, children finding their mothers literally passed out in the yard because they were too drunk to get into the house or even WALK properly. So. You just. See him in this legitimately pathetic absolutely humiliating state and you can't help but feel that that's YOUR fault, meanwhile Vox is living his best fucking life, GOD FORBID VOX SEES YOU STANDING THERE CRYING ON THE SIDEWALK, he's then broadcasting your crying face all over Hell, "Hey Alastor even your EX is CRYING AT HOW PATHETIC YOU ARE, GUESS THAT'S WHY THEY LEFT YOU HUH" and like. The live feed of Alastor shows him just, struggling to even lift his head to look up to, wherever, and see your image there, looking absolutely devastated, looking at him with pity and heartbreak. oh, his sweet beloved, looking so distressed because you see him so weak...

Vox is just living it up mocking both of you but he's made several enormous mistakes by putting you on the air, especially looking like THAT, especially with Alastor in this mental state, and ESPECIALLY to mock you when you're already looking so broken. The feed cuts. All the TVs read "LOST SIGNAL" and nothing comes back on the news for the rest of the night. Less than a week later, the radios are on again, and Alastor sounds... completely back to normal? Chipper, even? And at first you're happy to hear he's all good and well, but, there's something about some of the things he's saying that are making you a little.... nervous?

"You know folks, it took me an EMBARRASSINGLY long while to realize that, a true traditional man puts the needs of others above himself, and especially the needs of his special somebody! One can't truly care for one's loved one properly if you're too boggled down with, FEELING SORRY for yourself right? How else are you going to... defend what's yours if you just lie down and take it?"

"So while I was off the air, good listeners, I was doing quite a bit of, spring cleaning, let's call it! Yes, I was... unfortunately very busy, having to wrangle up quite a few.... disgusting, insignificant, dirty, thieving PERVERTS!!!! ....but now that that's all good and done with, I'd certainly like to think these streets are a little more... respectable!"

"To end the broadcast tonight, a final word to all my fellow men out there. If you happen to discover that, for whatever reason, your beloved has run off with another? It was because you deserved it for being WEAK. You allowed another man to just, COME IN and... DESECRATE what is precious to you? Disgraceful. Pathetic. Ill-mannered. You cannot call yourself a worthy partner if you simply allow your beloved to waltz themselves into the mouth of danger, can you? So, a little piece of advice from your humble host here tonight: Take back what is yours. Take them back, do not let them go, and do not let anyone EVER soil your love ever again. ........Also hey! Don't forget that the annual Cannibal District Cook-Out is this coming weekend so be sure to--"

[zenaidamacrouras1]

Clint/Bucky aka Winterhawk aka Clucky aka Barneston (?) Fic Recs

Yes I am an (unhinged understatement) Stucky writer but I have a soft spot for Bucky and Clint romantically. Particularly Comics Clint. Something about his crippling self esteem issues stemming from his abusive childhood combined with how deeply, deeply nice he is. In my favorite Clint characterizations, he isn't nice out of naivety, he always knows he's quite likely going to get screwed over for being so compassionate and forgiving, and he just does it anyway. It's really a lovely fatal flaw.

Anyway, shout out to everyone with fucked up abusive childhoods who got all the trauma and none of the circus skills! All of the baggage and none of the archery talent, you know?

So here are some things I love about them together:

So Clint is so chill around Bucky's grief but also deeply compassionate and also a slutty disaster and also funny. I think it's a really good mix for recovering Bucky to let his guard down and be soft.

Sometimes, in some universes, Bucky needs someone who is just as earnest but not as serious as Steve, you know? Clint is whimsical and the Winter Soldier needs a lil whimsy.

Typically, though not always, in fics when Bucky is paired with Clint the other otps are Clint+Natasha as deeply committed best friends/platonic soulmates and Bucky+Steve as deeply committed best friends/platonic soulmates, so it's just a whole deeply committed, devoted, platonic and romantic love situation that really works for me.

Winterhawk manifesto aside, here are some fics I liked presented somewhat at random.

Starving for the Light by thepartyresponsible

@thepartyresponsible hopefully this is the author and not a random person with the same name. Hi! I love your work! My notes: Beautiful modern magical world, beautiful details, beautiful healing. Exquisite levels Clint who is so competent and just not aware of how gifted he is but not in a cheesy way, just kinda heartbreaking till it isn't.

Here is another beautiful piece by the very same brilliant mind:

Got a Heart in Me, I Swear by thepartyresponsible

My notes: Sports AU! Baseball this time but you don't have to know baseball and beautiful characterization + competence remains the shining thing that made me want to eat it.

Redundancies by Noxnthea @noxnthea

My notes: What the fuck. I wanted to read this entire fic at the same time, but it wouldn't fit in my eyes all at once which is my only complaint, but it's a very severe complaint because it is so clever and good. Universe hopping. Must love Clint. All the good things about Clint being so fucking good. It's so sad in the way that makes you feel a deep love of the world and that maybe broken things can be beautiful and happy again, over and over?

Lost and Found by Mariana O'Connor @mariana-oconnor

My notes: Do you like werewolves? Trick question. Everyone likes werewolves. This is a lovely small town full of mysteries that Clint stumbles into. Obviously he starts rehabbing a hotel and taking care of orphans because he is just nice like that. Bucky can't keep away because, ugh, Clint stop being fascinating and competent and sexy. Bucky is only one man and also traumatized have you no respect?

Silhouette also by Mariana O'Connor @mariana-oconnor

My notes: YOU GUYS. Very slow build spy adventure time if you like spy adventure and heists mixed with pining because your mortal enemy is 1. Sexy and 2. Competent. Also Natasha is the best friend and Steve is the best friend. We travel the world. Action scenes. Everyone is so sexy. And competent. I can't make this clear enough. Sexy little mysterious post cards appear in the mail.

Perfect Tense by shatteredhourglass @shatteredhourglass

My notes: Ronin Clint thinks he's irredeemable, but he can't stop having sex with Bucky Barnes. Who hasn't been in this situation? Bucky is very angrily bandaging up Ronin Clint's stupid wounds again, ugh, gah, seriously, surely all this hurt/comfort plus admiration for Clint's combat skills won't lead to falling in love? Feelings, action, intrigue.

Funny story I wanted to include a fic where Bucky kidnaps Clint but y'all there are SO MANY fics where Bucky kidnaps Clint and I can't remember which one. I bet they are all good so maybe I'll do a follow up with like, top ten fics where Bucky kidnaps Clint and they fall in love.

[burntblueberrywaffles]

the desperate anidala bitches shall rejoice, because i come offering a second rec list ���� /lh

My Anidala/Vaderdala rec list! (part 2)

You can find the first rec list here!

sorry I took so long this got buried way down in my drafts but it's finally out 🫡

some of these are not complete so do check chapter count and pls dont yell at me asdfhgkjfh

Modern AUs

The Bet

Anakin's had a crush on Padmé since fourth grade, and after putting up with his pining for seven years, Obi-Wan and Ahsoka are finally stepping in and making a bet that he can't ask her to junior prom in the spring. Meanwhile, Padmé is realizing that Anakin isn't as annoying as she'd always thought. In fact, her feelings towards him are starting to go in quite the opposite direction...

Snow Place Like Home

For genre-typical convoluted reasons involving ill-timed blizzards, Padmé is forced to spend the holidays at Anakin's house. Anakin isn't as upset about his boss staying with him for Christmas as he probably should be.

Second Chances

When Luke Amidala and Leia Skywalker meet at summer camp, they're shocked to discover that they're long-lost twins. The logical next step? Getting their estranged parents back together.

I usually avoid Parent traps AU just because I dislike it as a setup, but when it comes to Anidala a bitch is desperate, and this was a cute and fun one, I really enjoyed it!

Lemon

“What other secret fantasies do I have that are glaring neon signs for you?” Anakin asks. “You’re conflicted,” Padmé says, “because on one hand you want to be a very good boy for me, but on the other you want to misbehave so I have a reason to punish you.” He blows out a plume of smoke and taps the ash off his cigarette. “You know, I really thought you were a nerd. I thought I'd have to be like, ‘Hey, how about you tie me up sometime.' Get you into this stuff little by little. But no, you’re diving right in like we met on a BDSM subreddit or something.” Or: Padmé has car problems. Thankfully she knows a good mechanic.

normally, I probably never would have checked out this fic, (mommy kink is just not my thing) but as previously stated, A BITCH WAS DESPERATE and you know what it actually slapped 😌

Rebound

Padmé Naberrie has just been broken up with. She wasn't prepared for a night out with her girls to find her a rebound. She certainly wasn't prepared for Anakin Skywalker.

Sith-Raised Anakin

the inevitable end of dancing with the devil

"Maybe it was too crass to compare the devil to such a creature—Lord Vader wasn’t the devil, he was worse." Senator Amidala was undoubtedly one of the most respected and adored public servants to walk the galaxy. Lord Vader was not. Vaderdala AU. Arranged Marriage AU

A Worthy Sacrifice

Chancellor Palpatine has dropped the act and decided to rule the galaxy openly as Darth Sidious. His reign wouldn’t be half as successful without his unhinged attack dog Darth Vader, a much rumoured warbringer who appears in black robes with a saber red as blood and brings even the strongest revolutionaries to their knees. Padmé is not only fighting for her home country but the freedom of the known regions and she is desperate to turn the tides of this war which is why she agrees to the deal Sidious offers her: A child with this favourite Sith Lord in exchange for her home: Naboo.

This is one of my favourite fics with this trope!

Pearl in My Head

Padmé's just starting her career as a Senator when she attracts some unwanted attention from the Emperor, who has decided on a very different role for her in the Empire. [empire already exists, arranged marriage/forced proximity au! loosely follows some aotc/rots events]

What Was I Made For?

Darth Vader was not a man made for love, but this was not love. Or, Basically, Padme and Vader are friends with benefits, but she's so nice to him that it makes him question his entire existence.

FOR YOUR LOVE (i’ll do whatever you want)

𝐬𝐨 𝐛𝐚𝐛𝐲, 𝐰𝐡𝐲 𝐝𝐨𝐧'𝐭 𝐲𝐨𝐮 𝐩𝐥𝐞𝐚𝐬𝐞 𝐦𝐞 𝐧𝐨𝐰? 𝐬𝐨 𝐛𝐚𝐛𝐲, 𝐰𝐡𝐲 𝐝𝐨𝐧'𝐭 𝐲𝐨𝐮 𝐩𝐥𝐞𝐚𝐬𝐞 𝐦𝐞 𝐧𝐨𝐰? 𝐢'𝐯𝐞 𝐠𝐨𝐭 𝐬𝐨 𝐦𝐮𝐜𝐡 𝐢 𝐜𝐚𝐧 𝐠𝐢𝐯𝐞 𝐭𝐨 𝐲𝐨𝐮 𝐲𝐞𝐚𝐡, 𝐢’𝐯𝐞 𝐠𝐨𝐭 𝐬𝐨 𝐦𝐮𝐜𝐡 𝐢 𝐜𝐚𝐧 𝐠𝐢𝐯𝐞 𝐭𝐨 𝐲𝐨𝐮 𝐟𝐨𝐫 𝐲𝐨𝐮𝐫 𝐥𝐨𝐯𝐞, 𝐢’𝐥𝐥 𝐝𝐨 𝐰𝐡𝐚𝐭𝐞𝐯𝐞𝐫 𝐲𝐨𝐮 𝐰𝐚𝐧𝐭 He gave her that devilish smirk of his. The one that had gotten her into this mess in the first place. “I’ll give you what you want.” OR, A rare moment of intimacy happens for Padmé and Anakin – whose relationship is strictly carnal.

I have yet to read the second chapter (will get on that when I get out of the snowbaird hole lol) but I really enjoyed the first one!

Vaderdala

love me, love me (like you used to do) 

In which Vader fails to capture his son, but gains a daughter, his wife, another pair of twins... and the past.

this fic was SO GOOD holy shit literally made me feral when i fiorst read it

Love Like Ghosts

There are very few people who know the location of the Rebel Alliance’s base on Naboo. Even fewer who know the names of any of the people who work there. So when Padmé gets up on a cold morning, the windows frosted and harsh wind rattling the doors of the large house that’s been the headquarters of the Alliance for nearly two decades, to see a package with her name on it sitting on the doorstep, her heart stops in her chest.

loved this fic but as a heads up it doesn't provide "they get back together" closure so be ready for that

news of old by @ineedausernamel829

Padme is a member of the rebel alliance. During a mission, her past relationships with darth Vader comes to light

No vaderdala interactions, but exploration of the relationship through Padme talking about it - It’s so so good

Sad Vaderdala hours

Imperial Socialite

In a timeline where Darth Vader doesn't face immolation and Padmé Amidala lives, their marriage continues in a form that is at once far more honest and deeply dysfunctional. Though Padmé tries to remain within the Imperial Senate, the trauma of her husband's betrayal--and the apparent deaths of her children--force her into early retirement. Too much of a liability to aid the emerging Rebel cause directly, Padmé seeks out new avenues of defying the Empire: by leveraging her connection to Vader to mess with the Imperial Elites of Coruscant.

it could be sweet

an interconnected collection of stories based on the idea of what would have happened if Padmé had lived. (aka me finally writing down my self-indulgent vaderdala daydreams aka me living my best life)

This series is so good in a "rip my heart out of my chest and steps on it" way

all joy sucked dry

Her husband had fallen, her life’s work had crumbled, and her own babies were strangers to her. But she didn’t even care, and that was the worst part. Or: Padme deals with postpartum depression, and Vader is ill-equipped to help her

Others

Across the Seas

Padmé Amidala - the daughter of the royal governor of Jamaica - never expected her life to be much more than it already was. Her routine is to dress in her finest clothes, put on a pretty face, and ensure she is presentable to not only the people but to the many men attempting to court her. However, Padmé's world is flipped around when pirates attack, and the young woman finds herself in the company of their fearsome, brash, (dashing) Captain. Initially sickened by the roughish man, Padmé will quickly learn there is so much more to the mysterious Captain Skywalker. A pirate's life for me

The pirate AU I didn’t know I needed. So good

Right & Wrong

After they watch a holoshow that portrays reprehensible content, Anakin unwittingly reveals the concerning way Chancellor Palpatine acts towards him. Padmé will not let anyone harm her husband — and she’ll make this Obi-Wan, the Jedi Council, and even the whole galaxy’s problem if she needs to.

when the grooming is actually adressed >>

cestrum nocturnum

Summer on Naboo, the Clone Wars have yet to begin, and Anakin is tasked with protecting Senator Amidala after an attempt is made on her life. It's too bad that every moment with her has him in agony, and every moment apart is even worse—especially after that night in the courtyard ... Or: Anakin spends a torturous time on Naboo in the company of the person he loves because he doesn't know how to tell her his true feelings.

Naboo smut 🤭

And that's it! if anyone has recommendations for a fic that isn't in either of my rec lists, please let me know! I am so so desperate I need my anidala fix

Since I was deep into the Star Wars hole and desperate, I’ve also been reading non-Anidala/non-Anidala centric fics about Darth Vader/Anakin/the Skywalker family, so I will be posting a rec list for that soon! (When i say soon it can mean anything from a day to months, my brain is not always great at tasks, if anyone wants to be notified when I do post it lmk and I’ll tag you ❤️)

[oneslimybastard]

Another underutilized aspect of N, Natural Harmonia Gropius himself, is that he's conceptualized as not just a Math Guy, but a Math Genius if we go by some interview trivia notated on Bulbapedia.

It clearly shows in the way he speaks since his (translated) dialogue (idk about the original japanese one) is full of hamfisted references to formulas and frustration expressed when the chaos of the world does not align with them — which to me is like, the core of his character, something that makes him both An Asshole to deal with but also a very intellectually curios and creative individual. It's just a brand of creativity not a lot of people can keep up with nor understand.

N likes math because a lot of math is about clearly defined variables and their relationship to one another. If you come across an inconsistency that doesn't fit any prior definitions, you iron out a new definition and suddenly the field has expanded upon itself tenfold. It aligns with how his Very Autistic Brain functions, x + y = z, if I do x to y then z will happen. If z doesn't happen, then that just means I have to identify the hidden variables within the exchange and rewrite the formula to be more accurate.

Black and White's quality of writing is. Like pokémon often is. Questionable at best. The foundations are there but the execution is dumbed down and corny because it's still aimed at kids, BW in specific really cutting the theme of pokémon trainer ethics short in favor of just "dang u beat me in the pogiebattle guess ur right!". How-ev-er. In my head, and the reason why I still find the plot of those games compelling (aside for my unhinged thirst for goth man-milf Ghetsis) is that to me they're about local cult-raised autist Normal Henry Gropus bashing his head against the world over and over to desperately try and make the formulas make sense, to distill it into variables he can understand and predict on a consistent basis, and failing miserably at it. Because even if the world is Technically made up of a bunch of chemistry that you could, in theory, predict, there's just a lot of random noise in there from microscopic complexities that fuck everything up.

Pokémon are simpler creatures (discounting the eerily intelligent ones) who will be nice enough to behave like math problems most of the time. Humans rarely extend that grace, the more N studies them like a science project the more contradictory variables pop up. They have a million thoughts in their head he doesn't have access to, that brew into feelings he doesn't understand, which leads to actions he can't do a proper traceback through. Which is frustrating, devastatingly frustrating. At least at first.

Due to how BW2 pans out and my own yearning for thematic mirroring, whereas Ghetsis gives in to the Autistic Bitterness over all these NTs he doesn't fuckign understand, I like to think N develops a sort of joy in studying people like the impossibly complex math problems we are. Because he likes math, he likes figuring shit out, he likes buying a nightmare rubik's cube and charting the squares out on a nightmare variable graph (listen i am not a math guy. i respect the hustle but my skill level is too low to accurately attempt to simulate the process in writing. im sorry math guys) so he has a home-made flexible cheat code on how to solve any possible mix-up of it. It's fun for him, it stimulates his brain and he is so stupid good at it that he can only share that joy with like a stray alakazam or metagross because he's a bit of a tarzan just hanging out in the wilderness, he doesn't know any high end mathematicians he can casually geek out about combinatorial game theory with, and the normies just do not get it .

I think this math enjoying is kind of a big part of his ~Innocence~ as well, since there's a lot of childlike glee to being a Math Guy. It's the love of problem solving as a process rather than a means to an end, it's playful, but severely misunderstood to the point where people kinda might assume things about you if you are a math guy.

N's love of math helps him love the world but it also isolates him. He's a genius, but since he can't communicate it in a palatable way it'll get overlooked in favor of him just being a loomy weirdo on the street chatting up the local patrats.

If introduced to DnD though he'd spend so much time on forging ridiculously optimized multiclass builds, then migrate to digging through old obscure sci-fi ttrpgs from the 80s with hellishly complex systems just for the funsies of learning how the presented variables behave within a variety of frameworks, but then if you actually invited him to play with your group he'd look at you like you'd just called his mom a llama.

He's a neat guy to me, STEM guy who's also one of those animal rights activists who's a little too PETA-coded, I like him :)

[mossiestpiglet]

Thoughts on Kyoya's development in the manga? It's nice to see him have more expressions and being unhinged towards the later chapters.

Manga kyoya is the food i was raised on

Where i really REALLY think the manga shines in the characterization of Kyoya is that it drives home that Kyoya is an important, complex, sympathetic character who is well liked by his peers for exactly who he is and has always been. There is not some secretly kind and sweet Kyoya hiding under the ambition and temper, in fact what is under there is even MORE ambition and at times a rage he physically cannot contain. And he is loved for it.

And I think this is a great creative choice with his character and one we know from the very beginning is intentional because of Renge. Her introduction serves to show who these characters aren’t going to be. In most stories, a character like Kyoya can only be liked by other characters (and the audience) if he is secretly sweet in some ways. Kyoya shatters this fantasy with a rock. There is no hidden sweetness.

This is not to say he doesn’t care, just that there is no gentleness to his care. As you say Kyoya becomes much more expressive and unhinged in some chapters of the manga because his emotions are finally so big he cannot keep them restrained at all- and it is very consistent that this is almost exclusively caused by or about Tamaki (there is only one instance I can think of where he gets particularly genuine and expressive and it’s entirely for himself, from the final chapter). But there is also a kind of care that Kyoya is consistently expressing through his work, because he is constantly putting in an extraordinary amount of work in service of the club and its members. And it takes him a while, almost to the very end of the series, to admit that he is doing this not because it will benefit his future career or the Ootori family, but because the club has become precious to him and he will do anything for it and its members.

And not only does Kyoya realize this, but even more progress for our beloved boy, he says so explicitly to Kaoru. (and Honey seems to psychically get the message too???) This I think is also one of the great strong suits of the manga over the anime: the anime really focuses in on just the relationships of characters to Haruhi or to Tamaki because of how much of the series had come out and because of needing to streamline things. The manga is much, much more about the relationships between all members of the club. Tamaki brought the pairs together, but these boys have spent two years getting to know and become friends with each other and they ALL see Kyoya for who he is and love him for it. They don’t match him and understand him as fundamentally as Tamaki does (the boys come in pairs for a reason), but they do get him better than he thinks they do and there are multiple scenes of characters other than Haruhi stunning him with how well they see through his shell.

The relationships to Honey and Kaoru are given the most attention and are the most interesting to me, but I will just discuss Kaoru for now because this is already long enough. Kaoru and Kyoya become each other’s default partner when their normal companion isn’t an option and they are really good at it. Kyoya recognizes capability and drive in Kaoru, which Kaoru always rises up to meet. And Kaoru is very vocal about complimenting Kyoya in such a way that clearly points out he sees Kyoya’s actual motives, which embarrasses Kyoya in exactly the same way that Tamaki and Haruhi are good at doing when they see right through him too. Kaoru respects Kyoya and also understands that everything he is doing is from an enormous amount of care for his friends. And unlike the way most people see the twins, Kyoya sees Kaoru as reliable and just as dedicated to their club/family as he is.

[satanic-foxhole-court]

(Full TSC spoilers, as in to the end of the book) The contrast of Jeremy’s biggest concern is caring for his team, making sure his queer inner circle are healthy, okay, having fun and passing classes vs. Jeans biggest concern is the literal mafia debt, serious major trauma, PTSD and learning how to live again is just perfect.

It shows really beautifully in Jeremy’s approach to helping Jean. Jeremy seeks to know, to get Jean to open up and admit what happened. And hey it eventually works. But in comparison that never happened with Neil. The foxes knew to not pry and because Neil was able to integrate into the foxes without being an issue like Andrew is that was okay. There was more concessions, understanding and leaving things be.

I do wish for many reasons Jean stayed with the foxes if only because they fundamentally get it. But at the same time no it wouldn’t work, they’re pack bonded and Jean sees them as something he can’t be apart of.

A quote that stuck with me:

“That’s not fair,” Jeremy said, and when Jean opened his mouth to argue, added, “to you or us. For someone who seems so sure of what he deserves, you don’t seem to give any thought to what anyone else does. You’re forcing us to hurt you without giving us any say in the matter.”

And yeah that’s why it’s important to shove Jean more than one might with Neil or Andrew. Andrew is violently firm with his boundaries, Neil says he’s fine when he’s not but he can cope under high stress environments and has worked on accepting help. Even if that help is calling Andrew, running and exercise (fun fact exercise is a great ptsd trigger management tactic, peak the anxiety to bring it down through physical activity).

Jean doesn’t have boundaries, will not speak up at any point when something upsets him, puts himself in harms way constantly because he doesn’t have any self worth. Understandable given what he’s been through. And for Jeremy to feel he can help he seeks to know to understand - which isnt helpful! And that’s acknowledged at the end of the book!!! (Nora I love you)

Jeremy wants to put it into context, he wants so desperately to be told what’s going on, why Jean has this reactions, that it’s important to talk. But for someone who’s learned to stop biting back, to be quiet to have no harm come to them? That’s not going to happen easily. Jean does give ground and I really appreciate seeing him set boundaries too gosh. Him saying what he will and will not talk about, reaffirming that again and again throughout the book is perfect. And for Jeremy, Cat and Lalia to respect those boundaries too, or mostly. There are points when I think they shove a bit much but this book isn’t about perfect responses. It’s a queer household taking in an extremely traumatised person and learning how to support him while he learns how to exist.

Oh and also the power imbalance that exists accidentally by Jean not having context for what Jeremy, Cat and Lalia have been through too! He’s picked up there’s something but he’s always the one being pushed to talk about things, but he knows it’s not appropriate to pry about those things with them. It’s neat.

The coaches responses are interesting too. From the shoving Jean towards the water (I wanted to punch them omg /lh), to civil conversations, to showing Jean a Raven thing and just not understanding his response.

It’s nice to see how much the Trojan’s don’t understand, they don’t know how to respond, they have no idea what’s sensitive and what’s not. We love the foxes for how understanding they are and seeing a contrast of a privileged team is awesome to see.

I’m excited to see Jean and Bee’s sessions. Adore the book and Jean’s unhinged out of pocket self<3

[timetoddddavis]

Have I mentioned here how I'm low key obsessed with Sakito? He's like this... showboating, deeply traumatized, hungry, yankee manchild who's nice to kids, and I dunno if you know this but this is 100% my brand.

Like he never grew up, he's Peter Pan all the way down, he ran away as a child and now he's back and he's still! A child!! His changer is a game controller ffs, when he gets here, it's all a game to him. He does not care about the stakes at all he just wants to go FAST. Because none of this is REAL to him, this place isn't real. These people aren't real. It's a GAME until he meets back up with his one tether to earth.

Watch him when we see him interact with his childhood friend, the downwards gaze, the mumbled apology, his parental figure giving him little pushes. His motivations are all id, he just wants to eat home cooking and play games with his friends. He is a KID. He's the naughty little boy who lives in your neighborhood who fucks up your flowers and cusses at adults and eggs the cops and gets into fights, but he shows up at your house and gets shy and doesn't ask for anything and you feed that kid because you know SOMETHING is going on with him and he needs support.

Sakito is SO NICE to kids, too, it's so sweet, it's the only time he's really openly warm and it adds such a good shading to his character. He's a traumatized kid who grew up to be a BIG traumatized kid, right? So when a kid is troubled, when he's faced with kids, he treats them with respect and warmth. He gets down to their level. He smiles and speaks gently. He believes them.

The episode with Taiya's school and the dream, when Sakito's trapped in his own head, he doesn't even treat the ILLUSION of a child with his usual roughness. And I think that's really beautiful! We don't know what happened to him as a kid, but we do know he doesn't pass it along.

AND JUST, AN ASIDE, BYUUN D IS SO GOOD. THE ALIENS SAKITO MET WERE BORDERLINE SCARY, ANYTHING COULD HAVE HAPPENED TO HIM. BUT BYUUN D WAS THERE. AND HE'S STILL THERE. AND SAKITO IS A DANGEROUS VIOLENT LITTLE SHIT, BUT HE GETS FED AND HE READS HIS CREATIVE WRITING AND THEY NEVER GO ANYWHERE APART. It's like Sakito met his imaginary friend and he was real and he took him away from all the bad things and he took care of him. Do you get it??

And also Tsuta is sooooo good as Boon Violet, if you watch him he puts in these tiny little pauses when he hits a particular pose so it has time to really hit you in the eyes, it looks so fucking good on camera. That could totally be the action director's doing, I don't actually know, but it doesn't seem like every suit actor is doing it quite as pronounced so I'm willing to give it to Mr. Tsuta.

And he's. He's... you know. A lil thicker. Nice butt. Nice *gestures broadly* legs... and like... *gesturing becomes more unhinged* torso. Good to watch at his craft and also just good to look at. I look forward to seeing him do more main roles, if that's the direction he goes in.

I would shell out for those suit actor 'racer cards' so fast, you have no idea.

[lizzybeth1986]

Drake and Kiara: When You're Fucking Racist

Series - TRR's Alternative LIs - The "Romances" that Didn't Happen

Previous - Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

A/N: Again, apologies for the length. There was a LOT to unpack in this one!! I'm really, really not going to be nice to Drake here. It was harrowing to go through a lot of these scenes again and I honestly don't have the patience or inclination to sugarcoat any of it.

CW: Mentions of gun violence and minimization of trauma. Mentions of racist fan vitriol towards a black character. Examination of the Jezebel stereotype.

Whenever I think about how unhinged the hatred towards Kiara (and especially towards Kiara's attraction to Drake) was, a specific edit comes to mind.

On the surface, it looks quite simple. Kiara in a white wedding dress, Drake right next to her in his blue formal suit. Both of them are smiling at the viewer. The background is a beautiful forest, and the entire picture is bathed in a lovely, muted sepia tone. A sweet, simple wedding scene.

The caption underneath this edit?

Classify under things no one asked for.

Kiara's dream come true!

The tags read "#i barf a little looking at this" and "#i must post to share the suffering". You find out in the comments that the OP created this edit inspired by one of the many fics where Kiara was Drake's stalker, and intended to make her creepy and deranged (but ultimately failed).

The comments are...tbh, things that this fandom has long since normalized and shrugged at when it comes to Drake stans. Multiple puke-face emojis. Multiple gifs signaling disgust. One stan even equates the ship name (Driara) to the word diarrhoea.

"She looks very stalkeresque and white "I drugged Drake so he's marrying me" wedding ready!"

"Well it's close to Halloween so we should expect scary shit"

"THAT is why I made that bitch my Maid of Honor...so she got the message LOUD AND CLEAR...it ain't NEVER gonna happen honey" (right below a barfing gif)

I wish I could say this example of Kiara hatred was the worst of the lot, or even the only one. It wasn't. I'm not sure even an entire essay would be adequate space to explore the sheer levels of vitriol, hatred and double standards dumped on this one character.

Until now, we've seen examples of alternative LIs that were treated with respect. With adulation. Often with kid gloves in case we hurt their poor lill fee-fees. Up until now, no matter what an alternative LI may have done, the LI matched with them wasn't allowed to treat them badly, nor was the MC able to get away with hurting them without punishment.

But in this series, Kiara was, is, and will always be an anomaly.

The Jezebel Stereotype

In most media, black women in particular tend to be subjected to a variety of stereotypes that often have serious, real-world implications. The Mammy, the Sapphire (that over time evolved to what we now know as the "Angry Black Woman" stereotype) and the Jezebel, being the most prominent ones among them. In this essay, I will be focusing specifically on the last.

An article in the Black Then website explains the definition and history of the trope this: "The portrayal of black women as lascivious by nature is an enduring stereotype. The descriptive words associated with this stereotype are singular in their focus: seductive, alluring, worldly, beguiling, tempting, and lewd. Historically, white women, as a category, were portrayed as models of self-respect, self-control, and modesty – even sexual purity, but black women were often portrayed as innately promiscuous, even predatory. This depiction of black women is signified by the name Jezebel."

So it isn't altogether uncommon to see stories where black women are juxtaposed against "pure", "innocent" white/white-passing women, and viewed as lesser. PB hasn't exactly escaped these stereotypes in their stories either - though there are a variety of characters and character types, we can't deny that there was a time when a black woman was made the antagonist, often in ways that were meant to measure her up to the MC/another white woman to her detriment.

(VoS screenshots from the HIMEME YouTube channel, ACOR screenshots from Vika Avey's YouTube channel)

Two very prominent examples of PB using this trope are Scarlett from VoS, and Xanthe from ACOR. There are other black women who serve as antagonists but in a more professional space, but these two particularly are measured on their attractiveness, sex appeal and "purity" in the narrative in comparison to either the MC, or someone close to them.

In VoS, Scarlett Emerson and Kate O'Malley are the sisters of the two male LIs (Grant and Flynn), but their treatment couldn't be any more different. Scarlett's role in the book is pretty short-lived. She's very prominent in the first half of the book as Kate's potential MOH who secretly hates her, before it's revealed in Ch 5 that Tanner was cheating on Kate with her (and that she'd loved him since she was a child). Notably, in that very scene, the MC places most of the blame on Scarlett (rather than on Tanner for choosing to betray his fiancée) by labelling the act as her seduction of him.

Thereafter she is either only mentioned, or has blink-and-you-miss-it appearances in one or two chapters. We see her in the "memory" portion of the bonus scene, but we are never shown what her future is like (even as minor characters like Miss Harleney get one!). Her bonus scene shows us how her bracelet ended up on Tanner's boat, and it is an uncomfortable scene to get through. Tanner berates Scarlett for having sex with him a week before his wedding, but it is she who points out that he asked her to come there! Yet the MC and others view her as the temptress who "seduced" Tanner, as if the man had no mind of his own.

The narrative often juxtaposes her with Kate, the pure, innocent, sweet fiancée (and she actually is! No pretence there) and the fandom lapped it up. There were many demands for Kate to be upgraded to LI status, which eventually resulted in PB allowing us to marry her if we chose. As I mentioned earlier, both Scarlett and Kate are sisters to two of our LIs - but one is made an LI, while no one bothers to even imagine what the other's future entails.

An even worse fate greets that of Xanthe, the sole female antagonist in ACOR. The slut-shaming and disgust over her overt sexuality is far more blatant here. And it is extremely ironic for Xanthe to be viewed in this way, because the MC herself is a courtesan and uses wiles to get men to do her bidding. While Xanthe herself is not perfect by any means - she is depicted as xenophobic and callous, going as far as to mock Syphax when he is sent away to a possible death as a gladiator - the MC's targeting of her goes beyond just her "righteous indignation" and develops into a form of hypocrisy. She has no qualms mocking Xanthe for her direct approach or her skimpy red dress (even though the MC herself wears a skimpy red dress and can seduce a man in a temple not too long after).

The end Xanthe meets is horrific in its implications - the black matron of her scholae (who began by promising the MC herself that "you need do nothing against your will") sends her away to sexual slavery in Sicily, while the black man who was one of the few bastions of morality in the book, escorts her, smiling, to the ship that will take her there. As far as the narrative is concerned, the end was well-deserved...even though PB has had no issues allowing white women to do far worse without any punishment.

We cannot view what ACOR did with Xanthe in isolation. They had built up to it early on - from the MC's reactions towards her, her patrons' dismissiveness of her, the MC's LIs' viewing her with derision and zero respect. The MC - despite her own unscrupulousness - is viewed as the "noble whore" to Xanthe, yet it is clear on even a surface read that there is not much difference between the two women.

The Jezebel stereotype, ultimately, is about dehumanizing the black woman it focuses on, so that her actions and choices are viewed as deviant from what is "normal" - feeding into either responses of disgust and derision, or a desire to objectify her. To some readers, it makes whatever awful or comparatively unfair end they meet, more palatable. Scarlett and Xanthe are not viewed as people by the narrative - especially not the way the MC of their books or even white female antagonists are. No one cares for their backstories, coos over their losses, wonders if they are okay. When they meet their inevitable end, the characters and so many in the fandom alike just shrug and move along.

How does a character like Kiara fit into this? Her smarts and linguistic talents are her most prominent traits, and while she does have feelings for Drake, she never really acts out-of-pocket towards him (more on this later). So at least from what we see in canon, there's very little about her that seems to apply to the Jezebel stereotype. Yet, the fandom is not only inclined, but eager, to view her as one. Kiara's feelings have been viewed in a far more predatory light, perhaps more often than any other female character in the series. Why is this so?

A response I have often seen - on reddit, on Kiara's wiki page, at times on Tumblr too - is how there is a "certain something" about Kiara that people "just don't like". Many players who prefer Penelope to her are often very aware of what she has done, but still insist they like her far more than they do Kiara. On a reddit thread about questioning the logic of having Kiara and Penelope as options for the MC's MOH in TRR3, certain players commented thus:

"I don't know why, I just dislike her a lot. Penelope is fine to me, but Kiara irritates me." (said commenter is an Aerin stan)

"I liked Penelope, I thought she was nice. But Kiara got on my nerves."

In her book, The Sisters Are Alright, Tamara Winfrey Harris makes an eye-opening (to me at least!) observation about how misogynoir works:

"Misogynoir, abetted by dehumanizing caricature, is like water. It fills its vessel, taking many forms, and then overflows, creeping unnoticed into the cracks of things, rotting the foundation. It spreads a belief in Black women’s inherent wrongness." (Italics mine).

Now of course, if I were to ask the current fandom, they would come up with a range of reasons. Some that emerged from fandom myths and became more popular than the truth in time, some from PB's excessive pandering to players that hated her. But the root of it all is in a certain "je ne sais quoi" that makes her automatically unappealing, resulting in those readers leaning towards misreading or misremembering her scenes, misrepresenting her motives, or watering down the impact of worse actions from whiter women. It results in a group of writers (who have thus far gone to the extent of retconning the worst of a white woman's actions just to make her look good) leaning into such readings, even when they're not true.

TRR1 Kiara: Pragmatic Courtier or Backstabbing Snake?

"Kiara is fake", "Kiara is a snob", "Kiara is self-serving", "Kiara promised to be friends with us but dropped us like a hot potato the moment we became unpopular". These are some of the most enduring takes about Kiara in the past few years, and readers who say this usually bring up a vague recollection of TRR1 and 2 as proof. Mostly that "Kiara was our friend" in the first book, and left us hanging at the beginning of TRR2.

Is that reading based in fact, though? Let's take a look at TRR1!Kiara and find out.

We are introduced to Kiara (along with Penelope, and standing next to Hana) in TRR3 when we meet Liam's other suitors. Olivia introduces each woman differently, and the descriptor she uses for Kiara is that she is the "daughter of a diplomat and fluent in ten languages" (note: Kiara never boasts of her linguistic skill, Olivia does. Nor are there any scenes of her looking down on anyone who doesn't speak her mother tongue French, unless of course you accidentally ask her to sleep with you).

Both she and Penelope note immediately that the MC doesn't quite fit in - if the MC questions the women about being allies with Olivia, a woman who calls them "harpies", they view that as an overreaction. When the MC tells the ladies at the Derby about getting lost, Kiara finds her tardiness and inability to fit in, a sign that she cannot keep up with the competition. Until the chapters in Lythikos, Kiara's and Penelope's characterizations are almost interchangeable, personality-wise. It is likely the team envisioned them more as European nobility rather than specifically Cordonian (based on Olivia's introductions), and they are both depicted as poised, refined and aware of their place in court.

It's in Lythikos that Kiara, at least, begins to show a more distinct personality (for Penelope it's after the Regatta). Unlike the rest of the court, who watches Olivia's unwanted kiss on Liam with either mild shock or disinterest, Kiara is angered by what she sees as a very obvious power-play - which gives the MC the opening she needs to gain an alliance.

Now this "alliance" scene of Kiara's is interesting, for two reasons. One is that fandom often uses this scene to establish her "double standards" in TRR2, claiming that Kiara opted to be friends with the MC. Yet nowhere in the scene does the MC or Kiara ever suggest a friendship with each other - they both agree to an alliance. Furthermore, this is an arrangement that benefits the MC more - there isn't exactly anything she contributes (or is expected to contribute) to Kiara from her end. Kiara's promise is that she will put in a good word in the MC's favour, and she upholds that promise throughout the social season.

Another is that among the courtiers, Kiara herself is the first person to identify and respond to the MC's potential if she shows it at the Derby and the tea party (though Hana is also a courtier, I view her strictly as an LI in this context - since her support is by default and is founded on a more emotional basis). Not many nay notice this, but there is a distinction between how Kiara responds to an MC in a successful play vs a failplay...in a way that none of the other suitors do. Take note of the screenshots below:

The top two pictures in this collage are dialogues that feature by default. The bottom two, however, are dependent on branch-coding. They only appear IF the MC has managed to win the approval of the King, the Queen and the press. If you don't succeed in the same, she will not mention your performance in the social season at all, nor will she say anything about the value of your alliance.

That is a far bigger deal than most players of this series realize. It means that Kiara has been watching us closely, and has understood our potential over the course of just three court events. Only two other characters are shown tracking our progress this way: Bertrand (who is our sponsor, so he has to keep track) and Queen Regina (who can guess already her stepson's feelings for the MC, which automatically makes her a person of interest). For Kiara to understand the MC's capabilities, and to openly admit she has potential this early in the competition - it takes a high level of rationality, honesty and pragmatism to come to such a conclusion. Unlike Olivia (who lashes out in jealousy at the MC), Penelope (who has to be told why exactly it's good to have allies), and Madeleine (who dismisses us as competition until it's too late), Kiara actually views the MC with a discerning, impartial eye and an objective approach.

So on the surface, it appears as if Kiara is written by a team that likes her! You could almost be convinced that they thought she was cool but were forced to pander to "crazy Drake stans" in their writing later (which is an argument I have heard often). After all, she's established as beautiful, skilled, smart and observant. You wouldn't do that for a character you don't like, right?

But even as early as TRR1, a disdain for Kiara creeps in from the writing that you rarely see for any of the others.

This is especially apparent when you look at how Kiara's proficiency with language is spoken about. It is supposed to be her most visible skill - Olivia identifies her by it, we see her peppering her English sentences with French words (of course, many may argue that she doesn't exactly sound like an actual French person...but let's remember that her writers aren't exactly very used to the language themselves or interested in doing extra research for authenticity!). As we approach the end of the first book, there are at least two dialogue options that result in people doubting her abilities or mocking her for speaking only English and French most of the time.

In TRR1 Ch 16, Madeleine optionally speaks to the MC over phone (believing her to be a reporter taking her interview) about her thoughts on Kiara. Kiara's tendency to speak mostly in French and English is supposed to be a sign that she "exaggerates her accomplishments". Mind you, this is from the same woman who claims to be the best choice for Cordonia despite her poor strategies and her antagonizing potential allies during the engagement tour (TRR2); who complains if the MC doesn't compliment her for mediocre work as a press sec (TRR3). The MC can also choose to diss Kiara in a similar way, treating Kiara like she is a circus performer and her skills as if they are meant for the MC's entertainment. The only solace I could derive from this dumpster fire of a dialogue option, was that Kiara managed to shut the MC up with her multilingual response.

No other time are we allowed to call a courtier's abilities and skills into question. The MC accepts on faith that Olivia is a badass with great fighting skills. Same with Penelope's ability as a seamstress. The MC is never even allowed to have legitimate complaints about Madeleine's work as press sec, besides maybe that she could "be a little nicer". So the fact that the writers not only have other characters doubt Kiara's talent, but also allow people to mock her about it in all three books...is really something.

Another possible indicator of this disdain is the fact that Kiara is the only suitor who never gets a chance to actually interact with Liam on-screen. Even Penelope, a fellow minor character, can approach and talk to him twice...and her gift to him is shown in Ch 18 whereas Kiara's and Hana's aren't. Despite the fact that Kiara is a potential suitor, the story never allows her to interact with Liam. She doesn't exactly have any interactions with Drake in this book either, but honestly nor does any other couple have much time together besides Liam and Olivia.

Drake and Kiara hardly seemed to be a possibility back in TRR1. Drake himself didn't seem to associate with anyone besides the MC and the group in the first book (and even with the group his interactions were infrequent). Kiara herself doesn't have many scenes that aren't related to the court or to the competition, even once she is no longer participating. The closest she comes to any sort of association besides Penelope, is a friendship with Hana that begins sometime before the Fox Hunt. Drake and Kiara never actually have any scenes together, or interactions, or references. It is likely that the idea to pair them up was entirely a Book 2 thing.

On a fandom level, neither Kiara or Penelope garnered much attention or fan reactions. They weren't noticed much, nor did you see their scenes too often. Probably that is why it was so damn easy to remember Kiara's entire equation with the MC wrong. Why certain stans of the book were able to get away with misrepresenting the relationship between her and the MC in TRR1, to hate on her in TRR2. I will not deny, though, that certain dialogue choices from PB (like "I thought we were friends!" in the Fydelia scene) may have had a hand in those beliefs becoming the "truth".

TRR2 Kiara - Pragmatic Courtier or Backstabbing Snake (Part 2)

I plan to get into the way the Drake and Kiara angle is framed in canon, but before that it's important to tackle that one elephant in the room - Kiara telling the MC the alliance is over. Because very often, people used this scene (coupled with their misinterpretations of Book 1) as their "justification" to hate her. Often, people would choose the ruder options (such as the Christmas card dialogue) and assume that Kiara was rude by default, rather than as a consequence of the MC's behaviour towards her.

Kiara and Penelope are the first to express surprise at the MC's return (and their reactions are shown as representative of the rest of the court). Kiara in fact is shocked that the MC dared to return (which is kinda warranted! Several people in these early chapters view that as a risky move, a gamble that could backfire on her. That's why Bertrand gets her a press secretary). Their scene with the MC immediately follows the MC's conversation with Liam and Madeleine (and mind you, in the option where the MC can tell her she was set up, Madeleine herself voices disbelief of the same. Conveniently, this is never used as a reason to hate her). Both women let the MC know of their change in status, and therefore the change in their relationship with her.

What gets missed overall, is that Kiara is a lady-in-waiting (which is an actual role with specific duties) to Madeleine, which means her loyalty now has to lie with this woman whether she likes it or not. For her to even agree to approach the MC and explain the situation, is a risk. In at least two dialogue options in this scene, she tells the MC straight-up that they will be in trouble if they're even seen talking to her (this becomes a moot point by Ch4, mostly because Madeleine herself is shown talking to the MC and allowing her into conversations in public, once Hana arrives).

Penelope is often viewed in a better light in this scene because of her obvious friendliness and her sadness at no longer being the MC's friend, but once you have the reveal of her being a traitor, her behaviour in this scene seems wildly disingenuous, and I'm surprised more people didn't call her a fake when the reveal came out. She had to know the allegations against the MC were fake when she rushed to hug her, having been an integral part of that fabrication. It makes her lament when she's caught, in the failplay, ("I can't do anything right. You were never supposed to find out!") that much more chilling. She is eager to have the benefit of the MC's friendship and emotional support, without ever being honest about her role in smearing her reputation.

The other was that - no matter what you may choose to think of this scene - Kiara was placing herself at risk to let the MC know it was over. Approaching the MC was the right thing to do, but what is never spoken about is the fact that it was also a brave thing to do. Rather than ghost the pariah of the court and never give an explanation, she tells her honestly what the situation is, and strives to protect her impulsive friend (who could get both of them in trouble) at the same time.

When you view Kiara's actions from that lens - when you look at the facts - suddenly the claims that Kiara was "fake", "a flip-flopper", "a backstabber", "unscrupulous and self-serving", sound pretty hollow.

TRR2: The Drake x Kiara "Romance" Begins...and So Does the Vitriol

So...an interesting thing about the general reaction to Kiara in the early chapters of TRR2. I was new to the fandom when this book was released. There was an annoyance at Kiara when the first chapter came out, but to my surprise it didn't exactly become full-blown hatred until she started showing an interest in Drake in Ch 3.

This book is often used as a reference by Drake stans when they speak of Kiara as an obsessed, stalker-type, sex-hungry woman - often in contrast to their "pure", "innocent" MCs. Basically...the Jezebel. But the five scenes we see of this ship in the book itself tell a completely different story:

1. Drake Helps Kiara Lift A Heavy Beam (TRR2 Ch 3)

Chapter 3 is perhaps the first time we see an indication of Kiara's attraction to Drake on a physical level. The scene takes place at the barn raising, but only if we choose to stay with Drake over Hana for the barn raising activities. Kiara shows up in a rather pitiable state - her friend Penelope abandoned her for thirty whole minutes, leaving her to lift incredibly heavy beams alone. Drake helps Kiara and mildly chides her for not asking for his help, and Kiara stares at his bare chest, mesmerized.

She isn't exactly alone in this - the MC herself ogles at his bare chest at one point (if we go by the lines in the narrative that read "his muscles glisten in the sunlight" which is def from the MC's PoV). This scene was meant as fanservice for stans who wanted to drool over Drake's physique for a bit, and belatedly build up an alternative (at least for all three male LIs, they were trying to do this in TRR2).

The MC can either point out Kiara's obvious attraction towards Drake, or suspect her of being part of the plot. This will not be the last time the MC or the group will view her with suspicion, with little to no basis in fact. In the option that calls attention to Kiara's attraction to Drake, she is shown covertly sneaking a second look at him. Drake is shown with a visible discomfort at even the idea that Kiara could like him, one that only the MC notices considering she is working in proximity with him.

The reaction to this was instantaneous from several Drake x MC shippers. One or two glances at Drake's chest was enough for Drake stans to begin typing posts in capslock, screaming "BACK OFF KIARA HE'S MINE". The excuses given at the time were that the MC didn't get much opportunity to romance him (Drake was trying to refrain from kissing her in Ch 2 because he felt guilty), and largely-inaccurate judgements of Kiara's character. Jealousy of this kind is sometimes seen as the norm when you have a popular ship and a third angle is created, but this was about to take form in some...very disturbing ways in later chapters.

2. Kiara was Once Savannah's Friend/Kiara's long-standing crush on Drake (Ch 4)

A misconception I often see in the fandom (particularly in relation to how Kiara's feelings for Drake aren't given the same level of consideration that Olivia's for Liam is) is that Olivia's are "more genuine", and Kiara's are "mere lust" or "only physical" and this is probably why she's not given as much respect as Olivia was. Even though, tbh, Kiara was far, far more respectful of Drake and his personal space, than Olivia was of Liam in TRR1.

Leaving aside the obvious problems with that train of thought (viewing sexual feelings as "lesser" just because they're not rooted in some intense emotion), this is not even true, and the first part of the Driara garden party scene is proof enough. Kiara says, straight up, that Drake had been "such a good friend to [Liam]. It's part of why I always liked you." (Bold mine). If the MC voices doubts about this (likely incorporated for readers who would question it as a retcon...and it was a retcon since they didn't interact in TRR1), Kiara tells her that she doesn't wear her heart on her sleeve, which actually matches her practical approach to most things. In fact just a few scenes earlier, when the MC questioned her about wanting a husband (when she'd mentioned earlier about wanting to join the ministry), Kiara informs her that it would never hurt to have both. So it makes sense for her character if she's someone who kept her feelings for Drake a secret, especially while in a competition for winning the Crown Prince's hand. But we cannot, in any honest capacity, claim that Kiara's feelings for Drake weren't deep enough, or lasting enough, or genuine enough. At least based on the evidence we have.

Another point this scene brings up is Kiara's friendship towards Savannah. Up until this point, the only people who did reference her were Olivia, Drake and Maxwell - and Olivia's mockery of especially seemed to imply that the ladies of the court weren't very nice to her. Kiara's account is very different from this, and actually quite affectionate ("she was one of us", "she was coming along so well in learning French"). It's not the closest friendship, but Kiara did care enough to tutor her in the language and clearly missed her. It is possible that this scene was positioned to both build up to the alternative romance and foreshadow Savannah's presence in Paris. There is a lot more that could have been done with this angle, but perhaps that is a discussion for another section.

3. Never-Have-I-Ever (Ch 9)

This is a small option in a drinking game - the MC can get to say "never have I ever had a crush on Kiara", and loses, because Drake says she isn't his type (ironically he claims he isn't her type in the next chapter). It's interesting that he does consider her as not as bad as some of the others in that group.

3. Flirting with Drake in Paris (Ch 10)

For five chapters, we don't see any more hints of this romance. We see Drake in plenty, and we see quite a bit of Kiara. But none of it shows them together.

Kiara's scene with Drake at the tea party, is in some ways a continuation of his diamond scene with Savannah. He knows now where his sister is and what her big secret was, but this scene is where he realises how little he actually knew about her, if even her "noblewoman friend" knew she had intentions to go to Paris and he, her brother, didn't. This scene also takes place at what I call a "rest period" in the story - the group has just come out of a high-intensity altercation with Bastien, and it is one chapter before the major reveal about Constantine. So the MC can relax a little, some of the loose ends of previous stories can be tied up, and we get a vibe check on at least two alternative ships.

Drake is rather civil to Kiara in this conversation, mostly because he's trying to get information about his sister out of her. There isn't much he contributes besides this - it doesn't seem to matter much to him that Kiara was a rare friend among the court to Savannah (tho TRR3 would later retcon this), and when she talks about herself he doesn't pay much attention. Kiara does make an attempt at a light flirtation which goes largely unnoticed.

The MC's response when she first sees them goes three ways - a neutral comment about the petit-fours, a "matchmake-y" comment that points to them that they "look cozy", and a "jealous" comment about interrupting them. The third one especially results in Drake inadvertently confirming he doesn't think of Kiara in a romantic light, and Kiara appearing disappointed. Remember, at this point she doesn't see much evidence that Drake and the MC romancing him are an item.

The follow-up conversation with Drake, too, follows along similar lines. The neutral comment just asks him about the information he gathered from Kiara, the "matchmake-y" one points out she has feelings for Drake and the "jealous" one is... something.

The third response is very obviously crafted for the more possessive Drake stans to get satisfaction from dissing Kiara, perhaps in a more aggressive way than the Maxwell stans could. While the Maxwell MC can pass an insult or two to discourage Penelope, the Drake MC will go as far as to tell him he belongs only to her, and can threaten to "push her into the petit-fours".

Ironically, this scene follows a scene with Olivia about her lingering feelings for Liam - and Olivia's grief, the MC's clear sympathy and Liam's concern for Olivia are all by default. There is a certain level of sensitivity the Liam MC is required to have for Olivia that is never once expected of the Drake MC, and that plays out in very dangerous ways in the next book.

This scene, again, brought forth rather violent reactions, and in fact the language of the MC's responses itself seemed to encourage that kind of response. A poster later compiled an entire set of these responses ranging from mocking, to "back off, Kiara!" to straight up demands for murder (I couldn't link to this post because the names of the people involved were included in it, but I do have quite a few of those screenshots for reference).

After this point, you don't see any more scenes where Kiara actively flirts. In fact for most of the second half you see her and Penelope very rarely. So it does feel really wild in retrospect that "obsessed Kiara" became such a popular interpretation, after one checking-out scene, one flirtation and one rather sweet and genuine compliment of him as a person.

4. Pranking Kiara (Ch 17)

A pattern you would have noticed by now is that there is a bit of a mean streak in Drake for Kiara that is either very dominant or latent, based on whether the MC tries to encourage him, or shows jealousy towards her.

And this isn't necessarily an indicator that he can never be interested in Kiara. A distrust for nobility is almost a norm for him at this point, and let's not forget that Drake's first few interactions with the MC too didn't exactly leave her with the best impression of him either. Kiara initially being on Madeleine's side at the beginning of the story could be a factor in some level of disdain too. Such complications could - in a good story - add layers to a potential romance in the future if that was the direction the writing was going for.

Around the MC who doesn't mind them as a pair, he shows a small sliver of an inclination towards Kiara herself. His response if the MC points out that Kiara was flirting with him (Ch 10) is that he doesn't believe he is Kiara's type, not the other way around. In this scene, a drunk Drake who is encouraged to write a "nice note" to her as a prank, can write "your hair is pretty and your French is totally not stupid". Both of these lines present a sign of a possibility that a romance could happen. His behaviour when an MC casually hints at this possibility, is of someone who may like this woman deep down, but show it in very strange ways (akin to the age-old metaphor of the "boy who pulls the pigtails of the girl he has a crush on"). They wouldn't have even needed to show his responses in this way if they weren't trying to hint at a possibility.

His response to a "jealous" MC is to delightedly bask in her possessiveness of him, and to go hand-in-glove with her as she insults or suggests violence on Kiara in any way. Now one could perhaps headcanon this as a behaviour that comes from being unused to female attention focused on him, coupled with his affection for the MC - but when you take into account his behaviour towards Kiara herself in TRR3 as well, there seems to be a blatant lack of consideration or compassion towards her as a human being. Compare this, again, to the way Liam's behaviour towards Olivia is written in canon, and interpreted by the fandom. Liam is expected to be kind to her, even if he's clueless about her feelings or if she is harming him (eg. Even when she kisses him, he cares enough to opt for a reaction that will not publicly humiliate Olivia).

Not so for Drake. He is very happy to follow in the MC's lead, even in hurting Kiara. And in this scene, he pretty much kickstarts it with the suggestion of a prank.

Drake knows where Kiara's room is (thanks to a nameplate on the door, and the familiarity of the hallway, which he likes for the view outside) and wants to prank her. The MC can either accept or refuse. If she accepts, there is one nice option, and two distinctly mean-spirited ones. The first proposes to mess up her book organizational system, and the narrative describes the attempt as "ruining any semblance of order to Kiara's bookshelves". These are materials she likely requires for her career as an aspiring diplomat, or even books she uses to update herself on the world. But to this MC and Drake, her work and interests are little more than a joke.

The second one is not only aggressively mean - it also is an attempt to ruin her personal space with her personal items. Going by the array of haircare the narrative mentions, maintaining her hair is very important to Kiara (I am not equipped enough to speak about black women and their relationship with their hair, but this option did make me very uncomfortable, because of the little I've seen on how essential regular haircare and good products can be for many black women). Not only does the MC suggest using all that product to render Kiara's bed practically unusable, she also insists Drake waste the full bottle of said product. Because, yknow. "It's a prank. Go big or go home". Drake has one moment where he tries to be less mean in this option (when he attempts to use less of her hairspray), but the moment the MC encourages him towards a crueller direction he does not hesitate. In fact, when the MC first suggests this option, he regards her with something approaching awe, and praises her as "an evil genius".

There's a mean streak in Drake here no matter which option you choose. If you do go for the nicer one, he complains at first that it's not exactly a prank and in fact does claim that they "could still put glitter in her cupboard" as an alternative prank. But the other two options encourage the player to give full vent to whatever underlying frustration/enmity/hatred one could possibly have against Kiara, goading a drunk Drake to be merciless towards the things in her room, in her absence.

Maybe, perhaps, one could just view this as a "fun vent" for the "possessive stans". It allowed the Drake MC and her LI the chance to gang up on her, mock her and cause her discomfort through things that were clearly important to her, treat her like the butt of their joke, and get away with it. When you encourage that kind of hatred with your writing, it can go into some very dark, disturbing places. And it did, especially in TRR3.

The overall response to this scene didn't show much, since it was just one small sequence in a larger scene - and most of the focus was on the heartfelt bonding between Drake and the MC when he takes her to his "special hideout" and his reveal about his motives behind calling the MC by her surname.

Many Drake stans, however, took note of this specific section, and took their interpretations in a completely different direction. Questions were asked about why Drake knew about Kiara's room - completely ignoring that he frequented the hallway regardless for its view and her nameplate is literally placed outside her door - and several fans suspected the two to be involved in an affair just on the basis of him knowing where her room was. These suspicions, again, would crop up from the fandom in a more dramatic way in TRR3.

5. Drinks at Homecoming Ball (Ch 19)

This scene takes place in the finale, just before Kiara and Penelope apologize jointly to the MC for their comments in the beer garden.

Drake is, quite predictably, at the bar in this scene. In some ways one could draw a parallel between this one and the "bar" scene between him and the MC in TRR1 - the only differences being that the two were alone in the first, and that he and the MC are free to romance each other now. However this time, the two ladies of the court could also communicate with him about drinks, and he could use his knowledge of alcohol to guess their preferences.

The scene with Kiara is, again, written to be both a possible sign of familiarity and a diss (mostly the second, I think). With Penelope he just vaguely mentions cocktails and focuses on the decoration for the drink - with Kiara he is able to name the specific wine even though in TRR3 he has no idea what tannins are. There are ways one could envision that as a sign that he notices more about Kiara than he lets on.

The diss, of course, comes with his claim that no matter how top-shelf the wine is, it will still always be "old grape juice" (which is a very strange thing to say because most alcohols are fermented from basic ingredients be it fruit or grains - where did he think his high-quality whiskey that he regularly carries around in his personal flask came from??).

Kiara's attempt to impress him is pretty obvious, but the diss isn't something that weighs too much on her mind. There are less indicators here of a dejection if he brushes her aside, unlike the scene in Ch 10 - she just looks a bit surprised he could guess the exact drink she wanted. Kiara in this scene is more likely to shift gears to something more important. In this case, that is apologizing to the MC for what she views as poor behaviour that sprung up under the influence of alcohol, and offering her an olive branch (the specific apology is for her asking the MC if she came to gloat, not for telling her the alliance was over at the beginning of the tour. In that scene specifically she feels she has nothing to apologise for, and I'm inclined to agree for the reasons I stated in that section).

The overall pattern for this ship seems to indicate that it's...kinda there in case the MC doesn't want to pick Drake, but I always feel like they focused a lot more on the jealousy options and didn't spend enough time to see what a possible relationship could look like. They do claim later that Kiara's affections were supposed to be one-sided, but the buildup at least seemed to indicate some small baseline of interest from Drake's end, even if shown in some rather bizarre ways. However, because there seems to be very little respect for this character already, having the MC threaten violence and having her and Drake overreact over what were essentially harmless interactions from Kiara's end really does indicate that the writers didn't mind taking potshots at her whenever they felt like it. Like I've said before, the trashfire that was Kiara's treatment in TRR3 didn't develop overnight.

Smart, Skilled...Disliked?: Kiara and the Writing Team in TRR3

On 25th Sept 2023, PB released a two-chapter series on Storyloom called "Choices Secrets", which involved at least three writers (Andrew, Kara and Chelsa) talking about ideas and plots and backstories that didn't make it to the released book. In one section, Kara Loo speaks specifically about the ending of TRR2:

According to this account, the original idea was to kill off Olivia and possibly use that as a segue into the Nevrakis plot of the book, since her aunt and Justin were the real villains at the end of the series. When they decided to keep her alive in the series, Kara mentions finding "more members of your group get injured, like Drake".

Interestingly, Kara referred to "members" in the plural, and Drake is the only person from the core group to get shot. So it's just as possible that the choice to have Bastien, Justin/Anton and Kiara sustain injuries, was made once they decided to do away with the storyline about Olivia's death.

Olivia got spared because her writers cared for her. Kiara was likely one of the people injured in her stead, and probably the only one out of them (except for the one who was the main villain) who wasn't getting a prominent scene that focused on her being a survivor of the attack until some readers protested (the entire intro of TRR3 was dedicated to Drake recieving tender care from the MC, Bastien gets showered with concern and care from Constantine, Liam and optionally the MC. The MC comes to the estate, makes a perfunctory mention of the injury once and proceeds to emotionally blackmail Kiara into joining the tour. Let's not even talk about Lythikos. That shit warranted its own essay). No matter how much you downplay the situation, the truth is that Kiara got grievously hurt in a terrorist attack and her writers didn't think it was important enough to address.

I often wondered in the beginning, why Kiara was chosen for this. A close friend at the time theorized that perhaps it was done to ensure Madeleine would become our press secretary, because there was no way the MC would be considering her for this position if someone less hostile (like Kiara) was around. Another wondered if we might get opportunities to address palace security through the experiences of the survivors. Being a Drake x Kiara supporter at least by the end of TRR2, I wondered whether it was a coincidence that they both were injured at the same ball, and the possibility of the two bonding over such a painful experience.

Well. Boy was I about to be disappointed.

Because why did Kiara have to be so badly injured, if it was going to amount to nothing? If they weren't even going to address it in her own home? If - after even players who didn't care much for her, noticed the silence around that attack - the best you could offer was a scene that followed the MC and her friends suspecting the victim of this attack??

Had I looked at Kiara's narrative treatment (from TRR1 onwards) closer back then, perhaps I wouldn't have expected so much. It would have occurred to me that maybe they hurt Kiara the most, because they cared for her the least. Kiara is viewed as smart, poised, talented. Madeleine even calls her "one of the more competant courtiers" at some point. But that doesn't always mean that the team that writes her deems her worthy of respect.

For one, the writers tend to lean more into fandom perceptions of her in this book, rather than looking at their own canon. Kiara being a snob is not canon - that is ridiculous considering that she was such good friends with Savannah, and her support of the MC when she fits in well. Kiara acting like her linguistic skill makes her better than anyone else isn't canon either - nor is she obliged to speak in all ten languages on a loop just for the MC's or Maxwell Beaumont's entertainment. Kiara being perpetually mean to her best friend is inaccurate at best - she is often frustrated by Penelope, sure, but she spends far time and energy helping her than anyone else in that court.

Yet the narrative gives both these statements as dialogue options for the MC, where she can bitch about Kiara...but somehow only ever allows the same MC to be nice and caring and loving to Penelope - never once reminding her of the hell she'd put the MC through in the past. And because the fandom expected the Kiara-Penelope friendship to focus only on Penelope, PB got away with having Kiara's "best friend" stay conveniently silent as the MC berated her in her own home. The narrative even threw Kiara under the bus in TRR3 Ch 16, in order to make Madeleine look better in Hana's memories of the TRR2 bachelorette, claiming falsely that Kiara shouted at Penelope so much while drunk, that the latter was brought to tears. There is way more energy spent in painting an inaccurate and negative portrait of Kiara, than there is in showing the truth.

For another, the way the courtiers' and their parents' agreement to join the tour is coded...is extremely suspicious. When you compare both a successful and a failplay, you will find that all the parents have the chance to reject the MC's proposal to join the tour...except for one. Kiara's father, Hakim. In a failplay where you purposely do all the wrong things...out of the entire group of people who are still doubtful about supporting you, only Kiara and Hakim join your tour by default, without any expectation of a reward (Madeleine demands her own department after the wedding). They will be a part of it no matter what you do, no matter your failures, no matter how badly you treat them.

Hakim may have joined mainly to confront his old friend the King, but he still stays on even after Constantine dies. The writers made sure to branch-code things in a way that Kiara and Hakim could never drop out even if the MC was awful to Kiara, and never once acknowledged what it must take for them to do that. After Kiara herself had been fucking stabbed!!!!

Joelle, Kiara's mother, and Ezekiel, Kiara's brother, can reject the offer if they aren't impressed with the MC, but out of these two characters only one is viewed with respect - the one they were going to pair up with Penelope.

The narrative doesn't mind letting the MC mock Joelle for her passionate support of the arts if she doesn't win her approval, and her insistence that it is the sign of a thriving kingdom...and they make her sound petulant and churlish in response to that mockery. This despite the fact that in a successful route, she says one of the most profound political statements in the books:

"Hakim and I don't just want Cordonia to remain stable and peaceful. Those are blessings, naturallement, but our kingdom can do so much more than just survive."

In contrast, when you look at the same failplay, Emmeline and Landon are treated with far more respect from the narrative, even though Hakim and Joelle's plans for the country would benefit Cordonia as a whole. Drake looks up to Penelope's parents as an inspiration, especially if he's going to become a duke. Meanwhile Hakim actually acknowledges Drake and his bravery in a way that none of the other dukes and duchesses did, and Drake never gives a shit.

Emmeline can accuse the MC of not taking their situation seriously, if she does a bad job at the polo match, and the MC only has the grace to look contrite rather than lash out at her. Landon himself is never judged for coddling his daughter the way he does. Their focus on Portavira rather than the country is respected, and the MC not meeting their demands is viewed as her weakness, not an overreaction from their end. They never get the snarky responses Joelle gets, where the MC can outright call her "a handful" in front of her own husband.

And then there is the matter of how PB deals with the problems of all the court ladies.

(Screenshots from the Skylia YouTube Channel)

The period of the Unity Tour isn't exactly an easy time for anyone. The LIs each deal with their own shit, and the ladies of the court themselves have their own reasons for being reluctant to return. The entire point of this tour is to address their specific concerns as well as that of their families', because without the courtiers themselves we wouldn't have as strong a court.

In Madeleine's case, we have to talk to her through a diamond scene and then educate her mother on her ways of mourning lost opportunities, among other things. In Penelope's case we are required to give her complete protection and emotional security, for her to even bother joining the tour (there is branch coding where she can refuse to be a part of the tour at all). Even for Olivia - who is already an ally - the diamond scene encourages us to stand up to her aunt, by letting Olivia know that it is valid for her to lean on others for support without being considered weak.

But for Kiara? The best we can come up with, while in her duchy, is some version of - "You're smart. You'd know that if you left now, people will say bad things about Cordonia and then it would be your fault". You either manipulate her, or insult her as being a useless excuse of a diplomat. As I mentioned in another essay, Kiara's comfort is a non-factor. The gap between the care we were expected to give to Madeleine and Penelope, and what we deign to give Kiara in Castelserraillan (which is...well...nothing), is massive. And this gap would only increase - not reduce - in the books to come.

It might seem a bit irrelevant to talk about this, especially when this essay is about Drake and Kiara. But it's important to take note of this inherent disdain the writers had towards this one character - and people close to her. Because it is only too easy to pretend that the writers "got scared of the crazy stans".

Of course the stans had a huge, huge role in this. Of course their vitriol and racism succeeded in bringing about (what I consider) one of the most disgusting dialogue options in this series...or perhaps in any series. But I doubt those "crazy stans" would have gotten this far, without a team that didn't mind being cruel to Kiara.

When the Fandom and Canon are both Heartless: Drake and Kiara in TRR3

As I've mentioned in previous essays in this series, playthrough divergences truly begin in TRR3 (eg. While the playthroughs acknowledge who you chose as endgame by end-TRR2, you can still access diamond scenes through a small tweak that allows you to romance other LIs). And whichever LI didn't get engaged with the MC had indications of a new romantic possibility coming up. These were scenes you wouldn't find in your own playthrough with that LI as your fiancé/e.

Kiara doesn't appear in TRR3 until Ch 7, when the entourage comes to her estate Castelserraillan. There aren't a lot of Drake and Kiara scenes themselves, and I will get into why, section by section.

1. Kiara Greets the Group at Castelserraillan (TRR3 Ch 7)

Many Drake stans - once they found their MCs engaged to Drake in TRR2 - seemed to be practically giddy at the prospect of showing off their newly-engaged status to Kiara, and hurting her through the news. They were perhaps more excited about this than their upcoming wedding.

Well, they got that chance in Ch 7. In every other playthrough, she still holds the same feelings for Drake, and compliments his suit as Drake awkwardly fails to meet her eye. In his specific playthrough, Drake defiantly shows off his relationship with the MC, and Kiara shows a slight wistfulness before she forces herself to be normal then wishes the happy couple well. You'd think that would be enough to satisfy the stans who had been baying for her blood all of the previous book.

A throwaway line about Drake knowing where Kiara's room was, had already raised the heckles of a whole bunch of his stans. Kiara's "wistful look" in her first TRR3 scene somehow added fuel to that fire. Suddenly, you got to see a raging torrent of posts demanding to know if Drake had had an affair with Kiara. Fanfic had already been written about Drake cheating on the MC with Kiara by this point - and some of those headcanons and fanfic hinged on making Drake the innocent/vulnerable one, taken advantage of by this sexy, obsessed woman who would be either a danger to him or would be juxtaposed with the "pure", "virginal", "perfect" MC. Drake would never be the problem here, and none of the stans screaming over the possibility of Drake sleeping with Kiara would dream of blaming him for it. No, Kiara was predatory, Kiara was obsessed, if anything happened between them it would be likely Kiara's fault.

This is where it's important to note, again, that none of the more obvious signs of the "Jezebel" stereotype seem to be used in canon for Kiara. While cruel in her own way, the TRR MC doesn't exactly slut shame her or believe Drake will be unfaithful to her, Kiara isn't accused of seducing (or even trying to seduce) anyone, and she actually places respectful personal boundaries for herself in her attraction to Drake, that she never crosses. She may indulge in a light flirtation with him, try to impress him or simply talk to him - but you will never catch her forcing her sexual attention on him like Olivia did with Liam. Yet in popular fanlore, even Olivia's feelings were often cast in a far more noble light in contrast to Kiara's.

In her essay, The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII, Dr Shannon. L Holland explores the historical and contemporary uses of the Jezebel stereotype in depictions of Black women in popular culture and discourse, especially in contrast to white masculinity (which in these contexts, is often viewed as innocent and blameless - and much of the blame lies with the Jezebel figure). The "Jezebel" stereotype "has come to symbolize both a malign, cunning sexual object and an autonomous, liberated sexual agent" - she is at once an independent sexual being making her own choices, and someone who is "incapable" of reining in her sexual appetite...and is therefore often depicted as not only a threat to the "purer" (and often "whiter" or "lighter skinned") woman, but also dangerous for whoever she is "obsessed" with. And we see this time and again in the discourse around Kiara - the fanfic that depicts her in a range of scenarios (stalker, obsessed lover, abusive girlfriend who will break a bottle over Drake's head, at times even descending into murderer to get the man she wants). Which is how we wound up in a position where Kiara even breathing the same air as Drake was viewed as a threat.

It didn't matter that he was flaunting his love for the Drake MC in that playthrough to send a message to Kiara, or that he stayed silent with the others as his wife badgered her into joining the tour. It didn't even matter that Kiara never got a diamond scene the way the two other women did, despite being the most harmed among the ladies. What mattered was that Kiara existed. Her damn existence was the threat.

2. Cheering for Drake's Victory (Ch 10)

Ch 9 of TRR3 was released to players on April 27th, 2018. Immediately after, a mid-book hiatus was announced, mostly to work on some new art (very possibly the red pandas), work on the wedding, and make changes (such as shifting diamond scenes from character-centric ones to LI specific - they'd already started making changes to LI diamond scenes). The book would return 2 months later, in June.

In a livestream before the hiatus ended, the writers had made it very painfully clear that Kiara's feelings for Drake was one-sided. And by that I mean they really emphasized on the one-sidedness of her affection, almost as if to reassure the panicking stans. This would manifest in any future interactions between the two - both in Drake's single and engaged playthroughs - and any hope that such a pairing would even be hinted at was over. But there was one variation that the team had perhaps neglected to edit out.

A small one-word depiction of Kiara cheering Drake when he wins his duel against Neville, joining his friends to praise him. It really isn't much - just Kiara saying "bravo!" before Savannah rushes up to hug him, which is replaced by a scene of Drake himself going up to the MC and passionately kissing her in his own playthrough. What is definitely striking about this depiction is that Kiara was clubbed with his close friends and his sister, rather than the second group of people that largely represented the larger court (Rashad and Queen Regina) who offer their congratulations.

Given the way the writers wrote any remaining interactions between Drake and Kiara, and the fact that this small appearance doesn't really amount to anything, it is possible that this variation was part of an earlier draft that involved other hints, that the writers failed to notice when they put up Ch 10. If they had, I'm pretty certain it wouldn't have stayed in the book.

3. Leaving Court + Wedding Conversations

Remember how I kept stating in this essay that the narrative was going to take their enthusiastic pandering of the "possessive stans" end of the fandom, to some dark, disturbing places? Well, here we are.

Tbh, the writers could have just stopped showing any interactions between the two, or given Kiara another boyfriend if their aim was simply to show that Drake and Kiara would never be endgame. They had done that with Maxwell and Penelope already...oh. I forgot. They actually wanted us to care for Penelope.

Up until this point, Drake's mean streak re: Kiara was present, but not really as obvious as it gets here. PB takes that cruelty several steps further in these two chapters, starting with Ch 11. Ch 11 was fanservice to the people who shouted abuses and "joked" about killing Kiara in every chance they could get. Ch 12 showed this sentiment at its worst, covered it up with enough fluff so it would be harder for people who liked Kiara to notice...and let those players get away with it.

In Ch 11, Kiara approaches the MC and her group to inform them that she is withdrawing from the tour. Drake is the first to respond to this, remaking at the suddenness of the departure. The MC can speculate on a couple of things, ranging from sympathy (that she might be afraid), selfishness (that she is "bailing out" on the MC) and suspicion (that she is hiding something).

In all three options, a pensive Hana expresses sympathy and encourages the group to "reach out". In all three options, Drake will only view Kiara as a suspect.

Mind you - according to Ch 12, Drake is saying this knowing Kiara was injured at Homecoming Ball...and knowing exactly which weapon she was injured with. Aware that she has gone through an event as traumatic as that (if we go by his "just one step at a time" monologue to Kiara), better aware than most how it would feel...he still opts to act like her motives should be suspicious.

This is further emphasized in the Drake playthrough, through the armory scene that the MC takes with Maxwell.

As I've mentioned in the post on this scene, it is divided into three halves. The first half deals with whoever the MC rejected (either Liam, or Drake in Liam's playthrough). The third is buildup to Lucretia's plans to usurp the throne. The second is supposed to be about the excitement among the members of the court for the wedding, and of course as the only people who come for the tour by default (and Madeleine is already taken for the first scene), Kiara and Hakim are used for this scene!

I will only focus on the Drake version of this scene today. There are a few things you notice straight off the bat:

1. Since this is Drake's playthrough, the narrative seems to do away completely with any lingering feelings Kiara may have had are done away with. In this scene she is quite happy about Drake's wedding - in fact, practically chipper. Literally nothing about her behaviour here serves as a reminder that she once had feelings for him.

2. Drake's response to Kiara attending his wedding ties in pretty well with his earlier default suspicion of her. Unlike Hana who is surprised but also happy that Kiara is attending, he seems to voice it as a doubt or a question. While that makes sense and there is continuity, it's pretty awful that he is allowed to suspect her like this and feel no remorse when the truth about her is revealed.

3. Now as I said in the post, this scene is meant to be a buildup to Drake's ice-palace scene. He speaks about wanting a private, country-style wedding in a natural place there, and Kiara's gentle teasing in this scene is supposed to be an indicator of how much he dislikes the usual fanfare. Okay. Fair enough. You're uncomfortable with the fancy decorations and the insane planning, fine.

4. But it's Drake's attitude towards Kiara in this scene that leaves a bad taste in the mouth (unless you were one of those Drake stans that liked to threaten murder on this character ig). The narrative really went out of their way to make him sound uncommonly angry with her, just for asking about his wedding. He angrily hisses at her to keep her voice down the moment she asks about the wedding, and then lashes out the moment she teases him about his love for the MC and his reluctance to be very public about it in that context. Of course, people who either liked Drake or hated Kiara would downplay this scene - either blaming Kiara for not magically knowing his likes or dislikes, or acting like Drake's behaviour in this scene is no big deal.

And his explanation in the ice palace scene really doesn't cut it as a reason for why he should be this pissed off at Kiara's excitement. There is no real bitterness or resentment tied in with the fancy trappings that are mentioned in that specific scene - it's just that he likes simplicity better. If Kiara doesn't know him well enough to understand that - it's because he has never properly talked to her. She made attempts to converse whenever she could. You can claim he never owed her a conversation - but in that case she doesn't owe him a complete understanding of his wants either. He could have just politely answered the question and changed the subject, or quickly took his leave.

He is well-versed enough in court etiquette by this point that he could have managed to sound civil enough. That he could have made a quick, polite exit. But no, he gave her the kind of anger that one reserves for someone who is kicking a puppy or stealing candy from a child, instead. And it was Kiara's grace that allowed her to view that awful behaviour in a more positive light.

It's pretty clear this scene - and to some extent the framing of the next - was made specifically for those Drake stans who were screaming and throwing tantrums about a possible affair. It was to highlight that there was no way Drake could ever return Kiara's feelings - and the only way they could do that was by making sure he treated her as rudely and inhumanely as possible.

I didn't think it could get any worse than this, when I saw this version of the scene...but then I saw Ch 12.

The Talk

If you were to speak just about fandom reactions to this scene...the responses to Kiara chronicling her trauma after Homecoming Ball, were pretty positive. Plenty chose the middle option "You're suffering from the trauma of the event. You need help", and cooed over Drake's touching little monologue about "taking it one day at a time".

I admit at the time I was fooled too. But one thing did niggle at me as I played both this option, and the "understandably cautious" one (I would later understand that the latter was not very good either - it has a thin veneer of "validating" Kiara's feelings, but it still has the MC and Drake expecting her to put their needs before her own safety and sanity).

Drake was reassuring to an extent in both options, sure. But why were his responses so different? Why was his answer to Kiara so closely tied to whatever point the MC was making, rather than independent of it? After all, he was the one who should be able to better relate to Kiara - wouldn't he have thoughts of his own here? If the MC chose that horrible final option, Drake would correct her and comfort Kiara instead, wouldn't he? Wouldn't he???

It was only when I (reluctantly) pressed that third option ("not as driven as I thought you were") that I understood what Drake's role in this scene was.

He wasn't going to be there for Kiara. He wasn't even sympathetic to her! It wasn't even going to be about two traumatized people connecting over their trauma. Drake was a puppet. He was there to parrot whatever garbage came out of the MC's mouth.

Because in the third - and most horrific - option, the MC is allowed to minimize Kiara's trauma, and mock her ambitions in the face of what she has just gone through. Drake is allowed to agree with her ("sometimes ambassadors have to work in dangerous areas"). Kiara is forced by the same narrative to find value in these words.

And all of this, stems from a scenario where Drake and the MC go in suspecting this woman from the jump. Where Maxwell is happy to make jokes about her being a suspect. Where the only two decent people in this group - Liam and Hana - are conveniently written out of the scene, ensuring that these ghouls can act the way they want around Kiara, and get away with it.

Not once is Kiara herself ever allowed to know that the group suspected her by default, nor is she allowed to go through with her intention to leave court. The very roots of this scene are rotten.

Very often, when this scene in particular is addressed, not many people actually address Drake's behaviour here - or in the previous chapter. Stans will vaguely, and conveniently, blame the group as a whole rather than their favourites. Such a tactic allows them to never name the specific people or specific actions, and therefore the main people involved in speaking to Kiara the way they did never have to be held accountable. This is particularly relevant in the case of Drake.

It was Drake's idea to interrogate her. He was the one constantly harping about her "suspicious behaviour". He was the one aware of what happened to her yet chose to think of her as shady. He was the one who should have known better, yet was absolutely game to minimize her trauma or engage in emotional blackmail. And neither he nor the MC came out of this conversation feeling anything resembling remorse. Because, apparently, they never did anything wrong.

They got what they wanted. At best, Drake and the MC manipulated this woman (again) into returning to their court. At worst, they badgered and bullied her into that decision. Either way, she was going to return, and the narrative was going to pretend that the MC and Drake were great people for making it happen.

I have heard some justifications over the years for Drake's behaviour here. One is that he "tends to act like an asshole to everyone". Another is that Kiara is a noble so he was never going to see her in a positive light. Which is hilarious to me, honestly, because in the same book you have Drake reassure Penelope - the woman who had made the MC the target of a reputation-ending scandal - and comfort her when she sees Madeleine. If this was really about the chip on the shoulder he had for nobility, why was he so kind to Penelope? And if Penelope's mental health warranted a change in mindset and behaviour from Drake's end, why was Kiara not worthy of that as well?

The truth is this. Drake was allowed to express his mean streak to a black woman, bully a black woman (the pranks), lash out at a black woman (the conversation at the Lythikos Ball), suspect a black woman, and finally minimize her trauma if the Duchess he had a crush on wanted to. While being overly protective and chivalrous to the white woman who actually did harm her. No matter what way you spin it, that is what Drake's behaviour - especially in TRR3 - is.

The way the team trampled over this "pairing" post that miniscule hint in TRR3 Ch 7, would make a rampaging elephant look like a ballerina in comparison. They wanted to make it clear after the hiatus that Drake x Kiara would never happen, in any eventuality, in any future, in any universe. And no matter how much we pin this on "crazy stans" (who do hold some responsibility for sure, for their own veiled racism), it's a fact that the writing team was comfortable doing this. They had already found other ways to pile disrespect on their sole recurring black female character - what was a little more?

TRH and Beyond: Taking Away What Was Left of Kiara's Remaining Fanbase

Given all the narrative back-and-forth and shadiness, I'd have to say the end Kiara got in TRR3 was comparatively...decent. Not great...not exactly satisfying...decent.

Her fighting off the assassins at the boutique ("not again...not again!!") was the highlight of that scene. In Hana's playthrough, Kiara was her MOH by default, and the lines the MC could give if you chose her in other playthroughs was pretty sweet. At the end of the book, her father would make Kiara his heir, after her older brother Ezekiel abdicated. There were still things I was always going to hate (such as the fact that we could lie about "having Kiara's back" - we absolutely did not) about the aftermath, but all in all as a fan...I could maybe envision a fairly happy ending for her with what we got.

The next series, The Royal Heir, would debut on June 2019, almost a year after TRR3's own debut. This would be the first series that would go completely LI-divergent, spanning four books. It started out as an attempt to envision the future (and pasts) of the main characters, as well as tie loose ends...but descended into an incoherent, retconning mess with each book.

Kiara doesn't feature much in Book 1, but is pretty prominent in certain chapters like Ch 7 (Savannah's bachelorette), Savannah's wedding, and the Apple Ball in the finale. You'll often find a marked difference between the way she is looked at for most of the book, and how the MC speaks to her in TRH1's finale.

Savannah's bachelorette, for instance, features all the ladies of the court in Texas, with new "country" looks and engaging with Texan culture. Here, too, you see a sign of PB leaning into popular perceptions of Kiara rather than remembering their own writing, when we see how Savannah praises the MC by default but has very little to say about her former friend Kiara. Since Savannah's return to court in TRR3, the team seemed to have forgotten that other ladies of the court weren't very nice to her, and Kiara was the only one concerned for her. They have Olivia act sweet and caring towards Savannah in both TRR3 Ch 17 and TRH1 Ch 7, conveniently forgetting the insults she piled upon Drake's sister in the first book. Savannah never has to talk about Kiara's friendship at all, other than a teasing comment hinting at her French lessons. Savannah was never expected to have any gratitude or affection towards Kiara even though she was the only woman who cared about her in court before she left.

An interesting thing to note in the diamond scene of the bachelorette is the way the courtly ladies' previous/current "romances" are framed. Kiara's, in particular, warrants a lot of discussion. Unlike Olivia (who can address her feelings for Liam regardless of playthrough, if asked, and can actually show some level of resentment towards him for not picking her), Kiara's feelings are addressed only if the MC isn't married to Drake. If she is, Kiara mentions a fondness for "rugged, down-to-earth men" (which the MC and Penelope perceive to mean hunky and muscular), and avoids mentioning his name at all.

There are two very interesting things to note about this sequence. One is the pattern of how, and how far, are Olivia and Kiara are allowed to address their feelings for these men. Not only is Olivia allowed to be open about her feelings and her bitterness (despite Liam actually romancing her in TRR3!), the narrative demands our respect for her position and plight. The Liam MC lauds her honesty and her decision to move ahead, unfazed even by her anger for something Liam didn't even owe her. In contrast, in the Drake playthrough, the writing makes sure Kiara never mentions him by name. And not only that, when the MC and Penelope tease her about her romantic preference, she is shown to stammer and seems downright afraid of the MC.

The fact that there is such a gap in how Olivia and Kiara are allowed to act about the men they love, and the fact that this gap was normalized so much in fandom discourse that it didn't even warrant a discussion, tells us plenty about the fandom too. The fandom position has almost always been that Liam owes Olivia love, appreciation, kindness. And that Drake owes Kiara nothing, not even common human decency. Which is why the fandom wants Liam punished for the high crime of not loving Olivia back. Which is why Drake is allowed to treat Kiara like an irritating pest at his best, and like utter garbage at his worst...and almost no one so much as bats an eyelid.

Since most of the story of TRH1 seemed to revolve around the ranch, the ladies of the court made minimal appearances and most of those were in keeping with patterns established in TRR3 (except for maybe Olivia's spy scenes). Some of their parents - too - feature in Royal Council scenes: Godfrey and Landon are part of this council and are seen during the MC's announcement - no one from Kiara's family, besides her brother Ezekiel who is dating Penelope, make any appearances in this book. Towards the end of the book, however, you suddenly find a scene or two where the narrative is suddenly, and inexplicably, syrupy sweet to Kiara:

(Screenshots from the Skylia YouTube Channel. 1-5 are from Ch 18, during the council meeting. 7-10 are also from Ch 18, at the start of the ball. The last two are from the finale as buildup for the pregnancy photoshoot)

There are indications of Kiara's diplomacy and good advice in other parts of the book too (such as her suggestions for dealing with the foreign royals at the baby shower) but never were the praise and compliments as obvious as they were in the last two chapters of TRH1. Kiara was given a quippy dialogue to spout at Godfrey, who would later be revealed as the murderer of Queen Eleanor. All three of the MC's dialogue options in response would praise Kiara by default (a rarity). King Bradshaw would shower her with compliments too about her talent and expertise. And when Kiara approached us with an offer for a pregnancy photoshoot, the MC could cheerfully say "for you, Kiara? Of course!" as if they'd been bffs from the beginning.

There isn't any obvious reason why we saw this sudden change, but I can make an educated guess or two. A pattern that commonly emerges with attempts to address something that would benefit Kiara, is that the writers often only do it when enough people complain; that was how we got the horrible Lythikos sequence. Midway through TRH1, I managed to put up an essay exploring Kiara's treatment (centered around the Lythikos sequence in TRR3 Ch 12) in comparison to Penelope's and Madeleine's. It did not receive an immediate fandom wide response, but several readers did come away from that essay feeling like Kiara really got the short end of the stick, compared to all the other court ladies. I'm not sure whether that essay had a direct impact, but those three scenes PB added to the finale chapters do make me wonder. Was the team trying to prove to the fandom that they did like Kiara and wouldn't personally sabotage her, either for their own enjoyment or to pander to a section of the fandom?

If they did, then that plan didn't last beyond these two chapters.

Another possibility of course was to give Kiara something slightly positive before they did her dirty - again - in TRH2 and 3. Because in those two books, they managed to first make her - along with the rest of the council - party to a vote (that everyone was involved in, including the LIs!) that would later prove detrimental for the country. They would then have her be the only heir involved in the notorious Coventus Nobilis, which ensured that anyone who wanted to hate Kiara could tie her to her vote in favour of Bartie Sr, without ever asking any further questions. This was a far more successful attempt, because most of the fandom already believed the misconceptions of Kiara's characterization to be truth, and these storylines simply added fuel to the fire.

Kiara's biggest supporters tended to be a section of the Liam fandom, as well as wlw stans who tended to like most of the courtly women. Having her vote for Bartie at the end of TRH2, and her explanations in TRH3 about the "MC's ruling style" (which was really canon's way of making sure she did more a silent diss on Liam) was written specifically to place a serious dent among her fans who liked Liam. And sadly, it worked in part. Because even if one considered Kiara's thoughts on "reactive ruling" accurate, it was a fact that the nobility (she included) would have to be blaming Liam for something that the entire Council voted for, and that Liam and his friends fixed on their own.

Making Kiara the lone person to voice this argument, made her a target in this fandom. I mean, people were ready to praise Madeleine and speak of her as loyal (eagerly ignoring that she was actively involved in the child's kidnapping if you didn't coddle her enough), and badmouth Kiara in the same breath, claiming that Kiara wasn't worth forgiving and people should just get over Madeleine's deeds in the past.

This resurgence of hate didn't just erupt out of nowhere. Once they finished spending two chapters on two-second compliments to Kiara, PB reverted in the next two books to some of their usual patterns with her. For instance, remember how I mentioned that PB had an obsession with never letting Kiara and Liam interact? In TRH, they repeated this pattern, but with the Heir. The only scene Kiara has where she can so much as touch the heir is in the last part of TRH3, if you choose for Kiara to read to her. Penelope is regularly allowed to hold her even though she has often placed this child in dangerous situations (on one occasion, Kiara herself had to stop her) - even Madeleine is given an entire babysitting scene to win her favour. But Kiara is the only lady of the court who is made to stay away or care for the child from a distance.

Kiara's family (besides Zeke, and just because he is Penelope's fiance/husband) is subject to disrespect in this book too. Hakim and Joelle were both conspicuously absent from the pregnancy announcement presscon in TRH1 (where Landon, Godfrey and Bartie Sr somehow featured!!), and future books would either retcon the family or force them to do things the other families didn't have to do. In TRH2, the MC takes a tour of the Great Houses with her newborn daughter, and each house is expected to pledge loyalty to her and the crown in different ways. Hakim is written as "bending to his knees" for the child. This is something only Adeleide and Madeleine - whose house, might I remind you, are considered the house of traitors at this point - have to do. Landon and Emmeline are never expected to express their loyalty to this extent.

In TRH3, the narrative callously pushes the Therons under the bus to make the Ebrim family's reluctance to help the MC make sense - the Therons are now "traditionalists" who frown upon scandals and may not allow Zeke to marry Penelope on the account of her past annulled marriage (this makes no sense when you take a closer look at the Therons themselves in TRR3 - they're a far more balanced, far more progressive family than any of the other Great Houses. They even took Zeke's abdication well!). Furthermore, you'll notice that the framing of Penelope's past with Guy is worlds apart from the disdain the narrative shows for the Therons during the flower festival. It is notable that in the latter, the black women are depicted very negatively - Kiara is shown unable to manage her own competition, Joelle is depicted as pompous and incapable of losing gracefully, Drake gets to take sarcastic potshots at Lerato for trying to charm the MC into voting for her and Drake into convincing her to vote. Meanwhile white people like Landon and Marguerite are presented in a just as humourous but less mocking light (eg. Landon moving his table courteously before flipping it in the flashback).

Even into TRF (Ch12), the narrative gives us choices where we can stand up to people criticizing Landon and Emmeline's parenting ("Duke Landon and his wife raised a kind, generous daughter..."). We are allowed to be far less critical of the Ebrims overall, we are allowed to be more charitable even in the dialogue options for suspecting Landon than we are of Kiara (think of how Maxwell can suspect that Kiara was planning to betray us all along). At the end of the Flower Festival, Kiara is made to appear contrite as the MC can choose to either demand she make this right before the latter can forgive her, or indicate that she never will. Ironically, a Penelope who can choose her fancy wedding over the safety of the MC's child never has to face words that harsh.

You will also notice if you look more closely, that the narrative continues to frame events surrounding Penelope and Kiara in opposing ways. Penelope is perpetually viewed as a victim, and Kiara constantly as a suspect.

We are expected to support Penelope, and to mistrust Kiara. And even though Kiara's feelings had long since become a thing of the past, Drake still maintains his animosity towards her and her family. And like everything else, it is so normalized at this point that you barely even notice it anymore.

In TRH2, Drake is allowed to tar all nobles with the same brush because of Godfrey's actions. Though his statement about the nobility ("We can't trust any of them to have Liam's back...not unless it's in their own selfish interests") is about the entire nobility, it is striking that he says this just before they go to Castelserraillan. The Therons are also the only noble family that Drake makes sarcastic comments about (in reference to Liam informing us that their province is a trade hub, Drake quips that "they are going to want to trade babies with us"). These snide comments he rarely makes about other noble families, and serves as a sharp contrast to how he treats the Ebrims (during Penelope's wedding festivities, he is unnaturally invested in Penelope getting a happy ending with Ezekiel). We can't even claim that his behaviour towards Kiara is in line with his disdain for nobles, because Penelope is proof that he is perfectly capable of showing compassion to most of them!

TRH3 ends with Kiara doing an apology tour of sorts - diplomatic missions aimed at improving Cordonia's international relations. TRF finds almost all the ladies of the court - even Olivia - in very minimal roles, as the focus shifts to the Via Imperii. Still, the narrative makes more references to Penelope than to Kiara, to the extent that the epilogue ends on both the MC and Penelope celebrating their pregnancies (Penelope's first and the MC's second) together.

Overall, you will find that the narrative repeated certain patterns with Kiara - the tendency to find her suspicious, purposely limiting scenes with important characters like Liam (TRR) and the heir (TRH) while the white courtiers get almost unlimited access, the discrepancies in expectations for her vs other ladies (eg. Madeleine is hailed for being "good" even though that is solely dependent on how you treat her. Kiara is largely ignored whenever she does help, and attacked when she is written to support the enemy). Drake - even as a former alternative to her, who should have gotten over whatever nonsense beef he'd had with her earlier - is allowed to make snide remarks about her home and family.

It's pretty clear they could do this because they could get away with it... because most of the fandom made it so easy for them to get away with it.

Fandom

When I look back at how the perception of Kiara in the fandom progressed over the years, I find it half-amusing, half-sad how much of it is rooted more in fanlore, and how little in actual fact. And this is something you couldn't just pin on "crazy Drake stans" - they were the biggest promoters of these lies and misconceptions, sure, but normally analytical, commonsense readers often believed that Kiara was fake and a snob and awful to Penelope too.

I get some of it, given the timing of Kiara and Penelope's scene at the beginning of TRR2. It takes place at a low point in the MC's story, a time when she isn't even sure the LIs want to support her. Coupled with that is the lasting image of Penelope hugging you and complaining about Madeleine, making you feel like she's more willing to give you a sliver of solidarity. Coupled with that, is Olivia's newfound popularity in the fandom - once she emerges in Ch 5 of that book, fans believed they found their wildcard who would stand by them in complete solidarity among the ladies of the court (did they ignore Hana's already massive contributions to the investigation? Yes they did. Yes they did). Madeleine herself is shown giving quotable quotes about female solidarity and Tariq's guilt in TRR2 Ch 7, which - coupled with Justin's high praise of her - made people want to find things to like about her too. Penelope's own betrayal was overshadowed by an expectation to support a person with serious mental health struggles.

Kiara's the only one who doesn't get such backstories or explanations. So at least in the heat of the moment, in reading those chapters between weekly gaps, it makes sense that a false impression of her got somewhat solidified.

But when you build your interpretations out of lies and misinterpretations, how does it become so valid that even the writers bend to it and prefer to show that?

Every fandom has its "crazy stans". And this instance wouldn't be the first or last time they are pandered to. But when the same stans get backed up by the "saner", more commonsense members of fandom; when even neutral readers promote versions of a story without actually looking at the scenes in question - that's when a fandom is in danger of turning a "headcanon" into canon.

Kiara being a horrible friend to Penelope wasn't canon. Kiara being a snob was not canon. Kiara being creepy towards Drake wasn't canon either. Especially when you take the fandom response to Olivia's forced kiss on Liam into account.

And that brings me to another point. I had been asked once why I felt the need to compare Kiara to the other ladies in my defenses of her. It's important, when we speak of the kind of hate Kiara received, to understand how a lot of flaws that the entire court has (eg classism) is often pinned onto a lone person, and how several white female characters could get away with worse behaviour while Kiara alone was slammed for harmless interactions.

This is most apparent when you look at how Olivia's violation of Liam's consent is perceived, vs Kiara's harmless flirtation with Drake in TRR2. Which woman had fans foaming at the mouth and wanting to kill her? Which woman was given dozens and dozens of fanfic and content that depicted her as creepy, desperate, downright obsessed with their man? Which woman got the "oh well, he doesn't owe her anything 🤷🏽‍♀️" vs a "he doesn't love her back?? WHAT AN INSENSITIVE ASSHOLE!!1111"?

Perhaps this Olivia/Kiara comparison is where the fandom's tendency to cast Kiara into the Jezebel stereotype is the most visible. Kiara's very act of talking to Drake sometimes is registered as a threat to those stans, and it reflects in the way they speak of her, the way they speak of their MC's own relationship with Drake in association with her (eg. the number of posts rejoicing at the thought of showing off their "engaged to Drake" status at Kiara's estate), the way they're allowed to dehumanize her and villify her (eg. The edit I mentioned at the beginning). This is often encouraged by their friends who are fans of other characters, and you can see that in sharp contrast, Olivia - despite her actions in Book 1 and her resentment of Liam for not loving her back in other books - is still often viewed with sympathy and respect. Her feelings - still viewed as genuine, even pure. To the point where PB eventually allows Olivia to constantly address her feelings about the MC's and Liam's relationship, while forcing Kiara to not even utter Drake's name in his playthrough.

But you see this with other characters, and in other contexts too. Particularly how Madeleine can be duplicitous, hypocritical, and power-hungry, and it's Kiara who is called these things despite her actual honesty in canon. Madeleine can get away with actually helping Bartie Sr kidnap the MC's daughter in TRH3 without a murmur, in the same fandom where people can curse Kiara for voting for Bartie Sr "to take the child away" (despite her telling the MC and spouse that she was promised they would have custody of the child, therefore the claim that she "voted to take the child away from their parent" is inaccurate).

You saw some of these discrepancies in how Penelope and Kiara were spoken about too - Penelope's crime in TRR2 was considered easily forgiveable, while Kiara's innocence is constantly called into question. Kiara was often viewed negatively for what the fandom perceived as "meanness" to Penelope (when it was in fact Kiara worrying about how Penelope would fare when she wasn't around) while Penelope herself was never expected to be a good friend to Kiara. An interesting thing to note about the fandom response to Penelope and Kiara showed that often when posters wanted to hate on Penelope, she and Kiara would be clubbed together, almost as a unit. This was especially prevalent in TRH3. It was easy to express hatred for Kiara independently, but most posts that showed a dislike for Penelope (besides from specific Kiara stans) would often tie her with Kiara, as if there wasn't much to hate about her otherwise.

It is important to line up whatever hate Kiara gets with the responses to the other women - especially in the face of what the latter are allowed to get away with. In doing so, you get a better sense of what is allowed for a certain subset of women, and what isn't allowed or permitted for black women specifically.

Often, the fans who would not hesitate to call her alone fake, opportunistic and creepy were WOC, and there have been cases where some would use their identity as WOC to shield themselves from the criticism concerning their vitriol. It would often descend into "I don't hate her because she is black, I hate her because {insert inaccurate/false/convoluted justification here}". It didn't matter that much of this information wasn't based in fact, or had a heavy bias that they never applied to anyone else. It only mattered that because they were WOC, somehow that meant that they couldn't possibly be racist. That their unfounded hatred for Kiara had to be legitimate. As if there was no chance that someone who was WOC couldn't be antiblack too. I mean, the ultimate proof of this could be found in TRR itself - the two head writers of the TRR/H/F series' are Asian women - who have a pattern of liking mean (white) women, and who didn't mind throwing the black woman and her black family in their story repeatedly under the bus, who didn't mind minimizing and retconning the abuse and childhood trauma that the darker-skinned Asian woman in their story went through.

Overall, it is possible that the fandom did take some of their cues (for their impression of Kiara) from the inherent disdain found in canon itself. But many of them also misinterpreted several things about Kiara, then didn't bother to revisit those biases with a critical eye, or even try to see if they were wrong. And that baseless hatred fed the already-existing disdain that Kiara's own writers had towards her. Resulting in the kind of horrific, racist garbage that we got to see in TRR3, and the constant attempts in canon to pull her down in TRH.

Did Drake and Kiara Ever Have A Chance?

There have been various opinions - from both Kiara fans and haters - for why a Driara ship would never work. He hates nobles, she won't like his disdain for art and culture, he likes the simpler life, she's a snob...so on and so forth. Many people will agree it's not a great ship, but of course with differing opinions on why.

I, however, often wondered at possible scenarios where such a pairing could work. The magic of shipping is often that you can play around with personalities and pair almost anyone, and find enough reasons to explain why they would tick. And in Drake and Kiara's case, personally, I do feel like it's a complicated question to answer - primarily because I feel like the authorial intent at the beginning may have been very, very different to what finally happened in Drake's story.

A lot of Drake's early writing focused on the reasons behind his mistrust of the court and his tendency to view the people he loves who are part of it (eg. Liam and later the group) as anomalies. There are two ways you could take such a story in TRR2 - you could either get him to admit to the flaws in his own thinking (thereby providing a more nuanced insight) and allow him to grow from there, or you could just have him double down on his biases and never change beyond the superficial. The team of TRR - esp the head writers, Kara and Jen who were both v fond of him - definitely seemed to go in the latter direction.

Drake's prediction in Coney Island does indicate that he should let go of the past, and I honestly feel like the sequences where he learned about Maxwell straining House Beaumont's finances to help her, and Kiara and Savannah's friendship, could have been turning points for him if the writers weren't so obsessed with proving him right all the time - even when he was supposed to be wrong. Maxwell and Kiara, in their own ways, were proof that not every noble was the same, nor would every noble treat the commoners around them all the same way. However, the narrative trampled all over this possibility in TRR2 Ch 9, where Drake could optionally claim that the Beaumont brothers (among others) were "just looking out for themselves, no matter the consequences", or later when the narrative had Savannah be grateful to him for breaking her confidence to Bertrand, and have Maxwell try to earn his forgiveness in Ch 12 rather than the other way around. It allowed Drake to be selective about the nobles he admired or defended, while still free to treat certain others like garbage.

I could easily envision a Driara pairing for most of TRR2. I could even see it as potentially salvageable in certain parts of TRR3. But the moment they had Drake readily suspect her, the moment the team thought it would be okay for Drake to even suggest minimizing her trauma...that option was no longer worth seeing. Not for Drake, but for Kiara. Drake would have to be the worst possible guy I could find for her, in such a scenario.

But I could see potential in a storyline that had Drake understand that some of these people weren't the monsters he so desperately wanted them to be. In one where he could hear about Kiara's friendship with his sister, and learn about a whole new side of her. One where he maybe felt insecure ("I'm not her type") and could be reassured by a woman who had likely held a torch for him since they were teens/young adults. One where they could reach out to each other in their pain and trauma, and find solace. One where Drake knew that the family he may be marrying into would respect him, and his father too. There were possibilities there.

It would still take more work - his mean streak for one would need to be reduced by more than a half. A lot of it, of course, was kept for the Drake stans, but it really doesn't add much to Drake's character besides making him a mean-spirited, hypocritical bitch who only targets the lone black woman this way (and Olivia occasionally, if she goads him). If the narrative did want to keep a characterization where Drake acts weird around the girl he likes, they could - but that story would need a lot more work to be palatable.

All of this is to say that regardless of personal bias, there were possibilities there. There was a sliver of potential. And if they wanted to let go of that potential midway, they didn't have to go about that the way they finally did. They could have just worked on creating another love interest for her. They managed to create a brother for her overnight just so Penelope could have a boyfriend; they could have easily done the same for Kiara.

Multiple factors went down that explain why the Driara ship didn't take off. But many of them boil down to one specific root cause - the white women (whether they caused actual harm or not) needed to be protected, needed to be cherished. The black woman who dared to ask for the same things from their pet LI, would be viewed as a threat, a villain, a creep...just for breathing in his direction.

And her writers cared so little, that they took the fanon perception for her and stamped it onto their canon, like it was the truth.

They didn't do any of this for the woman who forced a kiss on a prominent LI. They didn't do this on the woman who betrayed the MC and set her up for assault. They didn't do this to the woman who bullied the lone female LI, and swore to continue doing so till she broke.

They did this for the one woman who was fairly innocent of most of these crimes, actually respected the LI and treated him well.

They did this because they could get away with it. Because they were confident that the fandom they wrote the story for, would let them get away with it. And tragically...they were right.

--

Resources I used to learn about the Jezebel stereotype:

The "Offending" Breast of Janet Jackson: Public Discourse Surrounding the Jackson/Timberlake Performance at Super Bowl XXXVIII by Dr Shannon Holland

Janet Jackson, Justin Timberlake, the Jezebel and white masculinity by Khadija Mbowe (I actually got the recommendation for the first paper from this video essay).

From Mammy to Jezebel: The Portrayal of Black Women in American Cinema from the BlackThen website

[thechillsquid]

Blind Eyes Au- Demon Stuff

Okay, so like, I am hyped cause folk wanna hear more of this shit so here we go!

So in a sense the summer precedes in an adjacent manner to canon, but ya know, Fidds and Bill hang out around the shack most the time as well otherwise they’re at the bunker which Fidds has been using as a sorta base of operations so him and Stan don’t gotta drag some shit in and outta the shack that would possibly attract unwanted attention

Fidds adjusts easily to the kids being around and certainly knows how to handle them better than Stan does, and the kids like him well enough cause he’s kinda a lunatic but less in a blunt criminal manner (I mean sure the kids come around to Stan and become mini criminals by the end of the summer, but they did discuss whether or not to dip out the window and report Stan to the FBI when they first got there soooo)

And admittedly, while Fidds has a much closer relationship to Tate in this au, just cause he’s got his head on right and kinda realizes yeeeesssh I did kinda sorta make a robot to go on a rampage after the divorce and that’s probably not healthy at all—

Certainly Fidds and his ex-wife did some talking behind the scenes, and while it’s unlikely he’d gain custody officially, cause you know, giant death robots, Tate probably started visiting in his later teen years and eventually settled down in Gravity Falls later on after moving about for a bit

Which speaking of Tate, techncially speaking Bill is his kinda sorta step-father? They don’t talk like at all but they got a mutual respect thing going on and probably just like sit and fish sometimes, which leads to Bill rambling about random bullshit while Tates just nodding along, and that’s kinda that

So you know what, yeah if Bill’s not around the shack, not with Fidds or Stan, he’s probably at the lake just hanging out with his ‘stepson’ which is oddly kinda weirdly wholesome now that I think about it?

Like Bill really changes in the 30 year timespan working on the portal and I’m not sure whether or not to just jump about that timeline to showcase how exactly that builds or whether to make Blind Eyes a multi-chapter, multi-work based thing

Meh, either way Bill certainly has chilled out in the sense of malicious chaos, though the guys still a complete and utter freak; dude really got treated like just another person and it made him realize how much he actually kinda liked that rather than straight up worship/fear and he kinda actually started hanging out with his henchmanics when not on earth (aka when things get a bit much and he’s gotta unwind or when he gets really fucking bored) and actually becomes friends with the group

Its kinda weird the snowball effect of that, like all these weirdos in the nightmare realm are used to instability and running amok and then their boss comes back and instead of the usual unhinged rants and low key threats of killing any of them if they step out of line, he very slowly but surely just starts… actually hanging out and talking with them? And its kinda weird? But they’ve all just been burning themselves out and it’s like, huh, this isn’t… that bad? Like yes, they’re still a bunch of intergalatical criminals but how long can you stand always having to go go go?

Like just that sounds tiring, and well, Bill was the first one to realize how fucking tired he was of it, like it takes a couple fucking decades for him to even say nice things to Stan or Fidds openly, but he gets there and it’s weird but it’s not too shabby

So like when the kids show up for that summer? Bill has no clue what to do with them, he’s glad they’re aren’t like babies and can actually move around and think, but he also doesn’t know how to act around them

He’s gotten used to the shack and the shack has used to him and now when he walks in there’s two tiny Pines there and the one kid reminds him of Ford and sure he’s figured awhile back that he really hurt that guy but it’s not like he can find the guy cause he’s been just running about the multiverse and—

Then he just has to walk away and take a breather. He hates emotions, has gotten used to expressing them, but now the kids remind him how much is actually at stake now. Goes became somewhat of a background thought and Bill realizes fiercely that he’s done what he always does when things go wrong, pushes it to the back of his mind and try to forget

This playing house with Fidds and Stan has been occupying his thoughts and keeping his mind away from Ford and all That. So yeah, he avoids the kids for a bit when they first arrive until Stan corners the weirdo and tell him to fucking buck up or stay in the bunker cause so help him he wants these kids to feel welcome and Bill slinking around like a nervous Hide-Behind isn’t helping

As time goes on he starts helping the kids out with their mysteries (aka I’m something with bigger teeth than the fuckers out here and if something tries anything it’ll be the last thing they do) and eventually he gets comfortable hanging around the shack

Progress keeps on with the portal and sure he suspects the kids might know he’s not exactly human but that’s fine because for now they seem to trust that he won’t hurt anyone (that he cares about at least; Gideon finds himself getting chased by a terrifyingly large wolf with glowing yellow eyes when starts trying to flirt with Mabel until Stan gets onto Bill about taking away his fun. If anyone’s going to torment the little weirdo it’ll be Stan)

And then Gideon summons Bill, the kids start having suspicions, and the triangle fuck avoids them again for the next few weeks until the kids track him down and demand answers

He gives the most watered down, vague answers, but for once it’s not all lies so that’s got to count for something

The portal opening throws a whole new shift to things and that in itself forces the bastard to think and think hard about what he really wants now after the one goal he’s been working towards for so long has been completed

He probably tries to drink his problems away and ends up crawling through one of the shack windows to raid the kitchen, him and Ford probably end up staring at each other and Bill almost gets shot trying to drunk ramble apologies

Its a total trainwreck

[babygrave]

Not to be part of too much discourse, but given the recent state of Ethel Cain’s fan base, I wanted to give my experience as a pretty early fan of hers.

I found Hayden’s music when she opened for Nicole Dollanganger in Chicago on the heart shaped bed tour. I believe Nicole or someone in her circle retweeted a video of Hayden performing that night and I really loved her voice. This was just a few months before golden age came out.

In 2020 she started doing a lot of instagram lives. Being this was pre inbred and crush, there was usually just a small group of people asking her questions and just chatting. These lives were really chill and people were usually really respectful and nice. She was always really sweet to everyone and it was a nice environment. Sometimes she would do little performances on there as well.

A lot has obviously changed since then, but I really hate that Hayden can’t have that relationship with her fans anymore because people have started severely disrespecting her boundaries. Reading her recent interview where she talks about people trying to get close to her friends and family just to get a shot at being her bestie or whatever is so gross.

(Plus I’m pretty sure her friend Salem tweeted about something like this a few years ago so it isn’t even new behavior)

Over the years, I’ve had to watch someone who had such a close relationship with her fan base recede from interacting with them because people decided their weird parasocial relationship with her warranted behavior ranging from unhinged to creepy.

I feel really lucky that I got the chance to speak with her quite a few times over the years, and she’s never been anything but incredibly kind to me, but here’s the thing: we aren’t friends. If I ran into her on the street, she’d have no idea who I am. We as fans have a very one sided relationship with her. Love her for her art and personality, but realize you don’t know her and she doesn’t know you. If the things you’re sending her would be weird to send to a complete stranger, refrain from saying it.

[bunnakit]

can i have your top 5 feral boys AND old mans you meet this year?

lkjlakjglk YOU KNOW ME SO WELL - so i just started watching BL in june??? so pretty much everything is new to me, sorry if some of these are old news to ya'll. idk if you meant for me to pick 5 of each but that's absolutely what i'm gonna do.

"OLD MEN" BRACKET 🌸 (most are my age or younger)

hoooooly shit papang in general. houghghhh i want to lick the blood off his teeth. i want to raise anarchist young adults together. i want to-- well. let's not bring beam into this, maybe. regardless, old man of all time.

what right does this old man have??? hello??? you just go around LOOKING LIKE THAT? all the time? i want to run a humble restaurant together. i'd be his ride or die.

i had to go make a gif special for him bc no one loves akk the way i do apparently. i wanna fuck that old man - and yeah, you can add that one to the counter. obsessed with him, i wanna see him get a romance of his own, i want to know everything about him. (and this is saying something bc i hate cops, but The Sign boys get a pass - for now.)

i know chan has pretty privilege ok? i KNOW. i do not care. i love him, i want to know everything about him, i've started several fics about him, he was my first absolute brainrot in BL.

i understand what chen yi was about and once again i am asking sooo so nicely for a prequel about his and ming lei's past and relationship. i would love if it was a parallel to chen yi and ai di.

FERAL BOYS BRACKET 🌸

this comes as a shock to absolutely no one. ai di is my specialist boy. i adore him so much, i want to hang out with him so bad. i wanna be best friends. i can't wait for my rainbow sweater to get here.

jack and his boobs are everything. he really stole the show for me (as all side romances tend to.) this is another show i could use a spin off or sequel of just them, give me everything, i love them - jack especially. give me jack's whole past, his pov up to meeting chao lian.

pisaeng counts, don't @ me. he was so feral in his own way for kali. absolutely unhinged behavior. wingmanning your own crush? winking and finger gunning at him on day one? PINING FOR HIM FOR YEARS? pisaeng something is deeply wrong with you and i love you for it.

tan is the epitome of "you're delicious as a concept, but as a real person i worry for you" - ESPECIALLY after reading the novel. i'm still laughing that according to personalities database we are the same personality. his flavor of feral is just soooo so sexy.

babygirl there is something so very wrong with you. this bad boy can fit so much repressed trauma in it. i think he should be allowed to bite people for fun. every fanfic i read exploring black's mental state makes me love him more and more. (also he's so difficult to write, i respect fanfic authors that explore black's pov so much)

ask me my top 5 anything BL!

[onegianthotmess]

I’m imagining Leona meeting Morel’s mother after they become a couple-

Imagine them getting ready. Morel is freaking out because she doesn’t have enough mental strength to actually fight with her mother, so she’s trying to make sure everything is perfect and Leona is trying to calm her down at lease a little bit while also being clueless about what to do. She’s the one getting him in a decent enough suit and is doing his hair for him, simply pulling it back into a simple yet presentable ponytail because she had not the time or energy to do anything else with it-

Morel is prepping him like no fucking tomorrow, too.

And it goes like this:

Morel: *angrily adjusting Leona’s tie* I don’t wanna fucking do this, but if we’re gonna do it, it is going to be done right!

Leona: I thought you said nothing is good enough for your mother?

Morel: It is, but I’d rather be presentable since dinner is going to be in public at a nice restaurant. And if we show up dressed up, she won’t complain or remark about you as much.

Leona: I think I can handle that.

Morel: Well, you’re gonna need to follow some rules so that bitch of a whore hag won’t start screaming like a goddamn banshee in the middle of a restaurant, okay?

Leona: Okay, hit me.

Morel: One, no slouching, posture and poise have to be maintained at all times, especially when you first meet her otherwise it’s snide remarks all night. Two, proper etiquette and language must be used, think of how you’d speak in front of a judge or something. Three, always cut your food into as evenly sized pieces as you can, or you’ll be accused of stuffing your face. Four, your appetizer MUST be a salad or she’ll start ranting and raving and get us kicked out right on the spot because anything other than a small salad for an appetizer is like eating cardboard to her. And, most importantly, five, never, I mean NEVER EVER, disagree with her or you’ll still hear her arguing with you in your grave until you agree to her point of view.

Leona: …Is she really that bad?

Morel: She smashed a vase over Rayne’s face when she was seven just because she didn’t follow a tiny, minuscule rule, Leona.

Leona: Fuck, and I thought my mother was unhinged when she was mad…

Morel: Yeah, well, my mother is a fucking PSYCHO! And that’s on a day to day basis!

Leona: Would it calm you down if I did your hair for you?

Morel: *cute pout* Yes, please…

So, after they’re done getting ready, Morel and Leona make their way to the restaurant Morel’s mother wanted them to meet at. They get there a little early just as Mrs. Rosehearts gets there, much to Morel’s distain because now she has no more time to mentally prepare. Morel introduced Leona, pleasantries are exchanged, and they all enter and sit down at their reserved table.

Dinner goes off without any incident. Leona does as Morel told him, his posture and poise were perfectly straight, his language was formal, he begrudgingly ordered a small salad for his appetizer, he made sure to cut his food into evenly sized pieces as best he could, and he agreed with Mrs. Rosehearts anytime she stated her opinion. It was during this dinner that Leona was even more grateful for his kingdom’s teachings on respecting women and always being on the best behavior in front of them.

And, as food is cleared away and idle chitchat ensues, the question Morel had been waiting for left her mother’s mouth.

Mrs. Rosehearts: So, Leona, what do you do for work? I’m guessing it’s at least a small step above my daughter’s poor career choice.

Leona: I’m the second prince of Sunset Savana. I’ll likely become a high ranking member of the court when I finish my schooling at Night Raven College.

Mrs. Rosehearts: Oh, you’re still in school?

Leona: Yes, I got held back a year due to a lack of attending classes.

Mrs. Rosehearts: Not attending classes? That’s absurd!

Morel: Mother, just because Leona didn’t attend classes doesn’t mean he’s not intelligent.

Mrs. Rosehearts: Well, now I see what’s going on! You’ve been influenced by a slacker!

Morel: Mother, we’re in public. It would be better if you didn’t insult my significant other so loudly.

Mrs. Rosehearts: Well, excuse me for being concerned about who you’re trying to romance! You’ve already chosen a dreadful career that is sure to do you no good, so how did you think I’d react to you being influenced by a slacker?!

Leona: Mrs. Rosehearts, if I may, it was actually the other way around. Your daughter was the one who influenced me to do better.

Mrs. Rosehearts: I’m not going to buy such a poor excuse from a man who couldn’t even show up to classes at school.

Morel: Mother. Please.

Mrs. Rosehearts: Oh, cease your whining, Morel! You know just as well as I do that this so-called “relationship” you have is a waste of time if you’re going to be with a slacker!

Morel: Actually, you might be right about something being a waste of time.

Mrs. Rosehearts: See? You really should end this pitiful little relationship before-

Morel: No, it’s not my relationship that’s a waste of time—it’s this dinner that is a waste of time.

Leona: Morel, you don’t have to-

Mrs. Rosehearts: Excuse me?

Morel: Answering your message requesting you meet my boyfriend was a waste of time, getting ready for this dinner was a waste of time, coming to the restaurant and eating with you was a waste of time and money, and this conversation is a waste of my time as well.

Morel: So, while you sit here alone and contemplate why you’ll never meet your future grandchildren, I’m going to leave our half of the bill on this table, walk out of here with Leona, go home, and have sex for the second time today. Good evening to you, Mother.

And then Morel stood up, slapped half of the bill’s cost down on the table, and dragged Leona out of the restaurant, ignoring her mother’s many questions. Leona drove because Morel probably would’ve totaled the car if she drove with how angry she was, but the car ride was mostly silent aside from the noise outside of the vehicle.

When they got home (Morel’s small house), obviously Leona talked to Morel and made sure she was alright after the disastrous ending to the night. And once all was well and good, Morel made good on her words as she told her mother what she was going to do and she and Leona did the naked sideways tango under the sheets because Morel does not tell lies.

I’m just imagining that scenario in my head and it’s hilarious-