#we all come from different places but if there's one thing we have in common

[parkerloves]

PERFECT PLAN || JMM21 x Fem!READER

paring: pepe martí x gaby's bff!reader

request?: nope!

trope: strangers to lovers, blind date

summary: you're gaby's bestfriend and he is Christian, so of course they only rasonable thing to do was to set you two up together... as a surprise

word count: 1,8 k

fc; n/a

warnings: pepe is a confused puppy half of the time, use of y/n, some threats as much and akward moments also english is not my first language so probably misspelling

[masterlist]

There wasn't a day that went by that Gaby didn't talk to you about her boyfriend, and obviously you didn't mind, Christian was a very nice guy and you had already met him several times when the three of you went out to make any random plan and Gaby didn't want to miss the opportunity to also spend time with you knowing that the two of you got along well.

It was just the same for Pepe, who over the last few months had been practically adopted by the couple, after all Gaby had always made him feel welcome and he loved spending time with one of his best friends.

It was in the middle of a conversation between Gaby and Christian when the names of your best friends came up, and just remembering plans they had made with the two of you separately, they came to the conclusion that you two had a lot in common, and in your best friend's mind that could only have one solution

“Do you think Pepe would want a girlfriend?” Were the words that came out of Gaby's mouth after a few seconds of silence.

“I mean I guess s-” Christian cut himself off when he understood what his girlfriend meant at that moment ”You want to pair them up?”

“Think about it” She said as she sat up on the couch leaning on her boyfriend ''We could have so many cute double days plus they wouldn't feel like they're third wheeling all day” She explained him trying to convince him, since he didn't seem very much in favor

Christian grimaced a little, but it was impossible for him to say no to his girlfriend, especially not when she was making that pout that they both claimed not to take seriously but no doubt the effect was there

“And how do you plan to do all that?” He gave up throwing his head back with his eyes on Gaby, waiting to hear her little plan.

━━━━━

That same afternoon you received a message, which as usual proposed you to go out to dinner together, which you and gaby always used as an excuse to dress up more than usual, and this time you decided to wear that red dress that your best friend had just given you for your birthday a couple of months ago.

The name of the restaurant you were going to didn’t ring a bell to you, it wasn't one of the typical places you three used to go to, but you had had time to look up the menu and you weren't going to complain about what they had.

You were surprised not to see your friends already at the entrance of the restaurant, not because you had arrived late, but because they both insisted on arriving early every single time, but just at that moment a message came to you

from: gabss<3

we're almost there, sit yourself, it's under your name i think

The truth was that the two of them were already seated, just at a different table than the one you would end up sitting at, willing (or rather Gaby) to admire the result of their “amazing” plan, although you were just confused by your friend's weird message, but you decided not to give it much importance.

“Hello, good night” You greeted the hostess once you finally entered the restaurant “I believe there is a reservation for y/l/n?” You added, still not completely sure of what you were saying yourself.

You observed the hostess looking at the list of reservations, and you noticed a small laugh coming from her lips before giving you her attention once again, standing up indicating for you to follow her. 

“I must say, that your friends hope that you like their little surprise” you wrinkle your nose a little at the lady's words but everything made sense when you arrived at a table where not only were your friends not there but a boy was seated at the table. 

“Imma kill them” You mumbled to yourself, missing the opportunity to hear that the guy didn't know anything about what was going on either. 

“Look” You thought that boy was going to ask you for a chance and for some reason you stayed to listen to what he had to say, but the hostess's intervention cut him off.

“If it helps… the bill will be covered by those friends” The woman tried to help a little in that situation, and you noticed the look of the unknown guy on you, who was waiting for your opinion of this situation before saying anything.

A free dinner was still a free dinner, so after thinking about it for a few seconds, you sat down in front of the boy.

“I'm y/n” You offered him your hand with a smile on your lips, making him shake you hand almost immediately.

“Pepe, pleasure to meet you”

“I guess you can tell the waiter to come around here whenever they want…?” You said with your eyes on pepe, looking back at the hostess when he nodded “I assume you are a friend of Christian?”

“Yeah, and you're gaby's friend?” it was his turn to ask, to which you nodded with a small smile.

It was at that moment when you heard behind Pepe a little laugh that you knew perfectly, and when you looked a little over his shoulder you found a few tables away the two people to blame for that situation.

“Don’t be too obvious, but I bet you will never guess who is sitting almost behind you” You whispered to the catalan, leaning gently in his direction, causing him to laugh softly.

“No shit, really?” He said with the intention of turning around to look, but with a little swipe of your napkin you stopped him in time.

“Do you not know what don't be too obvious mean?” Pepe in response simply raised both arms in surrender, looking back at you

“Alright alright sorry” He himself cut off his own words with his laughter, which could be kind of cute “Why do you think they are here?”

“Gaby definitely just loves the gossip, the drama”

“And she dragged Chris here”

“Yeah basically” You said denying with a small laugh leaning back in your chair once again ”We could mess up with them.”

Your words didn't take long to catch the attention of your "date", who raised both eyebrows. 

“In a good or a mean way?” asked Pepe tilting his head to the side, trying to guess what was going through your head.

“In the only way they would leave” Let's say that your answer was not very clear to the driver, who tilted his head a little more even without understanding what you were referring to.

A small chuckle came out of your mouth and you simply leaned in to leave a kiss on his cheek, not only catching him by surprise but your friends as well.

“If they think this is going well, i'm pretty sure they'll leave” You mumbled against his skin before returning to your original position.

What started as a little performance for Christian and Gaby, ended up being a great night for the two of you, it turns out that Pepe was not only cute, but also very funny and charismatic, so you were about to miss the fact that your personal spies were leaving while you were listening to another of the stories the boy was telling you.

He obviously didn't complain at your words, and quickly shook his head, causing you to laugh a little before continuing with the dinner, letting the topics of conversation continue to come up almost randomly, which made it all the more interesting.

After dessert he offered to drive you to your car, and when you told him you had come by uber he offered to pay for your ride back.

“Or I could also take you...?” He added not too sure if he was going too far.

“As long as you don't kidnap me, sure” You joked as you stood up, looking at the guy as you put on your jacket. 

“Bummer” He grumbled making you roll your eyes with a smile, walking out of the restaurant beside him, it being your turn to talk as he listened delightedly.

The ride in the car was peaceful, listening to random songs as Pepe followed your every indication to get to your house.

“Thank you for the ride” You said as you arrived, waiting for some kind of action from the guy, but seeing no movement you decided to jump in “What about i give you my number for a second date? A normal one this time”

The catalan's mouth went dry at your words, nodding almost instantly as he pulled out his phone so you could type your number in.

“Maybe i won't kill Gaby, you're cute” You said before giving him another kiss on the cheek and handing him back his phone, getting out of the car to get into your house.

Pepe stayed until you entered your house, wanting to be sure that you arrived safely even if his car was only a few meters from your door, and maybe he was also doing it to process a bit what had happened that night, because if it wasn't weird enough as it had started, the end wasn't far behind either.

It wasn't that he hadn't had a good time with you, quite the opposite, you two had clicked very quickly, but he hadn't expected it to be reciprocated... after all you had agreed to stay for a free dinner, or so it seemed.

But now he had your number, which he had added to his contacts the moment you gave him back his phone, playing a little with his keyboard thinking about what he could send you as a first message, although he could better think that from his house and not from the door of yours like a stalker.

What he did know was that he now had the group he had with Christian and Gaby full of messages asking how the date had gone.

tag list!

@iheartmonaco

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[anonymousewrites]

Lavender for Royalty; Sage for Wisdom Christmas Special

Kyoya Ootori x Reader

Christmas Special

            “Is this place really so new to Tamaki? Don’t rich people have Christmas events?” said Haruhi.

            Tamaki had insisted on bringing the Host Club to a commoner’s Christmas Market, so there they were. The lights were dazzling, sweet scents wafted from every corner, and couples and families were walking around together as far as the eye could see. Stalls were set up for every type of gift and cultural holiday food imaginable, and Tamaki was intent on experiencing every single aspect of the market.

            “Christmas events are times for networking,” said (Y/N). “Businesses getting togehtr for goodwill. Gifts show off their wealth and are all tailor-made for each person. They’re not bought where there’s stuff for random people like a place like this.”

            “That’s…impersonal,” said Haruhi.

            “It’s not necessarily impersonal,” said (Y/N). “People can get individualized gifts that their loved ones appreciate. However, Tamakis family…falls on the impersonal.” They smiled. “That’s why he wants to do this with all of us.”

            “Oh,” said Haruhi, looking at Tamaki as he showed off two hats to the twins and shoved them on their heads to “tell the difference.”

            “Takashi, help me reach the tree,” said Honey.

            Mori lifted him up so he could put the star on a small tree.

            “Haruhi, come and look at the gingerbread houses! Teach me how to make one!” said Tamaki.

            “We’re going to make a castle,” said Hikaru and Kaoru.

            Tamaki suddenly looked alarmed. “We have to beat them, Haruhi!” He grabbed her arm. “Come on, come on!” He dragged her over towards the stalls while Haruhi flailed and reached towards (Y/N) for help.

            (Y/N) just chuckled and waved. “Bye, Haruhi.”

            “Wait, no, senpai, help!”

            “Merry Christmas,” sang (Y/N) playfully.

            “Leaving her to fend for herself against Tamaki, how cruel,” said Kyoya.

            “Says our resident Scrooge,” said (Y/N). “At least I went along with Tamaki’s Santa-hat theme.” They smiled. “If you don’t go along with him this year, he’ll put you in a Grinch costume.”

            Kyoya smiled coldly. “He wouldn’t dare.”

            Okay, maybe not, thought (Y/N), a shiver going down their spine. “Well, I plan to enjoy myself. My aunt and uncle love these things. We have a ton of ornaments from people we know because of these stalls, and it means our tree is filled with memories. I want to find another one to remember today with the Host Club.”

            “I’ll accompany you,” said Kyoya. He had no reason to follow Tamaki—he had enough people for his hijinks—so he would go with (Y/N) into the market.

            The pair walked in together, and (Y/N) led the way to the craft stalls filled with ornaments.

            “What would fit us all? A giant heart for flirting with girls?” joked (Y/N).

            “What about money if you’re going in that direction?” said Kyoya.

            “Okay, maybe not,” said (Y/N), chuckling.

            “What if you got an ornament for each host?” said Kyoya.

            “I don’t have the money for that,” said (Y/N) casually. “That’s for gifts.”

            “I’ll pay for them,” said Kyoya.

            “And I pay you back with interest?” said (Y/N).

            Kyoya smiled “innocently.” “That would hardly be in the Christmas spirit.”

            “And you’re embracing it now?” said (Y/N), amused.

            “Why not?” said Kyoya. His smile turned slightly more genuine. “It’s not my tree they’re going on.”

            “Okay, then.” (Y/N) smiled. “If you’re going to help pay, then you have to help pick. That’s the rule.”

            “Very well,” said Kyoya, oddly endeared.

            “Now, Tamaki first,” said (Y/N).

            “Obviously the crown,” said Kyoya. “He insists on calling himself the ‘King.’ ”

            “He does,” chuckled (Y/N), picking up the ornament. “Oh, here’s a piece of cake.”

            “Honey, undoubtedly,” said Kyoya.

            “His is the most obvious,” said (Y/N). “And a katana for Mori. I’ll hang them together.”

            “How about the comedy and tragedy masks for the twins?” said Kyoya.

            “I like it,” said (Y/N), adding to the small pile. “I think the vase for Haruhi.”

            Kyoya smirked. “Very appropriate.”

            (Y/N) chuckled. “Now it’s you…Hm…Glasses or journal. Both are just so you. Or how about a snake? You are the Shadow King, and everyone knows you plant all of the ideas for Tamaki.”

            “Amusing. Should you be the seventies disco ball based on your style, then?” said Kyoya with the same smile of innocence.

            “You joke, but I like it,” said (Y/N). “And I’m choosing the snake for you.”

            “I certainly can’t stop you,” said Kyoya. Except he could. He was paying, after all. But he wouldn’t.

            “You can’t because it’s Christmas,” said (Y/N), smiling.

            “I guess I did get into the spirit somewhat,” said Kyoya, handing them the disco ball ornament. His hand brushed theirs. “Merry Christmas, (Y/N).”

            “Merry Christmas, Kyoya. Thanks for going around with me,” said (Y/N).

            “Of course. Anytime.” Strangely enough, Kyoya meant it.

Taglist:

@roo024

@jmclouds

@yappydoo

@ramblingsoftheill

@girgal73

@rockerica

@nosoyyo1213

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@chaseyui

[thedemisapphic]

Sorry it took so long to come and explain my thoughts. I’ve been making shaker cookies and yesterday I ended up baking for 10 hours. I am not joking. I was so stressed because I only planned to be baking for 3 hours TOPS. I was going through it.

Anyway. So, as we all know, after Stolas lost his powers, he’s just ALWAYS had his pupils. There hasn’t been one moment where he doesn’t have them. At first, a lot of people thought it was because he lost his powers, and this was just a side effect of being stripped of everything. Some people theorized that it’s because he had so many emotions at the time and that’s what triggered it. And honestly, my theory, though a little different, deviates from that one!!!

So, to preface this, I took a closer look at the eyes of other folks in Stolas’s family / Goetias.

Stella and Octavia ALWAYS have their pupils. I’ve never seen a moment where they haven’t had them.

Andrealphus and Vassago however, DON’T. And I don’t think we’ve ever seen them with them. Even when Andy shows strong emotion like in this picture, still he has no pupils. At first I thought pupils were a sex-specific thing. This would pose more questions as to why Stolas could have them in the first place, especially when they aren’t always there. But then I dug a little more.

When we take a look at Paimon, however, he DOES have pupils. Which makes me think being able to have pupils in the first place is likely genetic.

Now, if Stolas has the genes, how come he doesn’t have pupils all the time?? After all, when he was a kid we saw he didn’t have them. Well, that’s where my theory comes in.

Stolas is on antidepressants, and a very common symptom of antidepressants is emotional numbness. Some pills function to counteract negative feelings by nullifying feelings altogether. I can imagine his pupils going away could also be a side effect of his antidepressants. This would explain why Stolas’s pupils only show from STRONG emotion. Enough to push through the antidepressants.

I’m not sure how I would explain this in the context of him being a kid, I can only say Stolas’s pupils are tied to his emotions as is the main point of this theory, but moving on.

In the season Finale, we see Stolas go an EXTENDED time WITHOUT antidepressants, after an incredibly traumatic event, going through an incredibly difficult transition in his life. His emotions are high, and his antidepressants aren’t there to dull it. So he’s feeling EVERYTHING to the max, his system unregulated and imbalanced. All of this causing his pupils to come back regularly.

So my theory is just that Stolas ONLY has his pupils back for this long because he’s been without his medication. We’ll know if it’s true if he loses his pupils again in the next season, now that Via gave him a bottle of his antidepressants. There’s a very good chance this isn’t true, but I think there’s a good chance it is! Let me know what you think or if you have your own theory for why Stolas has his pupils back now :)

[shaunamilfman]

Where the Lovelight Gleams

pairing: Shauna Shipman x reader summary: Christmas drabble Christmas Masterlist

You hold Shauna's hand tightly against yours, stuffed in the pocket of her jacket in a pointless search for warmth. Shauna has insisted that you had to go out to see the light tonight, even though you would be there for the rest of the week. Why it has to be the coldest night in your entire stay, you aren't sure, but she was so insistent on it. 

It would be one thing if the town square was anything particularly impressive, but like everything else in her hometown, it seems to be disappointingly small. The worst part is that Shauna herself doesn't even seem to be impressed by the whole thing, which leads you to question why she wanted to come so badly in the first place. 

It's not that she's having a bad time, not with how eager she is to drag you from place to place with an adorable skip in her step. Every so often she stops in front of something utterly inconspicuous–a lit storefront or a lamp with an uninspiring wreath on it.

She'd gotten you to take no less than four different pictures with her in front of the big Christmas tree, even resorting to bribing you with paying for the hot chocolate in order to get the last one. You decided to be the bigger person and not point out that she was always going to be the one paying, if only to watch the way her face lit up as she handed it to you. 

Her cheeks were flushed, either from the cold or sheer excitement. It wasn’t like your girlfriend to be so interested in a place like this. Truthfully, she had never seemed all that interested in holiday events, so it had really caught you by surprise.

Shauna rolls her eyes as she catches you eyeing her hot chocolate, glancing away to pretend to look at the lights above you until she wordlessly lifts the cup up to your lips. You had your own cup, of course. But the keyword was had. That cup has long since made its way to a trash can. 

Besides, Shauna's tasted better anyway. 

You grin over at her as you take a sip, enjoying the way the twinkling lights look reflected in her eyes.

“It’s kind of lame, isn’t it?” She asks, bumping her hip playfully against yours.

“...I wouldn’t say that,” you say slowly, wondering if she’s trying to lead you into a trap.

“I would. I always thought so.” She looks around slowly, dragging you back toward the tree. You laugh joyfully, breath coming out in white puffs of air as she brings you to a stop. Shauna rests her head against your shoulder as she looks up at the tree.

“Then why…?” You ask, trailing off as you rest your head against hers.

“Jackie always used to drag me here with Jeff. Always insisted on not doing stuff like this without me, since we used to go together as kids. It just sucked, having to follow them around with the camera this whole time while he was all over her.” 

Shauna pauses, squeezing your hand tightly in hers with a bitter smile on her face. “They’d be laughing together, and I’d just also be here. I kept thinking about how much I hated it the whole time and how much I wanted to come here with someone who wanted to be here with me one day.”

You can almost see it: a teenaged Shauna getting dragged around the square by an equally teenaged Jackie, her gloomy expression matched by Jackie's enthusiasm as she directed the show. The thought of Shauna's broody expression behind the camera as she glares at Jeff almost brings a smile to your lips, but you brush the thought away in favor of imagining how lonely it must have felt. 

Despite how close she and Jackie obviously were, a lot of Shauna's stories from high school seem to have a common theme. The more you hear about it, the more you start to suspect that Shauna was the only one making herself feel that way, but it still felt real to her. Having an unhappy girlfriend this close to Christmas simply won't do. 

Shauna breathes out a sigh. “Well, it’s not that Jackie didn’t want to be here with me, but it just wasn’t–”

“The same?” You finish. Shauna nods slowly, pressing a kiss against your shoulder.

You want to kiss her right now more than anything, but the two of you are getting enough suspicious looks as it is that you don't dare to risk it. 

“I guess you got your wish, then.” 

Shauna laughs softly. “I guess I did.”

“It still sucks, though,” she admits in a low whisper as she looks around. “I don't think they even try.”

“How about we get some more hot chocolate–” 

“Highlight of the night,” she agrees. 

“And then we'll drive around to go look at lights instead,” you finish. 

“And maybe while we're in my car…” Shauna trails off expectantly, a hopeful note re-entering her voice. You could always count on her for one thing. 

“Ask again when the heater’s on.” 

Her laugh is quieter this time, but it feels lighter than before as she drags you back toward the coffee shop.

[harleiquina]

Hey! I'm late for the party (because being overworked and underpaid sucks and always ends up in burnout -not fully recovered as of now, just with spare time because its Christmas, I'm working and nobody is calling so I can delve in Tumblr as much as my heart desires-).

First of all... I wrote my original reply around 2 or 3 am because my dog woke me up and I couldn't fall asleep again. So probably I had a point and eventually lead to something else because... sleepy brain goes brr.

About the writing

It is true that between saying it or just leave it out the text, leaving it out of the text is the safer option. There is also the posibility that it was planting an idea that never truly came to be so it is just dangling there with no other purpose... it happened to me a few times that I plant a seed of something in a story and then completely forget about it and sometimes I remember and remove it. I don't know how the time frame and due dates are in the process of creating a comic (if it was written arch per arch or if NG had all planned out and later came up with the different issues) but I guess that is they were going issue per issue -writing, drawing, coloring, formating and eventually printing it- there weren't many options to go back and fix something that didn't worked.

And yes... these were the '90s so... there isn't much to do about it.

In the end of the day, Sandman isn't Hob's story. Maybe there was a chance that if audiences liked him enough there could've been a limited run series of him through time and it didn't happened maybe there was a plan to do so but audiences preffered Death over him (can't blame them). Then the audience could've see him after his meeting with Morpheus and maybe growing a backbone eventually to stop his bussiness with the Slave Trade. We will never know.

Shipping and willingfully-ignorant fans

I'm not into shipping either (I'm not going to deny that in any fandom some edits or fanarts are cute) and in this particular case, even if I understand from where it comes from... I'm so done with it. Maybe if instead of casting the son they would've gone with the father things wouldn't have gone that far 🤣

Mischaracterization is a common phenomena in any fandom, sometimes it could be the main shtick to the plot of one pice of fanfic but when the bee-hive fandom accepts it as official headcanon there is no turning back and you just have to ignore it.

Had fandom had a more accurate-looking Hob they might've reacted differently. I haven't read the comics but I've seen a few panels... and he kind of grosses me out. There is no question there that he was on any easy-way to do money (thief, soldier, slave trader) with little to no remorse. But shippers only see what they want to see and leave any kind of nuance flies out the window.

There are (possibly) many fanfic writers that took Hob's dark past (in general) and did created well grounded stories where he gets to reflect on what he's done and how to atone for it. But fluff is fluff and it gets more views. And I think that's the root of it all... some people just want a cozy coffe-shop AU because they are only in there for the romance, others want to read something that will make them question either the character or themselves, analize how certain events played out or could happen. Pretty much as with movies you have the blockbusters, the historic dramas, the romance and an audience for each one of them.

It might feel like some of them are glossing over a very serious subject that should be treated with respect however there is a different place to tackle those subjects on... hopless romantic fanfics are not the right place.

However there is also those who go full "he did nothing wrong" and this could stem from both options: people who are racist themselves, or people that has no idea of what it being a part of the Slave Trade really means. Given that History is so far back, is easy to "forget" or even imagine the living conditions back then. Of course, those who have grandparents or greatgrandparents that have experienced it in the flesh will not let it fly.

In the end of the day it all depends on whoever is reading. They can be affected by it, shocked, outraged or not... that's how Art works and none of us has the right moral compass to tell others if they should be ashamed or not.

We can tell them to knock it off or at least tag properly, but thats an entirely different can of worms 🤣

Hob Gadling’s Involvement in the Transatlantic Slave Trade between the 16th and 19th Century

The Fallacy of (clumsily written) Racial Reconciliation or: Is show/Hob really different from comics!Hob

I originally wrote this a while back as a reply to someone else’s post, but since we’ve been discussing “Men of Good Fortune” (comics) and “The Sound of Her Wings” (Netflix) in our community over the past weeks, I’ve expanded on a few points of my original thoughts.

This post discusses difficult topics, systemic racism, questions of social (in)justice and problematic angles in writing. If that’s not your thing, this is the exit sign…

A question that comes up quite frequently is the following:

Is show!Hob different from comics!Hob?

Hob’s conversation with Dream in 1789 (and not just 1789) in the show has been significantly altered (compared to the comics), and it makes it tempting to believe this somehow makes him different regarding the more problematic side of his character.

In the comics, we have a bit of dialogue in 1789 that shows how deeply involved in the slave trade Hob was: “I sort of started it,” said with a hint of, dare I say, pride? And then brushing off Dream’s concerns by saying, “It’s a living.” Twice.

(They changed this to, “It’s just how it’s done”, and a shrug in the show.)

And it’s true: If this had been integrated into the show, it would have painted him in an even worse light. However, I personally think it was the wrong move to leave it out (Ferdinand Kingsley carefully voiced something along those lines as well btw). Because now the show pushed Hob’s whole involvement in the slave trade much more into the direction of, “Oopsie.”

Can we truly take leaving out the above dialogue as a hint that Hob might be a better person in the show? I’d like to really reflect on that--leaving out those comments can’t make him a better person. Even if we change his arc slightly and he “wasn’t that involved.” You’re involved, or you aren’t. There is no, “I tried a bit of slave trading and decided it wasn’t for me.” One could even argue it makes the angle of the show more problematic because it makes the slave trade a “little blip” in his timeline. Things like that can’t be a blip. I personally think the writers made a mistake here, but that’s obviously just my opinion.

If there wasn’t enough space in the show to expand on it (which I get for a side character), I feel they should have left out the slavery arc completely instead of keeping, but then minimising it (that might sound contradictory, but it only does if you don’t look at it too closely). It already didn't sit right with me 30 years ago to use slavery as a side note for showing a white person’s character development without properly examining the damage caused, and it still doesn't sit right with me now. It makes the plight of PoC a plot vehicle to centre white people’s guilt, and I always thought that’s a blind spot only white people have (and I’m white myself, to get that out of the road straightaway).

I’m not saying it couldn’t or shouldn’t have been used narratively. Or that you can’t show remorse and atonement/redemption for the most heinous acts (that’s not the same as forgiveness—I’ll get to that). Or that characters who have committed said acts are irredeemable. But it would have needed to be fleshed out instead of making it a comment in passing. Many books and movies do exactly that. But the point is that it’s never been fleshed out.

“But they had to shorten and streamline it…”—just no. Because to me (and ofc people are free to disagree), that exactly proves the point—centring the white guy while sidelining the people who suffer. I am a bit doubtful we’ll get anything remotely appropriate in the show after what we’ve already seen. Only time will tell, so I’m withholding final judgment at this point. Fact is: It is uncomfortable to watch for people with any sensitivity on the matter.

And yet, there is a lot of focus on leaving out Hob voicing his regret in 1889, since that (again) “would have painted him in a better light.”

While simultaneously regularly failing to mention that he proudly proclaimed he “invented” the triangle trade. Can we really pick and choose his traits like that? Hob is a materialistic opportunist who also has some regrets. That doesn’t mean he can’t exist as a character, or that we’re not allowed to like him (morally grey characters are often the most compelling ones). We don’t need to sanitise him though, or try to erase his problematic traits from canon. The same goes for other characters (yes, I’m looking at you, Dream, and I’m sure we’ll get to that very soon—in fact, we’re possibly starting tomorrow 🫣). If we are talking about Hob’s remorse, we are probably mostly thinking about Sunday Mourning, so I need to bring in issue #73 at this point (this is your spoiler warning if you don’t want to read ahead).

The Fallacy of Racial Reconciliation

Very plainly:

A black woman is used as a vehicle to forgive Hob. And said black woman has been written by a white male author for that sole purpose without giving her anything else to do. I personally think NG got that wrong. It was clumsy and insensitive to POC, and I really hope they change this for the show. It’s a fact that he really wasn’t good with writing black female characters in the whole run—they all get fridged in one way or another, and he even admits it in the Sandman Companion. And then turns around and basically implies that it's all okay now because “nothing bad” happens to Gwen once Morpheus is dead. She is allowed to be a vehicle for the character development of a white guy though. It’s just really insensitive, and I sincerely hope they don't put it in the show this way. And I’m glad that we're seeing hints it might not happen--at least the casting in the show hints at it (from Lucienne, Death and Rose to very likely turning Carla into a white man—we already met Carl, and that’s who he is IMHO).

There is also the not so small fact that Hob is, even in his guilt and shame (shame is always about yourself, and that’s actually very in keeping with his character), not honest with Gwen. The thing about him basically inventing the triangle trade, which he so proudly proclaimed in 1789?

The English who were so good at it? The “Jack” Hawkins he talked about in 1789? That’s actually this dude:

And Hob funded him 200 years before 1789, and enabled Hawkins. Hob was involved in what became the transatlantic slave trade well before 1789–he already funded it when he had money in the 1500s.

He carried that mindset around with him for literal hundreds of years and saw nothing wrong with it until at least (! more about that in a sec) 1789. Dream had to rub his nose in it, otherwise it wouldn’t even have occurred to him (or did it, and he just chose to ignore it--see below).

Hob has been written as a stand-in for humanity, British Imperialism and England over the centuries—with all that entails.

So how honest is he with Gwen? And how long, even after 1789, was he still involved, even after abolition in England (Somerset vs. Stewart declared slavery unlawful in England in 1772, but that wasn't true for the rest of the British Empire. Buying and selling slaves was only made illegal in 1807, while owning slaves only became unlawful with the Abolition Act of 1833, and it took another year to buy out slave owners to actually make it happen)? Because there’s still this:

“It got worse when they did [outlaw the slave trade]. You only needed one voyage in three to make a profit. You could afford to dump your cargo if… you spotted a British Man o’ War.” How does he know? Why does he have these nightmares? We can take a guess…

That’s not someone who tried it for a couple of weeks and then thought, “Sorry, my bad.” That’s someone who has been opportunistically involved from the 1500s and potentially until after slavery was unlawful in England, which it already was when he talked to Dream in 1789. So does his feigned ignorance of, "It's a living/It's how it's done?" really hold? Especially if he potentially kept going, even after that convo with Dream? When I wrote "between the 16th and 19th Century" in the header, that's exactly what I meant...

Guilt and Shame

Yes, what we see above and in all the other panels is guilt and shame. And it reminded me of this:

And I’d encourage everyone to really listen to what Jasper has to say, and sit with the feelings it brings up. Because I can still remember watching this in the George Floyd aftermath for the first time, and how deeply uncomfortable it made me—because he’s right.

Black people/PoC do not need to forgive and absolve white people from their guilt. They can if they wish to, but that’s their choice, not ours. It’s not for white people to absolve other white people from their guilt around the oppression of PoC. And that’s why it could be argued it’s not for white people to write a black character to do that in their stead either (they can of course, but then they need to live with the fact that people will call them tone-deaf). It could also be argued it is something that cannot be forgiven retrospectively, and white people need to be okay with that. It can only be worked on in the present with a view to the future. And as Jasper also so rightly points out:

The guilt is not even helpful (at least Gwen has the right sentiment there, but it’s still falls incredibly flat over all), and shame only centres ourselves.

Forgiveness vs Redemption

Hob Gadling's regrets don't make everything he did forgivable. I think it actually does the story a disservice if that’s our main takeaway, because this is truly one of the bits of The Sandman that’s written in an extremely tone-deaf manner. NG isn’t the first author who did this, but we can take something good and helpful from this, and that’s engaging with these questions instead of brushing them under the carpet—because that’s what literary analysis is about.

It should be clear that I do see Hob Gadling as narratively important because I see him as a stand-in for humanity, and more specifically, English history. And there is really so much to learn from that.

Writers can get things narratively right but still be emotionally tone-deaf due to their own blind-spots. We don’t need to assume malice, but we also don’t need to leave it entirely unchallenged.

And because of that, we can certainly see Hob as someone who has to live with his conscience, and the consequences of his actions, for the rest of his life and struggles with that (as he should). And maybe we can see him as someone who is now, finally, trying to do the work. Because that is what atonement and redemption actually mean:

Taking action to rectify past wrongs. Actively working against the harm once caused, and preventing it from ever happening again. And I hope that’s what he does, and the signs are there (but there are also still signs that he values covering up his immortality higher than e.g. telling Gwen the truth. And we can find a million excuses for why that is, but ultimately, none of them truly matter).

However, it is not the same as forgiveness from the people we have wronged. Forgiveness is not a prerequisite to redemption, although it can be a part of it if the person who has been wronged chooses to extend it. But the people Hob wronged are dead, while their descendants still need to live with the pain people like Hob caused to this very day. So while I don’t see him as irredeemable, I don’t think he needs to, or even can, be forgiven—especially not by black people (unless they choose to. But it is also fine if they don’t, and again, we need to be okay with that). And we could say, “But Gwen chose to.” To that, I say:

I wonder what Gwen would have said if he had been truly honest with her (which he wasn’t, see below panels). That wouldn’t have been an embrace is my guess…

[lexosaurus]

Hi uhh i have a question i was scrolling at ao3 and i keep seeing pompous pep fiction a lot but i thought it was illegal because there is at least 20 year age gap im getting confused

AO3 is a creative writing/fanfiction archive that allows anything that's legal under US creative writing law. There are some limitations, like scripting out an episode of DP would not be allowed because that's copyright infringement, and posting something disguised as a fic that's not actually one (say, posting your headcanons list or your grandma's cookie recipe) isn't allowed because that's not a transformative work. But otherwise, people are allowed to post any fictional content that they so wish so long as it's tagged properly.

The tags are an awesome feature of the site and are why many people, myself included, choose to use AO3 as their main fanfiction domain. It allows you to opt in or opt out of any tag that you do or don't want to see. For example, I read/write a ton of gore, so I often filter in tags like "Dissection" (using the sidebar) so I can only see those types of fics. But there are tons of people who get squicked out by gore/dissection, so they might prefer to filter those tags out. Maybe they just wanna read a good smut fic, so they'd filter in that tag, while for me, I'm not so interested in that content, so I almost always filter it out before I browse.

I know this seems a bit long winded of me, but what I'm trying to get at is that because fanfiction is fictional, that means that ships and tags that you or I might argue are morally gray or even morally unethical are totally allowed on the site (aka no real children were harmed in the making of said fic, so not illegal). This includes Pompous Pep, which is Danny/Vlad. And if you don't want to see that, as many people probably don't, then the site makes it extremely easy to filter that stuff out! Woo!

The DP Phandom is a really really old phandom and we've had a history of "true vs anti" ship wars back in the 00's, which while a bit different than the kinds of shipping wars you see in other fandoms today, they still happened and were incredibly destructive within our spaces. People were fighting, there was lots of bullying, angry cliques, and overall moral policing "you can't sit with us" behavior to people who frankly didn't deserve it. There's not a lot of creatives left from that era, and the ones that did come back don't have a lot of positive things to say about it.

So yeah, maybe some people on AO3 write things that might squick you out, but from experience we've found it to be far more beneficial to just do our own things. Write the content you wanna write, read the content you wanna read, interact with the people you wanna interact with, and block/mute/filter out/whatever the rest. It's honestly not worth your mental health or sanity to try to police fics/art in here. We're too old, most of us got jobs, bills to pay, maybe even kids to feed, and it's honestly not worth our time. Besides, it's much more fun to participate in phandom events and nerd out with other creatives about silly AUs and tropes and geek out over art styles and colors than it is to worry about that stuff!

[marklikely]

really love amateur Internet horror as a whole like its a great medium for passion projects and creativity but if there's one thing id like to never ever see in the space again its "legitimately good subtle story but we added a scary monster that runs at you BWAH!!"

[lixbf]

i Need to stop trying to figure out for myself what technologies that are common today would exist in panem during katniss' time and whether theyd be implemented in the victors' houses

[dykepuffs]

How Do I Make My Fictional Gypsies Not Racist?

(Or, "You can't, sorry, but…")

You want to include some Gypsies in your fantasy setting. Or, you need someone for your main characters to meet, who is an outsider in the eyes of the locals, but who already lives here. Or you need a culture in conflict with your settled people, or who have just arrived out of nowhere. Or, you just like the idea of campfires in the forest and voices raised in song. And you’re about to step straight into a muckpile of cliches and, accidentally, write something racist.

(In this, I am mostly using Gypsy as an endonym of Romany people, who are a subset of the Romani people, alongside Roma, Sinti, Gitano, Romanisael, Kale, etc, but also in the theory of "Gypsying" as proposed by Lex and Percy H, where Romani people are treated with a particular mix of orientalism, criminalisation, racialisation, and othering, that creates "The Gypsy" out of both nomadic peoples as a whole and people with Romani heritage and racialised physical features, languages, and cultural markers)

Enough of my friends play TTRPGs or write fantasy stories that this question comes up a lot - They mention Dungeons and Dragons’ Curse Of Strahd, World Of Darkness’s Gypsies, World Of Darkness’s Ravnos, World of Darkness’s Silent Striders… And they roll their eyes and say “These are all terrible! But how can I do it, you know, without it being racist?”

And their eyes are big and sad and ever so hopeful that I will tell them the secret of how to take the Roma of the real world and place them in a fictional one, whilst both appealing to gorjer stereotypes of Gypsies and not adding to the weight of stereotyping that already crushes us. So, disappointingly, there is no secret.

Gypsies, like every other real-world culture, exist as we do today because of interactions with cultures and geography around us: The living waggon, probably the archetypal thing which gorjer writers want to include in their portrayals of nomads, is a relatively modern invention - Most likely French, and adopted from French Showmen by Romanies, who brought it to Britain. So already, that’s a tradition that only spans a small amount of the time that Gypsies have existed, and only a small number of the full breadth of Romani ways of living. But the reasons that the waggon is what it is are based on the real world - The wheels are tall and iron-rimmed, because although you expect to travel on cobbled, tarmac, or packed-earth roads and for comparatively short distances, it wasn’t rare to have to ford a river in Britain in the late nineteenth century, on country roads. They were drawn by a single horse, and the shape of that horse was determined by a mixture of local breeds - Welsh cobs, fell ponies, various draft breeds - as well as by the aesthetic tastes of the breeders. The stove inside is on the left, so that as you move down a British road, the chimney sticks up into the part where there will be the least overhanging branches, to reduce the chance of hitting it.

So taking a fictional setting that looks like (for example) thirteenth century China (with dragons), and placing a nineteenth century Romanichal family in it will inevitably result in some racist assumptions being made, as the answer to “Why does this culture do this?” becomes “They just do it because I want them to” rather than having a consistent internal logic.

Some stereotypes will always follow nomads - They appear in different forms in different cultures, but they always arise from the settled people's same fears: That the nomads don't share their values, and are fundamentally strangers. Common ones are that we have a secret language to fool outsiders with, that we steal children and disguise them as our own, that our sexual morals are shocking (This one has flipped in the last half century - From the Gypsy Lore Society's talk of the lascivious Romni seductress who will lie with a strange man for a night after a 'gypsy wedding', to today's frenzied talk of 'grabbing' and sexually-conservative early marriages to ensure virginity), that we are supernatural in some way, and that we are more like animals than humans. These are tropes where if you want to address them, you will have to address them as libels - there is no way to casually write a baby-stealing, magical succubus nomad without it backfiring onto real life Roma. (The kind of person who has the skills to write these tropes well, is not the kind of person who is reading this guide.)

It’s too easy to say a list of prescriptive “Do nots”, which might stop you from making the most common pitfalls, but which can end up with your nomads being slightly flat as you dance around the topics that you’re trying to avoid, rather than being a rich culture that feels real in your world.

So, here are some questions to ask, to create your nomadic people, so that they will have a distinctive culture of their own that may (or may not) look anything like real-world Romani people: These aren't the only questions, but they're good starting points to think about before you make anything concrete, and they will hopefully inspire you to ask MORE questions.

First - Why are they nomadic? Nobody moves just to feel the wind in their hair and see a new horizon every morning, no matter what the inspirational poster says. Are they transhumant herders who pay a small rent to graze their flock on the local lord’s land? Are they following migratory herds across common land, being moved on by the cycle of the seasons and the movement of their animals? Are they seasonal workers who follow man-made cycles of labour: Harvests, fairs, religious festivals? Are they refugees fleeing a recent conflict, who will pass through this area and never return? Are they on a regular pilgrimage? Do they travel within the same area predictably, or is their movement governed by something that is hard to predict? How do they see their own movements - Do they think of themselves as being pushed along by some external force, or as choosing to travel? Will they work for and with outsiders, either as employees or as partners, or do they aim to be fully self-sufficient? What other jobs do they do - Their whole society won’t all be involved in one industry, what do their children, elderly, disabled people do with their time, and is it “work”?

If they are totally isolationist - How do they produce the things which need a complex supply chain or large facilities to make? How do they view artefacts from outsiders which come into their possession - Things which have been made with technology that they can’t produce for themselves? (This doesn’t need to be anything about quality of goods, only about complexity - A violin can be made by one artisan working with hand tools, wood, gut and shellac, but an accordion needs presses to make reeds, metal lathes to make screws, complex organic chemistry to make celluloid lacquer, vulcanised rubber, and a thousand other components)

How do they feel about outsiders? How do they buy and sell to outsiders? If it’s seen as taboo, do they do it anyway? Do they speak the same language as the nearby settled people (With what kind of fluency, or bilingualism, or dialect)? Do they intermarry, and how is that viewed when it happens? What stories does this culture tell about why they are a separate people to the nearby settled people? Are those stories true? Do they have a notional “homeland” and do they intend to go there? If so, is it a real place?

What gorjers think of as classic "Gipsy music" is a product of our real-world situation. Guitar from Spain, accordions from the Soviet Union (Which needed modern machining and factories to produce and make accessible to people who weren't rich- and which were in turn encouraged by Soviet authorities preferring the standardised and modern accordion to the folk traditions of the indigenous peoples within the bloc), brass from Western classical traditions, via Balkan folk music, influences from klezmer and jazz and bhangra and polka and our own music traditions (And we influence them too). What are your people's musical influences? Do they make their own instruments or buy them from settled people? How many musical traditions do they have, and what are they all for (Weddings, funerals, storytelling, campfire songs, entertainment...)? Do they have professional musicians, and if so, how do those musicians earn money? Are instrument makers professionals, or do they use improvised and easy-to-make instruments like willow whistles, spoons, washtubs, etc? (Of course the answer can be "A bit of both")

If you're thinking about jobs - How do they work? Are they employed by settled people (How do they feel about them?) Are they self employed but providing services/goods to the settled people? Are they mostly avoidant of settled people other than to buy things that they can't produce themselves? Are they totally isolationist? Is their work mostly subsistence, or do they create a surplus to sell to outsiders? How do they interact with other workers nearby? Who works, and how- Are there 'family businesses', apprentices, children with part time work? Is it considered 'a job' or just part of their way of life? How do they educate their children, and is that considered 'work'? How old are children when they are considered adult, and what markers confer adulthood? What is considered a rite of passage?

When they travel, how do they do it? Do they share ownership of beasts of burden, or each individually have "their horse"? Do families stick together or try to spread out? How does a child begin to live apart from their family, or start their own family? Are their dwellings something that they take with them, or do they find places to stay or build temporary shelter with disposable material? Who shares a dwelling and why? What do they do for privacy, and what do they think privacy is for?

If you're thinking about food - Do they hunt? Herd? Forage? Buy or trade from settled people? Do they travel between places where they've sown crops or managed wildstock in previous years, so that when they arrive there is food already seeded in the landscape? How do they feel about buying food from settled people, and is that common? If it's frowned upon - How much do people do it anyway? How do they preserve food for winter? How much food do they carry with them, compared to how much they plan to buy or forage at their destinations? How is food shared- Communal stores, personal ownership?

Why are they a "separate people" to the settled people? What is their creation myth? Why do they believe that they are nomadic and the other people are settled, and is it correct? Do they look different? Are there legal restrictions on them settling? Are there legal restrictions on them intermixing? Are there cultural reasons why they are a separate people? Where did those reasons come from? How long have they been travelling? How long do they think they've been travelling? Where did they come from? Do they travel mostly within one area and return to the same sites predictably, or are they going to move on again soon and never come back?

And then within that - What about the members of their society who are "unusual" in some way: How does their society treat disabled people? (are they considered disabled, do they have that distinction and how is it applied?) How does their society treat LGBT+ people? What happens to someone who doesn't get married and has no children? What happens to someone who 'leaves'? What happens to young widows and widowers? What happens if someone just 'can't fit in'? What happens to someone who is adopted or married in? What happens to people who are mixed race, and in a fantasy setting to people who are mixed species? What is taboo to them and what will they find shocking if they leave? What is society's attitude to 'difference' of various kinds?

Basically, if you build your nomads from the ground-up, rather than starting from the idea of "I want Gypsies/Buryats/Berbers/Minceiri but with the numbers filed off and not offensive" you can end up with a rich, unique nomadic culture who make sense in your world and don't end up making a rod for the back of real-world cultures.

[sachermorte]

so the thing about english is that people think it's so divorced from other germanic languages based on like. words. I've even heard people try to insist that english is a romance language. because of that whole messy business in 1066 with out-of-wedlock willy and his band of naughty normans. and now a good chunk of the vocabulary is french or whatever and they're prestigious so not using them makes you sound like a rube and this and that and the other

and yes william the conqueror will never be safe from me. I will have my revenge on him. he fucked up a perfectly good germanic language is what he did. this will be me in hell

but the thing is that most words in, say, german do have a one to one english equivalent. not all hope is lost, for those who still dare to see it. it's just that you 1066pilled normancels aren't looking in the right place

dog (en) ≠ der Hund (de) but der Hund (de) -> hound (en)

look with your special eyes. that one was easier. not all of them are this intuitive because of semantic narrowing and broadening and waltzing and hokey-pokeying and whatever else. I'll give you a few more

animal (en) ≠ das Tier (de)

aha! you think. I've got him on the ropes now.

but then

das Tier (de) -> deer (en)

nooooo!! you whine and cry in gay baby jail. the consonants are different!!! listen to me. listen, I say, putting both my hands on your shoulder. /t/and /d/ are the same sound. you just put your voice behind one of them.

nooooooooo!! you wail. deer are animals but not all animals are deer!!! listen to me. LISTEN. they used to be. animals used to be deer. that's just what we called them. it was a long time ago. it was a weird time in all our lives. it's okay.

let's try for a verb this time

to die (en) ≠ sterben (de) but sterben (de) -> to starve

same principle with the consonants, we're just changing a stop (where we completely stop the airflow and then let it through) for a fricative (where we still let some air go through. idk where it's going. maybe to its job or something.)

to starve used to mean generally to die, not just to die of malnourishment. we do that a lot. we take one word for a lot of things and make it mean one thing. or take one word for one thing and make it mean a lot of things. this is common and normal.

"okay but roland," you say, suddenly coming up with an argument. "what about tree? trees are super common. I don't think we'd fuck around too much with that. the german word is baum! what about THAT?"

"when did you learn german?" I ask, but then decide it isn't relevant right at this very moment. but fine.

tree (en) ≠ der Baum (de) but der Baum (de) -> beam (en)

beam??? you ask incredulously. beam???? BEAM?????? you continue with the same tone and cadence of captain holt from brooklyn 99.

yes. beam. like the evil beams from my eye I'm going to hit you with if you don't stop shouting.

but the vowels!!! you howl.

listen. listen to me. the vowels mean nothing. absolutely nothing. they're fluid like water. it got raised in english.

"WHAT DOES RAISED MEAN"

it doesn't matter right now. they were raised better than you, at least. stop shouting. open your eyes and see what god has given you. they're the same word.

"they're NOT the same word. they mean different things!"

we've been over this. they didn't used to. a beam was (and is) a long solid piece of wood. much like the long solid piece of wood I showed your mother last night.

FAQ:

Q: could english be some kind of germanic-romance hybrid?

A: do you become a sexy thing from the black lagoon just because you dressed up as one for halloween? english may have gotten a lot of vocabulary from norman french, but its history and syntax are distinctly germanic. that's what we base these things on.

Q: okay but what does it matter? this doesn't actually affect my day to day life

A: you come into my house? you come into my house, the house of an autistic man living in vienna austria and studying english linguistics and you ask me what does it matter? sit back down. I was going to let you go but now I have powerpoints to show you

Q: you're stupid and wrong and gay and a bad person

A: I know it's you, Willy

[hyuny-bunny]

skz + types of p*rn they watch (w/links) pt 1. hyung line

MDNI (+18) content warning: p*rn, nsfw links, mentions of rough sex, use of female anatomy, breeding, spanking, choking, fingering, oral (f receiving) most afab reader terms.

a/n: if the links are not working for you, you may need the app as most are not compatible with a web browser

pt 2. maknae line

chan: he's definitely watching twitter/x porn. as for what side of x he's on all depends on the mood. he definitely seems to stay on a more "vanilla" side. probably has a keen interest on size kink and breeding videos. but what they all have common is riding. it gets him so riled up seeing ones shot in cars because the next time he sees you it's all he thinks about. he'd love nothing more then to have you riding his dick, his hands holding your hips in place, eventually snacking a hand to lightly you choke and bunching your skirt in the other hand while you sloppily bounce on his cock. maybe he's taking you out to a nice dinner & movie but once your back in that car he's practically begging you to sit on his cock.

"baby, i need you so bad. come here, ride me, need to feel this pretty pussy on me."

breeding

riding

minho: there's so many things i could say about him. i don't think he necessarily needs porn to get off or actively looks for it, but i do think he loves being able to send you links that either remind him of the both of yours sexcapades or things he wants to do to you. i feel like he watches a lot of overstimulation, spanking, BREEDING, and just a sprinkle of voyeurism. i think he gets really turned on by the ones of girls in pretty lingerie wearing collars with bells, so every movement makes the bell ring. he almost collapses to his knees when he gets home one day to see you wearing the collar he bought, the one he'd been hiding and waiting for the right moment.

the only thing on your mind is the feeling of your sopping wet cunt being suffocated by minho's cock. he's got a fistful of your hair in hand, pulling you up from your pillow before landing a hard smack on your ass, never letting up on his thrusts.

overstimulation

spanking

changbin: another one in my books that loves size kink porn. not because i think he likes someone smaller, but more so the fact that he likes the feeling of being able to make someone feel so small. in seo changbins biceps, we trust. i think this one in particular will have him pleading with you to let him try it. you might feel reluctant because of any underlying insecurities at the though of feeling like you're "too heavy" (there's so no such thing to him) . it isn't till he's got you lifted up against the wall with no holding you either than his arms & shoulders, his mouth lapping away at your pretty cunt, any worries you ever had dissipated along with your ability to use your words.

"bin-binnie please i-i can't hold on much longer" a string of whines follow suit. he's been at it for a while and you've already had two orgasm but he's relentless. all you can hear are his groans and the squelching sound of his tongue abusing your cunt. he lifts his head up from between your thighs with you hand webbed in his hair, mirroring your worn out lustful look.

size kink

making you feel small

hyunjin: to me, i think hyun goes either of these two ways. he's the most depraved man known to walk this earth that loves it sloppy, messy, wet and downright lustfully filthy. the latter also leads me to believe he's not big on porn, prefers either his imagination or his OWN videos. one he's recorded (with your consent + encouragement) while you've done it together. he needs the passion of either love or the passion of wanting to make the either cum so hard they've gone to heaven (preferably both). if he's watching videos, his favorite ones always have the girl shaking and crying in pleasure by the end. he needs to see the passion, lust to be able to get off. when it's you, it's different, if anything it brings him back to those moments to fully remember the need between the two of you. that being said he's heavy into breeding/cumplay and semi restraining. he loves seeing the hands held behind the back and holding someone in place while they fall apart in his lap + cock.

it was supposed to be a quick kiss, which turned into heavy petting, and now he's brought your leg over his hips. the panties you were wearing discarded somewhere in the room, one arm is wrapped around you holding you tightly to his chest while his other hand is at work. his middle & ring finger are knuckle deep thrusting into you and he's groaning into your neck sucking hickies in all your favorite spots.

semi restraints

playing w you in his lap

[fuckyeahisawthat]

Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.

We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.

I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.

But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.

Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.

And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.

It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.

It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.

And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.

[yanderenightmare]

TW: yandere, noncon, size/strength difference

gn reader

Thinking about breaking things off with your fuck friend 'cause you feel he's been catching feelings you have no intention of pitching...

“Why.” He asked, and the cross you’d made on your fingers in a wish to avoid the entire conversation untangled with a sigh.

“Please, don’t act dumb.” You groaned, exasperated and slightly irked. “You know why….” 

“No. Tell me.” He argued, and you sighed again in regret of your own common decency – wishing you’d taken the entire break-off over text instead, or at the very least taken the time to think about what you would say or do if and when he got this way. 

“You...”

You hesitated, taking a second to decide whether or not you really ought to voice it out loud – not because you had any doubts of it being true – but because the man in front of you was still very much a large brawny beefcake with temper issues no matter your sneaking suspicion that he saw you as something more than just a fuck friend.

“You’re getting too...” You continued, still scrambling for better words. Coming up short. “Clingy.”

He paused, his expression going from searching to a mix of offended and scrutinous.

“Clingy?” He repeated, forced disbelief a present factor in his tone. “If I remember correctly, you’re the one who clings to me- screaming my name- begging me to cum inside you and-”

You cut his rant off with yet another sigh accompanied by a shake of your head. “That’s not what I mean by clingy. I’m sorry, I should have said emotional, and your comment just proved that.”

You folded your arms across your chest, watching him reel.

“Anyway, it doesn’t really matter. We’re done.” 

You left him on the sofa to go put your shoes back on – admonishing yourself for coming inside in the first place when you could have just as quickly done this on the doorstep and walked away.

“You're not going anywhere until we talk this through.” He followed, his stronger hand latching onto your upper arm in a grip that was unnecessarily harsh.

You didn’t really mind, though – it was his lack of charm that had charmed you to begin with – you only wished he’d remained that same savage he was and not gone all lovey-dovey soft on you.

“There's nothing to discuss.” You felt as though you were repeating yourself, getting more annoyed by the fact. “It was fun; now it isn't.” You underlined, looking back into his eyes, cringing when seeing the gloss of something that you really hoped wouldn’t amount to tears while you were still there.

“I'm gonna need more than that.” He said, the grip on your arm still kept firm with no inclination of letting up.

You didn’t really want things to get more awkward by asking him to let you go – feeling as though maintaining the position of strength was important so he not mistake your resolution.

He had a nasty habit of never taking you seriously.

“You’re being childish.” You stated.

“Childish?!”

His grip tightened with his outburst, and you’d be lying if you said it didn’t have your heart jump to your throat.

"Let go of me." Your voice had significantly diminished.

"You think you can tease me like this and then tell me to piss off?” He seethed, your arm aching in the bruising grip he had on it as he pulled you close until your face was an inch from his. “Think again."

Your breath thinned under his glare, and you felt nearly too stiff to do anything except stare back up at him in wait.

“Calm down.” You tried, but it seemed choice words were too little too late to save you.

“I am calm.” He hissed back into your face before pulling you back to the sofa.

Throwing you down on your back – you didn’t even have the time to gasp before he was on top of you.

“Get off me-” You whined, your hands shooting forth – trying with all your might to heave him off, but ultimately amounting to nothing more than a slight annoyance to the much larger man on top.

“It's all about sex with you, right? You want to have fun, right?” He said in a craze, and you cringed while he leaned down to graze your chest with chin-stubble and lips, whispering at your peachfuzz until goosebumps rose. “So let's have some fun.”

“Stop it – I said I don't want to anymore – I’m being serious.” You tried, once again – appealing to his reason.

But it would seem he was beyond reason…

“Oh? You're being serious?” He mocked with a sneer and a laugh. “You don't look it. If you want me to stop so badly, then stop me. Come on~ try a little harder. Show me how serious you are.”

You’re not sure why you took him up on the challenge, as you’d long known of your differences in build – how you posed as much of a threat as a bug in a mason jar...

But even a bug will try to escape still after the lid has been sealed.

“Come on~ you're not even trying~” He grossly crooned, smiling at your pitiful attempt at twisting him off with the useless help of your silly hands – how your much smaller body writhed beneath his weight and tried wriggling free.

Laughing dryly, he took your hands by the wrists and pinned them to the cushion beneath you. Sagging over you, his breath fanned your lips.

“What was I to you, huh?” He asked in a murmur, his face blank but his eyes swirling. “Just a toy?”

You were afraid to breathe, only keeping your gaze terror-wide of what he might do – still grasping to fathom how he’d even felt possessed enough to do this much – confused as to how you’d missed the signs while having not a single clue what more he was capable of.

“Guess now you're my toy, huh...” He muttered coldly.

And you just couldn’t help the whimper that it tore from you – finally understanding exactly what position you were in.

The disorienting knowing of what was soon to happen dawned on you mercilessly – and you completely broke under the hefty weight it had. 

“Oh? You’ gonna cry now?” He scoffed before hissing. “That's cute, seeing as I’m the one who’s had his heart stepped on.”

“S-stop it, get off me-” You cried, whole body shaking where you squirmed to no use nor end.

“Not so cold-hearted now, are yah, fuckin' bitch?” Was all he had to say while leaning into where thick streams of tears rapidly ran down your cheeks in stingy streaks. “You scared?” He whispered in licks at your ear. “Gonna start begging, hm?”

You only shook – eyes squeezed tightly to a close.

“Nah…” His tone scraped, similar to how the shaven stubble on his chin scratched lightly against your neck as he started placing small kisses there despite your whines. “'Cause you want this too. I know you do.” He insisted. “You're just scared I'll break your little heart at some point.”

You’re breath hitched as his hands parted with its twin – leaving it to keep your wrists pinned by itself as the other one traveled down between your bodies to undo your zipper.

You wanted to say something, but you were too scared to – listening to him and his lovesick speech – full of so many things you feared could trigger much sicker things.

“But I promise you that no one’s heart is gonna break here.” He vowed, still with his lips pressed wetly against your throat. “Not yours or mine.”

BNHA – Bakugou, Shinso, Kirishima

JJK – Sukuna, Gojo

HQ – Kageyama, Kuro, Oikawa, Sakusa, Miya twins

BLLK – Reo, Isagi

AOT – Eren

[vicariousresearcher]

Neighbour!141 and how they get your attention.

Neighbour!Price who is constantly offering you help. Sees some furniture boxes at your door and is offering to put it together for you. No? Well surely you need some tools at least, make it all easier. No no he doesn’t mind truly. He doesn’t want you trying to fix everything up with just an allen key now does he?

Shovels your side walk, up to your door even. When you come to him the next day all apologetic and saying that you were just about to do it, seriously he didn’t need to. He just brushes you off saying that ‘birds don’t need to be out doin that.' It‘s okay, he was doing his anyway. 

Listening when you complain about your shitty landlord who has yet to do anything about your faulty water heater. You’re in those shorts he’s only seen through the window, arms crossed and rambling as he thumbs at the valves. 

“It’s a no go bird. You gotta buy a whole new heating element and get it put in dere. If you’re needin to, you can shower at my place till this gets figure’d out ya?”

Neighbour!Kyle who honestly you see more outside of your neighbourhood than in it. You have no clue how but you two always end up in the same place at the same time. 

Grocery shopping? Oh he's here too, it has the best deals on produce! Excursion? Oh he just wanted to see the new exhibit at the aquarium just like you, great minds think alike. Eating something in your favourite cafe during your lunch break? He slides in the seat across from you with a playful smile saying ‘how its nice to see you here neighbour’. 

You don’t even know he slipped a tracker in your purse during one of these bump ins.

That's how it starts. A friendship with a man you apparently have so much in common with. You have to with how much you see him at your favourite places. Even that niche little diner that you love as soon as you mention it he’s finishing off its name and talking about how their sweets are so good.

“What do you mean you haven’t had any? Want me to grab you some next time I go-actually no how about we just go together. I need to see what else you’ve been depriving yourself of. Come on, we’ll go in the evening when it’s nice and quiet so it’ll just be us.”

Neighbour!Johnny who sees the sweet thing living next door and knows he needs to get his hands on you. But he’s smarter than those pretty eyes and dumb grin would let you think. He wants you to come to him. He just needs to prove what a prize he is first. 

So he finds every chance possible to workout outside. 

Deliberately does his stretches for his morning run where you’ll be able to see while you make your coffee for the morning. Absolutely chuffed when he makes eye contact with you while he’s mid shirt pull. The way you go bug eyed when caught ogling has him ready wanting to ask if you liked the show.

Now, god forbid you have a dog. He’s making friends through the fence, coming up to your door offering to take the sweet thing on a walk if you want. Truly he would love to have a running buddy please let him take your pupper out. It becomes normal enough that you don’t even bat an eye when he’s offering to take your baby out when you’re not home. 

“I don’t mind taking my boy out once in a while. His mama’s busy but I’m not. Where’d you say you keep your outside key?”

Neighbour!Simon who quickly learns that he can’t offer to help you round because it comes off as….creepy. He’s the one you think is going to tag you with a tracker or follow you to work. The one that has you holding your keys between your fingers when pulling in at night.

So he takes a different approach. Needy, confused, and helpless. A military man entirely unacquainted with domestic duties.

He’s pathetic in a stuck racoon kind of way. You know you shouldn’t trust him but the way you’ve heard his smoke alarm go off 3 times in the time you’ve been here has you messaging if he wants some of your supper since you made too much. You catch yourself adding far more while cooking just so you have something to drop off to his doorstep. 

You don’t even know how it happened but now you’re in his kitchen teaching him how to make some easy meals with your chicken marinade recipes. Something he won’t burn or over salt. He’s got you rambling away, so blissfully unaware. Safe in his home, so trusting of him now.. He’s made so much improvements with you, no more scurrying away the minute he’s a couple feet away. 

“‘m sorry for needin so much from ya. If there's anything I can do just message me ya? Don’t matter what time, I’ll come. Anything you need.”

[darnell-la]

Logan in a rut has me brain rotted. I’d love if you could write something about this. I think he would try and isolate himself not matter what but it gets to the point where he can’t hold back anymore and needs relief. Idk if he would be more possessive and rough or if he would end up whiny and desperate almost subby.

note: this is a younger Logan Howlett who ends up a bit subby. he would 100% beg the reader to help him because he would be too embarrassed and shy to just man up and dominate her (we have different thoughts of Logan almost every day).

we will be worrying more rut!logan once we get caught up with our college work. we wanna make bro nasty…

———

Logan’s time has come. He hoped it wouldn’t show, but every day that passed, it gets worse. The first day, all he had to do was rub one out, but after the second, he knew he was fucked.

He couldn’t help himself. He fucked his pillow. The man was beyond fucked up that night. He had ripped his pillow open with his claws and buried his cock inside, moaning the girl's name like he’s never before.

Y/n and Logan had been friends for years. A little flirting here and there happens. They might even get a bit touchy but never have they sat and talked about what they were. Especially since the man was known for keeping his flirt up with Jean.

Logan wasn’t surprised when the only person he could think of was y/n. She was pretty, her body always sent a shock through his own, her eyes would have him lost in seconds, and she was the only one around here with common sense.

At times, he hated all those good things about her. Like now. He’s sitting across from her in the kitchen, watching her sip on her drink and watch YouTube on her phone.

All the innocent things she does, makes him so damn hard. He can’t help himself. “G-Goodnight,” Logan said as he got up to leave. He needed to rub one out again. Maybe he’d sneak into her room and cum on her sheets. He needed something that was close enough to her.

“Aw, I was gonna ask if you could walk and get some wood with me, but I’ll get it myself. Goodnight, Logan!” She smiled at the man before he turned the corner, needing to get out of there.

He hoped he could get himself to go upstairs without struggling. Without turning back around to beg Y/n, he couldn’t hold it after her thought of her saying she’d be getting wood tonight.

It’s been almost an hour, and Logan is sitting on the stairs, cock pulsing through his thick jeans. He swore his balls were blue already.

He almost got up to get this over with and grab y/n, pulling her somewhere to at least cum on her face, but he heard the lights cut off in the kitchen.

He peaked around the corner, seeing y/n walk down the hallway and out of the mansion to do her night walk for some wood.

“Fuck,” the man groaned, already thinking of how good he’ll be feeling once he gets his hands on her. He needed to touch her. It’s only been a few short days, but he can’t control it anymore.

The man stalked behind y/n, making sure she wouldn’t sense anything behind her as she walked through the woods with a huge bag to carry back a few dry sticks.

Logan shook his head at the sight of her headphones, knowing she couldn’t hear a thing around her. This was a safe place, but now that he was going through this feeling from hell, it wasn’t anymore. At least for her.

Y/n placed her bag down and took her headphones out before picking up thick and dry wood that she could use for the fire tomorrow night. The way she sang, only made the man want her more. He needed her now.

“Hey, y/n?” Logan spoke, making y/n jump from the unexpected presence of someone else. “Oh, god! Hey, Logan,” the girl smiled up at him as he walked towards her, looking down.

“I-I know this is kind of a weird time, but I need to ask you a question,” Logan said, feeling nervous now that she’s right here. “Yes, ask me anything,” she smiled as she shifted her body towards him.

“Fuck, I — Y/n, I’m going rough a rut,” the man blurted out. This was not a part of his plan. He was going to turn y/n around and shove his cock in her mouth before carrying her back to the mansion, but now he’s stuck.

“Oh — I-I don’t really know what that means, but I can still help you,” she said. “Y/n, it hurts,” the man spoke. His voice came off as a beg which made y/n feel sad for him, even though she had no idea what hurt.

“What is it, Lo? Tell me, and I’ll help you,” she went to get up, but Logan stepped towards her and placed a hand on her head, softly pushing her back down. “It hurts,” the man shifted her head just a little, making her realize his print was right in front of her face.

“Logan,” she said, loss of words at the sight of how hard his cock tried fighting through his jeans. “I-I don’t know what to do about that. Maybe take some pills. Cool it down?” She suggested, but he shook his head.

“Need you, y/n. I need you,” the man said low, needing her to touch him. “I-“ the girl cut herself off, taking a deep dive into her thoughts. The man sounded like he was in horrible pain. He was a friend, so this wouldn’t be bad, right?

“Okay, but I don’t know if it’ll help,” she said, not knowing that this would be more than enough. Y/n slowly reached up to unbuckle his belt. She could see his legs shaking a little from how nervous he was.

He had no idea what came over him. At first, he was going to get what he wanted. Use her like an animal, but now — Seeing her like this and willing to help him, made him feel better. She was going to take care of him.

“P-Please hurry,” the man begged as her hands slid down his clothes cock through his boxers after his shorts fell to his knees. “Did you cum?” Y/n asked, confused but the wet patch was only pre cum. A lot of pre cum.

“P-Please, y/n, fuck,” the man balled his fists, trying to keep himself from crumbling right then and there. He needed to leak in her mouth. No place else. Only her mouth.

“Okay, okay,” y/n worried as she finally pulled his cock out, and god, was he hurting. The veins that covered his cock, showed like crazy. His tip was sticky. His balls were stiff and ready to explode.

“Baby, please!” The man begged louder. Y/n quickly wrapped her lips around his cock and sunk down to take him all in. Well, as much as she could. He was very big.

“G-God,” the man breathed out as his head tilted back. “Oh my god, thank you. Thank you so fuckin’ much, baby,” Logan covered his face with his hands as his heart raised, feeling himself close.

“Oh, fuck, baby — yes,” the man moaned as she quickens her paste, slurping and coating his cock with her spit as she sucked a big roughly.

“Baby, please, let me cum. P-Please, I need to cum,” the man begged, wanting her to decide what he could do. Y/n nodded her head, not knowing what else to do, but she wanted him to cum. Have wanted to make him feel better.

“T-Thank you,” Logan moans loudly as his col twitched, spilling down the girl's throat. Y/n continued, sucking the man as his eyes crossed from the feeling of her emptying his sack.

“G-God,” he couldn’t keep himself together. She was so good at this. He wished he could have this every night before he went to bed.

“S-So good, y/n. So fuckin’ good,” the man let the woman know how great she was. Y/n’s glossy eyes looked up at him, feeling herself grow wet, but she knew she could deal with it herself.

“Get up, baby. Needa takes you back to my room,” Logan pulled y/n to her feet. Confused, the young lady allowed him to throw her over his shoulders.

“I can smell you, and I don’t want to leave you leaking for the night,” Logan said as he walked back towards the mansion. “I’ll be fine, Logan. I-I need to head to bed,” y/n spoke, a bit nervous about this all.

She thought that after she did him this small favor, that would be it. He had other plans. He wasn’t letting her go.

“You’ll sleep with me tonight. Tomorrow we’ll move your stuff to my room so you can sleep there every night,” the man thought way further than she thought.

“I don’t know if we can do that. We’ll have to tell Charles about our shared room, meaning everyone has to know, and I don’t know-“ she tried saying, but he cut her off.

“Baby, please. I’m fine with everyone knowing about what happened tonight. I can’t ignore how much I need you anymore,” Logan admitted.

“What if this happened again? What if I couldn’t walk to you from how hard I was? You do this to me, baby, so I need your help — I need you,”

Y/n sighed to herself then accepted what he wanted. Logan gave the girl a small peck on her side as he continued walking towards the mansion.

[p0orbaby]

First Love

summary: you have a new admirer, alexia isn’t a fan

warnings: none

a/n: i cant remember if this was request or not so if it was i apologise but ive lost it. if not, well done me for thinking of my own plot for a change

word count: 1.2k

-

You and Alexia arrive fashionably late, because, well, it's Alexia’s family, and you’re not about to sacrifice your sanity to be early for a gathering that’s going to last an eternity anyway. She’s already stressed because she knows every cousin, uncle, and long-lost relative is going to pester her with the usual questions. How’s football? How’s the knee? When are you going to settle down and give your mother some grandchildren? Not to mention, the subtle but unmistakable scrutiny that comes with introducing you—again—like you're the new pet hamster instead of the person who’s been sleeping next to her for three years now.

You’re prepared, though. You’ve got your A-game smile, and you’re ready to nod at all the right moments while maintaining an impressive and unwavering level of small talk. You’re a pro at this by now. You can discuss the weather in ways that would make any other Briton jealous.

The event is held at a distant cousin's place—a sprawling estate that screams “we have more money than common sense.” The house is big, too big. The kind of place where you could lose a child or three and not notice until the next family reunion. The garden is a maze of strategically placed garden furniture, various expensive but uncomfortable chairs that no one sits in, and a kid's bouncy castle that looks like it was imported from the set of some cheesy Netflix original with mediocre reviews.

You’re halfway through your first glass of sangria when you notice him—a small boy, around five or six, with that messy hair that suggests he’s been on a sugar bender since eight this morning. His eyes are locked on you like you’re the most fascinating thing in the world. He’s got this look that can only be described as pure, unfiltered determination, like he’s decided, at that very moment, that you’re going to be his new best friend, and there’s absolutely nothing you or anyone else can do about it.

"He's cute," you whisper to Alexia as the boy starts to waddle over, his shoes lighting up with every step. Alexia glances at him, then back at you, her brow furrowing ever so slightly.

"Yeah, cute," she says, her tone dry enough to rival the Sahara. You can tell by the way her jaw tenses that she’s already not thrilled with this kid, which is hilarious because you’ve seen her face down a team of professional athletes without breaking a sweat. But a small child? Apparently, that’s a whole different kind of threat.

The boy—let's call him Diego, because of course his name is Diego—sidles up to you with all the subtlety of a charging bull. He stares up at you, his eyes wide and sparkling, like you’re a rock star, and he’s your biggest fan.

"Hola," he says, in that high-pitched voice only kids or cartoon characters can pull off without being annoying. Except, it’s already a little annoying, because he’s completely ignoring Alexia, and that’s a crime in and of itself.

"Hi there," you reply, keeping your tone light and friendly. You glance over at Alexia, who’s now sipping her drink with a look that suggests she’s contemplating how many more family functions she can skip without starting a feud.

Diego looks at Alexia briefly, as if she’s some sort of obstacle, then turns his attention back to you, his smile growing wider. "Wanna play?"

You blink. Play? You haven’t ‘played’ in, what, fifteen years? Maybe more? You’re more accustomed to adult games now, like “Where did I put my phone?” and “How long can I avoid doing laundry?” But Diego doesn’t seem to care. He’s already grabbed your hand, sticky fingers and all, and is pulling you toward the bouncy castle like it’s the best idea in the world.

You glance at Alexia, who’s now watching the whole thing with an expression that would be hilarious if it weren’t so serious. There’s a thin line between her eyebrows that you’ve learned means danger. You try to give her a look that says, “Help me,” but she just raises an eyebrow, as if to say, “You got yourself into this, deal with it”

Before you can protest, you’re inside the bouncy castle, surrounded by kids who are all screaming with the kind of joy only children and maniacs experience. Diego is jumping up and down, laughing like a crazy person, and you’re doing your best to stay upright, which is difficult because it’s been a while since you were five.

Outside, you can see Alexia, arms crossed, watching you with a look that’s a mix between amusement and something else—something that looks suspiciously like jealousy. You bounce awkwardly, trying to maintain some semblance of dignity, but Diego is relentless. He’s now trying to get you to jump higher, and you’re seriously starting to consider if this is how you go—death by bouncy castle.

After what feels like an eternity (but is probably just ten minutes), you manage to escape, stumbling out of the bouncy castle like you’ve just survived a natural disaster. Diego is still inside, shrieking with laughter, blissfully unaware of the drama he’s just caused.

You make your way over to Alexia, who’s watching you with that amused, slightly irritated expression still firmly in place.

"Having fun?" she asks, her voice dripping with sarcasm.

"Oh, tons," you reply, wiping sweat from your brow. "Best day of my life”

"You know, I’m not the jealous type," she begins, her voice low and dangerous, "but what’s mine is mine. End of story”

You can’t help but laugh, because of course Alexia would be jealous of a five-year-old. It’s ridiculous, and yet, somehow, perfectly understandable. "I think I’ve been claimed by someone else," you say, grinning. "You might have some competition”

She rolls her eyes but you can tell she’s not really mad. At least, not in the serious way. "He’s got good taste," she admits grudgingly, "but don’t let it go to your head”

"I wouldn’t dream of it," you reply, leaning in to kiss her cheek, because you know that’s what she wants, even if she’ll never admit it.

The rest of the party is a blur of forced smiles, endless small talk, and more sangria than you probably should’ve had. Diego pops up a few more times, always eager to drag you back to the bouncy castle or show you some new toy, but each time, Alexia is there, gently but firmly steering him back toward his actual family.

By the end of the night, you’re exhausted, and Alexia is finally starting to relax, probably because Diego has finally passed out somewhere, giving up on his quest to monopolise your attention.

As you leave, hand in hand, you glance back at the house, wondering how long it’ll be before you’re back here again, playing the role of the supportive girlfriend in a family that still doesn’t quite get it. But then Alexia squeezes your hand, and you realise it doesn’t matter. Because at the end of the day, what’s hers is hers, and what’s yours is yours, and that’s all there is to it.

Besides, next time, you’ll be ready. You’ll bring your own bouncy castle and show Diego who’s boss.