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longitudinalwaveme · 4 years ago

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The CW Rogues: My Biggest Gripe With the 2014 Flash Show

In many ways, the CW Flash show is what got me into comics. While I had watched (and loved) Justice League and Justice League Unlimited and read loads of DC guidebooks as a kid, it wasn’t until I saw a clip from the 2014 CW Flash show that I really got invested in the DC Universe. While I had already started watching B:TAS (and loving it), Batman wasn’t what got me into comics. No, that was the Flash...or rather, it was Captain Cold. While watching a clip from the Justice League episode Flash and Substance on YouTube, I saw a link to a clip from “Family of Rogues” (from Season 2 of CW’s Flash). Intrigued by the premise, I found the show on Netflix, watched the entire episode, and was hooked. Not only was the Flash just as nice as he had been on Justice League, but two of his Rogues were siblings, and they actually cared about one another. I wanted to know more, so I looked Captain Cold and the Golden Glider up. My research into Cold and Glider led me to the other Rogues, and soon I became a Flash fan. I watched the show, I re-watched “Flash and Substance”, I read articles about the characters from the comics...and eventually, I started reading the comics themselves. I loved the characters and the lore, and I enjoyed the generally lighthearted tone of the books even into the modern era. Unfortunately, as I learned more about the comics, I grew less and less interested in the 2014 TV show. It made too many alterations to character I liked in the comics...and eventually, I basically stopped watching the show out of frustration. Ironically enough, by getting me into comics, the show alienated me from itself....and a big reason for that was the way it handled the Rogues. Here’s a rundown of the CW Rogues, and why I was frustrated with most of them.

1. Captain Cold. I actually enjoy Captain Cold on the CW show; he’s recognizable as Len Snart and his sarcasm game is on point. (It doesn’t hurt that Wentworth Miller is really attractive, either). His relationships with Lisa, Mick, and Barry are fantastic, and it’s a relief to have him be treated as a competent threat. That being said...he’s a bit too suave for Captain Cold, isn’t he? Silver Age Cold thought he was suave, but he wasn’t; and modern Captain Cold is middle-aged, grouchy, and very rough around the edges. His smooth, suave nature reminds me more of classic Sam (the original Mirror Master) than Captain Cold.

2. Heat Wave. Dominic Purcell did a great job with the role he was given, and physically he’s an excellent match for Mick. That being said, CW Mick is very different from the Mick in the classic comics, who was a bit dim-witted and rather gentle and sweet for a supervillain. CW Mick, by contrast, is, as I think @gorogues put it, “Hothead McAngryman”, which wouldn’t be so bad if it didn’t seem to have bled back into the comics themselves. Villains with fire powers being hotheads is a bit overdone, so I’m not thrilled to see comic Mick being put into that role.

3. Golden Glider. Hands down, Lisa is my favorite of the CW Rogues. Despite the fact that her costume and power set are completely different than they were in the comics, they managed to get her personality down pretty well; making her just as dangerous and competent as the boys. Flirtatious, crafty, devious, and yet still at least somewhat sympathetic, the CW version of Lisa Snart takes home the gold for the best adaptation of a Rogue. If only they hadn’t completely forgotten that she existed.

4. Pied Piper. Note that I have not seen his Season 6 appearance, so I’m just judging this based on his appearances in Seasons 1 and 2. Piper is disappointing; in his first appearance he wasn’t as fun as Silver/Bronze Age Piper or as sympathetic as modern Piper, and I’m not crazy about the idea of him being motivated primarily by revenge on Wells/Thawne, since that wasn’t his motivation in the comics at all. I also don’t remember him being able to puppet or hypnotize people with his music, which is too bad, since that’s his main schtick in the comics. What’s more, if you want to reform a character, don’t do it offscreen via reality warping and then forget about him for four seasons. It sounds like his Season 6 appearance was better, but I haven’t seen it so I can’t comment on it. Also, “the Pied Piper” is kind of a nonindicative name if he doesn’t play a pipe/flute.

5. Trickster II (Axel Walker). Axel was actually decent in the CW show. I still like comic Axel better, but they got the gist of his character down and even made him a bit sympathetic. In fact, he’s probably in the top three best Rogue adaptations that the CW did.

6. Trickster I (James Jesse). I love watching Mark Hamill play CW’s Trickster...but man, he is not playing Giovanni Giuseppi on the CW show. He’s playing the Joker with a different name. It’s especially weird since we know from JLU and that one short where Mark Hamill plays himself, the Joker, the Trickster, and Swamp Thing that Hamill can do a non-Joker Trickster and do it well, so my suspicion is that it was just because Trickster was also the Joker in the 1990s Flash show (where he was also played by Mark Hamill). Regardless, murdering random people and threatening to blow up small children during Christmas is not something the Trickster should be doing.

Although this does prove Mark Hamill could do a live-action Joker. I’d pay money to see that. Mark Hamill is a great Joker.

7. Weather Wizard. CW Weather Wizard isn’t egregiously bad. He’s not out-of-character like Trickster, and he’s not boring to watch, but at the same time it feels like there’s something missing. Maybe it’s because he doesn’t quote Twain. Maybe it’s because there’s not the sense that he was a loser before he got his powers. Maybe it’s because they changed his origin completely (and also made him older than Clyde for some reason). It could even be because he’s not wearing a green leotard with a huge collar, puffy sleeves, and ridiculous elf boots. Whatever it is, though, he’s just missing that spark that makes me like comic book Wizard so much.

8. Mirror Master I (Sam Scudder). I don’t know how you make Sam Scudder more boring than New 52/Rebirth did, but somehow the CW version of the character pulled it off. Granted, Cold had already stolen some of Sam’s characterization, so that didn’t help, but they could’ve leaned into his skills as an inventor or his love of showmanship or something. Instead, we got a generic thug with what was basically Evan McCulloch’s power set. Boo! Boo I say!

9. Top (Roscoe/Rosa Dillon). The Brave and the Bold Top is more interesting than the CW version, and he doesn’t even have spoken lines! That’s how boring this Top is. Also, the gender swap was pretty pointless. I wouldn’t have minded a female Top if she’d been intelligent and creepy and snobbish in the way that Roscoe is, but why even bother changing the gender if the character is going to have such a minor role? They also substantially depowered the CW Top, since Rosa can’t spin at super speed and isn’t telekinetic. A massive missed opportunity.

10. Mirror Master II (Evan/Eva McCulloch). I can’t comment on how good of a character Eva is, since I haven’t watched any of the episodes with her in them, but I will say I am disappointed that the character does not seem to be Scottish, does not have Evan’s weird sense of humor, and lacks his tooth gap.

11. Captain Boomerang (George “Digger” Harkness). Not only did he not actually appear on the Flash, but he was also boring and didn’t even seem to have an Australian accent. I was very disappointed with his role in the CW.

And now for characters who aren’t Rogues:

-CW Eobard is really good. I have no real complaints about him.

-CW Grodd is also really good, though I do wish he was from Gorilla City as per the comics rather than a lab experiment.

-CW Magenta got most of the important character beats down but felt a bit out of place with Barry as the Flash.

-CW Shade was possibly even more boring than CW Sam, which is saying something.

-CW Zoom didn’t really feel like Zoom at all. Not only was it weird to see him fighting Barry and not Wally, but he was just a generic serial killer and didn’t have Zolomon’s unique outlook on the world. The loss of his time manipulation powers was likewise disappointing.

-CW Jay is really good. I love him.

-CW Jesse Quick has very little in common with her comic book counterpart; I like the comic version better but don’t actually mind the CW version all that much.

-CW Wally is decent enough, though I don’t see why they couldn’t have kept him as Iris’ nephew rather than making him her brother. Also, they didn’t use him nearly as much as they should have.

-CW Barry I generally like a lot; Grant Gustin is a good fit for the character. That being said, I do wish they hadn’t given him the dead mom origin, which was a retcon I am not fond of.

-CW Iris is quite good (in the first three seasons, at least); she’s intelligent, loyal to Barry, dedicated to her job, and quite independent. The fact that she and Barry were foster siblings in the CW universe is kind of weird, though, since it makes their romance kind of awkward.

-Joe West is not Ira West (Iris’s father in the comics), but I actually don’t care. Joe West is made of awesome. (I like Ira too, but I like Joe enough that I don’t mind having him replace Ira.)

-The Fiddler on the CW had very little to do with the comic Fiddler.

-I’ve never been particularly invested in the Thinker (comic or show), but I will say that the CW’s version of the character was very different from his comics counterpart.

-CW Ragdoll was just as creepy and unsettling as comic book Ragdoll, though he had a very different backstory.

-I never expected Baby Josh to make it into the CW, let alone as a gender-swapped teenager named Joss who wanted to kill Weather Wizard. It felt like they never knew where to go with her character, though, so it was a wasted opportunity. At least she didn’t die like poor Baby Josh, though.

-Big Sir in the CW show is a MASSIVE improvement over the comic version. This is probably the only character I will say this about. Though I will say that I kind of wish he’d gotten his stupidly ugly comic book costume even though it would’ve made no sense.

-Peek-a-Boo is a pretty solid adaptation of her comic book counterpart.

-Rainbow Raider (Prism) is much better in the comics than on the CW show, where he only existed to be a boring plot device.

-Linda Park dating Barry was weird, but they actually did a good job with her character before she vanished.

This is not intended as a criticism of anyone who likes the show or its characters; it’s just me musing about my personal problems with it.

#flash rogues #flash comics #flash cw #barry allen #wally west #iris allen

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always-and-forever-pan · 3 years ago

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MCU Vs. DCU in Character Arcs

The DC universe made me care about their villains, gave them better backstories and semi redemption arcs more in 1.5 movies than the MCU gave any of their characters in 23 movies, 3 short TV shows and numerous shorts.

And I'm honestly kinda mad about it. Mostly because MCU is one of my 3 most favourite fandoms of all time. They're my go-to action movies. But I've only seen Wonder Woman, Birds of Prey and am watching Suicide Squad as I type this.

To make a villain likeable, to bring them back to a hero or an anti-hero, or even just make them a villain we stan, you need to show something that views can get behind, something to make them relatable. Most commonly that's empathy, understanding of wrongdoing, and an active desire to fix their wrongs.

It's why the Winter Soldier works so well, we were given this assassin who's cold-blooded, deadly, the worst of the worst, but once he is a person again he's soft, he feels bad, he's actively trying to make up for it even though it's not truly on him.

And in direct parallel, we have Deadshot, a cold-blooded assassin working for money, deadly, one of the worst people. But then they put him in a team setting and within hours of meeting the team he has formed enough of a relationship with them to literally risk his own head to not have to kill one of the members. And when Harley's plane is shot down any way he is visibly upset and another teammate actually says "You couldn't have saved her".

And we love both of those characters for that. We want that! We NEED that! But where the DCU was able to do that on a smaller scale for some of their others, the MCU didn't do that for anyone else.

(Warning for some salt from here on)

And I hear you arguing "Oh Wanda showed empathy", and sure they showed her feeling bad in CA: CW but the context of that scene, and the lines they gave her made it so she was feeling bad because people were saying mean things about her and not because she accidentally hurt and killed people.

Like don't get me wrong, I was so excited when they decided to make Maximoff's MCU characters because what little of the comic I have seen made me STAN them. But the MCU butt fu*ked those two raw and I'm PISSED.

Like honestly they had the twins join a terrorist organization. Had Wanda mess with Tony's head making her an accomplice to the creation of a murder bot. Had Wanda mess with the teams head and then Bruce's so the Hulk would go on a murderous rampage with no one to stop him. Had them willingly working with Ultron, only to switch sides when he wanted to kill the entire world instead of just a few people making it seem more like a move of self-preservation than actual good motives. Then summed the movie up by saying "Oh her brothers dead so that good enough".

Only to turn around in the very next movie and have her show 0 empathy about the people who died past "They're saying it's my fault". Then they backed it up by her causing physical harm to some she's supposed to love with 0 hesitations.

Then the next time we see Wanda she's with the same guy we just watched her put through god knows how many floors, and within minutes of them being on the screen together she is refusing to allow him to choose between his life and the lives of half the universe. She is an accomplice to the decision of sacrificing an entire Black nation to save her white presenting boyfriend only to decide otherwise at the very last minute as her boyfriend begs her to kill him (Which in itself, MCU WTF!!!).

Even in endgames when she goes up against Thanos they give her some shitty line about "You took everything from me". They made her character revolve around the love of a man like she wasn't a complete person in her own right without him. They made her fighting Thanos seem like she wouldn't have if Thanos hadn't gone for Vision at the base of it when they could have had 1000+ other lines to make it seem like she was fighting for the right things and not just 'cause boy, love'.

The next time we see Wanda she has enslaved an entire town of people. Is forcing them to act against their will and for her enjoyment. The one person woken up while under the influence talks about how it hurts. And then they brush it off with some quip about how the people should be happy because Wanda wasn't doing it with malicious intent, that it was an accident. But still, Wanda shows absolutely 0 remorse for what she's done.

Now having said all of that let's compare her to Harley Quin. Harley Quin also willingly joined a terrorist, in her case, it was a person and not an organisation but still. The first we see of Harley in Suicide Squad we see her enjoying the pain and suffering she's causing, we see her willingly killing people including herself. And they summed it up with "Oh she did it cause she loves him" which I have some massive issues with.

We see Harley willingly steal, and kill, and hurt over the course of both movies. And yeah it's not making her a hero by any standards. But the DCU never tries to push that she's a good person either.

But what they also do is show us a Harley who is affectionate, who wants friends, who mourns when she thinks her love has died. They make us see ourselves in those little moments. They make her funny to offset her heavy crazy weirdness. They show us Harley who is empathic with her team and later with Cassandra.

They make Harley an anti-hero when they have her turn down bringing her love back in favour of saving people. Something the MCU did the opposite of with 'WandaVision'.

Do you see how those are different? Do you get why I can get behind Harley but not Wanda? And I will always say it but I hate that they made Wanda so HARD to like because if you ignore the red flags she is a BOSS ASS BI*CH.

And they did it to Tony as well, gave us so many likeable characteristics and boss moves, but never actually bothered to address personality flaws that lead there. They just made him go from 'not a single F for anyone else' to 'all the F's for everyone except me'.

They did the opposite to Rogers, made him go from 'countries and governments may be flawed but a single dictator having power isn't okay either' to 'I am going to ignore 117 countries and do what I want anyone even if it kills/hurts/maims your citizens because governments are wrong and I know best'

And I'm not saying that one is better than the other, actually, I kind of am saying that DCU did better than MCU here but the point is you cannot expect an audience to love and support a character you are unwilling to show to have humanity, to have empathy. And I really hate (Mostly out of jealousy) that the DCU, a fandom I'm not in was able to get that and the fandom I am in is still wandering in the dark with problematic lessons being relayed to us.

I JUST WANT A REDEMPTION ARC THAT DOESN'T MAKE ME HATE THE MOVIE IS THAT SO HARD!

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dawnquafam · 4 years ago

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FINE after months of seeing you reblogging stuff about dc shows i have decides to cave in and watch them so how many shows are there, what are they called, and in what order should I watch them? how dare you make me curious via gifs and enthusiasm

JOIN ME IN MY JOY AND SUFFERING (also this is gonna be a Lot more than what you were probably expecting, bear with me lol)

Ok, so there are seven shows: Arrow, The Flash, Supergirl, Legends of Tomorrow, Black Lightning, Batwoman, and Superman and Lois. That list is in order of premiere date (though Flash has a backdoor pilot in Arrow 2x08-2x09, plus the intro of two other leads in 2x19; Legends has its backdoor pilot in the 2015 crossover; Batwoman in the 2018 crossover; and Clark and Lois had a few appearances in Supergirl and a couple crossovers before Superman and Lois, but there was no official backdoor pilot), so if you wanna take it by oldest first and watch one show at a time, that’s your watch order.

(Little note: I think Black Lightning technically didn’t become part of the Flarrowverse until the titular character’s cameo in last season’s crossover, and since this season is its last, I don’t really know how much that counted for. It’s the one show on that list I never got into, so I can’t say much about it. Additionally, Supergirl s1 was on a different network, so her involvement started off a little funky, but she moved to the CW for s2, so in s3 she was fully integrated.)

However, as you've probably guessed by now, this universe is very interconnected. There’s plenty of minor crossover like references and cameos, a couple smaller crossovers and those backdoor pilots, and then every season (except this year for obvious reasons) there’s a big universe-wide crossover. So watching one by one like that might not be the best way to do this.

The big crossovers are as follows (with the eps listed in watch order):

2014 - Flash 1x08, Arrow 3x08 2015 - Flash 2x08, Arrow 4x08 2016 - Supergirl 2x08, Flash 3x08, Arrow 5x08, Legends 2x07 2017 - Supergirl 3x08, Arrow 6x08, Flash 4x08, Legends 3x08 2018 - Flash 5x09, Arrow 7x09, Supergirl 4x09 2019/20 - Supergirl 5x09, Batwoman 1x09, Flash 6x09, Arrow 8x08, Legends 5x01

(Additionally, The Flash and Supergirl have a couple crossovers of their own: Supergirl 1x18, with a tiny follow-up in Flash 2x17, and Flash 3x17, with a little lead-in from Supergirl 2x16. There might be others between the other shows, but if there are, I’ve forgotten them lol)

The 2014 one started things off pretty small and simple, but, as I mentioned, 2015 was Legends’s backdoor pilot, and they only got bigger and more involved from there, up through the 2019/20 crossover bringing about Arrow’s ending and leaving lasting repercussions throughout the Flarrowverse. I didn’t start watching Supergirl until s3 was over, so you can miss out on a show or two and still enjoy and understand what’s going on for the first few years at least, but once you hit that 2017 crossover (maybe even the 2016 one), if you’ve only seen one or two of the shows it would probably really start to detract from your viewing experience. So I think I would recommend this:

Start with Arrow s1-2. You could probably throw in Superman and Lois too, if you wanna get that going since it’s only got 2 eps rn (it airs Tuesdays) - the pilot opens with a recap of their story, and I don’t recall any references to the other shows yet, so you should be fine. But from then on, I’d take it in half seasons - watch each show up to the crossover, then watch the crossover, then finish out the seasons, adding in each show as it premieres. For example, once you finish Arrow s2, watch Flash 1x01-1x07 and Arrow 3x01-3x07, then the crossover, then keep going with the rest of their seasons. It makes binging more complicated, but more background knowledge on the shows and characters makes for fewer spoilers (though if you’re jumping in based on everything I’ve reblogged, you probably already know plenty of spoilers lol) and a more enjoyable viewing experience.

That leaves you with a watch order something like this:

-Arrow s1-2, 3x01-3x07; Flash 1x01-1x07; optional Superman and Lois s1 -2014 crossover (Flash 1x08, Arrow 3x08) -Rest of Flash s1, 2x01-2x07; rest of Arrow s3, 4x01-4x07; start Supergirl s1 here if you want -2015 crossover (Flash 2x08, Arrow 4x08) -Rest of Flash s2, 3x01-3x07; rest of Arrow s4, 5x01-5x07; finish Supergirl s1, 2x01-2x07; Legends s1, 2x01-2x06 -2016 crossover (Supergirl 2x08, Flash 3x08, Arrow 5x08, Legends 2x07) -Rest of Flash s3, 4x01-4x07; rest of Arrow s5, 6x01-6x07; rest of Legends s2, 3x01-3x07; rest of Supergirl s2, 3x01-3x07 -2017 crossover (Supergirl 3x08, Arrow 6x08, Flash 4x08, Legends 3x08) -Rest of Flash s4, 5x01-5x08; rest of Arrow s6, 7x01-7x08; rest of Legends s3-4; rest of Supergirl s3, 4x01-4x08; start Black Lightning s1-2, 3x01-3x09 here if you want -2018 crossover (Flash 5x09, Arrow 7x09, Supergirl 4x09) -Rest of Flash s5, 6x01-6x08; rest of Arrow s7, 8x01-8x07; finish Legends s4; rest of Supergirl s4, 5x01-5x08; Batwoman 1x01-1x08; finish Black Lightning through 3x09 -2019/20 crossover (Supergirl 5x09, Batwoman 1x09, Flash 6x09, Arrow 8x08, Legends 5x01) -Rest of Flash s6-7; rest of Arrow s8; rest of Legends s5-6 (7 hasn’t premiered yet); rest of Supergirl s5 (6 hasn’t premiered yet); rest of Batwoman s1-2; rest of Black Lightning s3-4; and finally Superman and Lois s1 if you waited for them

Which I know looks like a mess, but it’s probably the closest thing to watching all of them together as they air. Granted, I don’t know how well this works, because I’ve been into this universe since Arrow was the only show and have watched most of the others from day one, so I’ve never really had to catch up like this. So if there’s another, simpler way you wanna watch, go for it! Whatever works best for you. This universe is worth the effort of getting caught up.

The one thing I would not recommend in any watch order: Don’t start with Legends. Not only is the 2015 crossover its backdoor pilot, the majority of its original cast started as side characters in Flash and Arrow. You’ll be missing a lot of backstory if you jump in there. Every other show has largely original characters, but in its first couple seasons, Legends really built on what Arrow and Flash started.

(Additionally, if this affects anything for you: Batwoman and Superman and Lois will never be on Netflix. (American Netflix, at least, not sure about internationally.) Every season of the older shows is/will be there, but due to the debut of HBO Max, the two newbies got different deals.)

#i am absolutely open for more asks or messages if you have questions #i realize that was a big info dump lol #flarrowverse #dawn answers stuff #willlatree

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theastrophilearchitect · 4 years ago

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February 2021 wrap-up.

Every book, audiobook, tv show and movie I consumed in February.

The phrase ‘wrap-up’ is so boring. I want to talk about books, TV shows and movies, so I can’t even call it a ‘reading wrap-up’, however pleasingly alliterative that sounds despite the fact that ‘wrap’ actually begins with a W. One of my favourite YouTubers, polandbananasBOOKS (that capitalisation is loud) calls her wrap-ups ‘Stories I Ate This Month’ which I love, but using exactly that seems wrong. I genuinely debated calling this ‘My Media Diet’, but the word ‘diet’ has so many negative connotations to me, so I dropped that. Besides ‘wrap-up’ all in lowercase followed by a full stop is aesthetically pleasing.

The Hunger Games and Catching Fire by Suzanne Collins (audiobook) I’ve read this series countless times. I read the series first time through six years ago, and, after finishing it, I just kept rereading it during silent reading time at school, so God only knows how many times I’ve read it at this point. This is actually the second time I’ve listened to this audiobook, and I still, of course, love it. When I first read it, this book stuck with me. It was the first teen book I ever read and, most unfortunately, put me into a dystopian phase. However, we got over that. I’m good now. I promise.

You know what this is about, but here it is anyway: in a dystopian future (of literally just North America, it never mentions what’s happening anywhere else), a country called Panem (literally the whole of North America) is divided into the luxurious, utopian Capitol, and thirteen districts, all of which gather or produce something for the Capitol. Some of the districts live in poverty, while others are afforded some luxuries but nowhere near those of the Capitol. It never really explains how this system came to be, but then there was a rebellion against the Capitol in which District Thirteen was destroyed, and every year two teenagers from each district are chosen to compete in the Hunger Games, where twenty-four tributes are put in an arena together to fight to the death, and the last person standing emerges victorious. It feels so strange to talk about the basic premise of this book without going into the rest of the trilogy, but I’ll leave it here.

I hate how the media washes this book out and plays it off as just another love triangle, which it barely even is. It has such an important message about society, and the fact that the media does that just proves how accurate it is. I can’t believe when I first read it I was actually Team Gale, but in truth I think that was just because I liked Liam Hemsworth better than Josh Hutcherson, which I still do, but not the point. Anyway, the narrator is excellent.

I’m not giving these booksa rating, both because it’s a reread and I like to base ratings off my initial opinion, and because the first time I read this book I was literally a small child, and part of my love is the nostalgia.

The Invisible Life of Addie LaRue by VE Schwab

This was the first book I read with my eyes this month, and I ended up getting the ebook because it was just so much cheaper than getting a physical copy - I may have invested if I loved the UK cover as much as the US, I’m ashamed to say (above is UK). It was not what I was expecting.

This book was much more contemplation-heavy than I was expecting and actually very light on plot. In 1714, Adeline LaRue runs away from her wedding and prays to Gods, wishing to be free, and is answered by the darkness, who makes her a deal: he grants her immortality, and she promises him her soul when she doesn’t want it anymore. He, wanting her soul, twistedly grants her freedom by cursing her to be forgotten by everyone she ever meets. Three hundred years later, she meets someone who remembers her.

It’s really about life, freedom and time - there’s no direct message or moral, at least not that I picked up on, but it really makes you think. I do enjoy that in a book, but not as much as one where i just love the story. I generally prefer books where I’m rooting for the characters, and it’s full of ships - the kind of stories you would write fanfiction about, but this is the kind of book that I think will stick with me. I take issue with how cliché the ending was, though.

Anyway, I’m not actually sure how I want to rate this. As a British teenager, I’m not actually that familiar with lettered ratings, and I don’t really want to use stars, but I think I’m going to suck it up. Maybe I’ll think of something else eventually.

Rating: 4.5 stars - books that get five stars from me are generally based on the enjoyment factor, but this book deserved more than four.

Arrow Season 1

I’ve been semi-interested in the Arrowverse/DC TV universe for a while, and finally took the opportunity to delve in. This show is so insanely CW - everyone has that look, it has that tone and it takes itself way too seriously. By the 23rd time you’re hearing it, the recap becomes painful to listen to.

This was the first show in DC’s saga - the show picks up as Oliver Queen returns home from being stranded on an island for five years after a cruise ship sank. When the ship went down, his billionaire father sacrificed himself to save Oliver, and left him with a list of ‘the people poisoning [his] city’. Upon returning home, Oliver becomes the vigilante who will eventually become known as ‘Arrow’ or ‘Green Arrow’ (currently unclear; I’m not a comic book person) but is currently dubbed just ‘the Hood’ or ‘the vigilante’, with the goal of taking down the people on the list. It’s very intense.

It took me about ten episodes to actually get invested - which is nearly seven hours watch time - but, ultimately, I’m glad that I did. Aside from the excessive CW-ness of this show, I love the characters and I want to see what happens.

Still, why is everyone so obsesses with Laurel? What’s so great about Laurel? I don’t get it. Felicity is 10000% the best character - she’s relatable, cute, and I high-key ship her with Oliver.

This little rant of mine was unintelligible.

Rating: 4 stars

Guardians of the Galaxy

I’m not explaining what this movie is about. Honestly. This was just a rewatch: I’m currently rewatching every MCU movie in chronological order (as in, starting with Captain America: The First Avenger instead of Iron Man). For every TV season I finish, I watch a a movie, and I alternate between movie series, one of which is, at the moment, MCU films. It’s hard for me to briefly explain my weird watching patterns.

I love this movie so much. It was the first really upbeat MCU movie, and I love the characters.

I don’t really have much to say about this, but if you haven’t watched MCU movies, please watch them. Even if you don’t want to, this movie is absolutely worth watching and you don’t need to watch any other MCU movies for context.

I Am Not Okay With This Season 1

I’m reeling from this show. I literally can’t tell whether or not this is getting a second season; it seems like it was meant to, but then got cancelled, and now I can’t tell.

This show follows a high school student named Sydney. She’s your typical outcast, and isn’t interested in getting ‘in’ - she’s best friends with a girl named Dina; they both came to their school around the same time and ended up friends, though Dina is your typical pretty girl. Then Syd discovers she has powers that operate based on her emotions, and I really don’t want to say anything else. But it does star Sophia Lillis and Wyatt Oleff, who you likely know as two of the kids in IT (the clown movie, not like computing).

Honestly, episodes 1-6 were very chill, more focused on teenage life than her powers, then episode 7 brought it. Up until the end of episode 7, I enjoyed the show and would be happy to watch a second season, but I wasn’t particularly invested or excited by it. Then episode 7. I would love a second season of this show. I have to at least know where the writers were going with it.

This show came out last year, and I only just got to it, but I can’t believe I haven’t heard anybody talking about it. It’s intense, it’s entertaining, and the first season will only take up about two and a half hours of your time (it’s seven 19-28 minute episodes).

Rating: 4 stars

Blue Lily, Lily Blue and The Raven King by Maggie Stiefvater

I listened to The Raven Cycle audiobooks in 2019, and I’m not sure why because I didn’t even enjoy them that much. I did, however, decide I wanted to read Call Down the Hawk, the first book in the spin-off series, and that meant I had to reread The Raven Cycle since I had paid so little attention to the audiobooks, which I started in January and I love this series. Not what I expected from a reread of a series I paid virtually no attention to, but here we are.

This is book 3 in The Raven Cycle series, book 1 being The Raven Boys, which is a paranormal book in which the protagonist Blue, is the only non-psychic in a family of psychics, and has been told her whole life that if she kisses her true love, she will kill him. Then, on St Somebody’s Eve (Mark’s? I want to say Mark’s but I’m not sure), when she goes with her aunt to see the spirits of the people who will die in the next year, she sees one of the spirits, a boy from Aglionby Academy, the local private school, meaning he is either her true love, or she is the one who kills him, which in her case, could very much be both. Then that boy schedules a reading with her psychic family to help him find an old Welsh king, and there is so much more than that to this glorious series, but I’ll stop here.

I think my main thing in books and general media is the characters. They have to follow some kind of sensible plot, but if I’m not invested in the characters, I can’t get invested in the story. I genuinely don’t think I’ve ever been so in love with a cast of characters, not even in Six of Crows - this story is so character-driven, and I can’t get enough. This was an excellent continuation, and so much happened, but it did feel like its purpose was just to set up the final book, so I didn’t enjoy this one quite as much as the previous two.

Rating: 4 stars

As for The Raven King - this was the last book I read this month, finishing it on the morning of the 27th because I knew I would have very little reading time from mid-afternoon until twenty-four hours later.

In complete honesty, I found the climax of this book to be a little rushed - we spend the whole series aware that Gansey’s looking for Glendower, but it never seems to be more prevalent than just their general investigations as to what the hell is happening. As a result, when it came to that in this book, it felt a little out of the blue (no pun intended).

Regardless, this series so well balances strong characters and strong plot where so many others fail, and I love it.

Rating: 5 stars

Fate: The Winx Saga Season 1

This show is a live-action rated-15 Netflix adaptation of one of my favourite childhood shows, Winx Club. And, honestly, you can tell.

I tried to watch this objectively, instead of complaining about how they cut some of my favourite characters and changed so many (Tecna, Riven, Beatrix, Stella, Brandon etc.). While I was upset about some of the cuts, I can agree that they were best for the story. Where in the original, every fairy had their own unique powers, this adaptation splits it into five elements: fire (Bloom), water (Aisha - on another note, screw Aisha, honestly), air (Beatrix), earth (Terra) and mind (Musa), though Stella still has light powers? Which is never explained?

Anyway, this follows teenage Bloom as she discovers she’s a fairy and goes through her first year at a fairy school called Alfea.

I’m not going to go too deep into this because I have so much to say about this show that i think I’m going to make a whole separate review rather than bore you with it now.

Quality-wise, this show was mediocre, but enjoyment and nostalgia raise its rating for me because I’m biased.

Rating: 4 stars

Ninth House by Leigh Bardugo

This is both Bardugo’s first adult novel and her first novel not set in the Grishaverse. I read the Grisha trilogy for the first time years ago and didn’t like it that much, but followed that right up with the Six of Crows duology which I loved. I read King of Scars in 2019 when it came out, and started listening to the King of Scars audiobook just before I started reading this in preparation for Rule of Wolves at the end of March.

I loved this. I don’t think I have anything to criticise quality-wise - the characters had depth, there were plot twists and strong subplots, the world was incredibly well built, and the only thing that got me to put this book down was taking a week to start working on my own writing project (post coming soon). Because I took that week completely off reading, this book took me about two weeks total from start to finish, but it was so worth it.

This novel follows Alex Stern, a twenty-year-old whose friends have all been murdered. She was found beside one of them who died of a overdose, with the same drug in her system. But Alex can see ghosts, and, soon after her friends’ deaths, is consequently offered a scholarship to Yale University, on the condition that she works for the ninth House of the Veil to monitor the activities of Yale’s secret societies.

In complete candour, I found this book somewhat convoluted, though most of that was probably mainly my own poor reading comprehension. Regardless, I loved the plot, and am very highly anticipating the eventual release of its as-of-yet unnamed sequel.

Rating: 4.5 stars

Crooked Kingdom by Leigh Bardugo

So I actually finished this audiobook briefly after finishing Blue Lily, Lily Blue, but I’m tacking it on here because I forgot to add it to the list and already explained my Grishaverse experience in my Ninth House comments.

So, yes, I love this duology, and it really opened a new compartment in my writing brain, even though I haven’t really taken advantage of that writing brain until now (again, post coming soon).

King of Scars by Leigh Bardugo

I am realising I’ve read eight books this month, and nearly half of them were by Leigh Bardugo. Which makes sense, considering how much I enjoy her books.

This book is slower-paced than most of hers, but it does follow two (one of which splits again) completely separate storylines, and is still excellent and entertaining.

I listened to this for a recap before Rule of Wolves is released on March 30th.

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omniversalobservations · 5 years ago

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Fandom Mashups Are On The Rise

Fact: Two fandoms are better than one. When your favorite fictional worlds collide, it’s a mashup made in fandom heaven. Fandom mashups are becoming more popular, with crossovers popping up in TV shows and movies, fan art, original cosplays, and even new collectibles, making pop culture hybrids a top trend in the geek world.

Fandom mashups have such a powerful impact because they join together two groups of extremely passionate fans — or two halves of your own geeky heart. While products and entertainment moments that feature themes from two separate worlds may be a little more niche — not every Dungeons & Dragons fan would get schwifty with Rick and Morty — they have the ability to draw fans from one property into another. And the most accessible way for companies to pull off this concept is with gotta-have-it merch — and lots of it. With the right properties and the right fan bases, the collaborations can be seamless and maintain the integrity of each brand.

Take FOCO’s line of Game of Thrones MLB Bobbleheads, for example. The cross-licensed series pairs Major League Baseball players and mascots with Game of Thrones characters and settings. The first series merges three distinct bobblehead styles — the Iron Throne, the Night King, and the Ice Dragon Viserion — with mascots and branding from all 30 MLB teams.

“We definitely think it’s an emerging category, this cross-licensed mashup that we’re going to explore,” says Matthew Katz, licensing manager at FOCO. “… We tried to make sure we had the right balance. You don’t want to go too far one way or the other because you want to capture the people who are superfans of either baseball or Game of Thrones, and then capture those people in the middle as well.”

The bobblehead collaboration started off as a partnership for MLB’s theme nights, during which every fan who walks through the stadium gates gets a promotional item, like a bobblehead. The promotion opened the door to a conversation on how to expand at retail, especially for people who couldn’t make it to the promo nights or desired a more high-end collectible than the ones handed out at the games.

A unique aspect of pop culture mashups is that it gives the creators a bit more freedom in playing around with storytelling. The Night King was an ominous Game of Thrones villain, but he’s a bit more lighthearted when he’s wearing team-themed armor and ditching his spear for a baseball bat made of ice with the team’s logo on it.

“Developing a non-traditional product line like this gives a fresh perspective and allows a fan who has love for both brands to get a refreshed look,” says Josephine Fusezi, MLB’s vice president of global consumer products. “Being able to play with key elements from both baseball and Game of Thrones gives the consumer something different and refreshing. It also gives us an opportunity to have a little fun with our fans.”

Response to the first bobblehead series was so positive that FOCO quickly developed a followup series in just six weeks, featuring characters such as the direwolf, the Kingsguard, and a White Walker, available now for preorder. New MLB theme nights began in June for a Netflix Stranger Things collaboration, too.

Fans will also know exactly who to call with Hasbro’s new Ecto-1 Ectotron figure. The Transformers universe already has heroic Autobots, evil Decepticons, and now ghosts! The iconic Ecto-1 Cadillac from the 1984 Ghostbusters movie is now a Transformers robot — a converting Paranormal Investigator called Ectotron. The figure comes with its own Proton Pack and Slimer accessory, and it converts between Ecto-1 and robot in 22 steps.

This year marks the 35th anniversaries of both Transformers and Ghostbusters, making it an ideal year to combine the best of both franchises. A five-part origin story from IDW Publishing will also be available this year, giving fans insight on Ectotron’s background.

“Brand anniversaries not only allow us to celebrate a franchise, but we can also tap into nostalgia around a brand,” says Tom Warner, senior vice president for the Transformers franchise at Hasbro. “The Transformers and Ghostbusters brands are filled with waves of millennial nostalgia as new parents share the toys and brands they loved as children with their own kids.”

Ectotron preorders sold out within 24 hours after the figure was revealed at Toy Fair New York in February, so additional preorders were made available. Fans should also be on the lookout for other potential Transformers and Ghostbusters collaborations soon, according to Warner.

“On the surface, the Transformers and Ghostbusters franchises may seem vastly different; however, they share more in common than one may expect,” Warner says. “Both have two passionate fandoms, sharing a mutual bond over out-of-this world storytelling rooted in science fiction. When combining both worlds, our goal was to create stories and a product that stays true to the origins of both brands.”

The Avengers movies are probably the most well-known, most popular crossovers, but they weren’t the first. Think of all the “most ambitious crossover event in history” memes that circulated around the time that Infinity War came out — and how we were reminded of Disney Channel’s That’s So Suite Life of Hannah Montana, which came out in 2006, or 2003’s The Rugrats Go Wild, in which the band of babies met Eliza and her family from The Wild Thornberries, on Nickelodeon.

Entertainment crossover content is so successful because fans of these franchises can see all of their favorite characters interacting in situations they normally wouldn’t, like when the Teenage Mutant Ninja Turtles visited Gotham in Batman vs. Teenage Mutant Ninja Turtles (2019). In this movie, the heroes in a half-shell and the Dark Knight team up when Shredder joins forces with Ra’s al Ghul, and all of the heroes need to work together to defeat the combined might of the Foot Clan and League of Assassins.

These crossovers can also span multiple age groups, such as Sesame Street’s “Respect Brings Us Together” campaign. Two commercials launched in April featuring Elmo and Cookie Monster, one of which starred the notably at-odds Lannister siblings from Game of Thrones. And if anyone can convince Cersei and Tyrion Lannister to get along, it’s Elmo.

Fan demand for this type of content is loud and clear, as is the case with The CW’s DC Universe. The network has created crossover content yearly since 2014 through its DC TV shows, starting with Arrow and The Flash. At the time, in December 2014, the two-part Arrowverse crossover between the two shows was the most-watched December telecast in seven years for the network, and the most-watched episode for both shows since their respective series premieres.

In 2016, the network’s #DCWeek event delivered The CW’s most-watched week in six years, featuring a four-night DC crossover between Arrow, The Flash, Supergirl, and DC’s Legends of Tomorrow. The CW’s fifth-annual Arrowverse crossover last year, Elseworlds, introduced Gotham City and Batwoman into the mix, and concluded with a tease of the Crisis on Infinite Earths crossover, set to air this fall.

The ratings for The CW’s crossover events clearly show that fans crave this content, and it’s safe to say we can expect more of it in the future.

Pop culture mashups also come from the most important community: the fans themselves.

While manufacturers and entertainment companies have the power to bring pop culture mashups to the masses, fans can express themselves through cosplay and fan art — without the shackles of licensing rights getting in the way. And here, creativity is key. Out-of-the-box fan mashups, including one-of-a-kind cosplays and stunning illustrations, all have one thing in common: They fuse two things that would likely never be together otherwise.

Eric Proctor is a digital artist at TsaoShin who draws vibrant fantasy pieces, with a heavy focus on pop culture artwork. His gallery features bright, fun, and whimsical pieces that incorporate characters, such as Stitch from Lilo & Stitch and Toothless from How to Train Your Dragon.

“For me, the crossovers are a Venn diagram where the two circles completely overlap of things that I absolutely love,” Proctor says. “So, any crossover that I’m currently doing is going to just be just that I love A and I love B, and I’d love to see A and B together.”

Proctor is currently working on an ongoing Grumpy Cat and Disney series, which had accidental roots. Proctor bought a new rig and tablet for his illustration setup and was practicing with his new equipment. He sketched out the iconic The Little Mermaid scene in which Ariel is singing on the rock with water splashing around her, and because he doesn’t like drawing people, he drew in Grumpy Cat as a last-minute decision. He showed it to his friends, expecting to delete it, but then people asked him what Disney scenario he was going to put Grumpy Cat into next — and the series was born.

“I say that I love both of those things, but one of the things I felt so guilty about making that particular series is that I really, really love Disney, but I’m putting Grumpy Cat in a scenario where it’s just ruining it,” Proctor says. “It’s this little bit of dark humor where you’re like, ‘I really love Disney, but honestly if Grumpy Cat was in it, this is probably what would happen.’ So it’s taking something that’s a little sacred and then ripping it to shreds a bit. I think the humor was one of those things I had to play around with.”

Proctor is currently working on his next Grumpy Cat Disney installment, a Cinderella-themed piece titled “Bippidi Boppidi No.” It will show the scene from the animated film in which the fairy godmother grants all of Cinderella’s wishes, but with everything completely ruined, such as a pumpkin dress, Lucifer the cat being the size of a horse, and other mishaps.

“It’s one of those situations where it’s so easy to imagine a lot of those crossovers together; they seem so real and fitting that it just feels like a marriage of two ideas that you’ve enjoyed both of those things so much,” Proctor says. “For me personally, when I look at a crossover that just succeeds so well, I just get so happy because someone else saw the thing that put those two things together and they made that real.”

With pop culture mashups, fans get to express themselves in a whole new way, and manufacturers and entertainment companies are taking note of the increasing fan demand and creative potential. The possibilities are limitless.

Source: The Pop Insider

(image via DeviantArt)

#unofficial #Beauty and the Beast #Grumpy Cat

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myhahnestopinion · 6 years ago

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THE AARONS 2018 - Best TV Show

I stated last year that 2017 was the year Peak TV broke me, with too many shows spread across too many services, with many more on their way. 2018 was the year I learned to let go of the fact that I will never be able to watch every show, and to just be content with all the great shows I was able to catch. Here are the Aarons for Best TV Show:

#10. Barry (Season 1) – HBO

A simple premise that could initially be dismissed as prestige TV’s over-fascination with anti-heroes mixed with Hollywood’s over-fascination with itself, Bill Hader’s dark-comedy about a hitman who moves to LA to pursue an acting career quickly develops into a complex examination of post-war PTSD, a deconstruction of television tropes, and, simultaneously, just one of the funniest shows of the year. With veteran comedic talent like Henry Winkler and surprising break-outs like Anthony Carrigan to bolster a firing-on-all-cylinders Bill Hader as the titular character, Barry says “Yes, and…” to every opportunity to mix its hilarity with harrowing content to pitch-perfect results. While the premise, which feels dangerously close to slipping into Dexter territory by season’s end, may end up unsustainable at this level of quality, for now, Barry is a sure-fire hit, man.

#9. Dear White People (Season 2) – Netflix

More than weathering the backlash to its misnomer title, as well as the political climate that feeds into that backlash, Dear White People channels all that rage, frustration, misunderstanding, and fear into an oft-livid, oft-cathartic, and always witty season of television. Funny while never losing its firm focus, the most amusing aspect of Dear White People is perhaps the absolute joke it makes of the idea “diversity of thought” is mutually exclusive from “diversity of people” through the deft writing of its exceptional ensemble cast, who take turns shining in episodes that range from a groovy neo-noir mystery to an emotionally-eruptive bottle episode, culminating in an intriguing cliffhanger that suggests Dear White People has plenty left to address.

#8. Daredevil (Season 3) – Netflix

Just as Wilson Fisk clawed his way back up to being the King of Crime throughout the third season of the superhero drama, Daredevil clawed its way back up to the King of the Marvel-Netflix collaborations (and back onto this list following its nod all the way back in the 2015 Aarons) with a storyline based on the acclaimed “Born Again” comic-book run. While the show continues to have significant failings (including, most egregiously, the literal fridging of a female character in this latest batch of episodes), it’s easy for viewers to become blinded to them thanks to the chemistry of its main trio of friends, its renewed fixation on weighty thematic content, and, of course, its impressive fight sequences, including most notably the now-requisite one-take fight sequence that takes the form of an expansive prison riot this go-round. While the series has now been cancelled, solace can at least be found in the fact the show underwent such a creative rebirth before its untimely demise.

#7. American Crime Story: The Assassination of Gianni Versace (Season 2) – FX

Ryan Murphy’s anthology series may have been working with less well-known true-crime material in its second outing, but the resulting exploration of the sinister systemic forces that influence such shocking stories is no less resonant. True-crime has several difficult hurdles to clear to not feel like cheap exploitation, and American Crime Story strikes the right balance to its appropriately disturbing portrayal of the heinous acts by framing them through the devastating impact they have, not only on the direct victims, but on the whole of a society more concerned with reinforcing homophobic power structures than with the pain and horror such structures produce. The season’s reverse-chronological structure not only makes for compelling storytelling, but seems perfectly suited for the way in which the series traces the sins of America’s modern day to the crimes of its past, creating impactful television.

#6. Supergirl (Season 3b-4a) – CW

Supergirl’s continually-increasing confidence and complexity has sent the series soaring to new heights with its pointed fourth season, which distills its obvious real-world political influences into an effectively universal rumination on the insidious nature of bigotry, the trials of public perceptions, and the necessity of hope. It remains to be seen whether Supergirl can stick the landing with its lofty ambitions, which deserve appreciation regardless, but grounding its dynamic superhero storytelling in the inspirational performance of lead Melissa Benoist, as well as a further push for inclusivity with the introduction of television’s first transgender superhero Dreamer, makes for television that is quite super, girl.

Hey, it’s my awards show. Let me pun.

#5. Better Call Saul (Season 4) – AMC

Better Call Saul’s fourth season appeared to reach a breaking point in regard to its overlap in cast, stories, and timeline with its parent show, it’s an aspect that could be read as a significant flaw or as the greatest strength of a great season. It’s easy to lament the loss of the quirky lawyer comedy the show was in its earlier episodes, but this mourning is perhaps reflective of the soul-wrenching moral descent of Jimmy McGill, spiraling harder and faster in wake of last season’s tragic ending. It’s painful in all the right ways watching the excellent cast lead their characters to fates both known and unknown, making for a momentous (and still endearingly offbeat) season of television that recalls the finest moments of Breaking Bad, but just might be arguably better.

#4. BoJack Horseman (Season 5) – Netflix

In a series renowned for its gut-punches, the underlying message of BoJack Horseman’s fifth season might be the most difficult to grapple with: No amount of regret, good intentions, or tragic backstories excuses BoJack or entitles him to a happy ending. But that’s no reason not to continue to seek healing. Netflix’s animated adventures of anthropomorphic animals continues to be one of the most important and affecting examinations of toxic relationships, mental illness, and the cycles of abuse in art. The fifth season’s added meta-narrative allows the show to deconstruct the uncomfortability of its own representations, and the toxicity in its own fanbase. At a time when questions of abuse and reconciliation not just in Hollywood, but everywhere, rage in our cultural consciousness, BoJack Horseman provides a powerful way to grapple with these issues… and make them digestible through its quick-witted wordplay, visual gags, and general horsing around, as always.

#3. Legends of Tomorrow (Season 3b-4a) – CW

If you were to travel back in time to just a few years ago, it would feel unbelievable how big the CW’s interconnected superhero universe has become... and that DC’s Legends of Tomorrow would lead the pack in quality. However, the once middling show really went the extra mile in spicing things up. Sending a talking, telepathic gorilla back in time to kidnap a young Barrack Obama? Combining elemental energies to form an enlarged Tickle-Me-Elmo rip-off named Beebo to take down a Time Demon? Having your Time Demon played by classical actor John Noble, and then having an episode in which the characters travel back in time to the set of the Lord of the Rings movies to record the voice of John Noble, playing Denathor, playing himself in order to trick a character into believing that John Noble’s John Noble voice is in fact the voice of John Noble’s Time Demon character?? It’s hard to believe that these episodes exist in any show, let alone all of them (and so much more) in one. This zany energy, accentuated by a game cast and an embrace of its misfit nature, reflected in the character’s diversity in both backgrounds and powers, have allowed the show to finally rightfully claim the title of legendary.

#2. Atlanta (Season 2) – FX

Much like the last entry on this list, it’s impossible to know what to expect when one sits down to watch the latest episode of Donald Glover’s uncanny comedy Atlanta, which, when it first appeared on this list two years ago, was aptly described as like a never-ending Christmas. Whether banding together its group of rising comedic talent (including Zazie Beetz, Brian Tyree Henry, and Lakeith Stanfield) or spinning them off into their own madcap adventures, Atlanta continued to surprise and stupefy in style in its sophomore outing. Once again weaving insightful socio-economic commentary into sitcom premises cranked up to ten and funneled through an idiosyncratic vision, Atlanta’s quality remained as lush and bold as evergreen lantana.

That one’s not really a pun, but, again, this is my awards show, so no one can stop me.

AND THE BEST TV SHOW OF 2018 IS...

#1. The Good Place (Season 3) – NBC

When The Good Place began, it was met with a caution concerning its long term sustainability, but in its now third season, the show’s penchant for blowing up its own premise at every opportunity can be clearly seen as the confident strokes of a long-gestating story. Even within its absurd afterlife of bizarre predilections and oddball characters, the show never loses sight of its stirring humanistic core, which found new resonance in an inspirational third season premise that provides hope and happiness in the seemingly most dire of circumstances. While, as of this writing, it remains to be seen in what ways the show might again radically alter its make-up heading into the confirmed fourth season, but, based on the bonzer quality of the entire show thus far, it might be time to start considering that we’ve all been in the Good Place this whole time.

NEXT UP: THE 2018 AARONS FOR BEST TV EPISODE!

#tv #TheAarons #TheAarons2018 #TheAaronsTV #bestof #bestof2018 #barry #dearwhitepeople #daredevil #americancrimestory #supergirl #bettercallsaul #legendsoftomorrow #bojackhorseman #atlanta #thegoodplace #goodshows

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that-shamrock-vibe · 7 years ago

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Point of Interest: Why the Legion of Super-Heroes Introduction is Important to the Arrowverse

So with Supergirl on a break as the CW has seen fit to alternate Mondays between Supergirl and Legends of Tomorrow in 2018, I thought I'd give my opinion on one of the show's major plot-points this season which is the introduction of the futuristic Legion of Superheroes and also validate why I feel this is one of the shared universe's greatest strengths at present.

Backstory:

So who are The Legion? Well in the comics they debuted in Adventure Comics #237 way back in April 1958 as a team based in the 30th Century who were founded by teenage Superman superfans Lightning Lad, Cosmic Boy and Saturn Girl in honour of their idol Kal-El aka Superman. As the decades have gone on and the fanbase has increased for the team they have become more of a mainstay in the comics and now serve almost as the futuristic version of the Titans or Young Justice team being a law enforcement organisation with its own rules and regulations for protecting the peace.

Throughout the years and several reboots the team has recruited many “Legionnaires” including Superman while he was still teenage Superboy, Brainiac 5, Supergirl, Mon-El and Superboy aka Kon-El. There are also many others however none have been introduced in any media outside the comics or as fan-service cameos when the Legion has appeared in the DC Animated Universe.

Arrowverse Version:

While this isn’t the team’s first appearance in live-action, it is the first major recurring appearance having only made minor appearances or cameos beforehand which I will discuss further down. Having said that, during the first half of the season they have pretty much been in the background as a team aside from episode 10 which was titled “Legion of Super-Heroes” so it makes sense they were in the foreground for that one but the three episodes that followed before the mid-season break did not really focus on them as a team and instead individuals, more specifically Mon-El and his arranged marriage to Imra despite his feelings for Kara and also Brainy being jealous of Winn. Also it does seem as if we are not going to see any more Legionnaires outside of these three and personally I feel that is a missed opportunity for the show and the Arrowverse at large.

Now of course as I stated before Mon-El has been a member of The Legion in the comics before however in the most recent incarnation as I think it has been through two reboots in the team’s tenure. However everyone did guess that when Mon-El went through that portal at the end of Season 2 that he was going to the future and would join The Legion. However I do not think anyone expected him to start up the team let alone lead it because again he’s never done that in the comics. Some fans have theorized that this version of the character is a composite of both Mon-El and Superboy from the comics which I find personally weird because that would effectively make him and Kara cousins but maybe that’s a thing on Daxam and Krypton and who are we to judge? But also it is stated that Mon-El formed the Legion of Super-Heroes in honor of Supergirl and I personally do not like that even though it’s her series because the team is supposed to be a Superman fan club and changing the foundation of a long-standing team such as this is just in service to the girl power theme the show constantly pushes.

For instance in Gotham recently they have made Barbara Kean the new Demon’s Head as she is now the leader of the League of Shadows...however from what was teased in the reveal it does seem it is going to be largely focused on the Sisters of the League which is a deviation from the comics but a different spin which I personally like. But if the Legion of Super-Heroes has no deviation from the source material and is supposedly the same team that it should have the same foundation, especially considering Superman has already been introduced into the series and we have seen a Legion Flight Ring in the Fortress of Solitude suggesting he has already met them...

Saturn Girl is the only founding member of the original team to be introduced into the Arrowverse and personally I am okay with that because of the three I find her the most interesting. I am not too keen thus far on Amy Jackson’s performance as she seems more robotic than Brainiac 5 and he is essentially a robot whereas Imra is supposed to be an alien woman from Saturn’s Moon of Titan, which on a side-note is another example of there being co-morbidity between DC and Marvel because of course Titan is the homeworld of Marvel supervillain Thanos which we will apparently visit in the upcoming Avengers: Infinity War. Irregardless I do like how they have depicted her telepathic powers so far, again they have not shown much but in terms of being an actual vigilante she is the one to get the most screen-time as she teamed up with Supergirl, Livewire and Psi on that mission to Fort Rozz. Again this does seem like Supergirl as a series pushing the female agenda given that the character’s introduction to the series was announced at the start of the season and Brainiac 5 who is male was only announced when he was introduced in Episode 10.

Speaking of Brainiac 5, I am a massive fan of all things Brainiac. I think in his original form he is a superb supervillain and a perfect nemesis for Superman. He has had many great incarnations in various media including TV Series’ both animated and live-action most recently Krypton which I am starting to watch along with everything else I am watching and my uni work, but also in video games most notably Injustice 2. In the comics Brainiac 5, also known formally as Querl Dox is originally thought to be the great-great-grandson of the original Brainiac who is ashamed of his ancestor’s villainous deeds and makes it his mission to atone for them by joining The Legion. However it is later revealed Brainiac is in fact an android and Querl Dox descends from Brainiac 2 but is apparently cloned from Brainiac 1. It’s all very confusing and to be fair Supergirl does nothing to even address Brainy’s origins so unless you want to know it’s not something you have to know. I am not overly keen on Brainy’s design, for a start he’s blue whereas in the comics he’s green and secondly he has hair that makes him look like Doc Brown from Back to the Future as opposed to the shorter more youthful blonde look he has in the comics. I do appreciate them using the three dots motif that the original Brainiac is known for and also that Season 1 villain Indigo aka Brainiac 8 also had despite that fact Brainiac 5 usually does not sport them in the comics and they do make the character look slightly cartoonish.

On the subject of Indigo, there is thus far no mention or reference to suggest that Brainy and Indigo are in any way related to each other despite the fact that one is called Brainiac 5 and one is called Brainiac 8 and they both come from the same planet just 10 centuries apart from each other. Also it is slightly puzzling that a modern day Brainiac is called 8 whereas a futuristic Brainiac is called 5 but I digress. I know I haven’t really reviewed Supergirl as I have done with Arrow and The Flash but again since starting uni I cannot fit in episodic reviews of shows I watch anymore because I barely have the time to do movie reviews these days, but just to get my thoughts out there I really disliked how Indigo looked. Firstly she looked more like Mystique than how she does in the comics, again if they had made her green it would have been more faithful. Also Laura Vandervoort tried god bless her but her superhero heyday was as Supergirl in Smallville.

Now the series has referenced another Legionnaire, I think Mon-El mentioned having a friend in the 31st century named Ayla who in the comics is the Legionnaire codenamed Lightning Lass who is the sister of founding member Lightning Lad. The team has stated there are at least three unidentified members other than themselves so both Lightning Lass and Lightning Lad could be members as well as Cosmic Boy because the latter two along with Saturn Girl have always been the founding members in all incarnations of the team. However again why there has been no mention of a Rokk or Garth even by Imra yet there has been mention of an Ayla is maddening to me because again it’s pushing the female members of the team more than the original and faithful members.

On a final note about this universe’s version of the team. I do not like the fact the team are uniformed identically, it really annoys me. As much as I love the X-Men film franchise it annoys me about them too because it almost strips them of their identity. Particularly when you consider Team Arrow, Team Flash, the Legends, every supervillain depicted and even Black Lightning all have costumes similar to the comics.

Previous Versions:

As I mentioned earlier this isn’t the first incarnation of The Legion outside of the comics, the first that came to my attention was on Smallville Season 8 which is also a CW DC series and in my opinion did more in 1 episode to establish the team than Supergirl has done in the series so far. For a start they introduced the team with the original founding members Cosmic Boy, Lightning Lad and Saturn Girl, they established the team was founded on what they believed was Superman’s ideals, also they allowed the creation of Brainiac 5 and depicted the origin of said character in a more organic way than established here. Yes they went straight from Brainiac to Brainiac 5 by simply reprogramming the original which I guess brings in the clone angle from the comics but either way it was pretty straight forward and the recurring villain that James Marsters brilliantly portrayed for 5 seasons on and off transitioned into the reformed hero when he returned in Season 10. Also Supergirl is briefly a member during Season 10 as she goes to the future before going off to fight in the war on New Krypton.

Other than live-action the team has made multiple appearances in animation, firstly in the DC Animated Universe of the 90s-Early 00s and then in their own, albeit short-lived, series trying to capitalize on the success of the original Teen Titans series.

Benefits to the Arrowverse:

So now we’ve gone over who the Legion of Superheroes are, why do I believe the team are one of the stronger current installments to the Arrowverse?

Well the Legion’s primary base of operations is in the 31st Century, now yes while the Earth-38 (Supergirl’s reality) variant of the team is currently operating in present day, they could easily travel back to their own time and even take Supergirl with them to see what the future is like either if Reign remains victorious or after she is defeated.

However as has been stated numerous times, the Multiverse consists of 53 different realities including 16 numbered Earths, 5 unidentified Earths and the Nazi ruled Earth-X. Also it his widely known that there are various doppelgangers of most characters. Barry Allen of Earth-1 has an Earth-2 counterpart as well as Killer Frost, Cisco Ramon, Ronnie Raymond, Martin Stein, Iris West, Joe West, Nora Allen, Oliver Queen, Robert Queen, Floyd Lawton and David Singh as well as Earth-X counterparts of Kara Zor-El, Oliver Queen, Tommy Merlyn, James Olsen, Felicity Smoak, Winn Schott and Leonard Snart. Also seemingly a Harrison Wells on every Earth. So it does stand to reason that on at least a couple of Earths there are variants of the Legion of Superheroes.

Also because the team operates in the 31st Century, Barry Allen or the Legends could travel to the future and meet them in order for the team to ally them in a mission. This could also introduce new members including founders Cosmic Boy and Lightning Lad, that’s just on Earth-1. Also it is a public fan-theory that Smallville exists on one of the 53 Earths which already has its own Legion team so that is already another variant right there.

I do not believe the Legion can hold it’s own series for the pure and simple reason that Legends of Tomorrow is already a team series and the similarities are too close. However they could easily become recurring support for Supergirl, the Legends or Team Flash potentially in a future four-way crossover or a two-part story in one of the four series’ the universe comprises of.

So what do you guys think? Do you think the Legion of Superheroes has a place in the Arrowverse or do you think they’re just a plot-device on the current season of Supergirl. Post your comments and check out more DC TV posts as well as other posts.

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dailycandicekpatton · 7 years ago

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On the Coastal Tip of Jamaica, actress Candice Patton stands barefoot in a sheer yellow dress before settling turquoise waters. Her arms sway back and forth as the Caribbean air billows through the thigh-high slit. She gives the camera a small smile as the sun radiates off her skin and the tide tiptoes towards the shore. The Instagram boomerang I’m glancing at has now been viewed over 200,000 times by her 1.2 million-user following.

It’s mid-June; a median between two milestones in Candice’s life - two weeks before her 29th birthday, and two weeks after the Season 3 finale of The Flash aired in homes nationwide. The superhero fiction show, based on the DC Comics character of the same name, stars Candice as Iris West, opposite Grant Gustin as the titular hero, Barry Allen. In the last three years, The Flash has garnered over 15 awards, with Candice herself most recently winning a Saturn Award for “Best Supporting Actress on Television”. It makes sense that CBS Watch! Magazine would send her over to the Caribbean for a photoshoot.

The CW star calls me from her residence in Los Angeles on a Friday afternoon, after her trip in Jamaica. I expect her to sound exhausted from her jet setting, but she’s not. To my astoundment, there’s a lot on her mind. I come to realize that, unlike Iris West, Candice Patton is equipped with a power of her own.

The Mississippi-born and Texas-bred thespian participated in school productions and out of school drama programs throughout her entire life. In high school, Candice was a cheerleader until she tore her anterior cruciate ligament during her senior year. The injury kept her benched for the remainder of the season, but allowed her to focus on acting. She ended up pursuing theatre at Southern Methodist University in Dallas the following year.

“Acting was always something that empowered me and gave me joy,” she says. When I was younger, I never really thought about acting professionally, but it gave me a huge outlet for my own personal struggles.” After graduating with a BFA in Theatre from SMU in 2007, Candice moved to Los Angeles, where she has lived ever since. “There’s something about being young enough and innocent enough to think that anything is possible,” she says. “I don’t think I would have made the move if I was older.” As it turns out, making that move would be the first step in her journey towards her television debut.

In Los Angeles, Candice felt she was sucked into an atmosphere bathed in superficiality. To her, home was only a four-hour flight away, but felt much, much further. Immersed in a culture she had never experienced before, she didn’t feel like a perfect fit. “You’re eating new foods and everything’s so healthy and people are obsessed with the way they look,” Candice says. “It was hard for me to feel like I had a place in L.A. or that I was cool enough to think I could even be an actress and contend with all these other people.” In the midst of the culture shock and the absence of southern hospitality, Candice motivated herself to audition for anything and everything. And in doing so, she understood just how unsympathetic the entertainment industry was. “I was getting rejected day in and day out,” she continues. She pauses briefly then says, “I really don’t know how I survived.”

Between her adjusting lifestyle, ongoing rejection, and daunting insecurities, the pressure to cultivate her own niche began to rise. Candice was in the right rooms with the wrong people - managers, friends, and industry outsiders who all had hot takes on how success was achieved in that city. “I was told I had to be a certain weight, or to look more like some other girl,” she recalls. “I felt the pressure of that then and I still feel the pressure of that now.” Despite the unsolicited advice from her peers, Candice continued to do what she knew best - working hard, working well, and committing to her craft. “I had to keep putting one foot in front of the other until something turned around,” she says. “I’m glad I stuck with it as long as I did.” By 2012, Candice’s acting repertoire included appearances on Entourage, Heroes, CSI: Miami, Grey’s Anatomy, Rizzoli & Isles, and The Game. And then came 2013.

In the weeks before pilot season that year, Candice received an email from her manager. Arrow co-creators Greg Berlanti and Andrew Kreisberg were casting for their newest DC Comics series, The Flash. Grant Gustin, who appeared twice on the hooded-vigilante series as Barry Allen, reprised his lead role. The planned backdoor pilot was cancelled in favor of a traditional higher-budgeted pilot by networks executives who were impressed by early screenings of Grant’s appearances on Arrow. The e-mail from her manager read, ‘This is your role. It’s perfect for you.’

The Flash follows the chronicles of socially awkward CSI Barry Allen and the aftermath of his mother’s supernatural murder. Candice auditioned for the role of journalist Iris West, the daughter of Detective Joe West, and Barry’s childhood best friend. “I was thrilled to be going in for a lead female role that isn’t traditionally played by an African-American,” Candice says. “And deep down, I always wanted to be part of some superhero show or film.”

In Season 3 of The Flash, Barry runs back to his childhood home to prevent his mother’s murder. After saving Nora Allen from the Reverse Flash, he creates an alternate reality called Flashpoint. The famous comic crossover story arc details an altered universe in which Barry Allen is the only person aware of the differences between the original timeline and the altered one. This heart-wrenching season of was pieced around Iris’ forecasted murder and Team Flash’s attempt to stop it. It’s clear her character’s resilience is an important sticking point. “Iris is visibly fearless, even when she’s vulnerable. Strong women are capable of experiencing fear, but then choose to find the strength to move forward. That’s what Iris does,” Candice says.

She’s loyal to Barry, to Wally, to her dad, and Team Flash,” Candice continues, noting that Iris spends most of her time at S.T.A.R. Labs than she does at her actual job. “She doesn’t have powers but that doesn’t get in the way of her trying to contribute. I think she’s a character that both men and women can admire.”

The Season 3 finale of The Flash premiered on May 23, 2017, the coincidental date of Iris West’s prophesied death. Fans witnessed the loss, the betrayal, and the fate worse than death - tragedies foretold by the season’s big bad, Savitar, in previous episodes. Above all else, they watched the long-awaited development of West-Allen, the ongoing fan-favorite nickname for Barry and Iris. “This season was filled with so much emotional turmoil,” Candice says, laughing on the other end of the line. “And right when you think they’re back on track and can finally plan their wedding, they can’t.”

In the season’s final moments, The Flash made some poignant, if not complete strides. After conquering the darkness that monopolized Barry’s entire year and the anticipated unveiling of Savitar, “Finish Line” propels the series into potential plot twists and upcoming comic book villains. Regrettably, like most season finales, it’s cut too short. The Speed Force wreaks havoc above Central City, demanding a new speedster to take the place of the beloved Jay Garrick. Barry accepts his imprisonment for creating Flashpoint, leaving Iris, Joe, Wally, and all of Team Flash behind. “It’s The Flash,” Candice laughs. “You never know what you’re going to get. There’ll be more drama.” The conflict is expected, regardless of who ends up in that revered red suit.

Among other running shows on the network, The Flash is notable for their racially diverse cast. The core ensemble is comprised of Caucasians, African-Americans, and Latinos alike, with other minorities starring as citizens or city villains. “The diversity in The Flash is indicative of the world that we live in,” Candice says. “The more we see it on television, the more we resonate with it because it looks like our real life.”

In a 2016 comprehensive report published by USC Annenberg on the Diversity in Entertainment, The CW ranked second in the Television and Digital Distributor Inclusion Index. They were titled “Largely Exclusive” if not “Fully Exclusive” in their high percentage of female character inclusion, as well as female creators and writers. On cable television alone, over 51% of 138 shows lack Asian-speaking roles with 23% lacking African-American speaking roles. As an African-American woman herself, Candice beams with pride when I mention her network’s forefront position of this landscape. “We need more women and we need more people of color in any industry,” she says. “Some people don’t even think about it, and it’s imperative that they do.”

In 2016, Huffington Post surveyed U.S. adults and found only one in five white people believed Hollywood does not provide adequate roles to minorities. Over 60% of white people were pleased by the number of films featuring racial minorities. Black Americans, however, disagreed. 87% believed the entertainment industry does not provide enough opportunities to racial minorities. Candice is one of them. “Diversity is so imperative and I don’t think people quite understand how it changes the way people view themselves,” she says. “If you go to the movies and you see the President of the United States is Asian, you then believe that it is possible.”

After a recent phone call with producers of The Flash, Candice knows a few things about the upcoming season, mainly plot points for her character. “Other than that, I don’t know too much and I don’t want to know too much,” she says. They began filming Season 4 in Vancouver on July 3. “Think of me when you’re watching fireworks and grilling burgers,” she says to me. When filming 10 months out of the year in Canada, the cast tends to miss major holidays - Independence Day, for one. In the other two hiatus months, Candice flies back and forth between Los Angeles and Texas where her parents, brother and baby niece and nephew reside. “I love my job and I’m humbled to do this for a living, but it’s hard being away from friends and family for so long,” she says. “I really cherish the two months I have off with them.” In time, Candice hopes to write and produce her own material, as well as shifting her focus into film - two things that need to be put on hold or shot in between filming The Flash. “There’s a part of me that really wants to have a film career and do gritty, independent features,” she says. “As a woman in this business, I would love to dabble in directing. That would be challenging but fulfilling for me.”

The actress’ passion for diversity is evident in all she does. It’s only one of many reasons why her work in the industry is nowhere near finished, especially with other women of color combatting that same crusade. Candice is on the cutting edge of reshaping the diversity issue in Hollywood, as her idols Lena Hornes and Halle Berry did before. “They cracked the door open for me and I’m trying to keep it open for the young girls who are watching me on The Flash right now,” she says. “Future women of color will come after me and audition for a lead role opposite a white guy, too. Helping those behind you is where true success comes from.”

Two weeks after our phone call, I check Candice’s Instagram. Her most recent post is a video, likely captured by a friend. She’s half asleep on a bed, surrounded by her castmates and closest cohorts singing “Happy Birthday” to her. She briefly turns her head to face them, but almost immediately retreats back into her pillow. The caption reads, ‘When it’s ya birthday but nap is life.’ I laugh to myself before recalling something Candice said to me two weeks ago. “If I never act again, I want people to say I opened doors and broke down boundaries in this industry,” she says. “I know I’ll have succeeded then.” That nap is well deserved, Candice. You’ve got some business to take care of.

#candice patton #candicepattonedit #the flash #theflashedit #nkd mag #magazines #our edits

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davidmann95 · 7 years ago

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It seems Tyler Hoechlin is your favorite live-action Superman, but can you rank the actors from worst to best as you see it (of the current actors, I'm not sold on Hoechlin yet, but I think it has more to do with my dislike of his costume—particularly how the cape attaches—that it distracts me from the character, while Cavill seems to physically look perfect for the part and certainly is capable of the acting and charm, but the script he has to work with is lacking)?

Leaving out Kirk Alyn, John Haymes Newton and Gerard Christopher, since I’m not familiar with their performances:

7. Tom Welling

I feel kind of bad about this one. I grew up watching Smallville, y’know? And in terms of sheer man-hours devoted to the role, Welling has more of a claim to being Superman than anyone other than Bud Collyer. But he…wasn’t great, in retrospect. I suspect it was largely a matter of the material he was given; he did well whenever he actually had something to do, whether as dorky reporter Clark Kent intermittently throughout the final season, or various cases of amnesia/mind control/body-swapping/Red Kryptonite exposure. But outside maybe a sweet spot after he’d grown into the role and before he visibly started to get tired of it, and occasionally when getting to spar with (better) actors like Durance, Rosenbaum, and Glover, he had a weird stiffness when playing regular Clark Kent that for the most part didn’t translate into charm once he couldn’t bank on teen awkwardness anymore, and while that frankly made him a pretty honest depiction of the increasingly dicey version of the character he was written as, it didn’t make for a great take on Superman.

6. Henry Cavill

Cavill’s been more let down by the material than anything else - the unfortunate unifying factor of the bottom three here. When the movies let him be great, he really is great, whether promising Martha that he isn’t going anywhere even after learning the truth about Krypton or fighting for the stories he believes in against Perry White. For the most part though he just seems to be called on to look varying degrees of sad and solemn, asked to call on none of the charm he showed in, say, The Man From U.N.C.L.E. Granted his Superman has a lot to be down about, but there’s no range on display here; I don’t doubt he’s got a great take on the character in him, but for now it’s being kept under wraps.

5. Brandon Routh

Of all the reasons Superman Returns was such a damn shame, maybe the biggest was that it buried any chance of seeing the performance out of Brandon Routh that he so clearly had to offer. He’s a great dorky Clark, a charming Superman, and when the stars line up just right, he really manages to capture the idea of Superman as a melancholy figure - his take doesn’t just seem to be bearing the weight of the world in the philosophical abstract, but much more palpably feels an entire planet crying out for him, knowing he can never save them all but always trying anyway out of unconditional love, very much in line with Garth Ennis and John McCrea’s take on him in Hitman. Unfortunately all that takes up maybe 10-15 minutes of runtime, spending the rest of the movie stalking his ex with a neutral expression until he gets shived by Kevin Spacey and regurgitates Brando at his secret kid. Superman Returns was weird, ya’ll.

4. Dean Cain

I was honestly surprised with myself when I decided Cain won out as the best of the rest outside the big three - I thought for sure it’d be Routh. But the more I thought about it, the more I realized that while Routh’s take is definitely closer to the version of Superman I had in my head, it’s compromised in a way the Superman of Lois & Clark never was: like the take or not, this is a perfect realization of the Superman the creators of the show clearly had in mind. His Clark’s funny, clever, warm, and vulnerable, and while it feels weird for him to be acting that way in the glasses these were the Byrne years, so as an expression of his ‘real’ self it’s pretty on-point. His Superman’s the weaker end, stilted even given it’s supposed to be him putting on a performance in-universe, but there’s such an unironic earnestness there that it typically slid back into charming.

3. George Reeves

I thought for awhile about 2 and 3, ultimately concluding that what was asked of George Reeves was a fair deal simpler. He didn’t much differentiate between Superman and Clark, and his booming radio announcer voice made clear we weren’t supposed to be measuring his performance in terms of whether or not he seemed like a real person. What he was called on to show though, and what he had out the wazoo, was raw charisma. When Jimmy asks him why he burst through a wall rather than using a door and Superman replies with a grin “Well, this seemed a little more spectacular,” you’re 100% willing to buy into that explanation, because yeah, it was spectacular, because Superman’s fantastic. And he could more than hold his own with the best of them when asked to work with more serious material, whether wandering through an amnesic fog in Panic In The Sky with only his instinctive decency to guide him, or here, in the final scene of The Dog Who Knew Superman, where Clark has to deal with a dog not only adoring him, but recognizing him in both identities:

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2. Christopher Reeve

I gave Tom Welling his well-earned due earlier, but if you really want to talk about a guy with a solid claim to being Superman, Christopher Reeve didn’t just embed himself on the psyche of a generation, but is still held up today as the unequivocal standard by which the role is set. In all likelihood he’ll always be ‘the’ Superman, in the same way as Sean Connery will always be James Bond, and Bela Lugosi will always be Dracula. He shone like the sun in the costume, he was believably such a wimpy klutz out of it that no one would guess they were the same even when it was staring them in the face, and if anyone has any lingering suspicions that he just had the easy task of playing two extremely arch roles to the hilt, they might be forgetting this bit:

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Was it perfect? I don’t know about that - if nothing else there were one or two awkward line readings, and the identity division is so sharp that it’s hard to tell when you’re getting a glimpse of the real guy underneath all the identities. But while I definitely question how much of a positive impact on Superman those movies themselves really had in the long run, Reeve’s performance on its own was an undeniable revelation, everything he did reverberating with such a sincere and powerful sense of decency and love for his fellow man that it not only brought Superman to the life, but frankly changed him forever for the better.

1. Tyler Hoechlin

I expected nothing out of this guy. Not that I by any means thought he’d be bad, but when I heard some dude from Teen Wolf was gonna appear on an episode or two of Supergirl, my reaction was about as intense as…well, what you’d expect upon hearing that some dude from Teen Wolf was showing up on Supergirl, even given who he was playing (granted I’ve never seen Teen Wolf and don’t actually especially know what Teen Wolf is, beyond that it’s based on that werewolf-playing-basketball 80s movie written by…wait, Jeph Loeb?!). Looked fine - and it became clear he actually really did look the part once behind-the-scenes pictures started to come out, rather than that godawful original promo picture - and I figured he’d belt out his best Reeve/Animated Series/Cartoon-on-the-side-of-a-cereal-box brand Generic Superman Performance to cheer Kara on before vanishing into the sunset forever outside of the opening credits. I was plenty interested in the potential long-term ramifications of Superman being allowed on TV again in any capacity for the first time since the 90s, given the influence that suggested Geoff Johns had as the new DC President and what that could mean in terms of other characters showing up down the line, but I wasn’t inclined to think of this as anything other than a stepping stone, only notable in its own right because it meant someone would be wearing the s-shield.

Then we actually saw him.

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Where the hell has this guy been all these years? Was he grown in a goddamn laboratory for the part? How did the best Superman ever end up in a minor recurring guest spot on the CW Supergirl show?

It would be so, so easy to leap to the idea that he simply works as a jack-of-all-trades: he’s almost as charming as Reeve, just about as confident as Reeves, nearly as vulnerable as Cain. But that would be selling what he’s doing short - especially given that he probably hasn’t had the opportunity to stretch as far as he could in any of those directions, as his role so far has very much been as Supergirl’s backup dancer. What it comes down to is his general demeanor and how he incorporates those aspects into a whole that feels more fully-realized than any portrayal before him. His Superman and Kent are not only distinctive to the point that within the heightened reality the show occupies you can buy that people think of them as different people, but you can see threads from both of them connecting back to the real Clark you see around Kara. He’s open and warm and authentic in a way none of his predecessors quite were, and he’s able to turn on a dime into steely determination or outright fury while remaining recognizable. He’s above everyone’s heads and vaguely alien at times without ever seeming detached or less than entirely loving of the people around him, able to admit his fears and failings while staying strong and capable of changing for the better, utterly and palpably good without ever sliding into naivete or cartoonishness. In short he has range and nuance, and thanks to that along with the air of laid-back friendliness he brings with him, he more than anyone else to put on the suit feels like a real person. And somehow, that real person feels as much as anyone ever has like Superman. And that’s a hell of an achievement. So someone give him his own goddamn show already.

#Superman #DCTV #DCEU #Smallville #Superman Returns #Tom Welling #Henry Cavill #Brandon Routh #Dean Cain #George Reeves #Christopher Reeve #Tyler Hoechlin #Opinion

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cwdcshows · 5 years ago

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Crisis on Infinite Earths Part Four

And we're back. What does it say about a group of tv shows you watch when you don't miss them when they're not playing for four glorious weeks; and you're actually kind of reluctant to get back into it? I also find it hilarious that a major event like Crisis concluded nearly 24 hours ago and no one on here has posted anything about it. I haven't even accidentally come across any spoilers; no major exclamations of "Arrowverse forever changed by Crisis on Infinite Earths!" or "What does X plot development mean for the future of DC/CW Shows?". Meanwhile when Doctor Who premiered two weeks ago and in the 24-36 hours it took for me get around to watching that, I came across half a dozen posts on Facebook and videos on youtube that, without explicitly saying so, made it clear that (****Spoiler*****) the Master was back and who he was.(****Spoiler*****) That to me, I think, is a spoiler unto itself, after a fashion; the fact that there was no major, earth(s) shattering outcome to Crisis to report or for people to comment on really sets the bar for my expectations going in this and that I doubt anything of consequence is going to come out of the last two episodes. Which I'm not even going to watch back to back, because I honestly don't feel like it. I'm going to try to get to the last one sometime later today, but definitely not right after part four; baring some improbable cliffhanger that's just too good not to see how it concludes. So here we go....

Okay, so they're combining the Monitor's origin story with the Maltusian Krona from the comics. I can dig it, actually. For those who don't know, in the comics, the ancient people of Maltus were one of the first advanced, sentient lifeforms to spring up in the universe. One of their scientists, Krona, was obsessed with studying the dawn of time and witnessing how the universe was formed; in spite of legends that attempting to do so would be catastrophic. His experiments caused time to fracture at the dawn of time, creating the multiverse; where there was originally supposed to only be a single universe. A segment of the Maltusians, I believe at least partly driven by a sense of responsibility to the universe for this incident, would evolve to become the Guardians of the universe, who would go on to eventually form the Green Lantern Corp. Conversely, in the comic the Monitor was basically just some random entity that somehow evolved on the moon of Maltus or Oa; I kind of forget why and don't feel like looking it up. But he was just some super, lone naked dude, hanging out on this moon and came to learn about his doppelganger in the Anti-Monitor universe. Somehow they battled across the divide between dimensions and the fight forced them both into a state of suspended animation; until Parriah's experiments awoken the Anti-monitor (if I'm not mistaken, as a result of accidentally destroying his own universe, which somehow fed power to the Anti-monitor; and gave AM the idea to destroy the other universes in the multiverse). While Krona is conventionally a villain, all in all this works well; merging Krona with the Monitor. Especially since there's still an antagonist element with the Anti-Monitor. Hmmm.... I can't help but wonder if they intentionally lit this scene so that Mar Novu's wife would be cast in a blue light that makes it look like she has blue skin, reminiscent of the blue skin Maltusians have (eventually anyway). I'll admit, this opening sequence isn't bad. The appearance at the end of the Anti-Monitor felt a little hokey, but if they can keep the momentum of the first few minutes going, they might pull it off. Okay, so I'm pretty sure Ryan Choi didn't have a beard in the last episode, which I'm taking to suggest they've been stuck at Vanishing Point for a while; and the main thing I have to say is, i would have given just about anything is they just had all of the "Paragons" have beards. Ryan, Lex, J'Onnn Kara, Kate, Sara. Just like, fuck it, it's been a month and we've all got beards. I laughed a little about Ryan writing that "the Paragon of Destiny doesn't even believe in tomorrow anymore." and it's like, you know.... you are at the end of time, so......🤷‍♂️ Wait, so when Lex replaced Superman, somehow part of Superman's cape got left behind; and Kara randomly walks around with it from time to time? "There is not there out there anymore..." You know, that's actually a good point. Vanishing Point is at the end of time for "Earth" 1; or rather the universe that Earth 1 resides in.... which was destroyed... the entire universe..... from beginning to end....So how the fuck is there still a Vanishing Point? I mean, I know that it was, originally, like a time-frozen base hovering at the instant before the end of time, but in this scenario the Time Masters who maintained all of this tech and the base are gone, the base itself is in ruins; what's keep it....preserved or whatever? For that matter, how is there even enough air, water or food to sustain anyone there for any length of time? Man, Barry just keeps bouncing off of walls, doesn't he?

Hey, look at that, it's all of Oliver's greatest hits.... 😁 "Why would you make me re-live all of that?" Even Oliver Queen lost interest in re-watching the vast majority of Arrow.... Gee, I wonder why Oliver's talking all funny... I bet it's nothing. The reveal of Oliver to the "Paragons" would have been a lot more worthy of rally music they're playing under this scene, if they hadn't fucking just shown us him getting ready to go and meet with them.... "I am Oliver Queen, but I'm also something more...." Come on, you've been unintentionally building to this moment of actually making the whole "something else" line an actually important part of the show and you're going pull you're punches now? As has been brought up with the past installments, the whole Oliver becomes the Spectre thing is fine, but honestly, in typical Arrow fashion the execution is seriously wanting. They could have spent the first fucking 7 or 8 episodes doing a proper build up to that. Defy all expectations by killing off Oliver during the very first episode of the season, maybe right in the opening, and make it seem like his journey over the next couple of episodes was about him and his friends trying to bring him back to life; weaving in the retrospective element, only to subvert it with the reveal of him becoming the Spectre instead. Maybe throw in one last heroic act, where Oliver has the chance to go back, but sacrifices that opportunity to give someone else he meets along the way the chance to be brought back instead - fuck, maybe Mia. Either she dies or gets wrapped up in a bid to bring Oliver back to life, only for her life to jeopardized; where if Oliver didn't give her his chance for life, she'd not make it back. Then Corrigan shows up. Anyway.... Barry asking Oliver for a speedforce boost came off a lot more like a drug addict begging for a fix. So is Ryan's grand plan on Maltus to locate Mar is to...find the central bureaucracy....?

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Where's J'Onn's brother when we need him?

Sigh.....

So they didn't really have any idea what to do with the group of "Paragons" who weren't going to Maltus, or how to make their part of the mission challenging during this installment; so they're going to pad part of four of a five-fucking-part crossover with some bullshit tangent of Barry randomly needing to connect with his memories to find the others? Why can't Oliver (or should it be "Olivre" now? I'm going to start calling him Olivre.) Why can't Olivre keep all them together in the same memory or whatever fuckery he's doing? Why does he have to rely on fucking Barry to make sure they don't all fall out of....Olivre? Why can't he help Barry find them without being cryptic? Why do they even time for this?? Does Barry still have to look for Oliver? And what about Kate? They only met her one other time before all of this shit went down. Either that's the only place Oliver would tuck her away, or Barry has no chance of finding her. Sigh....DCEU Flash....cool..... 🙄 I mean, I am kind of surprised they were a) even allowed to do this level of crossover, or b) that they managed to film it without anyone leaking it. And I did kind of see some hints over the last 24 hours, but I kind of dismissed the likelihood that this version of the Flash would appear. I keep wanting to calling "Mecha-Flash," because his suit looks more machine based than anything else. What DOES this mean? The whole premise that Olivre just laid out to him was that this was......him, Olivre, basically, and/or the speedforce and that he was hiding the others....inside himself or whatever, inside memories to protect them. That wasn't a memory, so now they're not only padding this installment with filler, they're just throwing in random shit for the hell of it. How does an ordinary human walking - not even running, it seems - at average speed, manage to give a Super the slip? I mean, when Supergirl immediately found him, it didn't seem like much of a surprise, because with all her heightened senses it shouldn't have taken any effort to track him down, but by that same token he shouldn't have even gotten more than a few feet before she noticed. For that matter, and not like it's ever stopped them anyhow, but should Kara even have her powers on this alien planet that may or may not be orbiting a yellow sun? Alright, so lets give the writers the benefit of the doubt and assume the "upgrades" Lex gave himself is how he managed to give Kara and Ryan the slip in the first place. So Olivre stuck Kate in just some random old memory from his life; so how the fuck is Barry supposed to locate her? Especially since it's from a memory of Olivre's that Barry wasn't part of.....? Aaaaaaand the memory of Olivre is consciously aware of the likes of the Paragons floating around inside him, but doesn't know who they are or why they're there? Jesus, did the writers decide to try acid before they wrote this shit? I almost asked if that was memory Kara, but it has to be, since actual Kara is on another planet. Which again, planet Maltus was in Universe 1, ostenstibly, which now gone, past, present and future..... How is Ryan not more injured by whatever blast Lex hit him with; you know, being nothing more than a flimsy, fragile human and all? "You left your family because someone you never even met told you you were needed" Did he though? It's been a month, so I don't really remember the point where he was actually on board with all of this shit, but I do remember that when they first told him about the Crisis and asked him to come with them, all he wanted to do was to get back to his family. Which is understandable. And seeing as how they spent weeks at Vanishing Point, how is it that they're only just revisiting this whole "are you sure you got the right person" thing now? Is this supposed to be their way of doing the whole sub-storyline in the comics, where Barry pops up randomly at different points in the past, trying to warn people about the impending Crisis; when he was running around the Anti-Monitor's antimatter cannon to destroy it, just before his death? Because this is super convoluted. Wait, so Barry was tasked with just finding Olivre? All while it was Olivre who told him what he had to do.... what the fuck is happening in this fucking episode? It started out halfway descent; and now I have no fucking clue what is going on. But it's pissing me off, because they're wasting a lot of time on this bullshit. This scene of Barry finding out about Olivre's deal is so fucking weird. The way they shot it without either of them in the same frame makes it seem so disconnected. I kind of appreciate Lex's annoyed confusion that Mar somehow mistakes Lex's voice for that of his wife's. I had to think for a second why Not-Diggle didn't recognize Barry, before remembering when Sara's death would have aligned with The Flash; and was confusing it with Laurel's death, when they definitely would have known who Barry or the Flash was. I forget though, was that scene before Barry's arrival with Jon talking to Laurel about taking up Sara's mantle one that originally happened on the show? I swear that was a slow build up after Sara's death. Sans the blood, I've always loved how Caity Lotz looks in that original Canary costume. I'll never understand why they tried to fix what wasn't broken. "When we were attacked...." "By the Anti-Monitor...." "Doesn't even sound like an actual name...." 🤣 Okay, that was good. How the fuck did Barry track down J'Onn during a memory he wasn't around for, let alone Kate? So first some random bald dude breaks into his lab and manages to talk some sense into him; albeit without offering any great proof that he is who he claims to be, much less prove he can actually help, but hey, he at least had the courtesy of walking through the door like a normal person. Then someone else bursts in, tearing the door off its hinges or whatever and starts issuing threats to the (shorter) bald guy and some other random hairy dude behind her asks Mar to leave the room with him and..... he just does.... yeah, okay. I mean, just the fact that they've gone back in time however many million years or whatever, let alone to another fucking planet without any need to address how or why Mar can understand any of them, it's pretty much just a free for all. Oh, okay; so now that Barry's side adventure has been neatly wrapped up, I guess it's time to pick up the kids from the daycare on Maltus, without so much as stopping to actually check and make sure that they completed the task they set out to do. So what, the Anti-Monitor's argument is that there are an infinite number of Monitors to do what the one Monitor they just convinced to give up on his experiment doesn't do? And yet, by all indication, there was only the one Monitor who took his trip in the first place; otherwise there'd be an infinite fucking number of Mars who originally popped up in the antimatter universe to start with. And I'm pretty sure that given those odds, the Anti-Monitor would have been screwed. The plan is to use the Paragons to...fan the flames to rebirth the universe or whatever, but one of the Paragons is missing and replaced by Lex; which unless by replacing Superman's name with his own somehow made Lex into the Paragon that Superman is supposed to be, their one man down of who they need. Wait, I've seen this fight sequence somewhere before......🤔

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"You have failed this universe." 😐 "We focus. A singular, laser like focus." I feel like I'm about see another familiar scene...

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Somehow I just knew that the thing they were going to have to do would involve them just standing around looking serious and thinking hard. I'm surprised they didn't just go full out Peter Pan and ask the audience to clap real hard to bring the universe back to life. This is some serious bullshit that they aren't even going to try and bring Brandon's Superman back for this climactic moment...and it's done. Yeah, that might actually be the definition of anti-climax. I mean, I know there's still somehow a whole fucking episode left this shit-fuckery, but man, I'm pretty sure they have to think hard to take a dump in the morning. Jesus Christ. Yeah, right, I'm totally going to believe or care that they're suggesting that Olivre is going to die, again. So let see here, they literally killed and resurrected Olivre once within this cross-over, there's still one more episode left to this crossover; and there's still two episodes left to fucking Arrow. So, no, not buying this. I'm sure as hell not buying that they're going to kill Oliver fucking Queen twice without including Diggle.

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themtanalyst-blog · 7 years ago

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10 Things to Looks For This At San Diego Comic Con 2017

With San Diego’s famous international Comic Con kicking off in less than 48 hours (July 20th - July 23rd, Preview Night Thursday July 19th) here’s 10 things fans of any kind will want to look out for this upcoming year on film and television whether or not you get close to the famous stars or not.

1. Teaser Trailer for Infinity War Part 1. and 2.

After D23′s expo which occurred this past weekend which hosted some of disney’s most beloved stars and fans. It gave Marvel fans the hype on something many have been waiting months for. The first official trailer for the Infinity Wars, as it steals the top spot for number 1. The reason for this besides the typical hype that follows any marvel film it was recently discovered that the production of the movie had recently finished filming and is now in phase of post-production. Coming along way from their beginning back in mid-january when they announced the beginning. For sure this trailer is one that will set the bar high this comic con season.

2. Fox’s Gotham Bruce Wayne Finally Batman?!

For all Gotham fans, I might say this coming season is surely one to look out for. Gotham, leaving fans in a tizzy with their season finale is coming back for series 4. Even though it is still unclear on what will happen this new season fans hope comic con will be able to set things in perspective. One things for sure is that billionaire orphan Bruce Wayne will become the crime fighting vigilante that we all know and love. Although he may not be known let alone called batman yet (perhaps later in this upcoming season) we can ensure that he is officially one step closer to unraveling his destiny as Batman. As well as Selena Kyle, Bruce’s love interest as Catwoman.

3. Operation Smile’s Live Stream Panels

As one of many who has not been able to attend San Diego’s Comic Con. A special thanks is needed to Zachary Levi’s Nerd HQ/Operation Smile’s run charity panels to give at home fans a way to enjoy the Con without actually being at the event. So for those like me staying at home bumping news off others actually at the Con, these panels are a real life saver on discovering some of the news first hand on the fly. If interest download the app to catch all the live panels streams.

4. Star Wars “The Last Jedi”

“It’s time for the Jedi....to end” these were the words Luke Skywalker spoke in the Star Wars teaser trailer that dropped early January and continues to stir rumors and speculations around the films future. Including what Luke means in his mysterious message about the force as well as Rey’s training with Luke and if/when Finn will return back to us in the franchise after being injured during his battle with Kylo Ren at the end of The Force Awakens. There has been several news about the Star Wars franchise that the sudden passing of Carrie Fisher has not changed the plot of The Last Jedi film but pre-production writers and analysts had to rewrite the script of the following films to write out Carrie’s character Princess General Leia. Still no word on how the changes and how it will affect the plot of the films going forward. But the excitement surrounding the films will no doubt continue through this weekend.

5. DC’s “The Justice League”

With the set release date of November 17, 2017. It’s no doubt a countdown from now on for many DC fans. After the release of Wonder Woman its no kidding that DC has officially set the bar on their franchise raising from their past failures like Suicide Squad and Batman vs. Superman. Let’s hope this is as good as Wonder Woman’s solo film which so far has exceeded such expectations from and box office or film critic. So far the rumors have kept quiet so far except for director Zach Snyder taking sometime off during shooting due to a personal family matter. There was no word on if film was suspended or taken over by a different director but let hope this sudden hiccup in the filming process doesn't effect the final cut of the movie.

6. The CW Networks Supernatural Returns for Season 13

Season 13 here we come! The Supernatural Fandom has really come along way since Sam and Dean’s adventure in finding their dad, John (Jeffery Dean Morgan), from the yellow eyed demon back in season 1. From the season 12 finale, fans were ended with Lucifer’s child being born, Mary Winchester stuck in a parallel universe with the devil, and everyones favorite angel Castiel having died. A few spoilers that we know of so far is that Castiel does, unsurprisingly, resurrect from the dead, thanks to Jared Padelicki spilling the beans at a recent Supernatural Convention but how he comes back to the land of the living is still unknown to us including what episode it might occur at. The rumors of a Scooby-Doo themed episode is also running around including what will happen during the events of this upcoming season and if it might be their last. So for those of you going to Comic Con please ask if this is true.

7. BBC’s Doctor Who Newest Doctor- A WOMAN!

The Doctor had Regenerated! I repeat he has Regenerated! The series that has gone on for more than 50 years has now accomplished and taken the show to the next level by making their lead, The Doctor, a female. Actress Jodie Whittaker who will reprise the role as the 13th doctor after Peter Capaldi says she's “beyond excited to being this epic journey” -entertainmentweekly. Good Luck Jodie you deserve it! more information about the series journey this season will be answered during their panel at comic con.

8. Blade Runner 2049

More than 30 years after the making of the original Blade Runner Film played by Harrison Ford and made famous by Director Ridley Scott. Blade Runner is back better and ready to take on the science fiction world once more. Set 30 years after the original Officer K, played by Ryan Gosling who seeks the help of Harrison’s character Rick Dechard about information of the Blade Runners and their jobs in society. Nothing much has been said about the film except for the recent release of the films trailers. But it could be possible that another trailer is expected to be released during comic con but so far anything is possible.

9. Netflix’s Stranger Things Season 2!

Eleven is back for season 2! Even though the last season of Stranger Things ended with Eleven in the parallel universe and everything, so far, in our world to be safe and sound. Including Will coming back and The Demogorgon gone everything’s back to normal except for the big impact eleven made on everyone’s lives in the show and its fans. Comic con will shed some light on the newly released poster and trailer as well as teasing on the monster that made its way back to the normal world and how this one is different and/or more harmful than the monster the first season. Can’t wait until October.

10. Jurassic World Fallen Kingdom

With production of the newest Jurassic having recently come to a close a very short time away from San Diego’s Comic Con. It makes sense why a lot of them would attend to spread the word on how this new generation of dinosaurs with cause self destruction on people and its park. right? Anyway, rumors have spread about the ideas of the film based on the title as well as the new characters expected to play in the film in its designated release in June of 2018. Some new comers and veterans include BD Wong’s character Dr. Henry Wu whom we saw in the release of the last film and the return of Jeff Goldblum’s famous Dr. Ian Malcolm. There is still no concrete idea of the films progression into this fallen kingdom that the movie hints about but fortunately for us as fans comic con is here to shed some light on where it will takes us if the possibility of another Jurassic sequel is either in the works as I write this or any ideas of another.

New series premieres to look out for!

-Fox’s The Gifted

-Marvel’s Inhumans/ Defenders

-The CW’s Dynasty

-Netflix’s The Punisher

Returning Shows to look out for!

-CW’s The Flash

-CW’s Supergirl

-CBS’s Blindspot

- Netflix Thirteen Reason Why

-AMC’s The Walking Dead

-ABC’s Quantico

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skiinggray5-blog · 5 years ago

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TITANS: Hawk And Dove Team-Up With Robin In Awesome New Images From The Second Episode

Earlier today, we got the first official images from Titans' premiere episode and now another batch has been released for the second instalment. The episode will be titled "Hawk and Dove," so you probably won't be surprised to learn that they receive the majority of the spotlight in this gallery.

However, we also get shots of Robin in action and more big hints about what the deal with Raven is. There are also some intriguing shots of some possible villains and the heroes in and out of costume.

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hasn't received a particularly good response up until now but a new trailer could turn things around and with screeners being sent out to critics, it probably won't be long until we get a better idea about what to expect. For now, be sure to click on the "View List" button to check out these images.

Say what you will about Robin and his potty mouth but DC Universe has done a great job of bringing him to life on the small screen and had he appeared in the DCEU, this suit would have worked.

It appears as if Hawk and Dove have interrupted Robin during one of his many beatdowns on Gotham City's crooks and the young hero seems to be spoiling for a fight with his two fellow superheroes.

As unnecessarily violent as this show might end up getting, it does appear as if the action scenes will be a highlight. The breaking bones and blood could prove to be a bit much as time goes on, though.

Another good thing about this show is the costumes. The CW has always done a pretty good job but it definitely seems as if quite a bit more money has been spent on these than what we've seen before.

It's been a very long time since we've seen Robin in a live-action setting and as I mentioned above, Titans has handled things well. However, his gloves being stained with blood really isn't great.

I'm not sure who or what this lot is supposed to be but I'm getting serious Gotham vibes from this creepy looking family and that can't be a good thing. The question is, what exactly are they after?

Well, I'm guessing they're on the other side of that door for starters and are probably hunting down Raven. Given her supernatural powers, perhaps the weirdos are actually just disguised as humans.

Dick Grayson takes out some poor thug here and while I'm not sure we needed two angles of this same shot, there's no denying that Robin looks good in action and should have an impressive set of skills.

Alan Ritchson is no stranger to playing a superhero after suiting up as Aquaman in Smallville and playing Raphael in the Teenage Mutant Ninja Turtles movies and it looks like he'll fit right in as Hawk.

This is a great shot of Hawk in action and no matter what else you say about this show, Warner Bros. deserves a lot of credit for adapting his comic book costume to the screen in such a faithful way.

It definitely looks like Robin takes Raven to Hawk and Dove's place to hide her, a plan which presumably doesn't work very well based on that shot of the weird looking family at their door.

Well, don't these two look good together? There's been no mention of Dick Grayson having a love interest in the series but Starfire is one strong possibility unless Oracle has been cast in the show.

Aren't these two a lovely couple? With any luck, we won't get quite as much on the nose imagery as Hawk holding a dove while talking to Dove throughout the rest of the series as it's a tad cheesy.

Another flashback to the night Dick Grayson's parents died, their demise is clearly going to play a huge role in Robin's arc in this series as he attempts to come to terms with what happened to them.

More evidence mounts here that Robin will take Raven under his wing and it's interesting that that's the dynamic this show is going for rather than making them equals when they form this team.

Well, the show is clearly going to earn its R-Rating based on what we see here. I'm not sure what the significance of that tattoo can be so if you have any ideas, be sure to let us know your thoughts below.

Source: https://www.comicbookmovie.com/tv/dc/titans/titans-hawk-and-dove-team-up-with-robin-in-awesome-new-images-from-the-second-episode-a163475

#read more #see more #check it out #interesting #learn more

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movietvtechgeeks · 7 years ago

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Latest story from https://movietvtechgeeks.com/2017-comic-con-must-see-tv-panels-plus-westworld-comes-alive/

2017 Comic Con: Must See TV Panels plus 'Westworld' comes alive

Comic-Con can easily become overwhelming if it's your first time, or even if you've been here numerous times! There are so many panels to check out and things to see, that it seems impossible to get everything all done in just a few days. To help you wade through those endless number of panels, we've laid out the ones you absolutely must check out below. Game of Thrones (Friday, 1:30-2:30 p.m., Hall H) The hottest show on television returns for what's likely to be an artful display of avoiding spoilers. With the season-seven premiere having already aired, the panel will not offer SDCC attendees an early look at episode two. Still, that's an hour of Q&A — moderated by what's being billed as a "special guest from Westeros" — to allow stars Alfie Allen (Theon Greyjoy), Jacob Anderson (Grey Worm), John Bradley (Samwell Tarly), Gwendoline Christie (Brienne of Tarth), Liam Cunningham (Ser Davos Seaworth), Nathalie Emmanuel (Missandei), Isaac Hempstead Wright (Bran Stark), Conleth Hill (Varys) and Sophie Turner (Sansa Stark) a chance to offer up enough of a cryptic tease to go viral. Stranger Things (Saturday, 3-4 p.m., Hall H) Netflix's surprise breakout makes its Comic-Con debut to tease the highly anticipated second season and even unveil never-before-seen footage. In addition to creators (and brothers) Matt and Ross Duffer and exec producer Shawn Levy, returning stars Millie Bobby Brown, Gaten Matarazzo, Finn Wolfhard, Caleb McLaughlin, David Harbour, Joe Keery, Charlie Heaton, Natalia Dyer will be joined by new additions Sadie Sink, Sean Astin, Paul Reiser and Dacre Montgomery for what will no doubt be an animated panel. Westworld (Saturday 4:15-5:15 p.m., Hall H) Now that the show is a proved hit, could the cast and creators of HBO's Emmy darling Westworld offer a tease about the highly anticipated Samurai World? Or will spoiler-phobe Jonathan Nolan keep the cast tight-lipped about the mysteries of its sophomore drama? Still, expect a lively discussion from stars including Ed Harris (the Man in Black), James Marsden (Teddy), Thandie Newton (Maeve), Evan Rachel Wood (Dolores) and Jeffrey Wright (Bernard/Arnold), among others, in a panel moderated by Reggie Watts. The Walking Dead (Friday, 12:15-1:15 p.m., Hall H) In keeping with the show's annual SDCC tradition, the cast and creators of AMC's zombie drama will debut the season-eight trailer and announce a premiere date. And given the timing, expect exec producers including Robert Kirkman and Greg Nicotero to pay tribute to the late George Romero and, possibly, lead the cast in a moment of silence for late stuntman John Bernecker. Set to appear are stars including Andrew Lincoln, Norman Reedus, Jeffrey Dean Morgan, Lauren Cohan, Danai Gurira and Melissa McBride, among others. (We'll miss you, Steven Yeun, Michael Cudlitz and Sonequa Martin-Green.) Timeless (Thursday, 3:30-4:30 p.m., Room 6BCF) How does a show get canceled and renewed in less than a week? A very vocal fan base. While production on season two of the NBC drama hasn't even begun, stars Abigail Spencer, Matt Lanter and more join creators Shawn Ryan and Eric Kripke to say thank you the right way: in person. (And maybe Ryan and Kripke will outline some broad strokes about season two.) Star Trek Discovery (Saturday, 2:30-3:15 p.m., Ballroom 20) Welcome back Sonequa Martin-Green! The actress moves from The Walking Dead to the CBS All Access drama as the cast and producers make their debut at Comic-Con — without former showrunner Bryan Fuller, who exited months ago. Following multiple production delays, will the drama — launching in the fall on CBS before moving exclusively to its digital platform — offer another trailer or screen something more substantial? Here's hoping it's more footage than this lackluster trailer. Still, a seal of approval from the Trekkie-filled ballroom will go a long way as the series faces its biggest mission yet. Guest star Rainn Wilson moderates. Outlander (Friday, 5-6:30 p.m., Ballroom 20) Series showrunner Ronald D. Moore, author Diana Gabaldon and fellow exec producer Maril Davis join stars Caitriona Balfe, Sam Heughan, Tobias Menzies, Sophie Skelton and Richard Rankin to preview season three of the time-traveling romance. Judging by the length of the 90-minute panel, moderated by series fan and actress Jenna Dewan-Tatum, it appears as if fans may get an extra-long look at the new season. Once Upon a Time (Saturday, 10-10:45 a.m., Ballroom 20) The rebooted ABC fairy tale drama brings superfan Yvette Nicole Brown to moderate a panel with producers Edward Kitsis and Adam Horowitz with what's expected to be the Comic-Con debut for a handful of new cast members. (And yes, we're expecting some familiar faces to be there, too.) Marvel TV (Legion and Inhumans: Thursday, 5-7:15 p.m., Ballroom 20; The Gifted and Defenders: Friday, 3:45-4:45 p.m. and 5-6:15 p.m., Ballroom 20) With several new series debuting in the coming months, the comic book company looks to make a big splash at the annual convention with panels for Netflix's The Defenders,ABC's Inhumans and Fox's The Gifted and season two of the X-Men-inspired FX drama Legion. In addition to offering a sneak peek at the series premiere, The Gifted will release a new trailer. Meanwhile, Legion may make some news at it's first-ever San Diego Comic-Con panel. DC TV (Saturday, 3:30-6:30 p.m., Ballroom 20) As the DC Universe expands again with the upcoming addition of black superhero drama Black Lightning, The CW's entire team of vigilantes will, again, touch down at Comic-Con to tout their upcoming seasons. Expect casting announcements at the panels for Arrow, The Flash, Supergirl and Legends of Tomorrow and (potentially) Lightning as well. "Westworld" comes alive this week at Comic-Con, but the fans who visit will have to make the ultimate choice: white hat or black? (Watch the exclusive LA Times video above to see which one this reporter picked.) HBO's immersive, theatrical, and 21+ only "Westworld: The Experience" runs Thursday through Saturday here at the San Diego pop culture confab, offering treats far more intimate than the deluge of marketing that lines every square inch of Comic-Con. A limited number of fans will have the chance to visit "Westworld" this week at the Comic-Con activation, located just outside the convention center, which runs about 30 minutes long and in small groups of only a half dozen guests at a time. Greeted by two hosts dressed all in white, guests are first led through the Delos Destination offices and into a slick gallery stocked with costumes, props, and weapons. "I like things that I can easily conceal," our hostess offered with a smile. "Because we all have secrets." As you enter the personality assessment area, you are told to ignore a door marked “Research and Development.” The door also happens to bear a logo that looks like “SW,” most likely a nod to the Samurai World that was briefly teased at the end of Season 1. After a brief (and surprisingly accurate) personality assessment, a Delos employee decides whether you should receive a white hat or a black hat. With your new hat in hand, you are taken down a dark hallway where you are prompted to watch a brief introductory video, similar to the one first-time attendees watch on the show, though this one features quite a bit more blood. You head down a hallway lined with the ghoulish heads of Ford's previous models and into your own one-on-one personality assessment session. It's meant to determine just what sort of "Westworld" experience it is you've come to find, but like the sorting hat at Hogwarts, the decision has serious consequences. Even before you get to "Westworld," it's a dream come true for fans of the show. Easter eggs teasing the upcoming second season are planted throughout the space. Guests have the chance to interact with several of the park's "hosts" and staff as they're transported to Sweetwater to sip handcrafted libations in the Mariposa Saloon. And at times, it's also just as nightmarish as you'd expect. Keep your eyes open at all times and you might get a surprise or two, some stimulating conversation with the bar's resident hostess (our fave topics: consciousness and robots) -- even a glimpse of the Man in Black. Appointments will be taken in the lobby of the Hilton San Diego Bayfront on Thursday, Friday, and Saturday starting at 9:30 a.m., and the experience runs through Sunday. If you can't get it, don't forget to check out the Westworld panel on Saturday in Hall H at 4:15 p.m. PT and then those autograph signings at the Warner Bros. booth on the convention floor right around 6 p.m. PT.

Movie TV Tech Geeks News

#Comic Con #Featured #Game of Thrones #Timeless #Walking Dead #Westworld

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West Week Ever: Pop Culture In Review - 4/21/17

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Star Wars Celebration (I can’t say that without thinking of Dave Chappelle’s Rick James yelling “It’s a celebration, bitches!”) happened in Florida last weekend, and we got our first teaser trailer for Star Wars: The Last Jedi. Folks seemed to like it alright. I’ve never claimed to be the biggest Star Wars fan, but nothing about this really gave me a Force Boner or anything. That’s probably because Rogue One left such a bad taste in my mouth. Anyway, I’m sure I’ll see it, but it’s not really on my radar.

In other movie “news”, we got the track listing for Awesome Mix Vol 2 from Guardians of the Galaxy Vol 2., which comes out today. Is it just me, or is it weird that Mama Quill gave Peter mixtapes of all the songs that played while she was banging dudes in Camaros? Come on – she was totally that chick! Anyway, there are no real surprises here, as it seems to be in-line thematically with the first volume. Personally, I’m ecstatic that “Come A Little Bit Closer” will be introduced to a new generation, as I’m a huge fan of Jay and the Americans (check out “Cara Mia” if you’ve never heard it).

This rumor came out a few weeks ago, but it kinda floated under my radar: apparently Warner Bros wants to release 4 Batman-centered films in 2019 to commemorate the 80th anniversary of Detective Comics. This slate would include Nightwing, Gotham City Sirens, the Joss Whedon Batgirl, and the oft-delayed The Batman. Nice idea, but there’s no way this happens. DC just doesn’t have its shit together enough to pull this off. Marvel could do it, but they would’ve been planning it since 2012. It’s already 2017 and they expect to crank out 4 movies in 2 years? Shit ain’t happening.

Bring on the teen angst train, as we’ve got two more comic-based series just dripping with it! First up is Cloak and Dagger on Freeform, which looks like the Freeformiest show that ever Freeformed. It’ll be right at home between the show about the deaf girl and the show about the foster kids. I’ve never been a huge Cloak and Dagger fan, but the series follows teen runaways Tandy Bowen and Tyrone Johnson, who were kidnapped and injected with an experimental drug. The drug left Tandy (Dagger) with “light daggers”, while Tyrone (Cloak) has a mystical cloak that transports people and things to a dark dimension. Oh, and there’s that sweet, sweet interracial love/Jungle Fever aspect to things. Based on the trailer, it’s gonna focus more on the love thing than the power thing, which is understandable since powers are expensive on a weekly TV budget. I haven’t heard if this is actually considered part of the MCU, but it’s nice to see the Roxxon sign at the end, so there are clear ties to the universe itself.

The angst doesn’t end there, though, kids! We also got a trailer for Syfy’s Krypton series (which has since been yanked down) – ya know, the one that nobody asked for. It’s hard for me to get excited about Krypton when very little about that planet has ever seemed appealing. It’s most recently been painted as a cold, stoic, science-based society. And since they don’t have our sun, it means they’re powerless. Here’s what I don’t get about the trailer: the show takes place approximately 200 years prior to Man of Steel (I guess making it the first series to be an official part of the DCEU), but the monologue is of Kal El’s grandfather leaving a message for him. Um, how does he KNOW his grandson’s name is Kal El if he hasn’t been born yet? Anyway, it’s about Grandpa El, who happens to be a sexy, CW-ish twenty something, trying to restore honor to the disgraced House of El. The effects look nice (AKA expensive), but nothing about this show makes me want to see it.

There’s some laughter coming from a different comic-based series, however, in the form of Freeform’s New Warriors. I mentioned it a few weeks ago, but it’s been confirmed that Kevin Biegel of Enlisted/Cougar Town will be the showrunner, and we got a confirmation of the roster. Led by Squirrel Girl (who has never been a New Warrior in the comics, but I won’t harp on that), the team is comprised of Speedball, Night Thrasher, Microbe, Mister Immortal, and Debrii. I’m familiar with career Warriors Speedball and Night Thrasher, but I don’t know anything about the others. Considering Mr. Immortal and Squirrel Girl are Great Lakes Avengers characters, this is something of a hybrid team.

I’m the furthest thing from a foodie, but I love a good dairy-based gimmick drink, and this week featured TWO of them! First up, I’d read online that Burger King had been testing a Froot Loops Shake at certain East Coast locations, with plans to roll it out nationally today. Well, I traveled around until I found one that had it early (well, I didn’t travel too far – it was down the street from my apartment), as I had to see what the fuss was all about. I had heard it described as made from vanilla soft serve, with Froot Loops pieces, topped off with a sweet, syrupy drizzle. Sounds exotic, right? WRONG. Whoever thought of this probably got a bonus for the idea, but it lacks in the execution. It’s basically a vanilla shake with edible confetti in it. From Loops don’t really have a strong fruity flavor to them, so it’s not like it’s rubbing off into the soft serve. And when you do get some Froot Loop chunks through the straw, they just taste like flavorless corn cereal. I didn’t taste any kind of drizzle, and I kept waiting for the WOW to kick in. It never did. I drank this so that you don’t have to and, trust me, you really don’t have to.

Next up was the Starbucks Unicorn Frappuccino. I hadn’t even heard of the thing until Wednesday morning, when everyone and their mom was talking about it. Looking at it, I was reminded of the Birthday Cake Frappuccino that comes out in March (I remember this because it was out at the time Evie was born). I LIVED on those things for the two weeks or so that they were in stores, so I was expecting this to be more of the same. I wasn’t sure what flavor this one was supposed to be, but there were certainly visual similarities. Anyway, after dinner Wednesday night, I snuck off to the corner Starbucks to try it out. You’ve heard of a Butterface, right? Well, this is a Buttertaste. It looks cool and everything, but the taste…THE TASTE! Its marketing emphasizes that it magically changes flavors while you drink it, but I could never really nail down what those flavors were supposed to be. There was a pervasive muskiness to it, making me feel like I’d basically sucked off a real unicorn. Of course, that would be silly – everyone knows you’ve got to buy a unicorn dinner before it lets you do that! Then, near the end, the muskiness gives way to a hyper berry taste, reminiscent of the Blue Raspberry that candy scientists seemed to have discovered in 1992. At no point in the drink was it what I would call “enjoyable”, and even the whipped cream on top was disappointing. As far as I’m concerned, this drink can fuck off back to Narnia where it came from.

Things You Might Have Missed This Week

Bill O’Reilly was fired from Fox News following sexual harassment allegations. See, if he’d told Billy Bush he only grabbed ‘em by the pussy, he’d be President by now!

Nintendo officially ended production on the NES Classic, followed by rumors that an SNES Classic is coming later this year

Anna Boden and Ryan Fleck were announced as the directors for Captain Marvel. I’ve never seen anything they’ve done (Half Nelson, episodes of Billions, and The Affair), so I’ve got no real opinion right now

Speaking of Marvel films, Black Panther wrapped production this week, as Hollywood braces for the return of every living Black actor

Will Smith is in talks to take on the classic Robin Williams role of The Genie in Guy Ritchie’s live action Aladdin adaptation. Obviously, Jaden Smith will probably get the role of Aladdin.

Stranger Things co-star Shannon Purser came out as bisexual on Twitter. Well, she’s bisexual in real life. She just used Twitter to announce it.

Director James Gunn announced that Guardians of the Galaxy 3 would be the final iteration of this lineup of the team

Black-ish was sold into off-network syndication, launching in Fall 2018

Jane The Virgin’s Gina Rodriguez will voice Carmen Sandiego in a new animated series coming to Netflix

Steve Harvey will host a revival of Showtime At the Apollo for Fox

Fate of the Furious debuted to $532 million internationally, beating the record-setting $529 million earned by Star Wars: The Force Awakens

With its original pilot rejected by Fox a few years ago, Joe Hill’s comic Locke & Key will have a new pilot filmed for Hulu

The X-Files has been renewed for a 10-episode 11th season. I couldn’t even make it through the last 6-episode batch they gave us, so I think this is a pass for me.

For the past 6 seasons, I have pretty much hate-watched HBO’s Girls. I hated Lena Dunham’s dumpy, Play-Doh body which was constantly on nude display. I hated all of her character Hannah’s “problems”. I hated her boyfriend Adam. I had convinced myself that I was really just watching, hoping that the characters would eventually be hit by a truck or something. Then, this season came along. Even through all my hate, I had to admit that this was a pretty strong season. From Hannah’s odd interaction with a bestselling author to Marnie finally realizing she sucks at life, there were some great episodes of television to be found in this season of the show. I was also forced to admit things about myself.

First off, I always knew I liked Shoshana because she had enough sense to know that she deserved better than the friends with which she’d found herself. And I definitely missed her once she decided to finally distance herself from them. I also realized there was much more to the Ray character and, while they didn’t exactly put a bow on it, I’m glad they led us to believe that he had found a happy ending. Even a character as originally unlikable as Elijah had some strong development this season, and he was truly missed in the finale, even though this chapter of his story had come to a close. As I already admitted in my Get Out review, I had to come to terms with my crush on Allison Williams and, by extension, Marnie Michaels. Yeah, she sucked at life, but she seemed like the one out of the four who had Tony Starked her way into that situation; she was the cause of her own problems. Once she began to realize that, the character held more promise. And I realized I hated Jessa because she reminded me too much of girls I’d hooked up with in college: damaged, tattooed, pseudo-junkies who are lucky to still be alive. And I guess Hannah reminded me of girls I’d hooked up with post college. Yeah, I hated a lot about Girls because, I guess, I hated a lot about myself.

This Sunday saw the series finale of the show, and I wasn’t quite sure I was ready for it. After a season that had given us a pregnant Hannah, but also showcased the dissolution of the group’s friendship, I didn’t really know how they could “end” the story. I was further distraught when I read an article last week saying that Jessa and Shosh’s final appearances had been in the penultimate episode that had just aired. While I would miss them in the final half hour, I had to admit that their chapters had also come to a close.

When we get to the finale, there’s a five-month time jump, where Marnie and Hannah are living in a remote house upstate, raising Hannah’s baby, Grover. Yes, that’s what she named him. Anyway, it was 30 minutes about what it means to be happy, but also what it means to be an adult and a parent. I like to think that Hannah finally grew up once she realized that Grover wasn’t another problem that she could simply run away from. The entire episode, she’s freaking out because Grover won’t breastfeed, but in the final seconds he finally takes to her breast. The look on her face is a mix of relief and maturity. It was then that I realized the show had to end at that point, as Hannah was no longer a girl. The entire series had been about millennial drama, as they skirted adulthood, but those times were over. The title Girls no longer applied to Hannah because she was now a Woman, with all the responsibilities that entailed. I used to worry about Hannah, and I sure as Hell worried about Grover when we learned she was pregnant. After Sunday’s finale, though, I think they’re gonna be OK. It was a finale that I had to give some thought to, but it didn’t leave me unfulfilled like Don Draper creating a Coke jingle only to end up hocking tax prep software six months later. For this reason, Girls had the West Week Ever.

#Batman #Comics #DC #Indie #Marvel #Movies #Music #Politics #Race #Relationships #Star Wars #Syndication #Television #Video Games #West Week Ever

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