#was that in book four or five?

[thenotoriousscuttlecliff]

I really hope they keep the scene where Elayne comes back to their room completely shitfaced drunk and Nynaeve is all calm and caring before dunking Elayne's full head in a bucket of water to sobber her up.

[egophiliac]

I want your opinion on something. Do you think it's better to try and the the cards of the character you like or skipping some to brench out? Like, say you're a fan of Leona. Should you try to get all of his bday card and stuff or stick to one and get other characters ssr?

personally, as much as I would like every single card...I gotta ration my keys, so I focus on my favorites!

which isn't to say that I only pull for certain characters no matter what! more that I take a good long look at every card that comes out and go "do I really want this one? like...really really want it?" (the answer is usually yes, but -- look, the art in this game is very pretty, okay)

honestly, from a gameplay standpoint, I think it doesn't matter too much whether you focus on pulling for specific characters or not. there are very, very few points where actually having a good mix of characters is important (Those Two Stages in episode 6, where I think you can use retry tickets for the easy mode? and also guest room battles if you care about those) and you'll probably end up with at least one halfway decent card per character just from doing 10-pulls and events. so even if you're only pulling for Leona cards, you'll still end up getting a bajillion other characters as well. follow your heart! chase that grumpy lion bliss! ✨🦁✨

[nedlittle]

need the historical romance girlies to go back to their roots and read forever amber (1944)

[iridiss]

Aaron’s such an underrated character on Aphblr tbh. He’s become one of my favorite characters in the cast as I rewatch more and more of Mystreet. Aaron will tease you, but he’s also one of the best characters in the cast to go to for emotional support. He’ll tell you as it is, smack you upside the head when you’re being crazy and shake you back to rational normalcy, but then he’ll sigh and tell you you’re gonna be just fine and everything’s gonna be okay. He is the number one (and on occasion only) holder of brain cells in the whole neighborhood. He’s the most sensible, and often the word of wisdom/rationale, much more so than Katelyn or Lucinda or Zane or Laurance are. This can often make him come off as a serious character, but he’s still down to clown! He just does it in a different way!

He’s supposed to contrast Aphmau’s louder, more extroverted, playful, ditzy, eccentric personality, by being quieter, more rational, more responsible, more cautious and careful, more reserved, a word of wisdom to contrast her crazier, chaotic energy and pranking and punning and ponies and general whimsical tomfoolery. But that does not, by any means, mean that he is not participating in the antics. Just because he’s the only one who thought to bring a first aid kit and a safety harness doesn’t mean he’s not jumping off that cliff with everyone else in this crazy cast. You tell him to dig, he’ll bring shovels. He may sigh or say “oh god not again” when shit goes awry or the gang decides they are Dead Set on doing something insane for the 10,000th time, but by god he will commit. Aphmau kidnaps a baby and goes on a mad chase for a comedic bit, and he never complains about how “stupid” and “reckless” and “obnoxious” his girlfriend is, he just says in a completely calm tone, “Now if you’ll excuse me, I need to go save my girlfriend.” And he chases after her immediately lmao.

Aaron enables the antics and participates in them, and if you rile him up or challenge him damn well enough, he will throw himself into the group antics with an unbeatable, fiery fervor. If the boys decide they’re all gonna pretend to be Santa and his elves in order to cause prankster-variety chaos one day, Aaron would join in and go right alongside them. He’s here to make sure it all goes to plan. He’s here to make sure you don’t break any bones when you jump off that roof like a madman. He’s here to help you run away from the cops, help you break into the building. He may chide you for doing it in the first place (“do you even know what you’re doing?!”), and if needed he may drag you back home if you’re barking up the wrong tree and it’s nothing but detrimental to you, but if it’s viable for the bit, he absolutely will show you how to break a window correctly.

And he can be a little shit if he wants to, too!! He can snicker at you and tease you and make quips, and I bet if Aaron himself dedicated his energy to it, he would make the best of pranks. He’s not an asshole that’s full of himself and too serious and stoic and cool for being silly, he’s not a whiny bitch, he’s actually very incredibly supportive. At times, much more so than Garroth, Laurance, Zane, Katelyn, etc. He’s reliable, he trusts Aphmau a lot, he knows how shittily Aphmau cooks and still does his damndest to support her, and he will force himself to eat her biohazardous cooking just to make her happy. He is the chef of the household. He’s good with animals, animals love him. He’s a kind guy!!! He’s just got his own unique energy and vibe to him, that no one else in the cast really has, and I really appreciate that core trait of him. He’s a grounding character. He’s probably got his own ways that he’s weird and eccentric that are a lot more hidden than Aphmau’s. If we didn’t have Aaron, the entire neighborhood would have burned down ages ago, ten times over.

I genuinely do believe he’d make a fantastic dad, being a combination of a soft and gentle and tenderly loving man, and responsible enough to always bring safety helmets and bandaids and snacks, very supportive of his kids development, emotionally available as a great source of genuine advice and wisdom while still getting plenty of encouragement. He would probably want to make an effort to be a very different parent than his father was, and since he was emotionally neglected as a child, he would refuse to do anything similar to his own kids. He’d be a good influence (and Aphmau would be the bad influence LOL)

He’s kind of a teddy bear of a man <3 If he weren’t so heavily wolf-themed, I’d say a bear would be the best animal that’d fit his personality and energy. He’d protect you like a bear, he can be really fucking terrifying if he wants to, but he’d only use that power to make sure Aphmau gets what she wants and needs to make her happy. He’d never use that terrifying intimidation factor of his on his friends and loved ones, never as anything more than a single look that has a derailing Garroth/Laurance/Travis/Dante/Gene/etc. get right the fuck back on track and start backpedaling, like if they started saying or doing something careless or stupid that made Aphmau feel worse. He’s quiet and reserved with that tired, grounded, solid energy of a bear. He’s a big guy. But he can also be really soft and supportive and sweet. He takes more time to come out of his shell and let down his walls, but when he does, he really dedicates his life to the few people he manages to trust. And it’s that thick outer shell that makes Aphmau a good match for him, because she’s kinda the only character in the cast who’s able to bring him out of his shell so easily.

She’s kind and extremely friendly, unstoppably and unendingly so. She’s sweet and naive and selfless in the way that proves to Aaron that she’s not trying to get anything out of him, she’s not lying to him, and she would never neglect him or just…abandon him like a discarded toy once she’s through with him. She’s not scared of him. She sees the best in everybody, and sees that there’s something more underneath that scary, prickly outer shell of defenses that’s managed to push everyone else away and keep the likes of Laurance and Garroth and Katelyn on their toes. She sees what no one else does, she sees the true beauty and the kind heart he has underneath. Even in MCD, when he’s literally held a sword to her throat and threatened her life multiple times, she can still sense that he’s full of shit and there’s a kind heart underneath, and if she does a little cultivating, extends a hand of gentle kindness and genuine affection, a kind of love and affection he’s never really seen before and been starved of all his life… it works wonders, and he steps out to meet her. He changes, drastically, because she sees the best in him, and that makes him want to become the best version of himself that he can be, for her. Where he might hate himself and grapple with feeling unloveable, Aphmau is there to remind him none of its true. And so he tries to keep her nightmares away in return, sticking by her side, taking care of her, cooking for her, encouraging her to keep doing everything she does best, defends her against the bullies that make her feel like she’s not good enough, and takes her by the shoulders to remind her that she is good enough, and all the voices out there and in her head that tell her she’s not are full of shit. Because he knows first-hand, better than most, the good things she brings to those around her and the wonderful presence she is in others lives, and how wonderful she is as a person. He trusts her. He’s here to guide her along in her path to becoming her fullest self, to give her that last big nudge to boost her along the way. Likely on a cosmic level, mainly, with her becoming Irene.

He’s very sweet, he’s sweet to Aphmau, Aphmau’s even sweeter to him, and genuinely I’ve learned to love the big, fluffy guy and I really appreciate him and his impact on the other characters the more and more I see of him. I don’t really know how I would enjoy Mystreet or MCD or the Aphverse without him. If he were real, I would love to give him one big hug, I bet his hugs would be amazing (topped only by Garroth’s rib-crushing bear hugs)

[wordybee]

Damn, I start reading Tamora Pierce books again for the first time in almost fifteen years and suddenly my smartphone-destroyed attention span is restored to what it was when I was twelve and devouring books daily.

[dribs-and-drabbles]

The Thai Communal Wardrobe item #3

Don't Say No ep 5:

Bad Buddy ep 5:

Enchanté ep 10:

Even Sun ep 6:

Vice Versa ep 8:

The Eclipse ep 8:

The Three Gentlebros ep 1:

The Eclipse ep 11:

A Boss and a Babe ep 4:

My Dear Gangster Oppa ep 3:

Middleman's Love ep 1:

[jasposeyblog]

My acquisition of Namor by Mike Mez Phillips

[ferretsarefurryappendagedsnakes]

Such a fan of pathetic blond losers who are women actually.

[hag-o-hags]

not to keep publicly processing this or anything

but I think it's really unfair to say WE SHOULD HAVE KNOWN!!!!! based on the sensibilities of DC COMICS from the 80s and 90s

American comics in particular have been okay with publishing some really violent, degrading shit basically since the end of the fucking Comics Code, either in the name of wildly misguided Female Empowerment or just plain old edginess.

It's also deeply fucked and puritanical to think that because a writer taps into Fuckeduppery, we should put them on the watchlist for thought crimes because they're obviously admitting to their sins. In the midst of this garbage, my dash has also been full of Sweetie Pea of Note Dev Patel using his teeth to shove a knife in a dude's neck (Monkey Man: 5 stars, 2 thumbs way way up). I do not think Stephen Graham Jones or T. Kingfisher or Chuck Palahniuk are simmering under a thin rime of Horror Author, waiting to commit violence. Of course there's nothing wrong with not having liked him, or even hating him for his work or his persona.

Ultimately, it does not matter why. With public figures, you can get caught in a loop of endless speculation, ESPECIALLY with someone who has made themselves available since the dawn of the internet. It doesn't matter when. It doesn't matter if it was a chicken or an egg, a publication or a fantasy first. The crime is the violence. What matters is the fucking choices he made, to do what he did.

[obikin-obsessor]

Not Obikin but I will be ranting about these force forsaken books

I just finished book three of Jedi Apprentice and um...I think I genuinely dislike Qui-Gon right now? First of all in the past two books he has denied Obi-Wan becoming his padawan despite the fact that he even STATES that normally a force bond only happens between two close friends or a MASTER AND PADAWAN PAIR. Despite the fact that Obi-Wan wasn't his padawan at this point and Mr. "Follows the will of the Force" Doesn't think to question this??? To ask himself about if the Force itself wants them together? No, he's busy sulking in his own years old sadness of his past padawan turning to the darkside. My boy Obi does everything he can to TRY and be useful to Qui-Gon, to show that he would make a good padawan yet every single time, Qui-Gon brushes his efforts aside until we're made to believe Obi-Wan has moved past this, he doesn't btw. He gets brought to the agri corp, finds something he thinks Qui-Gon should know about, gets brushed off again, even though we find out later that the boxes and crates in the agri corp don't belong to them THEY BELONG TO QUI-GON'S EVIL EX PADAWAN. He then gets kidnapped and has a SLAVE COLLAR put on him, where if he gets outside of a certain radius HE WILL EXPLODE. He tries to be useful and find a way out despite this and gets captured and THROWN OFF OF A BUILDING TO DROWN TO DEATH. And it's stated that he has accepted the fact he will die, even though he is only like twelve, bordering thirteen at this point. He gets saved though, not by Qui-Gon, by some other person who ratted him out in the first place. Sure Qui-Gon then arrives and deactivates the collar but poor Obi has suicide on the brain clearly because after the big confrontation they're left in a place that will explode and kill them and everyone else so what does Obi do? He's like "Hey I can reactivate my collar and it'll go off and bring the door down! Then you'll be able to save everyone!" Like damn, he is thirteen and is already completely willing to just die if it means saving everyone else, no sense of self preservation there. It's only after all of that when Qui-Gon asks him to be his padawan and Obi agrees, should be happy sailing from here right? NOPE! (Book 5 has a whole ao3 tag for God's sake and it's hard NOT to know what's gonna happen there) When someone turns thirteen or their species equivalent and is officially someone's padawan. Their Master gives them a gift, one that usually Master's put a lot of thought and care into picking out the perfect thing to give them, and mind you Jedi aren't usually allowed personal possessions yet this is an exception. Some padawans get cloaks to keep them warm, or something to heal them should they be injured. Obi? He gets a rock. A FREAKING ROCK. And he's SO disappointed and I can't even blame him, for all he or maybe even Qui-Gon knows, it's just a normal ass rock.

Said rock ends up being force sensitive and saving him from having his memories taken away but he didn't know that and Qui-Gon sure as hell didn't tell him, even remarks at the end that he thought it was just a normal rock and Obi can't tell if he's being serious or not. Would it kill Qui-Gon to be a bit more open and honest with Obi? Because we know from his POV he does actually care about him to a degree, worrying over him and even mourning his loss when he thinks Obi's memories are gone) But does he tell Obi? NO! And I loathe it so much because I didn't really mention it here but Obi also has REALLY bad anxiety, he's never calm it seems like and again, he has suicidal ideation in the beginning and I don't know if that's fully gone yet. Thank you for hearing me rant, I will probably continue doing so the more of these books I read, thank you Jude Watson.

[overthegardenwirtt]

top ten books I read this year, ranked:

10. And Then There Were None by Agatha Christie (pub 1939)

Honestly this wasn't the most mind-blowing or memorable book, but it was my first Christie and my introduction to this genre. It got me out of a slump too which was great. Christie's style is so very british but I thoroughly enjoyed this as my introduction to this kind of mystery, and I found the reveal to be surprising and well done! This book definitely made me want to pick up more Agatha Christie in the future, but I'm not in any particular hurry to do so.

9. Goodbye to Berlin by Christopher Isherwood (pub 1939)

This was actually my most recent read. I picked up this book knowing that it was the inspiration behind the musical (and film) Cabaret. This book feels much more of a piece of creative nonfiction/memoir than a novel, but it tells different stories in vignettes of people in Berlin in the 1930s. Between dancers and artists like Sally Bowles, queer people in Berlin, and Jewish people living through the rise of the Nazi party, these true stories were incredibly touching and really made me think about the way we talk about fascism today. The modern way in which people spoke in Weimer Germany, and the extent to which they knew what was going on in Germany at this time and still just let the Nazi takeover happen, is terrifying and all too real, and I am glad this book exists to highlight that.

8. Go Tell it on the Mountain by James Baldwin (pub 1953)

My first Baldwin of the year and third Baldwin book overall. I really enjoyed this book, as it was an exploration of a Black family in Harlem, and each family members' relationship with one another and with God. I loved the way the story was told, through flashbacks and memories of each character as they sat to pray in a church. Each story was both incredibly humanizing and devastating, and the ending was surprisingly somewhat hopeful.

7. Interview with the Vampire by Anne Rice (pub 1976)

I read this after the second season of the amc show aired. Honestly, this book was so much better than I was expecting it to be, given what I know about where Anne Rice takes the series in the future. In this novel, the prose is so beautiful and breathtaking. Anne Rice also delves into such deep and thought-provoking discussions about God and religion, goodness and evil and monstrousness, through her characters and their philosophies, and how they deal with their vampirism. I fully feel that this book deserves to be called the modern Frankenstein.

6. Babel by RF Kuang (pub 2022)

The youngest book on here by far. I am often weary of the trendy new books and the 'booktok' books, especially those that seem to be fulfilling some kind of aesthetic. So, my expectations going into this weren't the highest, I was expecting, as is true with most 'dark academia' books, a rip-off of The Secret History. However, I was so pleasantly surprised by this book! This book is an anti-colonialist response to The Secret History and the like, and explores how academia always serves the institutions in power, and how specifically British academia has driven, and continues to drive, imperialism. This book was also very science-fictiony, and completely deserves its Nebula award. The magic system in this book is so interesting and novel to me, and i truly think Kuang is a genius. Also, I personally loved the footnotes. It's so clear how much work and research went into this book, and it adds so much to the quality of the book.

5. Animal Farm by George Orwell (pub 1945)

This was technically a re-read, since I read Animal Farm with my mom in elementary school and didn't understand it at all. So, I finally got back around to reading this and it was great. Just so perfectly told, the story of revolt from one authoritarian regime and the decline into another, arguably worse regime. It was also incredibly heartbreaking, and made even more so by making the characters farm animals. It is truly a perfect book and I know it sounds cliche, but everyone should read it. George Orwell is well-known for a reason.

4. Slaughterhouse-Five by Kurt Vonnegut (pub 1969)

This one was unexpected! I have owned Slaughterhouse-Five for years, I think it has been sitting on by bookshelf for over five years untouched. I finally got around to reading it a few months ago and it was incredible. Kurt Vonnegut has a witty and to-the-point writing style that was difficult to get used to at first, but I definitely believe it worked in this book's favor. The childlike, simple way of writing and speaking, combined with the grim topic of WWII and PTSD, really highlight the sadness of Kurt Vonnegut's situation and how young he, and Billy Pilgrim, and all these soldiers really were. I absolutely loved the sci-fi interludes as well. It worked both creatively, to provide an allegory for war and PTSD, and literally to show just how dissociative Billy Pilgrim would get after the war. This book left me feeling incredibly sad, and I know that was just the point.

3. The Left Hand of Darkness by Ursula K Le Guin (pub 1969)

And the book that beat Slaughterhouse-Five for both the Hugo and the Nebula! This book is not one that I would typically read, but I am so glad that I did. It is considered a seminal work of feminist science fiction, and tells the story of a human man named Genly who goes to a planet where all the people are genderless. It is a beautiful story of finding love and understanding with other people, and learning that there are strengths in our differences, and those differences can bring us together. This is a truly great novel, and left me feeling the way the protagonist felt, having gained a new empathy and love for human beings, no matter how different we may be.

2. Another Country by James Baldwin (pub 1962)

My fourth and final James Baldwin novel to date. I absolutely loved this book. The writing style, the beautiful vibes, and the beautiful and devastating story of a group of friends in Greenwich Village, New York was so compelling. This was one of those books that I could not just put away after I finished it. I had to read and reread the book, go over it in my mind for a while afterwards. This book explores Black masculinity and Black womanhood in America, it explores queerness, and specifically Black queerness during this time, and it explores the complicated dynamics between a multiracial group of friends in 1960s America. It feels so shockingly ahead of its time.

Nineteen Eighty-Four by George Orwell (pub 1949)

yeah yeah, this is cliche, but it's so well-known, and so spoken about, for a good reason. This book, outside of its talk about authoritarianism, was actually just a thoroughly enjoyable and effective work of psychological horror. The way that language and history can shape our current really was so brilliantly done that it had me questioning whether O'Brien was telling the truth to Winston at times. I feel like this is a controversial opinion, but I felt that many of the characters, including Winston, Julia, Syme, and even O'Brien to a lesser extent, were humanized in a way that I felt terrible for these characters. This book had such incredible world-building that I would have been okay with reading 300 full pages of Winston's day-to-day life, that's how interested I was in this horrifying world Orwell created. However, the plot was equally as compelling! I truly felt like I was there with Winston through every step of his journey, and that made this novel feel so sickeningly horrific, and so effective.

[ixirian-archive]

half off charliebot based on the half off sale chuck e cheese animatronic i cant believe they only wanted half mech/endo based on a disney a1000

[lorelxlz]

anOTHER meme redraw

ive been experimenting with their designs and im absolutely obsessed with the idea of wukongs hair being like clouds

anddd the og image as always :DD have a great day/night

[yourhandsomedevil]

"I still don't forgive you. Everything I said is still true. But I'm a medicine cat, and I can't just let a cat die when I could save him."

Jayfeather

[she-posts-nerdy-stuff]

*flicks through the 42 open tabs on my laptop trying to remember which of the 8 open google docs tabs is the writing project I just sat down to work on and which ones of the others are the research tabs relevant to this project and not any of the others*

[ashildrs]

having big big thoughts about the slow horses books. putting my heart and soul into believing the show writers know what they're doing