#was it improved not really but is it compelling YES

[basim-ibnishaq]

my life would be improved by having a bizarre and confusing friendship with the russian assassin my father trained

[deakyjoe]

Tap Out

Pairing: Logan Howlett/Wolverine x Reader (gender neutral)

Category: smut

Summary: You know just how to make Logan feel better after a bad day.

Warnings: 18+, smut, m receiving oral, face fucking, hurt/comfort (??), Logan has a bad day, you cheer him up by sucking his dick, Logan calls reader “bub”, let me know if I missed anything

Word count: 1.6k

A/N: he got to me…

Please consider buying me a coffee :)

Logan had been having a bad day. You could tell by the way he was scowling more than usual. He'd barely brightened up when Rogue had joined the two of you for dinner and didn't seem overly enthused when you'd told him where the hidden stash of liquor was kept.

Which meant he was having a worse day than usual.

Perpetually grumpy, you'd grown used to his ways. It was one of the many things you loved about him, in fact. But this was something else. So once it had gotten to the point when the sun had set, all of the students had gone back to their rooms for the night, the rest of the professors in the mansion had gone off to do their own things for the remainder of the evening, and he was still clearly unhappy, you just tapped him on the shoulder.

He glanced at you with a funny look, frowning down at where your fingers had skated across his skin. "What was that?"

"That's me tapping you out for the day. Let's go to bed." You offered him your hand, palm up.

"It's only nine." Logan responded, taking your hand in his anyway.

You nodded. "Yes. So? You don't want to go to bed with me?"

He scoffed. "You make a compelling argument, bub."

So he let you drag him back to your shared bedroom, where you planned to do everything in your power to make his day better. Even if that improvement was only slight. And you knew exactly what to do.

Your bedroom door was barely locked before you were pushing Logan to stand in the centre of the room and you were sinking down to your knees in front of him. Your hands were unbuckling his belt before he'd even had the chance to realise what was happening.

There was a short pause once his fly was unzipped as you looked up at him to confirm that what you were doing was okay. Luckily for you, Logan was almost always in the mood for this.

"Go ahead." He rasped, tucking a finger under your chin and running a thumb along your bottom lip. "Always so pretty on your knees for me."

Suppressing a giggle, you used the tip of your finger to stroke the length of him through the briefs he was wearing, wanting to tease him a little as well as get him hard before you even really touched him. He twitched through the fabric. You bit the inside of your cheek to hide a smile.

You pressed a little harder with the heel of your hand, feeling him grow hard within the confines of his underwear. Sometimes he was just really easy to rile up and you were glad that this was one of those times.

You wasted no time in pulling his briefs and pants down, just to his mid thighs to give you easy access, and wrapped your hand around the base of him. You smiled widely when he let out a hiss at the contact.

"Go easy on me, bub. Been a long day." He mumbled, smoothing a warm palm over the top of your head.

"Funny..." You chimed, licking a long stripe along the vein that adorned the underside of his cock. "...I was about to tell you that you don't need to be gentle with me tonight."

"Is that right?" He chuckled lowly, groaning when you placed a kiss on the head of him.

"Mhm." You hummed, sucking his tip into your mouth for a moment before letting it go with a quiet pop. "Can go with our usual system, yeah?"

Logan knew what you meant - the rules and boundaries you'd both set out at the beginning of your relationship. There was a set of signals and words you both used to let the other know how you were feeling. It worked well in situations like this, ones where you wouldn't really be able to talk properly.

"Alright." He agreed, grasping either side of your head in preparation to hold you in place while he had his way with you.

You licked the palm of your hand, pumping his cock a few times to give it some lubrication before you got started. "Ready?"

"Always ready for you, bub."

You liked when he said things like that, the rare times he verbalised his affection. Logan tended to be more physical when it came to showing you how he felt. So the few occasions he said something even somewhat meaningful, you made sure to always cling onto it.

You opened your mouth, letting your jaw go slack and your tongue hang out over your lower lip just a little, and gave him the smallest of nods to let him know he was good to go.

Logan didn't let any time go to waste before he was easing his pelvis forward and pushing his cock past your lips and into the warm and wet confines of your mouth. It was always a heavenly feeling and he never bothered holding back the groan that would rumble in his chest in response. He wanted you to know how good it felt.

You let out your own moan at the taste of his cock in your mouth, the skin velvety on your tongue. Blow jobs had never been fun until you'd met Logan. Now it was one of your favourite activities.

His hold on the sides of your head tightened as he started a steady pace of thrusting in and out of your mouth. You made sure to breathe carefully through your nose as he took control of your mouth, saliva building up on the corners of your lips as his cock became more and more slick with it.

Logan was losing himself in the situation. How could such a pretty mouth be ruined so quickly by you taking him so easily? It was sinful. He liked to watch the length of himself disappear in and out of the cavern of your mouth, flicking his eyes upwards to meet yours every few moments. He always found you already watching him, absorbing every minor reaction he gave.

You moaned around him, the vibration reaching his stomach and causing him to rut forward even harder. That had his tip hitting the back of your throat, the squeeze of it around him was delicious. He heard, and felt, you gag slightly as tears built in your eyes. But when you gave no indication of him stopping, he let himself continue with that level of force.

The wet sounds of your lips around his dick, sliding up and down the length of it as he moved in and out of your mouth, rattled around Logan’s brain. His teeth clenched together, muscle ticking in his jaw. The noises were lewd and showcased how unforgiving his thrusts were. He didn’t know how much longer he would last, the weight of a bad day combined with the ecstasy of your mouth would lead to him coming across your tongue a lot quicker than usual.

But just as Logan could feel himself crawling towards that edge, only a few more harsh bucks before the end, he felt a couple of solid taps against his thigh.

He immediately pulled himself out of your mouth and looked down at you. Cupping your cheeks in his large hands, his thumbs swiped over your skin gently. "You okay?"

You grinned up at him, eyes creased in joy and saliva dribbling down your chin. "Yep! Just need a second to breathe."

Logan huffed in amusement at your apparent sheer delight, a string of spit connecting your lips to the tip of his dick as you continued to pump him in your hand whilst giving your mouth a break. "You're something else..."

"It's why you love me." You mumbled, giving a tentative lick to his tip as you took deep breaths through your nose.

He stared down at you. It was true. He did love you. But he'd never said it out loud. “One of the reasons.”

You tried not to react too obviously at his acknowledgement of that fact as you looked up at him again with a bright smile. "Wanna keep fucking my throat?"

The sight of your face between his hands, chin glistening wet, and your pupils blown had Logan’s cock twitching in anticipation again. So he didn’t even need to verbally agree as he pushed himself back into your awaiting mouth and got back to work. He was brutal, even more ruthless than he had been previously, but kept a close eye on you to make sure you were okay.

It didn’t take him long before he was hitting that precipice again. And with one last thrust forward that had him burying himself deep in the tightness of your throat, he spilled himself and filled your mouth with his cum. Ropes of it spurted out of him and onto your tongue.

You moaned happily at the taste of it, eyes closing as you gave him a few more gentle sucks to finish him off before pulling away and letting him drop out of your mouth.

Logan stood above you, panting and waiting for you to say something. You only sent him the same luminous smile you had before. He offered a hand to help you up which you gratefully accepted and pulled you in for a searing kiss as soon as you were stood.

You broke away from him briefly to mutter a question against his lips. “Do you want to talk about whatever’s been bothering you?”

He shook his head. “No, because it was nothing a little of you couldn’t fix.”

You hummed at that, glad he was feeling better. “Come on, let’s actually go to bed.”

Logan was only too eager to follow you.

[anachronismstellar]

DOES SQH SLEEP WITH WITH A MONK PEAK LORD???

IT'S CALLED SQH GOTTA GET THEM ALL, MY FRIEND, OF COURSE HE DOES

Sorry it took me so long, had to do a bit of research that turned out to be a lot of research BUT HERE YOU GO

I got the name Gao Qinggao from the amazing 00janeblonde and their FAQ of their fic here

Heads up for me bullshiting a lot of things Airplane style lol

Also bondage and praise kink?

I hope y'all like it!

---------

Ku Xing Peak wasn't one of the most prestigious among its siblings, far from it. If one compared it to the beauty of Qing Jing, the forests of the Scholary Mountain would be greener than emeralds. Or if one searched for riches and luxury, they would have better luck going to Xian Shu Peak, Qi Qingqi sparing no coin to accommodate her disciples.

But if they were allowed to take pride in something, it would be their talismans. From the most basic trick like heating water to the most intricate barriers and bindings, their work had been a reference throughout the cultivation world. If there was a talisman, they would have been involved in either its creation or its improvement.

So imagine what a surprise it was to see the An Ding Peak Lord using talismans Gao Qinggao had never seen before.

First, he thought it was an artifact. Shang-Shixiong was close friends with higher peaks, thus being able to pull favors and acquire relics he would never dream to see. The problem with that theory is that he had seen his own surprised mirrored on Shen Qingqiu's and Zhangmen-Shixiong faces as Shang Qinghua took a folded paper from his sleeve and pressed it into the table. It grew in size until it occupied the entire top of it with a huge map, detailed descriptions of the regions, and topography showing next to the main locations. It would be difficult, and it would take a lot of effort, but this effect could be done with a mixture of talismans after modifying certain radicals.

What made him pause was that, during their talk Mu-Shixiong asked about a specific place and Shang-Shixiong just put his both hands over it, dragging them away from each other making the map focus more and more until they could see the vegetation and when they were finished Shang-Shixiong dragged his hands again but closer, making the map to go back to it's original level of detail.

That would be mixing two types of talismans that shouldn't work together, you can't have one without nullifying the other and-

Gao Qinggao was intrigued.

The technique was interesting, yes, but it wasn't his area of expertise. He had always been a more practical person, focusing his studies on suppression of energy and Qi restoration. Meaning, he could just brush it off and send one of his disciples to ask about it later.

But the fact that he could just ask and understand was a compelling argument.

"Shixiong used a very unique technique today at the meeting. I had never seen someone use talismans to make images show up like that," he approached the other when he had finally left Shen Qingqiu's side. "This one is very interested in learning how Shang-Shixiong did that."

"Oh er," Shang Qinghua blinked, fiddling with the folded paper on his hand before hiding it away. "This little thing? Uh. I don't know if- Uh, I don't know the technique, I just found it- yea! I found it in ah. Oh I don't remember but-"

"Oh?" He wouldn't deny he was a bit disappointed, but not surprised. "Do you mind if I borrow it for research? I've never seen talismans interacting like that, I know some disciples that would be delighted to see it as well."

Shang-Shixiong started to fidget, picking on his sleeve where the paper had been hidden, looking everywhere, but Gao Qinggao.

"I'd love to, really, but this is kinda vital for my peak? I'm afraid I can't lend it. It has got all the trading information and our suppliers, I can't risk it."

"I understand. Would Shixiong allow one of my disciples to go to An Ding to examine it then?"

"I'm afraid the information is too sensitive to be examined by someone outside Lord ranking and-"

Ah. He almost heard the sound of a coin dropping.

He was a bit younger than the others, coming to his position by an urgency of appointing someone to fill his master's place. Not to say he wasn't competent, far from it, but he was aware that his situation and age made the other peak lords underestimate him, or dismiss his opinion when the topic diverted from talismans.

Another disadvantage of his age: he hadn't had the time to mellow down; to reign his fury as expected from a monk. He was no Liu Qingge, of course, but with enough pressure...

"This one apologies for bothering Shang-Shixiong." He spit through clenched teeth, making a point of leaving without a bow, his breathing so labored that one could hear it all the way from the demon realm.

How dared Shang Qinghua hide this knowledge from him?! From his peak?! And what was the point of hiding it anyway? Wouldn't be wise to share it so they could improve it?

Maybe Shang Qinghua was using something forbidden. But there were layers upon layers of protective arrays in the meeting room. The smallest fizzle of demon energy would set off the alarms.

So there must be another reason for Shang-Shixiong to not let him at least look at the desing. Could it be- No.

Did Shang Qinghua think he couldn't learn it?

Ooooh, that just made him more furious.

It might be difficult, but now that Gao Qinggao knew it was possible, he would be able to replicate somehow. His Head disciple could handle the next weeks by themselves, he would grab all the books and parchments they had about redimensioning images, also the ones they had about crystal mirrors and how they were made.

Then he would rub it off Shang Qinghua's face. And maybe spend two weeks in inertia to balance all the spite and anger he was feeling.

---------

It didn't work.

Gao Qinggao laid on his private quarters with piles of papers around him, some crumbled up, others torn into pieces. Blessed be the Heavens that he had never minded being under inertia for long periods of time, because he couldn't remember the last time he ate.

Every single attempt he had made, failed.

Not for his lack of knowledge, he could see where the logic behind it, but it was if the structure kept dancing in front of him, fluttering away like a bird as soon as he reached to grasp it.

Where in all realms had Shang Qinghua found this technique?! Maybe in the Demon Realm? But none of the books that they collected from there had anything like it.

To put it mildly, he was furious.

He was starting to consider that Shang Qinghua was the one who wrote it, and his handwriting was so atrocious he created something without intention. The problem with this is that one, he hadn't seen the talisman close enough to see if it was Shang-Shixiong's handwriting. Second, it was impossible for him to have created it accidentally, the amount of contradictions and spells that had to be put on the paper, on top of using the right ink for it...

He just needed to look at it. Just to look to have a direction to where to start.

He put everything away and stood up, dusting his clothes, calling for a bath even though it was the middle of the night.

He was going to An Ding.

----

"You are a good person, and you will be an amazing Lord, Gao Qinggao," his old master said while passing the Peak Lord robes to him, the soft brown and gray so plain one wouldn't recognize him as a high cultivator outside the Peaks. "Just promise me you will work on your temper."

And he had promised, with heavy heart and aware that would be an ever losing task. He had done his best over the years and had made progress.

But not enough it seemed.

"I have all night, Shidi, and we know I'm more patient than you."

Gao Qinggao ignored the voice across the room, testing the bindings around his wrist as he controlled his breathing. When he had flew to An Ding and tried to sneak inside Shang-Shixiong's house, he wasn't exactly thinking. All he could remember was his blood boiling, eyes seeing red while his mind kept going on and on and on that he was doing this for the good of the Sect, that Shang-Shixiong was the one in the wrong for keeping secrets, that he was just going to look that's all.

He failed to consider that a man with secrets like Shang Qinghua wouldn't survive this long if he weren't good at keeping other people away.

"Shidi," Shang Qinghua gave him a tired sigh that Qinggao ignored to focus on more important things such as at least getting his hands free. "If Shidi doesn't talk to me, I have no way to help you."

He kept his mouth shut. To be honest he didn't even know what to say. He had no plan, he just wanted to take a look at the map! Frustration burned his face red, showing up in blotches that went all the way up his shaved head.

"Very well, Shidi. Let's do it your way then."

He glanced at Shang Qinghua, but a second later the other peak lord left his line of sight. There was the sound of a chair dragging through the floor, then callous fingers grabbed both of his wrists, the thumb pressing against his pulse.

It was as if Shang Qinghua had dropped snow water down his spine, the array drawn on the ground shinning for a second or two before the was released. He felt his body sag, his quick reflexes barely saving him from falling on his face.

"Now, Shidi, this is a very simple array, one that you know very well, I believe," Shang Qinghua dragged the chair again, this time sitting in front of Gao Qinggao, elbows on his thighs, the low light playing shadows on his face, turning his expression somber.

Gao Qinggao couldn't help but shiver, dread tickling down his neck and chest, realizing that he might have entered the tiger's den. And once more, he was hit with a mix of feelings towards the other man. He couldn't help the anger bubbling under his skin, forcing him to slam the barrier with his open hand, all in vain. But at the same time-

At the same time.

His mouth felt dryer than a desert. He exposed like an open wound as Shang Qinghua stared at him up and down and then up again, the usual bubbly and warm expression nowhere to be seen. No, that face he had seen only a handful of times, either when the Sect Leader was about to do something stupid to protect Shen Qingqiu, or when the peak lords were not behaving during peak meetings.

To be under the entire focus of it felt as if the rest of the world grew quieter, a little darker, the lights clinging to Shang Qinghua as if he were glowing with unreleased power.

"A simple truth array, but I bound you to it, so you may not leave." Shang Qinghua's low voice reverberated in the tiny room, their faces separated only by the shimmery wall. "As you have decided to be difficult, I have decided it was time for you to be a bit more truthful."

"How dare you demand truths when you are the one holding back secrets!" He couldn't help but shout, unable to hold back in face of such hypocrisy.

Like clouds parting after heavy rain, Shang Qinghua’s face relaxed, his whole posture softening up to his usual friendly self. He groaned, his deep sleepy voice waking up something in Gao Qinggao's belly, making him blush for another reason entirely.

"Oh Gao-shidi," he kept his voice down, followed by a chuckle. "Is this still about the map?"

His amusement only fanned the ember of his anger, making it burn brighter. How dare Shang Qinghua mock him? How dare he laugh at him like a cruel demon trapping Gao Qinggao and treating him like a play thing?

"Of course it is! You denied my single request for you while raining gifts to all the other lords! I'm tired of bland favoritism, my peak and I might live a frugal life, but aren't we also requested to share our precious knowledge?!"

He had been so worked up he didn't realize the moment Shang Qinghua shifted his feet, ready to pounce, releasing the array but grabbing Gao Qinggao hands once more, twisting his arms to bind them against his chest.

"You're a feisty one, I've forgotten that," he commented as he slowly lowered Qinggao on the floor, making him kneel, the sound of paper followed by the dry sensation of it on his legs making him flinch. He struggled for a few moments, giving up as soon as Shang Qinghua gave him another chuckle.

He was truly trapped.

"Tell me shidi, what is upsetting you? The fact that you were denied something you took for granted as yours or the fact that you haven't been praised for your contributions to the Sect?"

He was rendered speechless, the fire in his belly almost an inferno, his breath picking up but not in anger. He couldn't hold back a gasp, shame and desire clashed upon him as he felt stripped naked by how easily Shang-Shixiong had seen him.

"Is that it then? Praise?" Shang Qinghua started to walk around him, humming as he touched the back of his robes, fixing the sleeve that had slipped down his shoulder, inked fingers brushing over his clavicle. "Gao-shidi has been so good for us. So kind to share his talents."

He felt paralyzed, hands closed in a tight fist, desperate to cover his face, to hide his shame, unable to move. He was pinned down by burning brown eyes, the light reflecting on them, turning them into gold. It had been years, so many years since he had felt so stricken by desire. And to be hit full force with his sultry voice was- was unexpected, that's all!

"This Shixiong apologies for denying your request. You've been one of the most valuable resources for our Sect, you should be told how good you have been."

"W-What?"

"You're such a good craftsman, Gao-shidi, your talismans are without flaws. I can release you and show you a few of my own."

He didn't mean for the low soft "Please" to leave his mouth, not even sure anymore of what he was asking for. Yes he desperatly wanted to see the talismans, but he was also desperate to feel Shang-Shixiong touch him, somewhere, anywhere, just to do something, take responsibility for setting off this fire on him!

"... Unless you prefer to stay like that?" Shang Qinghua's asked as he touched Gao Qinggao's cheek, brushing his fingers along his jaw so he could tilt Qinggao's face up. "Bound by talismans you can't break?"

"Oh heavens-" he moaned, truly moaned as he closed his eyes, wishing for any Gods that might hear him to swallow him whole when he noticed the damp spot on his pants.

"It's okay shidi," Shang Qinghua's hands went down his neck, fingers brushing the sensitive skin of his shoulders, sliding under his robes. "We can work on your patience as we go."

------------------

do I feel slightly blasphemous for writing this? Yes

Do I believe that this is what Airplane would have wanted? Abso-fucking-lutely

And as we can see I'm upping my rating as we go fjsbskdnskfm not full explicit but maybe,,,,,,,,,,,, who knows

Thank you so much for the ask and for giving this a read!! :D

Here is the masterpost of this insane AU asdhfiusdh

6/12 peak lords, Wine Peak here I gooooo!

[dailyadventureprompts]

Monsters Reimagined: Yeenoghu, Demon Lord of Insatiable Hunger

It's been some years since I did my overhaul on the lore of the gnolls and how they embody the weird de/humanization that goes on with various monsters over d&d's history. Ever since I've had more than a few folks write in asking about how I would handle the default Gnoll God Yeenoghu, who exists in a similar state of "Kill everything that ever existed" to Orcus and a good portion of the game's other late game threats, thematically flat and not really useful for building stories around.

For a while I've avoided doing this post because I thought it might skew a little too close to my personal philosophy, and risk going from simply being influenced by my views to an outright soapbox. I personally hold that despite being part of our nature hunger is the source of the majority of human cruelty, and if society and cooperation are the tools we developed to best fight against the threat of famine, it is fear of that famine that allows the powerful to control society and secure their positions of privilege.

I've also dealt with disordered eating in a prior period of my life, alternating between neglecting my body's needs and punishing myself for needing in the first place. I'm well acquainted with hunger and the hollowing effect it can have, though I'd never claim to know it so well as someone who went hungry by anything other than choice and self hatred.

Learning to love food again saved saved my life. The joy of eating, of feeling whole and nourished, yes, but there was also the joy of making: of experimenting, improving, providing, being connected to a great tradition of cultivation which has guided our entire species.

If I was going to talk about an evil god of hunger, I was going to have to touch on all of that, and now that it's out in the open I can continue with a more thematic and narrative discussion on the beast of butchery below the cut.

What's wrong: Going by the default lore, there's not much that really separates Yeenoghu from any other chaotic evil mega-boss. He wants to kill everything in vicious ways, and encourages his followers to do the same. He's there so that the evil clerics can have someone to pray to because the objectively good gods are on the party's side and wouldn't help a bunch of cannibalistic slavers.

This is boring, we've done this song and dance before, and the only reason that there are so many demon lords/evil gods/archdevils like this is because the bioessentialism baked into the older editions of the game's lore was also a theological essentialism, and that every group had to have their own gods which perfectly embodied their ethos and there was no crossover whatsoever, themes be damned.

Normally I'd do a whole section about "what can be salvaged" from an old concept, but we're scraping the bottom of the barrel right from the inset. Likewise my trick of combining multiple bits of underwritten d&d mythology to make a sturdier concept isn't going to work as most of d&d's other gods of hunger or famine are similar levels of paper thin.

How do we fix it: I want Yeenoghu to be the opposite of the path I found myself on, a hunger so great and so painful that it percludes happiness, cooperation, or even rational thought. Hunger not as a sumptuous hedonistic gluttony but a hollowing emptiness that compels violence and desperation. More than just psychopathic slaughter and gore, it is becalmed sailors drinking seawater to quench their thirst, the urban poor mixing sawdust and plaster into their food because their wages are not enough to afford grain.

This is where we get the idea of Yeenoghu as an enemy of society, not because violence is antithical to society ( I think we've learned by now how structured violence can really be) but because society fundamentally breaks down when it can't take care of the people who provide its foundations. Contrast the Beast of Butchery with one of my other favourite villainous famine spirits: Caracalla the grim trader, who embodies scarcity as a form of profit and control in to Yeenoghu's scarcity as suffering.

Into this we can also add the idea of the hungry dead, ghouls yes but also vampires, anything cursed with an eternal existence and appetites it no longer has the ability to sate. A large number of cultures across the world share the idea that the dead cannot rest while they are starving, which is why we leave offerings of food by their graves or pour out a glass to the ones we lost along the way.

On that topic, there's also a scrap of lore involving Doresain god of ghouls, who has been depicted as an on and off servant of Yeenoghu. Since I'm already remaking the mythology, I'd have Doresain act as a sort of saint or herald for the demon lord, the wicked but still partially reasonable entity who can villain monolog before the feral and all consuming demon god shows up.

Summing it all up: Yeenoghu isn't a demon you wittingly worship, it's a demon that claims you, marks you as its mouthpiece and through you seeks to consume more of the world. It gives you just enough strength to keep on living, keep on suffering, keep on filling that hole in your belly and feed it in turn.

The greatest of these mouthpieces is Doresain, an elf of ancient times who's unearthly hungers elevated him to demigod status. Known as the knawbone king, he dwells within a dread domain of the shadowfell, and is sought out only for his ability to intercede with the maw-fiend's rampages.

Signs: Unnaturally persistent hunger pangs, excessive drool and gurgling stomach noises, the growth of extra teeth in the mouth, stomachs splitting open into mouths.

Symbols: An animal with three jaws, a three tailed flail or spiked whip. A crown of knawed bones (Doresain)

Titles: Beast of butchery, the maw fiend, the knawing god

Artist

[ofswordsandpens]

what do you think could’ve been done better regarding camp half-blood besides spending more time there/pacing? i’d love to hear your thoughts!

!! okay I know you're specifically asking for things that could have been done better beyond spending more time at CHB, but straight up that one issue is really the crux of everything. -- The time we spend at CHB before the quest in the show is half the time we do in the book. (And for a different frame of reference, the book is aprox. 40% over by the time the trio is leaving camp borders.)

And since the show runners halved the pre-quest chb runtime, as a result we lose quite a bit of content that helped to establish context, tone, foreshadowing, character dynamics etc.

Because we have to prioritize Percy and Luke's relationship in the show, it forces the rest of the relationships that were established in CHB in the book into the background, (or simply makes them none existent):

We have pretty much only ever been told verbally about Luke and Annabeth's bond by this point (episode 5). They have a two second interaction at camp that's not particularly noteworthy and that's that. Imo that's not particularly compelling story telling lol. We'll likely (hopefully) get something from episodes 6-8, but I maintain we still should've gotten something more substantial between Luke and Annabeth at camp. I've said before, at bare minimum the show should have had Luke see them off at Thalia's tree like he did in the book.

I've mentioned this before but Annabeth and Percy's dynamic had a much greater establishment in chb in the book because she's the one that's his guide at camp and she actively seeks him out more. In the show, we have to give this role to Luke and while I can give this change between book to screen more leeway because, yes, we have the entire quest to build Percy and Annabeth's dynamic, I still didn't like that it pretty much forced Annabeth into the periphery in the show. As a result, it made her seem a lot more distant and aloof than she ever was in the book. (Shoutout to Leah's armor strap improv, she's doing more for Annabeth than the show runners are).

2. We don't really get see the effects of Percy being claimed as Big Three Kid at camp:

Yeah, Percy moves into the new cabin in the show but then almost immediately after he's off on his quest. Meanwhile in the book, Percy's claimed as a big three kid... and then we see how it ostracizes him.

He misses being in the Hermes' cabin. Campers avoid him. He sleeps and eats alone now. He has to have solo lessons with Luke because the others are scared. He's miserable! And none of those experiences were translated to screen.

Again, they told us that big three kids are taboo, but have not shown that impact.

Like the difference in reaction during the claiming scene between the book and the show pretty much sums up this discrepancy.

3. General loss of foreshadowing and tone:

Because we don't get as much Annabeth, we lose how in the book, she had been aware that something was wrong with the gods and surmised that something was stolen long before the quest. She shared this with Percy. It was a great showcase of her intelligence. It helped set the tone that something was wrong before the quest even stared. And all of it just, didn't really make the cut.

The hellhound attack also didn't make it and its just another loss of foreshadowing. Luke was straight up trying to kill this kid from day one. Percy was not safe even at camp. Things weren't okay ever.

The weather! Yes the boundary keeps the weather mild at camp but in the book Percy remarks on the huge storms that surround them at one point. Before he leaves there's a storm so bad approaching that the campers are nervous. Even before he got to CHB there were "inexplicable" storms all the time. I wish this had been maintained in the show even beyond the camp. The gods, Zeus, they aren't happy.

Also, I tried rewatching the episodes to find this convo but I couldn't so please let me know if it's there somewhere but I don't think Luke conveyed anywhere in the show that his quest "messed things up" for anyone? Like, sure, they could include this at the end, but I think it's more impactful when we see more hints of his bitterness early on.

4. Minor Nitpicks + More things I miss:

Annabeth should have gotten soaked by Percy's Supreme Lord Bathroom moment like she did in the book. Percy had flooded the entire bathroom and she wasn't speared. In fact, Percy was the only person who wasn't wet.

The self-filling goblets in the book + the blue Coke moment.

I wish the show had Percy like, white knuckling his minotaur horn refusing to let it go. In the book he saw it as the last souvenir of his mother, refused to let anyone else hold, and was afraid it would be taken.

Rip Argus :(

[ponett]

Bobby's 2023 Media Wrap-Up

So! Like I said before, this past year I kept a running list of everything I watched, every game I finished, every new album I listened to, etc., and wrote one-paragraph blurbs with my thoughts on every single one. Please enjoy this journey through everything I liked, or didn't like, in 2023, with my favorites of the year listed at the bottom.

(Yes! This is long!!)

Some notes:

I mainly only included things I finished. Exceptions are marked with an asterisk.

I included some YouTube stuff as "TV shows" - mostly particularly long, high effort video essays and documentaries.

I was a bit less adventurous than I'd like to have been this year. Part of this was just that I felt like I was constantly playing catch-up with Big Releases I felt obligated to check out, and part of this was just executive dysfunction from burnout. Wait until you see how long it took me to beat Mario Wonder lmao

Yes, I need to read more books. I don't read a lot of books these days. I need to get back to Discworld.

COLOR KEY

Video Games • TV / Web Video  •  Movies  •  Comics  •  Music

January

1/15: Final Fantasy XIV: A Realm Reborn (MSQ) - Very slow at times, the Primal shit is generally extremely lame to me outside of the boss fights themselves, but god if the quality of life improvements over WoW, the JRPG energy, and the fact that it Actually Has A Story carry it pretty hard.

1/18: Sonic the Hedgehog: Scrapnik Island miniseries - One of the most creative and compelling uses of the Sonic IP… ever? Fantastic little self-contained arc about the struggles of Eggman’s abandoned creations that gracefully weaves between heartfelt optimism and moody horror with some of the best art ever seen in a Sonic comic.

1/18: Mega Man X4 - Glad I finally actually beat this after never even beating any of the Mavericks as a kid! I can see why it’s a lot of peoples’ favorites. The gameplay has very little of that X series bloat and is just fun, especially after getting X’s armor upgrades. (But the story really is a long series of missed opportunities.)

February

2/2: Donks - Felix Colgrave continues to be an exceptional artist. The sound design on this is fantastic and really sells this short as something unique. Had to go back and watch his older stuff again after this.

2/4: Final Fantasy XIV: Heavensward (3.0 - 3.3 MSQ) - I get it now. I get why people say this is just a proper mainline Final Fantasy game built into the framework of an MMO. That shit ruled. Not even walking back the drama in Ul’Dah from the end of ARR can sour me on it because the main storyline was so strong.

2/8: Disneyland's Forgotten Sci-Fi Rock Band - Live From the Space Stage - A nice and honest tribute to a group of artists who could have easily been forgotten. In hindsight this feels like a precursor to Kevin’s Disney Channel jingle video, a tribute to the unsung artists pouring their hearts into “lesser” art for a megacorporation, art that was designed to be transient but sticks with people nonetheless.

2/9: Metroid Prime Remastered* - Not gonna finish because I just played through the Wii version in 2021, but still. Very, very pretty remaster.

2/16: Theatrhythm Final Bar Line - It’s more Theatrhythm. What more could I want

2/17: JoJo’s Bizarre Adventure: Stone Ocean (anime) - Probably the best part of the anime so far (assuming they continue on to SBR). A near perfect mix of the more structured plot of part 5 with the goofiness of parts 3 and 4 that crescendos into a fantastic, bombastic, emotional, bittersweet ending. The use of footage from the original opening and the new ending set to Roundabout in the finale were perfect, and made me intensely nostalgic for the early days of my JoJo fandom between seasons 1 and 2 of the anime.

2/22: Aggretsuko Season 5 - I don’t really know what to make of this one. Once you get past the agonizing initial arc all about Haida where Retsuko has to be his overbearing mommy GF who flips out and starts spying on him when she’s left on read and chides him when he misbehaves, it feels like an improvement over the previous seasons. But I don’t know how much of that is due to the extremely low bar set by season 4. And then the ending is extremely rushed and anticlimactic. They got legally married and the only acknowledgement was a shot of them signing the paperwork in a montage partway through the final episode?????????

2/24: Double Fine PsychOdyssey - God, what a journey the making of this game was. I already loved 2 Player’s past efforts at documenting Double Fine’s process, but this takes it to a whole new level. This feels culturally significant. The depth and honesty with which they depict not just the nitty gritty of making a game, but also the inherent struggles of working on a collaborative creative work for years at a time, is astounding. Not to mention that they were there to capture the shift from office life to remote work as COVID hit. So much of this would have been nightmarishly stressful to watch if I didn’t already know how successful the game was, but that’s just because they really didn’t sugarcoat it. And yet even after all that, it leaves me feeling optimistic about video games as an art form in a way that the constant headlines about cynical live service games don’t. There are still people out there pouring their hearts into making real art, and this is their story. Everyone who plays video games should watch this.

2/25: Cracker Island (Gorillaz) - New Gorillaz albums feel like less of an event these days, but after Humanz it feels like they’re just more chill with the project and their ambitions with it. Every couple years we get some more laid back jams from Damon along with some fun new collabs. Hard to complain. Favorite track: New Gold

2/25: Pool Kids (Pool Kids) - I discovered this band because Derek knows them and was excited when they got a song added to Fortnite through the Bandcamp collab. Always down to find more cool indie rock bands I can vibe with. The mix of dreamy vocals and energetic riffs on some of the tracks here almost fill the Crying-shaped hole in my heart. Almost… Favorite track: Conscious Uncoupling

2/25: Insane in the Rain (insaneintherainmusic) - I thought it was really funny timing when Carlos announced that his first original project would be a jazz fusion album inspired by acts like T-Square and Casiopea right as I was getting into those two specific bands. The final product does not disappoint. Favorite track: Insane in the Rain

2/26: Get Up Sequences Part Two (The Go! Team) - I’ve never been one to believe that a band’s sound has to remain exactly the same forever, but it really does hit you hard that the first two tracks here sound like classic The Go! Team. Their more recent cleaner sound is still here too, though, for a nice mix of old and new. Favorite track: Divebomb

2/28: Mobile Suit Gundam: The Witch From Mercury (Season 1) - Oh my god. Oh my god. I got distracted around the time I was finishing SLARPG, but finally catching up now, wow. My assumption that the seemingly lighter tone of the series compared to the prologue was there to lull us into a false sense of security before twisting the knife when war finally breaks out was spot on. This is peak Gundam.

March

3/4: Pizza Tower - One of the best platformers I’ve played in a long time. It transcends its blatant Wario Land inspirations with the sheer speed at which Peppino can move and the way things like the level design, his wall running, and even the hidden ability to do a second lap around the level reward getting into a flow state where you’re just constantly moving. This is the type of game that wants to turn you into a speedrunner. My only real complaint is a few iffy enemy designs that I wish would get patched.

3/6: Bloons TD 6 * - I bought this before bed one night on a nostalgic whim and then the next morning woke up and saw the Steam receipt email on my phone in one of the most “what did I do last night” moments of my life. I like when the monkeys pop the balloons.

3/7: The Book of Boba Fett - I put off finishing this show for a very long time but finally caved upon the release of The Mandalorian season 3. This show spends four episodes failing to make me give a shit about Boba Fett trying to be “the daimyo” and drive the drug trade off of Tatooine, then just gives up and becomes season 2.5 of Mando, which in turn feels like it undercuts the main series. It fails as both its own story and as a spinoff. I know that finishing this after Andor did it no favors, but WHOOF.

3/12: Obi-Wan Kenobi - Some interesting ideas in the first half hinting at a more introspective show, but it’s mostly swept aside in the back half so it can become a generic Star Wars adventure remixing things from A New Hope and Rebels (and apparently Jedi: Fallen Order). Action scenes have zero stakes because you know nothing can happen to any of the returning characters and none of the new ones are particularly interesting. Why there’s a second climax hinging on a Luke Skywalker death fakeout eludes me. Obi-Wan throwing the rocks at Vader is one of the funniest things in Star Wars history. But it was still better than Book of Boba Fett, I guess.

3/19: The King of Braves GaoGaiGar - Wow, cool robot indeed… GaoGaiGar isn’t going to blow anyone away with its writing, but sometimes you just need a really fun monster of the week mecha show with great action and lovably goofy characters. This is a show where like 20% of every episode consists of recycled transformation, combination, and signature attack sequences and I ate it up every time because they look fucking cool as hell. I don’t care. I’d watch Final Fusion another 49 times.

3/21: The Last of Us (HBO) * - Watched the first two episodes out of curiosity, but I’m not sure if I’ll continue because I don’t give a shit about The Last of Us. It’s definitely a well done adaptation, though, even if I know it’s inevitably going to devolve into miserable torture porn with questionable politics if they adapt Part II faithfully. The ending of episode 2 also lines up perfectly with where I stopped in the game in 2013 lmao

3/27: The Future is a Dead Mall - Decentraland and the Metaverse (Folding Ideas) - Another banger from Dan Olson. This time the premise inherently gives him more time to just show off a bunch of stupid ugly bullshit made by crypto guys, which is fun. My main complaint was that I wished he would’ve brought up Second Life more as a point of comparison (a thing I basically always want out of discussion of “the metaverse”), but he at least did touch on it in the last section.

3/31: The Murder of Sonic the Hedgehog - I can’t believe after years of begging for the supporting cast to get more and better material in a Sonic game I got my wish in the form of a freeware murder mystery VN released for April Fools. This kicked ass.

April

4/7: Berserk - Completed Miura’s run and caught up on the chapters that have been released posthumously. It’s hard to say anything that hasn’t been said about Berserk, universally agreed upon as one of the greats of manga and fantasy fiction as a whole. What begins in its first few volumes as a nihilistic and edgy action comic built to facilitate as much sex and gore as possible quickly evolves into something deeply human and vulnerable and beautiful, both figuratively and in terms of its lavish art. The world sucks and is immeasurably cruel, and you will see that cruelty illustrated in graphic, sickening detail repeatedly throughout the series. (Perhaps a little too often throughout the Golden Age, where it feels like Miura never misses an opportunity to threaten Casca with sexual assault mid-battle.) But the point isn’t to wallow in that misery. It’s the story of a victim of horrific abuse learning to slowly open up to others, having those people he cares about torn away from him in the worst night of his life, hardening himself into a cold killing machine, and then slowly learning to open back up again, even if it means leaving himself vulnerable to more hurt. Anyone who says that the series peaked with the eclipse and went downhill in the “Guts’ JRPG Party” era is missing the point. Guts needed to find new people in his life to care about, to begin to find happiness again. Because no matter what unspeakable things Guts has gone through, it’s still possible for him to heal and to be loved. It takes time, but eventually you stop and realize that life has moved on.

4/8: Dedede’s Drum Dash Deluxe - Skipped it upon release because I didn’t particularly care for the minigame in Triple Deluxe, and I didn’t miss much. It’s fine as a little distraction, but not as a standalone rhythm game with only seven songs. If you don’t bother with the hard modes or chase after high scores this game is 15 minutes long. Oh how I yearn for Kirby to get the Theatrhythm treatment.

4/10: The King of Braves: GaoGaiGar FINAL - Eh… It was okay. Lots of cool robot fights, but said fights are stitched together with a mediocre plot that tries too hard to be more “mature” than its unabashedly schlocky kids’ show predecessor. Not crazy about the ending, either, which tries to be a bittersweet farewell closing off the series once and for all while also teasing that maybe there’ll be ANOTHER sequel after the OVA series they literally called “FINAL.” Ah well.

4/11: The Owl House - Sad to see this one go, but it’s hard to imagine them doing a better finale than this, even if they had gotten the six seasons they deserved. I’m not as obsessed with The Owl House as I probably would’ve been had it come out when I was, like, 20, but it’s a really fantastic show for all the reasons people always say. Great characters, great world, great story. I love that this starry-eyed fantasy story about a teenager finding love and a place where she belongs is also set on the rotting corpse of a titan with Hieronymous Bosch-inspired scenery and freaky monsters everywhere. What a great mix. If anything, I just wish I would’ve watched the first season as it aired so I could’ve had more time with it.

4/29: Mega Man Battle Network 3: Blue Version - FINALLY beat this via the new collection, 20 years after playing it as my first Mega Man game. (Technically my first was White, not Blue, but whatever.) There are more annoyances than I remember - lots of really really bad forced backtracking sections where you have to revisit every previous part of the internet, low chip drop rates, some really aggravating bosses like BubbleMan and KingMan, etc. But it’s still a great time overall. It’s Battle Network. In the back half the story gets surprisingly emotional, too. I was always under the assumption that the Hub stuff never came back up much in the story after 1, so I was pleasantly surprised with how relevant it was to the emotional arc of 3.

4/30: Mega Man Battle Network 4: Red Sun * - Yeah I’m not playing through the whole thing lmao. I just wanted to play the first couple hours for nostalgia’s sake, and as a baseline for how much better the rest are. Even before getting deep in the game and having to deal with all the shit gated between doing two new game+ playthroughs, it’s immediately obvious how much of a downgrade this one is. Tons of glaring errors and typos all over the script, blander music, a way more boring aesthetic for the internet, and a premise that mostly just recycles the tournament idea from 3.

May

5/14: The Venture Bros. - Glad I finally sat down and watched all of this with Anthony after having seen one (1) episode as a teenager and a bunch of random clips in the years since. Great show. Some jokes in the early seasons haven’t aged gracefully, but what the show grows into over time... man. Hank and Dean go from being the butt of the joke to being characters you actually sympathize with - while still also being funny little goofballs. And the journey Henchman 21 goes on throughout the show. Man. Amazing that a comedy like this could run for 20 years and maintain its level of quality. Can’t wait for the movie.

5/18: Future Me Hates Me (The Beths) - Okay yeah I’m now just discovering bands through Fortnite lmao. I can’t complain really, they pick some really great indie artists for the in-game radio stations. Anyway: It’s very easy to win me over with a combination of energetic power pop, catchy guitar riffs, and earnest lyrics like this. One of those albums where three or four tracks in I know I have to buy it. Favorite track: Not Running

5/18: Jump Rope Gazers (The Beths) - Ditto. Favorite track: Dying to Believe

5/18: Expert In A Dying Field (The Beths) - Another good album. (I’m listening to these in release order.) I’ve been a bit slower to warm up to this one, initially thinking it was a little too mellow overall, but it might be my favorite after a few listens. Some real high highs. Interestingly, the lead singer’s New Zealand accent is also coming out more in her singing? Favorite track: Your Side (or maybe Head in the Clouds)

5/19: The Super Mario Bros. Movie - As a Mario fan, I think I enjoyed it? As a movie, less so? It was decent, in spite of feeling like they came up with a list of fun action setpieces first and then wrote the absolute bare minimum possible for the story scenes tying it all together. Full thoughts here. (This is the first movie I’ve seen this year, huh? I really don’t watch a lot of movies.)

5/23: Don't Know What You're In Until You're Out (Gladie) - I feel like I don’t like Gladie as much as I should. Their style of noisy indie rock is very much in my wheelhouse, and I do enjoy listening to them, but I dunno. Maybe it’s that the particular style of vocals makes it more monotonous to me. A good album nonetheless, if not 100% my thing. Favorite track: Nothing

5/24: City Slicker (Ginger Root) - Yes I am still making my way through Bandcamp artists I heard on Fortnite don’t @ me. Any excuse to get me to listen to some cool city pop-inspired funk like this is a good excuse. Favorite track: Loretta

5/24: Rikki (Ginger Root) - Favorite track: Why Try

5/25: Spotlight People (Ginger Root) - Favorite track: The Classic

5/29: Succession - A good dramedy series that increasingly focuses more on the drama than the comedy as it progresses, but it’s hard to complain about that since the drama is so compellingly produced. I enjoyed it. That being said, I kind of rankle at the claims that it’s The Greatest TV Show Of All Time. It’s great, don’t get me wrong. Amazing performances all around. But the show LOVES to spin its wheels, to repeat itself, and to let most of its interesting dramatic developments fizzle out before anything really comes of them, almost as if the show is constantly getting bored with its own ideas. To some extent this is intentional - Logan Roy is the untouchable billionaire, his kids fail at everything (but will nonetheless remain billionaires), and in the long run none of them really give a shit about anything other than their own status. But it’s not like things tend to visibly impact anyone else, either, be they supporting characters or the world at large. Even the Big Scary Election, where the Roy siblings are directly responsible for plunging the nation into chaos, ultimately has zero impact on the finale a mere two episodes later. Certain Other Things do have an impact in the last season, though, allowing things to meaningfully change for the cast and for the show to sit with the ensuing drama, which has stopped me from souring on Succession more. There was finally a payoff for something. But it does still kind of feel like a show that goes in circles until it’s ready to call it quits, even if those circles did contain a lot of great acting and music along the way.

5/29: Kipo and the Age of Wonderbeasts - I’d watched the first 12 episodes when they originally released, but I guess the Netflix binge release and the fact that all three “seasons” came out in one year led to me waiting until it finished… and then I just never got around to finishing it. Glad I fixed that! Really fun and stylish cartoon with an art style reminiscent of Teen Titans, a hip hop-filled soundtrack, dynamic fight scenes, and a colorful post-apocalyptic world filled with mutant (mostly anthropomorphic) animals. I’ll admit that at times I do kinda roll my eyes at Kipo’s unshakeable belief that everyone can be friends in a way that I don’t necessarily with similar shows like Steven Universe, and not every joke lands, but I dunno. It’s a kids’ show. That’s to be expected. It doesn’t detract from the overall package for me.

June

6/1: Craig of the Creek (Season 4) - It’s been years and I’m still processing the fact that kids can turn on Cartoon Network and hear Jeff Rosenstock. Anyway! Craig continues to be one of the best cartoons on TV, consistently funny and creative and way more engaging than a show about a bunch of kids LARPing in the woods has any right to be. This season turned into One Piece with the gang effectively hunting down the Poneglyphs in search of a legendary treasure. The kids think it’ll be magic. It isn't. An increasing number of cartoon logic gags aside, this show is firmly set in the real world. Does that make it any less interesting? Hell no. Season 3 turned a game of capture the flag into an all-out five episode war between the heroes and villains, filled with dramatic turnabouts and a climactic guest appearance from Del the Funky Homosapien. I’m sure however they wrap things up in the (sadly shortened) final season, it’ll be great. (Also? I would watch a whole show based on that “what if” episode that jumped forward to everyone’s 20s.)

6/6: Barry - Holy shit, what a show. I ended up binging it in less than a week in a cycle of “okay, just one more episode.” The way this show is able to swing between tones and genres while still feeling like a cohesive whole is truly masterful. It’s a layered character drama, a tragic crime thriller, a farcical comedy, an understated action series, a surrealist morality play, and a scathing satire of Hollywood, all in one. Even within the criminal underworld subplots the show ranges in tone from Breaking Bad to Paddington 2. And it works! While the show naturally gets bleaker over time as it confronts the repercussions of Barry’s murders, it never completely loses sight of its comedic roots. My favorite episode was easily season 2’s “ronny/lily,” a mostly self-contained episode that somehow manages to keep throwing the perfect curveballs to escalate its dark comedy.

6/12: The Lord of the Rings: The Fellowship of the Ring (Extended Edition) - Y’all heard of this movie? Pretty good, it turns out. (I’d seen the theatrical cut before, but this was my first time watching the extended edition. I’ve also only seen parts of the other two movies, so it’s time I finally watch all the extended cuts. The Gollum game pushed me to this.)

6/13: The Lord of the Rings: The Two Towers (Extended Edition) - give it to us RAW and WRIGGLING

6/17: The Lord of the Rings: Return of the King (Extended Edition) - I’m not crying YOU’RE crying

6/22: Clone High (Season 2) - While the first episode being about “cancel culture” (or, more accurately, a teenager from 2003 being transported to 2023 and putting his foot in his mouth a lot) put a lot of people off, I ended up enjoying the new season of Clone High. The new clones grew on me as the season went on and their roles in the web of teen romance melodrama crystalized, and it made me laugh a lot, and Cleo/Frida is galaxy brained. Also they played one of my favorite Antarctigo Vespucci songs like a minute into the first episode. I don’t think I could really ask for much more.

6/28: The Mandalorian (Season 3) - I'd been watching this weekly but put off the last episode for no real reason. Responses to this season have been all over the place, but my blistering hot take is… it was fine. Is it as good as the first season? Probably not. But Mando no longer needs to carry the whole franchise on its shoulders and set the bar for how good the live action Disney Star Wars shows can be, because Andor exists, and it’s never gonna top Andor. The Mandalorian is free to just be a pulpy space adventure show where Giancarlo Esposito plays a scenery-chewing cartoon villain and a little puppet does wire stunts. These are things Andor cannot and should not do, but that’s Star Wars, baby. It’s delightful. I could watch Grogu get underhand tossed like a sack of flour all day.

July

7/2: Mobile Suit Gundam: The Witch from Mercury (Season 2) - LOVE WINS. (More nuanced take from way later: It definitely feels like a lot of the more messy political conflicts in this show got swept aside by the big final battle where some more easily resolved family conflicts take center stage. I’m not sure the ending is the most satisfying. But also this show only got half the episode count that damn near every other Gundam show ever made got, so that might be a factor here. Idk. Still one of my favorite Gundams.)

7/4: Final Fantasy XVI (watched Anthony play) - I had to write my longest Medium article ever about this one because I was so frustrated

7/10: Home Movies - “Things I like that I’ve never seen in full” has certainly been a recurring theme this year. Home Movies remains an all-time classic of animated comedy that went out on a high note before things got stale or the characters became parodies of themselves. While it’s mostly known for its funny improvised banter, throughout the last season you can really see the arc where Brendon no longer enjoys making movies, yet he feels obligated to keep using them to escape from the real world. In that light, the ending where the nature of their dysfunctional makeshift family is cemented, Brendon’s camera suddenly breaks, and life moves on really does feel like the perfect note to end on. Truly one of the best to ever do it.

7/15: The Legend of Zelda - Tears of the Kingdom - Wow. Just… wow. I had serious doubts about TotK in the months leading up to release due to how close Nintendo was playing their cards to their chest. I didn’t want this to be a Saints Row IV, where the game is fun enough but the recycled map makes it feel like a rehash. Instead, I found a game that made me look at BotW’s map in a whole new light, brimming with so many more things to do and people to meet. Add on a better, more versatile set of tools, more varied dungeons and bosses, and a story that I felt was told somewhat better and we’ve got a real contender for my new favorite Zelda game. It was hard to tear myself away, but as this list shows, it’s been basically the only game I’ve played since it came out.

7/16: Sonic Prime (Season 2) - I liked the parts with Shadow and Chaos Sonic, but I’ve come to the sad conclusion that most of this show is just mediocre. More thoughts here.

7/18: We ♥ Katamari Reroll + Royal Reverie - “I’m a dog, but I love Katamari Damacy.” Truer words have never been spoken.

7/19: Transformers: Rise of the Beasts - Pretty good! It didn’t blow me away, but after how bad the Bay movies got I’m just thankful to have a decently cohesive Transformers movie where the human story is okay and I like the bots (although half of them needed more screen time), even if it is just another Hollywood blockbuster about two sides fighting over a macguffin that devolves into a big CGI battle against an army of nameless monsters in the third act. This is basically a mid-tier MCU movie but with Transformers, which won’t do much for most people, but again: the bar was underground.

7/22: The Venture Bros.: Radiant is the Blood of the Baboon Heart - God DAMN. A phenomenal ending for the series. While I would have loved to see a full final season to get some more one-off episodes in there, this doesn’t feel creatively compromised in any way–either due to the time constraints, or due to a desire to make it more marketable as a movie. It really does feel like they just took their outlines for the canceled final season and gently massaged them into the shape of an 84-minute movie, and I mean that in the best possible way. It’s completely on par with the previous seasons. A hilarious and fitting sendoff for one of the greats of adult animation.

7/23: Beautiful Katamari - This was one of my first Xbox 360 games, but a frustrating temperature-based level made me put it down for 16 years. “Maybe it won’t be as bad now that I’ve beaten the first two games and am better at Katamari,” I thought. Nope! Still an absolutely dogshit level. But also, turns out the whole game is only like two hours long lmao. It’s still Katamari, so it’s still fun - the final level in particular, which seamlessly takes you from ground level all the way to space, feels like a logical endpoint for the series - but beyond that it just doesn't have the same soul without Keita Takahashi's input.

August

8/4: Doom Singer (Chris Farren) - I’ve been waiting so long for Chris and Jeff to do another Antarctigo Vespucci album, but god damn. This is the best of Chris’s solo work, and a contender for his best record, period. Every track’s a banger, with more energy than some of his previous solo work but also a good deal of variety. Favorite tracks: First Place, Cosmic Leash

8/4: Transformers Earthspark (Season 1) - This show had a bit of an uneven start, unsure if it wanted to have the emotional maturity of a more serious action cartoon or a preschool cartoon where the characters have little kid mood swings and outbursts and learn basic lessons. It also felt like it was speedrunning its Wholesome Found Family Dynamic with characters who just met, which didn’t feel earned. While these problems never completely go away (see: the cheap and corny way the otherwise very dark season finale suddenly resolves), the show improves quickly, and the positives outweigh the negatives. It’s so great to have a Transformers cartoon that feels fresh, giving us a post-war setting with a bunch of new characters and new dynamics between the Cybertronians and the humans. The returning characters are also uniformly great as the old veterans overseeing the new generation. (Reformed Megatron! Danny Pudi as Bumblebee! Steve Blum returning as Starscream! Keith David as Grimlock!!!) And those super dynamic action scenes! I can nitpick, but Earthspark’s a ton of fun, and easily the best new Transformers cartoon since Prime and Animated.

8/5: Ghost Trick: Phantom Detective (remaster) - Everyone who told me this game was a masterpiece was right. I had played the first chapter when it dropped as the demo for the iOS version years ago, but never went further than that until now. What a game. Absolutely incredible through and through. Great story, great twists, great characters, great puzzles, great art direction. Everything comes together so perfectly to form a totally unique, unforgettable package, a top tier video game murder mystery. Everyone should play this, preferably going in as blind as possible.

8/15: It’s Always Sunny in Philadelphia (Season 16) - Wow! Recent seasons of Sunny have been kind of up and down, with some interesting experiments (Mac Finds His Pride, the Ireland arc, etc.) paired with some comedic duds. Most of this latest season is standard fare for the series with fewer big creative swings, but it’s just hit after hit in terms of comedy. Not a single dud, whether we’re seeing Mac and Dennis try to start a rental business for inflatable furniture or watching the gang meet Bryan Cranston and Aaron Paul, believing the entire time that the latter is Malcolm from Malcolm in the Middle. Even the attempts at topical comedy landed better. Easily the funniest season in years.

8/16: One Piece Film Gold - It’s easy to see why this one has kind of been forgotten in the wake of Stampede and Film Red, which revolve around established fan favorite characters, but this was still pretty fun. Perhaps a little too long, but it’s fun to see the Straw Hats fool around in a giant casino and do a heist. They definitely cranked the fanservice up even more than usual in this one, though, as I probably should have expected for a movie made alongside the anime’s adaptation of Dressrosa.

8/17: One Piece: Stampede - This one goes for a different kind of fanservice. While most One Piece movies are isolated from the ongoing plot and its expanded cast of characters, Stampede instead asks “What if we just put damn near every active character on the same island and had them fight?” The answer: a fun time! It would get old if all of the movies were like this, but after a bunch of movies that are just like “the Straw Hats are gonna land on another new island and fight some more weird guys” it’s fun to see characters like Law and Buggy and Smoker get in on the fun. It’s also nice to get a movie with the Wano era art style, and Usopp surprisingly gets some really good character moments in here.

8/18: One Piece Film Red - This really is the best of the One Piece movies, huh? (Baron Omatsuri is a close second.) It really feels like a change of pace after the last four with the most interesting and emotionally engaging story out of any of them. And even if the events of these movies are never canon, it still feels significant in my understanding of Shanks as a character as we move into the final phase of the manga.

8/21: Pikmin 4 - The opening hour of the game made me really question if they’d changed too much, with all the focus on your new dog unit over your Pikmin and the extremely dull, drawn out dialogue scenes with your new companions back at the base. But once I got into the swing of things I had a blast. This is probably my new favorite Pikmin game. There’s a great mix of activities here to keep things fresh. I also really ended up liking Oatchi’s role as basically your second captain who can also serve as your tank or a rideable mount. The Dandori stuff and nighttime missions in particular show off how useful Oatchi is for your multitasking without necessarily overshadowing the Pikmin.

8/22: Never Get Tired: The Bomb the Music Industry! Story - I literally backed this on Kickstarter eight years ago (my name is in the credits!) and then never got around to watching it for no reason. It’s on YouTube now, and Jeff’s got a new album out next week, so now feels like the perfect time to watch it. And man… what a great documentary. Obviously I’m just a fan of the band, but this also really spoke to me as an artist. Jeff wanting to stick to his principles and give out his music for free and play cheap all ages shows, his discomfort over the idea of selling merch, and the struggles that come with not playing the game like that… It's hard. They readily admit that Jeff is an idealist, that people fight him on this stuff, that he’s missed out on some big opportunities because of these stances, and that he’s had to compromise a bit on some of these things over time. But that incredible climax with their final show, including a full opening performance of the slowly building “Campaign for a Better Next Weekend” and the closing performance of “Future 86” where the whole audience is singing along as the members of the band are hugging and crying… it’s beautiful. This may have been a band where the members had to go back to their shitty day jobs after every tour because they weren’t selling out arenas, but their art meant something to people, and that makes it all worth it.

8/25: Nimona - I haven’t read the original comic (yet), so I can’t compare them too much, but it’s nonetheless pretty apparent that some things were softened and easy kids’ movie jokes were added by the studio to squeeze this graphic novel for teens into a PG animated movie. Regardless, the emotional throughline hits REALLY hard, particularly the very blatant trans allegory and the climax. (It’s no wonder Disney was afraid of this movie seeing the light of day lmao.) The animation is also very squishy and fun to watch throughout. Great movie.

8/26: Puss in Boots: The Last Wish - Spider-Verse really has done so much for animation, huh? This one was as good as everyone said. Beautiful use of stylized color and lighting throughout, and every time this movie very conspicuously shifted to different framerates for a flashy fight scene it owned. Very cute and heartwarming story, too, which thankfully gave its second act plenty of time to explore the cast and let them go on their journey, unlike a certain plumber movie that came out a few months later. Also I would let Death [redacted]

8/28: Holocure: Save the Fans! - This isn't really something I can beat, but I've been addicted to Holocure lately. I don't even watch VTubers aside from maybe seeing a funny Korone animation every now and then, this is just a really, really good freeware Vampire Survivors clone with a huge roster of varied characters to pick from.

8/31: HELLMODE (Jeff Rosenstock) - A new album from Jeff is always a major event for me. If there were any worries that he was starting to go soft at 40 (because one of the three singles off this album was a gentle acoustic piece), the frantic opening of this album put those worries to rest. The first two tracks are Jeff screaming out for help as he’s pulled in a million directions by the chaotic state of the world, a theme that becomes the thesis of the album. I’d say it lags slightly in the middle, but overall this is another extremely well-rounded record full of bangers that’s unapologetically Jeff, with possibly my favorite closing track he’s ever done. Favorite tracks: I WANNA BE WRONG, 3 SUMMERS

September

9/3: One Piece (live action, Season 1) - They did it. I can’t believe it, but they did it. While I have my nitpicks (Usopp and Sanji don’t get enough big moments to shine), this is an extremely solid and faithful adaptation of the first few arcs of One Piece with a great cast. For the most part the changes feel smart and logical, and the big emotional beats of the story are all there and executed very well. I doubted it a little in episodes 2-4, where the Orange Town and Syrup Village arcs saw some major changes to shift the action indoors, and the increased focus on the drama in favor of repeating every gag and battle from the manga 1:1 took a bit of getting used to, but by the end I was having a blast. It’s a different take on One Piece, but it still feels like One Piece. Genuinely very excited for season 2.

9/4: Pseudoregalia - A great little N64-style 3D Metroidvania focused on platforming and very satisfying movement. I always love entries in the genre that are less prescriptive in what order you have to tackle areas in, a la Symphony of the Night or Hollow Knight, and this one’s great in that regard. While there are a number of new moves to find, most of the map is open to you very early in the game, and smart use of your moveset can allow you to “sequence break” without even realizing it. (You would not believe how long I went without getting the wall run.) I do wish it had a map, but that’s already being patched in.

9/6: Bomb Rush Cyberfunk * - Not a bad game at all, but I quickly remembered how bad I am at skating games, so like… eh? Not sure I have much desire to play past chapter 2. Also the soundtrack is sadly kinda hit or miss for me outside of the obvious Naganuma tunes.

9/9: The History of the Minnesota Vikings (Dorktown) - Jon Bois never misses. Even as someone who doesn’t actively follow sports, Jon Bois is a master storyteller, using graphs and statistics and funny anecdotes to explore these deeply human stories. He can convey why people care so much about these teams, these people, and sports in general, and how our popular sports reflect on American culture. He could tell the story of just about any team or player in any sport and I just know I’ll come out the other side a misty-eyed fan. And what a fascinating cast of characters we have this time, with origin stories for everything from the Hail Mary pass to a Minnesota state supreme court judge to the Griddy. Nine hours well spent.

9/10: Timespinner - A fun and highly polished Metroidvania that maybe doesn’t quite have enough of its own identity in its quest to replicate Symphony of the Night…but also, like, this was pitched as a Symphony throwback on KickStarter in a pre-Bloodstained, pre-Hollow Knight world, so I can’t really blame ‘em! Stopping time to avoid boss attacks is fun, the pixel art is gorgeous, and I liked the dark science fantasy story about warring empires and meddling with time a lot more than I thought I would - lore journal text dumps and all.

9/14: The Decay of Sam & Cat (Quinton Reviews) - All the stuff at the end with Matt Bennett (the actor who played Robbie on Victorious and Sam & Cat) in this was really good and sweet. It’s that kind of thing that makes these videos feel like they’re still worthwhile on some level. But the padding and the things Quinton chooses to spend the colossal runtime on does drive me more and more insane with each passing Nick sitcom video. I don’t know how much longer he can keep this schtick up. I hope he’s able to move on to other things before too terribly long instead of continuing to extend this “miniseries.”

9/19: Marvel’s Spider-Man: Miles Morales - AKA Insomniac’s Marvel’s Spider-Man 1.5. It’s fun for the same reasons Peter’s first game was fun. I had a good time swinging around New York again in preparation for the sequel, and there’s a lot of cute stuff with Miles becoming Harlem’s neighborhood hero, but WOW did the Underground v. Roxxon conflict fall flat for me.

9/20: I Think You Should Leave with Tim Robinson - I understand so many posts now.

9/25: Spider-Man (2002) (rewatch) - It’s you who’s out, Gobby! OUT OF YOUR MIND!

9/25: Futurama (Season 8) - I was ready to be a hater, recalling the fact that Futurama has already had three “perfect endings” with the show getting a little weaker with every revival. Then I watched the first new episode on a whim and thought it wasn’t bad, so I was like, eh, sure, I’ll watch the rest. Overall Hulurama is hit or miss. There are chuckles to be had, and it sure as hell beats modern Simpsons, but almost every episode is either a belated take on an overplayed Topical Issue (the pandemic, Amazon, cancel culture, etc.) or a direct sequel to an old episode people liked. Or both! It’s also really noticeable that certain voice actors sound way older - Billy West is struggling with the Fry voice in particular, and it hurts his comedic timing. But just when all hope seemed lost after the nigh-incomprehensible toy-themed anthology episode, possibly the worst episode of the entire series… the last episode, where the Planet Express crew explores whether or not the universe could be a simulation, was really, really solid. Great note to end on to make me not regret my time with this season as a whole.

9/26: Spider-Man 2 (2004) (rewatch) - Once the GOAT, always the GOAT.

9/27: Spider-Man 3 (rewatch) - Revisiting this movie for the first time since I saw it in theaters… it’s not bad. It’s fine! It continues to have the heart and sincerity that make the first two movies work. It’s just not as concise with three villains vying for the spotlight, but I also wouldn’t cut any of them, necessarily. I guess Eddie/Venom would be the easiest, but Peter getting the black suit and giving in to his resentment feels too central to cut. (Yes, even with Emo Peter becoming a meme.)

9/28: Adventure Time: Fionna and Cake - I wasn’t really sure what to expect with this one, especially since I was never really a fan of the genderbend episodes in the original show. (At the time they mostly just felt like an excuse to crank up the teen romance stuff to 11.) But MAN. This was a fantastic coda to the original series. It made me care about Fionna and Cake and their friends as their own characters separate from their original counterparts, it gave the Simon/Betty arc a much more satisfying (if no less bittersweet) resolution than the original finale had time to do, and it even managed to be a multiverse story that didn’t make me roll my eyes in 2023. A+ all around. Makes me wanna rewatch the original show again. [spoiler: I did]

9/29: Meanwhile (aivi & surasshu) - It’s been a whole decade–they were busy with, you know, all the music in Steven Universe, among other things–but we finally have a new aivi & surasshu album! Their chiptune/piano fusion style is familiar, but they’ve definitely grown as composers in subtle ways. Favorite track: Time Travel

October

10/1: This is Financial Advice (Folding Ideas) - A lot of the nitty gritty finance law stuff turned into white noise for me, but still, great video. I had no idea that the GameStop stock craze devolved into this bizarre cult that thinks they’re going to crash the global economy and rise from the ashes as the new kings with the value of their GME stocks. Glad this video exists to try and balance out the narrative.

10/5: Sonic Frontiers: The Final Horizon DLC - Good ideas, absurdly frustrating and tedious execution. Full thoughts here.

10/10: Spider-Man: Into the Spider-Verse (rewatch) - I didn’t plan this, but very fitting that I would end up rewatching this on 10/10.

10/12: Half-Life Alyx but the Gnome is Self-Aware (wayneradiotv) - ha he! (Seriously though, that finale was a fucking masterpiece. The RTVS crew has an incredible knack for using the framing device of video game livestreams to blur the lines between comedy and horror, or ironic anti-humor and complete sincerity. I’ve never seen anything else like this.)

10/15: Spider-Man: Across the Spider-Verse - Not sure how much I can say that hasn’t already been said. The most visually creative movie I’ve ever seen, grounded by some really excellent storytelling about Miles (and now Gwen) that’s probably better than his actual comics. But it also does feel like it’s about to end and then the movie just keeps going like ten times over lmao. Can’t wait to watch this a second time on a better TV.

10/20: Sonic Superstars - A mostly really solid and fun 2D Sonic game that’s unfortunately dragged down by an extremely hodgepodge soundtrack and some overly drawn out boss fights. I spent HOURS trying to beat the final boss of the bonus scenario (which is required for the true ending in this one) before giving up. Really a shame that that’s the note I’m leaving the game on, because I otherwise enjoyed it, but ah well. More thoughts here.

10/27: Marvel’s Spider-Man 2 - Another good Spider-Man game from Insomniac. Liked the story more than the one in Miles Morales, but maybe not as much as the first game. Extensive thoughts here.

10/28: Venom - Was in the mood for more Venom after the game. As expected this was not a very good movie, but the dynamic between Eddie and Venom made it a fun watch. Tom Hardy is constantly about to shit his pants in this movie. It’s great.

10/28: Venom: Let There Be Carnage - I had a way better time with this one. Is this a good movie? No. But it cranks the insanity of the first movie up to 11. Goofy as fuck in an extremely watchable way.

November

11/5: Pluto - An absolutely masterful series that anyone interested in sci-fi needs to watch. The anime adaptation was great, and I immediately understand why people who’ve read the manga speak so highly of it. Really makes me want to get into Astro Boy more, and also read some of Urasawa’s other works.

11/18: Scott Pilgrim Takes Off - Wow, just wow. When news of a Scott Pilgrim anime broke I was cautiously curious to see if we’d get a more direct adaptation of the comics, and instead it veered off in the exact opposite direction in the best way possible. This is almost entirely a different story, one that’s in conversation with the previous versions (sometimes in very meta ways), and I think it’s really valuable to see O’Malley revisiting these characters with new things to say about them. The major story divergence gives us a chance to examine the characters from a new angle - particularly Ramona, who’s the real protagonist of this version, and the evil exes, who completely steal the show. This was a great reminder of why I fell in love with this series as a teenager. I now genuinely hope we get more Scott Pilgrim.

11/22: Void Rivals (Issues #1 - #6) - The first arc of the new Robert Kirkman series that kicked off Skybound’s new “Energon Universe” is now complete, and I’m left thinking Void Rivals is… okay? I thought the first issue was a decent (if not particularly original) sci-fi comic with an appealing art style, which just so happens to also briefly have a Transformer in it so there can be a Big Surprise. And the series still hasn’t quite shaken that feeling to me. It’s an okay sci-fi series that arbitrarily dedicates a couple of pages of every issue to something from Transformers, but I’m not really sure what the shared universe stuff adds to Void Rivals, or what Void Rivals adds to Transformers and GI Joe. I guess we’ll have to wait and see.

11/22: Journey to EPCOT Center: A Symphonic History (Defunctland) - Yeah, gotta be honest, I only got halfway through this one. It seems like Kevin just 1) really wanted to push himself creatively and 2) make a love letter to Epcot, and while I respect that, I think it suffers as a historical documentary. It’s Fantasia but for the creation of Epcot. That might be very impressive on a technical level, but it feels more like a piece of Disney propaganda than prior Defunctland videos due to a lack of context and nuance. 

11/24: Aperture Desk Job - A short, sweet, and funny little tech demo for my new Steam Deck set in the Portal universe. More effort was definitely put into this than was strictly necessary.

11/26: ESCHATOS - I am not good at bullet hell games, but I enjoy them from time to time and I really love this one’s FM synth soundtrack, so I picked it up on a whim in the Steam sale. I only beat it on Easy, but still, I had a lot of fun with it! It’s straightforward but very flashy, with the camera dynamically zooming around from set piece to set piece at ridiculous speeds and each level segueing directly into the next. The lack of a powerup system on the main mode in favor of just needing to know when to use your different shot types makes it feel very approachable.

11/27: Lunistice - A great little 3D platformer with a good soundtrack that I had fun hunting down all the secrets in. This is an easy recommendation for fans of games like Kirby or Klonoa - whimsical games set in colorful dream worlds where the underlying story can get a bit more somber. (Although the story in this one is mostly told through mildly cryptic lore dumps, so your mileage there may vary.)

11/28: Spark the Electric Jester 2 - The leap from 2D to 3D here is impressive, but this is very clearly a rough draft for Spark 3. Very, very fun Sonic-style 3D platforming, but the combat is lacking and the storytelling is just kinda bad. More extensive thoughts on this and the above two games here.

December

12/2: Fortnite (Chapter 4) - This was my first full chapter of Fortnite, after having been roped into the game by the siren songs of Zero Build mode and Goku during Chapter 3. This means it’s harder for me to compare this chapter to previous ones, but still, Fortnite remains a genuinely very well made Battle Royale shooter that’s a blast with friends. If I have any complaint about this Chapter, it’s that they would regularly introduce zany ideas and then slowly reel them back in, whether it was the Augment system or the increasingly mundane movement items. It also felt like it was a little too easy to get the perfect loadout in every match, meaning the final showdown would almost always be against players with Slurp Juice and gold shotguns. And I missed the smaller mid-season map updates of Chapter 3. But overall I still had a really good time, and look forward to playing more for the foreseeable future.

12/4: Plagiarism and You(Tube) (HBomberguy) - This will get written off by many as “YouTuber drama,” but this really is an excellent video essay that feels like the kick in the pants that YouTube needs. If video essayists are gonna be a major source of information for so many, then they gotta have standards. I also think it does a good job of highlighting the people that have been plagiarized and trying to drive more attention their way in an attempt to right those wrongs.

12/6: Transformers (Skybound comic) - We only got the first three issues of this in 2023, but I just HAVE to say something about how incredible this series is here. Daniel Warren Johnson is knocking it out of the park. This is the new bar for Transformers. The hand-inked art is extremely dynamic and full of character, and the story is using the familiar beats of G1 Transformers but doing very new things with them. You can tell this from the very first page, but the emotional scene of Optimus accidentally crushing a deer in the forest and realizing how fragile life is on Earth sealed the deal for me. And yet in the very same comics Optimus can do suplexes and clotheslines and lord knows how many other wrestling moves on Decepticons, and it doesn’t feel like tonal whiplash? These comics just fucking rule, and anyone with even the slightest interest in Transformers should be reading them.

12/8: What We Do in the Shadows (Season 5) - [spoilers] WWDITS has very much settled into being a status quo show. Every season has its own little arc where one or two things change to keep things interesting, but then everything returns to normal by the end. Guillermo finally becoming a vampire, only to become a human again in the end, might just be the most egregious example of this yet. But also… the show’s still really funny? And I continue to be happy that Kristen Schaal has stuck around as a series regular as the Guide. So it’s hard to complain. I could see the show running out of steam over the next few seasons, but it’s still hitting for me right now.

12/12: Pony Island - Finally got around to this since the trailer for the sequel dropped. I feel like playing this years later in a post-Inscryption world where Pony Island is a known quantity kind of lessens its impact, but still, it’s a fun and funny puzzle game where you try to hack your way out of a possessed arcade machine. I’m not sure I found it particularly scary, but I’m not sure it’s supposed to be? The way the game messes with you during the Asmodeus “boss fight” was probably the highlight for me. I also like being able to say things like “The part where you have to not kill Jesus was so hard. I kept getting terrible butterfly patterns.”

12/16: Breaking Bad VR but the AI is Self-Aware (wayneradiotv) - As always, Wayne and co.’s commitment to the bit is unrivaled. This kind of got interpreted as just a way to troll HLVRAI fans, but so many moments in this genuinely made me laugh out loud.

12/18: Soul of Sovereignty Prelude - As someone who would list Cucumber Quest as a big creative influence, I was naturally very excited for this first chapter of GGDG’s new visual novel. Their mentality of both scaling things back in terms of labor while also going more shamelessly self-indulgent in terms of storytelling after burning out on making webcomics has really spoken to me, and WOW, the end result of that new process of theirs is shaping up to be something really special. The art and music are sparse but extremely evocative, giving you the rough sketch of the world and letting your mind fill in the rest. The story blends literary high fantasy vibes with the style of fantasy seen in ‘90s JRPGs (you can definitely tell this came from an idea for an RPG), but rather than constantly winking at the audience and making self-aware video game references it plays these storytelling ideas extremely sincerely, giving them real dramatic weight while still indulging in fun tropes to their fullest extent. While it’s a far cry from their most famous work with much more mature content, GGDG always excels at creating characters and worlds that immediately grab me. I can’t wait for the rest.

12/18: Barbie - I’m only… what, five months late for the whole Barbenheimer thing? Perfect timing. Anyway! On the one hand, I get the critiques saying that this movie is just a major corporation funding a self-aware feminist critique of their own product as a marketing ploy. And I kinda agree with that. And the movie is a little too long, and I don’t really know what to think of the way the Barbie/Ken conflict plays out. Anthony asked me to summarize what the story ended up being about, and I had no idea what to even say. But also… I did still like the movie? We don’t get a lot of cartoonish, absurdist, fourth wall breaking comedies like this anymore, and this is a good one of those. Also the whole cast is great, the set design is kind of stunning, and the cinematography is consistently appealing. I wouldn’t say it’s a revolutionary work of feminist filmmaking by any stretch, but it’s a good comedy movie.

12/21: Dr. Stone: New World - Man, Dr. Stone is great. I’ve said this many times, but I just love that this series uses all the trappings of shounen that would normally be used to hype up the protagonist learning a new move to instead hype up things like the protagonist building a loom or a hot air balloon. It’s shounen Bill Nye. I didn’t completely love everything about the Treasure Island arc this season, but it all built towards a really fun climax with a lot of satisfying turnabouts where the heroes use their ingenuity to just barely win.

12/23: The History of Mike Tyson’s Punch-Out World Records (Summoning Salt) - Truly one of my favorite Summoning Salt videos ever, even with how repetitive Punch-Out can get to watch. It’s just so hard to beat “and that runner… was me.”

12/24: Super Mario Bros. Wonder - What more can be said that hasn’t already been said? It’s the best and most creative 2D Mario game since the ‘90s. The only real flaws are that it’s a little easy, the Search Party stages are annoying in singleplayer, and I wish that every boss prior to the final boss wasn’t just some form of Bowser Jr. fight. But those aren’t nearly enough to drag the whole experience down. It was a blast.

12/24: Do a Powerbomb! - Got this from Anthony as a birthday present. This is the previous series by the creative team currently doing the new Transformers comics I was gushing about a few entries ago. Even with the high bar set by those comics, Do a Powerbomb! exceeded my expectations. Holy shit. An absolutely entrancing fantasy wrestling miniseries full of dynamic, energetic action and tons of heart. These comics where a guy wrestles a giant talking orangutan almost made me cry. Twice. An instant favorite.

12/25: Adventure Time (rewatch) - We ended up finishing our rewatch of Adventure Time (the main series, anyway) on my 30th birthday, which feels appropriate. I already kinda knew this, but this rewatch has truly confirmed that Adventure Time is my favorite TV series of all time. The entire show is even better on a full series rewatch. In hindsight, even parts that annoyed me when they aired end up being important parts of the beautiful tapestry that is this series. The many low points of Finn’s adolescent love life are important stepping stones in his growth as a person, which leaves him in an extremely satisfying place by the end. Jake having kids didn’t get to be a huge status quo change because they grew up instantly, but then they did a bunch of fun episodes about Jake’s relationships with his adult children that deepened him as a character. And most of the big lore questions they kept teasing over the years (“Where’d the humans go?” “Who are Finn’s parents?” “When’s Finn gonna get a robot arm?” etc.) ended up getting satisfying and creative answers, because the show left itself the room to figure those things out later. This is a truly special, one-of-a-kind series, one that lasted nearly 300 episodes and yet still seems like it was over too soon. And yes, I did in fact cry during the final montage, like I knew I would. I will always cherish this show with all of my heart.

12/25: Olive the Other Reindeer (rewatch) - Haven’t seen this one since I was a kid! It was a favorite of mine back then, and while it might not be quite as funny as I remember it’s still very cute, with a 2D/3D hybrid art style that remains very unique and appealing. As an adult I can also appreciate the cast they got for this, with like half the cast of Futurama bolstered by guests like Michael Stipe from REM and The Sopranos’ Joe Pantoliano.

12/26: Guillermo Del Toro’s Pinocchio - Anthony and I capped off our Christmas with the most jolly and festive stop motion movie of all! Jokes aside, man, what a beautiful movie. The animation is immaculate, and we really just don’t get children’s animated films like this anymore. Ones that overtly feature real world politics and religion and so many other dark themes in a way that doesn’t talk down to kids or sugarcoat things. This one hits hard. We need more movies like this.

12/31: Oppenheimer - This was an interesting one. Despite being three hours, the way that first hour jumps around in time makes it feel like Oppenheimer is constantly being propelled forward through life at a breakneck pace, swept up by the rising tide of nationalism in spite of his personal left wing politics, never really reflecting on what he’s doing until it’s too late. Then when he’s no longer useful to the empire, he’s chewed up and spat out, only to eventually be honored as a national hero as a symbolic gesture. It’s a compelling story. However, I’m a little torn on how certain aspects of history were framed. Does the abstraction of the bombings detract from the true weight of those events, in favor of sympathizing with the man who built the bomb? Or is it clever a way to show how the realities of the war were compartmentalized away by people who were complicit in its most heinous acts of violence? One minute a bunch of physicists are talking theory, thousands of miles away from the theaters of war, and the next they’ve killed 200,000 people. So which is it? Eh, probably somewhere in the middle, I guess. But I liked it overall.

12/31: Kirby’s Return to Dream Land Deluxe - I’ve been really surprised by how good this rerelease is. It kind of flew under the radar for me. I liked the original game, but at the time it also almost felt like the New Super Mario Bros. of Kirby. It was a straightforward throwback game where you went through a grass world, then a desert world, then a water world, etc., and also they added four player co-op. But returning to this one after the kinda mid Star Allies has made me appreciate just how solid RtDL is as a Kirby game. I really like the updated graphics, too - yes, even the new cel shaded outlines around the characters - even though I didn’t think it looked that great in screenshots. Also the two new copy abilities (Sand and Mecha) are fun, the minigame collection is shockingly fleshed out to the point that they could’ve sold it as a standalone eShop game, the collectible character masks are fun, and the new epilogue mode where you play as Magolor is one of the coolest bonus modes they’ve ever done. This is a top tier Kirby remake any fan of the series should check out.

Ongoing things I followed in 2023 that don't have a blurb:

Halo Infinite multiplayer

IDW Sonic the Hedgehog (main series + specials)

One Piece

Chainsaw Man

My Hero Academia (not caught up)

The JOJOlands (not caught up)

Things I started in 2023 that I still need to finish:

Freedom Planet 2

Hi-Fi Rush

Live A Live

Super Monkey Ball: Banana Mania

Star Wars Jedi: Fallen Order

Picross 3D Round 2

Rhythm Heaven MegaMix

Mega Man Battle Network 5: Team ProtoMan

Ratchet & Clank: Rift Apart

Spark the Electric Jester 3

Sonic Dream Team

One Piece (Wano arc, anime)

Jujutsu Kaisen season 2 (I’ve already read the Shibuya arc already in the manga, though)

Astro Boy (2003 anime)

Futurama (original run rewatch)

One Piece (manga reread)

The Amazing Spider-Man (Lee/Ditko era)

Scott Pilgrim series (reread)

And finally... my favorites of 2023!!!

Overall favorite game: The Legend of Zelda: Tears of the Kingdom

Favorite indie game: Pseudoregalia

Games remastered in 2023 that are now among my all-time faves: Ghost Trick: Phantom Detective, We Love Katamari

Most pleasant surprise in gaming: The Murder of Sonic the Hedgehog

Favorite film: Spider-Man: Across the Spider-Verse

Favorite live action show: Barry

Favorite anime: Pluto

Favorite anime written by a Canadian guy and an American guy based on the Canadian guy's old graphic novel series: Scott PIlgrim Takes Off

Favorite live action adaptation of an anime that I still can't believe they didn't fuck up: One Piece

Favorite Western cartoon: Adventure Time: Fionna & Cake

Favorite older cartoon I only got around to watching in its entirety this year: The Venture Bros.

Favorite documentary: Double Fine PsychOdyssey

Favorite semi-improvised semi-scripted absurdist comedy/horror/tragedy Twitch livestream performance art thing: Half-Life Alyx but the Gnome is Self-Aware finale (wayneradiotv)

Favorite manga: Chainsaw Man

Favorite older manga that I only read this year: Berserk

Favorite Western comic book: Daniel Warren Johnson's Transformers

Favorite album: HELLMODE (Jeff Rosenstock)

And that's a wrap!!!!! Happy new year, everyone! Here's to me maybe actually reading a goddamn book this year

[genderkoolaid]

Do you genuinely believe we can somehow change the hearts and minds of billionaires and politicians in power in for example the USA in a way that will actually result in a radical change in and improvement of conditions for folks currently oppressed under capitalism in the USA and hopefully globally? If so, how?

This is coming from someone who really would like to believe pure nonviolence is possible but who does not see much of an actual way forward for that. That said I do not see those billionaires and politicians as "nonhuman", I don't think that's productive and I think dehumanizing anyone who is factually a human person as a practice is dangerous so I am in agreement with you there. Thanks for your time if you choose to share your thoughts.

What I like about Against the Logic of the Guillotine is that it isn't for pure nonviolence. It breaks down the false binary that our options are "let the streets run red with blood until our every thirst for revenge is slaked" or "punching nazis makes you as bad as them 🥺"

& i think that binary is tempting because it absolves us of a responsibility to think deeply about things. if all revolutionary violence is good and justified, then you don't have to think too hard about the violence, you just see it & condone it. If all violence is bad and morally evil, then you still don't have to think too hard to condemn it. Our options are like, moral baby food.

But if we reject that binary, then there is no easy answer. Its not as easy as "yes leftist violence is always justified" or "any violence ever is always unjustified." You have to ask yourself, what am I doing? Why? What does this accomplish? Who is affected by this? What do they have to say? It makes us look at the actual nature of our violence and pick it apart and see where we have fucked up and where we might fuck up again. Its a lot more messy and also requires that we form relationships with others & genuinely listen to what they have to say. Its much much harder than Violence Good or Violence Bad but its also much more capable of adapting to the needs of people in the complicated situations where we find ourselves.

My opinion is that we will not reach anti-capitalism and anti-imperialism without violence. But more than anything, its because the systems in power will not let us. I think the foundation of the Revolution (in a more abstract sense of the word) must be community. We should focus our efforts most on building local networks of mutual support. If people suddenly find themself in a community that has free public food gardens & a community fridge, where people are already practicing transformative justice, etc. etc. then it will become materially obvious that we don't need to rely on the current system to survive. It will become clear that the current system is more of a hindrance to what we could do if we were not being controlled. And then people will be more likely to support any revolutionary violence that becomes necessary, because they will see their neighbors and know that when the dust settles, they know how to care for each other through shitty situations. Violence should really be the topping on a cake of community & indispensability politics.

Also this line from AtLotG really changed my perspective on "punishing the rich":

The worst punishment anyone could inflict on those who govern and police us today would be to compel them to live in a society in which everything they’ve done is regarded as embarrassing—for them to have to sit in assemblies in which no one listens to them, to go on living among us without any special privileges in full awareness of the harm they have done. If we fantasize about anything, let us fantasize about making our movements so strong that we will hardly have to kill anyone to overthrow the state and abolish capitalism. This is more becoming of our dignity as partisans of liberation.

"If we fantasize about anything, let us fantasize about making our movements so strong that we will hardly have to kill anyone to overthrow the state and abolish capitalism" really sums it up for me.

[crimsoncold]

WHAT IT FEELS LIKE IN THE HOTD FANDOM RIGHT now as someone who is disappointed in the show's handling of team green and really just critical the show's writing in general

Team Green Stans and/or HOTD critics:

"I know I'm going to get a barrage of criticism or even hate/harassment for saying this but...

HOTD's writing is rather biased and strays from the source material in ways that are frequently ridiculous, fails to actually improve the story, and totally ignores the anti-war and the general targ/ruling class critical tone of GRRM's writing.

Yes villain or dark character centric shows can be really good even when the purpose of the story isn't to condemn their actions- BUT purposefully changing an adaptation of a story so that it no longer contains the original message/themes that did criticize the characters and their actions is at the very least a questionable writing choice.

The characterization and the messages of the show are inconsistent in a way that doesn't feel intentional or in order to make a point- instead it just doesn't make sense. ALL characters suffer due to the choices of the writers/showrunners- including team black- but team green is obviously getting the worst of it (seriously its cartoonishly bad). It's all so nonsensical and frustrating that it's getting harder and harder to watch- really at this point its no longer even a fun bad! show that can still manage to be entertaining even when the story itself sucks.

Much like with d&d with the later seasons of GOT it's disappointing to see the poor quality of work coming from paid professional writers, this could have been a show about a tragic and dramatic conflict between characters who are mostly bad people yet are still compelling or sympathetic and instead we got ...well...this."

Some Team Black Stans:

"Come on people HoTD is an adaptation so of course things will differ from the books but the show still stays true to the heart of the book, the changes were not a big deal- in fact some were good choices by the showrunners making more disturbing and violent aspects of the book more palatable for the audience without lessening their emotional impact... B&C was toned down not to whitewash team black but because no one should want to see the multiple child homicides from the book take place on screen...and the violence here really isn't as important to the plot as it was for say GOT's red wedding... toning the violent or horrific nature of these deaths down and having it occur off screen is the right thing to do! It's still sad- and this way we didn't need to traumatize the actors OR the audience!

Really people just stop complaining... both sides of the conflict are presented as EQUALLY culpable and in the wrong as the other side, team green stans are just missing the subtle points being made in the show and are exaggerating when they criticize the writing or supposed inconsistent characterization and accuse the showrunner's of being biased.

These TG stans are just being so mean and should stop criticizing the writers/showrunners-who are just doing their job!- and even if they feel they have to criticize the writing it's really just so inappropriate to ever specifically name the writers/showrunners when doing so! It's one thing for fandom to anonymously criticize other fans- especially since TG Stan's takes are so misguided that they obviously need someone to explain to them how they are misinterpreting things- but criticizing the professional writers and showrunners through tumblr posts is out of line! Its not the writer's fault that Alicent and TG are hypocritical or less likable than TB- that may just be how they are in canon- to say that the storytellers are purposefully changing things to make TG less sympathetic or competent than they were in the books and to set them up as the unlikeable antagonistic opposite to the now more tragic and heroic TB is a ridiculous accusation!"

Other Team Black Stans:

"Daemyra is just the best ship, they have loved eachother since she was a teenager and now after years of pining and being kept apart they are finally free to be together, you never see supportive or healthy relationships like this in asoiaf, we stan a man who will do literally anything and kill anyone for his niece wife.

Lucerys was just an innocent baby when he sliced up Aemond's face, he was just protecting his big brother, it only happened because he was afraid for their lives! Viserys made the right choice not to punish anyone since the team black kids only attacked Aemond after he stole Rhaena's dragon and Lucerys was only using self defense when he used a knife on Aemond. Most especially Lucerys and his mother didn't deserve to be attacked by that bitch Alic*nt. And Rheanyra trying to have Aemond tortured for calling her sons bastards was just her being a rightfully protective mother! Team Green means her family harm and no way will a bamf like Rhaenyra let that slide... this is what a good mother does not like that terrible Alic*nt! Lucerys' death was so tragic can't wait to see a grieving mother get her revenge... TG believes in an eye for an eye don't they? Well how will they like a son for a son?

TG stans keep saying that Rhaenyra is just as violent entitled and problematic as anyone else on hotd! They are so wrong! They are just delusional haters that can't stand to see a woman have sexual freedom and be in a position of power! She is the better daughter/wife/mother and the only people she hates are the ones who deserve it!

See she isn't evil like the Hightowers- B&C was an accident and the book description was exaggerated to be used as propaganda against Rhaenyra- she didn't even know it was happening. It wasn't even team blacks intent to kill little Jaehaerys only to kill Aemond- but he's a kinslayer so them sending someone to assassinate their nephew/brother is totally in the right and not something any character in canon would judge them for!... Rhaenyra is just too good of a person to wish harm on any of her innocent family members. Everything that happened to Rhaenyra, Rhaenys, and Meleys is just so tragic... they are the only true queens in this series ...god i wish all of their pain was only experienced by team green lol.

You know what ...are TG stans children or something? Why do they keep complaining that team green is being unfairly villainized to make team black look better? Don't they know they can just watch a show where the characters are flawed/bad people without needing the story to spoon feed the audience the message that bad people need to be condemned? Why do they take things so seriously? Why is this their whole personality? Get a life and stop overthinking a book/tv show -not everything needs to be deep you know so just shut up and enjoy watching the dragons destroy things.

But for real how can you people stan misogynistic women haters like team green or a trad wife/women for trump like Alic*nt? Like yikes what does your fictional character preferences say about you as a person. Hey EVERYBODY look these weirdos are really out here defending and woobifying violent predatory and sexist characters like team green! This fandom is the worse i swear lmfao."

Meanwhile...

Showrunners/Writers:

"What if the civil war, brutal violence, and tragic kinslaying that happened in the dance of dragons was really just a series of accidents and misunderstandings?

What if Rhaenyra and Alicent were friends who never really hated one another, and Alicent was pining for Rhaenyra's friendship and acceptance for the last 20 years, what if neither of them even wanted to go to war?

Who cares about house stark or the pact of ice and fire, or Jace's interactions with Cregan or Sara? You know what Sara Snow doesn't even exist, Jon i mean Jace would never betray his betrothal/loyalty/vows to his dragonrider soulmate and future wife for some stark girl! This whole stark side plot isn't important lets just go back to the dragons!

What if Rhaenyra wanted the throne because she knew that from her descendants the prophesied saviour/prince that was promised would be born? What if instead of her surviving son Aegon being so traumatized by the horrors of this meaningless war that he actually hated and feared dragons afterward- and supposedly was even responsible for killing the last one- it is Rhaenyra who was actually responsible for saving Daenerys' future dragon eggs- and thus she the one who ensured the return of dragons to Westeros! It will be Rhaenyra through her choices and her descendants that will be responsible for saving the entire realm and defeating the others with dragon fire!

What if Alicent pushing her son to be crowned was all because she was a fool who misunderstood the words of her dying husband NOT because she felt her son was unfairly robbed of his birthright by his father?

What happened with Daenerys in the later seasons of GOT was so unfair- just terrible writing -she NEVER should have been made out to be a mad queen and i bet Rhaenyra wasn't actually a cruel or violent ruler either! I bet it was the men who slandered her, and the men who were pushing for war and violence while all the women were actually trying to keep the peace.

Wait...wait.... What if everything in the book that criticized Rhaenyra was actually propaganda made by her enemies to ruin her reputation!?!!? Yeah B&C and team black arranging the horrific murder of a child? That story was TOTALLY team green exaggerating the violent murder of their child/grandchild. Daenerys I mean Rhaenyra deserved so much better... and all the injustices that happened to her will be the most impactful and tragic element of this show.

What if TG didnt actually have strong bonds with their dragon or spend much time riding them?... just more propaganda! Yes! CGI is expensive so this also means we dont really have to show their dragons unless they are fighting the blacks. Team Black's bond with their dragons is much more powerful and important though so we should still show them spending time together and riding them.

What if the book description of the respect and loyalty team green had to one another and the terrible grief they felt at the loss of their family members was ALSO just team green propaganda? What if Alicent only ever struggled as a mother and failed to connect with her kids and actually didn't even like or respect her children? How many kids did she have anyway? Three? Yeah that sounds right. Oh wait! Wait! What if none of TG got along with or trusted one other? No...no...What if they actually hated and betrayed each other? YESSSS!!!!!!!

Team black and their descendants are the true Targaryens, no one is really interested in the boring team green anyways so at least these changes will make them more interesting and better foils for team black! This type of story is exactly what people want I just know they are going to love it."

NOTE: (because i know idiots will be lurking in the anti tags to complain or harass people)

this is mostly meant to be very critical of the showrunners and somewhat critical of a specific type of stanning behaviour and the weird criticism or harassment that gets directed at people who like team green or who criticize hotd - sure i may be exaggerating slightly for effect but l'm STILL pulling from real posts/comments/opinions that I see from TB stans ...Like sure they aren't putting ALL of this in a single post but collectively this is definitely the type of attitude and language many TB stans have

Fandom is just about enjoying a special interest - I dont actually care about or want to police who you stan or ship. I DO care that some of you purposefully and directly harass real people because you disagree with their opinion on fictional characters and that some of you leave uncharitable, ignorant, critical, or unpleasant comments on properly tagged Team Green/anti or TB critical/or hotd critical posts.

Most of all i just find it really funny the juxtaposition there is between how underwhelming and juvenile the show's storytelling choices are compared to how eloquently, persistently, or vehemently fans will write up either criticism or defense pieces for these characters, this objectively bad show, and it's deeply unimpressive writing... like sure some fans put more effort into understanding the source material and comparing it to the show and some put more effort into criticizing or defending the show,the writing, or specific characters but collectively nearly all of us are putting in more time, effort, and thought into hotd than ANY of the showrunners/writers.

In conclusion Guys just like or dislike whatever show/characters you want...you don't have to justify the things you like by being willfully in denial about what canon sources say/the nature of certain characters/or the quality of the show's writing. You definitely don't need to be disrespectful or attack people on behalf of fictional characters or the well paid hbo showrunners/writers.

[sandyferal]

I genuinely think Tootie’s behavior towards Timmy would improve dramatically like. The second Vicky moves out of the family house. It’s clear that Vicky is severely inhibiting Tootie’s ability to have friends, much less have them come over and spend time with her. And it feels likely that the main reason her crush turned into an obsession is because Timmy had shown himself to be the only person willing to be nice to her. It doesn’t justify the way she acted, but let’s be real it’s not like she has good role models to teach her better.

I feel like once Vicky isn’t around to ruin her social life she’ll be able to have other friends over and like, have someone around to seek comfort in that isn’t her crush. She could actually start growing as a person. Which could happen as soon as like, 1-3 years after the events of the show?

I also really like the idea that even if she isn’t obsessed with Timmy, that Crimson Chin doll he gave her holds a special place in her heart because like. As a sentimental person I gotta be real something like that would never not be sweet to me. I’d thinking about it for years.

And I like to think because of that she eventually got into comics and began to obsess over those instead. Maybe Crimson Chin wasn’t her thing! But she seems to enjoy fantasies and I think it would be so fun to see her find her own interests. If we’re getting into specifics, I get the vibes that she would be into comics following heroes like Superman, or when villainesses get their own comics like Harley or Poison Ivy. Obviously not those exact characters but those are the vibes I get. Not to say I don’t think she wouldn’t still have girly interests and love romance and stuff but man.

Additionally. I fucking hate Tootie from the live action movies. They glorify her as hot and morally perfect while simultaneously treating how she was as a child as weird and ugly. Man people grow up and sometimes get less weird but like some people are just dorks. Tootie is a dork. Keep her as an overenthusiastic, emotional, glasses-wearing, strong-willed dork. You cowards. Women don’t need to be “perfect” to be accepted and loved.

If Tootie and Timmy did eventually get together, personally I think it would be good if Timmy just. Didn’t see her for a while. She gets more into spending time with actual friends, and doesn’t talk to Timmy as much until they meet up again a couple years later at an afterschool comic club/comic con, or something of that sort. I think she deserves to be her own person before she actually ends up with anyone.

And while I normally don’t like “ships” (I say that in quotes bc I don’t particularly feel compelled to ship these children at all) that involves a party who clearly isn’t interested… they’re also. Children. It’s not that serious. They really shouldn’t be together at this age anyway, and they probably will change as they get older.

It doesn’t feel that big of a deal to imagine Tootie and Timmy might be together as adults despite their current dynamic, because the main issues are:

a) Tootie doesn’t respect boundaries and is emotionally unstable, which are both likely caused by isolation, lack of good role models, and being too young to understand things. Very likely she grows out of it.

b) Timmy not liking her. Which, in the context of the early episodes about her, is actually something you could debate?

To clarify, he obviously isn’t interested in a romantic relationship most of the time, but at the same time he clearly has some care for her. The argument could be made that it is because of his fairies influencing him, yes, or it’s just pity. But like. There are episodes where he legit just does something because he wants her to be happy. And he indicates he doesn’t really dislike her or hate spending time with her. He, at least in theory, is actually willing to spend time with her. (“I would’ve gone to her dumb party if she’d invited me.”) That’s not even mentioning how he. Like. Just straight up chose to stick himself with a love arrow because he wanted to enjoy spending a Valentine’s Day with her. Which is a whole thing that could be analyzed but not the point.

If anything his actions point to a young boy who at the moment, only feels attraction through the lense of someone being “pretty” instead of someone they can genuinely get along with. He sees Tootie as weird and embodying the qualities boys find “icky” in girls. It would make sense if he grew out of that.

Although at the end of the day I don’t really care who these kids end up with, I JUST want Tootie to be able to have a happy and healthy social life/relationship with a partner when she grows up, and I hate the idea of completely stripping away her “not pretty” qualities before she’s allowed to have that. She’s a fucking lovely little girl who deserves to be herself, and to be weird, and to be happy. That’s my fucking daughter!!! I love her so much!!!

[golvio]

I think the metanarrative reason for the Princess being put into an antagonistic role in the “intended story structure” instead of being the protagonist is a big hint to her true nature.

While the protagonist gets to have the POV and make the major decisions that determine the story’s resolution, the antagonist is the one who actually makes things happen. Even when she’s not an antagonist and you’re working together, she’s still making things happen solely by being the only visible character present. Her mere presence changes things.

It’s very, very difficult to have a story without some external force or another character acting upon your protagonist and pressuring them to make a move. Even stories told primarily in flashbacks have the main character interacting with something, even if only in the past tense. A story where the main character just sat there, never interacting with anyone or anything, never having any experiences to learn from, would be incredibly boring. Simply having someone else there to talk to and play off of is enough to get things to move again.

Contrast this with The Narrator’s ideal story, which is a Wholesome™️ story where the main character does what they’re told and then never has anything bad happen to them ever because, as the only character left in the story, they’re safe from conflict, change, or heartbreak. Sure, it might not be a controversial story that would upset someone, but it’s also incredibly dull and unfulfilling. The credits roll and that’s it? That’s all we get?

It’s absolutely hilarious to me that, while The Narrator inserted his echo into the Construct under the conceit of being the literary device that’s the vehicle delivering the story to the reader, he really sucks at storytelling. He can’t build rapport with his audience (us) because he doesn’t understand what we want or how to persuade us beyond vague moral arguments with no emotional hooks whatsoever. He’s so inflexible and refuses to allow alternate interpretations that he can’t handle when things go off script, and can’t get the story back on track when we start going off the rails short of pulling a deus ex machina (which only works when the audience still has enough faith in him to take him seriously as storyteller instead of doing their own thing). Things only get interesting when the Princess gets involved. Things only move forward when she forces the issue, particularly in the Nightmare route, where you refuse to commit to a choice out of fear of potential consequences.

A friend of mine who recently did their first playthrough commented on how the underlying quest to collect perspectives for the Shifting Mound was basically an improv session. I think they’re right on the money. Each chapter is like a game of “Yes, And” between you and the Princess that continues until neither of you can think of anything else. The developers mentioned in an interview that Shifty M. only arrives to take the vessel home when the story “ends.” That is, when there’s nothing left to do. Improv is one of the genres of performance that best encapsulates Change in its demand for adapting to circumstances and new information, so of course The Narrator would be against it, preferring simple, linear narratives.

People tend to become fascinated with antagonists because they’re the ones who make things happen. Adding an antagonist who’s also a person is one of the easiest ways to start building a story. By making the Shifting Mound and her fragments our enemy and requiring us to get within talking distance in order to slay her, The Narrator shot himself in the foot by making Her the most compelling and interesting character by default.

[cosmicjoke]

In a recent interview in new Bessatsu magazine, Isayama officially confirmed the disappearance of Ackerman's powers and said that Mikasa is now bad at the sport because of it. What do you think about this? I'm putting the link here in case you're interested in Q&A about Levi and other characters. https://x.com/conviviality104/status/1854060034722070831?t=Mr432wAsnzaQ6GiiPrFUjg&s=19

I did see that, yes. So I guess all my theories about the Ackermans still retaining their powers were wrong, lol. I just always wondered if it was a possibility, because other than the power of connecting to the knowledge of past Ackermans, the Ackerman powers themselves really didn't resemble that of the titans, and there was also the fact that Ymir had no control over the Ackermans, so I thought it made sense that their powers didn't actually come from her. But I suppose with the dissolution of the Paths, the Ackermans lost their powers with that.

Anyway, I'm totally cool with it. I think it's actually a really interesting idea to think about, what it must be like for Levi and Mikasa to have to adjust to life without their physical strength and power that separated them from everyone else. I mean, that was already something Levi was going to have to adjust to, given he ends up disabled and needing a wheelchair. But I imagine it must be really hard, in a way, losing those extraordinary abilities they had, no longer able to do the things they once did, etc... I would think it must leave both of them with a sense of vulnerability that's pretty alien to them, that they wouldn't have felt since they were both young children, even, and that would be scary, I imagine. For Levi in particular, I think on top of the loss of his powers, he's probably also dealing with chronic pain and a simple loss of mobility, which makes it exponentially worse as well. So I think the adjustment is probably tough.

But I spoke about this when the anime ended last year, and with Levi especially, when we see him handing out candy to the children in the refugee camp, I think what that highlights is that it was never his Ackerman power that made him an extraordinary person, or that made him a hero. It was always his exceptional compassion and kindness that really defined him as such. The fact he's lost his powers, lost his mobility, lost the full use of his body, lost his strength, and yet he's still out there, doing all he can to help others, doing all he can to improve the lives of people and bring them whatever joy he can in a ruined world, that's what really defines Levi as a hero, in my eyes. He continues to fight for others, even when he no longer has physical strength, and that shows that he was always going to fight for others, whether strong or not, because that's just in him. That heroism, that compassion and that empathy is just a part of who he is. He sees and cares about other people, and that's what compelled him to use his exceptional strength toward helping them in the first place, not the strength itself. He doesn't need to be "special" in order to be a hero.

And the same for Mikasa, too. Mikasa learned over the course of the story to let go of her own, selfish dream of being with Eren and giving up what was most important to her to help others, and like with Levi, it's that which made her a hero, not her Ackerman powers.

While their badass-ness is maybe what initially drew people to their characters, it was never that which made them stay. Levi and Mikasa both are much more than their Ackerman powers. It's who they are as people that matters. So them losing them in the end really isn't a big deal at all.

[wildpeachfarm]

Dream is a natural story teller in the way he makes his videos that I honestly haven’t seen from other creators. Maybe Charlie’s 100 Days series but it also seems like he’s planned those stories out so it’s not quite how Dream does it. Dream’s use of editing, music, he’s telling a story with Manhunts and you can see it when Brittany watched a few minutes into a manhunt. She was already on the edge of her seat, tense with the fear that he would get caught despite only being 4 minutes in. Anyone can do silly improv or what amounts to mod showcases. Not everyone can make it into a gripping story.

YES MORE DREAM LOVEPOSTING

he's so good at his job and I hope once he retires he writes a book or something because the way he understands storytelling is really compelling and captivating to such a big audience and I'm sure that can translate to written words

[nexility-sims]

𝐚 𝐥𝐢𝐭𝐭𝐥𝐞 𝐧𝐨𝐭𝐞 𝐟𝐨𝐫 𝐬𝐢𝐦𝐛𝐥𝐫 𝐠𝐫𝐚𝐭𝐢𝐭𝐮𝐝𝐞 𝐝𝐚𝐲.

i, frankly, haven't had the energy or positive mindset to sit down and write anything extensive out for this gratitude day, which is is a shame. however, i wanted to post something, with promises to outpour more love next year !

at this moment, i believe it's fair to say i'm most grateful for the folks in my simblr writing group. i've told you all multiple times how happy being in a group together makes me but, damn it, everyone else needs to know, too !!!! it's only been two months, but it feels like so much longer because everyone has been so enthusiastic and earnest—in general, but also with embracing each other's stories, getting to know one another, providing support and assistance. that was all i wanted. this little community's establishment has coincided with a terrible loss and truly awful time in my life, and i just can't adequately express how appreciative i am for everyone. i want to shoutout @300yearschallenge, @bridgeportbritt, @crownsofesha, @daniigh0ul, @greensleeves101066, @lynzishell, @madebysimblr, @rebouks, @simming-in-the-rain, @simstrashkingdom, @sirianasims, @saerelia, and @hannahssimblr in particular for so many insightful, instructive, funny conversations. it's so wild to me that i just met most of you and yet am excited every day to see what you've got to say. that's to say nothing of the storytelling itself !!!!! i'm grateful as well for @digital-deluxe @earthmoonz @funkyllama @housekonig @igglemouse @moonfromearth @simabloom @simeaz @simmysunset @stillgotme @the-lancasters @theroyalthornoliachronicles @trentonsimblr @warwickroyals @saerelia @xldkx i still have lots of catching up to do, but i'm happy to say i've started and am enjoying several, finally. i'm taking notes, whether it's on family dynamics or compelling prose or friendship or the importance of backgrounds and settings or whatever else. lastly, perhaps predictably: i haven’t kept up with too many stories this year for various reasons, but i have been @armoricaroyalty's biggest fan for the last two years. i’m grateful that gabe and i had such a truly epic, ridiculously fun collaborative project this year (almost entirely gabe’s doing, which makes me even more determined to repay the favor). i’m also so proud and happy that gabe’s story has really hit its stride and garnered a lot of well-deserved praise this year.

the big reason why i love gabe’s story is because there are so many interesting characters, all doing something, all woven together in ways that feel realistic and suspenseful and dramatic and hilarious and romantic … it takes a little bit of talent, a lot of skill, and a boatload of discipline to pull that off. gabe has all of it, and i’m so grateful to have been allowed to join in—whether as an enthusiastic sounding board, a partner in plotting, or just someone to agree heartily that, yes, that freddy poll had one (1) correct answer. i'm so excited to see the story continue now that this phenomenal chapter is ending, i have and will continue to learn a lot about the craft from gabe, and my own storytelling has improved immensely just by association (you know, plus the fact that my current project wouldn’t exist without him). oh, and: simblr is also about making friends, and our friendship is hands-down the best thing i've gotten out of this whole endeavor.

all of this makes me believe, in conclusion, that 2024 is going to be full of more delightful conversation, more delightful stories to read, and more friendship ♥️

[callmearcturus]

redoing this ask because fuck that poll lmaoooo i have a persona question, IMO persona's romance system can sometimes fail when its clear the devs wanted one character to be the "canon" love interest for the overall story, but added in side romances to please fans (p2 with [spoiler redacted], p3 with aigis, and p4 with rise based on how much time is focused on their dynamic and bond) but i feel like P5 *intended* for Makoto to be the go-to romance option (especially with how she was handled in the anime) but Royal switched it to Akechi. Do you think that Persona should just stick with one romance option, have a small number of options that they develop, or have it be "every npc is an option" type deal. personally i think it depends on the game? but i feel as if P5 would have benefited from only having 5 romance options (Haru, Makoto, Akechi, Hifumi, and maybe Yusuke?)

Hmmmmm.

It's hard to consider this without also thinking about the other dating sim RPGs, i.e. Bioware. What's interesting there is that some of the romances felt intended (Liara in Mass Effect especially) but there were multiple really good options.

What I find interesting is how Persona and Bioware games handle the shared authorship of the characters. There's an entire Game Maker's Toolkit video about how the narrative designers had to design on a tightrope, keeping the cinematic nature of the story rolling but also making the player feel like they had a handle on the direction (even when the latter was mostly imagined).

Okay, here's two weird thoughts:

The wide array of Persona romances are pretty shallow and would benefit from a shift to much fewer romances that are far more fleshed out.

Akechi is so shocking and compelling because the comparative shallowness of the other romances, because he is a subversion of them.

To me, what makes Akechi the far-and-away best 'romance' of Persona 5 Royal is that he's not a romance 'option.' The player has very little agency over how Joker feels about Akechi. If you hit a couple of flags, then Joker is fucked up and in love with Akechi. That's just it. Maruki gives everyone what they want, and what Joker wants is Akechi.

The fact that Joker is a partially player-directed character that autonomously decides to be in love with Akechi is the secret sauce, imo. Ergo, if you improve the romances overall, you lose some of the specialness inherent in Akechi.

I had a LOT of problems with P5R's writing and especially its structure. I would remove Makoto entirely but for pacing issues, not for the strength of her writing. I'd cut a lot of cruft from the game.

I don't know if I would take away the gutpunch of Akechi though. Not for P5R. For other Persona games, 100% yes, I would. Narrow the scope of romances, maybe even stick just to party members so its easier to build a coherent, meaningful narrative with the love interest.

i hope some of that makes sense, i'm a bit sick and meandering today

[sullustangin]

Spoiler Free SWTOR 7.5 comments

As it says on the tin.

Honestly, I am really liking the consistent content that Broadsword is putting out. Big patches are 4-6 months apart, little ones are pretty regular. Each patch -- whether it's a big 7.x or it's a 7.5.x -- has something that tries to address a player request/complaint. Since Broadsword took over, the amount of content might be more modest in terms of scale, but it seems like more care has been applied to it. Based upon the player survey and other quality of life improvements -- and even some hasty u-turns--, they are taking player feedback into account. I feel better about the game in Broadsword's hands than I did with Bioware.

Technically, I did not experience major problems with the patch. As reported in the patch notes, there is one cinematic where a key character's mouth does not move. That doesn't break the game, though you may want to wait to record the scene if you're into that. There's another point where you have to hit the right spot on the floor for your jetpack to disappear so you can pass through the next door, but that's an easy fix. Gearwise, I'm seeing reports of being at least in 332 greens, but as usual, player skill may vary.

Patch 7.5 starts the conclusion of the two storylines that have taken the mainstage of 7.0: the Holocron of Nul storyline and the Heta Kol storyline, which started back in 6.2 (pandemic patch). I feel like some of the "huh?" in the plot was baked in from where Bioware started it, so Broadsword is trying its best to finish the story they were given. Is it a busfire? Yes. Is it their fault? No, but they have to finish it.That said, this patch actually makes the player make choices, and you AGONIZE over them. It's not just personnel choices but also diplomatic ones. I haven't felt that way in a considerable amount of time. Yes, you do make choices in 7.0, but it's one person living or dying, be a jerk or don't be a jerk. Lower stakes. The stakes are higher here in 7.5 -- or at least it feels that way. That's an important part of game writing: even if the choice does not matter, there needs to be the illusion that it does -- a certain level of immersion. You do have cascading consequences of choices as well. I'm looking forward to playing this patch on my LS toon to do different choices, more so than I did previously. "Let's not be a jerk this time" is less than compelling than "Can I do it differently, this time?"

Overall, there is progress in the storyline -- this doesn't feel like a "busy work" patch or "here's a new daily area to keep you occupied". (To be clear, I loved the Port Nowhere and Ord Mantell content in 7.4 -- it was a giant love letter to smugglers -- but at the same time, it was a bit of filler, to be honest). The quests you need to do are necessary to gain the trust of a naturally fearful faction of sentients (no spoilers) -- it makes sense they aren't your besties for life right off the jump. You will yell at the screen at the end of the whole thing, because it does make sense and yet it's the worst option for your character, personally, and it's out of your hands. (And it is not out of character for the person who makes that decision...)

No new date night content -- maybe in 7.5.1. There is some romance content for those of us that romanced Lana and Theron.

If you are big into Mandos and have been impatiently waiting for Lane to give you a buzz, this is your time and your hour. If you enjoy training hunter pets in other games, your time has arrived.

There is also a new Spring Festival event on Dantooine. In truth, I find it sort of derivative of the Tillers' reputation you could earn in World of Warcraft during Mists of Pandaria. It isn't exactly the same (we don't have a cooking profession), but the general ideas apply, right down to the dailies involving having a beer and going fishing, as well as scouring the world for seeds. There's also animal rescue built in here as well, so it's a bit of everything for any hero who wants to retire or at least slow down.

But of course, something sinister is on the farm, and so I anticipate Scooby Doo Mystery Hour shall continue as the event carries on.

~~

Given that Broadsword "maintains" games such as Dark Age of Camelot, there has been the fear that they'll move SWTOR into retirement, but I don't think that will happen, as it's still a live intellectual property (Star Wars), they're making gobs of money off it due to Cartel Market, and there's still a player base. (And let's be real, Favereau and Filoni play it, and they do matter to Disney and EA.) I don't know when 8.0 will come out, so we may have another round of storylines in 7.0 -- sort of like how we had an extended 5.0 (Iokath and Traitor Arc) after Bioware was stripped down in 2017. That said, Onslaught was quite good after the KotXX shenanigans and dev changes had settled. I still hold the view that Bioware is a sinking ship, and EA moved the Goose that Lays the Golden Egg to Broadsword for safekeeping. I think we might get an 8.0 in 2025 or 2026, but how that will look or work -- no idea.

[flightfoot]

I'm so glad you love Kira Kira so much!!! It's such an underrated season ahhhh. The only thing keeping it from my own top spot is the treatment of Rio. He's my favorite precure character of all time and I simply can't let it slide T-T

Oooh yes it's so good! Like, it has the most well-constructed character arcs for each of the cures of any season, most are more lopsided.

Like with Ichika! She loves making sweets, but she's not very good at it at first. She's not a lethal chef or anything, she just isn't very experienced and doesn't know a lot. I loved watching her slowly work together with her friends to learn how to bake. It's not like some instant thing, you just notice her slow improvement throughout the season.

She does have something she's naturally gifted at, and that's decoration! She's really good at decorating treats in a way that will bring joy to the person who receives them, to the point that Ciel, a baking prodigy, actually learns from her in that regard.

Himari's arguably the most blatantly autistic cure there's ever been, and that's saying a lot. She loves baking and is an expert on the chemistry of it. Unfortunately, she's been discouraged from sharing her passion in the past, since her classmates got bored with her infodumping about the subject. I love her character arc about learning to come out of her shell and finding a way to use her infodumping tendencies for good by finding a receptive audience who enjoys being taught by her!

Aoi has my favorite character arc of the Cures. I love how she was inspired by her idol to become a musician and rock out with her bandmates, and how she's going against what's expected of her because, surprisingly enough, she's the heir to a wealthy family. She doesn't have any interest in running the corporation though. I loved her finding her voice and standing up for what she wants to do!

Cure Chocolat has one of the prettiest designs in Pretty Cure, in my opinion! Akira's character arc has some weaknesses, but it's still compelling. She's got a sick little sister she's protective of, and she tends to put too much on herself. I didn't really like that the show emphasized those self-sacrificial qualities - seriously she's gonna burn out at some point - but otherwise she's great!

She also has one of the most blatant queer relationships in the show. Like Kira Kira never SAYS that Akira and Yukari are a couple, but it sure hints at it.

There's never been a Pretty Cure character quite like Yukari. Even Yui, who's also a cat, is pretty different from her. Like she has this thing going on where she's good at everything instantly and it gets boring, which is why macarons interested her - she actually FAILED the first several times and had to work at making those to make them good.

I don't even really know how to describe her, she's so catlike. I don't think she actually changes a lot like the others do, you just see more facets of her. I love how easily she's able to act and fool villains, making them think they have the upper hand when she's actually playing them like a fiddle.

So her starting off as this haughty, slightly conceited prodigy who didn't think much of Ichika's merely alright pastries (given that she's world famous and has trained under the fanciest bakers in Paris), but slowly grows to see that even if Ichika's actual pastries are lackluster, they have a lot of heart, a lot of Kira Kira in them, and trying to figure out why that is. Her whole breakdown when she realizes how she just... didn't see what Pikario was going through, why he freaked out and ran away, and how he was then infected with evil and taken advantage of and STILL refused to talk to her even after being purified... she became a lot better at reading people as the season went on. I really love how she reached out to Biburi especially. She might not have been able to do much to save her brother, but she can help her at least.

On the bright side, at least Pikario got to be the first guy to have a claim to being a precure? Even if it was just a temporary power-up and he didn't get a Cure name, he was still first on that.

Pikario's the second-best Heel-Face Turn character I've seen in Precure (sorry Pikario, but Setsuna takes the top spot). I love how understandable his motives are. He and his sister went to Paris to learn how to be bakers together, but she's improving by leaps and bounds while he's being left behind and is becoming more and more frustrated, and she's rarely even around anymore. And then the last straw, when he makes the waffles she complimented so highly before, only for her to tell him they weren't as good as the ones from before... it was honest, but no wonder he snapped.

I love that he and his sister still had things to work out afterwards and that all his problems weren't instantly solved once he was freed of the brainwashing, the underlying problems that caused him to be vulnerable still had to actually be fixed first.

He definitely got cheated, he was one of the most interesting characters in the season (and the franchise, honesty), but he was put in a coma for a substantial portion of the show and didn't get to join the team permanently. But what WAS there still makes him a top-tier character.

---

I adore these characters so much, Kira Kira is SO underrated it's criminal.