#wanted to go with a more complicated edit

[prokopetz]

Space Gerbils (Very Small Edition)

A game for three gerbils (plus GM)

You are three gerbils in a person-size mech suit, impersonating a famous galactic bounty hunter. You'd rather not let this get out.

Materials

Three six-sided dice

A unique token for each player

Pencils and paper

Deployment

Gerbils are too small to contain stats. To create your suit, draw a three-by-three grid. Choose six of the following verbs; write one beside each row, and one below each column, in any order: Blast, Channel, Engineer, Evade, Exert, Interface, Prowl, Scan, Shift.

Mission Start

When play begins, place each gerbil's token on a square of their choice. The suit acts by group consensus. When performing a risky act, find the most suitable verb on the grid, and roll a number of dice equal to the number of occupied squares in the corresponding row or column, taking the high result. (When rolling zero dice, roll two and take the lowest.) Interpret as follows:

1-3: Failure 4-5: Complication 6: Success

Additionally, for EACH die showing an odd number, the suit incurs 1 Stress.

After rolling, each gerbil may move to an adjacent square OR repair 1 Stress. If Stress reaches 5, the suit blows up!

Author's Notes

Each year, I challenge myself to write a 200-word version of one of my games currently in development, both for fun, and to help refine my thinking about what the core experience of play is. This time around, I chose Space Gerbils; given that the current draft of Space Gerbils is over 100 pages in length, this proved to be no small task. Unlike the full game, which can accommodate up to five players, this version wants exactly three – no more, no less.

Both LibreOffice Writer and the 200 Word RPG Challenge's official word counter agree that this is exactly 200 words; in keeping with the latter's rules, I have not included the game's title in the word count.

(Notepad++ says it's 205 words, but who cares what it thinks.)

As always, special thanks to go Caro Asercion, whose game Dwindle provided the seed of inspiration that would become Space Gerbils. Go buy their stuff!

For the sake of setting a good example, I grant myself permission to archive my own game for posterity.

200 Word RPGs 2024

Each November, some people try to write a novel. Others would prefer to do as little writing as possible. For those who wish to challenge their ability to not write, we offer this alternative: producing a complete, playable roleplaying game in two hundred words or fewer.

This is the submission thread for the 2024 event, running from November 1st, 2024 through November 30th, 2024. Submission guidelines can be found in this blog's pinned post, here.

[theneptuneflytrap]

Explaining McCloud's Transition Types for Transformers Fans: Intro

Recently I took a class on analyzing comic book form. It was a wonderful class that I really want to yap about and I'm gonna force the Transformers fans to be my audience!

Some context. One of the sources we used in this class was Scott McCloud's Understanding Comics: The Invisible Art. And it's about just what the title says. One important concept to McCloud is that of closure. This can be defined as the work required by the audience to understand two panels in relation to one another. For example,

in these panels from Transformers: More Than Meets the Eye #1, even though we do not see prowl walking to the door and leaning out, we understand that that is what had to occur to get from the first panel to the second. This is closure. McCloud further claims that the amount of closure required by the audience can be determined by the type of panel-to-panel transition. He details the following:

Moment-to moment

Action-to-action

Subject-to-subject

Scene-to-scene

Aspect-to-aspect

Nonsequitur

I'm going to go through all of these for you guys with examples from IDWs TF: MTMTE #1-10, and Marvel's Transformers (US) #70-80. This is so I don't completely lose my bonkers trying to find examples but if y'all have a specific panel you want me to talk about please let me know. EDIT: Also the above list will be updated with links to each individual post.

Disclaimer: McCloud's panel transitions are useful tools to better understanding comics BUT it is far from a perfect system and in reality, many panels either fall outside of his classifications or are more complicated than his simple definitions. I will explain more in my more specific posts.

[deimcs]

DRAGON AGE: ORIGINS companions + the Grey Warden armor.

[saltpepperbeard]

is this anything

[sluttyten]

I was working on a new fic that I was really looking forward to, but in light of recent revelations, I'm gonna be taking a step back I think

also i removed him from the member masterlist and all of his fics, excluding things like YIMA and the poly series which I'm considering re-editing to get rid of him

[roomba-mangga]

thoughts on thistle and yaad's dynamic that i vomited in the tags of another post but will now try to articulate here: they're not actually family, or at least they shouldn't be. not in a conventional sense anyway. framing them as uncle and nephew (even in a non-literal, silly fantasy world way) rides more on technicality than anything concrete.

what i mean by this is yaad calls thistle by name and says he and delgal were raised "like" brothers. he talks about thistle like he's an outsider imposing himself into the melinis' space, and it's clear that thistle was never legitimized as a member of the family. for thistle's part, though we don't know how he would treat yaad pre-demon brainrot, it's safe to assume based on the way he punishes him—turning him into a doll—and how little is shown in the way of any sort of relationship between them that thistle only cares* about yaad as an extension of delgal (otherwise i'd expect something like kabru and milsiril, because it's not like another complicated interspecies family dynamic would be out of place, yet there's next to nothing on them even in bonus content, just their scant interactions in the main story).

in essence, they're strangers to one another. thistle's desperation to preserve the illusion of a family, a model where he doesn't even fit, was the snare they were caught in for the past thousand years of stasis. yaad-as-nephew is a prop to uphold that illusion, and thistle is playing a role he's unfit to play. in the context of post-canon interactions, attempting to reconstruct that facade would only be a reenactment of trauma for them both (in a deeply compelling way i'd love to watch unfold, tbh), as that "uncle and nephew" framing places thistle in an implicit position of power over someone he's already traumatized through misuse of authority in the past, a role which also perpetuates his adultification and yaad's infantilization in turn. it'd mostly be an obstacle to any real connection.

best to burn the melini family bridge, i think, and if there's still anything salvageable left in the rubble, let something different supplant it.

[roots-symphony]

I had all and then most of you some and now none of you t a k e m e b a c k t o t h e n i g h t w e m e t

[one-and-a-half-yikes]

Another Day, Another Fanny Chapter...

Well that sure was fucking something huh? I promised I'd at least start talking about IM chapters on here instead of keeping it strictly to the discord server so here I am. Though most of this I already said, I don't mind going over it again, since I feel like I can better organize my thoughts on this.

Also there's no word limit, which is also great.

MY THOUGHTS ON CHAPTER 348: RABBIT REFLECTIONS

So to start, let's rip the bandaid off and just say that everything Fanny said to Vicious in this chapter was bullshit.

At this point in the story with how Fanny has been acting around Cuphead I hope I don't need to specify how Fanny is in love with Cuphead when there's just too much evidence to support it. She kissed him because she wanted to kiss him, not because she was trying to see what kind of lowdown man he was. If Fanny had truly believed that, she would have confronted him about it long ago, but she didn't and we know why. And on some level, I think she knows why, too.

I think it's much easier for a reader to imagine this chapter as a conversation Fanny is having with her conscious. Saying something like this:

Is not her responding to Vicious but to her own thoughts that weigh on her. That kiss has been on her mind for about a week. And her reasoning behind it has changed even moreso. This is her settling on a final conclusion. This is her convincing herself of her own convictions. Of her worldview. That what she did was right, that she didn't ruin something good because it was never good to begin with. So that she doesn't have to confront that ugly realization in the pit of her stomach.

That Cuphead doesn't love her the way she loves him.

That last part specifically. Let's look back at the screenshot yeah?

-"She could almost see Oswald's glare. It was all the same dance. A carousel of pain and betrayal, around and around."

It's a strange thing, isn't it? To bring up Oswald. To equate Oswald to her current situation with Cuphead. Because that is essentially what she's doing, isn't it? It may seem odd, but I do have a reason for why she's thinking that.

Rejection.

Oswald broke up with her and moved on with his life, and Cuphead literally ran from her. Literally the only thing they have in common here, is the fact that they rejected her. But there's another thing too.

"No, she shouldn’t complain. She was lucky she’d found a man with a decent job. Little fights like these weren’t going to end it all for them. Besides, it wasn’t like marriage was about love and all that stardust. She had tried that avenue, and it had ended in heartbreak. Definitely not worth it. Dumb rabbit." (Chapter 74)

The bold is obviously about Oswald. Now compare that to now. Do you see what I mean? She fell in love again, and she got hurt in the process. Nevermind that in both these scenarios the men were also hurt. Especially Cuphead who trusted her and from his perspective, probably assumed she planned on using him for her own needs. Just like Meg. Just like Natasha. And in that way it's very interesting the wording she's using to describe Cuphead, and also Oswald for that matter, rejecting her.

Pain and betrayal. Very edgy, it's giving listening to that one slowed down piano version of Numb that everybody made fandom AMVs to back in the 2000s.

But seriously, why those words? It's a betrayal that Cuphead wasn't interested in the same way she is? Painful sure, that's kind of how rejection works, but betrayal really?

Or.

Is it a betrayal to herself? Thinking of certain aspects of this chapter as Fanny talking to her conscious would definitely lead me to believe that that's partially what it is. She'd already tried the avenue of love twice and it's ended poorly for her, so why did she do it again when she said she wouldn't. Why now, and why with someone like...like him? Like Cuphead? It's absurd in her head. It's something she can't make sense of. Doesn't want to make sense of it either.

So the betrayal could be referring to herself. But, I also think it could be something else, too. But for me to talk about that I have to talk about Oswald and Fanny's relationship because even after a disastrous break up they just can't stay away from each other~

So even though we don't have a lot of context for their relationship, I'm going to go off on a hypothetical that the "betrayal" in regards to Oz is that he offered Fanny (either literally or just like, the idea of the relationship with him gave her that impression) a way out of the dark. From chapter 327 that her home life wasn't great, and she doesn't seem to have any high opinion of her parents at all. Even the mere suggestion of going back home after her break up with Oswald seemed like a worse fate to Fanny than being homeless.

Oswald betrayed her because he was her first love, and also because she was supposed to be living the good life with him. They were supposed to be together forever, but then he broke up with her and next thing Fanny's hearing he's got a successful career and a beautiful wife and kids. She left everything behind for this man only for it to turn out like this. In some ways I can kind of understand what she means. But then she applies this to Cuphead and it's a bit stranger.

Because Cuphead never did anything other than offer her friendship and nothing more. Of course, at the beginning, Cuphead did have a crush on her, but by the end of the Wonderful Winter book he's basically over it. But then I think back to that book specifically, and I think about their interactions throughout and wonder if the betrayal is because Fanny misconstrued everything about their relationship because of how he'd previously acted. Is it the case, that Fanny thought they were both in the same boat, using each other as a form of escapism. She even calls Cuphead out for this at one point and makes an observation about it. Did she think it was the same for him as it was for her? That the feelings were mutual?

And, okay I actually can't blame her for that part. Look, no matter how you slice it, Fanny and Cuphead were just straight up flirting with each other in the early chapters. Not to mention Cuphead asking to take Fanny out to dinner? The Christmas group date? The aftermath?

At the beginning, there may have been mutual feelings of attraction sure but things have changed since then. And even though Cuphead put aside his feelings for her for good, if Fanny had shown any form of reciprocity then maybe things could have changed, but she didn't. But even still it doesn't really explain how Cup could have betrayed her. It stumps me and I've had a good nap to think it through and it's still confusing.

[ahdriking]

Khem meet Wichien for the first time

- Mansuang (2023)

[aroaceineveryplace]

--------------------------------------------------------------------------

--------------------------------------------------------------------------

--------------------------------------------------------------------------

--------------------------------------------------------------------------

--------------------------------------------------------------------------

--------------------------------------------------------------------------

Excerpts from Every Heart A Doorway by Seanan McGuire

[femme-foucault]

I just made my own post instead of dumping this on a reblog bc it's not a big deal but....when did Martin Scorcese become a stand-in for "guy who makes gangster movies" or "film-bro pretentious?"

Most of Scorcese's films are not about gangsters. Taxi Driver, Raging Bull, Cape Fear, New York New York, The King of Comedy, The Age of Innocence, and in fact pretty much every major Scorcese film that most people have seen that isn't Goodfellas or The Departed...is not a film about gangsters. (Mean Streets is great but it's a deeper cut). Gangs of New York, I think you could put in that category, but it's also a historical period piece and not the Goncharov'd/Godfather'd aesthetic that you would associate with a "gangster movie." Oh, I forgot The Irishman, but come on, that one only came out a few years ago and I know none of y'all watched it or remembered it unless you were a huge film nerd. I didn't even get into it.

When did Scorcese, of all people, become the stand-in for "filmmaker people assume is pretentious?" Was it when he said everything correctly wrong with Marvel films? Or on this site maybe Goncharov effect?

EDIT: I also totally forgot about The Departed, which I guess from one point of view is a "gangster film" (or really, a crime film). I distinguish between films like Goodfellas or The Godfather which are what most people think of as "gangster films" in that they focus on the perspective of people in organized crime vs "cops vs robber" films like Heat which usually include the perspective of law enforcement and The Departed is the later, but that's splitting hairs. It's a crime film, sure, and also a thriller.

[vultures-and-scavengers]

how it starts vs how it ends (the fucking literal closest i can get to a rivalmance, bioware can you let me be even a little mean to him bc he kinda fucking deserves to be yelled at a bit over some of his comments and its not like he'd be thrilled about an orlesian noblewoman whos fairly anti-violence and a bit useless in a fight as herald)

[lucalicatteart]

Poll adventure (paventure? lol) Day 3: read the small story tidbit below the poll for more details, OR just vote based on initial impression

(✦ see past poll results + further information HERE (link) ✦)

The winning option of yesterday's poll was that the adventurer should throw a coin into the mysterious well ….

"After nearly ten minutes rummaging through the disorganization at the bottom of his backpack, he finally approaches the well once again, meager coin pouch in hand. He meticulously balances a little golden coin on the tip of his thumb, positioning it just so for an elegant coin flip… With a flick of his hand, the coin wobbles off, anticlimactically dropping into the darkness.. He pouts, leaning in to listen for a plonk as the coin hits the water but… nothing…. silence.. A few minutes pass and he shrugs, moving to pick up his bag and just continue his journey elsewhere, when suddenly a faint noise echoes from the well.. an almost cartoonish plopping sound, like wet feet slapping against stone..? The pitter patter grows closer and closer…then stops abruptly. The adventurer cautiously slinks over to the well, only to find.. a creature of some sort, clinging to the walls, staring up at him blankly. - What should he do next?"

[linguenuvolose]

I do a lot of translation in my job and I've started enjoying it so much more since I started letting myself be a bit more free in my translations. Communicating the message and the vibe is more important than the phrase structure or wording being exactly the same.

[pillowenvelopchair]

Hey guys!! this is just my insane ramble on Still Waters Run Deep that's made by the lovely @un-local. I've had so so sooooo many thoughts about this fic and I decided to try and put it all coherently in a post :)

Probably not a lot of new insights, just many, many rambles

Magdalene analysis and her view on Rogier + some other stuff

Magdalene, at the start of the story, is aimless and refuses to follow any line of Grace, putting off whatever it leads to and going in the opposite direction. Yet Grace is fickle, and it all eventually converges, so she gives in. (aaaand a life-changing partnership ensues)

She wants out of the competition of becoming Elden Lord, and she wants nothing to do with it. Someone else to take lordship is what she wants. Magdalene, in her eyes, is not worthy to take the throne. But Rogier on the other hand…

Rogier is, quite literally, built different. He thinks differently compared to Magdalene (a STR vs INT user difference lol). He’s able to pick out all the details that she would miss. Be able to extrapolate and examine it all and be able to learn from it. Magdalene can't do that.

It's basically:

Rogier: says some fun facts about the most random thing in the room, saying all the history behind it, and what the tiny details could mean Magdalene: yeah, that's a rock.

So instead, she becomes a tool for Rogier to be able to use, because that's the least she can do for him.

“She can already feel the faint grin forming on her lips at the thought. She never wanted to be Elden Lord. She’d finally picked up and followed grace to... to get away, with no idea what it called her to do. When Melina told her where it led her, she felt only dread. But Rogier... To save Those Who Live in Death... Two birds, one stone. She meets his eyes, and doesn’t look away. In them, she doesn’t see pride, or avarice. She doesn't see a man who wants to rule the world. Not at all. The path forward is clear now.” -Chapter 22

For once, she really sees a light from the dark future she sees. She's hopeful that she won't have to take the throne, that Rogier can burden it instead of her. He's worthy in her eyes and because of that, she devotes herself to him with all she can do. (Ah but… I believe Rogier wants her to be Elden Lord? Not sure but her not wanting to be Elden Lord doesn’t quite fit with what he has planned)

Magdalene really holds onto Rogier, and his guidance (a comfort wizard, if you will). And so the idea that he won’t make it… that she’ll be left alone with Grace again, forced to join back into the competition for lordship... It's sickening to her. So she really clings to him, desperate to not be left alone with a destiny that she despises.

Magdalene is always pulled into different directions. Grace pulls her to one but she pulls herself to the opposite one. Fia and D are both on extreme sides of the spectrum on Rogier's survival, and Magdalene is caught right in the middle of it.

But for her, Rogier will survive, he has to survive otherwise... that light, that small hope she has will all fade into obscurity.

Ghosts from the past (Lorens and Ida)

I absolutely love how something, or rather, someone haunts both of them.

Lorens had been the catalyst of all of what Rogier does now. Why he’s so desperate to save those who live in death. He's literally devoted his body and mind to Lorens just to see him alive (maybe Rogier's devoting all of himself to finding a solution to death because he wants it to come back to the old times when it was just him and Lorens in the Rise, or maybe not!! I'm just rambling lol).

Every thought of Lorens is painted with a sort of bittersweetness to it. From Rogier's perspective, at the very least (I'm super curious as to how Lorens would view Rogier but we'll probably never get it because... you know...). He's almost obsessed with him, and it's all pretty unhealthy lol.

Magdalene, who’s haunted by Ida who's probably a sort of lover that hadn't been fully brought to fruition. Different opinions on what they have had made Magdalene leave with (from what I have seen at least, we have scrapes of her, people! I can't wait to see more of Ida though)

Now with Ida... Magdalene absolutely shakes herself out of every thought she has about Ida. Spurning every single thought or imagination she has of that woman.

"Nausea comes in waves. Fever. She can feel delirium taking her—she’s convinced she’s submerged in the very waters of creation, for a while. She vividly feels herself sinking deeper and deeper into a current; cold and dark and inescapable. As it pulls her down, she’s overcome with the instinct to breathe it in— Against her temple she feels a hand, with gentle fingers dragging softly through her hair. Suddenly, every layer of the dream collapses in on itself, and she jolts awake with a gasp.  Here, in Liurnia, she hauls herself up, rubbing at her face. Even the memory is a shock of cold water to her. She’s a woman haunted." -Chapter 23

(I just really love this part- I can't help it)

I think it's also really interesting how Magdalene leaves Ida due to their differences in what they have (?) while Rogier just absolutely hangs onto Lorens no matter what, despite him being... er... him. Not so sure about his personality with the small flashbacks we get of him but he’s probably not good for Rogier.

In short, Rogier venerates Lorens, while Magdalene absolutely rejects Ida. (Opposites!)

Rogier’s overthinking

Also found it interesting that when Rogier thinks he really thinks. He's a professional overthinker, even in the past

"He thinks of the labyrinthian etiquette, the way he’d triple-check every sentence for a double meaning. The secrets, the ruthless political schemes. It all felt like a spider’s web to him. He’d learned the game, and he played it well, but it had been nothing but paranoia and misery for him. Just like it was for everyone else." -Chapter 17

It's what's kept him alive (Ch. 17), and what's been able to pave the way for his findings Yet, it’s also his curse. He tries to pick out every detail that he can and think of every possible reason or motivation. Every single outcome he just needs to know so that he won't get caught by surprise again. He needs to be in control of the situation, he needs to be the master of the chessboard.

Oh and once this guy spirals, he really spirals. He starts thinking and looking at details, rewinding every single thing, every interaction, and trying to label a reason for every little thing. Yet... something emotional seems to break the surface of the water.

I personally think that he was raised to overthink. He was a noble after all, and he dealt with politics. He truly needed to check, double check, triple check, every single sentence and word in case it would have a double meaning. "He’d learned the game, and he played it well" (Ch. 17) . Getting worse after Lorens' death, being fooled by "Only a cut." (Ch. 25) and seeing the aftermath of it.

He can't not do it because if he doesn't, and he gets surprised it would break him (or at the very least, freak him out).

ALSO!! Rogier hating on "saccharine conversations" (Ch. 17) good lord. This guy cannot be real with anyone. Rogier refuses to show vulnerability because:

1. He was raised like that (the whole attachment theory thing) 2. He will absolutely break if he does

Do you guys remember when Fia tells Magdalene that "dear Rogier began to weep as he spoke" (Ch.14)? Fia saw through Rogier's walls through the cracks and he just absolutely breaks down. (Get yourself a man who, after "embracing" tells you all about this thing he's obsessed about and then cries because of it)

It's a mortifying ordeal, that someone's able to see through the walls you've meticulously put up. It hits something deep within that he’s tried to bury.

Despite the walls he puts up people other than Fia see through them. Magdalene (Ch.7) was able to see through the small cracks that have broken, and Roderika... hoo she really hit a nerve didn’t she? (But it also hit one of her nerves too, Rogier vs Roderika am I right?)

Chapter 17 analysis

Also, while we’re on the topic of Roderika, let's talk about chapter 17! Seems I have a lot to talk about.

I absolutely love this chapter so much, it gives us so much insight into Rogier's backstory and the way he thinks. His noble background really shines through here, with how he acts with Roderika who is a fellow ex-noble too.

"His grin is wide and carefree, but it rather feels like he's baring his teeth.  There’s no room for your pity here." -Chapter 17

This guy cannot accept any sign of sympathy/compassion with anyone. It's all pity to him, and he absolutely hates pity. Once Roderika starts to console him too it sickens him and it makes him bare his teeth like an animal, his baser instinct showing just a little bit.

He’s probably bore his teeth to other nobles in the court, or whatever meetings they have with one another. Small threats that get the message across by a vicious smile, is something he is all too familiar with.

I also think that it's a little bit funny how he gives advice to Roderika but then is also a little bit of a hypocrite about it

“It’s hard, to leave it behind. But the old world will keep its claws in you, if you let it.” -Chapter 17

Rogier while it's not his past life that he's stuck but rather, he is stuck on Lorens. Even though Rogier is no longer Lorens' student, even though Lorens is dead, he still has his claws on Rogier. It's his entire motivation, why he's in a "pathetic" state now. He isn't letting those claws go, he lets them dig deeper within him, and they dig in deep.

“You already have it within you," he says. "They were only trying to bury it.” -Chapter 17

Rogier immediately buries his own emotions in this interaction when Roderika tries to console him lol. Just based off of him being an ex-noble and his whole family thing, it's well established that he is very much used to burying it all down his gullet. I mean, is it really Rogier without emotional suppression?

Also Rogier tends to close off all the matters that relate to what he feels in his dialogue both in game and in SWRD. This guy cannot let out just a slight moment of vulnerability

A Color Theory Thing on my read on Rogier's garb:

Rogier, with his background being grounded in nobility has suppressed his baser desires in exchange for meaningless political schemes that have only brought him misery. Yet after coming to these lands, he finds himself with Lorens.

He wears a Raya Lucarian Robe and it has red on it. It's a sign of baser instincts being shown for once. He has grown an infatuation with Lorens despite being his student.

Yet, Rogier is still mostly blue, and he still suppresses that baser desire that he’s developed, that infatuation for Lorens. He never once builds up the courage to be able to tell Lorens what he feels. He would always bury those feelings down, and as a result he can't let go of it. It's far too deep to be buried back up.

But once Lorens has died, Rogier changes too.

He exchanges those garbs for yellow and turquoise (I think?). He's a mix of colors and beliefs.

He still has the blue in the turquoise, which symbolizes calm, intelligence, and emotional control (you can’t spell Rogier without emotional control) But turquoise isn't just blue, it also has green.

Green represents growth, life, and new beginnings. This is a new beginning for Rogier, who's set out for a new goal, to be able to save those who live in death (and perhaps give them life? Not so sure on that but in SWRD that seems to be the case with Lorens).

It's balanced by yellow. Creativity and originality, he's almost the only person we meet who wants to save TWLID. Not only that but yellow also symbolizes illness, which could be a foreshadowing of what happens to him later in his life.

It's not just sickness though, yellow also symbolizes deception. Rogier lies, but I necessarily think he's someone who is always deceptive. He's more like the type of guy who would lie so that an encounter would go well or not hurt someone else's feelings. I think he's like that from that whole ex-nobility thing he's got going on. Political schemes and lying through a smile is something that he's familiar with. (It also doesn't help that he keeps being emotionally suppressed too lol)

Cowardice is another. Rogier is scared to tell anyone about his emotions, to take that risk of being honest with someone. His background in nobility and his family definitely doesn't help either.

Rogier had been too scared to be true to Lorens and tell him his feelings, and because of that, he would never be able to. I feel like he's avoided it even more afterward. He refuses to take that jump of being honest with someone, whether it's about his emotions or his ideals, he doesn't let them go.

But when he does? With D, it completely breaks off everything they've had. Everything that they could have been.

"Beguiled fool. A rotten, sick bastard. Fouled by them. A wicked, two-faced user. Heartless. Loathsome parasite. How could he? Were they not supposed to set this crooked world straight? Profane. A perversion of honor. A madman." -Chapter 5

“Get out of my sight.” “I’m sorry.” He’d said, and he was. But Darian’s lips curled back, and he jerked his head away and locked his eyes on the horizon. His jaw twitched, in the moment he took to reply.  “Don’t talk to me.” There was nothing he could do to fix this. To undo his mistakes, to spare Darian his intentions." -Chapter 5

It's all gone because he had been honest about his goals (presumably). This experience probably strengthened that emotional suppression so as to not be hurt/caught by surprise.

So when Magdalene, someone who wholeheartedly accepts his ideals and sees his side for once, he's cautious. He can't believe that someone can genuinely agree with him because all the times that he has been honest, he's been punished for it. (though, he reminds himself that she's not like that)

In short, this guy's a mixed bag. A mixed bag with problems

(basing this off of the Elden Ring color theory video, it was an absolute joy to watch)

[EDIT]: idk what to call this section but he seems to seek out some form of approval. Lets see how that ties in with his grief!

"He still doesn’t understand why. What did he do, specifically? Or was he just past his usefulness? Deemed unfit to rule? He never truly wanted to rule as Lord, but to be cast aside so indifferently—it had shaken him.  Every now and then he fumbles with this, again and again, but he knows. He does. He knows that grace has forsaken him for good reason. He’s a heretic. An apostate. He who does not obediently bow before a faltering, decrepit Order, so ill-equipped to handle the world as it is. " -Chapter 5

"All these years. Couldn’t change a thing. Rather pathetic, I’d say—what a fool, thinking that this crooked world could be made right by mortal hands. Sure, deathblight. Truly, a fitting end for a worthless, rotten bastard." -Chapter 12

Now, speaking from some personal experience, being raised in a family that's of nobility and expects so much out of you from a young age definitely breeds some kind of self-worth issues that really stick with you. Especially if you haven't had anyone to truly support you.

Because of that, I believe that Rogier, in a way, is trying to prove his worth. But not to the Order, I think that he's in some way trying to please Lorens. Even in death.

He puts everything into his studies of Death, searching and scouring for scraps of information just to give him a single lead on anything, and for what?

"Its fulfillment will be a selfish act of altruism. These crooked lands will set right, by his hands, for a reward of nothing at all. But make no mistake: he needs another day. And another after that, and another after that. He needs his questions answered with questions, he needs his notes corrected in an unreadable hand, he needs to hear one more “Well—” followed by the most opaque, convoluted tangle of sentences ever constructed. There’s no reward he seeks, but the warm smile of cold gray eyes and a scoff about just what he’s wearing nowadays. " -Chapter 19

Rogier devotes himself to saving TWLID (saving Lorens, in reality), but it's not because it's all for selfless reasons, he seems to want things to go back to the way things used to be. Back at the Rise, with just him and Lorens once more.

I don't think Rogier ever accepted Lorens' death. He's determined to bring back Lorens, desperately trying to find a solution to bring him back no matter what.

And it’s quite hypocritical isnt it? That Rogier wants to change the Order to be able to sort of… revive Lorens from Death. To go back to the old times that they both had had.

This guy refuses to grieve and is searching (desperately) for a solution for a dead man who's probably not even good for him. Get this man some therapy

This entire post's summary is just me going:

Anyway, that's all for my crazy rambles! I can't wait to see how SWRD will progress, and how everyone will intermingle and grow with one another (Rogier and Mags)!!!! :0)

Have some doodles + a WIP that I'll probably never finish as a treat for reading this! (Mag's torso was wayyy too long on the second one oops)

(bonus boggart because I love him)

[dungeons-and-dragon-age]

Assortment of sketches n doodles of my most recent brainworm inducers