#wanted it to kinda look like the original music video

[legallybrunettedotcom]

you could say i'm in the business of misery I youtube link

[wandaslittlebird]

That’s What Mama’s Do

Stepmom!Wanda x Reader

An early Christmas gift from Wanda encourages you to indulge your curiosities, and Wanda learns she can be a bit rougher with you than she originally thought.

CW: Stepmother/Stepdaughter, guilt, sexual exploration, flashbacks, anal (R receiving), spitting, strap ons (R receiving), spanking, inexperienced reader, mentions of videos taken during sex, dirty talk

Word Count: ~4.7k

A/N: It’s back and I’m so excited! I’ve extended this series to be at least 6 parts now, so get pumped everyone. I just kept having more and more ideas.

A/N: So definitely not 48 hours but like kinda close?? I was struggling with this part and I still think it might have worked better as a drabble, but I think it works anyway. This part isn’t nearly as Freudian, but there’s more of that to come in future parts! I hope you all still enjoy!

Thank you @marvelwomenarehot0 for reading this like 5 times and reassuring me I’m FINE

Part 3 of Her Special Girl

The days were filled with peppermint hot chocolate, soft blankets, Christmas movies by the fireplace, and lots and lots of cuddles. You and Wanda were practically velcroed to one another, completely inseparable. The two of you preferred to stay mostly at the house together, seeing as you couldn’t be nearly as affectionate when there were other people around in public.

What had started as an unpleasant fluke in your Christmas break, had turned out to be the best Christmas present you could ever ask for.

One this particular afternoon, you and Wanda were dancing together to Christmas music in the living room. She had you pulled close to her chest, gently swaying you back and forth to the jovial holiday music. But louder than both the music and her heartbeat, one thought came blaring through your mind.

How could you ever leave this? How could you leave her, alone? How could you ever be so selfish?

You leaned back so you could see her face. “Mama?” You interjected. Your eyes searched her’s, looking for a way to ease the guilt in your heart.

“Yes, little love?” She smiled down at you with a heart full of love and admiration. If she was holding resentment against you for leaving, she was doing a very good job of hiding it.

You swallowed nervously. “Could I give you one of your Christmas presents?” You asked. You hoped experiencing her joy upon receiving your gift would quell the aching guilt. “I have more to give you on Christmas. I just wanted to give you a special one while it’s still just the two of us.”

Her smile widened. “Of course, sweet girl. How about we do a special little gift exchange with just us. You know how hectic it gets on Christmas Day.” She bent forward and whispered into your ear. “Plus, I have a present for you that no one else is allowed to see.”

Your heartbeat quickened. She chuckled as she watched a blush rise to your cheeks. She smirked, drawing a medium sized box out from behind the tree. You followed suit, picking out a small box placed carefully on top of the pile of presents. You’d taken extra special care to wrap it nicely for her. You’d been excited about giving her this gift for a while now.

“You first,” you insisted, setting her gift down on the couch after she handed it to you.

You handed her the box, chewing your lip nervously. She unwrapped it meticulously, slowly pulling away the tape without ripping the paper.

Inside was a rectangular jewelry box, off white with a golden W.M. pressed into the center. She opened the lid and gasped as she revealed a gold chain necklace with three stones pressed into the center. The biggest one, in the middle was your birthstone, and on either size shone two aquamarines, the twins’ birthstone.

“Honey this is beautiful,” she said, pulling the necklace from the box. “But this must’ve cost you a fortune.”

You shook your head. “Not a fortune. I promise it wasn’t exorbitant. The gold was a gift from dad from a couple years ago, but…”

“You only wear silver,” Wanda finished for you. She chuckled at the general cluelessness of her husband, thinking he could just buy the most expensive thing on the shelf and you’d love it.

You nodded, smiling a little at the thought that Wanda remembered such a detail. You gently took the necklace from Wanda’s hands, clipping it around the back of her neck while she held up her hair.

“It’s perfect, darling,” she said, putting her hand affectionately over the stones. “Thank you, so much.” It sat perfectly on her neck, level with her collarbones. It looked beautiful on her.

You picked up your own present from where you’d set it on the couch. It was a bigger box than the one you’d given her, but it was light. You didn’t take the same care as she did with the wrapping paper, simply picking a corner and tearing off the paper. You unwrapped and opened the box to reveal a harness. It was very similar to the one you already had, except, instead of one O-ring at the base, there were two.

You tilted your head in confusion, examining the object. Wanda watched you nervously, slightly afraid the gift was unwanted.

She chewed the inside of her cheek. “Do you know what it is?”

“It’s a harness,” you answered. “But it has two rings for two…” the realization dawned on you as you spoke the words allowed. You stood in shock for a moment.

Wanda’s heart sank, thinking she’d gone too far. “It… it’s okay if you don’t wanna use it. There’s no pressure to try anything, of course. I just thought… you used to really enjoy…” she rambled.

You cut her off, still too caught up in your own thoughts to be paying attention to her nervous rambling. “Can we use it now?” You blurted out, excitedly.

She smiled. “Of course, little love. I thought you might like it. I remember you being rather fond of… playing like this.”

—————

You were standing in the doorframe of her home office, anxiously playing with your own fingers.

Wanda had been furiously typing away at her desk. The sound of keys clacking filled the silent room. Her face was focused, emotionlessly concentrated on the task in front of her.

You stood there awkwardly, trying to build up the courage to ask her your question. You certainly didn’t want to interrupt. You didn’t even like to interrupt her work when you weren’t about to ask embarrassing questions.

She was never upset with you, for interrupting her work. “Nothing that comes across my desk is more important to me than even your silliest queries,” she had told you. “Anytime I get to be talking to you, my work day has improved tenfold.”

Still, you stood in the doorway a little longer, hoping she would manage to notice you first.

After a few grueling minutes of going unnoticed, you finally decided to speak up.

“Mama?” You asked quietly.

Her face of pure concentration broke out into a wide smile. “Yes, my little love?” She responded, beckoning you into the room.

You exhaled in relief. She wasn’t upset with you for interrupting, at least. Now it was just a matter of trying to ask the question that brought you here in the first place. “I-I have a question,” you announced anxiously, cautiously approaching her desk.

“Ask away,” she instructed, leaning back in her car and swiveling it to face you. You had her full attention.

You looked down at the hardwood floor, unable to meet her gaze. Maybe this would actually be easier if she was still focused on work and you were simply in the background. “I… it’s embarrassing.”

Her face tilted, morphing into one of soft sympathy. “It’s okay, sweetheart. There’s no need to be embarrassed. It’s just you and mama here. You can tell me anything.” She reached her arms out, beckoning you closer so she could gently pull you into her lap. She sat you down and wrapped her arms around your waist, kissing you on the temple.

If she were anyone else, you wouldn't dream of asking her what you were about to ask. You lived in a world where questions, especially ones that may be considered taboo, were discouraged. Your curiosities had always been diminished and shut down, even since you were a child. And yet, Wanda was different. “You’re still growing up and learning about the world,” she’d once said. “It’s an honor to get to teach you about all the things you want to know. That’s what mama’s do, after all.”

You steeled yourself. “I… um… do you know how sometimes when we… play together you put toys inside of me and it feels really good?” You asked, trying to frame your question.

“Mhm,” she hummed affirmatively, trying to hide her growing excitement. She loved how flustered and embarrassed you got when you asked her questions about sex. It was almost as arousing as the “hands on” learning experiences themselves.

“I was wondering if… maybe you’d ever had toys in… the other hole,” you asked, looking down at your lap.

“Mmm,” she hummed again. She almost couldn’t believe what she was hearing. Were you really asking her what she thought you were asking her? God, you were more perfect that’s she could’ve imagined.

She kept calm, trying to contain her excitement. “I have. Mama doesn’t like to have things in her ass so much, but,” Her tone dropped lower and more sultry. She leaned over so close you could feel her breath on your ear. “I would love nothing more than if you’d let me play with yours.”

“R-really?” You stuttered. “You don’t think it’s… gross?”

She chuckled and shook her head. “No, sweetheart,” she assured. “It’s just another part of your body, little love. I don’t think any part of you is gross.”

“O-okay,” you said, leaning your head on her shoulder.

She pulled you tighter into her side, squeezing you in her arms and kissing your head repeatedly. “I love you so much,” she praised. “I’m so proud of you for being such a brave girl, and asking mama all your curious little questions about your body.”

“I love you too, mama,” you responded. You curled up in her lap, burying your red face in her neck.

“How about I forward all my calls to Natasha for this afternoon, and mama can show you all her toys and we can pick out some for you to experiment with, huh?” She whispered into your ear, voiced laced with excitement and seduction.

Your eyes went wide, and you nodded. It wasn’t the first time Wanda had dropped everything to fuck you, but you were shocked that seemed to be equally as excited about this as you were.

She led you to her closet, letting you peruse her collection. For someone who didn’t like to use them, she had a lot of butt plugs. She explained in depth their uses, the sensations of the different shapes and materials, and helped you make an educated choice of which one you’d like best. In the end, you both decided to start with a small metal plug, as well as a smallish strap. When you asked if she’d be pegging you with it, she chuckled.

“I don’t think you’re ready for that quite yet, little love,” she explained. “We’ll just use the strap like normal, but you’ll have the plug in this time. Does that sound good?”

You nodded. You were a little confused as to why she chose such a small strap if it wasn’t going in your ass anyway, but you trusted her judgment.

“One more thing,” she said, grabbing your favorite toy, the wand, before turning off the lights and leaving the closet. As always she took you to your own room rather than leading you back to her own. You both preferred to keep the sex out of the bed that her and your father shared.

She had you lean over the edge of your bed while she plugged the wand into the outlet. She handed it to you. “Alright love, I want you to make yourself feel good, okay? Can you do that for mama? Can you touch yourself while mama plays with your ass?”

“Mhm,” you hummed affirmatively, taking the wand between your legs and turning it on. You immediately shivered at the sensation.

She ran her nails softly up your back. “That’s it, good girl. Now just relax for mama.”

Her fingers moved down to circle your exposed asshole, watching the muscle tense in anticipation. You jumped at the unprecedented feeling.

“Shshsh,” she cooed. “Relax baby. You’re okay. Mama’s gonna take care of you. I’m just going to put a little lube on you, okay? It’s gonna be a little cold.”

You shivered again as you felt the cool liquid run down your untouched ass. She pressed her finger against your hole, gathering the liquid there before slowly starting to push into you. To her surprise, her first finger slid in rather easily.

You groaned at the sensation, muffled by the mattress. “Are you sure you’ve never had anything in here?” Wanda asked, suspicious but not judgmental. “It’s okay if you have, baby. You can tell mama. You don’t have to be embarrassed.”

You whined into the mattress. “I-I… in the shower sometimes, I… explore a little bit.”

Wanda smiled, chuckling affectionately as she rubbed your back, slowly moving her finger in and out of your tight hole. “That’s okay, honey. You’re always allowed to explore your own body. Do you just play with your fingers? How many have you had?”

You nodded. “Just my fingers. And only ever one. I-I tried to do two, but… I couldn’t.”

She nodded, circling her finger around inside of you to get you comfortable. “Mama’s gonna try to add another finger now. Is that okay?”

You nodded. “Is… is it gonna hurt?”

She shook her head. “No baby, it shouldn’t hurt. If it hurts just tell mama and we’ll stop, okay?”

You nodded. “Okay.”

“Good girl. Now, just try your best to relax. Take a few deep breaths.” You felt a second finger at your entrance, slowly pushing past your muscles. You squirmed, at the uncomfortable sensation, but Wanda’s hand on your lower back kept you still.

“Good girl,” she praised as her two fingers fully pushed into you. “That’s a big stretch isn’t it?”

You whined. It didn’t hurt, per se, but there was an intense, unfamiliar pressure. You turned up the setting on the vibrator between your legs, keeping the discomfort at bay.

She spread her fingers out inside of you, stretching the muscles further. You moaned, the discomfort morphing into something more pleasant. The pleasure, oddly, didn’t override the discomfort, but rather existed beside it. “Mama…” you moaned, starting to slowly buck your hips back into her hand. “Feels… funny.”

“I bet it does feel funny, doesn’t it?” She said. “Do you like it? You wanna switch over to mama’s plug?” Typically, she would’ve insisted on taking things a bit slower, but, likely due to your own ‘self-exploration’, you were handling it a lot better than she’d expected.

You nodded. “Yes please.”

She slowly pulled her fingers out, watching your muscles tighten back up and close. She fantasized, for a moment, about opening you back up so she could spit inside of you, watching your muscles close as little bits of her saliva leaked out. But she’d save that thought for later. You were far from ready for that.

She took the metal plug and poured a bit more lube onto the end. The plug was a bit bigger than both of her fingers, but not terribly so. She pushed the cool metal against your asshole.

You jumped and whined at the sensation. She shushed you, putting a firm hand on your lower back to keep you in place. “Just relax honey, just like before. Keep playing with yourself.”

You did as instructed, taking a deep breath and focusing on the sensation in your clit. On your exhale, she started to push the plug in. She carefully pushed through the resistance forcing the plug into place.

“Mama!” You cried out. A range of sensation shot through your body all at once. Pain, pleasure, discomfort, pressure all came to a head in a sudden orgasm you hadn’t expected.

Wanda eyes went wide, seemingly taken as off guard as you were. She smiled and rubbed your back affectionately. “Aww,” she cooed, “did my sweet girl just cum just from mama’s plug in her ass. It’s okay, baby. You’re doing so good.”

“I’m sorry, mama,” you apologized. Tears pricked the corners of your eyes as sensations overwhelmed you. Unlike your usual orgasms, this one only made you hungrier for more. You turned up the setting on the wand again.

“It’s quite alright, darling,” she assured. “Do you still want mama to fuck you while you have the plug in? It might feel a little different than it ever has before.”

You nodded eagerly. “Please mama!”

“Okay, sweetheart,” she chuckled affectionately, surprised and amused by your eagerness. She lined herself up with your pussy, pulling your hips back to meet her own.

You cried out, suddenly acutely aware of why she’d chosen such a small strap. With the plug in your ass, your pussy felt so much fuller than you would’ve expected. Your hands shot out in front of you, gripping the bed sheets for dear life.

Wanda made her first few strokes slow, watching as the base of the plug shifted with her movements.

“Mama!” You cried again. “Feels so… so full mama. Please!”

“Does it feel good baby?” She asked, rocking into faster. “Do you like having mama in both your holes? Do you like it when she fucks you with a pretty plug in your ass?”

“Yes mama!” You breathed. “It hurts, just a little, but it feels so good mama.”

“Aww does it make your ass feel too full baby?” She cooed. “That’s okay, honey. You can cry while mama fills your holes. That’s it. Cry for mama baby.”

In an almost Pavlovian response, you started to cry. The pain was bearable, even surprisingly pleasant, but Wanda’s command allowed your body permission to let the tears flow. You were glad your admission of pain didn’t seem to deter her, even when it was paired with tears. In fact, the sound of your cries only seemed to spur her on further, nearly pulling out of you and pounding back into you with every stroke.

“Mama I’m gonna cum again,” you sobbed.

Wanda ignored you, continuing to fuck you through your orgasm. You came harder this time, having to turn off the wand between your legs to keep yourself from overstimulating.

You tried to squirm away from Wanda, but she grabbed your hips harder and kept you in place. “No baby. Keep crying for mama. Keep making those pretty noises. I’m so close.”

You felt her hips start to falter before she pushed herself as deep into you as possible. She groaned, near collapsing on top of you before catching herself on the bed.

“That was so perfect, angel,” she soothed, pulling out of you while she gently ran her fingers through your hair. You whined at the sensation, lying limp on the bed. “Let’s get you all cleaned up and in some jammies, and then you can sit under mama’s desk while she finishes working. Does that sound good, little love?”

You nodded, groaning as she pulled out the plug and set it on the nightstand to be cleaned. Your head spun. All you could think of was your mama. You were so lucky to have someone who cared for you so deeply. You were so thankful you had her to guide you, to indulge all your curiosities. “Thank you, mama,” you mumbled tiredly.

“For what, sweetheart?” She asked, playing with your hair and looking down at your blissful face.

“For being here to teach me new things,” you tried to explain. Your head was so floaty you couldn’t get your words quite right. “And… and trying new things with me. And not thinking I’m gross or weird when I get curious about… certain things.”

“Of course, angel,” she said, kissing the top of your head. “That’s what mama’s do.”

—————

Wanda stood next to the bed, this time in her own room: the room she shared with your father. With him gone all week, her previous rules about keeping sex with you out of their shared space had gone as well. Unlike when you were young, it didn’t bother you much anymore. After all, you hadn’t seen him in years. In many ways, he wasn’t so real to you anymore.

So you held no discomfort about your current position, naked on your hands and knees in the middle of their bed.

Wanda was almost equally as naked, wearing nothing but the harness and the necklace you’d just given her. She was working on preparing and securing the toys you two had picked out in the appropriate O-rings. It she wasn’t so goddamn beautiful and you weren’t so goddamn turned on, she might have looked ridiculous.

But you suppose that was part of the gig with sex in general. It’s a little ridiculous, and, actually, mostly rather unsexy. But something about love and arousal morphs your perspective just enough to change everything: to make it a magical experience.

You’d chosen a smaller, blue dildo on the top. It was only about 6 inches long and less than an inch in diameter. On the bottom, you chose the first strap she’d ever fucked you with. It seemed fitting that the first time she’d use the strap on you in three years, she’d use the same one she’d used for your first time ever.

You felt the bed dip and she crawled onto the mattress behind you. She ran her nails down your back. “You are so beautiful, you know that?” She asked in a low sultry tone. She ran a finger up your slit. You’d been practically dripping since you’d opened her gift.

You shivered at her touch, instinctively buckling your hips back against her hand. “Please mama,” you whined. You were already so needy for her.

She wanted to hold out for a little longer, circle you while she toyed with your perfectly displayed body. But one look at your ass had her impatient. She needed to be inside of you, urgently. She lined the bottom toy up with your pussy, slowly pushing into. You were all too inviting, practically swallowing her. She was met with little resistance even in the first couple strokes. Then she pressed the top toy into your ass.

Instinctively, you tensed. “Shh, baby. It’s okay. Relax for mama. I’ve got you.” She rubbed gently at your lower back.

You relax, allowing her to push the toy into you. You whined as she pushed past the initial ring of muscles.

“Mama’s got you,” she reassured. “I’ll go nice and slow.”

The overwhelming full sensation immediately made your arms collapse, pushing you face down into the mattress. It was so much different than having her fuck you while you wore a plug. Rather than a static thing shifting inside of you, there were two things, moving simultaneously in rhythm with one another.

The stretch was overwhelming. You could feel both of the toys from both holes as they each pushed you open. Your eyes rolled back in your head and your mouth fell open. She’d hardly been in you for a minute and you were already losing your mind. “Mama… mama please,” you pleaded.

She leaned over to wipe the hair from your face. “What is it baby? Tell mama what you need,” she said, concerned. It had been a while since she’d fuck you. Maybe this was too much for your first time back. “Do you need mama to stop? I can take the blue one off and we can just use the pink toy,” she suggested anxiously.

You gripped the sheets under your hands, jaw slack and mouth opened. Once again, her anxious rambling fell on deaf ears as your mind was consumed with pleasure. “Faster,” you said unexpectedly. “Please, mama, go faster.”

Her eyes went wide at the unexpected request, but she hesitantly started to build to a moderate pace. She gripped your hips, pulling them to meet hers with each thrust.

“You’re doing so well, sweetheart,” she praised. The sound of your skin hitting hers alone was driving Wanda crazy. She took a few deep breaths, willing herself to calm down. But when your weak little voice cried out from underneath her, she lost all semblance of control.

“Mama, please, harder.”

She tilted her head, giving herself a moment to process what you were saying.

She remembered you at 18, meek and trembling under her. She recalled the way you stuttered when you asked her even the simplest questions about sex. You were so ashamed and afraid to ask anything of her back then. It would’ve taken you weeks to muster even a simple request.

And here you were, years later, underneath her once again, shamelessly begging for her to fuck you harder. She couldn’t be more proud.

She slammed her hips into yours, gripping you hard enough to leave marks. “Did you miss mama fucking you like this? Did you miss her toys filling you up until you couldn’t think anymore?”

You nodded. “Yes mama!”

“You’re taking me so well, little love,” she praised. Her eyes darkened as she watched the strap disappear into you again and again. She was fixated with the sight. “Mama’s gonna have to get the camera out so you can see what a little angel you look like from up here, taking my straps all the way to the hilt. Would you like that baby? Would you like to watch yourself get fucked by mama?”

You nodded. “Mhm,” you hummed, biting your bottom lip. Her words took you slightly off guard, but that didn’t stop them from further turning you on. It seemed your boldness was rubbing off on Wanda.

“Mama could record you a little video and then you could watch it while you touch yourself later, huh? See what a good little girl you are for me.”

You moaned, nearly screaming into the wadded up sheets. “M-mama…” you stammered. The way she spoke, telling you her fantasies so unabashedly, made your head spin. You supposed this was as good a time as any to bring a fantasy of your own into fruition. “S-spank me. Please. Spank my ass.”

Wanda’s eyes darkened with lust at the request. She placed a cautious spank on your right ass cheek. It wasn’t hard enough to actually hurt. It was more just for the sensation.

“Harder,” you requested timidly. “Please, h-hurt me.”

Wanda slapped your other side, harder this time. You cried out, involuntarily clenching around the toys. She spanked you again and again, becoming obsessed with the sensation of you tightening around her. “You like it when mama hurts you?” She asked. Her voice was deeper than usual.

You nodded. You sniffled back tears, desperate not to cry. You were so afraid she’d stop or ease up, thinking she’d hurt you.

“Are you gonna cry for mama?” She asked, picking up on your stifled sniffling. “Go on and cry for me, love. You know mama loves to watch you cry.”

The floodgates opened as you started to sob underneath her, nearly shaking. “Feels so good, mama. I love being stretched with your toys. I love when you hurt me. I love you. I love you.”

Wanda smiled. God you were a vision, crying and trembling underneath her, and asking her to hurt you while you told her you loved her. “I love you too, darling. Fuck. I love you so much.”

“Please make me cum, mama. Please let me cum with you inside me,” you cried.

“You can cum whenever you want, baby. Go ahead and play with yourself for me. Mama’s got you. I wanna watch you cum on my toys, honey. Show mama how much you love her present.”

You reached your hand back and played with your own clit. She started to spank you again. “Mama!” You shrieked as you fell apart under her. She continued to fuck you and spank you, grabbing your hands at the wrist when you moved to push her away.

“Shshsh, angel,” she soothed gently. “I’m just making sure I get it all out of you, baby. Just let mama take care of it, honey.” She took both of your hands, positioning them on either side of your ass. “Be a good girl and hold yourself open for mama, okay?”

She pulled out of you, leaning over to spit in your open asshole. She watched in awe as the muscle closed back up, leaving her spit inside of you. She’d waited years to see this. Had she had a bit of foresight, she would have brought a plug she could stuff you with after, making sure it stayed inside. Oh well. There was always next time.

She moved your hands away, spanking your ass one more time for good measure. You groaned.

She grabbed a cloth off the side table, carefully wiping your clean. You squirmed under her gentle touch, but she held you in place before gently laying you on your side.

Much to your chagrin, she climbed off the bed. “Mama…” you called after her, reaching out for her.

“It’s alright baby, I’m just gonna take this off and then I’ll get all cozy with you in there okay? Wait just a second for mama.”

You pouted for the whole ten seconds it took her to get the harness off. She crawled into bed next to you, pulling you under the blankets with her. You curled into her side while she gently played with your hair.

“You’ve never asked me to spank you before, little love. What was that about?” She asked kindly and nonjudgmentally.

You shrugged. “I don’t know,” you replied hazily. “I was always too embarrassed to ask before, but… I’m not so scared anymore.”

She smiled and kissed your head. “I’m glad you asked,” she admitted. “I enjoyed it. And I’m so very proud of you for being so brave. You made mama braver too, you know.”

You cuddled into her closer, looking up at her from her chest. Your eyes begged a silent question.

She giggled. “Ah, I thought we were asking for what we want now? Now you’re getting all shy on me again?”

You whined. Asking for things was hard, and you thought you’d done quite enough for one day.

She chuckled at your stubbornness. “Do you wanna suckle for mama? You earned it little love, being so brave and asking mama for what you want. Go ahead sweet girl.”

“Thank you, mama,” you say before taking her nipple into your mouth.

“Of course, baby,” she whispered, kissing your head. “That’s what mama’s do.”

Taglist: @wandanatsgirl @jordy-12 @snowy12 @wandamaximoffsbadgirl @wandaslovey @alicentsbunny @theloveweholdtohigh @inarayofmoonlight @boredandneedfanfics @hikyiwid @mrskatemaximoff @redheadsinmybed @wandaslamb @marigoldenblooms @emiliaisdead @lizziefor @virginiatcm @kittercandy

[chongoblog]

SCREW IT IM GONNA TOOT MY OWN HORN FOR A BIT

So it's been like a month since I put up my last big mashup, and the response has been awesome. I wanted to talk about all the little bits I put in there, because frankly, I put a lot of love into it, and I want to share it! Here's the video of the mashup with the music video (which is a big part of it.)

First of all, shoutouts to Shoocharu for the incredible animation for the original MV. I've found him to always have the best Game Grumps animations, and his abilities work perfectly for this music video.

Okay, now just to talk about all the Silly Jokes and Bits and Stuff. A lot of these were noticed by comments (and shoutouts to them! I love seeing people get these)

-Ska Cha Cha is used as a reference to the name of the actual song "Transcendental Cha Cha Cha". Close enough.

-A couple samples are used multiple times at different points in the song. For "Tik Tok", "Ska Cha Cha" and "Down" it makes sense since it's the chorus of the song. However, I also bring back "I'm Blue" and "Toxic" because in the original song, those samples are played over the lyrics "The universe is getting colder, colder. Still every universe somehow got Zumba". Those lyrics are repeated at the end of the song, showing how what was once madness is now being embraced. I thought playing those samples again with the full mix was appropriate.

-And yes, in the two appearances of The Void in the music video, MEGALOVANIA plays because he looks kinda like Sans.

-"words, words, words" was a super interesting inclusion. At first I added it because of the lyric "Just relax..." which is a lyric during that portion of Transcendental Cha Cha Cha. Also, not only did "here's two facts" thematically work well (since the song was about to discuss two separate universes) but it also perfectly aligned rhythmically. Also, that "words, words, words" line might be one of my favorite pre-choruses ever.

-I included Cruel Angel's Thesis at someone else's suggestion, but I'm really glad they suggested it. I actually start it with a somewhat heavy low pass filter before slowly fading off it because I thought it sounded cooler.

-I included "Harder Better Faster Stronger" during that portion because Tom's vocal effects sound similar.

-Cha Cha Slide matches perfectly since the lyrics of Transcendental Cha Cha Cha are also "Slide to the left....slide to the right". Incredibly proud of the little breakdown I included during the mix-up portion.

-"Sometimes this song, it sounds like" segment is referencing myself, since over the years I have developed my own patterns. Sometimes the song does indeed sound like Crawling (plus funny commercial next to it. Again...patterns) and sometimes it does sound like All Star (shoutouts to Star Shop)

-The Mighty B! Theme slaps actually.

-I felt like I had to include the Peanut Butter Jelly snippet, since "it's everything and nothing, it's a baseball bat" sounded almost like it was a direct reference to it. I wanted to include the original Tom Cardy lyric on top of that one both to hammer home the joke and also because I thought the harmonic vocals layered perfectly onto Peanut Butter Jelly Time would make for a nice touch.

-Every time I saw someone notice that I put the "God Dammit" directly after Never Gonna Give You Up to imply that he was mad about getting rick rolled, I gained a year of my life.

-Keeping the "Blink!" from the original song I felt was useful to help kinda punctuate the wildly different samples I was using.

-"Money Game" and "Money Money Money" being played over the French Revolution. Completely unrelated, but have you noticed how much wealth inequality we're facing here in America? That's interesting.

-"Closer" and "Closer" is such an easy joke. In fact it's so easy I've done it before. Did it anyway lmao

-During the big buildup, "Larger Than Life" was used mostly because I hadn't used that song before and I thought it was time. "Dare" was put in because I think that the vocals work really well to naturally create a sense of buildup (unless it's the Live version). "Brain Power" was put in to replicate the noise gate that Tom put on his extended note.

-Monkey Watch and Mr Brightside. Again! Patterns!

-toes

So yeah that's Transcendental Fever Dream. I'm sure if I had more time and excuses to talk about all the nitty gritty details and choices made I'd do it, but I think this is a pretty big breakdown. Something's always felt kinda Big about this one. I think that save for Super Smashup, this is the best mashup I've ever made, and I think it acts as a sort of a culmination of these last 7 years or so of mashups. No idea what the future holds, but if it comes from love, then it's gonna be great.

Thanks for reading.

[warping-realities]

Beautiful Things

Hey, everyone! This story is part of the Viral Transformation funfarre proposed by the one and only @occamstfs, in celebration of hitting 2K followers! Congrats, bro, you totally deserve it. He’s one of our top authors and never fails to bring the best stories.

Before I dive in, I gotta give you a heads-up that this is a story about corruption, where good people turn into the worst kind of folks. If that’s a sensitive topic for you, I’d recommend not moving forward. Trust me, in the original project, things were way worse, but after chatting with the MAN himself, who helped me with some edits, I softened the tone of the story a bit. If you’re interested in the original version, I can post it later, but this is the final cut.

That said, I hope you all enjoy it and join me in celebrating this awesome author!"

Alois was strolling mindlessly in the morning towards the student exchange center in Seattle, where a bunch of fresh-off-the-boat students from all over the world were gathering for the adaptation phase of their exchange semester. The eighteen-year-old Austrian was loving the experience of taking a gap year before diving back into his studies in Vienna, where he planned to become a doctor. As he walked down the busy street, on what should be the only sunny day of the year, he spotted one of those types he had seen around the city. They were all buff and tall, with wavy, well-groomed hair, and the big ol' mustache that defined them, giving off the vibe of some douchebag brotherhood or whatever. This one in particular was jamming out to music on headphones that looked straight outta the nineties, just like his outfit, which consisted of Levi’s jeans, a white tee, a dark jacket, and combat boots. The whole look cranked the douche factor up to eleven, making Alois's heart race a bit as a shiver of attraction ran through him. When the guy passed by Alois, he shot a look at the smaller red-headed man, dripped with arrogance while a smirk played at the corners of his lips, like he knew some secret that Alois was clueless about. To make things worse, the music blaring from his headphones was so loud that Alois couldn’t help but catch a snippet.

“Please, staaaayyyy…”

That stupid song again. At first, Alois thought it was kinda interesting, despite all the religious preaching in it, which rubbed the young atheist the wrong way. What he didn’t realize was that the singer was all about filming a lot of TikTok videos to promote his work, videos that inevitably flooded the social media feeds of a gay dude with an unfounded attraction to that type of guy. A type that seemed to be multiplying on the streets of Seattle every damn day. Sure, Benson Boone was from Monroe, just a few miles away, but still… Maybe he was looking at things from the wrong angle, maybe it was the singer who was cashing in on the style of the group he and his fellow exchange students had dubbed the Mustache Gang.

The fact is, after several months, the hype around the song should’ve died but apparently that was still far from happening. Trying to leave the discomfort aside Alois headed to the coffee shop that had quickly become his favorite spot during his short stay in the city. As he walked along, head down like most introverts do, he got lost in thought about what kind of work the exchange agency would hook him up with, until his daydreaming was interrupted when those familiar chords hit his ears again.

“I want you, I need you, oh God…”

But this time, someone had slapped a cheerful electronic beat onto the song, which not only butchered it but also made it even more annoying. Looking for the source of that cacophony, he lifted his head and glanced to the side. He could’ve sworn he saw a chubby dude coming his way, but now there was no sign of him, just another one of those big-mustached douchebags strutting around with the swag all of them seemed to have, along with the usual cocky grin. Dressed in a white tank that showed off his defined arms and hairy chest. There was no one else close to Alois on the street at that moment, which was a blessing, since his dick was starting to stir at that sight. But that also freaked him out. Where the hell did that damn music come from? Was he seriously imagining things now?

Distracted and worried about his sanity, he stepped into the coffee shop. At that moment, the place was almost empty; there was just an old dude, well past his prime, fiddling with his phone, looking like he was in a bad mood while he seemed to be listening to something that deeply disgusted him through the giant headphones he was wearing. Apparently, the use of those things was a trend around there.

Passing by the old guy, Alois headed to the counter and ordered his usual coffee with cream and sugar. As he made his way back to the exit, still freaking out about his mental state, disaster struck. Clumsy as ever, he tripped and faceplanted on the floor, coffee spilling everywhere and staining a good chunk of his clothes.

“Alois, du bist dumm…”

He said stunned in embarrassment, as he turned to the side, starting to get up. His view landed on black combat boots that ended in large calves covered in denim, leading up to thighs as thick as they come. But the old man was wearing a suit, no? Clearly not, since the Levi’s pants had been replaced by a black hoodie that concealed a massive chest, which the sleeves were stretched to the limit by powerful biceps. The grand torso gave way to a handsome face framed by wavy brown hair, and right in the center, the ever-present slick mustache that even the guy’s prescription glasses couldn’t diminish the douchebag effect. With his eyes closed and a focused expression, he didn’t even seem to notice what just happened right next to him.

But Alois couldn’t help but wonder, where the hell did that old guy go? While trying to figure out when the old dude left the shop and the Mustache Gang member took his spot at the table, the man seemed to wake up. Smiling and fixing his hair, he finally noticed that a kid was trying to get up from a puddle of coffee right next to him.

“Need a hand, little bro?” he asked, though not with a genuinely empathetic expression; on the contrary, the grin he shot at Alois did little to hide how much he found the situation hilarious.

“No, I’m good, thanks!” Alois replied, finishing getting up and bolting out of the shop as the guy burst into loud laughter behind him. Apparently, this dude wasn’t just rocking the look of a douchebag. Rushing to wipe the coffee off his hoodie, Alois continued his march to his destination. Luckily, no other mortifying events unfolded along the way. Upon entering the classroom, he passed by Charles, a French dude with long blonde hair and delicate features, who was checking something on his iPad while also rocking a pair of those old-school headphones. Not wanting to disturb his classmate, he didn’t say hi and headed further back in the room, where bis friends Arjun and Qian, hailing from India and Taiwan respectively, were hanging out. As he passed Charles, he heard that stylized version of Benson Boone’s song again.

“I found my mind, I'm feelin' sane

It's been a while, but I'm finding my faith…”

Apparently, he wasn’t going crazy after all. He quickly turned towards the source of the music only to find one of those big-mustached douchebags and no music font at all. But he could’ve sworn that… wasn’t there another person there? A kid with long, well-kept blonde hair? Well, his hair was definitely blonde and well-kept, just like the his mustache. Wearing a tank top that showed off his arms and staring at everyone in the room with an air of immense superiority that made Alois feel torn between attraction and disgust.

Resuming his path back to his friends, he discreetly adjusted his boner in his sweatpants while sitting down and trying to forget about that damn song.

“So, who’s the jerk sitting at the front of the class like he owns the place?”

“We’ve been wondering that too, man,” Arjun, the skinny Indian boy with long limbs replied.

“I guess we’ll find out soon enough,” continued Qian, who was more compact, as their teacher, Mr. Sizemore, spoke to the class.

“Guys, today I brought the manager of one of the establishments where you might work. Chuck works at a pub called Shooters; it’s an opportunity we typically offer to our students over twenty one. However, the place has expanded and now also has a Hookah Lounge, the Puff Palace. Although I must say the best option would be for no one here to inhale anything, this is still a decent job opportunity. Without further ado, here’s Mr. Chuck Morris.”

The guy smiled arrogantly before stretching and scratching his neck, causing the lightweight, almost see-through fabric of his tank top to expose his nipples, which didn’t seem to bother him at all. He took his sweet time getting up, like he was in some kind of private show.

But in Alois’s opinion, it would’ve been better if he had stayed seated and shut up, because the first words that came out of his mouth to the class raised a wave of utter dissatisfaction.

“Hey there, guys! Happy to finally leave your miserable countries behind and be in the greatest nation in the world?” The conversation didn’t get any better after that, and Alois was sure that whatever happened, he’d never set foot in that bar called Shooters.

After class, he was chatting animatedly with Arjun as they headed back to their dorm.

“I’d love to know what that illiterate would do if he knew he was talking to future doctors, engineers, journalists… while he’s gonna spend the rest of his life working in a bar serving people like him,” Alois commented.

“Probably nothing would change. People like him always think they’re superior just because of how they look and because they were born here in the States. Doesn’t matter if they live in a trailer and rely on government assistance.”

“True, ahhh, I want a coffee; I spilled mine all over this morning. Do you want one too?” Alois asked as they passed by his favorite coffee shop again.

“No, I’m good. I’ll go ahead; we’ll catch up later,” Arjun replied, continuing on while Alois entered the coffee shop. After carefully getting his to-go coffee to avoid a repeat of that morning’s fiasco, he turned and headed to the exit when he heard the synthetic chords again, accompanied by that familiar lyric.

“Don't take these beautiful things that I've got…”

This time, he saw where the sound was coming from—a Latino guy a bit older than him was listening through those giant headphones. Feeling sure he wasn’t losing it, Alois allowed himself to breathe a sigh of relief, only to get a major scare. In the blink of an eye, where the guy had been, now sat one of those big-mustached dudes, this one bigger and more muscular than the others, but with the same wavy hair and infamous mustache.

Alois was stunned, staring at the man, who in turn pointed a finger at him as if to assert something and gave him a smile that freaked the young guy out to his core.

Not knowing how to handle that situation, Alois bolted from the shop, trying to make sense of what he had seen. Still in shock, he entered the room he shared with Qian in the dorm, where his friend was sitting on his bed, fiddling with his phone, still dressed in the button-up shirt and khakis he wore to class.

“Dude, you won’t believe what just happened. You’re gonna think I’m crazy, but… I... I forgot... How bizarre, I'm sure it was important Qian! Qian? Is everything okay? Qian…? You good?” he asked, realizing his friend hadn’t heard a word he said, just to see his face contort and his eyes roll back as if he were convulsing, and then… puff. Right in front of him stood another member of the Mustache Gang, wavy hair, slick mustache, a chiseled face and a muscular body on display.

“You good??? Qian? Who the hell is Qian? I’m Ken, you foreigner dumbass.” Said the young man of Chinese descent, the irony of using that kind of comment not even crossing his arrogant and brutish mind. “You’re here only because I couldn’t score with an American ass. But a hole’s a hole…”

“I… what…?”

“You just accept a quick hookup on Grindr man, It's not that difficult. Gonna act all shy now? Here in America, that kind of behavior doesn’t fly. Either you do what you came to do or bounce, but then you'll miss out on all this,” the guy replied, flexing his powerful muscles while giving him an arrogant grin. Alois was thinking about where exactly he was and what he was doing there.

“So ginger, what's it gonna be?”

.....

When he got to the dorm for international students  after getting his ass wrecked by the massive schlong of his Grindr hookup, who he discovered was co-manager of Shooters and Puff Palace alongside Chuck —those two even shared an apartment above the pub—he hated himself for getting into that mess just for a quick lay. Yet, at the same time, it was the best fuck he’d ever had. As he stripped down and got ready to shower and wash off the sweat and sex smell from his body, the distinct ping of a Grindr message caught his attention. Opening the app, he found a new message from Ken Lee.

“Hey ginger I think you’re gonna like this.” Ignoring all common sense, thinking it might be a nude, he clicked the link the other guy sent along with the message. Strangely enough, it was a clip from a podcast where a young woman interviewed a flamboyant man, who was wearing a bright and flashy suit, both chatting animatedly. Everything about them screamed obnoxious  starting with their shrill voices that didn’t stop talking for a second. Losing interest and wondering why a guy like Ken would send that to him, Alois let the video play as he headed to the bathroom in the room he occupied alone in the dorm.

“… so, Benson Boone? He’s such a total hottie, girl!”

“Don’t even get me started, Yasmin! I melt for a guy like that! I’d do him in a heartbeat.”

“Me too, Nico! But with that whole Christian boy vibe, I’m not sure he’s got the moves.”

“Girl, it’s just marketing. A guy like that, with that body? And anyone rocking a mustache like that knows exactly what to do with a girl… or a man.”

“Nico you slut, I heard some rumors…”

“I know, girl! I wouldn’t doubt he’s hooked up with more than a few, after all, a man has his needs, and to a guy like him a hole’s a hole like my brother used to say”

“Oh, my brother always said the same thing. What’s going on that there aren’t any more men like him in America?”

“I’ll tell you, I don’t get it either. Everywhere I look, I only see snowflakes and wimps. They say they are our allies, but this talk about toxic masculinity has turned all of them into whiners. Of course I prefer not to be attacked in the street by a bunch of homophobes, but sometimes all we want is someone to fuck us senseless And no one does it like a good douchebag, and don't come to me with that talk that this is a white, cis man's thing, yada yada yada... all due respect to the cause, but we need more men like this hottie, not less. Real American men, who know what they want and make it happen, I don't care what they do with their lives as long as they fuck me right. So I vote for more douchebags, of all races, creeds and sexual orientations, sis!

“True, Nico! I wish I could make that happen…”

“Me too, girl, but how about we listen to his updated song while we wait for the real American men to come back?”

“Sure, girl, this version is way better and more danceable, perfect for a man to sweep me off my feet. Play it!”

Then, the chords that had been haunting Alois all day started playing, and he quickly turned on his way to the bathroom to stop the video—there’s no way he’d want to listen to that on his own.

“Mm. Please stay. I want you, I need you, oh God…”

As he turned towards the source of the sound, he froze, hearing it as a feeling of numbness invaded his head and took over his body, barely letting him take a step back before being flooded with memories and sensations that weren’t his. His childhood in Austria was being replaced by one  in Virginia, time spent studying swapped for sports practice, the memory of a skinny physique giving way to a powerful, muscular body, atheism giving way to worship at church every Sunday, even if he spent most of the time distracted, checking out the girls present. And speaking of girls, nights of sex, just banging them in the ass to keep his virginity intact, and when a girl refused, there was always a twink willing to step in. After all hole’s a hole. Then there was the end of school five years ago and the move to Seattle, working as a personal trainer during the day and a bartender at Shooters at night, the apartment shared with Chuck and Ken, and all the possible and imaginable orgies they had . He knew that, as a good Christian, he’d eventually have to give it all up, settle down, and start a family, but until then, the single life was too good to pass up, and he was gonna enjoy it. And even after he gets married if the desire arises, well a man has his needs and one thing he has learned is that no one is a better bottom than a slut boy desperate for a fuck.

“No… no… what the hell…. This can’t be real…” Alois grumbled as he tried to move towards the phone that he now knew had to be the source of this whole bizarre situation. However, with every step he took, his muscles expanded. His skinny chest exploded into slabs of meat that are now pecs, below his abs form into six brick-like blocks, and his arms and legs thicken to a considerable size. His hair grew longer in well-kept waves, and that infamous mustache sprouted and grew on a more masculine and angular face. At the same time, the room he was in transformed, and he found himself on the other side of the city, in the place he had just left a little over 40 minutes ago.

When he got to the phone, Allen adjusted it, fixing the camera angle. That video was gonna be perfect for his TikTok, especially with that new version of Benson Boone’s song, one he’d used in a bunch of other videos, but this remix version was fire.

Fixing his hair and flexing his powerful muscles, he smiled at the camera.

“Yo, what’s up, fam? Today’s heavy lifting day and a wild night at Shooters. If anyone’s interested in what I’m packing here, just swing by or hit up the link to my OnlyFans in the bio. Only for the grown folks, are you really gonna miss out on this?” he wrapped up, crossing his arms in front of his body and flashing one of those grins at the camera.

“Damn, that looks so good!” he said, posting the video on TikTok and heading towards the living room of the apartment he shared with Chuck and Ken, not even bothering to shower. He had a new client coming to the gym in the next hour, so why waste time on more than one shower? “Tonight’s gonna be lit for sure, guys,” he said, talking to his roommates.

“Are you talking about the Indian skinny boy who’s training with you?”

“Ugh, definitely not. Dudes like him are for when there are no other options. But it wouldn’t be a Friday night if Big Al didn’t get some real action.!” He said grabbing his cock and balls over his shorts, laughing. "I can't wait to get some ass." He concludes while shaking his huge cock out of his shorts and making everyone burst out laughing.

“We’re all gonna get some, man. Chuck’s been spreading the word in an exchange class; soon, it’ll be packed with foreign slutty chicks and twinks looking for an American dick, and we can bang them all we want, Red.” Said Ken with a mischievous grin.

"And God bless that! "Chuck added beside him with an identical smile, which was also mirrored on Allen's face.

...

Allen was sitting on a bench in front of the gym, waiting for his new student, a scrawny Indian dude from the exchange program named Arjun.

“You coming, bro?”

“Sorry, I’m on my way. Got held up.”

“So, meet me in the gym locker room so we don’t waste time. In the meantime, check this out,” Allen said, sending the link to Yas and Nico podcast, she was a hot babe even if she seems as dumb as a rock. Not that he cared much about that at all; she was hot, and that was good enough for him, and that Nico had a very fuckable butt. He didn’t even stop to think about why he was sending that video; it just felt like something he should do.

.....

While he was chilling on a bench in the gym locker room, mindlessly scrolling on his phone, he didn’t notice the transformation happening to his student right behind him. The skinny Arjun was rapidly inflating with muscles and attitude without Allen even realizing it. It was only when he looked up and saw a dude of Indian descent with silky hair and the infamous mustache, wearing nothing but gym shorts, casually scratching his powerful pecs.

“Art, you still haven’t finished getting dressed, you asshole? We gotta workout, take some pics of our pump for OnlyFans and hit the bar shift afterwards.”

“Chill, Al, I’m getting ready. It’s not like your muscles are gonna disappear because of a five minute delay in your workout.”

“Five minutes is already too much,” he replied, flexing his arms and smiling arrogantly. “Tonight, I want the max pump in these Beautiful Things I’ve got.”

[s1llydr3amscape]

LET ME OUT

Looks like someone failed the captcha test to many times!

Anyways I always wanted to doodle this specific pose from Toyless' animation why because I can :]

Extras under the cut :

This was the specific screenshot I based the pose off I love hands grabbing head!!! :

The original video ^ (I'll be real with yall I was shocked the original song was poppy playtime because my only experience with it was that all my baby cousins loved that franchise. And they would show me vids off it at family gatherings because I was the babysitter. One of em even debated me abt fnaf like chill out bro you weren't even born when it came out!!!!!)

Glitchtrap rambling time woohoo let's go!!!!

-I redrew em again because I think I'm almost 100% happy with its design!!!! Like I don't wanna change their face so much because the way his face is shaped is my fave!!! Like they have the same style of muzzle as sonic characters!!!!!! I just made it rounder cuz its their early days before this au lore

-I just wanna achieve the unnaturalness with their design. Like they don't belong here. They want to get out. LET HIM OUT. type vibe basically like that's why it has like those kind off teeth instead off the rabbit ones. They get those later in the au.

-I fucking love Glitchtrap so much you don't understand they're so peak!!!!!! I jokingly hate him because I despise what it did to Vanny.

-I was a fan since day 1 bro is just so unique like woah a non animatronic for a change?!?!? STRAIGHT UP A FURSUIT!??!?! Color me impressed!!! I love zooming on it its model and seeing everyy little detail!!! Like omg bro is crying and drooling on the suit!!!!! There's also a patch of uneven stitching pattern on the top of their head compared to their mostly symmetrical design!!!

-I was so fixated on em like my level of obsession for him was bad bad!!!! Like yeah it was still there when Vanny came around during the curse of Dreadbear DLC but you don't understand it surpassed all my Foxy art!!! The first fnaf character I fixated on!?!?? Like what and yall can ask my IRLS bro had lots n lots of art!!!!! I have so much trad art of glitchy it's embarassing!!! Atleast I improved tbh!!

-I just really really loved the fan animations were bro got to time travel to the older fnaf animations and fuck em up!!!! Causing them all to glitch out like hello PEAK!?!?!?! No im not biased to rabbit characters with whiskers shhhhh... SHHH...

-Because I know all those animations already and it's like omg omg OMG Glitchtrap kinda expanded my music taste imma be fr... Fnaf autism is so bad I omfg I only listened to fnaf songs and the only time I listened to other franchises songs is because someone animated fnaf over it... like yeah I was an animation meme kid but even then I only remember the lyrics and titles to songs if I saw fnaf on them (cringe!!!!) So yeah thank u Glitchtrap <33333

-I think Malhare is the cooler name but the Glitchtrap name is cool too because when the names end in trap like this it makes me think they're like warrior cats adjacent. So in this one they just fluctuate between either Malhare or Glitchtrap

-Also another reason he's my super fave is because my brain predicted it's gloop form!!!!

-Like no joke literally the same character I dreamt about during the early days before Princess Quest.

-Except mine was a shadow like the shadow animatronics. More wispy than gloopy. I think the reason I dreamt it was because Shadow Toy Chica and fan made shadow animatronics were getting popular!! But legit same character and colors!!!!!!!

-Just a big dark mass with purple eyes surrounding it like literally the same character my brain came up with and I'm just wow <3333 minus the fact my design had really big giant swirly white eyebrows

-However my Shadow Glitchtrap was kinda more wack to say the least. Like heheheh cuz Glitchtraps a fursuit there's no denying that I changed the dream design a bit. In my old Glitchtrap designs they'd have a zipper and so what would happen was they'd unzip and flip their insides into outsides to reveal the Shadow Glitchtrap thing which was hiding inside them.

-Like those plushies that you can unzip to reveal a different plushie design basically!!!!

-TBH I prefer Glooptrap because yeah!!!!! Amalgamation of hate let's go!!!!!! I think with how gloopy he is its just fun to draw I love the fact that the weird Glitchtrap blockers look like that it fits too much with my own preestablished AU lore.

-I feel like Glitchtrap turns into Glooptrap from like the seams of their suit. Like you see that each part the suit got stitched just turn black as black liquid pours out like ohhh that shit haunted!!!! Bursting outta the seams like oh this guy has no one inside they're all just black sludge!!!!

-In this AU specifically (The one with my millions of Vanny designs) is actually a spoof fnaf AU where everyone lives!!! Like I have 3 AUs technically one of them being the fnaf cast in my oc world where they become my ocs basically called Rabbit City. My other one which is my more serious canon adjacent fnaf AU where no silly stuff or shipping happens, and it's just more overall following my own formed understanding of the canonicity and the series of events with me trying to keep the animatronics more game accurate (I dont think ive posted any of that here due to me feeling like my style limits the nit and grit I wanna go with it). And this one I mainly post on here where everything is just silly and bends to my command and everyone lives because I love everyone <333333 Literally playing with my toys type AU where I do what I want which is why a million vanny designs are in this AU specifically. I usually tag it as this 🦭🩷🐇🐰🐇🐰🐇🐰🐯 because the original name of this au is self indulgent and I'm embarrassed but it's too iconic to change it.

-Glitchtrap in this AU is just much more goofy and silly infecting people like a zombie virus and possessing them for his own gain. Weird eldritch horror that came out of a fnaf fangame. Anything goes in this AU so if I wanna make Glitchtrap a mind controlling zombie warlock wizard so be it!!!! Sorry I love zombies soo much you will have to take this trope out of my cold dead hands!!!!! I love rot!!!

-That's why it's wrinkly because they too me are like a rotten banana (Even though his associated smell to me is lemongrass). Imagine squeezing a banana still with it's skin on. That's how I imagine bro turns into glooptrap if they didn't open the zipper in time. Also because I love the design trope of rotting and withering sue me. I love when the flesh sags across the body. Wrinkles are great bro theyre so real!!!!! Also because back then people kept drawing him as skinny as a twig??? Even though they have fat??? So I made them fatter mostly because like I love the gloop part of it hiding inside <3333

-They're more green pink and purple because imma be real my fave color combo ever <33333

-I wanna do an xray piece with them soon to show their insides but I'm still uncertain if I have the art prowess to concoct it exactly like how I envision it yet. Like I need to squash and scretch them more. They need to look more decrepit and horrible!!!!! something like the unknown from dbd!!!!

-They can't actually emote properly stuck in a permanent smile

-Glithctrap and Vanny’s dynamic is like Lord Hater and Commander Peepers in this one. There's more character adjacent to the dynamic between them concocted in my head but I wanna draw a comic abt it :]

-Like yeah one second they're besties and the next they're at each other's throats ready to strangle eachother. Vanny reluctantly trying to help him at first like how she was first called.

-Oh also in this specific AU Glitchtrap isn't connected to William in the slightest more just it's own thing!!!!

-He's like an AI that wants to be human. It believes it is human. They've mimicked people too much that they don't know what they are anymore. Or what it wants anymore. What do they want.

[ericshoney]

Mini Matt in the vlog ~ Sturniolo Triplets

Today, you had agreed to take part in a Friday car video. You originally thought this would have been a good idea, since you loved hanging out with the guys and having a good laugh whilst filming with them, the random topics taking your interest.

However, you hadn't slept the best, resulting in being slightly grumpy. You woke up in Matt's bed, taking shelter there after waking up a couple times during the night. You glanced at your phone to see it was nearly two in the afternoon.

"Yo! Kid, you awake!" You heard Chris shout, as the bedroom door flew open.

"Mhmm." You grumbled, looking over at him.

"Wake up! We had a change of plan, we're going to do a vlog today!" He exclaimed, tugging the covers off you.

"Alright." You said, getting up.

Chris smiled as he trudged out the bedroom again. You picked some clothes before heading to the shower. The hot water relaxes your muscles.

Once you had got dressed, you went to the kitchen to see the trio sat at the table. Chris was rambling on about something, as Matt ate what would be his breakfast and Nick silently listened.

"Morning kid." Matt called softly, seeing you walk over.

You waved as you went to the fridge and got some yogurt to eat, before sitting down next to Nick.

"Someone's not chatty this morning." He teased, pushing your shoulder gently. You gave the eldest triplet a side eye before eating your breakfast.

Once you had finished, Nick started to vlog. He introduced it as a surprise vlog, as it wasn't a usual car video and proceed to ask the fans what they preferred.

"We also have our special guest today! Say hi to the vlog~" Nick sang, pointing the camera at you.

"Hi." You shortly replied.

"She's not very talkative this morning. Mini Matt is awake though and she's coming along for the ride!" Nick shouted.

You rolled your eyes as you all headed to the car, Matt saying he needed to get gas before anything else. You got in the back alongside Nick as usual and Chris started to play his usual music.

"Dude, what the fuck is wrong with people these days." Matt grumbled, talking about the car in front of him that suddenly kept braking for no apparent reason.

"Idiots." You muttered, making Nick laugh from besides you.

After a while, you soon arrived. Matt started to fill the car up as you went inside, Chris vlogging and Nick talking away. You walked off slightly to grab some sweets, seeing they had your favourites.

"Hey kid! Look!" Chris shouted over to you.

You looked up and saw him holding some other sweets you liked. You gave him a nod, letting him know you wanted them. He smiled as he continued to vlog.

"Our next stop is pizza!" Nick cheered once you were all back in the car.

Matt began driving again as Chris started to eat some taffy he bought. It didn't bother you that much, however his chewing was suddenly louder than normal.

"Chris can you chew like fucking quietly." You said, making him laugh.

"It's taffy, bub. Kinda hard to chew it quietly." He stated.

"No it's you fucking mouth. Learn how to chew, bud." Matt responded.

"And the Mattitude and Mini Mattitude is out! Stay tuned to see much more in the rest of the vlog~" Nick said, making you shake your head and roll your eyes.

You knew it was going to be a long day. You loved the guys, but if Chris was going to continue chewing loudly, he'd probably have pizza all over his face.

[sheyfu]

"i love you."

"what do you want? a massage? food? money? orrrr do you have a fever right now, dan heng?" you place a hand on his forehead, trying to find out if he actually does have a fever or just really sleep deprived.

it's not everyday dan heng acts like this. heck, it's even weirder as you two haven't even gotten to that kind of relationship.

"your skin is cool, and you don't seem to need anything other than, uhm.. sleep?" scratching your head, you look at him dumbfoundedly, trying to find out what the hell was happening to dan heng.

"i love you." cold dragon young says with more conviction as he stakes a step closer to you.

now that's suspicious.

"uhmmmm.. are you really sure you're okay?" worriedly, you place your hand on his forehead again, double checking to see if he was actually okay. "dan heng, please tell me if you're not feeling well-"

"i love you. i love you so much i can't even take it. every time i see you, my heart skips a beat, my breath gets caught in my throat, my hands start shaking like some fucking washing machine. you're so beautiful. too beautiful to the point that i want to throw myself out of the express because my brain goes into overdrive like 'bazinga'. i love you so much. i love you so very much to the point where i want to give everything up just to take care of you. i want to give you flowers, i want to hug you, kiss you, dance in the rain with you-"

"okay, cut! what the hell was that, dan heng? i thought we were supposed to film an introductory video for the belobog music festival and not a confession video??" a confused march 7th asks in the distance---a deep, scarlet blush coating her cheeks as she processes what the fuck just happened.

"hmm. how romantic." welt yang nods his head in approval. clearly proud of his (son) friend.

"i never knew you could be this sappy, dan heng~" himeko lets out a giggle, clearly amused with his spontaneous confession.

"sigh" a tired pom-pom expresses, head low as they walk back to the conductor’s carriage.

"did pom-pom just say 'sigh' and then actually sighed?"

"not a word, trash bomb man!"

"damn pom-pom. what did i do to you?!" caelus drops to his knees as he bangs on the floor. crocodile tears flowing from his eyes as he takes in the "betrayal" of their dear conductor.

"a- anyways.. let's do this again, shall we? by again, i mean introducing yourselves and.. a- and not.. confessing?" letting out a nervous chuckle, march sets up her camera, preparing to take another shot.

meanwhile, both of you and dan heng are left to bask in each other's embarrassment.

"soooooo" you let out a nervous chuckle. "was that, you know, uhh, part of the script? did march give you the wrong script to mess with you?" looking at his face for answers, you're left disappointed as the same, uninterested expression stays on his face.

after a few moments of awkward silence, march finally calls out your attention.

thank god, march! if it weren't for you, i would've already called [omi] to swallow me whole!

"get ready! remember, an introduction video. have some decorum! we can't let the whole of jarilo-vi catch us lacking~ anyways, on the count of three. one, two-"

"i mean it by the way." dan heng cooly says as he returns back to his original position.

"three!"

"WHAT?!"

"hey! i thought i said decorum!"

well, having no decorum is better than accidentally confessing to your crush in front of your (parents) coworkers anyway. right, dan heng?

[omi] - part of mother yn's kit; a void she can summon to eat her enemies up (kinda looks like ix and is very cutesy pie mhm)

[mauesartetc]

Redesigning Helluva Beelzebub

Hoo boy, roll up the sleeves for this one.

The Original

In my review of Helluva Boss 108, I mentioned that Beelzebub's character design put me in mind of how some DeviantArt kid's fursona might look. And... Yeah I stand by that statement. The most likely reason I can figure Viv Medrano wanted her to be dog-like was to make a reference to her Die Young music video, which featured an anthro wolf singing a Kesha song (for context, Kesha herself voiced Beelzebub and co-wrote a song for this episode).

But for those who are unaware, Beelzebub's traditional depiction looks nothing like this.

Really the only visual similarities the Helluva version shares with the Infernal Dictionary version are the insect wings, six limbs, and the crown thingy over the head. (At least I think that's a crown-? Kinda hard to tell on both counts.)

Bee's eyes get somewhat more insectoid later in the episode, but that feels like a cop-out. Wow, her eyes and colors changed. Totally a bug demon, right?

They had the same problem in Hazbin Hotel with Katie Killjoy, who's allegedly supposed to be a praying mantis but barely resembles one, even after her transformation.

I understand the desire for fresh takes on old figures, and taking creative liberties so the new interpretation doesn't feel generic. But the changes should at least make sense. By now it's pretty clear Viv couldn't care less about representing Ars Goetia demons faithfully, as demonstrated with Paimon, Andrealphus, and now Beelzebub. You could slap completely different names on these characters and it wouldn't change a thing. I posted this meme a while back but it's never been more relevant:

On top of that, what reason could there possibly be for the design to be this damn complex? Why did she need so many markings on her face? Why did she need so many layers of hair? Why did she need flowing goo for her hair, tail, and body, each requiring dedicated effects animation?

When it comes to a hand-drawn production, less is more. Any superfluous details on a character just make unnecessary work for the animators.

Anyway, here's what Viv has to say about it.

Alright, I'll admit: The lava lamp bit is a little clever. Basically it works as a regular stomach does, but on demonic steroids. But it wouldn't look so much like Viv's making this up as she goes if we'd seen Bee's stomach performing its intended function in the episode. Let her chow down on a giant piece of food (maybe that cotton candy she's been handing out-?) and swallow it, and let Loona (and the audience) see it dissolving in her transparent belly. As a general rule, if it's not shown or explained in the work itself, it's not canon. Like I've said before, Viv: Elaborate on the nuances in the story you're telling, not on social media.

Also, "Her ears are designed after beehives"? Wh...Wha? Ma'am have you ever seen a beehive.

(Hell, even if you told me the ears were inspired by the generic cartoon beehive we're all familiar with, I wouldn't have guessed. There's a difference between being subtle and being vague.)

I can kinda see it in the overall shape, but that's a very specific design inspiration that wasn't clear at all in the design itself. Same with the "animal trainer" thing: I never would have picked up on that if Viv hadn't pointed it out. If a character design doesn't visually convey all the necessary information, it's not a successful design. Show, don't tell. There's a communication breakdown between what Viv's telling us and what Bee's design shows us.

(It's possible she actually meant "Her ears are designed after honeycombs", but even then, each compartment has a specific pentagonal shape that's not coming across at all here.)

I also find it interesting that Bee and Loona have almost the exact same body type. Of course Viv's pretty infamous for samebody syndrome, but it's actually unnerving how similar these two are.

Might this be a reference to Vortex's "type"? Is this foreshadowing a relationship with Loona? Am I overthinking this? Yeah, probably. Viv's demonstrated a clear preference for tall, skinny body types over the years, so it's safer to assume that's the explanation. It's all aesthetics. It ain't that deep. Occam's Razor and all that.

Finally, Bee how the hell does your shirt work.

The Concept

So at this point it seems most logical to lean into the "bee" thing for the redesign, and scrap all the canine elements. As for the blobby hair and tail... yeeeah let's nix those too. We're going for a streamlined version that's easier to animate. And because I ignored the ringmaster look for my redesign of Asmodeus, it only makes sense to do the same for Bee's animal trainer vibe (what little there is) for the sake of consistency. I know this version of Hell has a circus theme with its highest-ranking demons, but there's never been an in-universe explanation for why that is.

Let's look at actual bees, then. A quick peek at Google has informed me that certain insect species have smaller, "simple" eyes (also known as ocelli), in addition to their compound eyes. In bees, this manifests as a triangular grouping of three beady eyes on top of the head.

In her Helluva Boss episode, Bee's full demon form has three eyes, which could be a reference to this triangular arrangement, plus her regular form has two spots on her forehead in addition to the third eye. So it's possible Viv actually did research for something. Pleasantly surprised on that front.

Next, the body. I've noticed that some folks find Bee's skinny body type refreshing, as the sin of gluttony is too often personified with fatness. And that's fair. That's valid. But consider this:

Imagine any Vivziepop character saying that about a chubby person. Imagine the series sending the message that fat people can be sexy too, and that they have worth outside of their appearance, enough for at least one character to consider them girlfriend material. That they're valued and appreciated regardless of this culture's beauty standards (which we know nothing about since the worldbuilding is as thin and flimsy as tissue paper, but whatever). Imagine if this show finally had a fat female character who wasn't relegated to the background. Don't know about y'all, but that would be refreshing to me. And when you take into account all the fat-shaming of a character who isn't even fat, portraying a fat character as attractive would be a nice change of pace for this show.

Now let's talk about clothing. In the episode, Bee's clothes show off a lot of her body, with a cutout crop top and short shorts. We can take a similar approach for the redesign (something that still shows off her chest, belly, and limbs, in keeping with the extroverted "party girl" persona), but that perhaps includes more queenly elements.

The Redesign

Because this is a redesign, many elements were already in place, but I still had to figure out how this character would look as a bee. Here's where the preliminary sketches came in. Lots of trial and error in this process.

Wrestling with this character's face got a lot easier once I realized I could mold it into a pentagonal shape akin to a honeycomb compartment. It took a few tries, but at last, I had a final sketch.

All that was left to do was test out some color combinations.

I tried a few different approaches, but in the end, this is the version I felt worked best.

I used many of the colors from the original, but pushed the orange much harder since orange is the symbolic color of gluttony as a sin. And overall it gives Bee a nice honey-ish look rather than the generic black and yellow we already see on so many bees in cartoons. I thought the colored outlines on her clothing would add a soft, feminine touch, as well.

And just for kicks, here's a quick sketch of her giant form, inspired by the Infernal Dictionary drawing of Beelzebub.

Conclusion

The canon version of this character exists in the form she does for no reason than to stroke her creator's ego. "Hey guys, remember when I animated that Kesha fan video? Remember how cool that was? Wanna see me foist this unnecessarily-complex character design on other animators while I take a victory lap?" I wouldn't mind so much if Viv animated any of this herself, but she didn't. I could almost excuse this if she had no animation experience and didn't know how much work it requires, but she does. The self-aggrandizing entitlement is just off the charts. But a nonsensical design is leagues better than a stolen one, so... brownie points for that, I guess.

[sarcasticassian]

Corroded Coffin’s label want them to do a Christmas song, Chrissy (their manager) tells them over and over that it’s not gonna fly, it’s really not the band’s brand and who is even asking for a Christmas song off them but due to the recent mainstream success of the band the label is not backing down so Chrissy tells the guys what the situation is thinking she’s going to have to deal with an unhappy label and unhappy talent, she immediately lets them know that she’ll try and negotiate a cover or something that they can whip up in no time and then forget about 

but they all surprise her, Eddie the most, Jeff just had a kid with his wife and he’s in good spirits, Grant is married and Gareth has a long term girlfriend so she can maybe understand their tolerance for Christmas but Eddie? Mr anti establishment and hates all things capitalistic etc etc, he LOVES Christmas apparently, he says its about the spirit, people’s giving nature etc also he loves watching people get into physical fights over presents and families tearing into each other over the holidays, it’s kinda funny as an outsider and as someone who has one other family member 

so they put their heads together and even out do what she’s asking by giving her two original songs and a couple of covers, enough for an EP, the label is ecstatic and Chrissy is flabbergasted, the only hitch is that before they record properly Eddie needs a choir of kids (why, Eddie? it’s part of the Christmas spirit Chris, so many songs have them as well, why can’t ours) so to make it interesting the label makes it a competition for local school choirs and a certain Miss Buckley decides to send in a tape because why not right?

except Eddie loves them, the tape doesn’t cut off in time to miss a snarky comment from the kid at the front with the curly hair and the redhead next to him rolls her eyes so hard Eddie is pretty sure she can see the back of her head and he’s charmed, they sound good too so he begs the band to pick them and the other guys really aren’t as invested in this so they say go for it

Robin is over the moon that her choir got chosen, she’s a music teacher at a local middle school where her bestie also teaches history and is beloved by all children apparently, and it helps that the prize is tickets to a Christmas concert Corroded Coffin will be a part of for all the kids so she tells them that world famous band Corroded Coffin is coming to their school to record them for a new song and they go nuts as a bunch of 14 year olds would, Steve is happy for her even though he has no idea who these people are and doesn’t bother looking them up cause what kinda band comes to a random school for a recording of their song

Eddie LOVES the kids when he arrives, they’re delightfully bitchy but obedient enough or respect Robin enough that they listen to both her and him all day and they sound great, he enjoys them so much in fact that he asks if they’d all want to be in the music video, Steve is out sick that day much to everybody’s dismay but once the video shoot is all worked out they need another teacher for health and safety etc so he volunteers to go (not that Robin would’ve given him a choice) and he sees Eddie covered in flakes of fake snow, surrounded by this soft halo of light and is like oh dear when his heart starts pumping double time

Eddie thinks this teacher is a total cutie and all the kids seem to love him, clamouring to point out cool things on set or show him their costumes or just chat to him about their other weekend plans and Eddie is a little smitten, the shoot goes on and the song is about being lonely at Christmas, the other guys’ partners are involved and the original idea was for Eddie to remain alone to really drive in the point (who doesn’t love a sad Christmas song, of course Eddie would write something against the grain) but the label has a sudden change of heart and wants the video to end with Eddie finding someone and Chrissy seizes her chance to play matchmaker so she suggests Steve fills in if he wants before Eddie can protest

Steve is a slightly confused about why they’d pick him until Eddie blurts out that he’s gay and out etc so a guy would make more sense to their fans so Steve, caught up in the moment, says sure why not, and half falls in love with Eddie under the fake snowfall and horribly bright set lights, he knows it’s an act but Eddie is very charming (Eddie isn’t acting) and all their actual audio will be cut because of the song playing over the top so Steve just enjoys himself

when the song and video goes live fans lose it, who is this cute, cute man that Eddie has bagged, it must be his boyfriend right because everybody else’s partner is in the video and Eddie has to quickly clarify that he just met Steve that day but nobody believes him, ‘the chemistry is too good’ so Eddie manages to reach out to Steve and apologise and Steve decides to joke that Eddie should take him for a drink to make up for it but Eddie immediately agrees and that’s how Steve finds himself on a date with a rockstar

(his class go wild after Christmas break and they hear from Miss Buckley about Mr Harrington’s new boyfriend)

(they go wilder when Steve spills in return that Robin has been seeing Chrissy-the-band-manager since the recording at the school back in October)

[two-dolla-bills]

Top 10 mechanisms songs that you can get away with playing at a retailers without too many side eyes

I got a job in retail and I felt inspired lol

Disclaimer: this is not a list of the best mechanisms songs/the ones I think deserve to go "mainstream", they're just the ones that would blend in the best

1. Sirens

This song is probably the mechanisms' least "centered" song. It doesn't mention any characters, it has no narration, and out of context it just sounds like A Song that you might hear on the radio. Sirens is to the mechanisms as you're the one that I want is to grease, you know?

2. Trial by song

THIS one. It's in the same category to me as Sirens; you can listen to it by itself and not suspect much. Unlike Sirens which can be completely separated and still make sense, this one is more like a whole new world from Aladdin. There are parts that make it obvious that it's from a larger whole, but if you just so happen to catch the "safe" parts you won't suspect much.

Points were deducted due to Mr. Soldier's unique vocals. (Unique as in not very common in mainstream music)

3. Empty trail

This is no offense to Dr. La Cognizzi, but sometimes when she sings it's hard to make out what she's saying, which works in her favor in these circumstances. It sounds country/rock, which help it blend in with some dad rock songs. If I remember correctly, the melody was actually taken from a Led Zeppelin song, so if you aren't paying attention to what's ACTUALLY being said you can get away with claiming it's a cover.

4. Ties that bind

Although this one does mention many plot points, many fans have stated that they had no idea what the fuck was being said until the have looked for the lyrics (myself included) this, combined with it's jazzy rythm, make it able to blend in with other songs, similarly to empty trail

5. Odin

The most "normal" song out of the entirety of The Bifrost Incident. This song made it to the top five because it has similarities with Roam by the B-52's, but had points deducted due to it clearly being about an awesome space train

6. Lost in the cosmos

This might just be personal opinion, but it sounds like a church song. You can pull off the effect of it being about earth Jesus and not space robot Jesus if you have particularly bad quality speakers and a busy store w/lots of noise. Again, the lyrics kinda give it away as to not being entirely main stream

7. Stranger

Look it's a banger, ok? Many of the lyrics could be taken as just being metaphors, but I feel like you have to squint to "see" it. Pay too much attention and shit gets a little weird. Also, points deducted because it's two men singing together and not a man and a woman, which throws a wrench into the works. At kohl's it might raise some eyebrows but in like hot topic it'll blend in a little better

8. Redeath

You would think a song about a sphoenix (space phoenix) would be lower on the list but you'd be wrong. It's a really pretty song with a good original melody, and it's something that can be drowned out by a particularly rowdy crowd. Like Stranger, it would blend in better at a hot topic than at kohl's, but only slightly.

9. Elysian Fields

The melody in Elysian Fields is taken directly from the song wayfaring stranger, which has been coverd by Jonny Cash, Ed Sheeran, Poor Man's Poison, and The Longest Johns, AS WELL HAS having been featured in the movie 1917 and in the video game The Last of Us II, which make it very recognizable. Because of this recognizability, people who know the original song may be caught off guard by hearing it in a Walmart with completely different lyrics. It was originally in 7th place, but the popularity of the original takes off many points

10. Once and future king

It's a banger, don't get me wrong, but it also very heavily and clearly mentions plot points from the album, which itself is heavily base on Aurtharian mythology; something very well known in the western world (also the names are not common at all and most haven't been in fashion in centuries). In a crowded, busy space with not very good quality speakers it could potentially blend in, but one or two names might sneak out. The only reason it's on the list is because of the instrumental outro, which sounds normal enough

[mielwriting]

My thoughts on the 5.0 livestream

Disappointed Mavuika appears to be another pyro claymore. Was really hoping for a 5 star pyro sword. Would also help make connections to Bennett, since he's the only other pyro sword.

Props to those who predicted Il Capitano would be a cryo user!

Also props to whoever predicted the Archon Quests would follow the pattern shown in the Mond prologue: that is, first we learn about the Abyss Order as enemies, then we focus on the Fatui for a while, then the Abyss Order comes back into focus closer to the final showdown. It seems they’re getting a much bigger focus in the Natlan archon quest!

Also, wow, so we already know Natlan and Mondstadt have weird connections - Now we know they have another one: Natlan and Mondstadt are the only 2 nations the Abyss Order is interested in. 

Hey look a pale npc with dreadlocks

Love the greater focus on the Mandarin language! Very nice for a learner

Furina wasn’t biologically an archon, so her hair didn’t glow - she had that glowy fabric in the back of her outfit to kinda hide that. Mavuika is a really nice contrast - her entire head of hair glows very bright! Not just the tips like previous archons

Was noticeable how they reframed the player feedback: “everyone’s very interested in our inspirations for Natlan” as a corporate translation of everyone’s anger over the whitewashing and Spirit Halloween-ifying

Still disappointed in the pyro archon’s leather biker suit

Someone more familiar with Genshin’s music look into this - but around 34:10 when they started answering the question “will someone be resurrected” does the music resemble more the music from La Signora’s funeral video?

Wonder about the original Mandarin titles for the Archon Quest acts - Because “Flowers Resplendent on the Sun-Scorched Sojourn” sounds so cool - and then Act 2 is “Black Stone under a White Stone”. It’s just comically simple compared to the big words that are usually in genshin titles

Also really interested in the Ancient Names thing. I’m almost certain it’s something taken from a real-life culture, and should really research more into that. 

Did I understand that right? They’re gonna give us Kachina for free, just like we got Amber and Kaeya and Lisa back in Mondstadt? 

All 3 of the new 5.0 characters mark regional specialties, and also have additional exploration benefits!

Wow you can really see the effect that Wuthering Waves had on Genshin

And Test Run finally lets you test out the effects of the characters in an open-world environment!

Traveler will not get the pyro element this update - but it sounds like that’s a possibility for once the Archon Quest has finished?

So I noticed that the 2 new Geo characters we’ll get - Kachina  and the tall lady - both come from the same tribe - the one associated with rocks and such. Makes me wonder if it’s possible to even get a vision that doesn’t correspond to your tribe’s element. 

Really seems like the cultural elements here are more simplified “everyone in this tribe loves music” “everyone in this tribe loves extreme sports” “everyone in this tribe loves mining” where’s the complexity. 

I shall add capybaras to my teapot!

Yay another Dodoco event! I really enjoyed the one last year

They’re also giving out extra rewards for completing archon and story quests within the 6 week release - including giving us a lot of the ascension materials to get to level 60!

Did find it funny when one guy was explaining all the new benefits and the other is like, “wait, this is Genshin Impact? All this cool stuff is in Genshin Impact?” Like yeah Wuthering Waves bred innovation!

FREE STANDARD FIVE STAR EVERY YEAR

I already have Tighnari, Dehya, and Keqing. I don’t really want any of their constellations, so my choice is between Qiqi, Mona, Jean, and Diluc. I don’t want Qiqi, and I don’t need Mona since I already have Furina. It’s down to Jean or Diluc. Jean’s ability to push people away looks really fun, and I can certainly think of places where I would’ve loved to have that skill. However, I have wanted Diluc since the very first time we played him in that trial run during the Mond archon quest. I also already have Kaeya, Rosaria, and Venti, so completing the Angel’s Share team would be cool. My only hesitation is that his gameplay will probably be outdone by Mavuika. But leaks have said she might not release til January, when I was expecting her in November (however leaks also said Emilie was part of Hexenzirkel they aren’t always right).

Love that Oratrice Mechanique d’Analyse Cardinale made it into the stream

BEFORE Khoi Dao repeated that phrase, I did not know he spoke French. But I could hear his actual good French-speaking accent when he said it, and turns out he does indeed speak it! Cool!

Yippee!

Zach Aguilar and Khoi Dao are a great comedic duo

LOVE to hear Brittany Lauda talk about relating to her character, Chiori, for both being seen as intimidating - I specifically relate to Chiori for her basic facial expressions, her bluntness, her acceptance of her quirks, and difficulty making friends because of those traits. Just really glad to hear I’m not the only one. 

The English voice actor for Lumine actually has a twin brother?! 

Amber Lee Conners appeared at the end of the stream, so this is a good place to say how AMAZING her voice acting as Furina is. Just listening to her voice lines and hearing the difference between her acting confident and her actual, recovering-from-depression self is a clear display of talent. Always a treat to listen to. 

Jenny Yokobori (Yoimiya VA) having worked as a pyrotechnician! Cool! 

And her sharing the bond with her character for their dads. So sweet.

Let Erika Harlacher-Stone sing as Venti more!

The Clorinda VA Crystal Lee also loves Tabletop Games!

[calissarowan]

So the reboot trailer…

First off, I was so excited to see this, and secondly, the wizards were not in it. I’m becoming more and more convinced that they have been scrapped and I will have to have a long, disappointed cry. But onto happier, more cgi things! *activates nostalgic Winx music to write to*

Bloom on a bike, as happy as can be, wherever you are going, Bloom, please wait for me! (Personal reference, if anyone gets that, I will probably have a little squeak of joy.) I honestly like that she’s still got her bike, just like the original. Her top is cute, too, more OG Bloom than Nick Bloom, which I like.

Flora and Stella are fighting this guy, and already, I’m sad. He’s fine, I guess, but…he doesn’t have half the personality of Knut. Knut had overalls, and glasses, and a bunch of ghoulies, and this just feels very generic.

Bloom takes him out, but it doesn’t seem to have a dragon, just fire, and she’s just standing there, frozen, like Ogron whenever anything remotely dangerous happens. It lacks the drama of the OG, where she gets grabbed and unleashes a while dragon made of fire, which was badass and hit really hard.

Flora’s here. Which, I love her, but this is Bloom and Stella’s special time. Also, they were looking for Bloom. Looking for her. This is meant to be an accident. (Or meet cute, if you happen to ship.) The wings look weird, honestly, like they’re made of plastic on dolls, and Stella looks odd. Flora looks pretty, as always, I like the outfit, but do I love it as much as her original fairy form? No, not sure I do.

Just, let’s take a moment to note this other presumable base level fairy, shall we? She looks way more like the original, but the fact that she, also presumably a student at Alfea, looks so basic next to the Winx, gives me the feeling that the Winx are just going to be special and powerful for no real reason. Which…I don’t love, in the OG they were just normal people that wound up fighting evil, they’re not the chosen ones. (Except in my Halloween fanfic I’m writing where they unknowingly are, but that’s beside the point.) But this is a nice fairy form, and frankly, I’d love the Winx’s to look more like this, their forms are more detailed than Enchantix already.

I do like these outfits, they’re nice, and probably more appropriate for high school students than their adventure outfits from season one. I actually do like that they have their hair up, that’s a thing for me, because trust me, if I’m adventuring, first thing I’m doing is putting my hair back. It gets in my face when I’m eating breakfast, long, loose hair is a hazard in adventuring. Also, love Tecna’s little pose here. That’s cute. And also one of only two appearances for her in the trailer. She and Musa are tied for least relevant.

No. Just no. I’m sorry, I just…I hate this. I’m trying not to be negative, but this is just wrong. This is not Faragonda. Faragonda wears blue. And looks different. This just jars for me, but it’s not a bad design, I guess, so think what you like.

I just took this screenshot because the video paused on it and I thought it was funny. Looks like Bloom going back to Earth, and also, like high school, so maybe we’ll see more of her human life, which, I guess is cool? I don’t think I ever felt much pull for that. I want to see her at Alfea. But she looks so cute and dramatic, jumping out of a hole in the air! And I do like her outfit. It’s actually cute, and she has her flares again, and the pink isn’t excessive.

Stella has a sceptre! It’s not as kickass as her original, but she’s got one! Which I love, because I miss the old one. It vanished, then cameoed one last time to get eaten by Shiny. She’s still sticking with that outfit too, I see. Hooray…it’s not as bad as I keep looking at it, I guess, when you cut out the skirt, but still. And I kinda miss her fringe here. Also, her spell name is ‘Burning Sun’. I…I feel like it could have been more creative. Even ‘Rising Sun’ sounds better. Or ‘Solar Blaze’. I just like them better. Or bring back ‘Solar Wind’.

YES! YES, THIS IS WHAT I AM TALKING ABOUT! Beautiful, beautiful women! And it looks like they’re not triplets in the reboot, because the skin tone redesigns I’ve seen so many people use are actually canon now, which honestly, I love. They look beautiful. If Riven x Darcy is a thing in this reboot, then lucky, lucky Riven. I like that the outfits aren’t too different from their originals, just redesigned a bit. It’s perfect, and I wish the Winx had stayed truer to their OG fairy forms. I think, for the first time, I get why people have posts saying that the Trix were their bisexual awakening, I get that with this picture.

Sorry for the dreadful quality, Sky just wasn’t feeling photogenic. We still have our guys! Tiny Riven up there if anyone can see…their ship is still the iconic red, and they now have hoverboards! Gotta be honest, I sort of miss the original uniforms. They were so impractical, but they were iconic and these look…well, cool, and I like that they’re sci-fi, but I miss the capes, I’m sorry. Even after watching Duman pick up and grab them by the capes, I miss them. (Also, it’s agreed now that if the wizards don’t show up, any background character or creature with pink hair is just Duman in disguise. This is canon now, who’s with me?)

We’re keeping, ‘Just Winx!’ Which I like, it’s a really cute scene. I like Bloom having a notebook, it’s cute, she feels like she should have one. I like characters that have a notebook or journal for all their thoughts and doodles.

Speaking of the notebook, it’s so cute! But I’m so scared this is all the Kiko we’re getting, and if it is, I mourn him even more than the wizards! He was so cute, and if Bloom doesn’t have a tiny, implausible bunny sidekick, I will be sad. Also, does Bloom have a smartwatch? Is that a good idea? What if the Trix can track her through it? I guess Tecna could prevent that. The details on her jeans are cute, I like them. And there’s that iconic hand pose! I don’t know what it’s for or why it exists, but I love it!

And that’s all from me for today on the reboot! So far, no wizards spotted, but I’ll survive somehow. We’ll see how they handle the Trix, only then will we know whether we can trust the reboot to handle the wizards. If the Trix get backstories and personality, then I will campaign for the wizards to be there. If not, if they’re cardboard soup, then I will protect the wizards from the madness as much as possible.

So what were your thoughts on the new trailer? Are you excited? Or clinging to the OG and refusing to acknowledge the reboot?

[jokeroutsubs]

🎈🍰Nace Birthday Special🍰🎈 ENG SUB: JokerOutSubs x RADIOaktivno collab: 'Demoni' Album Presentation

Audio + CC link: https://youtu.be/4plC7TteUGw

We are once again very happy to have been able to collaborate with Boštjan Najžar from RADIOaktivno podcast (Facebook, YouTube), with whom we already worked for 'Umazane misli' subtitles. He very kindly reuploaded the deleted Demoni album presentation video on YouTube and we were able to provide subtitles for it!

Below you can find the transcription of our translation of the interview, which originally aired on 23.11.2021, on Radio Prlek/RADIOAktivno YouTube channel.

Cr: Translation by drumbeat, @varianestoroff, and another member of JOS. Proof read by TWT klamstrakur, Anastasia and @flowerlotus8

Transcript 👇

Everyone: We are Joker Out.

Bojan: And you're listening to Radioaktivno.

Host: 'Katrina' by Joker Out, all the members are with me today on Radioaktivno. New member Nace, Kris, Jure, Bojan and Jan. Hi!

Nace: Hello!

Kris: Hi, greetings.

Jure: Hi, hi.

Bojan: Good morning.

Jan: Same… also from me.

Well, even though it's already evening, I see your days are short or they turn immediately into mornings.

Jan: Yes, we usually wake up at 8pm, and stay awake for two days, and then we go to sleep.

Isn't 8pm already the end of the day, or is that when the soundchecks are over?

Bojan: We basically call it vampire rotation. So… We skip the soundchecks and then, when we wake up, we get out of our coffins and go straight to the stage.

So you don't like the light?

Bojan: No, we're not really comfortable with light, yes. Sunglasses are mandatory.

Kris: That's why we live in Ljubljana, where it's never really bright anyway.

I disagree. I was looking at some photos today, and when the sun was out over there, here it was still foggy.

Kris: See, that is why we are here today.

Bojan: Well said.

'Katrina'

Jure, we started with 'Katrina', with the single that launched your new album.

Jure: Yes, it's true. 'Katrina' is the first single we released at the end of August, before the album was out. What can I say? We also made a video for it with Mark Pirc.

Bojan: Maybe the most energetic, or one of the more energetic songs on the album. It kinda feels like this album is maybe a bit calmer compared to the first one, or more oriented towards, how should I say, yes, frustrating, restless moments. So 'Katrina' is, and let's say, 'Ne bi smel', which we will hear later, kind of represent the high point in terms of rythm, we think.

Today we also have in our company a new band member, Nace. How did you integrate into the band after a few weeks?

Nace: I will say, musically, I never doubted it, but as mates, or, rather, band-mates, we've been slowly growing into a little family, I think. We've spent quite a bit of time together now, in the span of a month, and I have to say, they've grown on me so much, like, yes, a family, right?

Have you passed all the tests, taken all the exams?

Nace: I mean, I had the last one yesterday, but, I have to say, that I didn't quite get an A, right?

Kris: And what was that test?

Nace: Well, about the history of Joker Out.

Kris: Oh, yes.

Nace: So I learned something new as well alongside the mistakes, right? But I've still got time.

I see though you have integrated into the band well, you've already got your sunglasses on.

Nace: It was a must-have, right away, as Bojan called me at the time, he said, "Do you have (sun)glasses?" I said, "I do". And that was it and he said, "I think we've found the one."

Bojan, do you have difficult admissions exams, then?

Bojan: Well, I wouldn't say we have difficult admissions exams. Rather for the reason that there are practically no admissions exams, the same thing happened with Jure and Nace. Basically, when we kind of said, we want him, it was more based on this energy that they were radiating, not so much just on musicality, or whatever you want to call it. And in both cases we made the right decision. Now, I believe that we are done deciding.

The next one will be 'Ne bi smel'.

'Ne bi smel'

Jan: Yes, 'Ne bi smel' is a song that we "should have" written, and it's actually, along with 'Katrina', quite a bit, it's the second most most energetic one. I think we had, I mean that Bojan, had maybe the most trouble with the writing of its lyrics, but…

Bojan: The most and the least trouble simultaneously.

Jan: Yes.

Jure: But I think the least work we had was with the instrumental, it got put together really quickly.

Bojan: This song is, well, good thing Jan took the microphone, because I wrote the lyrics for 'Ne bi smel' practically as they are today, crossed them out completely and Jan came into the rehersal space very upset and said to me, that I had to go back to the old lyrics, and I'm really…

Jan: You shouldn't have changed it.

Bojan: Yes, but I didn't know how else to…. So, yes, well, that song was just a big frustration for me, actually, because I've changed the lyrics so many times and ended up going back to the first version. But yes, enjoy.

'Ne bi smel' and Joker Out with their album 'Demoni' on Radioaktivno. Fresh from 'Umazane misli', you've released a new album.

Bojan: Yes, our ghostwriter was really diligent, so we were able to get the new material out very quickly. No, actually, we can't believe it ourselves how quickly the second album came to be. Especially because the first album was quite a torturous process, at least in the finishing touches, when it came to mixing, and we all thought that we got tired of making music and that there wouldn't be an album at least for a while. Then we really reached a moment when…

Jure: You know what happened? We set up the rehersal space.

Bojan: Yes.

Jure: And we announced Križanke, and then we were like, "Okay, now what? Maybe we need to go to Križanke…" Yes, we announced Križanke earlier than we started the album.

Kris: We sold it out before we started the album.

Jure: Yes, well, that too. We went to Križanke and we said, yes, well, we gotta release a new album, right, for Križanke.

Jan: But we've also sold it out promising this… the debut of a new album that hasn't even been made yet.

Jure: Yes, yes, we haven't done anything yet!

Bojan: When it hadn't even been planned yet.

Jan: Not one song, nothing.

Bojan: Nothing. We were like, "Hey, ten really sick songs, that for now don't exist yet, but we'll handle this later ."

But then these songs were created very quickly, because Križanke was in September of this year?

Kris: Yes, they were created quickly. I mean, if we're being completely honest, some have been in the making, even when we were making the first album, because, you know, you can't frustrate yourself with only ten songs, that you've been twisting for two and a half years, and Bojan in particular and I have written a few songs in between, or outlines. Then we built from that, when we started, the first draft. For the first draft.

Bojan: A first draft and an outline.

Kris: Right, a first outline.

Which means that things have been happening very fast for you lately?

Kris: Yes, things are moving quite fast, maybe, maybe even too fast for some. [someone gasps dramatically and Kris laughs] No, but in my opinion, we're all excited about it, and we're basically happy that everything can evolve so dynamically.

Can you all keep up?

Jure: I think so far yes, we have a great team around us, who really help us a lot. So, yes, we're keeping up with everything so far. A problem would arise if we didn't, right?

Bojan: And then we would break up. And in ten years' time we'll have a reunion and sell out some venues again and then break up again.

Jan: No, we must not disband now, because there's one Instagram page, a page called Joker.Out_nesmerazpadt [Joker.Out_ shouldnotbreakup]. So, let's not disappoint our fans.

Do you follow social networks well?

Jan: Yes, we must. Because, I mean, as someone who deals with social networks in the band, I feel like I spend a lot more time on my phone, doing whatever it is I'm actually doing, than making music. Which is a bit of a shame, but it's just how it is today, if the band itself promotes a brand of its own, its own image, you have to take care of the other things as well, that are not music.

Bojan: I think you should be grateful for all these references that you're going to be able to put to good use in PR and strategic management…

Jan: What, you mean if I wanted to get a job at Telekom?

Bojan: …when we break up and you'll be looking for a real job as a TikToker.

Someone: Manager.

'Plastika'

With the second one, we'll undergo surgery. It's time for 'Plastika'.

Bojan: Yes, 'Plastika' is a song that was written in the studio a few days before the album was released, basically. I didn't know what to write about, and there was an article in Delo about how 1/3 of Slovenian teenage girls want plastic surgery, and producer Žarko Pak looked at me from his chair and said, "Write a song about this." And I did.

Joker Out, 'Plastika', album 'Demoni' which we're playing today. You're not the luckiest with electricity. And if we connect this to Ormož.

Jure: Oh yes, yes, I mean, at our place we installed the wiring ourselves, so we're good electricians. But if the fuel runs out in the generator, it's not our fault, right.

Bojan: Yes, Ormož was such a lucky-unlucky situation, because we ran out of electricity during the concert, but luckily, that's the lucky part then, we were so, I would say, in the right mindset, that we went to stand on the speakers in front anyway, and sang and strummed on the acoustic guitar, until the power came back on, so it was actually one of those special little moments, and the flashlights and the lighters were on, you know, romance, people kissing, dancing, hugging, so, nice.

Does that mean you are also working on an acoustic repertoire?

Jure: Not yet.

Jan: Only in Ormož.

Jure: [laughing] Only in…

Bojan: Ormož special.

Jure: No, not yet, I think it's a bit early for acoustics. We'll do it later, in our old age, when we don't know what to do anymore.

As the older musicians say, when you go to their concerts, or like when you start playing around 5 or 7 PM at the latest.

Bojan: Yes, yes, that's it. Acoustic. Have a seat, and we'll be done at five.

Jure: Then let's go home and watch the news, you know, at seven.

Anyway, you have a lot going on right now, you sold out Križanke not long ago.

Kris: Križanke was just now, yes, actually, they seem… Even though it may be, we've been on holiday and I don't know, I think we did ten concerts in between, so Križanke seems like a long time ago. But now we're basically already heading to another bigger venue, Stožice, on October 6th, 2023. Yes, exclusively, exclusively for Radio Prlek. On the other hand, especially now with our latest single 'Demoni', we also have our eye on the Balkans and we're waiting to see if anything happens.

How do sold-out venues affect you?

Nace: I mean, I'm looking forward to Stožice for now, right, which I have no doubt will be sold out. So, anyway I don't know, I wasn't with them in Križanke, so I can't say that I've experienced it, but let's just say, that I look forward to everything that is coming.

Does this give you extra motivation to practice more?

Nace: I mean, if I may be a little cocky, I think I don't need to practice, right. But if you don't believe that, I recommend to come to a concert and listen to me play.

I see you have a good new member.

Bojan: Yes, yes.

Jure: Good at lyings, good at lying.

Bojan: Nace is a few years older than us, right, and he's…

Jan: Just by 30 years, right.

Bojan: 30 years older. …that he has quite a lot of experience. and he's a professional musician, so we're really just a bunch of amateurs compared to him, right, as far as practice is concerned, so I think, that Nace is quite right at this point, that if anybody needs a little bit of practice, it's us, and maybe me most of all, well, but let's move on.

Kris: To be completely honest, since being in the band Nace has requested to reherase the most. And even then we were like, "No, no, we don't need to", so… It's not entirely true, this facade that he's put up.

Nace, how much musical experience do you have, then? In which bands?

Nace: Me? I mean, oh… This question surprises me every time. I mean, with time, when you play so much you tend to forget people and I always find it hard to put a spotlight on people because I know, I will forget someone and I don't want for them… Well. What should I tell you?

Jan: About the cruise ship.

Nace: Oh, yes, as a fun fact, I can tell you that as an 18 year old I already went into the world, on a ship, on a cruise ship, to play where I spent half a year, I saw a bit of the world I came home and started to get a bit more involved in the Slovene music scene. So, maybe it's one of those things that most people have seen and I'm still a member of the 'Diamanti' band. RTV Slovenia programme 'Friday Evening'. And I was an accompanist for quite a lot of Slovene artists, I also recorded some things. So, I think that I've already left a mark, but it's far from final, and I think I will also leave one with the band, I'll bring something new to the band and show that… Who is, not who is Nace Jordan, but that I deserved this spot.

I almost heard, who is Nace Junkar?

Nace: You're not the first, well, but… as much… I'll say that Nace is a great person, right, as far as I got to know him, but I don't want to be mistaken for him. Jordan and Junkar, there is a slight difference

'Demoni'

The next one is 'Demoni'.

Jure: Oooh, little demons.

Bojan: Mhm.

Jure: The first one in Serbian. Bojan, I think it's best if you tell us more about it.

Bojan: Well, 'Demoni' is actually one of the first songs that I've written in Serbian in my life. The reason behind it was mostly or rather, let's say that the reason can be split into two parts. The first part is because we share the aspiration to go out of Slovenia's borders, to the Balkans, which are familiar to us. And the second part is that my roots are Serbian and I always wanted for my grandma to understand what I'm singing about because she always tells me "Yes, it's a lovely song," but if you don't understand it completely then it doesn't have that much meaning, right I've always wished for her to be able to understand so now she understands. Though she wasn't that excited about…

Jure: Right, she wasn't, I was just about to ask…

Bojan: No, that there're demons, it confused her. Why demons, is there something wrong with them, like that. But nothing is wrong, grandma, everything is all right. Everything is all right, grandma.

Demoni' from Joker Out on the Radioaktivno show. Exit was this year. A Serbian festival, world renowned, with a lot of people. Did you have fun there?

Kris: We had a lot of fun. Above all it was our first non Slovene concert experience for us. Before that we played in Poreč but more for Slovene students. So it was our first time introducing ourselves to the international crowd. And one might say that the majority of the crowd were Slovenians, but I was under the impression that a few foreigners were also impressed by our concert and that we left a mark, now we're hoping to be called back to Novi Sad because we had so much fun during those days when we were there.

Bojan (in Serbian): Brothers, call us, we would very much like to come back.

Have you then made a grand enough entrance through the doors to the Balkans?

Jan: Yes, we rang…

Bojan: With a club.

Jan: …with a hammer on the door. I don't know, I mean… I think that after a concert in Stožice the band that does it, also needs something new, something fresh. So, outside of Slovenian borders, there are many ears who want good music. So I think that Serbia is a great destination.

Nevertheless, the title of the album is after a song that is in the Serbian language.

Bojan: Well, that isn't that relevant. The title of the album was actually chosen because we thought that the word demons sums up all these elements we were surrounded with from Cvetličarna onward pretty well. Demons represent good responses bad responses, demons were sleepless nights, a lot of concerts, demons are the new songs that aren't made yet, demons were Križanke, that we sold out without having an album. Basically, a lot of demons were keeping us company we were each other's demons, because we were together all the time, maybe we were fed up with each other in some moments maybe we missed each other in some moments. So we really thought that this very short and clearly defined word that covers a broad spectrum of things that were happening to us. Not just negative but also positive, but yes.

Are you ever asked why Serbian and not English? Because the majority of artists create in English to break into the international market?

Jure: Well no, I think we aren't asked this much but I think that each one who starts working in English in Slovenia comes back to Slovene at the end.

Kris: We'll come to that. We have …

Jure: But yes.

Kris: We have a more long term tactic than most Balkan artists. First, go to the South, then through the South to the North, through the diaspora. So, first we have to conquer Serbians and Croats and all the others and so…

Bojan: and Bosnians and North Macedonia...

Kris: …and all the nationalities in between then we can go to whichever German, Swiss Austrian club to play.

Bojan: Well, no, you know what, being an author and wanting to stay authentic it's beneficial to stay in the language that suits your creative process and Serbian is my mother tongue which I think I expressed myself quite well in, right. Especially considering it's my first try. We'll see about English, I need more practice. I listened to an interview and I am pretty stiff... In English I mean.

Everyone: [laughter]

Practice makes perfect, they say.

Bojan: It wasn't planned. Yes, practice makes perfect.

Kris: You mean, have you listened to that interview yet?

Bojan: No, I haven't. I lied. But It's not like anyone can tell.

'Padam'

Next one is 'Padam'.

Kris: 'Padam' may be the first song that we envisioned for the new album to me it seemed that it defined the direction and vibe for the album very well. But when Bojan was playing it to us, it was very, very different. It was more suited to a band format than it is now. Do you remember?

Jure: Yes.

Kris: Yes, it had a demo with drums and that. Yes, I think so. I was sure then, that, that it would be, because it was a strong song lyrically and melodically and I was sure that it would be the biggest single of the album. But then, over the album making process, we somehow changed it and stripped it down and turned it into some kind of an acoustic ballad that really forces you to listen to the lyrics. Maybe it's not a banger as it used to be but it stands out more.

Bojan: So if someone says that Joker Out is a band that only wants hits it's just not true. This is a lie.

Also ballads.

Bojan: Also ballads.

Jure: That are hits, of course.

Bojan: Yes, yes. Right, that's a given, it's a given, god willing.

This time you offered us ten songs. It's interesting that you haven't released singles before but you first offered the album and 'Katrina' at the same time. Different approach than with the previous album where singles were combined in an album.

Kris: Yes, well in an ideal world we could release a few singles before the album release but we wanted to have two whole albums released in such short time that we actually didn't have time to deal with the process of releasing singles before the album release. But we'll definitely release a lot of singles from this album after it's out. So, 'Katrina' is released and 'Demoni', and then a lot of things can come. Also, for example, a song that to many didn't look like a single from the album could be released with a music video. When we released the album, there were I wouldn't say mixed responses but different people liked different songs. Now they maybe figured out which ones are more favourites and which aren't. But anyway, there's something for everyone on the album every listener can find a song or two on the album that are their favourites. And it's not as if it's so unevenly distributed.

Nace, how many times have you listened to both albums?

Nace: To both? I mean, I listened to the first one more for sure, since it has been out for longer, right. Otherwise, I listened to the second one immediately when it was released, I started listening to it in order to learn it. So I practically listened to it at least once per day for a month when the boys were vacationing. And maybe I might have gone over the guitar part as well, while driving, so, out loud, through Ljubljana, windows down, you know how it goes.

Bojan: You were driving, you were driving with a guitar in your car. Are you insane?

Nace: Look, I knew that I couldn't come there and not know, so I took advantage of every minute. I'm driving from Kranj, you know that is half an hour every day, when you go to Ljubljana, and it comes in handy. You know, a rush hour and you can… At least that bit of 'Padam' where tha bass comes in you know, I can practice it in between.

If we focus on sound, can you compare it to the debut album?

Jan: No. I mean, in some aspects, yes we're still us, the same people that also created the first album but the first album was recorded very sporadically. First, we recorded some drums, then the bass three months later, then we were recording the guitars for half a year every day, for a few hours and it dragged on, the thought process wasn't connected but it was more fragmented. So yes, I think that this album because for the most part we recorded it all together it works more coherently, in regards to sound.

Kris: If I may add, besides the whole process that influenced the sound, with this album we paid much more attention to the sound in post-production and instead of Žare who mixed the first album we found Todd Burke from LA this time who is a mixing and recording engineer there and he actually contributed a lot and he elevated the professional level of the whole product.

It means that you went from disorder to order?

Jan: We went from a mess to a blooming meadow, yes.

Who is the main author, or rather how do you create?

Bojan: Well, I'm the main author but this album was really like… What can be heard… What can be heard on the album was really a product of all of us because it was actually being made at the rehearsal space Songs were changing a lot from day to day from moment to moment. We tried a thousand and one versions for each one all ideas were welcome so I think that we truly found what everyone liked the best for each song.

As can we can see, now your rehearsal space is pretty nicely done.

Bojan: Yes, our rehearsal space is actually like our holy temple that we built ourselves. And we are immensely proud of it. Here, I think Jure is the most suitable to talk about it because he was, I'll say, the main author.

Jure: Installed the wiring and… Yes. Yes, we have a lovely space now, yes. It's nice, it's nice to come to the space and feel at home. Because it's a different energy and you can be more creative. I remember the beginnings, when we made the space when we first played there, do you remember it?

Bojan: Yes, yes.

Jure: When it was like, "Oh, sick."

Bojan: And then Maček, he thought it was so sick that he slept there for a week.

Jure: I do that even now.

Bojan: The rehearsal space influenced the album's creation a lot. Really, so I would say that a space is one of key elements for the band.

'Vse kar vem'

The second part is the lyrics, who's in charge of those?

Kris: Yes, again, for the most part, Bojan. although on this album one was written entirely by me, and one was a collaborative effort, between me and Bojan. That's actually the very next song, 'Vse kar vem', which we basically, I had an outline of the chorus, when last year, in March 2021, we went…

Jure: That's almost two years ago then.

Kris: Right, no, a year and a half. A year and a half.

Jan: Where were we?

Bojan: You've already had that in Šentjernej

Kris: I'd had it in Šentjernej already? Okay.

Bojan: Yeah, you've already revealed a bit of the chorus.

Kris: Oh, okay, interesting. Well, but we worked it out in March 2021, when we went to a hunting lodge in Lower Carniola and we took the chorus, Bojči changed the vocal melody slightly, we kept the lyrics and we made it into a whole song, which is basically based on these four chords. And he wrote segments of the lyrics, from the verses and the stanzas and the song grew spontaneously. I don't know if either of us even really knows what it means, because the stanzas are kind of in contrast to the chorus, but they come together very well.

On the album cover you are surrounded by mirrors and flowers. Except Nace, you are not there yet.

Nace: That, you asked the wrong person. It's just, when I look at the album cover, ah, the cover's pretty wicked. If you look at all the details in the background, how the guys are positioned, take your time, because I think you should dig into it at least a little bit and admire.

Kris: The album cover, if I may add, basically, if you'd like to see more details of how it was made, or what it all looked like, our new video 'Demoni', which was released a while ago, was basically shot on the same set and the same day, as we were doing the photoshoot for the album cover and it kind of visually supports the title track of the album.

Jure, is there something you wanted to add? For the album cover?

Jure: That they should buy the CD if they wish to see it.

Bojan: I would just add, that we are extremely happy and very grateful for the team, that was responsible for this creation. There was Primož Lukežič on camera along with Mark Pirc on the conceptual design, Andraž Drobnič on the graphic design and Damir, or Ponorelli, who did such a good job of styling us.

Who is in charge of your image?

Jan: Partly ourselves, for…

Bojan: Partly our parents.

Jan: Partly the parents, yes, they take us to Nama occasionally. Well, for the big concerts, for the videos and for the album cover, for the videos 'Katrina' and 'Demoni' and for the concert in Križanke, Damir Ponorelii handled the projects for us. Damir Raković Ponorelii. A good name. Well done, Damir.

Bojan: Rakičan.

Jan: Yeah, I think he, sometimes it's good to have a sixth eye. When we try to style ourselves for a concert and things don't…

Bojan: You mean the 11th and 12th eye?

Jan: Yes. Yeah, I mean, yeah. Right. He's probably got a 13th eye as well, right.

As you mentioned, you also filmed the most recent single, 'Demoni', in the same style?

Bojan: Yeah, we shot the video on the same day, as Kris said earlier, the same day that we shot the cover photo. So, it's seemed quite logical for us to make the most of this set, that's been set up in the studio, the guys have brought from the Ljubljana Marshes the whole covering, the mirrors were set up and it really kind of encapsulated the mood of the song of 'Demoni' and the album itself. And I believe we were pretty much done in two hours. Actually, the post-production was probably more complex for Mark. As you can see in the video, it took a little bit of video-shop skills as well, or whatever they're called.

Kris: Uh, if I may comment, you haven't actually heard this before. A while ago, when Jure and I were guests on the radio, the host said that when he first looked at the video, he was genuinely frightened. That he was a little bit thrown off, right, when he watched it. So in my opinion, we've achieved with the video what we set out to do.

Today, actually, video production is a necessity.

Kris: Yes, it is. Especially for the Balkan market, I believe, a song doesn't exist if it doesn't have a visualization, right, and a video is your way in if you want to. In Slovenia, we still have this way of life, where one would indeed listen to an album or buy a CD, which is nice to know, no.

'Ona'

'Ona' will be next, also in Serbian, and Bojan curses in it. How so? Or is it coincidental?

Bojan: Yeah, you know what, this cursing infiltrated itself very spontaneously in the lyrics. And I'm not the biggest fan of that kind of thing in principle, but it seems to me that in the whole context of the song, that phrase was very fitting, it's just an expression anyway. The thing that you really don't give a * for something, is just part of everyday vocabulary, including me at home. and when I showed it to my parents, they thought it was pretty amusing, not vulgar, and I don't think it's vulgar either, so yeah.

Jure: I'm interested in what your grandma said.

Bojan: But Grandma was mor… Okay, here we go. Grandma was slightly offended the first time she heard it. The deal is, she couldn't quite imagine how anyone could just put something like that it in a song, right. But she told me a month ago, that she really, really loves listening to this song now and that she thinks it is hilarious.

Jure: Yeah, well, come on.

See, now Bojan is no longer a nice little boy.

Jure: Now grandma knows what you're up to, right.

Bojan: Now he's a nice little girl.

How did the listeners respond to the second album?

Jan: According to the interactions we had with them live and through social networks, I'd say pretty good, right. I mean, maybe it wasn't what they were expecting, it definitely wasn't, they weren't expecting techno, bangers and what else we've got, yeah, the Beatles on acid, but I think we've intrigued them, that we kind of poked them, which I think is quite welcome.

The reviews are also positive, as you can read online?

Kris: Well, you know, I've read two so far. One was Croatian and one Slovenian. The Croatian one was maybe even a little bit more positive. The Slovenian one was, basically, based on it still being Shagadelic rock'n'roll or not. See, I don't know, maybe it is, maybe it isn't.

Bojan: You know, how you can ask the creator…, anyway, we invented Shagadelic rock'n'roll, right, so, whatever is made by the one who invented it, it's just it.

Jure: It just is.

Bojan: You can't…

Kris: I mean, yeah, okay, I totally agree with that, but you know, they've just based their impression of what Shagadelic rock'n'roll is on our first album, and maybe for most Shagadelic rock'n'roll is, what 'Umazane misli' was. But you have to allow for the possibility, for it to develop, because if you don't you're going to be listening to 'Umazane misli' 2, 3, 4, and 5 for the rest of your life, and we wouldn't want do that. We have decided for the morning after 'Umazane misli' and that is what 'Demoni' is.

What about the initial reactions from the Balkans?

Bojan: Last time we were backstage with Buč Kesidi, who are, let's just say that, at the moment the most active band in the Balkans from the younger generation and they were very, very, very, very, very excited about the album. And for Demoni, they said, "This, bro, is such a bomb, bro, it's gonna be a megahit, bro. I mean, literally, it's killing it, bro."

I mean, Bojan, this sounded very authentic just now and exactly as they'd say it.

Bojan: Yes, yes. That's exactly how it was, right. I didn't make a thing up.

Kris: He basically played the recording just now, since the listeners won't be able to tell.

Probably. Nace, are the listeners the main critics then, underneath the stage, in front of the stage.

Nace: I mean almost certainly. I mean, that's who this music is being made for, they're the reason we go on the road and perform. So I think it couldn't be any other way.

How have they received you as the new member? Is there more buzz around you now?

Nace: I'm not sure if I'm in the spotlight. And I think that neither they nor I, or anyone else for that matter has tried to thrust me into it. But it seems to me, just moving from concert to concert, that they're warming up to me, and so on… They're already shouting, "Nace!" and it feels really nice.

Kris: Has anyone approached you for a photo?

Nace: Yes, they have…

Bojan: They already have.

Nace: They have, they have.

Kris: Oh, great. This is a good sign.

'Tokio'

Next one up will be 'Tokio'.

Jure: Oooh, 'Tokio'. We love playing that one at concerts. I dunno, it's such a vibrant song, really. I'm lost for words…

Bojan: You're full of fun ideas…

Jure: No, you know what, it's 8 PM and my mind's blank.

Bojan: Okay, okay, yeah, we just woke up. Well, the reason is, 'Tokio' is actually… 'Tokio' because my first demo was in English, it was a bunch of gibberish, but in between was 'Dancing in the Streets of Tokyo' and Žarko insisted that this catchphrase has to stay. So, then we were making jokes a bit, about playing in Japan, and that's why I included two sentences in Japanese. And it was really cool, because when we were recording the vocals, we were like, "Okay, what's the Japanese pronunciation now?" and then we called Jan's ex-classmates who are studying Japanese studies, to tell us how to pronounce it, and we called a Japanese lady, someone Žare knew…

Kris: Some Slovenian man, married to a Japanese lady, no idea really, but, Mami Narita…

Bojan: Yes, yes, Mami Narita…

Kris: Yes, yes, yes it's not a joke at all. It's, it's, maybe you should leave this out, so it's not on record, but, it was actually her name, Mami Narita.

Bojan: Don't put this in in, please.

Jure: Yeah, well, whatever, it's a name. Whatever?

Bojan: I mean, she could be the only one in Slovenia.

Or, if you know the singer Stella, you can get in touch now, she's just gone to Japan to study.

Jure: Really?

Bojan: Well, here we go.

Jure: We've met Stella, haven't we?

Bojan: We know Stella, yes. We haven't been in touch for a while, though, but, right, Stella's a great girl. We've met Stella, but, yeah, we're probably not going to be hanging out that much, obviously, if she's going to Japan.

She's already there.

Bojan: She's already there? Maybe we'll visit.

Kris: Maybe the song is about Stella.

You've had a vacation since Križanke, was it an active one or not?

Jan: Yeah, I went to Littoral Slovenia for a week, with a tiny keyboard , among the goats and the hills above the Vipava Valley. And then Jure and I went caravanning around Germany, where our tyre blew up twice, but let's leave out the details. And we bought some new equipment, so, yeah, it was spent actively in part and in part, we did rest.

What about you Bojan?

Bojan: I've spent a few days at the seaside, a few days in Banja Luka at my grandma's, lounging on the sofa all day, eating čevapi and drinking Coca Cola. One day I literally got up from the sofa in the evening, and my grandma said, " Where are you going?" And I said "I'm going to grab something to eat." "No, I'll go!" So I literally wasn't allowed to do anything.

Jure, besides Germany?

Jure: Besides Germany, a week at the sea and afterwards we went to the seaside together, for a couple of days. I don't know, it was nice, but we haven't vacationed in so long, it was a bit weird to go on holiday, right. It's not my usual mode.

Kris?

Kris: Yeah, I've had, let's say, the least, the least laid-back kind of vacation, because on the same night after Križanke, I flew to Peru, where I spent three weeks. We hiked and travelled and basically got very little sleep. All in all, it was a good experience and it basically was the only time when I could make a trip like that possible, a kind of collective vacation, but we had a chance to relax a bit when I got back, we went to Pula for a couple of days, as the guys have already mentioned. and that was my, let's say, my actual time off.

Nace, all you did was practice?

Nace: I did, for the whole month basically, like I've mentioned, and when I didn't practice, I was driving around in the car, and then I practiced in the car.

Bojan: What about the fish?

Nace: That's it, right. And then we went to Pula together that week, that was, what, the last week? Before the first concert, we got to know each other…

Kris: That was the first week of October.

Nace: …a little bit better. The first week of October, yeah. So we had a good time. And then straight to the gig, it was well, yeah. And the fish… Actually, yeah, Bojan and I got a new hobby, we took up fishing, but we've spent a fair amount of time fishing and I have to say, so far, without success. But it's nice, so if anyone knows, a serious fisherman, Bojan and I are really looking for someone, who would take us to a place where we could catch a fish. Even if it's to an aquarium. Just so it happens.

Did you set the wrong bait?

Nace: No, we've tried every bait in the world.

Bojan: I mean, really, we Googled it, we did everything right in theory, but we really didn't catch more than two seabream, and even they were really the size of this microphone I'm talking into. And a fun-fact, just a quick one, Nace took me to a pond, to go fishing, right, because that's where you catch fish. We got to the pond and the gentleman who manages the pond said…

Jure: Fish farm.

Bojan: I mean, yeah, he said… We said, "Where do we buy a ticket?" and he said "Well, no need, there aren't any fish anyway. You can just go for free." Naturally, we didn't catch a thing.

The interview will proceed a little differently, I'm not the one asking the questions anymore, you'll get a new interviewer. Last week I hosted Slick, a rapper from Velenje, with his album 'Sveža plat' ('Fresh Side'), and he asked you four questions. The first question is:

Slick: If you could collaborate with any musician in the history, who would you choose?

Jan: Well, let's say Vivaldi.

Jure (?): Oh, that's what I was going to say…

Jan: Imagine, you know, he shreds on a violin, I shred on a guitar… brrrrrr…

Bojan: I'd say, from the top of my head, Maček, you. Tell me.

Jure: Oh, I guess The Beatles.

Kris: David Bowie.

Nace: Led Zeppelin. To be fair, I've already got Bonham in the band, I'm getting there I'm getting there.

The second question:

Slick: How often do you tell yourself that you don't have time and is that really the case?

Nace: I mean, I say that to myself every minute, but I don't know if it is true. I mean, we all like to whine a little bit sometimes, don't we.

Kris: Yeah, I say I don't have time a lot, but I know that for certain things, that you want to make time for, you take the time.

Jure: Yeah, I agree with Kris, yeah. But our profession is such, that we're not home on the weekends and when someone asks you if you wanna go to a party, or have a drink, you just say you don't have time, right. So, yeah, we don't have time. That happens a lot.

Bojan: I would say, that if … I'd say I don't have time, I'd be lying at some point. But during the summer I actually didn't have time to even think about whether I had time or not. So I am glad that the summer is over.

Jan: Yeah, sometimes you have to put your feet up, so, sometimes I use that excuse to be able to…

Jure: Lie down.

Jan: To lie down, yeah. I mean, I don't actually have much time, but not to have time at all, well, there's that. And stil.

The third question Slick asks you is who in your family has had the biggest impact on the person you are today?

Jan: Probably my mother and my brother…

Bojan: You can't name more people, hey.

Jan: Oh, just one? I guess, as far as music goes, definitely my brother, because he's also a music producer and he was the one who first introduced me to music, and without him I doubt I would be heading in this direction.

Bojan: I would say my father. He's kind of also the biggest supporter of what's going on in my musical head, and whatever's going on with us and he's actually really, really, really happy with all the success. And even when there's failure, he knows just what to say to calm me down.

Jure: You know what, I've been locked in a cellar, and my dad's always said I was made for a pick and a shovel, so…

Bojan: And he wasn't far from the truth.

Jure: Well, yeah, yeah, parents, naturally, right. That's it.

Bojan: Why parents, you have to choose one person…

Jure: Well I can't choose one.

Bojan: How come?

Jue: I can't.

Bojan: Come on.

Jure: They come together.

Bojan: Break someone's heart, won't you?

Jure: Yeah, then I'll say my sister.

Bojan: Here, good one.

Kris?

Kris: For me, I would think it would be quite hard to tell, who has influenced my musical career the most, right, but it is definitely going to be my dad, who was the first who put a guitar in my hands when I wished for one.

Nace: For me, in music, it's must be my cousin, right, because we essentially grew up as brothers. and he brought the guitar to our house, and that's what made me… And he had a band and then I wanted that too, except he's a few years older than me.

And one last question, Did you eat cheese?

Nace: I did.

Kris: I did.

Jure: Yes, I like it very much.

Bojan: I love cheese, too.

Jan: Yes, I've eaten it many times.

Then afterwards you have the same task, so you can start thinking about it, each of you will ask one question to the next guest.

'NGVOT'

The second to last one we're going to play today will be 'Ne govoriva več o tem'. also known as 'NGVOT'.

Kris: More specifically Ngvot. We have chosen that title because, I think that when I first brought the song to the rehearsals in 2018, I already had it spelled out that way. And then, when we wrote it on the setlists it was always 'NGVOT', because it's just too many words, to cram them all into one setlist. But, what's the story behind this song? Because it's a bit different in atmosphere and maybe more naive than the rest of the album. It's a song, as I said, that was made in 2018 and which we kind of, we never really liked it very, very much, but we played it because we needed to be fill our setlist. And then, fortunately or unfortunately for us, it really clicked for us in the concerts, our fans really took to it as one of their songs, and they sang along beautifully at concerts and we basically couldn't imagine doing the second album without the song. So, then we got creative, and we adapted it a little bit into a form that fit us, that was very different from what we played before the album came out. But actually, it fits very nicely now, I think, right. It comes in handy.

Joker Out, to round up this conversation, I see you have very busy days what challenges lie ahead, besides Stožice next year? It's just around the corner.

Jan: We have quite a few plans for the future, which… I don't know if I'd give them away yet, no. But it's… Maybe, at this point it looks like we're going to Hamburg to record the English versions of our songs. That's also a partial answer to the previous question, for Kris, or for anybody, why Serbian and not English. English is coming too.

Bojan: So, that we can join those bands, that go to English and then go back to Slovenian really quickly.

I see you still have CDs as a sound medium? Is that it?

Jure: Yes, and we have a LPs as well. They sell out even faster than CDs, actually, I think. They've made a comeback recently. It seems to me that you have to have this product. When you release an album you have to feel the CD in your hand to say OK, now we've got this.

Bojan: I am absolutely thrilled. I thought we were selling tea coasters all along. Bear coasters, you know?

But you don't sell ID cards.

Kris: Yeah, here we go. Yeah, buy our CD or LP.

Everything about how to get the LP on the website?

Kris: Absolutely, our website is the best guide sign you'll ever see, It's all clearly visible on it, come and have a look.

Bojan: www.allyourneedsunderoneroof.com

And there's a mention of Joker Out somewhere.

Kris:Yeah.

Bojan: Yeah, somewhere at the bottom.

Kris: In sidenotes, right.

Bojan: Yeah, yeah.

You mentioned earlier that there's going to be more singles from the album, not just the two that are already released?

Nace: I think there will be, right. It's just a question of when. Well, 'Demoni' have arrived on Halloween, and now to the next step.

Kris: Yeah, so, well, what should I say...

Jure: Something else might be released, live from Križanke.

Kris: I'm sure there'll be some more live footage, but for now we've got a couple of songs coming out as singles. For me, maybe, I'm not saying it's going to be a single, but I feel 'Ne bi smel' is very much singlelike, the second song on the album. And maybe the others should share which one they see as a single.

Nace: I mean, I also see 'Ona' as a single, right. Definitely. If nothing else, when we play it live, it's it for me. It could be.

Bojan: Honestly, I'll say it like this. Let's give it time, but I think, sooner or later, every single one of these songs is gonna have its singlelike moment. So, keep your eyes open for the videos, the video material, let's not restrict ourselves, you can also find on our website a couple of nice pieces of furniture or home accessories, so you're welcome to visit.

And then in a few more sleeps, it will be the 6th of October 2023.

Jure: Yeah, that'll be quick.

Bojan: What happens then?

Jure: Yeah, Stožice, right. That's it, quick, get the tickets, because they're going to be sold out. I don't know, I feel like we can't wait. Although, we've been waiting six months for Križanke, and it's been pretty exhausting. Now we have to wait a year, so it's only going to get more exhausting.

Bojan: Yeah. Well, the problem with Stožice is, is that truthfully they're so surreal, that, I mean, I really remember the first time we ever set foot in Stožice, when we played at Ritem mladosti (Rhythm of Youth), as an opening band at 7pm, and we said, "Wow, hey, can you imagine everyone coming here because of you, can you?" And now, like three or four years later it's going to happen and it doesn't feel real yet.

'Novi val'

I think we tie this to the last track 'Novi val'.

Bojan: 'Novi val' is one very, very special song for me, because it emerged, from one, how should I say, direct impulse from nature and that was when the fires broke out in the Karst. That's when this phrase came, "Where shall we go from here if we are already setting the horizon ablaze?" and the song was built around that. We kind of felt, that there was a generation, a few generations younger, and maybe a couple of generations older than us, entagled in it, in this preconception that maybe we don't know quite what to do with ourselves or that we are not a good enough contrib… What do you call it, a contribuator to society? I've just made up a word for that. Basically, this song is a bit like I would say an expression of any young person at the moment, who knows that they matter, who knows that their voice counts. and who wants a better tomorrow.

'Novi val' to wrap up this conversation, Jan, Bojan, Jure, Kris and Nace, thank you, for being guests on Radioaktivno and may you be successful and hard-working on your journey. And see you again in a year with the new album?

Bojan: Absolutely, thank you very much for having us, we had a great time last year as well, we remember that interview as a nice one, next year we don't know if there will be an album, but we'll be fresh out of Stožice, really.

Jan: Yeah, thanks for the invitation, we'd love to come again. I agree with what Bojan said.

Jure: I wish everybody a good night, right.

Kris: Good night everyone, the third album may not be next year, but I'm sure there'll be a lot of things to listen to and see.

Jure: But it will be the next one.

Kris: It will be the next one.

Nace: Same from me, right, see you in Stožice. I'm Nace. Still, something like that.

All: We're Joker Out,

Bojan: and you're listening to Radioaktivno.

[bugsinshoes]

OKAYOKAYOKAYOAY SOOOOO

i CANNOT stop thinking about musical falls. GENUINELY. it rotted my brain. SO! i've spent a bit of time doodling and coming up with ideas for how BILL would be presented on stage.

firstly, we have 2-D Bill/Pre-Weirdmageddon Bill. the idea i had for this form is that we'd use a spotlight tinted with a yellow gel and on top of that there'd be a gobo (stencil) of Bill's triangular form.

(examples of how that'd look onstage)

pros- spotlights can effortlessly move around stage without physically interfering with actors, also it mirrors how in the show, he's limited to the mindscape and how he doesn't have a physical form yadda yadda yadda (you get my idea)

cons- not much movement/expression. also kind of a disembodied voice? Bill is very expressive so it'd be hard to showcase something like that on a cut out stencil of him.

ANOTHER IDEA (i just had now as i'm writing this): Bill projection !!

so, it'd be a projected image of Bill which would be able to be animated so THAT solves the issue of the previous idea. plus i'm sure there'd be a way to move the projection around the stage if needed.

uhhh anyways !! back to my original ideas !!!!

obviously everything i've just mentioned is for 2-D Bill, but HERE is where it gets exciting. when Bill gains his physical form during Weirdmageddon.

so, when Bill gains a physical form, i had 3 ideas:

IDEA 1- Lin Manuel Miranda as Bill.

now, in my previous post about musical falls, i was kind of /j ing the idea, but i think it'd be genuinely hilarious. imagine this, duing the whole musical, bill is this 2-dimensional projection, kinda eerie. makes you think "how is he gonna look once he gains a physical body?" then BOOM its Lin Manuel Miranda. obviously his costume would be a waistcoat and jacket combo (something similar to how i drew him in my past post) but yeah. that's really the only reason. it'd be funny. idk.

IDEA 2- Puppet Bill.

this Bill would be more canon-accurate, still in his triangle form, except he'd be puppeted by someone. now, this comes with the same problem as gobo-bill. LACK OF EXPRESSION. he's stuck to one emotion/"facial" expression. (also i have no idea how puppets work. if anyone with more knowledge than me wants to add on/constructively criticise, you're welcome to!) i didn't really expand/think too much about this idea either soooo.....

IDEA 3 (my favourite)-

drag. bill.

i really like this idea. now, i'm no costume designer, nor do i do drag (so apologies if i've gotten anything wrong) but i think this would be something really cool to see on stage. the shape language of the costume, alongside a gorgeous makeup look, AS WELL as it being a real person acting, really feels like a good direction to go in, as it would allow full movement, gestures, and expressions !! (hooray!!) also i really need to see an awesome Bill-inspired drag look onstage. it'd be awesome.

ANYWAYS THAT'S IT !! THOSE ARE MY IDEAS !!!

this is all for fun as i KNOW this won't ever become an IRL stage production (probably) but a guy can dream. i just had so much fun coming up with ideas for the heck of it sooo !!!

another MASSIVE thanks to @fordtato for making that video about musical falls. i think i'm obsessed.

AAAA THAT'S ALL !!!! :D

[estcaligo]

Made this list while I was in the mood

Classical music pieces that I associate with twst characters

* these pieces are available to listen to on youtube. Perhaps I will make a video with them one day. But I doubt it. * I apologize for any mistakes, it was a lot of information to digest * updated because I forgot to add Presto for Malleus, sorry!

Malleus - Vivaldi - The Four Seasons - "Summer" - 1 Allegro Non Molto and 3 Presto (I mean of course these ones. Add evil overblot laugh here too.) ok also Schubert - Erlkönig (The Elf King), D. 328

Sebek - Prokofiev - Romeo and Juliet, Suite No. 2, The Montagues and Capulets "Dance of the Knights" (it's just him. period.) or Rachmaninov - Musical Moment No.4 in E minor or Rachmaninov - Prelude in C Sharp Minor (Rachmaninov for Sebek in general lol)

Silver - Grieg - Peer Gynt, Suite no. 1 "Morning mood" or Debussy - Clair de lune (from "Suite bergamasque") (Yes, basic, but it fits so so much so)

Lilia - Chopin - Fantaisie impromptu in C-Sharp minor, Op. 66 (first notes - Lilia's evil grin, then whimsical nature and the whirl of memories of countries he has been to. When it goes hard, it's cooking, some violence, and then when it gets gentle, it's when he remembers Silver's childhood. Then he softens in general but also reminds us about his playful nature and strong character.)

Idia - Vivaldi - The Four Seasons - "Winter" - 1 Allegro Non Molto (resembles how Idia speaks when he's getting confident and how his character, in general, opens up. And kinda gives me his genius vibes)

Ortho - Graun - Gigue in B-Flat minor (sounds like super-fast calculation is going on. But also, some notes sound like random signals and/or signs of creativity/sudden thoughts in AI) also Chopin - Etude Op. 10 No. 5 (Black Keys)

*Erik Satie for Octa in general. Gives me mysterious underwater vibes*

Azul - Satie - Gnossienne No. 1 and Gymnopedie no.1 also kinda Chopin - Nocturne Op. 9 No. 1 (pondering, deep in thought, underwater, calculating, but also melancholic…)

Jade - Satie - Gnossienne No.3 (such big Jade vibes)

Floyd - Liszt - Mephisto Waltz No. 1 (hehe)

Leona - Haydn - Symphony No. 49 in F minor ' La Passione ' (it's long, but it's worth listening. I just imagine Leona's character and lore in general here)

Jack - Händel - Suite no. 11 in D minor. Sarabande (not really sure about this one. But it gives me 'strength and determination and values' vibes today)

Ruggie - Mozart - Symphony No. 40 in G minor, IV. Allegro assai (reminds me how he can adapt and be different if needed. Also, it sounds quite boisterous, like Ruggie is going fast, fast, fast and earning a lot, lot, lot!)

Kalim - Mozart - The Marriage of Figaro, K. 492: Overture (specifically wanting to throwa feast)

Jamil - Chopin - Waltz in E minor, Op. Posth. (he's so skillful and makes it look like he's not even trying, but he's super hardworking. Also, some parts sound like his occasional emotional outbursts) also - Chopin - Prelude in E Minor (I can't explain it, but it's just Jamil for me. I feel so sorry for him - he's such a cool and talented (and handsome) guy, and such destiny mgd. Or maybe I'm just in a melancholic mood today)

Vil - Vivaldi - The Four Seasons - “Spring” - 1 Allegro (won't be original meh. like there're so many classical pieces that fit Vil but I don't really wanna bother here so)

Rook - Mozart - Le Nozze di Figaro: "Non più andrai, farfallone amoroso" (instrumental) (ookay it was hard with Rook because I think a lot fits him but I'll stop with this one or I'll never finish this list)

Epel - Litvinovsky - Pelléas and Mélisande: III. Galliard. Navire dans la tempête (Galliard. Ship in a storm) (unrelated but my life is divided into before seeing Epel in Book 7 dreams and after)

Riddle - Beethoven - Symphony No. 5 in C Minor, Op. 67 I. Allegro con brio (duh. basic but c'mon. it suits him)

Ace - Litvinovsky - Suite for Strings "Le Grand Cahier": IV. Nos Etudes (yes that's how I feel Ace)

Deuce - Tchaikovsky - The Nutcracker Suite, Op. 71a: March of the Toy Soldiers (Deuce the honour student edition)

Cater - Beethoven : Sonatina in F Major plus "a glimpse of a depressed real Cater" one - Chopin - Mazurka in A minor, Op.17, No.4

Trey - Beethoven - Sonata No. 8 in C Minor Pathetique, Op. 13 (Adagio cantabile) (I tried to find someting "normal" meh so went with this today)

Special mentions

Rollo - Mozart - Requiem, 3 Dies Irae Bach - Toccata and Fugue in D Minor, BWV 565 Orff - Carmina Burana: Fortuna imperatrix mundi. O fortuna (super super obvious but c'mon it's basically canon)

Baul - Wagner - Ride of the Valkyries (ya Baul has big Wagner vibes for me)

Grim - Edvard Grieg – In the Hall of the Mountain King (the escalation lol)

[ohnoitstbskyen]

The Heartsteel splash art is very bad, and here's why

I am not a fan of the collective Heartsteel splash art, and in fact, I think it's kinda s***ty. Not on a technical level, mind you, it is every bit as well rendered and nicely drawn as most other Riot art is, but as a way to introduce these characters? As a pitch to get us excited about them? This is genuinely kind of f***ing terrible. First of all, it's copying the original K/DA splash arts, which also had each band member copy pasted in different positions in each splash, with a different character in the spotlight. And that's not a great place to start from, because it feels like a total lack of confidence in the product, like some suit-wearing executive saying "just copy whatever worked the first time!" The splash art should be an opportunity to introduce what's new and unique about the band, and copying K/DA like this completely fumbles that opportunity and invites really unflattering comparisons. Second, the copy pasting is a problem. For two reasons: First, it looks cheap. It just does. There is no way to put out six splash arts with the exact same pixels copy-pasted into different positions that doesn't, on an instinctual level, feel cheap. All that says is "we didn't want to pay for more than one splash art." It looks like corner cutting. Second, it forces every character in the art to be completely separate from one another. A big part of the band's charm in their excellent music video is the interaction and camaraderie between the boys as they get into frat boy shenanigans shooting their music video, but since every character has to be able to be copy-pasted and moved independently in the splash, they can't interact or pose together in any way, making them seem completely disconnected from one another. One of the simplest ways to add a bunch of character and charm to these splash arts would be to have one character up front doing their cool pose, and then the other five boys dicking around in the background, armwrestling or hugging or, I dunno, giving each other piggyback rides. Instead, we just get sterile clip-art of each of them that don't even seem to be aware that the other guys are there. And when they are up front, the poses they do are also… mostly kinda lame? Sett is supposed to be this tough-guy with a heart of gold rapper with a big attitude and he's just, like, vaguely flexing, kinda. K'sante is supposed to be this imposing, powerful vocalist and he's just… standing there. Yone looks bored, Aphelios looks like an emo kid who's being forced to be in a family photo by his mom, and Kayn, who's supposed to be this rowdy chaotic bad boy, is just… doing a peace sign and sticking his tongue out? He gets completely overshadowed by himself: his Shadow Assassin and Rhaast forms in the background, which DO get to interact, which DO get to play with each other, and who are more charming than everything else these splash arts do. It genuinely baffles me that Riot couldn't be bothered to spend the money to get each of them unique splash arts, give these characters an opportunity to show off their costumes and their personality, or at least spend the money to have them drawn a little bit different in each of the six versions of this thing that they put out. This splash art, to me, feels like an active discouragement from investing in Heartsteel, because looking at this, looking at all the corners that are being cut, even Riot doesn't feel committed to them as a project. And like yeah, the music video is great and it's doing a lot of heavy lifting for them, but this splash art is an actual liability, it makes the whole project look worse.