#walls of text

[zarla-s]

How do you decide when to use Spamtons little speech quirk and what to have him say? Your writing for him feels so natural!

Spamton’s speech pattern is surprisingly tricky! It has a lot of weird little things to it, haha. I’m glad you think I’m doing a good job though. :D Generally I try to keep in mind a few things for him...

Spamton misspells things a lot, but not always in the same way (with exceptions). He also likes substituting numbers for letters, usually in words that get caught in a spam filter to try to get around it but not always. ( [[Amazed at thi5 amazing transformation?]],  NOW THAT'S WHAT I'M TALKING AB04T! ,  SOMEONE LEFT [There] SOULS, [Lyeing Around......] ,  YOU FILLED YOUR [Inventorium] WITH [Half-Pr1ce Sallamy],  AND THE [Number on theB4ck]!,  [Unforgettable D3als] ,  [Pr3mIUm luxjerry w4tch] )

When Spamton takes over the narration or influences it, he still misspells things. (CONGRULATIONS YOU ARE THE 100th VISITOR!!! )

Spamton is bad at tenses and mixes them up a lot. This is one of the most endearing things to me for some reason, haha.  ( I'M SO [Proud] OF YOU, I COULD [Killed] YOU! ,  I HAVE [Becomed] NEO. ,  MY ESTEEM CUSTOMER, THAT GUY [Steal my look]!! OKAY, MAYBE HE [Steal]ed BACK WHAT I TOOK FROM HIM, WE WILL ALSO [Divorced] )

He messes up pluralization or grammar related to it at times. ( HOTSINGLE, 100 CUSTOMER, AN [Valuable Item])

He actually swears a fair amount but it’s usually censored. ( YOU'RE [$!$!] RIGHT! , DEALS SO GOOD I'LL [$!$$] MYSELF!,  [$!?!] THE PRESSES! )

His capitalization in his bracket words/phrases is inconsistent and he spells things wrong in them at times as well. He usually capitalizes the first word though. ( [[A LimiTed Time Only!]] , [[Designed BY The Classics]],  [[ Sucbscrube ]] ,  THEN [[WHY]] GO TO A DUMPSTER!!! , YOU'VE GOT THE [[LIGHT.]] , [ succumb to the worm ],  SO HAVE I GOT A DEAL THAT'S [sweet Sunday creme] TO ANY SELF RESPECTING [Ball Nut]! , [fluffey] ,  [Pracitce]).

His capitalization in general is kind of all over the place. ( LIGHT nER! HEY-HE Y HEY!!!,  THat'll be 1997 KROMER.,  ENL4RGE Yourself,  I USED TO be A BIG SHOT. ,  I WOn'T FORCE YOU. ,  It's still DARK... SO DARK! )

He gets the verb in sentences wrong at times or has too many/too few words in a phrase.  ( HEAR THOSE [Balloons]???,  [Cool down with a]!!!,  [Wake up and the smell the] MY DEAD CARCASS!!! ) His grammar also gets wonky, especially with the tricky homophones like your/you’re or their/there/they’re. ( YOUR A BIGSHOT!! ,  WELL LET THIS BE A [Email] ,  SHOW OFF YOU'RE [Big Shot] )

He sometimes doesn’t finish a sentence at all, or leaves a blank space. ( BUY [KeyGen] FROM ME AT [The Low Low Price Of] ,  MEANWHILE I CAN [sneak out the back] AND, [Hurry now]!!! [Blink] AND YOU'LL MISS      !!!!!!!!!!!!!!!!!! ,  THAT'S WHY THEY'RE COMING TO [kill] ME RIGHT NOW. THEY'RE COMING TO ). Sometimes he just says one or two words or sentence fragments. (MONEY NO, KEYGEN) He likes repeating unfinished sentences as well, usually when he’s worked up about something. ( THE MEN INSIDE WOULD THE MEN INSIDE WOULD , I'LL GET SO. I'LL GET SO. )

He uses periods to emphasize certain parts of a sentence and sometimes he just leaves brackets or carets or other punctuation in his speech. ( YOU'RE  LIGHT neR< AREN'T YOU? , GO BACK. AND PUT. THE DISK. BACK. WHERE YOU GOT IT. ).

Sometimes he has spaces in the middle of words or in the wrong places ( DID YOU HAVE AN YMORE?,  I'M A SALESMAN   ,  ). Sometimes it’s just a mess in general ( DOESN;T IT?KID? ), and sometimes he likes to combine words ( [HonestMan] ,  [handsomeGuy] ).

My general approach to this is just to keep any typos I make while doing his dialogue lol.

He drops out of caps usually when he’s scared or thoughtful (not accounting for after his battle), and usually when he’s thinking about Mike.

A fair amount of his substitutions are vaguely threatening or allude to some kind of violence or suffering. He mentions death, dying, and screaming a lot, usually in unexpected contexts ( PRICES SO LOW, EVERYONE I KNOW IS [[Dead]]!!!,  VACATIONING IN [Burning acid] , NOW I'M THE [[It Burns! Ow! Stop! Help Me! It Burns!]] GUY! ).

Sometimes these threats are relevant warnings if you know what he’s up to ( TAKE THIS DEAL AND YOU WILL [[Die]]!! IT'S THAT GOOD!!!,  [Die Now] AND I'LL THROW IN [50] [Bullets] FOR FREE!,  THIS IS [One Purchase] YOU WILL [Regret] FOR THE REST OF YOUR LIFE! ). There’s always a sort of “off” vibe to him that makes him feel a little dangerous.

As an aside, Spamton talks about people beating him up a lot.

He likes turning phrases about refunds into non-refunds, haha ( [No Money Back Guaranttee] ). He’ll sometimes just admit outright he’s trying to scam you ( HOW'S AN INNOCENT GUY LIKE ME SUPPOSED TO [Rip People Off] , [What's yours is mine] AND [What's yours is mine]. ).

He’s extremely excited and shouting almost all the time, so he very rarely has only one exclamation point about anything. Usually it’s three but it can go higher. Just go ham on the exclamation points lol.

[[Hyperlink blocked.]]  is a tricky one. He does use it a lot, but the context for it is hard to pin down. Usually it relates to things like souls, what it is that’s controlling him or what it wants, or how exactly he wants to escape it. Other times it’s sort of privileged or secret information that would be caught by a filter and blocked, or it’s some scammy thing or another that’d be blocked for user safety. Usually it’s something that someone wouldn’t want the player to know.

He does use sales pitch, adspeak, or internet slang substitutions a lot, ( [Friend Request Accepted] , [[Anything You See On TV!]],  [[Workout-Ready Body]],  [Luxurious Basement Apartment] , [[Pass My Savings Onto You!]] )  but not all the time! A lot of his substitutions are single words, usually on an odd tangent to the original word or just unusual in general ( [Deep Abyss] , YOUR [[Ant-sized]] [[Rapidly-shrinking]] LIFE!! , [Wacky Stacks] , [Little Nipper], LIKE MANY [buzzing] AND [burning] CREATORS,  GET OUT YOUR CYBER [skin wallets] ).

Sometimes they’re just a normal word in the sentence ( YOU GOT [Guts] KID!! , [Part] OF MY BEAUTIFUL [Heart], LOOK IN MY [Eyes] LOOK IN MY [Nose] LOOK IN MY [Mouth] ).

I tend to think about his substitutions a bit like the Orz, where a substituted word has alternate or deeper meaning than you’d think BECAUSE it was substituted. By [LIGHT], did Spamton literally mean light, or does light have another connotation to it he’s adding that’s not clear? I like thinking of the substitutions adding a potential multiple meaning layers to a word, haha. Maybe he can’t help it, or maybe that particular word is hinting at something more...

He can say full sentences without any substitutions in them, but they’re rare ( WHAT ARE THESE STRINGS!? ,  YOU'RE LEAVING!? WHAT ABOUT MY DISK!?!? , TOO MANY EXCESS VACATION DAYS?? TAKE A GOD DAMN VACATION STRAIGHT TO HELL, I GAVE YOU EVERYTHING I HAD! MY LIFE ADVICE! , BUT KRIS, IF YOU REFUSE. THAT'S YOUR CHOICE. I CAN'T FORCE YOU.). Interestingly, they often involve him saying he can’t force Kris to do something, something he says over and over and over. He seems very preoccupied with it.

[kiddokori]

blorbed… ohs…….

[hinamie]

post-graduation trip airport looks

[bruciemilf]

I think it’d be so funny if Bruce just refuses to disclose the existence of Robin to the league. He knows it’d take less than a minute for them to form a wicked mock club against him.

Except he just? Carries Robin around. Under that endless void that is his cape. Clark pinches the stress point between his brows. “Batman, is that a child under your cape?”

“No.”

“Bruce I can HEAR his heartbeat.”

“I think the long exposure to kryptonite partially damaged your brain. There is no child here, Clark.”

“He’s literally drinking Barry’s coffee right now.”

“He’s WHAT-“

[starii-void]

going to chb must be crazy like imagine sharing a camp with

-one of the strongest demigods ever who's saved the world like at least 3 times, fought multiple gods & titans and WON (and is a tartarus survivor)

-the literal main architect of OLYMPUS who's also saved the world multiple times (also tartarus survivor)

-THE lord of the wild who's also close friends with the first two (and has helped save the world multiple times)

-an emo kid from the 1930s who again helped save the world and is also a tartarus survivor (TWICE)

-a son of apollo who survived tartarus with nothing but cargo shorts and sheer will (pun intended)

-the main designer and builder for the argo II, also the first hephaestus kid to have fire powers since hundreds of years ago (did i mention killed gaea? no? yeah he did that too)

-a girl who somehow charmspeak-ed gaea into falling back asleep (also side note daughter of super famous actor because why not)

-pretty much everybody is a two-time war veteran

-THE GOD APOLLO who just sometimes comes down to visit in the form of a teenage boy

-did i mention dionysus, god of wine madness and theatre

-also chiron, trainer of pretty much every greek hero ever

[ash-and-starlight]

Sokka baulked. "I'm not getting on that." "That," said Zuko, "is my baby." Zuko's baby, a fifty foot dragon, huffed. Great white plumes of smoke issued out of his nostrils and buffeted around Sokka. "Play nice, Druk," said Zuko, laughing

for The Mercy of Magpies chapter 2!

as always written by thee wonderful showstopping incredible @ranilla-bean ✨

chapter post || cover || map and characters

[teaboot]

Sometimes I wish I was Out at my main job but you know part of me really, really enjoys just being seen as "the young straight cis employee who's knowledgeable about queer topics" because I find myself often approached by older folks who admit things like "I know transsexuals are more popular these days but injecting things into children doesn't seem right" and I can tell them "Actually your niece/nephew/nibling isn't getting surgery and junk right now, they're twelve, what they're getting are 'blockers' which delay puberty- and since puberty itself is an involuntary change to the body caused by hormones, isn't it nice that they're getting a bit of time to decide that they're sure about what they want before they start? And also we've been using and observing HRT for longer than Advil, ibuprofen, digital cameras, and laser eye surgery, so IDK, it's good that you're asking questions though, I'm glad you're looking out for them but it's not really all that scary" and I like knowing that I can help steer them in the right direction (seeking out scientifically proven facts and stats, asking questions) instead of encouraging the path they're already on (leaning into instinctive feelings about the unfamiliar and strange)

[pears-palette]

Here's to 10 years of being in the Unknown!

I tried to incorporate something from every episode, and while it was tedious, I am so proud of this piece!

[ID in Alt]

[sualne]

mithrun sketch to celebrate

[zarla-s]

I haven't updated this in a while, but that's a good thing! No news is good news when it comes to the bot warfront, haha. There are still some scattered reports of bots, but I haven't seen any personally when I check and the people I ask haven't see any. Is this the new status quo...?

The big thing is that it has now been TWO MONTHS of botfree TF2! TWO MONTHS!! This was an absolutely IMPOSSIBLE dream back then, and even now I still can't believe it. After years of neglect, two whole months!! There's a real chance this could last all the way to the Halloween event! I know this is the bare minimum of care and it's appallingly late on Valve's part, but still! Two whole months after years of torment... make sure to enjoy it while you have it if you haven't played it yet, haha.

[Second post with new updates]

Valve went through and banned a whole bunch of bots yesterday and when I last checked a couple hours ago, the Casual servers are still 99% actual people! If you want to try out TF2 DO IT NOW while you have the chance! Believe me when I say that having matches this clear of bots is RARE. They'll be back in force inevitably in probably a couple days so the window of opportunity here is small. Take the chance to play a normal round of TF2 Casual while you can!

[thebibliosphere]

Speaking of therapy, I say, as though we're old friends, and you're not a stranger trapped in this metaphorical elevator with me and you can hear the suspension wires starting to fray.

I've been doing a lot of work recently that's focused on imposter syndrome and the feeling that no matter how well or how much I do, I'm not good enough. That I'm somehow tricking everyone into thinking my work is actually good.

Some days it's a minor niggle in my head that I can gentle and soothe with logic and affirmations. Or smother, depending on the mood. Other times it's loud and all-consuming and the mental anguish it causes me is so real I can feel it twitching in my muscles. This desperate fight-or-flight instinct with nowhere to go and nothing to fight but myself.

Anyway, because I'm several types of Mentally Unwell™, I was switching between workshop sheets ahead of next week. Filling in different forms. (Trying to get a good grade in therapy) And I got my "recognize your harmful ADHD coping mechanisms" worksheet mixed in with the "you're not actually lying to people, you just feel like you are because your brain is full of weasels" worksheet, and seeing them side by side made something go topsy turvy in my head, and I just had to sit and breathe for a couple of minutes until the urge to scream passed. Because it clicked, it all suddenly clicked.

The reason the imposter syndrome workshops and therapy sessions aren't sticking was because I do routinely trick people into thinking I'm someone I'm not.

Because I'm masking my ADHD for their convenience.

I've always known there was something wrong with me. My neurotypical peers made it abundantly clear I didn't fit in or was failing in some way I couldn't see nor remedy, no matter how hard I tried.

So I compressed myself into a workaholic box of hyper-competence in the hopes they'd stop noticing the flaws and exploit like me instead. And then subsequently lived with the daily fear that if they looked too close, they'd realize I'm a monumental fuck up with enough personal baggage to block the Suez Canal.

If you ever need someone to burn themselves to ashes for your comfort and convenience, I'm your gal.

Or I used to. Until I had a bit of a breakdown, and the rubber band holding my brain together snapped and pinged off into the stratosphere, never to be seen again.

Unfortunately, the trauma of living like that didn't also fuck off and instead left a gaping maw where my personality ought to be, so now I get to deal with that aftermath.

And it's that aftermath that's affecting the imposter syndrome shit. Because yes, I am hyper-competent and good at what I do-- but it doesn't feel real because that is how I mask.

And the truly frustrating thing is I am good at what I do. I am not pretending. I worked hard to be good at this. It just feels like I'm dicking around because 90% of my personality turns out to be trauma masquerading as humor in a trenchcoat, and having people genuinely like something weird I'm doing is so foreign my brain has decided it's just another form of masking.

I'm pretending to be a good author so people will think I'm a good author, and my brain thinks we are in Danger of being found out. We are in Danger, and writing is Dangerous because then people will know I'm Weird and not whatever palatable version I've presented myself as for their NT sensibilities.

Like the neurotic vampire with a raging praise kink wasn't an obvious giveaway.

Anyway. I got nothing else. Thanks for listening.

I'm going to go be very normal in another room and not stare into the abyss of my own soul for a bit.

[bunnieswithknives]

In which Dev finally talks about what happened to Peri :3

part (1/2): next

[clouvu]

Cooking up an older Clervie outfit design so I don't have to keep drawing her looking like her child self but Long

[buggachat]

im gonna be honest i think the "adrien being a sentimonster was randomly thrown in season 4 with no planning on the writers' part" theory is really funny. like the writers of this show are just so bad at their job and so stupid that they tripped and fell in season 1 episode mr pigeon and accidentally spilled "a strange relationship to feathers" all over adrien by accident. they stubbed their toe on the coffee table and accidentally set up a mystery surrounding emilie's relationship to a feathery miraculous in season 1 volpina before we even knew what its powers were. then they spilled coffee all over their favorite shirts and at the same time spilled more white feathers around adrien in season 2 episode gorizilla. while writing the same episode someone had a really nasty sneeze and got boogers all over the script that said "use the imagery of two twin rings intertwined as the opener for the film of adrien's dead mother". they forgot to look both ways before crossing the street while writing the season 2 finale and were struck by a truck labeled "the peacock miraculous gives life" and then by a second truck with the license plate "it does so using white feathers identical to the white feathers that surround adrien in his ads" at the same time. they plummeted down an open manhole and hit the ground with a loud whack that sounded like "sentimonsters like bugette are just as real as any human..... and isn't bugette so...... perfect?" in season 3. on their way to the hospital they slipped on ice that had frozen in such a way to perfectly resemble the sentence "the word 'perfect' is consistently used throughout the series and by the creator ominously to denote how characters like adrien and kagami are 'different from everyone else', ever since season 1 episode simon says". during season 3 someone on the team got food poisoning and when they threw up felix came out instead and started another whacky series of comedic errors. the answer to the mystery of "how and why did emilie die? what life did adrien's loving mother create that she was willing to die for?" was originally gonna be "idk maybe she just exploded or somehting" probably, but then there was a really painful rock in one of the writers' shoes while walking to work that put them in a mood so bad that they forgot their original plan and instead made some bullshit up that somehow ended up being something that made sense with what we knew and put all the puzzle pieces together and actually made the show even more interesting and impactful on a rewatch because it put a lot of shots that at the time seemed random into a new and logical perspective as clear foreshadowing. it's actually impressive how stupid these silly clown writers are that they put strangely specific things so consistently throughout the entire series that resembled foreshadowing while never actually having intended it a single time! like........... really.......... really impressive............... i think..............

[threewishgoldfish]

I'm back on my bullshit. Aeorian wizard kisses!

[hattedhedgehog]

My (spoiler-free) thoughts on Dragon Age: The Veilguard

The review embargo has lifted and I can officially say that I've played through Dragon Age: The Veilguard early! 

Here are my spoiler-free thoughts and personal opinions on the overall gameplay experience: 

Narrative:

Rook's dialogue and decisions impact SO MUCH of the game, and come into play later on. From companions remembering your beverage preferences, to whether someone you spared shows up later to help or harm you, it feels like the game is paying attention and that you matter.

The stakes are unbelievably high. The Evanuris are utterly terrifying villains, in ways that Corypheus wasn’t. You really feel the magnitude of their power on a personal level as well as a worldwide level.

Whatever your thoughts on him, Solas is FUN as a character. He’s fun to talk to, fun to talk strategy with, fun to rile up and verbally spar with and fun to grudgingly ally with. Now that he can drop his former act and appear to you as the Dread Wolf, and you get to see his memories, you and he team get to decide how to utilise his knowledge and how far your trust extends.

The setup and payoff of the story beats are absolutely superb. The emotional turmoil as a player of being ensnared by things that was foreshadowed earlier in the game is utterly exquisite. Every thread of the larger tapestry has been woven with so much love by the writing team, and every character’s arc tie into the larger story in interesting ways.

The characters feel like they have full lives outside of the player character. You frequently go exploring their home turf and can meet their friends and family. They interact with each other on their own and move about the Lighthouse to spend time together, leave notes for each other, and talk about each other even when the other isn’t there. The team feels like they all really care about each other as well as you. 

You can tell what your approval rating is with characters, but if you want to romance them you have to put some thought into it. Interactions and world events besides the heart on the dialogue wheel influence their attraction to you.

Gameplay:

The combat is very engaging, and I enjoyed how unique all the enemies were.

Abilities in the skill tree can be refunded so you can redirect to a different specialization, which is really handy if you’re indecisive and overwhelmed at first (like I get when choosing abilities).  Most companions can get healing abilities no matter what class, so you don’t have to worry about balancing your rogues/mages/warriors (most of the time).

Climbing, balancing on ledges, using ziplines and sliding down slopes made environments feel more immersive. Additionally I like how each companion has unique abilities that let them interact with the world (fixing mechanisms, breathing fire, summoning bridges from the Fade, etc), and learning their abilities alongside them helps you grow closer.

The wayfinder light makes everything feel streamlined, so it's way harder to get lost while exploring an area. I hardly had to look at the mini map at all, and usually I’m glued to it! This meant I could actually look around at the beautiful environments and appreciate how lively they were, even without NPCs.

The upgrade system is far less overwhelming than in Inquisition; there are a finite amount of weapons/armour/accessories to be found, which are designed for each specific character like in DA:O and DA:2. There's also no longer crafting from scratch. If you loot an item you already have, it automatically upgrades the single item rather than giving you duplicates.

You know that frustration of coming across higher-level armour that just isn’t as flattering as your current one? Not to worry, you can collect “appearances” which you can toggle on as the visual for the armour while still retaining the benefits of the original.

I cannot stress enough how simple and easy to use the inventory is. It's heavenly. 

Using the shops of specific cities increases your reputation within those cities, which is a good incentive to explore and use the shops. I usually hate in-world shopping but here it was simple, and thinking about it tactically worked pretty well.

Quests sometimes reach a point where you can't continue at your current place in the story, and must return to in later acts. When re-exploring familiar areas, everything feeling big enough to be fresh with each visit, and new loot and codex entires appear.

Edit: something I forgot to mention. In character creator, you get to make your Inquisitor after you make Rook. The build menus are all the same, so manage your energy accordingly for doing it all again immediately after for your Inky. I spent an hour and a half building my Rook and wanted to get right to playing, and had to re-wire my brain a bit to be patient and keep going with the CC. (Seeing my Inquisitor with new graphics was awesome though).

A couple little things I appreciated:

The control sounds are very pleasing. From the whoosh of opening the combat wheel to the clinking of upgrades to the subtle whir of holding the decision button, they're a nice touch.

If companions are interrupted in conversation by combat, they resume it afterwards with a "what were you saying before?".

Photo mode is so fun to play with, and you can adjust blur/brightness/lens/depth within the scene. You can also toggle on and off the visibility of your Rook, your party, NPCs and enemies!

Assan learns new interaction tricks at the Lighthouse as the game goes on.

Nitpicks:

Overall I had an incredibly positive experience. The gripes I had were tiny things like:

I genuinely like the new art style of the game as a whole. However, the blurriness of some of the features in contrast with some elements being very crisp was distracting.

When trying to sell valuables for faction points without using Sell All, it takes quite a long time to count up all the individual sales, and it isn't a live counter. So it's kind of annoying if you get +3 points for each item you sell, need 150 points to get the next tier of items, and over 10K worth of valuables that you want to sell to other factions. 

If you do lots of quests without returning to the Lighthouse often, occasionally companions at the Lighthouse will have dialogue pertaining to the quests you've just finished as if you haven't done them.

You can pet the dogs and cats in the cities, but Rook turns their back to the camera to do it and it blocks most of the action unless you rotate quickly.

Gender stuff:

I was incredibly moved that not only can Rook be trans/nonbinary in the character creator if you so choose, but they get options to feel differently about their identity and journey, and it impacts their dialogue and how they relate to other characters! To access this make sure to interact with Varric's Mirror in your room in the Lighthouse. There are many conversation options throughout the game to discuss your identity with other characters, or relate your change of self to other situations. Crucially, it comes up when entering a romance and you have to communicate with your partner about it, which I never even THOUGHT of including in a game because it seemed impossible to even allow trans main characters to begin with.

There are also multiple trans and nonbinary characters throughout Thedas. What I found the most realistic was that just like in life, it is a consistent presence in any character's life, and comes up in conversation more than once. I have never seen a game this forthcoming and open about the topic of transitioning, and it was so validating. 

Final thoughts:

I adore the other games in the franchise. Something about The Veilguard affected me in a way no other game has. I cried multiple times while playing this game, both from joy and sadness. What struck me most is that the people who worked on this game REALLY listened to feedback from previous games, and were very set on making a piece of art that meant something to people. Even during the last few years of me testing the game, things have been adjusted and changed in direct response to our reactions and suggestions. It's surreal and quite touching.

Mileage will vary, but my playthrough was 70 hours on very low difficulty and I haven't done every side quest yet. I could easily have spent more than 100 hours in the game if I wasn't pressed for time.

I hope you enjoy this game as much as I have. See you in Thedas.