#wall scene

[the-useless-lesbians-hq]

I know I was born gay, but if I wasn’t the infamous Wall Scene is totally what turned me into a woman kisser

[fidgetyhands]

I keep running this through my head, and I think Crowley's choice of body positions supports it.

He's shoving Aziraphale, but not in the expected way with his hands. His entire forearms are flat against his chest. That lets them have their faces and bodies close together while still being visually coded as aggressive / attacking.

(I am not sure how much characterization weight to put on the gentleness, since clonking his head on the wall would have been bad for Michael Sheen)

Sit down, gang, we’re gonna talk about the Wall Scene.

I know, I know, other people have screamed about it before, but when your friends ask you to do a thing, you should oblige.

But you know exactly what scene I’m talking about. They’re walking down halls, kicking in the doors of an ex-Satanic convent, Crowley admits to being Soft because even though he turned the paintball guns into real guns, he also made sure that no one would die. 

“They’re all having miraculous escapes,” he says. Because he knew Aziraphale would be upset otherwise.

Aziraphale replies, “You know, I’ve alway said that you really are quite a nice–”

And then. and T H E N

First of all, and this is fairly important: if you look closely, Crowley don’t even push him against the wall hard. He wants to intimidate Aziraphale so he’ll stop doing things like calling him NICE, but he doesn’t want to hurt him. Never wants to hurt him.

In fact, if you notice, he only pushes far enough for Aziraphale’s back to hit the wall. He doesn’t push hard enough or lean in hard enough for Aziraphale to hit his head on the wall. Look closely.

Aziraphale is the one to rest his head against the wall, that doesn’t happen because Crowley is too rough with him.

But the second thing, fam, the second thing I wanna say is this: when someone grabs you like that, usually you grab them back. You bring your hands up to defend yourself, you try to escape, you turn away, brace yourself for the attack, you do s o m e t h i n g.

Aziraphale does NOTHING. He holds his hand out behind him just to feel for the wall, but other than that, he lets Crowley manhandle him. He doesn’t even look away, he’s staring right at Crowley, meeting his gaze steadily.

And look at his hands in the gif above. They don’t clench into fists. Never, not once. There is no fear response.

Now look at Aziraphale’s face. He’s surprised, but he’s not afraid. 

That’s not a look of fear, fam, that is a look of Gay Panic because oh no, our bodies are pressed together and our noses are touching. His eyes even flick down to where the tips of their noses brush.

He never once tries to push Crowley off of him, tries to escape, nothing. Never, not once, do we see fear on his face.

And, in fact, when Sister Mary Loqacious comes along, we see the opposite.

Excuse me, gentlemen, sorry to break up in intimate moment.

Crowley turns to inspect the newcomer, Aziraphale does not. Aziraphale is too focused on Crowley. 

Look at his eyes. First focused on where their noses had been touching, just like in the last gif, and then when Crowley looks away, he only lifts his gaze to stare at Crowley’s profile.

LOOK AT THAT EXPRESSION.

Excuse me, sir, I’m going to have to cite you for excessive longing.

My favorite thing, though, my absolutely favorite thing, is Crowley immediately looks to Mary, whereas it takes a moment for Aziraphale to realize they’re being intruded upon.

What was that? Other people exist? Dear me.

Also, like, listen. This strange woman is walking up to them and speaking to them and NEITHER OF THESE NERDS move away from each other.

Usually, when two people are caught in what might be called a “compromising” position–especially when the person catching them calls it an ‘intimate moment’–the two people involved try to put as much distance between them as possible and laugh it off.

Not these nerds, oh no. They literally stay pressed together against a wall, just looking at her as she talks to them. Crowley doesn’t even move away when he realizes who she is.

Aziraphale, still content to be held against the wall, is like, “Oh, we know her?”

But look at them! They’re still just standing there! This woman is RIGHT NEXT TO THEM, is ACTIVELY STARTING A CONVERSATION WITH THEM, and they’re like “what is personal space.”

Crowley only moves away from Aziraphale when Mary starts backing up like she’s gonna run.

And then what happens? They bicker like an old married couple. Because of course they do.

Why would they do anything else????

[mirror-mariposa]

Never gonna get over how the anime made this scene just so,, haunting and elevated. Like I love the manga but I love how the anime has taken these scenes and elevated the themes of death and rebirth with simple shots like this and it’s why even after reading all of the manga I still get excited for the anime because I *know* the anime will not only be a faithful adaptation, but also an artistic masterpiece as it uses the medium to its advantage

[andrew-03-minyard]

the number of organs id be willing to sell to see this scene in cinematic form with good actors and an insane budget is not considered normal

[technically-human]

St. Hilarion's ghost story

[worrynoodle]

This is exactly the same picture twice

😂 😂😂

[arcanegifs]

ARCANE LEAGUE OF LEGENDS: 2x09 - “The Dirt Under Your Nails.”

[dilapidatedanchor]

Varric you would have loved fanfiction

[stellewriites]

so tenderly

priceghost x reader

you panted into the pillow, on your hands and knees; john’s fingers and tongue had been working you open for so long, yet kept you just on the precipice of another orgasm, that you felt you were about to buzz out of your skin or pass out for 24 hours.

you were almost regretting going home with him after that drink at the bar.

irritation built up inside of you and you felt desperate enough to unwisely snap at him.

“just fucking get on with it already,” you pleaded.

“gotta make sure you’re ready for him, love,” john cooed; eyes bright, obviously pleased by at your begging. you didn’t like how he referred to his cock in third person, but if it got him moving quicker you’d deal with it. in your panting desperation you hadn’t noticed the second still body stood over john’s shoulder at the end of the bed.

“think i’m— nngghh, please, i’m ready.” you moaned and pushed back on his three fingers wantonly, glaring fiercely when he chuckled. he was just playing with you now. you spat a little pettily, “no offence, but i don’t think you’re as big as you’re building yourself up to be.”

john grinned at your renewed vigour, seeming to revel in your attitude. “nah, not me, love. but they don’t make ‘em bigger than him,” he emphasised and you frowned in confusion. “you’ll be wishing you had longer on my tongue when he’s between your legs. can promise that.”

he slipped his fingers free and rolled you over finally, grabbing your wrists just as you spotted the looming figure behind.

you let out a terrified screech and the unknown man smiled, pulling at the long, thick scar dissecting his lips.

john held firm to your scrambling hands and tightened his knees where he’d straddled your waist. he gave you a quick peck to your cheek, his arousal drenched beard rubbing scratchily against your cheek.

“this is simon. he’ll be joining us tonight,” john said.

[worrynoodle]

Hey what do you think would have happened if she hadn't interrupted? Please tell me i wanna know

GOOD OMENS | 1x02: "The Book"

[bloobydabloob]

Yellow bird up high in banana treeee

[orionis13]

Jeans that are gonna sell for 300 dollars on poshmark after they kill this old man

[evilherehotel]

literally how did she get out of that

[fool-for-luv]

yeah your rituals may be intricate. But have u ever placed a real gun in the hands of your eternal and fated enemy, watched his hands shake as he points it at you, and trusted that he will not let the bullet touch you, all for a magic trick that was your idea in the first place? have u ever seen true fear in his eyes and still known that even without miracles, he will let no harm come to you, even if that harm is only a ridiculous amount of heavenly paperwork?

[elentary]

I love how the scenes were filmed and edited because you can see how different they were.

Just let me explain (since I'm lazy I'll use CrP = Crowley's pinning and AaP= Archangel's pinning)

CrP -> sudden (due Aziraphale's words) Vs AaP -> premeditated

CrP -> fast approaching (with a great zoom in to makes it seems faster) Vs AaP -> slow and menacing

CrP -> the angel roll with it (kudos to the stunt team who probably showed David and Michael how to do it and kudos to the actors for doing it so flawlessly) Vs AaP -> Aziraphale does nothing to counter that and freeze in fear.

CrP -> Overdramatic snake Vs AaP -> threatening ba..d angels

CrP -> Aziraphale is calm (he is just letting his snake rant) because he knows Crowley won't harm him Vs AaP -> he tries to stay stoic but he's terrified and nervous (his smile is born from fear)

CrP -> Crowley is very close to Aziraphale Vs AaP -> the archangels keep their distance (even Uriel who is pinning the angel)

Kudos to all the actors, thr filming crew and editing team because those scenes work beautifully to show us how the situation is.

I don't think I'll ever be over the fact that Aziraphale didn't look even one tiny bit scared when Crowley pinned him to a wall but looked absolutely terrified when an angel (his own side) pinned him to a wall. My boy knows who's his real friend. He's on their own side. Always.

[divineandmajesticinone]

VAN HELSING (2004) dir. Stephen Sommers