#voldemort x harry potter

[bpdmanor]

mutuals were talking about og movie concept of voldy moldy so heres a doodle

[consumedshadow-mysticmc]

Behold the 2012 cringe

“Hey, I just met you and this is crazy; but I’m your horcrux, so shag me maybe.”

[faithsoneluv]

i want sb to look at me the way tom looks at harry.

(/j i know the context yada yada BUT HHHHWNW CHRISTIAN'S SMILE??)

[twhos-fests]

Gothic Fantasy Fest 2024: Day 5 Reveals

Today's GFF highlights are focused on the submissions we received that were inspired by or based on gothic poetry. Poems such as “I felt a funeral, in my brain” by Emily Dickinson and “My Heart is a Cathedral” by Segovia Amil. Mind the tags & Happy Reading! 🦇

Anabiosis @lee-bella

"He could hear a sound in his head, a strange knocking as though someone were chiseling a coffin in his brain...."

Warnings: Dead Dove | Voldy Wins AU | Obsession | Grief/Mourning |

Rating: Explicit

Character(s)/Ship(s): Harrymort

Word Count: 3,736 words

Summary: In their final moment together, they had eyes only for each other as was ordained—it was love at the final sight.

I felt a funeral by @alyceofthetogas

"A horrible feeling was clawing at Blaise's chest..."

Warnings: Family Secrets | Madness | Grief/Mourning |

Rating: Teen

Character(s)/Ship(s): Harry Potter/Blaise Zabini

Word Count: 1,609 words

Summary: Blaise's mother requests he visit.

Like Falling by @i-dream-of-libraries

"Thick clouds of steam obscured all around him; he was afloat in an ocean of white..."

Warnings: Hannibal Vibes | Obsessive Behavior | Manipulation |

Rating: Explicit

Character(s)/Ship(s): Tomarry

Word Count: 3,176 words

Summary: Auror Harry Potter had a much nicer ring to it before he was sitting in an interrogation room across from his childhood friend, Tom Riddle. Their past haunts him with every look, every memory of touch, and the reality of the glass that now separates them in this world. Maybe not in others.

Complete fest information under the cut!

Fest Disclaimer

Due to the darker subject material of the prompts, please mind every tag of the submissions you choose to read and engage with from our fest. Some fanworks include triggering and taboo content. So, take care of yourself, honor your limits, and enter at your own risk.

Fest Information

Gothic Fantasy Fest is a Harry Potter fanworks fest dedicated to and centered around our love for the gothic horror genre!

The inspiration to host this fest came out of our desire to see more fanworks in the fandom where the darkness within us all is celebrated, embraced, and reveled in.

This fest is hosted by The Writing Heirs of Slytherin Discord Server.

Important Links

AO3 Collection

Official Fest Spotify Playlist

Official Fest Mood Board

Discord Server

[secretshipgirl]

No, because I don't think people realize how lucky we are that Voldy doesn't have emotions.

I mean, imagine what would have happened if Moldemort had empathy? He still would have killed Lilly and James bc they disobeyed him, but. Harry. He did nothing wrong.

If he had taken him in, changed his last name to Riddle, it would been over. Like, he would have all the best things, would know spells and parseltoung by 9, and would probably act like a quiet version of Draco, just waaaaaaaaay more dangerous and intimidating. He'd never know about the prophecy, he wouldn't trust Dumb as a door, he'd be sadistic and cruel, and the Wizarding world would have been doomed. Their savior was already practicing unforgivable curses at 10, how would he save them from his own father? The person that raised and cared for him his entire life? Answer, he wouldn't. He'd rule over muggles and mudbloods along side him, happy as can be.

And if you want to make it REALLY fucked, Voldy may just decide to marry him. Make him his officially. Make sure Harry didn't know how wrong it was. Groom him. And watch as the whole Wizarding world lost hope completely.

I HAVE A LOT OF FEELINGS ABOUT THIS, OKAY!?

[catofadifferentcolor]

Terrible Fic Idea #55: Harry Potter, but make it Roaring Twenties

In what is possibly my most terrible idea yet, I've been contemplating all those HP fics which insist that if only Tom Riddle had been raised correctly, he'd never have become Voldemort - or would have at least gone about his goal in a more sane fashion. I tend to agree with this idea, as the idea that anyone is born evil seems incredibly naive.

Yet if I was a time traveler desperate to save my society, I don't know if I could take that same position - yes, I sincerely believe that no one is born evil, but am I willing to risk the future on the chance I'm wrong? Or: what if a female!Harry Potter traveled back to the 1920s to prevent Tom Riddle's birth?

aka the Mother Dearest fic

Just imagine it:

Female!Master of Death!Harry Potter has witnessed the end of British Wizarding society. Voldemort is not solely at fault for it - magic has been declining for generations, as Dark and Light become unbalanced, but he definitely speeds the process along. Hyacinth (as we shall call her moving forward) decides to travel back in time to 1925 with the intent to prevent Voldemort's birth, which should hopefully provide Wizarding Britain time to restore the balance.

Hyacinth takes on the identity of 16-year-old Hyacinth Peverell, the only survivor of a fire at the Peverell Estate - and thus heiress to a grand fortune, but for the moment in the care of her paternal grandmother's brother, a retired professor living in Greater Hangleton.

The Riddles, being rampant social climbers, encourage Tom Riddle Sr to get close to her - which she somewhat bemusedly allows on the basis that keeping this Riddle close will prevent Merope from getting the chance to drug him with love potion.

(Not, of course, that Merope is around anymore. A quick spell or two saw Marvolo and Morfin kill each other off in a "drunken" altercation and the underage Merope taken away by the Ministry. But Hyacinth is covering all her bases.)

Meanwhile, Tom Riddle does his best to seduce Hyacinth Peverell, which results in the pair being wed in early 1926 and a pregnancy announced not long after.

On December 31, 1926 Hyacinth gives birth to their son - Thomas Tristian Riddle. Though it takes Hyacinth a few months to realize it, her son bears the soul of Voldemort from her original timeline, with his memories largely locked away until he's old enough to process them, circa 7-11 years old.

This is originally where I thought of ending a short one-shot... but then I thought, why not lean into the unhealthy, creepy element that would surely arise between a Voldemort obsessed with a witch who was once his prophesied downfall and who is now his loving mother? I'm not just talking codependent here but full-on Electra Complex, with a heavy layer of Child Supplants Parent directed toward Tom Sr for abandoning Merope in the original timeline.

Hyacinth becomes pregnant with a daughter in 1931? She's suddenly widowed when Tom Sr dies in a car crash with his mother. Tom Sr's father makes a drunken pass at Hyacinth while morning his wife and son? He's found to have committed suicide a few days later, leaving Tom Jr heir to his estates. Hyacinth gives birth to a daughter, Daphne? Well, Tom Jr restrains himself to keeping most of his mother's attention on him, but the threat is always there.

For added terrible fic factor, Hyacinth should be aware of what her son is doing and subtly encouraging it, having been almost as obsessed with Voldemort in the original timeline as he was with her and not realizing how much she'd miss her beloved enemy after he was gone. Perhaps she should have even ensured she'd get pregnant with Tom Jr at the precise time he would have been conceived originally, having decided that she couldn't bear not to have him in the world despite that being her whole raison d'etre for coming to the past. Hell, perhaps her whole marriage to Tom Sr should be a way of trying to fill the void Voldemort left in her life to begin with.

That's all I really have - just the idea that what could have been a very creepy one shot could easily evolve into an incredibly creepy full-length fic depending how hard one wants to develop and explore the layers of obsession and unhealthy mother-child relationship. Depending on how twisted you make Tom Jr as a child with a whole soul and Hyacinth after how many centuries of being the undying Master of Death in a dying magical world... well, there's a lot of room to play.

Bonuses include: 1) Tom Sr's father being the result of an affair between his mother and Marvolo Gaunt's father. He's unaware of the relationship, but it's enough for that thread of magical heritage to pass down Tom Jr in his new body regardless; 2) While we're at it, let's make Tom Sr's mother the third-generation descendant of a cast-out Black squib; 3) Hyacinth pretending to be your average 1920s upper-class housewife by day while secretly moving through magical circles by night, subtly pushing a pro-Grey, pro-greater secrecy agenda at the great and powerful of the magical world; 4) The suggestion that Voldemort's madness came as much from his muggle father's family as his inbred mother's: Tom Sr's father should express psychopathic tendencies, Tom Sr himself should be something of a sociopath, and Tom Sr's mother should be as much a Black as it's possible to be without magic; and 5) As much I can't believe I wrote this as the author can humanly manage.

And that's all I have. As always, feel free to adopt, just link back if you ever do anything with this genuinely terrible fic idea.

More Terrible Fic Ideas

[dresyreads]

Chapters: 14/14 Fandom: Harry Potter - J. K. Rowling Rating: Mature Warnings: Graphic Depictions Of Violence Relationships: Harry Potter/Tom Riddle Characters: Harry Potter, Tom Riddle, Other Character Tags to Be Added, Ron Weasley, Hermione Granger, Teddy Lupin Additional Tags: Serial Killer Tom Riddle, Crime Scene Investigator Harry Potter, Murder, Gore, Gift Giving, Tom Riddle is His Own Warning, Tom Riddle is besotted, harry potter needs a break, a long, long break, Writing this when I'm bored, be gentle I'm fragile and this is just for fun, Other Additional Tags to Be Added, I apologize in advance, someone gets set on fire so uh, Tom practically cock-blocks himself, lots of inaccuracies probably, Something that could be considered non-con happens between Bellatrix and Tom, Hedwig is a long haired dalmatian ;w; Summary:

Tom Riddle is a serial killer, and Harry Potter is the object of his affections. He kills people as gifts for Harry, and leaves a card for him with each "gift".

Harry Potter is a crime scene investigator, and he most definitely does not appreciate the gifts. --- DO NOT TRANSLATE WITHOUT PERMISSION

[ninthofthermidor]

after like 3 years im back in my harry potter phase sooo

does anyone have any tomarry fics with a dynamic like the one in this ? it’s such an amazing oneshot and i just love the classic ‘harry travels back in time/harry and tom attend hogwarts together and tom is just enamoured every time harry acts up’ trope

[reggieblk]

Chapter 8. Horcruxes (of 16) of equals in life (partners in death) is out ! 

Fic summary :  

When Sirius died Harry's whole world crumbled.

Amidst grief and anger, one may find that hope and love can be found in the most unexpected places.

For Harry, that came in the form of Voldemort offering him a home.

-

A story of grief, healing, learning and magic. But most importantly, this is a love story.

I hope you all like it! I know this was a long awaited topic in this fic! :) xx

[coryosbaby]

Mascara || T. Riddle

Fandom: ‘Harry Potter’

Pairing: Young! Tom Riddle x fem! Ravenclaw! Reader

｡.｡ ♡ Content warning . Public sex, praise & degradation, cum play, sub! Reader, dom! Tom

Notes: set in modern day Hogwarts. I never thought i’d want to fuck Voldemort but here we are.

Your feet patter softly against the tile floors of Hogwarts, a book clutched tightly in your arms as you make your way towards the school’s library. It’s a rainy night, incredibly quiet and empty. The other students are at dinner, and you’ve decided to skip out to study for your OWLs. When you open the big wooden doors to the library, the smell of printed ink and old pages invites you further in.

The first thing you notice, when you close the doors behind you and take sight of the room, is that the librarian, Madam Pince, is no where to be found. She must be on her break.

The second thing you notice is the boy sitting in the darkest corner of the room.

You know of the familiar brunette— of course you do. Who wouldn’t? Tom Riddle is a popular slytherin well known for his cunningness, his intelligence, his ability to speak native tongues— and sometimes, his temper. A ravenclaw yourself, you try to steer clear of him. Slytherins usually don’t take politely to anyone outside of their house. Not to mention the fact that you scored the top of your class, with him coming in close second. You suspect that he hates you for that.

He catches your gaze, brown eyes with the resemblance of a serpent. He looks back down at his book, seeming bored.

You let out a breath of air.

You slide your book into the return bin, timidly moving to the shelf about Potions. Snape has been really hassling you lately on your grades, and you really need to turn your B+ into a perfect A. Your fingertips skim over the leathered binds, reading title after title. A voice behind you makes you jump.

“If you’re studying for Snape’s final, I’d recommend ‘Advanced Potion Making’. It will tell you all you need to know.”

His voice is an angelic lilt, though you know that is not in any way what he resembles. The fact that he’s helping you stumps you into utter confusion, and heat creeps up your neck. You nod to him as you begin searching for the book.

To no avail. Your eyes search every bind, every word, but your focus has been diluted because of Tom speaking to you. He sighs, almost annoyed.

He appears beside you, much to your surprise. You nervously bite your lip as he finds the exact book he recommended and pushes it into your hands.

“Chapter nine. I would’ve thought a girl of your ranking in our class would know this already.”

Your brows furrow, embarrassment coursing through you as he sits back down and resumes his tasks. You nervously fumble with the book.

“Thank you.” You reply, because you had been taught proper manners. He scoffs, flicking through the pages of his book. You can’t read the title, though the cover is quite off put ish and dark. Perhaps he had snuck into the restricted section.

“Don’t.”

You frown, though your mind is peaking with curiosity. He seems rude, but he was trying to help you. Maybe there’s something nice under there, after all. Your body is stiff as you sit across from him at the table, silently pleading to God that the boy across from you won’t put a nasty hex on you.

“You don’t have to be rude, you know.”

It slips out of your lips, quiet and unsure. Tom’s eyes narrow at you.

“And as well as that, you don’t have to sit across from me.”

“Perhaps I want to. Perhaps you need a friend.”

“A friend?” He chuckles dryly, his gaze travelling down to your robes. You try to ignore the heat creeping between your legs. “We aren’t going to be friends.”

His insinuation is thick, dangerous. Your heart pounds out of your chest at this unexpected turn of your study hour. You gulp, looking down at the pages.

“Very well then. But since I’ve already sat down, I might as well continue my book here.”

“Or we could continue this conversation in my dorm room.”

He says it smoothly, with no fear or utmost insecurity.

“What?” You blanch, stuttering on your syllables. Tom smirks.

“A smart girl like you, and you can’t even comprehend a single sentence,” he says, his body beginning to move out of his chair. “‘S pathetic, really…”

You breath hitches as his tall form towers over you. Your fingertips grasp the sides of your chair as he leans in close.

“Tom,” you start, warningly. He quirks a brow.

“No?” He questions, and then after a moment, staring into your doe eyes, it dawns on him. His mouth forms into a grin. “Oh, you want it here, don’t you? You want it right here.”

His lips brush just inches over your pouty lips, and you wonder how in the hell you got into this situation and why this slytherin boy is making such a sudden move on you. But knowing Tom, it’s probably out of boredom. Out of the desire for a hook up.

You don’t mind it. Not really, not anymore, because all your protests are ripped away from you when he presses his lips to yours. It’s not tender or sweet, it’s full of sharp teeth and unfiltered lust. His hands rest on your chin, gripping your head so you can’t escape his kiss— can’t escape him.

Your tongue is about to graze his lips when he pulls away. His fingers grasp your shoulder and pull you up to your feet. You stumble, your legs shaky from just a couple of kisses. You gasp when he spins you around and presses your face against one of the nearest bookshelves. His big hands wrap around your wrists and hold them behind your back.

“I don’t want to hear any complaints from you. Do you understand me?” He whispers, his hands reaching down to lift up your robes. “If I do, I’ll leave you here drenched, your clothes gone, with your holes freshly fucked and on display for the entire school to see. Do you understand me?”

You nod instantly. You know that these aren’t empty threats; when Tom says he’s going to do something, he’ll do it.

When he pulls up your robes, taking in the sight of your pretty pink thong, he lets out a sharp breath.

“Prepared, weren’t you?”

You let out a whine, knowing that no, this wasn’t intentional. Tom just caught you on a specific type of day. But looking on it now, maybe the universe was being in your favor when you decided to pick out the flimsy undergarment.

Tom slips the hem of your robes into your hands.

“Hold it.” He commands, and you’re quick to comply.

His hardness presses against you, clothed still but his robes are lifted so he can rut against you in his briefs. It isn’t long before he’s pulling them down past his thighs, his cock sprinting up into the air as he places himself against you once again. You can’t help but drip with need, canting your hips back against him. His cock presses in between the seam of your ass, and you rub against him like a bitch in heat.

And just like a bitch in heat, you purr.

“Tommy..” you let out, and his grip on your hips tighten. “Please?”

He scoffs at the nickname, though his bottom lip is caught roughly between his teeth and he’s trying to contain himself. He wraps his hand around his awaiting length, parts your thighs with the other, and slides his dick up against your throughly aroused pussy.

He’s warm, sticky. You wish you could’ve seen him before this, seen that thing that feels oh so heavy between your legs, but it’ll have to wait. Hopefully, there will be a next time.

When he slides in, it stretches you obscenely. This isn’t your first time, but there’s a burning sensation as he enters you. He’s got the perfect amount of thickness and length to pull a moan deep from your throat.

He doesn’t start slow. His hips smack against yours at a rapid pace, small grunts leaving his silky lips as he uses you like a common whore. Your hands grip your robes and the bookshelf at the same time, trying to keep steady as Tom fills you to the brim. He noses along your jaw and leaves wet, open kisses there. You mewl when he bites down harshly and sucks a mark into your skin.

“Such a tight little cunt you have,” Tom breathes, his fingertips bruising your hips. “Look at you, such a slut for my cock. Does it feel good? Tell me, tell me how it feels.”

Your thighs squeeze him, your mouth gaping open in utter ecstasy. Your words are caught in your throat, but Tom is quick to force them out of you with a spank to your ass. You moan, your forehead pressing against the bookshelf’s wooden edge.

“Yes! Yes, it feels so good…” you slur, entranced by the spice of his cologne and the feeling of his girthy length splitting you open. He grunts, bucking his hips into you with vigor.

“And I bet it’s the best you’ve had, isn’t it? All those other boys can’t do it for you. I’m the only one that fucks you this good.”

It’s true, and when his cockhead hits a spot deep inside you that has you keening, your legs quiver and your brain turns to jelly. Tom’s fingers place themselves around your neck and squeeze so hard that your vision blurs at the edges, and you’re enthralled by the fear that courses through your veins. He’s playing your life in his hands like it’s a shiny new toy.

He fucks you like a madman as you gasp and beg for air. Tears spill out of your eyes, salty and wet and Tom takes notice.

“Crying?” He sneers, pounding you so hard that you’re sure the bookshelf will leave bruises as it presses against you. “You’re pathetic. A pathetic, filthy little girl.”

“Mmmhhh..” you cry out. Your eyes roll back as you utter incoherent sounds. He growls.

“Do you want me to cum inside you?” And then, with a harsh grip on your hair, “I want to hear you say it. Beg me. Beg me to fill you, whore.”

Your eyes shut tight, and your hands clasp around his wrists as he loosens his grip on your throat.

“Please,” your voice is a gasp as you finally get oxygen unto your system. “Please, Tom, f-fill me up. Cum inside me.”

A small, throaty groan escapes his lips, and with one last desperate thrust he’s spilling balls deep inside your drooling cunt. His cum spills over the cusp of your used entrance, and when he’s done fucking it into you he pulls out with a sharp exhale.

You can feel his cum spill out of your raw fucked hole, the creamy fluid dribbling down your thigh and dripping onto the carpet below. Your clit throbs mercilessly, still devoid of any attention, but Tom is quick to put a stop to that. He drops to his knees, then, and it’s a surprising gesture that you didn’t expect. He doesn’t seem like the type to get on his knees for anyone, let alone you. But his tongue lolls out of his mouth as he spreads your knees and catches his cum into his awaiting mouth. He licks up your hole, circling your clit with practiced precision. You let out a guttural sound when you hear the obscene noises of the cum spilling out of you, along with Tom’s mouth slurping at your cunt vigorously. He works at you over and over, and you clench when you feel yourself nearing your high. It’s almost embarrassingly quick, but you’ve been denied so long that you need to do it and you need to do it now.

“I’m going to…” you gasp out, as he rubs circles into your clit. He lets out a loud grunt against you, his mouth working harder. “I’m cumming—god, I’m cumming!”

Your orgasm washes over you, hits you like a tidal wave in the middle of an incredibly large ocean. Tom works his tongue and lets you ride out your high, and he sighs and pulls away from your pussy when you come down.

He’s gathered enough arousal to fill his mouth generously, and he kisses you flat on the lips. His tongue slides against yours and you can taste your shared arousal on him. You whimper, licking desperately at his salty spend, and it’s messy and sloppy and absolutely depraved. His teeth nip at you as you swallow it all down.

You’re dizzy, on shaky legs. You turn around, finally getting to see Tom’s face coated in your slick and his cum. He grins at you, and something twists in your gut so primal you feel you might burst.

“Better get to studying, Miss Y/L/N,” he says. “It’d be a shame if this missed study session made you fail your OWLs.”

[larallott]

Being Tom Riddle's girlfriend includes:

Possessive: Tom has an intense need to claim what he considers his, and you are no exception. He keeps you close and makes sure everyone knows you belong to him.

VERY jealous: Tom’s jealousy runs deep, even though he tries to hide it. The mere thought of someone else trying to get close to you drives him mad.

Very protective: He’s always alert to any possible threat. Even if you don’t ask for it, he’s there to ensure no harm comes your way.

He won't admit it, but he likes lying on your chest because it relaxes him: Even though he would never confess it, in moments of intimacy, he enjoys resting his head on your chest. It brings him a rare sense of peace.

He likes when you run your fingers through his hair: He finds an unusual calm when your fingers play with his dark hair, though he would never admit it openly.

He doesn’t show affection in public: In public, he avoids displaying affection. He doesn’t want anyone to see him vulnerable, as it would ruin his image and make him seem weak.

He helps you with your exams: Even though he’s reserved, his intelligence is something he shares with you when needed. He guides you and ensures you excel in your studies.

He likes you sitting on his lap while he reads: When he’s absorbed in his books, he invites you to sit on his lap. He enjoys your closeness as he immerses himself in his reading.

Forehead kisses: His kisses are subtle and soft, especially on your forehead. They are his quiet way of showing affection and protection.

He wraps you in his cloak when it’s cold without saying anything: On cold days, he silently wraps you in his cloak, letting you feel his care and protection without a word.

He watches you sleep (tenderly): Although he would never admit it, in the quiet moments while you sleep, he allows himself to watch you with tenderness. His face softens, and for a brief moment, he looks almost human.

He loves leaving hickeys on your neck, collarbone, or anywhere: Marking you is his way of ensuring everyone knows you belong to him. He leaves hickeys as a visible reminder of his claim.

His kisses are slow but gradually become possessive: At first, his kisses are slow and deliberate, but they quickly turn more intense and possessive, as if each kiss is a reaffirmation that you belong solely to him.

[megwritesriddles]

I Despise You ༊*·˚

18+ MDNI !!!

Pairing: Tom Riddle x Fem!Reader / You

Summary: Kinktober 2024 Day 1 - Angry Sex. Reader is the Head Girl and Riddle is the Head Boy, Riddle likes to push Reader's boundaries until it all boils over. Minimal plot but a smidge anyway.

Tags: Angry sex, P in V, Fingering (fem receiving), Unprotected sex, Magic as birth control, Enemies with benefits, Arguing (which is badly written oops), Attempt at angst, Tiny bit of sexism from Riddle, Reader is wearing a dress (I imagined one of those Sabrina Carpenter babydoll dresses lol), Head boy Riddle, Head girl Reader, Historical inaccuracy.

Word count: 3.4k

Read it on ao3! | Masterlist

Authors note: First installment of Kinktober and first post on tumblr!! woo!! please show me some love if you like it!! I am terrible at writing arguments because I hate confrontation irl oops!! Hope you like it anyway mwah ( ◕◡◕)っ ♡

︶⊹︶︶୨୧︶︶⊹︶

Being appointed as Head Girl was supposed to be the best thing to ever happen to you. You’d been working toward it since at least the third year and it was all you ever seemed to hope for. It was meant to be an achievement that you and your friends would all celebrate, perhaps head down to the Three Broomsticks and spoil you with free drinks for the night in honour of your achievement. But, life wasn’t so kind.

When your position as Head Girl was announced all you had received from your friends were pitying looks, all due to the pesky little detail of who had been announced as Head Boy to serve alongside you. Tom Riddle. Tom. Fucking. Riddle. Of course, Professor Dippett had had to announce his name first, meaning you hadn’t even gotten a second of enjoyment from your appointment. He had stood up smugly at the Slytherin table, basking in the cheers from his house, flashing a charming smile to the room as he made his way to the front of the hall. For the first time in your life, at that moment, you had prayed that Head Girl would not be you. It was. Your name was called, your house applauded and your legs carried you over to Riddle’s side. He grinned down at you, that little glint of mockery in his eye that you could only see from this close. You wanted to punch him, that would surely lose you the Head Girl position and solve this problem, but you had your future to think of. You had repeated that to yourself all that night as you and Riddle had been whisked off to the staff room to be briefed on your positions and given your badges. Riddle was the picture of charm, laughing with the various professors that came to speak with you, you just sat there, smiling falsely, looking a little like you’d just been hit over the head with a plank. You felt like it too. Your lifelong dream had just been turned into something poisonous. Really, you thought to yourself as Slughorn guided you through the corridors to the Head’s quarters, you should have seen this coming. They weren’t supposed to appoint two students from the same house, so logically, if you were picked for Head Girl, it was only ever going to be Riddle at your side. You wondered why you hadn’t considered this before, it was so obvious with hindsight. You scowled at the back of his and Slughorn’s heads as you ascended some stairs, them chatting together jovially, making your blood boil.

Slughorn shows you the small common room, enough seating for about four people, a fireplace, and a little kitchenette with some stools, decorated with opulence. It would all have been very nice if it hadn’t been for Riddle standing there commenting on the lovely brass crests. The separate rooms were your biggest comfort, both off of little halls from the common room in different directions. You could hide in there from him, you told yourself over and over. You didn’t have the headspace to be impressed by the beautiful ensuites with golden-tapped baths, just wanting Slughorn to leave so you would no longer have to listen to Riddle’s disgustingly smooth voice. Eventually, Slughorn did leave the two of you to go to bed. As he shut the common room door, you could see Riddle’s mouth opening from the corner of your eye. You darted to your room before he could get the words out, slamming the door, relieved to find all your things already there. You collapsed onto the bed and sighed. The nightmare was only beginning.

The hands on the clock point to 3:30 am. It’s a Monday morning, you have a meeting with Dumbledore in just a few hours, but sleep is impossible. He has friends over again. The deep bass of their voices reverberates through the walls of the common room. They’re chatting and laughing like always, most likely drinking too, you’ve spotted them with whiskey a few times. You seethe with anger in your bed, just last week you had kindly approached him, and not for the first time, about this issue. You had emphatically asked him to be considerate of you and your time. He had placated you like always.

“Yes darling, I didn’t realise we were being so bothersome, won’t happen again,” he had soothed, but of course, it was happening again right now. You kept somehow getting caught in his charms, the very ones you had been immune to for so long. It had to be the sleep deprivation he was causing, that was what was making you melt a little whenever he called you darling or smiled just so, in the way that used to make you feel sick. In the dark of your room, you lie on your side and curse inwardly. Reporting him had crossed your mind many times, but you knew he would just charm his way out of it, like he did with everything. Your ears rumble with another deep laugh from the group of men in the other room and you’ve had enough. Throwing off your duvet and stomping to your bedroom door, you fling it open and head into the common room. He sits reclined leisurely in an armchair by the fireplace, his sleeves rolled up and tie loose. His ankles are crossed, resting on the coffee table in front of him, he chuckles at something, you couldn’t care less what, the firelight dancing over his face. He hasn’t noticed you, but across from him on the opposite armchair, his friend, Avery, straightens up and grins at you. His eyes drift over you, you realise instantly that you stomped out here in only your nightgown and socks and flush lightly, but stand your ground.

“Riddle!” you bark, surprising even yourself with the viciousness of your tone. This brings his attention to you effectively. His other two friends turn to look at you over the back of the sofa, Riddle doesn’t even straighten up when he looks up at you, smirking in a self-satisfied way that makes your insides twist oddly.

“Hello darling,” he speaks smoothly. “You look a picture tonight,” he lets his eyes drift up and down your figure without shame. You go red with anger and embarrassment.

“Doesn't she just?” One of his friends, Rosier, comments with a mocking chuckle. This sets you off.

“Out!” You screech. All the boys look taken aback by the intensity of your outburst. “Out, out, out!”

“Fine,” Riddle hisses in an infuriatingly calm tone. “You lot should go, you heard the Head Girl,” you hear the mocking tone in his voice, suggesting he thinks you’re hysterical. You stand there with your fists clenched, staring the men down as they get up and head for the door, feeling ridiculous but not wanting to show any weakness. Once they all leave and shut the door behind them, the two of you fall into silence for a moment. He’s watching you, but not in the leering way from earlier, he almost looks impressed with you. You avert your eyes from the closed door onto his face, he’s leaning forward now, with his elbows on his knees. Just when you’re considering simply turning to leave, he speaks up. “Happy now, darling? You’re really no fun, we were only talking,” his eyes fix on yours, burning deeply. You scoff indignantly.

“It’s nearly 4 am Riddle, you know I have a meeting in the morning, I have brought this up to you countless times and–”

“Yes, but you don’t seem to understand that I simply don’t care to keep you happy, darling,” he grins. You let out a frustrated yelp.

“You are unbelievable! How were you ever chosen for Head Boy when you're this insidious? You don’t deserve it!” You snap. This stirs something in him. His eyes darken and he stands up from the armchair.

“And you do, do you darling?” he asks slowly, stalking toward you. “You’re the picture of perfection, aren’t you just?” You’re not sure what to say to this, any answer seems wrong like it’ll give him reason to dig into you further. Your mouth opens and shuts for a moment before you settle on a shrug. Your hands flex in the fists they’re tightened into as a smirk spreads over his face. “You don’t seem so high and mighty from here,” he chuckles, stopping in front of you. He has several inches on you and you’re forced to look up at him. “You look lovely in this little nightie,” he comments with a grin, reaching out to trace the lace at the strap with the tip of his finger. You jolt away instantly, glaring up at him.

“Don’t you dare touch me! And don’t you dare comment on my looks!” You hissed, smacking his hand away. His eyes darken even more at this.

“And don’t you dare smack me,” he growls. “I was merely paying you a compliment,”

“Like hell you were!” You scoff. “You’re trying to make me feel small,” he rolls his eyes, shaking his head.

“If the shoe fits,” he grins. You scowl, shoving at him without thinking about it. He stumbles back slightly, looking momentarily bewildered. When he realises what you just did he surges for you. He grabs you by the shoulders and pushes you into the wall. You let out a small oof sound as you collide with the wall, surprised it didn’t hurt more than it did. For a moment, you wonder if he had avoided hurting you until you look up and see the fire in his eyes, then you wonder if he wishes he had just killed you. “I would have rather had literally anyone as Head Girl than you, you are the bane of my existence,” he snarls, gripping your shoulders hard.

“I’m the bane of your existence? I don’t have friends over until the small hours of the morning! Imagine how I feel!” You spit back. You can tell he’s barely listening to you.

“You are insufferable! You’re the only person who doesn’t fawn over the sight of me and it’s you that I get stuck with for the whole year!” he scoffs. “I will not let you control my lifestyle!” he adds angrily. “I will not bend my life to make you happy! I am not subservient to anyone and I never will be!” you roll your eyes exaggeratedly.

“You are ridiculous,”

“I despise you,” he hisses venomously. “You’re always everywhere I am, you’re always following me around, tailing me in every subject, you had to go for this position when I’ve had my sights locked on it since first year!” He pushes you back into the wall again. “Are you happy now darling? You got Head Girl and now we’re both miserable! You must be thrilled!”

“You think I’m following you around?” you sneer. “How full of yourself are you that you think me going for Head Girl was about you? You seem to think you’re the centre of everything, but in my life Riddle, you are just an inconvenience, you are nothing,” you seethed. Something flashes in Riddle’s eyes, his jaw working.

“I am nothing?” he demands. “I am nothing?” he’s shaking now and you’re sure he’s about to hex you or punch you, his eyes flick between yours, his whole body coiled tight and ready to pounce. Instead, his lips are suddenly on yours, thrusting your head back against the wall. You yelp in surprise, your eyes wide, the back of your head hurting from being pressed into the hard surface. He kisses you without a single hint of affection, kissing you like it’s a punishment, a way of muzzling you, but Merlin, somehow it feels good. He’s grabbing at you, taking fistfuls of your nightgown in his hands. You find that you’re kissing him back, that you have been practically since his lips met yours and that you’re doing so eagerly. Your head is spinning as his arms wrap around you and he pulls you harshly to him, the hard planes of his lean body pressing against you. Your arms snake around his neck and he lets you yank at his hair. He’s kissing you so hard that you’re practically tipping backwards. Your tongues rub against each other as you kiss frantically. He’s leading you to the sofa, throwing you down and then settling above you. He props himself up, his hands on either side of your head. You both take this moment to catch your breaths, staring intensely at each other as your chests rise and fall rapidly. “Am I still nothing?” he growls, a little breathless. Once again, you don’t know what the right thing to say is. One of his hands moves down and starts to push up the hem of your nightdress, revealing your thighs to his devouring eyes. You grab him and kiss him again instead of talking, just as hard and unforgiving as before.

You feel your nightdress being bunched at your waist and hear the faint sound of a zip being pulled down. You kiss him harder, nipping at his bottom lip harshly and scrunching your eyes shut. He just groans in response, pushing down his slacks haphazardly, his other hand keeping him propped up above you. You’re suddenly awfully overheated, both from lying on the sofa in front of the blazing fireplace and from the realisation of what he’s planning to do to you. Are you really going to do this? Are you really going to let him fuck you on the sofa in the common room? Riddle? The man you’ve hated for years? The man who has been deliberately antagonising you for the past several weeks, and especially tonight? Your hands are resting on his stomach, and you connect the dots in mild horror that you’ve been unbuttoning his shirt without even realising it. You feel completely out of control of yourself, you’ve never acted this way before. You gasp in surprise when you feel his fingers pressing against your core through the fabric of your underwear. His fingers rub roughly, sending jolts of pain and pleasure through you. You whine slightly, feeling him smirk against your lips. You scratch at his chest a little in retaliation. He grunts, you can’t tell if he likes it or not and it bothers you. His fingers hook into your underwear and start to tug down. This is your last chance to back out, to throw him off of you and run away, but you find yourself unable to do anything but writhe and cling to his shoulders. The underwear is discarded on the floor and he is using his free hand to spread your thighs open, you flush deeply as he pulls away from the kiss to look down at you. You can feel how wet you are and you hate that, based on the smug little grin on his face, he knows it too. Your cheeks are burning as he reaches down, using two fingers to spread your folds. He lets out a needy sound by accident and it’s your turn to gloat. He flashes you a glare and plunges a finger into your tight heat in revenge. This makes your back arch and your lips part and he smirks back at you.

“So wet…” he comments, self-satisfied, his finger creating obscene squelches as he pumps it in and out of you slowly. You snarl at him, lashing out in embarrassment. You grab at the tent in his boxers, feeling him rock-hard under the fabric. He frowns in embarrassment, withdrawing his finger from you which makes you whimper a little. “You’re asking for it now, darling,” he growls. He’s scrambling to rid himself of his boxers. His tip is quickly prodding at your entrance and you gasp and arch slightly. He glides against you for a moment, his tip rubbing deliciously at your clit, seeming like he’s waiting for something. Then, he’s plunging into you. You let out a pathetic little cry and he grins. “Does that feel good?” he coos mockingly as he fully seats himself inside you. You both gasp for breath as your tight heat embraces him. It does feel good, torturously so, but his mocking tone irks you.

“I hate you,” you growl up at him as he lowers himself onto his elbows, his face right above yours. He scowls, panting slightly.

“I hate you too, believe me,” his arms wrap around your shoulders, keeping you in place. He buries his face in your neck and starts to nip as his hips begin to rock harshly. His thrusts are hard and punishing, slow, withdrawing almost completely and then slamming forward, just short of painful. You whine and grab at his back, letting your nails dig into him, he doesn’t seem to mind. He speeds up, grunting loudly against your neck. He pulls back to watch as you move along with his thrusts, your eyes scrunched shut and lips parted with desperate whines. He pants, his hot breaths washing over your face. He speeds up even more, growling like a crazed animal. “Look at you, falling apart under me, what would your friends think?” he taunts. Your eyes squeeze tighter shut, a wave of shame passing through you that somehow heightens your pleasure.

“Shut the fuck up,” you whine. You hear him laughing mockingly. You muster your strength and clench your walls around him. His laugh morphs into a choked groan at the sensation, his hips stuttering. He was more affected by this than you expected, his pace now brutal as he fucks into you, clearly desperately chasing release now, rather than focusing on playing mind games on you. His lips meet yours again and you kiss back. It’s clumsy and sloppy, given how fast he’s moving, but it just heightens everything you’re feeling. “You gonna come already?” you mock as you feel him faltering in his thrusts. He groans angrily against your lips.

“I despise you,” he hisses shakily, propping himself back up so he can thrust into you more relentlessly. You return the sentiment, but it’s a little half-hearted now between whines. You cry out when you feel his thumb on your clit, rubbing hard. He seems oddly determined to have you orgasm before he does, perhaps to humiliate you, but it feels so good that you can hardly complain. He grunts loudly, you can tell he’s trying to goad you, but his speech is incoherent between sounds of pleasure and the slapping of skin against skin. You feel it building up and you can’t deny yourself the pleasure, you don’t try to hold back. However, he still falls apart first. His hips stutter then stop entirely and he groans loudly, you feel his seed spilling deep into you, warm ropes painting your inside. His thumb doesn’t let up its rubbing and it allows you to also reach your release. You pulse around his oversensitive cock and he gasps and whines pathetically, but continues rubbing you through it until all the aftershocks are over.

He remains propped above you, catching his breath for a while, his head hung low. You both whine slightly as he withdraws from you slowly, leaving you with a pop. He takes a shaky breath, staring at his essence that trickles out of you. You just stare at the ceiling, unsure what to do now. You feel the sofa dip as he reaches down to the floor, his chest touching yours as he lowers himself gently. He grabs his wand from his trouser pocket and props back up. He mumbles a spell, cleaning you of his essence and eliminating the chance of pregnancy. It pleases you a little that he took care of it, rather than leaving it up to you. He moves, sitting back on his haunches between your legs, lowering the hem of your nightdress to cover you back up. You stare at each other silently for a moment as he tucks himself away.

“This changes nothing between us,” he asserts, narrowing his eyes at you. You want to laugh at that, as clearly everything has just changed in some way, but you know what he means.

“Yeah, it changes nothing,” you repeat with a sigh. He glances over at the fireplace for a moment, before his eyes flick to the clock on the mantelpiece.

“Now chop chop, don’t you have that meeting with Dumbledore?” he grins. Your eyes widen and then you kick at him in frustration, realising what he’s done. He just laughs. “You better figure out a way to cover those hickeys quickly,” he smirks. You whine indignantly, burying your head in your hands.

“I’m going to kill you!”

︶⊹︶︶୨୧︶︶⊹︶

xoxoxo

[iamnmbr3]

Everyone: omg Harry is the heir of Slytherin. He just spoke Parseltongue which is a super rare hereditary skill in the Slytherin line and it looks like he set a snake on someone in front of witnesses.

Draco: nah he wouldn’t do that I know him

[faithsoneluv]

i don't think people understand how hard it is not to ship tomarry / harrymort because what do you mean they're borderline canonically soulmates. what do you mean they're PROPHESIED to each other. what do you mean they're literal parallels, had the same childhood circumstances but turned out the exact opposite. what do you mean harry's the embodiment of the light side and tom's the embodiment of the dark even though they're so, so similar. what do you mean they both have common names even though they themselves are anything but common. what do you mean they have uncountable amount of bible references that apply strictly to them, what do you mean harry makes sure to mention tom's the handsomest in the room whenever he sees him and apparently likes their connection. what do you mean their wands share the core of the same phoenix and therefore literally can't kill each other even if they wanted to. what do you mean harry wanted to give him another chance despite everything he's done, what do you mean tom offered him his hand, what do you mean harry killed tom at the same age except the order of the numbers is reversed. what do you mean harry's eyes are the same colour as tom's favourite unforgivable (avada) AND the colour of his house, what do you mean TOM'S eyes are the colour of harry's favourite defence spell (expelliarmus) and the colour of his house. WHAT DO YOU MEAN THEY ARE EACH OTHER'S OTHER HALF. WHAT DO YOU MEAN HARRY IS LITERALLY TOM'S SOUL??? 😭

NOT TO MENTION THESE THINGS AREN'T EVEN FANON LIKE...? lmk if i missed something though.

[mrsriddles-blog]

His Obsession | T.R

Pairing: Slytherin Fem Reader X Tom Riddle

WC: 8.4k

Warnings/Notes: Mild language, smut, stalking, breeding kink, obsessed Tom, CNC?, pregnancy, etc.

Summary: You happen to have a so-not-secretive stalker who’s taken on an obsession with you…

You are an obsession (you are an obsession)

I cannot sleep (I cannot sleep)

I am a possession (I am your possession)

Unopened at your feet

There's no balance (there is no balance)

No equality (no equality)

Be still, I will not accept defeat (be still, I will not accept defeat)

He stood in the corner of the dorm, one that wasn't his own, but yours. He snuck in after he was sure you had fallen asleep. This was the first time he had gone as far as to sneaking in your dorm—at least while you were in it.

You had kicked most of the blankets off so that they laid at the end of your bed. There was a thin sheet that covered one of your legs, but the other laid on top of the sheet. The moonlight lit the room perfectly so that he could see you.

You wore a white tank top with black lace underwear. His eyes were still on your face, peaceful as you slept. Your eyelashes were against your cheeks, your plump lips parted as your breathed softly, unaware of the watching eyes on you.

His eyes trailed down the column of your throat, a place he has imagined his lips and hands many times. It was slender...and untouched. He wanted to touch it...mark it and make it pretty. He wanted everyone to see that you were claimed, that you were his.

His eyes fall lower, onto your chest. Your nipples had pebbled against the thin cotton and he took in a stuttered breath. Your breasts were spilling out the top as well, the tank top a few sizes too small, but clearly this was a comfort top of yours.

He noticed the tank top had ridden up, revealing the soft skin of your belly. He takes in a deep breath as he imagined it swollen with his child. He notes the soft curves that lead to the dip to your wide hips. He burns it into his memory.

You stir a bit, but you simply roll over. His eyes fall on your ass, big and round and perfectly accentuated by the black lace. His eyes roam over your thick thighs, noting the soft bare skin. You stir again, forcing yourself to keep your eyes closed as you feign sleep.

Someone was here.

You could feel it. You weren't necessarily scared, maybe slightly alarmed, but you had a feeling you knew exactly whom it was.

You were well aware of your stalker around the school. Tom Riddle thought he was subtle and secretive of the way he watched and followed you. But, you caught on. He's was quite obvious after all. But, instead of confronting him about his staring and following...you let it continue. You loved it.

You loved to egg him on. You moan softly as you slowly sit up, rubbing your eyes. Tom had grown tense where he stood, hoping to god you didn't look to much into the shadows.

"Bloody hell, it's so hot." You mutter to yourself.

It was actually quite nice in the room, but you decided you wanted to tease him. Maybe he'd come out of the shadows tonight and play.

You pull the tank top off, tossing it on the floor before lying back. You turn on your side, closing your eyes as you felt his eyes burn into you.

He stared at your breasts, the pebbled nipples that seemingly called out to him. He needed to leave before he lost control. But, he knew he needed to wait until you fell asleep.

I will have you, yes, I will have you

I will find a way, and I will have you

Like a butterfly, a wild butterfly

I will collect you and capture you

Just as he thought you had fallen asleep, you moan in annoyance again. He stands up straighter from where he had leaned against the wall. You sit up, propping yourself against the headboard.

You could feel the change in the air. You could feel his nerves. You knew exactly what he was thinking. You knew he was waiting until you fell asleep to leave, but you weren't ready for him to leave. You wanted him to play with you.

You trail a hand down the valley of your breasts, across your stomach before slowly sliding your hand down your panties. You moan softly, rubbing the sensitive ball of nerves.

He had grown even harder as he watched you play with yourself and he clenched his jaw, clenching his fists in his pockets as he fought the urge to go to you—to claim you.

You take your panties off, now frustrated they were in the way. You toss them on the floor, in the direction of where he stood. He looks down to where they have landed, right in front of him. He leans down slowly as he keeps his eyes on you as he grabs them. He stands, feeling the wetness on them.

Your breaths became faster as you got closer to reaching your high. You curl your fingers, hitting a spot you were unaware of—one that sent your eyes rolling back as you moaned out loud as you came.

You fell back against your bed, unconscious from the pleasure. You had always been quite sensitive to pleasure, only touching yourself twice before tonight. You were a virgin and didn't even know what pleasure could really be.

Tom was awed with how you came apart. Now, he wished he was above you so that he could be fucking you, making you feel pleasure, but so he could see you unravel.

You were beautiful.

He steps closer to the bed, knowing how risky it was, yet he felt like he couldn't leave without doing this. He cups your cheek, gently tracing your bottom lip. You moan softly, your lips parting. He gently sticks his thumb in your mouth, your lips wrapping around it as you sucked on it slowly before your mouth barely opened.

He pulled his thumb back, a trail of salvia left in its wake. He groans softly as he sucks the thumb you just had. He traces a hand down the column of your neck, down the valley of your breasts, over your belly before reaching where your hand laid limp between your legs. Two of your fingers glistened with your release and he gently grabbed your wrist, taking your two fingers in his mouth.

His eyes flutter closed, tasting your sweet release blossom over his taste buds. A taste he knew he was forever going to be addicted to. He lets your fingers free from his mouth, before disappearing to your attached bathroom. He grabs a rag, wetting it before going to carefully and gently clean you up.

He went back to the bathroom, putting it in the bin. He got to the doorway as he hears your soft moan. He sees you slowly sitting up. You found yourself wanting to touch yourself again, now wanting his touch.

He watches your fingers delve back between your wet folds. He bites his lip, watching you from a different angle, one where he saw your glistening folds from the pale moonlight.

"Oh god." You moan, your eyes squeezing shut.

He smirks, loving how sensitive you were. He couldn't wait until he got to experience your sensitivity with you. He could already imagine you getting all sensitive and worked up over it.

"T-Tom." You moan, not meaning to, but now you imagined it was him touching you.

His lips part in surprise as he watches you. It wasn't long before you were falling apart, realizing you moaned his name. You weren't embarrassed long as you passed out once again. He grabbed the rag, cleaning you once more and sucking on your fingers to experience your heavenly taste.

You are an obsession, you're my obsession

Who do you want me to be to make you sleep with me?

You are an obsession, you're my obsession

Who do you want me to be to make you sleep with me?

You awake to your alarm this time, naked and a bit sore down there from your activities late last night. You smile slightly, knowing he cleaned you up both times. You stand and get dressed in your white button up blouse, grimacing slightly.

Your family wasn't poor, but they also weren't rich. You were lucky to get your books for the year. Buying new clothes was a speciality in your household. So, the blouse was a bit small and couldn't be buttoned all the way. This one was the blouse you tried your best not to wear because it was buttoned right at your breasts. So, anyone could see your breasts that were beautifully accentuated by your lace bra. Thankfully, they couldn't see the bra.

Your blouse hasn't gotten that small just yet. You pull on your "school girl" skirt, another thing you didn't like to wear often as you rather wear you black ones that fit just right. Your "school girl" skirt was short and you were lucky if you didn't flash anyone if you bent over too much.

It was a green plaid style though, suiting your house colors which you liked. You pull on your white knee socks and your black Mary-Janes. You brushed your hair before you decided to pick up your clothes from last night that you had thrown when you got a little bold.

You found the tank-top, but not the panties. You knew you threw them right in his direction and you realized that he must've taken them. You smile slightly before grabbing your messenger bag. You walk out of your dorm, heading into the Common Room.

Tom sat with his friends where they normally sat. You fought not to make eye contact with him or to stare at him. You could feel his eyes on you though.

His eyes were on the blouse that he knew was a few sizes to small. He clenched his jaw, not happy that other boys would see his girl like this all day. Not to mention the skirt you wore.

"Good morning, Mary-Ellen. Are you ready to head to breakfast?" You ask, a polite smile on your face.

Your friends were already at breakfast, but Mary-Ellen was a first-year that you had taken under your wing. She was more advanced than most in her year, and she was a year younger than everyone, but everyone bullied her. Until you stepped in and now you protected her.

"I'm not really hungry today." She mumbles sadly, laying her head down on her arms that were folded on the table.

You frown, taking a seat across from her. You quietly cursed her brother, Avery—one of Tom's friends—who acted as if he had no association with her.

"What's going on, Mary-Ellen?" You question.

"I don't wanna talk about it." She grumbles.

"Mary-Ellen, we agreed that 'wanna' isn't a very polite word. We also agreed that we don't keep secrets from each other. Now, tell me what is bothering you. I'm sure we can fix it." You say, smiling softly at her.

"Avery, are you ever going to treat that little sister of yours, right? She truly thinks you hate her." Lestrange mumbles, watching the interaction between you and Mary-Ellen.

"No one would judge either. Your smart. No wonder she's smart." Abraxas says.

Avery looks at Tom who was already looking at him. He raises his eyebrows before rolling his eyes.

"Avery, she's your sister. Treat her like one rather than icing her out because you're embarrassed she has more brains than you." Tom says.

"There's this boy who keeps picking on me." Mary-Ellen murmurs.

"A boy? Who is this boy?" You ask.

"Someone." She mumbles.

"Mary-Ellen." You warn sharply.

"It's Samuel." She mumbles.

"And what is Samuel doing?" You question.

"It started with him throwing pebbles at me, then taking my school stuff and holding it away from me...but now he keeps trying to lift my skirt up randomly. He also keeps telling everyone we are dating and we had snogged in a broom closet." She exclaims upset, tears welling in her eyes.

Avery's jaw clenched, his eyes going to the doorway where Samuel so happened to enter. You happened to notice as well, Tom putting a hand out to stop Avery.

"Samuel! Come here, please." You call.

"Yes, Miss. Y/l/n?" He questions.

"I want to know why you are picking on, Mary-Ellen." You say expectantly.

"What are you talking about?" He lies.

"Samuel, please do not lie to my face. I don't like it and it's disrespectful. Be honest, so that we can properly figure this out. I've heard you've thrown pebbles at her, taken her school books to tease her, and then you're trying to lift her skirt. Not to mention you are spreading false rumors around the school. Do you know how rude that is? How do you think all of this has made Mary-Ellen feel? Do you know how much trouble you'll get in if this reaches a Professor or the Headmaster? This isn't okay behavior." You scold.

"I just wanted her attention." He mumbles.

"Samuel, whether you wanted her attention or not, that wasn't an appropriate way of gaining it. You've really upset Mary-Ellen. I hope you haven't done this to other girls either. It isn't polite. It is rude and disrespectful. If you wanted her attention, alls you had to do was approach her and talk to her. You didn't have to tease her, lie about her and harass her. I think you owe someone an apology." You say.

"Mary-Ellen, I'm sorry. I didn't know it was hurting your feelings. I promise I'll stop. I'll tell everyone it was just a rumor. I just really wanted your attention...I think your really pretty and I got really nervous about talking to you." He admits, his cheeks flushing red.

"It's okay, Samuel. Just don't do it again or I might have to hex you." She teases.

You smile, watching the two who ultimately end up going to breakfast together. You look at the time and know you won't have time for breakfast. You stand swiftly, smoothing your skirt out before leaving the Common Room.

Tom dismissed himself from his friends, following you from a distance. He was confused, noticing you were taking a different route. You stop in the middle of a corridor, feeling him following you—watching you.

"I can feel you following me and watching me." You say softly.

He stays in the shadows, watching you with curiosity. You smile, looking down at the ground.

"Maybe next time you'll play too? I could feel you watching me last night when I played with myself...and this morning my favorite pair of panties were gone." You say softly.

He swallows hard, a tent appearing his pants. You offered an invite for him to play with you. Not to mention, you were well aware of his eyes on you last night and you simply played with yourself before his eyes.

You carry on walking, aware he was following you still. You reach your class, slipping inside and hoped he'd make it to his class on time.

He did, per usual. He was waiting for Potions, where he hurriedly rushed to before leaving a note on your desk. He walked out and found Abraxas. He walked in with Abraxas to see you at your desk reading the note.

My Obsession,

Are you daring the devil to play? Naughty girl. You knew I was watching all along. If I had known, I would of feasted upon your heavenly taste between your legs. I might have snuck a taste from your fingers, a new addiction of mine. You can have your black panties back once I've claimed you as mine.

You smile slightly, noting how he knew he was obsessed with you and not to mention he tasted you. Your cheeks flushed red at the thought of his mouth around your fingers. You tuck the letter away before the Professor began to assign groups. He apparently decided to switch it up and do boy-girl and to try and have people work with people they normally don't.

You were partnered with a Gryffindor boy, your work station in front of Tom's and his partner who was a Slytherin girl you've seen sometimes.

"So, Y/n...are you single?" Leon asks.

"Yes...but I'm not actively looking for a relationship. Sorry." You say distractedly.

Tom sat behind you, glaring at Leon. He knew he hadn't claimed you just yet, but he was sure it was quite obvious he liked you. He was satisfied with your answer though which made him feel a tad bit better, but he was still pretty pissed off.

"Can I ask why you aren't looking for a relationship?" He asks.

"I'm not so sure it necessarily pertains to you. Sorry, but I just don't understand why your pushing the matter more than it needs." You say softly, not wanting to come off as rude.

"I'm interested in you. Your a nice girl who's smart and who's apparently not looking for a relationship." He says.

"I've got my eyes set on someone already." You say.

"In that case, I'm sorry. I should have known. It's quite obvious." He says.

"What? What's quite obvious?" You ask, turning your full attention to him.

His eyes fall on your chest, before you cleared your throat and he looked up.

"It's just...Riddle is always around you no matter where at." He says.

"Oh, he and I aren't together." You say, smiling like a lovesick fool as you turn back towards the cauldron.

"I never said you both were together. I just meant it's quite obvious you both like each other." He says.

You stay quiet, surprised he'd say that. You finish up the potion, waiting until Professor Slughorn could come over.

"Brilliant! As always!" He praises, putting a hand on your back as he looks at the potion.

"Thank you, Professor." You murmur, your cheeks flushing red.

"Of course. You go on and take a seat. Leon, you clean all of this up." He says before walking away.

Class was over not before long and you stand, grabbing your bag before you quickly hurry away. You could hear Tom trying to get through the crowd of people, sensing his growing annoyance as he tried to catch up with you.

You smile slightly, ducking down another hallway, before taking a different way to the Great Hall. You find your normal seat, getting sucked into a conversation either Katherine and Mirabelle.

"He's staring again." Katherine whispers with a smirk.

"When isn't he?" You chide, smiling back at her.

"I bet if you got up right now, he'd follow you." Mirabelle said.

"He probably would. I have finished my dinner, so maybe I'll test the theory. Once I get to the door I'll turn back and wave to you two. How's that?" You suggest.

"Go." Katherine urges excitedly.

You stand, smoothing out your skirt before making any other move. You shuffle down the bench so you wouldn't have to climb over it and risk flashing someone. You start to walk to the doors, pausing before turning back to wave to the girls who wave and send you kisses. Tom had stopped all movements and stood there waiting for you to walk out of the Great Hall.

You walk out, ducking into a dark corner. You see him step out, looking up and down the hallway. He curses before walking right past you. You wait until he's gone before going left where you take the long way to the Slytherin Common Room.

You walk in, just as he walked in from the direction of the girls dormitory's. You give him a polite smile, walking past him towards your dorm. The door was partially opened which it wasn't like that earlier today when you left.

I feed you, I drink you by day and night

I need you, I need you by sun and candlelight

You protest, you want to be

Safe, oh, there's no alternative (there's no alternative)

He stood in the corner of your dorm again and he watched as you slept soundly. Tonight, it was rather hot in the dorm, so you were in a tank top that had ridden up just below your breasts and another pair of lace panties, this time dark green.

The blankets had been kicked to the floor long ago and he was running his eyes along you almost continuously, trying to burn your soft curves into his memory. You moan as your eyes flutter open.

You could feel him again.

You slide the tank top off, throwing it in the direction you knew he would be. You shimmy your panties down your legs, tossing those in his direction as well.

They hit him in the chest, and he caught it effortlessly. You smile inwardly as you didn't hear them hit the floor. You gasp as a bundle of silk is thrown onto your bed. You grab the little note and open it.

My Obsession,

Put this around your eyes as a blindfold, then I'll come play with you.

You set the note on your end table, excitement coursing through you as you lightly trace the silk. You were dripping between you legs at this point, but nonetheless, you put the blindfold on.

Tom steps out of the shadows, walking around the room slowly. You let a shaky breath out, your ears straining to hear his soft footsteps. He stops at the end of your bed before he slowly climbs up. You let another shaky breath out as you feel him getting closer and closer to you until your breaths were mixing together.

His hand caresses your cheek, before kissing you softly. You hum softly, kissing him back. You gasp as your hands are pinned above your head against the headboard. He ties them there before his lips were back on yours.

His hand slides from your cheek to your jaw to your throat. He gives it a little squeeze, feeling your body jump from surprise. You relax and he smirks.

He lets his other hand roam, grabbing a handful of your breast, a moan eliciting from you. He pulls his lips from you before his hands trace over the rest of your curves. He moves your thighs further apart before kneeling between your parted thighs. He breathes in deeply, his eyes fluttering closed as your sweet smell of arousal.

"Please." You plead, opening your thighs wider.

He smirks, before his head was burying itself between your thighs, feasting upon your mound. You moan, your legs moving over his shoulders. You tug at your wrists, hoping to free them. You could feel the knot building in your stomach already.

His tongue was sinful and worked meticulously. He dove his long, slender fingers into your dripping cunt repeatedly, the squelching sounds along with your moans and pleads for more filling the room. You tighten around his fingers and he thrusts his fingers a few more times, lifting his head to watch you fall apart. He curls his fingers, watching your mouth fall open, a loud moan coming free as you arch your back, pushing yourself into his hand.

He thrusts his fingers slowly through your orgasm and you fall limp. He smiles, knowing how sensitive you truly are now. He leans down, licking you clean before he sits up and unties the binds on your hands and your eyes.

He moves to the corner of your dorm where he stands as he waits for you to awake. He had a plan, but that went to hell the moment his fingers were buried into your dripping cunt.

Your face appears again, I see the future there

But I see danger, stranger beware

Of circumstances in your naked dreams

Your affection is not what it seems

You were awake, but you hadn't opened your eyes yet. You could feel your hands were free and the blindfold was off, but you found yourself excited yet fearful of opening your eyes. You knew he was there still, but something about his energy right now made you feel off.

"Open your eyes, naughty girl. I know you're awake." He whispers.

You slowly open your eyes, looking at the ceiling before slowly pushing yourself up. You look around, and he steps out which catches your attention.

Tom Riddle, being illuminated by the pale moonlight watched you with a charming smile. You knew it was Tom, but seeing him now kickstarted your nerves.

"Tom." You breathe softly.

"Y/n." He murmurs, stepping forward.

You squeeze your thighs together, feeling your cunt throb as you watch the way he carries himself.

"You've been stalking me." You say softly.

"You've loved it." He points out.

"But I shouldn't have." You admit.

"No, you shouldn't have, but you're a naughty girl. You too have dark desires and wants, don't you?" He asks.

"Y-Yes." You whisper.

"Tell me, what do you want right now?" He asks.

"I...I don't know." You lie, turning your gaze to the end of your bed.

"Don't lie to me or I'll have to punish you. Be honest." He spats.

A part of your brain was screaming at you to run, that this man was dangerous, but another part of you loved the danger. You wanted to be in the presence of this man every waking hour of yours if you could. Your eyes flicker back up to his narrowed ones.

"I want you to claim me." You say softly.

His lips part, surprise etched upon his features only momentarily. His lips were moving to a small smile before he slowly begins to strip off his clothes. You watched intensely, realizing your imaginative brain hardly did any justice for this man.

You are an obsession, you're my obsession

Who do you want me to be to make you sleep with me?

You are an obsession, your my obsession

Who do you want me to be to make you sleep with me?

You lay back, a soft breath leaving you as he crawls over you, his eyes slowly taking you in. Your (hair color) was sprawled around majestically, framing your face. Your (eye color) stared up at him, innocence and desire swirling in their depths. Your plump lips were parted, waiting for his next move.

"You are so beautiful." He murmurs, tracing your jawline with his index finger.

"Thank you." You whisper, your nerves bubbling in the pit of your stomach.

"You are mine, Y/n. I don't think you truly realize the severity of that, but you are mine. It's in your best interest to steer clear of any males or I may have to kill them for fraternizing with what's mine. Especially, after tonight." He says, serious and calm.

Your heart raced, your mind and body trying to tell you how dangerous this man is, but you shoved that all away. You focused on him and your excitement, the adrenaline pumping through you and your desire for him.

"What if I just stick by your side after tonight? Or would you think I'm clingy?" You question.

"Never. I want you by my side for the rest of eternity. In the waking hours, I want you with me, but even in the hours of the night I want you by my side." He says.

"Then I'll be by your side." You breathe.

"My obsession." He whispers, sinking his hard cock into you slowly.

Your lips part, as if to say something or maybe to express your pleasure you felt right now, but no sound came out. Your eyes look up into his to see he too felt this amazing feeling you felt. It was heaven. He rocks his hips back and forth, sinking into your tight cunt. You loop your arms around his neck, pulling him closer to you.

My fantasy has turned to madness (has turned to madness)

And all my goodness (and all my goodness)

Has turned to badness (has turned to badness)

My need to possess you had consumed my soul

My life is trembling, I have no control

"Tom." You moan, as he sinks the rest of his cock into you.

"Shhh, I know. I know, darling." He murmurs.

"F-Full." You stutter out.

"Shhh, I know. You're doing so well for me right now, darling." He whispers.

"V-Virgin." You whisper.

"I know, I know...I'll be gentle until you tell me you want more." He murmurs.

He thrusts were slow, although a part of him—a messed up, sick part of him—wanted to be fast and rough with you. He wanted your nails digging into his skin, your tears falling down your cheeks, and your cries and blubbering, music to his ears.

However, he knew it'd be painful and no pleasure for you. He wanted you to experience pain, yes, but he wanted it to be pleasurable for you.

He watches your face that was still adjusting to his size. He knew you were a virgin simply from the way you acted. So innocent. Yet, he also has been obsessed with you for years. So, he knew it may take you a bit to adjust to his size. Not only is this your first time, but he is well aware that he is bigger than the average size.

He ducks his head to your neck, leaving little kisses. He left a quick little bite to see your reaction, only to hear your soft moan as you pushed his head closer to your neck.

He left more bites, his tongue soothing over the sting before he left a soft kiss there. He sucked on a spot on the nape of your neck, his teeth nipping at it as he let it go. He left more marks, loving your soft neck covered with his claim.

"Tom, I need more." You breathe.

He leans back, watching your face before pulling his hips back and slamming forward. Your back arches off the bed, a cry of pleasure leaving your lips as your eyes roll back. He places a hand on the headboard in front of him, the other resting beside your head as he thrusted fast and hard into you.

The sound of his skin slapping against yours echoed off the walls, the bed scraping against the floor, your cries and mewls for more were all music to his ears. You tighten around him and he knew you were close.

"T-Tom, if I pass out...keep going. I can still feel it and it's even more heightened." You say, somehow managing to babble it out.

"Of course, darling. It's because you aren't necessarily passed out. You're not necessarily awake, but you're also not asleep. Your body is just overwhelmed from the pleasure." He murmurs.

Your open your mouth to respond as the coil in your stomach comes undone. You cry out, you back arching off the bed against as your nails drag down his back, your eyes squeezing shut in pleasure. He clenched his jaw as you squeeze around him, but he keeps thrusting into you.

You were limp, but his lips part from surprise as little soft moans left your lips. He could feel his own high catching up with him, but he prayed you were awake to see him come undone.

You were slowly coming to, a lot faster than normal, and your eyes flutter open. You could feel your body feeling the pleasure ten times more than it had before you orgasmed. You had no words. You could only moan and cry out for more as you held him closer.

Your eyes were watching how he moved above you. His body was coated in a sheen of sweat just as yours. Everytime he slammed back inside you, the muscles in his arms, abs and chest would clench. His hair was damp, dangling in his dark blue eyes that were watching you. He looked like he could care less from a glance at his face, but in his eyes you could truly see how much this meant to him.

He groans, his face scrunching up as he comes with his last thrust inside of you. Your lips part, no sound passing them as you felt the most amazing feeling ever. He slowly thrusts to ride out his high before pulling out of you. He lays beside you, wrapping an arm around your waist as he kisses your forehead.

He pets your damp hair, thinking about all the things he's wanted with you. Now, he can have them. He glanced at your belly and smiles slightly, imagining it swollen with his heirs.

I will have you, yes, I will have you

I will find a way, and I will have you

Like a butterfly, a wild butterfly

I will collect you and capture you

You had fallen asleep, your hand rested above Tom's heart, your head tucked in the crook of his neck and your legs entangled with his. This...was exactly as he had imagined it.

He found himself dozing off, feeling tired for the first time in a very long time. Tonight would be the best night of sleep he has ever had and he knows it's because he has you. You were the first one awake, but you weren't in any rush to wake Tom up or to move for that matter.

It was Saturday, meaning you both could sleep in late. Even if you both missed breakfast, they'd have lunch or snacks in the Great Hall for anyone.

"You're staring." Tom mumbles, his eyes still closed.

"You're handsome, how could I not?" You ask, a soft smile on your lips.

His lips twitch before they were tilting up. He opens his eyes, looking over you lazily from where you were now sitting up next to him.

"You look stunning in the mornings too." He breathes, almost like he was in shock.

"Oh stop it." You mumble, your cheeks flushed red.

"I mean it, you are beautiful." He murmurs.

"I...I...I'm not quite sure what to say." You admit quietly, looking down at the bed in shyness.

"You don't have to say anything. Come here." He says, opening his arms.

You climb onto his lap that was covered by the thin sheets, letting his arms settle around you. He kisses you softly, cupping your cheek. His tongue glides across your bottom one, silently pleading for your lips to open. To his luck, they did. His tongue slides into your mouth, his movements becoming more urgent as he tugs you closer to him, his teeth clattering with yours.

His hands slide from your hips to your ass, pulling you closer to him. You moan softly, your hands getting lost in his hair.

He pulls away, looking you over slowly, his eyes falling on your stomach. Oh, how he wanted to see you swollen with his child. He moves the sheets, revealing his hard cock. Your pupils dilate, his words washing away as you begin to sink down into his hard cock. You moan, rolling your eyes up to his, the both of you getting lost in the pleasure.

"You both have been around each other most of the time and she still doesn't know of your plans?" Abraxas asks.

Tom sighs, running a hand over his face. He knows Abraxas may have a point as you and him have been together for four months now, but he wasn't convinced whether you'd freak out or not.

Not to mention, the sneaking around over the summer so you both could hang out was ridiculous. Apparently, your parents dislike Tom immensely for no reason. At least to your opinion. Tom is sure they know he's a half-blood which would mean they have similar views to him which means you could have similar views as well.

Abraxas rambled on and Tom stared at the window, his thoughts back on you. You had returned to your home for the weekend as your parents had requested, so he found himself missing you immensely. Two days apart was the longest you both have been apart...since being together.

It was your guys' year seven and were two months into the year now. The cold, chilly weather was approaching at full force and that only meant the holiday season was as well.

"T-Tom, can I speak with you?" You ask quietly.

His head snaps to the left, seeing that you stood in the doorway of the Common Room. His eyes run over you, looking for a sign that you were hurt as he could tell you were upset.

"You're back early. Is everything okay?" He asks, standing and striding towards you.

You take his hand with one of your shaky ones, silently leading him to your dorm. You close the door, leaning your head against it as you think of the best way to approach this. Tom noticed you had more bags in your room and he turns to you confused just as you had turned and leaned your back against the door.

"Darling?" He asks.

"Tom...my parents said I either needed to break up with you if I were to continue living with them. Or...if I were to stay with you...then I would be cut off and kicked out of the house." You say quietly.

"Are you trying to break up with me?" He asks calmly.

"No! Tom, can't you see! I chose you! Because I love you! Yet, I won't have anywhere to go after school. And I need a place to go, Tom. I can't be homeless." You exclaim.

"Darling, we will find a place. You won't be homeless. I would never let that happen. We will figure it out." He says.

"Tom, we need to figure this out fast. I'm pregnant. Roughly a month. We can't raise our child on the streets of London. We need a home." You stress, tears welling in your eyes.

His lips part with surprise as he looks at your stomach. He knew something had been different about you lately. You've had a glow to you that he can't get over.

You are an obsession, you're my obsession

Who do you want me to be to make you sleep with me?

You are an obsession, you're my obsession

Who do you want me to be to make you sleep with me?

Tom eyed you from where he sat at a table in the library. You had gotten up to find another book, but his eyes were on your swollen stomach. He was more than obsessed with you pregnant. He told you and himself that you were going to be pregnant again and again.

You felt as you were ugly pregnant, but with the way Tom was constantly eyeing you and ravishing you any moment of the day, you knew you must've looked pretty in his eyes. When you first started to show, he was dragging you to your dorm, empty closets or empty classrooms to ravish you at least five or six times a day.

It's definitely been a challenge for you to keep up with Tom, but you adored him. Now, you were roughly seven months and only had roughly two weeks until graduation. Tom had been a bit more spacey recently, trying to make sure everything is sorted out once you both graduate. But, that didn't mean he didn't have time to sneak off with you and to ravish you while telling you how beautiful you were.

He cut it down to maybe once or twice a day—if you were up to it of course—as he didn't want to hurt you or the baby.

You could feel his eyes on you, but you continued to read the book you had found. You rest a hand on your belly, grimacing as you feel pain. You have an appointment today, the first since you went before you left your parents as you've been to embarrassed.

The stares and whispering had grown too much for you to bear, so you hid away most of the time if you could. However, you were sure Tom said something and made threats as most of that has come to an end. He was the one who actually fought with you about having an appointment.

"Everything okay, darling?" Tom asks, standing behind you as he rests his hands on your hips.

"I-I don't know if this is normal...I've never felt this before." You whisper, a hand on your belly.

"Everything okay?" The librarian asks, coming over to you two.

"I think something's wrong. This doesn't feel right." You say panicked.

She steps forward, ignoring Tom's narrowed eyes as she places her hand on your belly. Her face softens as she looks at you, a soft smile on your face.

"Oh dear, this isn't bad. This is good, really good. This is your baby kicking. I'm surprised it hasn't started earlier. Tom, you should have a feel." She says, taking her hand away.

Tom's eyebrows furrow before he places his hand on your bump. He jumps slightly before placing his hand back on your belly.

"Does it hurt?" He asks.

"Not really. It hurt a bit at first, but now the baby is kicking in a different area. It doesn't hurt as bad here." You say quietly.

"I'll leave you two to it. If you ever have any questions, don't fret to ask dear. I've got three of my own." She says, smiling softly before leaving you both.

"He's quite strong." Tom murmurs.

"He could be a she." You chide, rolling your eyes up to his.

"It's a boy. I can feel it." He says.

"Okay then." You mumble, rolling your eyes as you look back down at your book.

"You've gotten quite the attitude the past few days and I'm not so sure I'm having it." He says calmly.

"And what would you do about it?" You asks.

"Spank you. Push you to the edge over and over again. Make you want my cock, but I won't give it to you. I'd make you so sorry that you'll be begging at your knees for my forgiveness. So, tell me...are we going to straighten up our little attitude problem, or am I going to have to punish you?" He murmurs into your ear.

You were tense, your panties wet with arousal. You wanted to say something snarky, but with how horny you've been yourself because of the pregnancy hormones...you weren't so sure you were going to risk that.

Not to mention, Tom was true to his word—always. If he wanted to prove a point to you, he'd prove his point and he'd prove it pretty goddamn well. You could be on your knees and it wouldn't be enough. He's sadistic and he likes you like that. Maybe if you threw tears in the mix, he might cave—might as the keyword—but even that wasn't a solid might.

"I'll start behaving." You mumble.

"Good girl." He whispers, leaving a soft kiss on your neck before walking back to the table.

He watches as you move a hand to your belly again, looking down at it with a soft smile. You whisper something to your belly, something he wishes he heard, but instead he watches you with awe.

He knew you'd be an amazing mother. You've tried all you could to learn about your pregnancy, but you've come to learn that all pregnancies aren't the same. Each experience is unique and special. You've found you have to learn what works for you and you've got to find what is the right fit just for you. Tom has admired your growth and strength during your pregnancy.

He knows you don't feel beautiful pregnant, but he thinks otherwise. Everytime he looks at you, he sees a goddess whom he worships. He's already decided he wants to see you pregnant several more times after this.

You wobble over to the table again, his smile widening as you struggle. He stands, helping you sit before pushing your chair in. He's learned to love how dependent you've became. He loves to help you. He likes feeling needed by you. Even if it's simple tasks just because it's hard for you to walk sometimes.

"Tom." You murmur.

"Yes, darling?" He asks, looking you over slowly.

"I think I'm going to miss it...you know...being pregnant and all. I've really grown to like the baby bump. It's an intimate feeling knowing that there's a baby growing in here and I'm helping it grow by eating and whatnot. I think I'm going to be really sad to see the bump go." You admit.

"Darling, don't be sad. I plan to get you pregnant several more times. I love how beautiful you look pregnant. I thought you were the most beautiful woman I laid eyes on before, but when I saw you pregnant...it was like I was staring at a goddess." He says.

"What if you don't like me after I'm pregnant though? My body is going to change, a lot." You sigh, looking down.

"Y/n...darling, look at me. You are going to be beautiful, so beautiful. I wish you could see what I was seeing everyday. Sure, your body may be different. But, you spent months growing a life in there. How magical is that? I think it's quite extraordinary what you're doing. I know most women can do this, but you're mine and I think everything you do is extraordinary. But, I'll always think you're beautiful and I hope one day I can make you see how beautiful you are." He says.

"Tom, I wish you knew how much I love you." You say, your eyes stinging with tears of love.

You knew he wasn't the most emotional person. He's told you before, he never expected that he'd gain feelings for someone. He truly thought he was incapable of feeling—until you. At first, he simply thought it was an infatuation that turned to an obsession that later turned into his burning love for you. He doesn't say it often, but when he does tell you that he loves you, you take it and hold onto that moment.

"You tell me every day, darling. So, I think I have an idea." He murmurs, offering you a sly smile before looking back down at his book.

You are an obsession, you're my obsession

Who do you want me to be to make you sleep with me?

You are an obsession, you're my obsession

Who do you want me to be to make you sleep with me?

You are an obsession

"Tom...aren't they perfect?" You murmur, looking down at the twin boys you had hours earlier.

Tom was staring at you, the way you looked at your sons with so much love and care already. His eyes fall to your lips which were stretched into a soft smile as you looked down at your boys. He watches you gently stroke one's cheek before looking back at your face.

"Yes. Perfect." He murmurs.

"Tom! I'm talking about our sons, not me." You scold, your cheeks flushing red with embarrassment.

"I know! They are perfect and so are you. Mattheo definitely favors your more. I'm kind of jealous he's going to be so fetching as he grows older." He says.

"Oh shush, you. Tom favors you and I think both of our boys will be quite fetching once they grow older. It's definitely in their eyes." You say.

"God, I want you pregnant again." Tom murmurs.

"Tom! Let's wait until we at least get these two out of diapers! We are going to have our hands full." You exclaim, laughing slightly.

Tom takes Mattheo so you can feed the fussy Tom who hadn't wanted to take a bottle earlier.

"Please get out of diapers soon so that I can put another sibling in your mommy." Tom whisper.

"Tom Marvolo Riddle! He is a baby! Shush! You can't talk to him like that." You scold.

"Like he'll remember that. If he does, we have bigger problems on our hands." He says.

"Tom, shush. I love you, but shush." You say, laughing softly.

He smiles slightly, enjoying that sound from you. He watches as you look back down at Tom with a soft smile. Mattheo starts to squirm and he looks down at the boy. He smiles slightly, lifting a hand to swipe some of the hair out of his eyes.

Mattheo lifts a hand, his tiny hand wrapping around Toms pinky. Mattheo's brown eyes look up into Tom's blue ones. A big gummy smile appears on his face before he sneezes. Tom huffs out a quiet laugh, looking back down at the boy who snuggled closer to him. He leans down slightly, leaving a soft kiss on his head.

"I love you, Mattheo." He murmurs.

He looks up to see you staring at him with a big smile. You could tell he was embarrassed by showing his love for his son publicly, but you stick your hand out to him. He takes it, sitting on the edge of your bed.

"I love you." You murmur.

"I love you." He says, looking down at you with intense eyes.

He looks over at the fussy baby in your arms. He leans down, place a soft kiss on Tom's head as the baby lifted a hand and rested it on Tom's cheek, looking into his blue intense eyes with his identical ones.

"I love you, Tom." He murmurs.

He sits back, watching as he snuggled closer to you, seeming content now. He looks back at you, leaning down and leaving a soft kiss on your lips.

"I love you more than words, darling. I can't even begin to express how much I love you, nor how much I care. I know I struggle to show you those acts on a day to day basis, but I want you to know you truly mean the world to me." He murmurs.

"I know, love. I think I say it enough for the both of us. I appreciate all that you've done for us. I love you so much and I can't wait for our eternity together." You say softly

You are an obsession, you're my obsession

[fatesundress]

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine. 

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones. 

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary. 

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tomes and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly. 

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile? 

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up. 

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about? 

You suppose, for them, it’s a question with few answers. 

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession. 

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary. 

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure? 

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning. 

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with. 

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge. 

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books. 

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls. 

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin. 

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated. 

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again. 

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any. 

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now. 

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice. 

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all.  You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else. 

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them. 

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten. 

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.) 

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true. 

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer. 

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t. 

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid. 

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless. 

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that. 

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately. 

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end. 

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight. 

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes. 

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand. 

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain,  a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him. 

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love. 

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock. 

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly. 

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it. 

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.) 

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish. 

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same. 

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much. 

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition. 

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal. 

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it. 

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is. 

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —” 

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant. 

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor. 

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “You seen the shite the aurors are up to lately? I’d rather be a bloody Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? How about you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together. 

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident. 

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be. 

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop. 

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece. 

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that." 

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval. 

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will." 

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis. 

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain. 

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.” 

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back. 

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake." 

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster. 

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating. 

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself. 

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh. 

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you���ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes. 

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you. 

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He brings you to his bed after and you let him, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.