#vogue 1928

[mote-historie]

Porter Woodruff, Art Deco Cover illustration for Vogue Magazine, January, 1928

[semioticapocalypse]

George Hoyningen-Huene. Folies-Bergere dancer Georgia Graves, Vogue. 1928

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[thereadersdesire]

[cmonbartender]

Georgia Graves for Vogue (1928)

[federer7]

Lee Miller (third from left) “The Mode Puts out to Sea” NYC, July 15, 1928 - American Vogue

Photo: Edward Steichen

[artdecoandmodernist]

Edward Steichen, Lee Miller, in Marie-Christiane cloche hat, Vogue, 1928.

[paolo-streito-1264]

Lee Miller, as photographed by Edward Steichen, for Vogue Magazine, 1928.

[the1920sinpictures]

1928 Eleanor Sherwin wearing a Molyneux evening dress photographed by Steichen for "Vogue". From Art Deco, Avant Garde and Modernism, FB.

[newyorkthegoldenage]

Model Hannale Sherman on the terrace of Condé Nast's Park Avenue apartment, 1928. This 30-room penthouse, designed by Elsie de Wolfe, was the scene of Nast's many legendary parties. Sherman wears a crepe de chine skirt and jacket over a cream-colored blouse, by Hattie Carnegie, and a hat by Rose Descat.

Photo: Edward Steichen for Vogue via the Condé Nast Store

[kayflapper]

Caja Eric, (Ziegfeld Follies dancer) photographed by Edward Steichen, for "Vogue Magazine" August, 1928.

[gacougnol]

Edward Steichen

Vogue, june 1, 1928

[mote-historie]

Lee Miller (21), Vogue, Photo by Edward Steichen, 1928. 

[gentlyepigrams]

Lyssie Pero, Gertrude Clarke and Madame Sassau modeling dresses at Bergdorf Goodman, in a photograph taken by Edward Steichen for the May 1928 issue of Vogue

[zoeandsubalovephotography]

Lee Miller, third from left, photographed by Edward Steichen, Vogue, July 15, 1928

[les-annees-vingt]

Lee Miller pour Vogue, par Edward Steichen, 1928.

[thedivinecomedy0]

Noire et Blanche (French for Black and White) is a black and white photograph taken by American visual artist Man Ray in 1926. It is one of his most famous photographs at the time when he was an exponent of Surrealism.

The picture was first published in the Parisian Vogue magazine, on 1 May 1926, with the title Visage de Nacre et Masque d'Ébene. It would be published once again with the current title in the French magazines Variétés and Art et Décoration in 1928.

Man Ray had already published a similar photograph in the cover of the Dada magazine of Francis Picabia, with the title Black and White, in 1924, depicting two statuettes, one European and classical and the other African.