#virtual product release

[eminenceevent]

How to Plan the Perfect Product Launch Events?

Launching a new product is an exciting milestone for any event marketing singapore company, and a well-executed product launch event can induce buzz, attract attention, and create a memorable experience for attendees. Planning a successful product launch events requires careful consideration and attention to detail. This blog post will guide you through designing the perfect product launch event.

Define Your Objectives and Target followership.

Before diving into the logistics of planning your event, it's crucial to define your objects easily. Please determine what you want to achieve with the product launch events, whether it's generating media coverage, building brand awareness, or engaging implicit customers. Also, identify your target followership to tailor your event accordingly.

Produce a Compelling Event Concept

Develop a captivating product launch singapore event that aligns with your product and brand. Consider the overall theme, air, and messaging that will resonate with your target followership. Incorporate creative elements like interactive displays, demonstrations, or guest speakers highlighting your product's unique features and benefits. Ensure your event conception is harmonious with your brand identity to produce a cohesive experience.

Plan the Logistics and Promote Your Event

Pay attention to the logistical details to ensure a flawless event. Secure a suitable venue, arrange for audiovisual equipment, and plan the layout to accommodate product displays, demonstrations, and presentations. Coordinate with vendors, caterers, and other service providers well in advance. Produce a comprehensive event timeline to keep everything on track.

Promote your product launch events through various channels, including social media, email marketing, and traditional PR. Influence influencers, industry publications, and targeted advertising to generate excitement and attract your target followership. Consider offering exclusive invitations or early access to produce a sense of exclusivity and expectation.

Conclusion

A well-planned product launch events can be a game-changer for your business, driving interest, creating positive brand associations, and boosting sales. By defining your objectives, creating a compelling event concept, and strictly planning the logistics, you can ensure that your trade shows in Singapore leave a lasting impression. Remember to promote your event effectively to maximize attendance and engagement. With careful attention to detail and a focus on delivering an exceptional experience, you can plan the perfect product launch event that sets your new product up for success.

[teammelodies]

This is why i love modding/gamedev

I thought I was done with this cutscene but as i was playtesting the ruins this happened LOL

Oh well, I can fix it!

[b-blushes]

newplaylist d(' ' ) - GPT - STAYC - APT. - ROSÉ & Bruno Mars - Enough - ATEEZ - Heaven - TOMORROW X TOGETHER - Meow - NAME - Over The Moon - TOMORROW X TOGETHER - Rainbow - NAME - Really Like You - BABYMONSTER - Summer Last Year - SadBois & Jake Neumar - Sweet Chilli - NAME - TIPI-TAP - Kep1er - Virtual Angel - ARTMS

this post is pinned so i can reblog it every month with the music i've been listening to WAHOO!!! (it is mostly kpop tbh - i hope any expectations have been adjusted appropriately :P)

[pippin-pippout]

For those following the SAG and WGA strikes there’s new shit a-brewing, this time targeting background actors (aka extras).

Some may know that one of the issues SAG is fighting is that studios want to take virtual scans of background actors and use them in perpetuity (meaning forever) without any additional compensation to those background actors. So you would just see a bunch of AI generated humans in future movies based off of a background actor that worked one day.

This is already shitty because working as an extra for 3 days on a union set (if you receive a union voucher each day) is one of the main ways to qualify for SAG eligibility. This means that a lot of actors working background do not yet have union protection and likely do not have an agent or manager to protect them. Disney has already allegedly told background actors to do this on the set of Wanda Vision: https://www.avclub.com/wandavision-background-actors-say-disney-scanned-them-1850709900

Here’s where it's worse.

There is one main company that supplies background actors for major union and non union productions. Central Casting. They love to brag about their very long influence in the industry - in old movies dating back to the 40s you can hear jokes about hiring extras from Central Casting.

Central Casting has been including an electronic document for all actors in their database to sign as part of onboarding. Signing it gives Central Casting the right to use your images, your videos, and YOUR LIKENESS in perpetuity, forever. They would OWN your likeness. Instead of it being a studio supplying the AI background actors, it would be Central Casting instead.

Receiving any work from Central Casting in the future is conditional upon signing it. No signature = no extra work = no extra income for union actors trying to make health insurance minimums, no union extra work for pre-SAG members.

SAG already reached out to Central Casting to tell them to stop. Central Casting refused.

Edit to say: this is not new. It’s part of actors onboarding and is called the Photo, Image, and Video Release. It’s phrased to sound like you are just giving them permission to use your image and video for CC’s website and promotional purposes. But the actual language is much broader. It's only recently being brought up as a point for discussion because some casting directors (who are generally supportive of the strike) started pointing it out.

Central Casting is owned by Entertainment Partners which is also a giant software conglomerate and owns a lot of the software used to organize background casting and pay actors. https://www.ep.com/company/about-us/

[wizard-dax]

AI in Unification?

If you, like me, couldn't fully enjoy Unification because there was a horrible feeling in your gut the whole time of "is this AI? Did Shatner really let them use AI? That seems like a thing he'd do, because he's kind of awful" then you've come to the right place.

I did a deep dive of the technologies used for Unification and while this isn't a 100% comprehensive guide here's what I've learned:

According to Trekmovie.com's article about the film, the production team used a "team of artists and animators, who combined digital and physical prosthetics with live-action location photography, virtual production, and CG set extensions" and used "OTOY’s “Octane” rendering software and the “Render Network” decentralized GPU rendering platform. Characters and props were digitized using OTOY’s Academy-Award winning “LightStage” scanning system."

So what are all these proprietary names / jargon, and are any of them AI?

LightStage: A scanning tech that allows for digital capture of a human face (probably used to capture the stand-ins faces and superimpose older footage of Spock / Kirk like they would for a video game motion capture or something) = Not AI

OctaneRender: "Fastest unbiased, spectrally correct GPU render engine" (Probably used for sets based on the example I'm seeing on OTOY's website. It DOES use AI for "denoising and lighting" but this is a feature of the program and not the only thing the program does, so it is unclear if this is something they would have employed for the shot film. If they did, this would not be used for character work / deep fakes, and given what little information is written about this tech I'm almost curious if it is even a full AI system at all or just an automatic denoiser that they've dubbed as AI to look impressive. So I'd say results inconclusive here at best.)

The Render Network: "The network connects node operators looking to monetize their idle GPU compute power with artists looking to scale intensive 3D-rendering work and with machine learning developers looking to train and tune AI models. Through a decentralized peer-to-peer network, the Render Network achieves unprecedented levels of scale, speed, and economic efficiency. " (This basically means people can use the platform FOR AI but means nothing in the context of whether AI was used for this project.)

TL;DR: AI is an umbrella term for a lot of technology and it seems if anything, there may have been some AI used in the background rendering process but nothing generative AI / deep fakes. In my cynical opinion, if they HAD used AI in general for this, I feel like they'd be shouting it from the rooftops right now since people who love AI won't shut up about it. I'm tentatively saying this was 99% made with traditional CGI and artist work as is stated in the Trekmovie.com article, but I wouldn't be surprised if that opinion changes as the day goes on and more information is released.

[thebisexualdogdad]

Smutober day 21: Lena Luthor x Male!reader - Devious

You stopped by L-corp with the intention of bringing your girlfriend lunch but instead you ended up making out with her on the couch in her office.

“Love, I have an important meeting I can't be late for,” Lena says, reluctantly pulling away from your embrace.

“Is it a virtual meeting?” You ask not ready to leave her just yet.

“Yes, with investors from all over the country and it starts in five minutes,” she tells you, getting up from the couch and flattening out her hair along with checking her lipstick in the mirror to make sure she looked presentable.

“You know I love to watch you work, I'll sit here quietly you'll forget I'm even here,” you say innocently.

Part of Lena knew you were up to something but as she was sitting at her desk and logging onto the meeting she didn't really have time to investigate.

You sit on the couch, listening as she says her hellos to everyone on the call.

She begins her presentation and at first you do as you said you would and stay silent but after a few minutes you slowly get up, walking towards Lena who glances up at you but suddenly you're crawling under her desk.

Lena gulps when she feels your hands running up and down her legs which are exposed thanks to the dress she is wearing.

She tries to collect herself but then your planting gentle kisses up her calves and to her thighs.

“Are you alright Ms. Luthor?” Someone on the call asks.

“Yes I'm alright,” she nods, continuing her speech.

You pull her dress up and spread her legs apart, gently kissing her clit through her underwear, her hips uncontrollably buck into your touch.

She's already a little wet from your previous makeout session and you can taste her arousal seeping through the material of her underwear as you lay your tongue flat against her.

Her grip on her mouse is tight, accidently clicking to fast forward to the next slide.

“My apologies, let's go back for a moment,” she says, literally biting her tongue when you pull her underwear to the side.

Her thighs try to clench around your head so you have to hold them spread open as you lick different patterns across her pussy.

The investors are asking her questions about the new tech product she's pitching them and she's doing her best to answer them in full coherent sentences.

When you push the hood back to swirl your tongue around her clit directly she inadvertently knocks a notepad off her desk.

“Oh my, I guess I’m feeling a little under the weather today,” Lena chuckles awkwardly.

“Would you like to reschedule the rest of the presentation Ms Luthor?” someone asks.

“No no, we are over half way done we should see this through,” she says partially talking about the presentation but more importantly talking about her impending orgasm.

She tries to subtly throw her leg over your shoulder, giving you even better access to her.

Your tongue plunges inside her, Lena doing her best going forward with her pitch.

Her wetness coats your chin, your nose nudging her clit bringing her so close to her release.

Her pussy is pulsing around your tongue and you know she's about to cum but you've also heard this presentation multiple times as you were her practice audience so you know she's reaching its climax.

She digs her nails into her desk in frustration when your tongue disappears, taunting her by kissing her pussy, Lena nudging you with her knee to get you back to what you were doing.

You continue to tease her by making long slow strokes with your tongue but it's not enough to bring her over the edge.

Soon you hear a sentence you recognize as one of her closing statements so you dive back in, licking her in a fast steady way you know drives her wild.

She quickly wraps up the meeting, saying her goodbyes and slamming her laptop shut, letting out the guttural moan she had been holding in for the last hour.

Lena doesn't hold back, moaning so loudly as she cums on your tongue.

“Oh how devious,” she scolds, coming down from her high.

“I thought you could use a little motivation,” you smirk, looking up at her and locking eyes as you wipe away her cum off your mouth with the back of your hand.

“I am so getting you back for this,” she smiles.

[mostlysignssomeportents]

Apple fucked us on right to repair (again)

Today (September 22), I'm (virtually) presenting at the DIG Festival in Modena, Italy. Tonight, I'll be in person at LA's Book Soup for the launch of Justin C Key's "The World Wasn’t Ready for You." On September 27, I'll be at Chevalier's Books in Los Angeles with Brian Merchant for a joint launch for my new book The Internet Con and his new book, Blood in the Machine.

Right to repair has no cannier, more dedicated adversary than Apple, a company whose most innovative work is dreaming up new ways to sneakily sabotage electronics repair while claiming to be a caring environmental steward, a lie that covers up the mountains of e-waste that Apple dooms our descendants to wade through.

Why does Apple hate repair so much? It's not that they want to poison our water and bodies with microplastics; it's not that they want to hasten the day our coastal cities drown; it's not that they relish the human misery that accompanies every gram of conflict mineral. They aren't sadists. They're merely sociopathically greedy.

Tim Cook laid it out for his investors: when people can repair their devices, they don't buy new ones. When people don't buy new devices, Apple doesn't sell them new devices. It's that's simple:

https://www.inverse.com/article/52189-tim-cook-says-apple-faces-2-key-problems-in-surprising-shareholder-letter

So Apple does everything it can to monopolize repair. Not just because this lets the company gouge you on routine service, but because it lets them decide when your phone is beyond repair, so they can offer you a trade-in, ensuring both that you buy a new device and that the device you buy is another Apple.

There are so many tactics Apple gets to use to sabotage repair. For example, Apple engraves microscopic Apple logos on the subassemblies in its devices. This allows the company to enlist US Customs to seize and destroy refurbished parts that are harvested from dead phones by workers in the Pacific Rim:

https://repair.eu/news/apple-uses-trademark-law-to-strengthen-its-monopoly-on-repair/

Of course, the easiest way to prevent harvested components from entering the parts stream is to destroy as many old devices as possible. That's why Apple's so-called "recycling" program shreds any devices you turn over to them. When you trade in your old iPhone at an Apple Store, it is converted into immortal e-waste (no other major recycling program does this). The logic is straightforward: no parts, no repairs:

https://www.vice.com/en/article/yp73jw/apple-recycling-iphones-macbooks

Shredding parts and cooking up bogus trademark claims is just for starters, though. For Apple, the true anti-repair innovation comes from the most pernicious US tech law: Section 1201 of the Digital Millennium Copyright Act (DMCA).

DMCA 1201 is an "anti-circumvention" law. It bans the distribution of any tool that bypasses "an effective means of access control." That's all very abstract, but here's what it means: if a manufacturer sticks some Digital Rights Management (DRM) in its device, then anything you want to do that involves removing that DRM is now illegal – even if the thing itself is perfectly legal.

When Congress passed this stupid law in 1998, it had a very limited blast radius. Computers were still pretty expensive and DRM use was limited to a few narrow categories. In 1998, DMCA 1201 was mostly used to prevent you from de-regionalizing your DVD player to watch discs that had been released overseas but not in your own country.

But as we warned back then, computers were only going to get smaller and cheaper, and eventually, it would only cost manufacturers pennies to wrap their products – or even subassemblies in their products – in DRM. Congress was putting a gun on the mantelpiece in Act I, and it was bound to go off in Act III.

Welcome to Act III.

Today, it costs about a quarter to add a system-on-a-chip to even the tiniest parts. These SOCs can run DRM. Here's how that DRM works: when you put a new part in a device, the SOC and the device's main controller communicate with one another. They perform a cryptographic protocol: the part says, "Here's my serial number," and then the main controller prompts the user to enter a manufacturer-supplied secret code, and the master controller sends a signed version of this to the part, and the part and the system then recognize each other.

This process has many names, but because it was first used in the automotive sector, it's widely known as VIN-Locking (VIN stands for "vehicle identification number," the unique number given to every car by its manufacturer). VIN-locking is used by automakers to block independent mechanics from repairing your car; even if they use the manufacturer's own parts, the parts and the engine will refuse to work together until the manufacturer's rep keys in the unlock code:

https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon

VIN locking is everywhere. It's how John Deere stops farmers from fixing their own tractors – something farmers have done literally since tractors were invented:

https://pluralistic.net/2022/05/08/about-those-kill-switched-ukrainian-tractors/

It's in ventilators. Like mobile phones, ventilators are a grotesquely monopolized sector, controlled by a single company Medtronic, whose biggest claim to fame is effecting the world's largest tax inversion in order to manufacture the appearance that it is an Irish company and therefore largely untaxable. Medtronic used the resulting windfall to gobble up most of its competitors.

During lockdown, as hospitals scrambled to keep their desperately needed supply of ventilators running, Medtronic's VIN-locking became a lethal impediment. Med-techs who used donor parts from one ventilator to keep another running – say, transplanting a screen – couldn't get the device to recognize the part because all the world's civilian aircraft were grounded, meaning Medtronic's technicians couldn't swan into their hospitals to type in the unlock code and charge them hundreds of dollars.

The saving grace was an anonymous, former Medtronic repair tech, who built pirate boxes to generate unlock codes, using any housing they could lay hands on to use as a case: guitar pedals, clock radios, etc. This tech shipped these gadgets around the world, observing strict anonymity, because Article 6 of the EUCD also bans circumvention:

https://pluralistic.net/2020/07/10/flintstone-delano-roosevelt/#medtronic-again

Of course, Apple is a huge fan of VIN-locking. In phones, VIN-locking is usually called "serializing" or "parts-pairing," but it's the same thing: a tiny subassembly gets its own microcontroller whose sole purpose is to prevent independent repair technicians from fixing your gadget. Parts-pairing lets Apple block repairs even when the technician uses new, Apple parts – but it also lets Apple block refurb parts and third party parts.

For many years, Apple was the senior partner and leading voice in blocking state Right to Repair bills, which it killed by the dozen, leading a coalition of monopolists, from Wahl (who boobytrap their hair-clippers with springs that cause their heads irreversibly decompose if you try to sharpen them at home) to John Deere (who reinvented tenant farming by making farmers tenants of their tractors, rather than their land).

But Apple's opposition to repair eventually became a problem for the company. It's bad optics, and both Apple customers and Apple employees are volubly displeased with the company's ecocidal conduct. But of course, Apple's management and shareholders hate repair and want to block it as much as possible.

But Apple knows how to Think Differently. It came up with a way to eat its cake and have it, too. The company embarked on a program of visibly support right to repair, while working behind the scenes to sabotage it.

Last year, Apple announced a repair program. It was hilarious. If you wanted to swap your phone's battery, all you had to do was let Apple put a $1200 hold on your credit card, and then wait while the company shipped you 80 pounds' worth of specialized tools, packed in two special Pelican cases:

https://pluralistic.net/2022/05/22/apples-cement-overshoes/

Then, you swapped your battery, but you weren't done! After your battery was installed, you had to conference in an authorized Apple tech who would tell you what code to type into a laptop you tethered to the phone in order to pair it with your phone. Then all you had to do was lug those two 40-pound Pelican cases to a shipping depot and wait for Apple to take the hold off your card (less the $120 in parts and fees).

By contrast, independent repair outfits like iFixit will sell you all the tools you need to do your own battery swap – including the battery! for $32. The whole kit fits in a padded envelope:

https://www.ifixit.com/products/iphone-x-replacement-battery

But while Apple was able to make a showy announcement of its repair program and then hide the malicious compliance inside those giant Pelican cases, sabotaging right to repair legislation is a lot harder.

Not that they didn't try. When New York State passed the first general electronics right-to-repair bill in the country, someone convinced New York Governor Kathy Hochul to neuter it with last-minute modifications:

https://arstechnica.com/gadgets/2022/12/weakened-right-to-repair-bill-is-signed-into-law-by-new-yorks-governor/

But that kind of trick only works once. When California's right to repair bill was introduced, it was clear that it was gonna pass. Rather than get run over by that train, Apple got on board, supporting the legislation, which passed unanimously:

https://www.ifixit.com/News/79902/apples-u-turn-tech-giant-finally-backs-repair-in-california

But Apple got the last laugh. Because while California's bill contains many useful clauses for the independent repair shops that keep your gadgets out of a landfill, it's a state law, and DMCA 1201 is federal. A state law can't simply legalize the conduct federal law prohibits. California's right to repair bill is a banger, but it has a weak spot: parts-pairing, the scourge of repair techs:

https://www.ifixit.com/News/69320/how-parts-pairing-kills-independent-repair

Every generation of Apple devices does more parts-pairing than the previous one, and the current models are so infested with paired parts as to be effectively unrepairable, except by Apple. It's so bad that iFixit has dropped its repairability score for the iPhone 14 from a 7 ("recommend") to a 4 (do not recommend):

https://www.ifixit.com/News/82493/we-are-retroactively-dropping-the-iphones-repairability-score-en

Parts-pairing is bullshit, and Apple are scum for using it, but they're hardly unique. Parts-pairing is at the core of the fuckery of inkjet printer companies, who use it to fence out third-party ink, so they can charge $9,600/gallon for ink that pennies to make:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

Parts-pairing is also rampant in powered wheelchairs, a heavily monopolized sector whose predatory conduct is jaw-droppingly depraved:

https://uspirgedfund.org/reports/usp/stranded

But if turning phones into e-waste to eke out another billion-dollar stock buyback is indefensible, stranding people with disabilities for months at a time while they await repairs is so obviously wicked that the conscience recoils. That's why it was so great when Colorado passed the nation's first wheelchair right to repair bill last year:

https://www.eff.org/deeplinks/2022/06/when-drm-comes-your-wheelchair

California actually just passed two right to repair bills; the other one was SB-271, which mirrors Colorado's HB22-1031:

https://leginfo.legislature.ca.gov/faces/billNavClient.xhtml?bill_id=202320240SB271

This is big! It's momentum! It's a start!

But it can't be the end. When Bill Clinton signed DMCA 1201 into law 25 years ago, he loaded a gun and put it on the nation's mantlepiece and now it's Act III and we're all getting sprayed with bullets. Everything from ovens to insulin pumps, thermostats to lightbulbs, has used DMCA 1201 to limit repair, modification and improvement.

Congress needs to rid us of this scourge, to let us bring back all the benefits of interoperability. I explain how this all came to be – and what we should do about it – in my new Verso Books title, The Internet Con: How to Seize the Means of Computation.

https://www.versobooks.com/products/3035-the-internet-con

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/09/22/vin-locking/#thought-differently

Image: Mitch Barrie (modified) https://commons.wikimedia.org/wiki/File:Daytona_Skeleton_AR-15_completed_rifle_%2817551907724%29.jpg

CC BY-SA 2.0 https://creativecommons.org/licenses/by-sa/2.0/deed.en

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kambanji (modified) https://www.flickr.com/photos/kambanji/4135216486/

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

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Rawpixel (modified) https://www.rawpixel.com/image/12438797/png-white-background

[identifying-cars-in-posts]

I GOT A NEW CAR

Everybody meet the new baby that i will never shut up about forever!

This is Clifford the Third, my new 1996 Nissan Pickup!! I probably paid too much for her but given that I live in Massachusetts and she has virtually no rust I’m okay with that lol.

So a brief history of the Nissan Pickup! These trucks were released in the US in 1985 and were sold through 1997, when they were replaced with the Frontier. They were the successor to the beloved Datsun 720, which had been in production since 1979. They are in fact just called the Pickup! They’re colloquially known as the D21 - their chassis code, and the Hardbody, because of the double walled durable construction of the trucks’ bed.

The D21 was available with a couple different engines and drivetrain layouts. Mine is a 4x4 with the KA24 motor (which it shared with the 240SX/Silvia). She’s also a King Cab, meaning she has a slightly elongated wheelbase to allow for two small inwards facing jump seats in the back of the cab. Still a two door though.

AND SHE’S A STICK! She has a 5-speed manual transmission, and it’s the best transmission i’ve ever personally had in a car. She’s my third manual, the other two being a 1999 Toyota Corolla and a 2004 Subaru WRX, both of which were great but the Corolla had a really sloppy gearbox that felt incredibly vague at times, whereas the WRX had a sportier transmission that was pretty unforgiving and stiff. This one is definitive about where each gear is, but also won’t get too jerky or loud if you shift a little early or late.

Nissan Hardbody trucks are known and loved for their durability, versatility, and simplicity. They’re super bare bones but what they do have is built remarkably well and meant to withstand lots of abuse. If they don’t rust and have basic maintenance kept up it’s not uncommon for them to go 300k+ miles with minimal issues. Mine has around 184k miles, high but manageable. She also has a few modifications from the previous owner, namely a straight piped exhaust (no muffler, just one big long aluminum tube), aftermarket bumpers and lights, locking hubs, and a small lift. The guy i bought it from had plans to make it an off-roader but had too many projects and needed to offload one to make space in his driveway.

While many people either take these off-roading or turn them into drift trucks, my plan is to bring her back to mostly stock. I’m in the process of tracking down OEM bumpers and a more typical cat-back (from the catalytic converter back) exhaust system so she’s a little less obnoxiously loud. Since i mostly just need reliable transport more than a toy and she is now my sole car, I want to just make her relatively normal. But I love her a lot and am happy to be able to share!

[synthaphone]

Allowing myself to go on a tangent about the nearly 26 year old virtual pet website that i am way too invested in.

So today they released the Candy Pteri. While I appreciate what they were trying to do here with it effectively having two designs that you get to choose between (The "Melted Candy Pteri" on the left is a Paint Brush wearable that can be removed to reveal the customizable base pet on the right), I think in this case, they have created two extremely boring designs when they could have easily created one strong design, or hell, even two strong designs if they wanted to do extra work.

Because with this release, we get a base Candy Pteri with no real lineart changes (like the rounded hair tufts and spines on the Candy Zafara), and an alternate design that's just... a drawing of a Marshmallow Peep™???

I would have WAY preferred a base Pteri where they did something like give it a little marshmallow dollop shape on its head and in place of the tail tuft, like my friend @darieyrie suggested. Or they could give it the Peep dot eyes and more rounded features! There's all kinds of ways you could do this concept.

I'd be less frustrated if the Peep wearable had any Pteri traits whatsoever, but its JUST a Peep that's been slightly microwaved. Which is a little funny, but even more than the Toy Poogle is just an iDog, the Candy Pteri does not have any deviation from its base inspiration at all. It's not actually an execution of the concept of "Candy Pteri thats based on a Peep" if there's no Pteri left at all!

(also are they just banking on the Just Born corporation (who make Peeps) never taking any action on this? it kind of goes beyond 'cheeky reference', its EXACTLY their product. I mean, it seems unlikely that they'll notice or bother doing anything if they do, but i don't really know why you'd risk that.) The saving graces of this design, imo, are that the pink and cream color scheme of the base pet IS pleasant (though the lineart and shading treatment aren't really my bag), and some people will enjoy the novelty of having a pet Marshmallow Peep™.

But really this is just the latest of a number of recent outfit and color releases that feel like they don't think people want Neopets. Like. This cardinal outfit that they also released today.

I love the idea of a cardinal Pteri! But this outfit literally takes away every distinguishing trait of the Pteri to make a high effort, nicely rendered, but stylistically incongruous generic cartoon cardinal????? Its not even a Neopet anymore!!! Even if I set aside my personal dislike of the overly rendered style they're using for more and more of the site assets, this wouldn't work with most of the rendering removed either, because it would still be a Pteri in pose and proportions only.

Not every new design and outfit that's come out in the past couple years has these issues and there have been a number I've really liked, and I DO think its great that the quality of the art has improved since the JumpStart era. But I would really appreciate it if the new pet colors in particular were designed a little more thoughtfully, so that they at bare minimum still resemble the species they're supposed to be outside of the rough pose and proportions. It sometimes feels like there isn't a rough draft or workshopping progress for new colors, and the members of the art team just kind of do their own thing and then the very first draft of an idea is what gets polished and released.

The current art direction for the customization aspects of the site just has me feeling like they've decided to throw out years of relatively cohesive art and world design for a strange jumble of ideas that don't really capture the appeal or feeling of Neopets to me.

[dailyadventureprompts]

Alright, guess it’s time to address the apocalyptic legal elephant in the room:

For those who might not know, WotC plans were leaked to “update” the OGL in what is basically a scorched earth policy with regards to 3rd party material/creators in the hopes of cutting out the competition and forcing people to use their new products. 

As someone who lived through the 4th edition/pathfinder schism, the situation is laughably similar:  D&D is flourishing more than it ever has (thanks primarily to the OGL) but the execs at Hasbro want more of the money spent on the hobby to wind up in their pockets. Oblivious to the fact that the opensource nature of the game is what draws people to it,  they task the design team with creating a proprietary virtual tabletop through which they can sell d&d content without having to worry about books or pdfs being pirated. This rightfully outrages the fandom and burns every scrap of good will they had towards WotC, resulting in a dead edition that’s maligned years afterword as folks hop to the newer, easier game system. 

The thing that’s different this time is that the d&d playerbase has grown exponentially since the days of the first OGL, with 5th edition being the easiest version of the game to run/pick up and so many resources online, there’s almost no barrier to entry besides finding a stable/accommodating group.   Hell, with the explosive popularity of liveplay series you don’t even need to be actively playing in order to be in the fandom.  All of these people are networked together in a fandom hivemind spread across twitter/reddit/youtube and WotC just made an enemy of every single one of them with its shameless and destructive cashgrab.  No streamer or 3rd party publisher wants to give Hasbro 25% of their revenue, to say nothing of having their project “cancelled” if WotC sees it as a threat to any of their current projects ( see the huge number of spelljammer materials published after the company dropped the ball). 

It took about two years after the announcement of 4th edition for Paizo to come out with pathfinder, and I have no doubt the OGL leak kickstarted every major 3rd party publisher brainstorming some legally distinct version of the 5e ruleset. In the coming months I expect to see a number of these surrogate systems floating around the internet in much the same way that the onednd playtest content, but spurred on with the added “fuck you Hasbro” energy. After that, it’s only a matter of time till one of the big streamers picks up one of these systems and popularizes it, not wanting to pay the 25%tithe to WotC. Personally my money’s on Critical Role: they were one of the major factors in popularizing 5th edition and they’ve got the fandom pull to legitimize any claimant to the throne. 

To step away from playing oracle for a bit, I’d like to finish up this post by dunking on WotC:  

*ahem*

HOW FUCKING DUMB TO YOU HAVE TO BE TO TURN YOUR ENTIRE CUSTOMER BASE AGAINST YOU IN ONE NIGHT? This is some new coke/Reynolds pamphlet/invading Russia in winter levels of shooting yourself in the foot. Wizards was on shaky ground to begin with given that they’re coming off a series of notably disappointing products AND trying to launch a new edition/virtual tabletop/battlepass system, but to follow that up with a retroactive rules change that lets them outright steal from or shut down creators? It’s laughable.  Maybe, MAYBE they could have made this work if they were knocking it out of the park with new releases every year and cultivating a base of diehard WotC loyalists, but the fact of the matter is that aside from the brand name, the hobby has largely passed them by. Everything that Wizards does, from player options to settings to monsters to rules modules, someone else does better because they’re willing to take risks and put in the effort. Aside from the elegant simplicity of 5e’s base system, I can count maybe two pieces of actual game design (piety from Theros, ship combat from Saltmash) that I consider usable at my table, which is SAYING SOMETHING considering we’re nearing the end of the game’s ten year golden age. 

I know we’ll weather this storm, we always have, and regardless of what happens I still know my friends and I will enjoy gathering around the table and slinging dice even though we might not be playing “dungeons and dragons” in a couple years time.  I’ll keep my eye on the horizon, and let you know where I find safe harbour.

[eminenceevent]

How Event Marketing in Singapore Can Boost Your Business

Companies constantly seek innovative ways to promote their products and services in today's competitive business landscape. One effective strategy that has proven to yield emotional results is event marketing. With its dynamic and engaging nature, event marketing can produce memorable experiences for businesses and attendees. This blog post will explore how event marketing singapore can help your business thrive and achieve its goals.

Building Brand Awareness and Exposure

This event marketing singapore offers a unique opportunity to showcase your brand in a highly targeted and interactive environment. By organizing events in Singapore, you can effectively reach your target followership, generate buzz, and increase brand visibility. Whether it's a trade show, conference, or product launch, events give a platform to showcase your offerings, connect with potential customers, and leave a lasting impression.

Driving Customer Engagement and Relationship Building

Singaporean consumers appreciate meaningful interactions with businesses. Event marketing allows you to engage directly with your followership, fostering genuine connections and building lasting relationships. You can create a strong emotional connection with attendees through interactive activities, live demonstrations, and personalized experiences, driving customer loyalty and advocacy. Also, events give an avenue to gather valuable feedback, understand customer preferences, and tailor your offerings accordingly.

Conclusion

The event marketing singapore offers various benefits for businesses seeking to make a continuing impact in their industry. You can position your business for success in the dynamic Singaporean market by using events to make brand awareness, drive customer engagement, and foster relationships. Remember to plan strategically, define clear objectives, and ensure seamless execution to maximize the impact of your event marketing efforts. So, whether you are a small startup or an established corporation, consider incorporating event marketing into your overall marketing strategy to unlock new opportunities, expand your reach, and drive business growth in Singapore.

[borbygorlinbbqworld]

A woman doesn't notice that one of the bras she bought is a nursing one. Once she wears it her boobs fill with milk and keep growing

Anya had always had big boobs.

Ever since they had started growing at age 13, they had been on the larger scale. The process for buying bathing suits and bras in particular had always proven a challenge; she had a very petite frame, but her breasts seemed to stick out of everything, and were often sore from the padding that came with retail bras.

Which was why finding the Abra Cadabra bra in the return pile at Target meant so much to her. She looked at herself wearing it in the mirror, turning this way and that. There was virtually no padding, so while her nipples did poke through the fabric a bit, it was super comfortable. The straps didn't dig in, which was another huge bonus.

She marveled at how well it supported her jugs, even bouncing them by the straps. Though they did jiggle quite a bit, it still felt comfortable.

She smiled at herself in the bathroom mirror, finally content. She looked at the box the bra came in, wondering how she had missed this product for so long.

Nursing Bra.

Anya's cheeks flushed. The reason it must have fit so well was because the bra was intended for women with massive jugs nursing their kids.

It was a little embarrassing, but so what, right? No one would know the bra was meant for--

Suddenly, Anya felt a tightness in her breasts. It was a feeling she usually got when her bras were too small, but this bra fit, didn't it? She looked at herself in the mirror, but nothing seemed amiss.

But the feeling continued, even through to the next week.

She stood in front of the mirror again with her top pulled over her breasts, examining them. Her healthy, round double Gs looked... different.

She was no stranger to her cycle filling her cups up a little bit here and there, but this was different. Her breasts looked swollen and full, and they felt like they weighed a ton. Her nipples were constantly hard now, poking through the fabric of the bra like two aching cherries.

"Holy fuck..."

Anya whipped around, jostling her full breasts, and startled at the sound of the man's voice. Ben, her older brother's friend, stood before her. His cheeks were flushed as he stared down at her chest.

She fumbled with her shirt, doing her best to pull it back down over her boobs, but the fabric protested. It was a stretchy fabric, but even it has its limits. Finally, she shoved them into the shirt, the tightness forcing breath from her.

The shirt certainly hadn't been that tight when she put it on this morning...

"Sorry," she finally said. "I was just seeing something..."

"Looking at how big they've gotten?" Ben asked.

Anya flushed. So he noticed too... "I don't know what you mean."

He reached his hands over, gently hoisting her heavy boobs up. She released a heavy sign of relief; who knew her back ached so much from them!

But Ben didn't stop there. Gently, he rubbed his thubs over her nipples, hardening them further. Anya let out a moan; good God, that felt good!

What didn't feel good, however, was the continued tightness in her chest as it strained against a t-shirt unequipped to hold her endowment.

"Your tits were already big. Now, they're..."

Anya squeaked helplessly as he massaged her breasts occasionally jiggling them around. Every jostle not only made her shirt feel even tighter, but her clit begged for release.

"Can I tell you something?" Ben tore his gaze from her breasts to look her in the eyes. "I always had a bit of a crush on you when we were all younger. Couldn't help but picture marrying you, and getting you pregnant as many times as I possibly could."

She bit her lip to stifle the moan of pleasure his words brought her.

Riiiip.

What was that? Anya was too distracted to look away from Ben to bother. He continued handling her, sinking his fingers into her flesh; she could feel each and every gland swell at his touch.

"I couldn't stop myself from thinking about how I'd fuck you, even when you're pregnant. How your tits would get so fucking huge, you'd be some bed-ridden breeding cow..."

His thumbs swirled around the outside of her areolas, teasing the hell out of her.

Finally, with another sound of tearing fabric, she realized her shirt had ripped. Her full breasts pulled her forward from the added weight, and she moaned.

They had never felt this engorged before, let alone so full. She caught sight of them in the mirror. Where she had already been a well-endowed double G cup before, she doubted her old bras would even cover her nipples anymore. The massive mounds had deep blue veins that throbbed near her nipples, and her breasts would have filled her entire lap had Ben not been supporting them.

"God, I wanna put babies in you so bad..."

Her underwear soaked at the suggestion. The idea of being impregnated by him right now made Anya burn with desire.

His touches were agonizingly arousing, and her teats begged for release.

Release?

Finally, Ben squeezed at her nipples playfully, and she realized what had been happening. Two hot spurts of milk showered his face. Anya moaned with pleasure and from the relief; holy fuck, it felt good!

Ben let her breasts go, once again causing her to lurch forward a bit. They swayed, sloshing the gallons of milk that had come out of nowhere. He knelt down so her teats were at eye level before pulling the nursing bra down to reveal her puffy nipples. Steady streams of milk leaked from them, and she begged him internally to lap it up.

But that wasn't the only thing her body needed at the moment, was it?

She stared down at him needily. "B-Ben?"

He looked up, a small smile on his face. "Yeah?"

Anya unbuttoned her jeans and slid them down her legs. "I need you to fuck me. Like... right now."

-----

🐮❤️

[ineffable-rohese]

My spouse and I were discussing Aziraphale & Crowley over dinner the other night, as one does, and I was reminded that in the early days of Facebook there was a feature where you had a virtual pinboard, like the cork board next to your dorm room white board, and you could find all sorts of "pins" to put on it. The idea was your friends could visit your "wall" and see the things you were in to, as well as your status.

I definitely remembered being so excited to find Good Omens pins in the collection. "Gayer Than a Tree Full of Monkeys on Nitrous Oxide" was my favorite, of course.

I was, at the time, around 2005 or 2006, just a little bit obsessed with the book, and had been for years at that point. I'd only convinced a couple people to read it, all of whom thought it was enjoyable, but that was it. I felt a bit alone, but I also didn't imagine that fandom existed for books. (The existence of that FB pin should have clued me in, but it did not.)

Fast forward about 15 years, and the show came out, and I loved it. And still I didn't manage to find anyone who loved it like I did.

In the past year, I have been so overjoyed to find my people, to have someone to join with in tears and elation, in the nail biting waiting for renewal. And I'd been looking forward to the excitement of production news and poster releases and wild speculation and silly in-jokes and then madness of DT&MS press tours and finally the conclusion to the story we've loved for so long.

And then the news about NG broke, and it was like all of our hearts broke at once. And yeah, maybe the last season was still coming, but it felt tainted now. And people started pulling away, understandably, and I still had my people (and thank Someone for them, for real) but it got real quiet for a bit. And the stories and and art started trickling back as we all figured out how we wanted to engaging meaningfully in someone that was no longer purely joyful.

Then the pause and people freaking out and other people rejoicing and a slim thread of hope. Could they do it? Would Amazon put in the work to extract NG from the production? Is this story worth the effort to people who care more about profit than anything else?

It's looking like yes, as of October 15, 2024. And I love that the person who is renewing our hope is not an actor or a director or one of the "big name" credits. It's Mickey Ralph, who obviously loves this story as much as we do. Whose team hand wrote, in full, all of Aziraphale's mail. And recreated a destroyed antique sink that literally no one would notice. And painted the walls "va-va-voom" yellow. And named every puppet in the magic shop. And brought so much depth and love and life into the show, and made it real.

This story has always been about love. Love for friends, and family, and the people you are told you should hate, and the world, and humanity.

My dearest wish is that we can continue to celebrate that love together.

[wheelsgoroundincircles]

1970 Chrysler 300 Hurst

One of the great unknowns about the 1970 Chrysler 300 Hurst is exactly how many cars were built. Estimates put the total as low as 485, and as high as 502 cars. Regardless of what the figure actually is, the car itself is a pretty special piece of machinery.

The 300 Hurst is a giant of a car at 19′ in length. All of the Hursts rolled off the production line finished in Spinnaker White. The cars were then shipped to the Hurst factory in Warminster, Pennsylvania, where a substantial transformation was performed. The first change to be made was the removal of the standard Chrysler steel hood skin, which was replaced with a fiberglass unit. This featured a decorative hood scoop and the obligatory set of recessed hood locks. The deck lid was also removed, and once again, a fiberglass replacement, complete with a spoiler integrated with the rear quarter panels, was also installed. The White paintwork was complimented by the addition of Satin Tan highlights and contrasting pinstripes, and the wheels were adorned with the same Satin Tan color in the centers. This Hurst is a clean car, with a small area of rust visible in the lower section of the driver’s side front fender, and surface corrosion present on the car’s underside. The Spinnaker White paint appears to be in good condition, but there has been some deterioration of the Satin Tan paint on both the hood and the deck lid. The exterior trim and chrome all look good, while the tinted glass is close to perfect.

The 300 Hurst was a premium car at a premium price, so naturally, it required a premium interior. In this case, seat upholstery was available in a single type and color. Continuing the exterior theme, the color is Saddle Tan, and the material is leather. The plush front seats are not standard 300 items but have been pilfered from the Imperial parts bin. While the original intention was for a Hurst shifter to be part of the interior features, this is something that never eventuated. The interior of this Hurst is close to perfect, with a single discolored spot on the dash pad being the most obvious fault. The rest of it presents in virtually as-new condition, and as befits a luxury car, it is loaded with luxury touches. These include air conditioning, power windows, six-way power seats, cruise control, a remote trunk release, and I think that there also might be an 8-track player hanging under the dash.

The 300 Hurst was the biggest of the muscle cars, and as such, it needed a big motor to get it moving. In this case, it is the TNT 440 engine, pumping out 375hp. The Hurst also features a 727 TorqueFlite transmission, a 3.23 rear end, power steering, power brakes, heavy-duty rear springs and front torsion bars, and sway bars. The exhaust was a full dual system, ending in quad tips. This Hurst hasn’t seen a lot of recent use, and documentation confirms that between 1986 and 2019, it managed to accumulate a grand total of 20 miles! Since being removed from its climate-controlled storage, it has undergone a meticulous mechanical check and recommissioning, and it is now said to run and drive perfectly. The owner does suggest that while the tires look good, they are pretty olds, and replacing them might be a good idea. He also says that the Hurst may need mufflers fairly soon. The car does come with a fair collection of documentation, including the original Build Sheet and Window Sticker, a pristine Certi-Card, Owner’s Manual, as well as dealer paperwork and other assorted items.

While there has always been some question surrounding the build totals for the 1970 300 Hurst, one thing is certain, and that is that there are less than 300 cars in existence today. Pristine examples can fetch sums in excess of $30,000, and even a rough example in need of restoration can still sell for anywhere around $13,000. This one doesn’t need a major restoration, but it does require some cosmetic work. I’m not sure where bidding is eventually going to go with this one, but I would suspect that it will be somewhere around the low to mid $20,000 mark. Even at that price, it probably wouldn’t be a bad buy.

[gayconstruct]

Humans are Weird — Fever

We literally heat up to cook our bodies when we can't ward off things with our immune cells, and there's a VERY slim margin for what's healthy vs what's not. If you'd like to skip the context portion scroll down to the second set of emdashes

—————

For some quick context, I use some consistent concepts and variations of time words under the impression there's a unified, simplified time scale in an intergalactic universal community

Shifts are 10 hours with hour lunches

There's 3 parts to every species day — Work, Relax, and Sleep — all 10 hours

Diurnal aliens including most humans are working in the mornings, relaxing in the evenings, and sleeping at night

Crepuscular aliens are working in the evenings, relaxing at night, sleeping in the morning

And Nocturnal aliens are working at night, relaxing in the morning, and sleeping in the evening

The clock is from 01:00 — 30:00 (simple 30 hour days for an even number and more leisure time) and rolls over to 01:00 from 30:59 with 01:00 being the roll over from night to morning

Time Increments

Seconds = Instants

Minutes = Moments

Hours = Periods

Days = Cycles

Weeks = Phases

Months = Stages

and Years = Terms

—————

Temperature Rising

Diverse biomes and work sectors began to stir to life, as the many species stationed upon the Integrated Vessel Ro’Vanna responded to the coming shift change. The Universal Timepiece, standard across the known universe, finally struck 0100 Cycles, the nocturnal species like the Umborra and Nostro eager to spend their recreational hours peacefully, while Diurnal species like the Shal’Dorei and newly integrated Humans were waking to begin another productive morning. 

Qin, the most well known Troqir aboard and one of its select Charters, rushed to his station in the hub of the Astrometry Center, cranial crests flaring with an eagerness that to most of his crewmates would otherwise go unnoticed. Ready to start his shift as soon as his posterior hit the chair, the rather tall and muscular humanoid gracelessly plopped down, emitting quite the noise as he got started. Other species present had their full attention focused on their tasking at hand, not a single thought or care thrown to his quite hasty entrance to his station. Several crystalline scales in the crook of his neck iridesced at the thought of his companion joining him soon, his thoughts anywhere but the latest mapping data coming up on his Virtual HUD. Time passed quickly at first, the sturdy man pointing metallic fingers to different notifications that needed immediate attention, adjusting calculations to chart the next few thousand Cargo routes as he went. After roughly 14.5 moments, though, he turned to search for his oddly quiet coworker to notice that the Human had made no attempt to join him this morning, the thought causing a darker color to glisten across his crystal scaling.

He’s late.

Why is he late?

He specifically stated last night he’d “see me soon.”

He’s never this late.

For the first time in his life, Qin was completely out of focus. Several happy-go-lucky phases — human parlance, not his own — had enveloped him, exchanging his stark Troqir logicality for Human whimsy and curiosity. His work tempo was slower and uncoordinated, an unfamiliar feeling coalescing into the turbulent color shifts across his luminescent scales. Every instant that passed on the cargo vessel's timekeeper seemed to lurch at an uneven pace, a deepening pit forming at the base of his abdomen. For four and a half painstaking periods, Qin swallowed his personal thoughts to gain some form of traction on his workload, swallowing emotion as all of his people were taught and opting for diligent productivity, until - finally - the release of his allotted Nutrition Period arrived. There was no moment spared as his dense footfalls rushed towards his companions quarters, his focus unbroken as the ceiling dropped from 4 meters to a much tighter 2.4m. Qin, at just under 2.2 meters, absentmindedly ducked to overcompensate, having quickly become accustomed to this section and its many distinctions after quite a few visits. 

There at last, the tall, silvery man reached what was worth looking for, a door which read in standard human language,

Room 152

Aspen Wright

With the slightest shake in his hand, Qin formed his digits into a fist to knock. 

Knocking… he thought, quite the odd custom, but like many human practices, this was the most respectful of his companion’s personal space and time. For several instants, the silence in the Human Sector’s Hall allowed him no sweet mercy, the lone alien man uncertain what to do as his weight shifted back and forth between his feet, a metal clang ringing out with each motion. Thankfully, a digital projection finally slid across the width of the door, Entry Permitted, displayed in large English typeface.

Thank the Fathers and Mothers for universal translation.

With the invitation obvious and a rather low duck through the smaller door, Qin entered into the darkened room — the simulated window turned off, the curtains drawn, clothes strewn across the floor, and strange devices and pill capsules laid upon the table — not even the so-called “fairy lights” lit the quarters he had become so accustomed to. The Troqirian’s own voice came quieter than he expected, as he rasped out, “Aspen? Are you there?” A strange groan followed, then silence, then- a weary voice.

“Q-,” a cough, “Qin?”

“Y-yes… it is I, I am present,” a facepalm.

“Oh, this is a-” more coughing, “a surprise. Aren’t you on Lunch Break sweetie?”

For a moment, the light from Qin’s Luminescent Scales - ones at his nape, a few at his crests, even the ones on his exposed digits - shined brighter than before, a rainbow of colors flowing across their surface at the thought of being a “sweetie”, before taking a dim, solemn purple. “I- yes, but when you did not show up promptly 15 moments late after last night's recreation I- I began to worry. Lateness? Normal to an extent. Absence??? Abnormal, even for you… Did I… do something wrong? Did our meetings and leisure time make work uncomfortable for you?”

For his first time that entire cycle, Aspen bolted upright with a purpose, but immediately regretted it as a wave of dizziness caused the room to spin around him before he fell the wrong direction, right out of his bed into the floor.

The sight startled Qin, having no frame of reference where the human man was until now, “Fathers and Mothers! Aspen, are you injured!?”

With a weak chuckle and the groan of even more pain, he responded in turn, “I’m fine, I’m fine… I’m sorry to worry you, you never make me uncomfortable dear, I’m just a bit [under the weather] today.” Another small laugh came, and then he continued, “I was trying to tell you that, and I- I must’ve moved too fast… everything is- ugh everything is spinning. Could you help me back into bed?”

Frantic to assist, Qin’s larger form - clumsy in the smaller space, helped lie the smaller, lighter human in his nest, placing his head upon the pillow. Once situated, he covered the small man, as many human’s liked, and noticed his skin far hotter to the touch than normal, homeostatic balance oddly off. “Damn translator…” a joyous light crossing his scales as he used the human swear as he’d been taught, “for whatever reason the English to Troqirian dictionary hasn’t found a suitable translation for your imprecise speech… Could you please explain?”

“Ah, thank you for the lift, love.” Settling for an instant, eyes closed and his head on the pillow, Aspen pondered with a clouded, slow mind, trying to search for the words as his body ached and caught a chill. “... uh- an English idiom of common use in my native tongue… it’s like… to feel sick, to be unwell. I didn’t go to my work shift today because I’m too sick to go… I’m- I’m sorry I didn’t contact you to say something, this fever is really kicking my ass.”

Fever? What in the Cradles was a Fever? 

“Ah… Fever- yes. Hmm, and that is… The translator states you have an elevated temperature? You were hot to the touch, hot because you’re currently ill, or ‘under the weather’ as it were?” Pondering his line of thinking, Qin couldn’t help but attempt to puzzle it together, his evolved logic center placing presented data together to reach understanding. 

Why is his temperature so elevated? He… he’s too hot… His temperature felt at least 311.8°K through my temperature cells… Humans are on average 310.2°K and their species exhibits signs of death at temperatures of 315°K or more… Fathers and Mothers that’s far too close. That is far too close.

Startling Aspen’s tired eyes open, the large metallic man started in with question after question, “How are you okay? You were perfectly normal yesterday. You’re temperature is far too elevated! Are you dying? Do you need emergency services? I can call the Human Physician on board! I can, I can, I-”

“Stop. It is gonna be okay. This- uh this is a normal human response to various pathogens our immune system is unable to combat with its defense cells, so we get hotter and hotter to try to kill the invader before it can do too much damage. I’ve already spoken to the captain and the doctor and I was given some things to bolster my strength while I attempt to naturally ride out my fever. It’s gonna be okay Qin, I’m gonna be okay. The fever just has to kill the pathogen and it’ll break on its own.”

For several quiet moments Qin sat in disbelief at such a process. Actively breaking their delicate homeostasis for an illness? Their specialized cells unable to do it on their own??? He found himself running his digits through his smaller companions' hair as he pondered. He looked so weak, so small, so… precious. 

Breaking the deathly silence with a few coughs, Aspen shuddered from his fever chills, squinting to the light of Qin’s scales before smiling to himself, “I can see your scared glow through my eyelids, Qin, I promise I’m okay… though the comforting touch is nice.”

“Well your eyelids are thin layers containing Keratin and Collagen, it's a miracle your species is alive…”

A laugh, somewhat stronger this time, escaped Aspen’s lips as he smiled again, “And yours have thick metallic plates and the most beautiful glowing scales I’ve ever seen. What about it?”

A hot reddish-pink overtook the Troqir’s luminescent features as he realized what power the smaller man held over him. The power to care. The power to worry. The power to be emotionally honest, something found few and far between his own people. 

The power to be bold.

“Th-they’re beautiful, you… are beautiful, Aspen… I’m sorry I haven’t said it sooner. You always try to make advances on me, and I always try to deflect them with feigned ignorance.”

Slowly, the small human man scooted to leave some room next to himself in the bed, the blanket moving and leaving him even colder than he already was, “Please… could you stay with me a while longer… could you… could you cuddle me to keep me warm?”

The pink glow wouldn’t cease for some time, as the giant of a man laid down on the small bed and wrapped his warm silvery arms around his companion, a small humming noise coming from deep in his throat like a pur. Aspen snuggled close to stifle his chills, overjoyed to know his feelings were reciprocated. Feeling the radiant heat from his alien partner, he drifted into peaceful sleep for the first time that awful sick day.

[noideabutsims]

 [Exciting Announcement! 🎉] Donut Co.'s Pre-School Play Set is ALMOST HERE!

Hey Simmers! We know you've been patiently waiting (and we've been sweating) over this massive project... but the wait is ALMOST OVER! Donut Co. is thrilled to give you a sneak peek of the creative explosion that's about to hit your Sims' worlds:

🍩 Donut Co.'s Dream-Build-Play Blocks: Unleash your little Sim's inner architect with this colossal collection of colorful, kid-safe foam blocks. Build towering castles, sprawling towns, or anything their imagination can dream up!

🚗 Build-Your-World Rugs - Explore With Me Edition: Take playtime to the next level with these nostalgic, detailed town rugs. Watch as your Sims embark on epic adventures, cruising through bustling streets and discovering hidden corners.

✨ Little Ones Reading Time Rugs: Make story time extra special with these vibrant and durable rugs, designed to spark imagination and foster a love of learning.

About The Set: Hold onto your hats, Simmers, because Donut Co. is about to revolutionize playtime in your virtual worlds! Introducing the Dream-Build-Play Blocks – a mind-blowing collection of 24 unique block creations that will transform your Sims' homes into vibrant wonderlands of fun and imagination.

Picture this: towering playhouses bursting with color, adorable dollhouses begging to be explored, and stacks of nesting blocks just waiting to be built into towering masterpieces. Your little Sims will squeal with delight as they dive into a world of endless possibilities!

But wait, there's more! We've sprinkled in a rainbow of vibrant hues, a playful nod to Pride Month and a guaranteed way to make your Sims' spaces pop! Toddlers will giggle with glee as they tumble through block tunnels, children will create sprawling cities, and even your adult Sims will be tempted to join in on the fun.

And don't forget those oh-so-cozy reading nooks! Our Little Ones Reading Time Rugs now come in "classroom clean" and "playtime messy" versions, perfect for sparking a love of learning or simply adding a touch of realism to your Sims' homes. Plus, our Explore With Me rugs will transport your little ones to a world of imaginative play, with their charming towns and winding roads.

This set is a Simmer's dream come true, with endless options for customization and play. Whether you're building a bustling metropolis or a cozy corner for quiet time, the Dream-Build-Play Blocks are sure to inspire hours of fun for Sims of all ages.

So what are you waiting for? Unleash your inner child, let your creativity run wild, and give your Sims the playtime they deserve with Donut Co.'s Dream-Build-Play Blocks!

Behind the Scenes:

This project was a labor of love that faced its fair share of challenges. We dealt with so many snags, for a moment we didn't know if this set would be finished or released at all. But a HUGE thank you goes out to @taurusdesign for all the help they have given with this project. They are the only reason this set is able to be released, as they were able to help me fix all the meshing issue and the shadows. From technical hiccups to design dilemmas, we've poured our hearts (and a few tears) into bringing you the best possible experience. But trust us, it's been worth every minute, and the finished product is just around the corner! Truth about shadows: There is one small issue that is noticed, that I can not find a solution for. There are some shadows before placing a few of the objects, but they disappear as soon as the objects are actually placed (Pictured below). I am not sure how to fix this, so this may end up in the final project, unless someone has an idea in which case please let me know! <3

Get Ready to Play!

Stay tuned for the official launch date – it's coming VERY soon! In the meantime, start dreaming up the amazing creations your Sims will build with these new additions.

Thank You!

We couldn't have made it to this point without your unwavering support and enthusiasm. Your patience throughout this journey means the world to us. So, from the bottom of our sim-loving hearts, THANK YOU! We can't wait to see the amazing creations your Sims will build with these new additions.

Stay Tuned for the Big Day! 💖🍩