Gay-Demisexual/He/They // Welcome to All // Hi, I love to draw, write, and play games in all forms. Interior design is my passion and degree. This blog needs TLC, but I'm a tired 25 year old đ
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Daughter of fantasy villains decides to rebel against her parents by actually going through with her arranged marriage to a local golden retriever of a prince instead of running off with some local villain-to-be or conquering said golden retrieverâs kingdom and ruling it solo like her parents expect her to. Plus, sue her, sheâs into the clean-cut earnest look.
At the same time, local prince charming discovers that heâs actually very into the gothic fiance his parents have landed him with in order to try and establish peace with the local evil lair down the lane, he would never have guessed a spiderweb pattern could look so fetching on a ball gownâŚ?
Meanwhile, two pairs of parents in a tizzy because they both expected their offspring to whole-heartedly reject this union and give them an excuse to conquer their goody-two-shoes/evil neighbours, theyâre not supposed to actually like each other-!
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i dont get offended at white people jokes even though im white because:Â
i can recognize white people as a whole have systemically oppressed POC in america, which is where i liveÂ
most people when they make white people jokes only mean the shitty white people and i am not a shitty white personÂ
im not a pissbaby
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This is the best idea in the history of film.
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Things Real People Do in Dialogue (For Your Next Story)
Okay, letâs be realâdialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and âumsâ? Hereâs a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):
1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.
2. They Donât Always Say What They Mean Real people are masters of dodging. Theyâll say one thing but mean something totally different (hello, passive-aggressive banter). Or theyâll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimesâit makes their conversations feel more layered.
3. People Trail Off... We donât always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what weâre trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.
4. Repeating Words Is Normal In real life, people repeat words when theyâre excited, nervous, or trying to make a point. Itâs not a sign of bad writingâitâs how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.
5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.
6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying âI really think we need to talk about this,â try âWe need to talk. Now.â
7. Body Language Is Part of the Conversation Real people donât just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what theyâre doingâare they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.
8. Awkward Silences Are Golden People donât talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Donât be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.
9. People Talk Over Themselves When They're Nervous When weâre anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your characterâs nervous, let them ramble a bit or correct themselves. Itâs a great way to show their internal state through dialogue.
10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.
11. No One Explains Everything People leave stuff out. We assume the person weâre talking to knows what weâre talking about, so we skip over background details. Instead of having your character explain everything for the readerâs benefit, let some things go unsaid. Itâll feel more naturalâand trust your reader to keep up!
12. Characters Have Different Voices Real people donât all talk the same way. Your characters shouldnât either! Pay attention to their unique quirksâdoes one character use slang? Does another speak more formally? Maybe someoneâs always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.
13. People Change the Subject In real life, conversations donât always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.
14. Reactions Arenât Always Immediate People donât always respond right away. They pause, they think, they hesitate. Sometimes they donât know what to say, and that delay can speak volumes. Give your characters a moment to process before they respondâitâll make the conversation feel more natural.
Important note: Please donât use all of these tips in one dialogue at once.
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the contrabass saxophone is such an absurd instrument
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So I'm writing a gay Stardew Valley Fanfiction (Alex x Male!Farmer)
Alex tossed the gridball in the air rhythmically to center himself, sharing their oddly eventful morning bringing his dreams to the surface.
âIâm going to be the first professional gridball player from Stardew Valley someday⌠thereâs no doubt in my mind⌠I know if I just train hard, someday I can earn my spot on the Zuzu City Tunnelerâs, just you wait.â Oliver honestly had no clue which team this was, or anything about gridball really, yet couldn't help but smile at his passion, turning to look him in his disarmingly green eyes, âYou will⌠I believe in you.â
If anyone would like to read or support my writing I have the first chapter up on Ao3. I would love to see kudos, comments, or just hear what y'all think. Until then enjoy!
#writing#original character#gayconstruct#weakconstruct#lgbtqia#alex stardew valley#farmer stardew valley#male farmer stardew valley#fanfiction#archive of our own#ao3 fanfic#ao3#writer#Queer#queer writer
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Another AO3 thing Iâm curious about, how do yall decide if something is good enough to read? Usually I follow a rule of 1 kudos for every 10 hits. One because itâs easy math and two itâs yet to fail me. Thoughts? Do you just go for it and pray itâs good?
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Thinking about Katara and Sokka seething over Aang and Zuko gallivanting around the South Pole penguin sledding and dancing in like nice light weight clothing because both their bending keeps them warm.
Like yes, they are probably also perceiving and lusting on spec but I would be so mad if I couldnât wear a silly little outfit in my own home but these two dudes are like running around having acrobatic time and I am in a huddle in the worlds thickest coat. Iâd want those twinks dead.
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