#violent and terrible

[dhaaruni]

Mom? Can you pick me up? People on Twitter are doing noble savage "European colonialism is worse than Islamic colonialism" arguments again.

[dogmaz]

[Skullduggery - 1983]

[lesbianshepard]

i think we need to put a moratorium on cis people using "AFAB" and "AMAB." they're getting a bit too comfortable with it.

[the-daily-dreamer]

Dignified?

Dignified?!

DIGNIFIED?!?

I’m sorry when did getting killed in a battle or burnt to a crisp become a more dignified way to die? Has this fandom run so far with the notion that women are only valuable if they are masculine or fighters to the point that we find gruesome deaths in battle as a superior way for them to die?

Why must a woman be a warrior or a fighter to have value? Why must she seek power in traditionally masculine ways to be powerful and respected? Why does this fandom wish for all women to be the same cookie cutter, fighting girlboss lest she be titled a misogynistic pathetic trad wife? What is wrong with this fandom and their glorification of masculinity and violence and their continuous desire to have any soft, gentle, kind character be changed into a fighter or else they will ridicule and hate her?!

Helaena deserves far better than her book canon death. But she also deserves better than to die in a battle for a war she didn’t start that has already ruined her life in an unimaginably painful way.

[iwasbored777]

Me on ao3 desperately trying to find a Gwiles fic where Gwen and Miles are both in character

[dinoserious]

have i ever talked abt my personal pokemon mythos origin for giratina as arceus’ bile. ok well im doing it now

giratina is the bile built up and spat out after the creation of the universe. arceus loved this spontaneous and unplanned creation, but it was too violent and had to be sealed away. giratina now preforms as a sort of counterbalance to the universe from the distortion world. dialga and palkia are older, and were created when arceus severed two of its many arms. they sequestered themselves in other realms on their own terms, after seeing how their power could lead to terrible results. uxie mesprit and azelf were created after all this as a sort of safeguard against further destruction. they are some of the oldest pokemon to have not left the world for somewhere else

i think arceus loved giratina very much. it was an unplanned and chaotic being that it considered beautiful in its spontaneity, but could not come to terms with the destruction it wrought. the world was new, and all arceus could think to do was to seal it away. the shame this action brought to it was a big factor in arceus becoming a mostly absent god, not trusting itself to directly meddle in the world it created

[rometabss]

rewatching the "would u kiss me? if i asked you?" tomgreg scene and well we all know tomgreg gay whatever but the gist of it is tom trying to adopt roy language. i mean hes trying to get in, find a spot at the table, and he tries by getting logan a gift to win him over/show him his appreciation, but also he's trying to not only become adjusted to the environment but also seamlessly fit in. and he knows the roys use sexual language to assert dominance.

so atp he hears logan tell shiv that he will have greg as his competition, and he feels threatened obviously. so, he immediately gives logan the gift and then, proceeds to go tease greg and play it off as friendliness, including the kissing lines.

the problem is kissing, while it can be rough, is just commonly associated with tenderness, its something soft. this type of language doesn't carry threat or violence in its use, as opposed to the violent use of fucking, handjobs, blowjobs, etc. the mere use of kissing instead of fucking immediately sets him apart from the roys, he doesnt have that inherent violent business sexuality to him.

also, the fact that they're starting w the deal with lawrence, a gay man, and the characters constantly paint this sexually violent images in regards to him and express sex as little metaphorical favours they'll do to win him over.

sex to them is violent and forceful and a business strategy and a mere threat that doesn't actually get carried out. and tom tries to replicate that, but a kiss is not sex, sex is rough and ugly and a kiss is soft and graceful, and he starts off with an ask of consent and tries to save it with the luring threat of forcefulness but it falls flat, he already revealed his true nature.

[dropoutfailure]

ok, enough wholesome dadson. time to sexualize terrible fathers. (cw for: dadson incest + FtM son POV + transphobia / misgendering / fetishizing / forcemasc)

transphobic dad: doesn't approve of you transitioning or taking T, but isn't stopping you and doesn't seem turned off by the changes, even after you pass consistently as a man. doesn't know how T even works, always lowkey curious about the changes. he does like that you're so much hornier on T and don't even have periods anymore. tugs at your facial hair (ow? wtf :/) and goes "huh? it's real? I thought you drew it on every morning!" with a hearty laugh. dad joke? he might have actually thought so. backhanded praise, mean jokes at your expense, and moments where he genders you correctly, by accident.

thought you would eventually change your mind and give up transitioning "when you realise that being a man is hard," as if he's not the one making it hard. he might actually think of you as a son at some point, but he was never taught to apologize, he's "always right," he's stubborn, so he will keep calling you a daughter because a father can't show weakness. wants to call you homophobic slurs sooo bad, but that would be admitting defeat.

gets angry when you bring up surgery bc he likes to squeeze your tits and fuck your pussy. won't do any anal because it's gay. and clearly, he's isn't, he says. definitely closeted.

trans boy chaser dad: for better or for worse, only took an interest in your life when he found out you're a trans guy, fixed his relationship with you by treating you more like a date than as his son.

excited, touchy-feely, even creepy. eager to please. just pathetically horny for the way your body's changing from T - he won't misgender you. you get aggressively reaffirmed to the point of it getting annoyingly patronizing actually. regardless, he fucks you hard, encouraging you to moan with your cracking voice, and is too horny to feel bad about the incest. it's a welcome change from the previous emotional distance, but you feel used, like he's taking advantage of your newly high libido.

fixated on your body and everything "clockable," would rather you didn't get any surgery... says you're already perfect as is, from just testosterone... it does feel nice that he takes some sort of pride in having a son now, fully embracing you, the way he finds even all the awkward changes (sparse facial hair, voice cracks etc) not just endearing, not just attractive, but really fucking hot. and it's a relief for your body which craves that release. but. dad might just completely lose interest a few years into T, if you pass consistently.

bisexual, he says. but of course not into cis men.

transmed dad: thinks he knows what's best for your body, forcemascs you in his own ideals, pushing you to work hard to speed up your transition, to become a "real" man. you were so happy that dad accepted you being a trans guy so wholeheartedly and proudly, but the acceptance seems to have turned into overbearing surveillance...

dad insists on doing your T injections himself, because he doesn't trust that you'll actually do them. "no son of mine will be a fucking embarrassing softboy pansy who never transitions for real, have some dignity, god damn it! either you transition fully or you don't transition at all!" ...he pushes you to consider top and bottom surgery asap, to become a "real man," regardless of what you might want. he very excitedly looks forward to the day you can top him with your real cock, like a son should. :)

he makes you like anal because that's how real men do it. you're absolutely not allowed to derive any pleasure from anywhere but your ass and T-dick, and the phantom sensation of a strapon. he's good at working your T-dick though, it's all almost worth it just for that...

love, validation, and praise only when you've "earned it." if you fail to live up to his strict expectations, the things he says fucking hurt. misgenders you as punishment and threatens to withhold your testosterone "since you want to stay a girl so bad."

......

so, all of these options leave you feeling unsatisfied and degraded in one way or another!! yippee! no, there's no option for a Normal About Trans Men And Masculinity Dad, this is the Terrible Fathers dadson poll. you must choose.

[moghedien]

Actually I want Moiraine and Lanfear to have a terrible time traveling in the Ways together and then next season I want them to have a terrible time traveling through the Waste together and then after that I want them to have a terrible time in the Tower of Ghenjei together and then after that

[aalghul]

that mini-series with Jason is either going to be great or it’s going to be DC “proving” to us that jason would’ve needed to stop being robin anyway because he’s not cut out for it

[vigilskeep]

i need to wynnepost. somebody has to

[ridiasfangirlings]

i feel like it gets glazed over in a lot of the fandom etc but the main 3 of homra are genuinely so well written imo

rewatching r:b makes me think abt how mikoto is geniunely emotionally smart the way he read yamata and his view on fushimi, then again with totsuka i just the way hes written and how you can see the different sides of him

idk i just thought it needed appreciation

To be honest when I first watched K I didn’t like Mikoto very much, I thought he was hard to read and just didn’t have a lot of interest in him. The side materials really helped though, I agree that he’s actually written very well as a character. I like that he’s such a contrast to Munakata, where Munakata saw being King as answering a question for Mikoto it was like equal parts blessing and curse — it both allowed him to protect the people he cares about and gave him a group of people who he wants to protect, but at the same time this power always puts them in danger and Mikoto has to dull himself to keep from losing control. He’s very focused on living freely and doing as he pleases, but it’s not like he’s unaware of the consequences either. One of the things I really like about the King and the Traitor short story (besides, like, all of it) is how when Fushimi berates him for being selfish Mikoto is just like ‘yup,’ like he kinda wanted someone to say that to him and he actually appreciated Fushimi being honest. And in general Mikoto caring about people — especially Fushimi — while looking like he doesn’t is great, in both the aforementioned short story and in LSW when he shows up after Hisui is defeated, I think it’s very clear to literally everyone but Fushimi that Mikoto cares about his well being. Mikoto puts on an image like this violent barbarian but he’s clearly very perceptive in his own way and does understand his people.

Totsuka I think tends to get flattened down by fandom some and it’s a shame because I love the duality of Totsuka. Like on the one hand he’s a tragic cinnamon roll who dies to start the story rolling, but he’s also someone with his own selfishness and flaws and he’s keenly aware of both how other people see him and his own feelings. He’s internalized the idea of himself as someone who ‘doesn’t hold onto anything’ and thinks that seeing Mikoto be King is the only thing he truly wants, and seems to treat it flippantly when Anna says he’ll die if he stays near Mikoto — but when he’s actually dying he regrets, and he’s upset, because he did truly want to stay with everyone. He can switch between being friends with everyone in Homra on equal footing and ‘seeming like he’s watching over them,’ he clearly tries to get Fushimi and Yata to understand each other and make up but he’s also very aware when he’s pushing Fushimi’s buttons and keeps doing it anyway. He can be friends with everyone but also cruel when he wants to be, and he thinks of himself as selfish because he wants Mikoto to be King more than Mikoto himself wants it. My favorite part of Totsuka is that he could have been this perfect innocent angel martyr but he’s actually a much more complex and interesting character than that. 

And of course poor Kusanagi, with his dead friends. Honestly if there’s one complaint I have with the writing for the Homra trio it’s probably in Kusanagi, because he’s great but I don’t think the series follows through with him enough. I’ve complained before about Circle Vision giving the dreams to the wrong people, Homra’s dream should have 100% been Kusanagi’s and taken time to explore his grief, because I feel like the show at large glosses over it. Like that whole movie was everyone else being like ‘yeah so this is a dream’ and basically everyone except Sukuna and Kusanagi accept that. Kusanagi would normally be one to immediately notice it though, it’s just he clearly doesn’t want to because he wants his friends back. I love that Mikoto and Totsuka stay behind with him a bit and drink with him but I really wanted more of that, justice for Kusanagi. I like everything that they do with him before that, especially in Side Red where we get the first hints of it with Kusanagi and Shiotsu talking about ‘when your King crumbles what will you do.’ I think Kusanagi in particular has the hardest role in the trio, because Mikoto’s accepted he’ll likely die eventually due to being a King and I think Totsuka’s always assumed he’d die first, while Kusanagi is the one who really has to accept that he’s going to be the one to survive.

[normalbrothers]

linda shelby + her mother

[total-drama-brainrot]

Total Drama Psycho Noah AU, during the TDWT London Episode... What if Noah doesn't call the hidden Alejandro an eel, instead Alejandro and the other hidden Contestants saw Noah briefly showed his true insane colors to defeat the 'Ripper', with a big psychotic grin?... How would Alejandro feel about trying to bring up Noah's insane side, but Noah keeps denying it (and so does Owen, because Noah asked him to)? 😏

Psycho!Noah, under the assumption that he's alone with only Owen and the camera as his witnesses, going Full On Mania Mode on the Ripper? That's a fun thought.

I think, given the fact that he's on a Reality TV Show in the first place, this Noah would be upfront to the audience that he's... a little unhinged. Maybe he cracks a few jokes in the confessional (either during Island or World Tour) about his eccentricities, or maybe he really plays up the 'crazy' to paint himself as a wolf in sheep's clothing for the audience?

The second option there would probably work more in his favour, since him Just Being There would be a source of dramatic irony for the audience- something to keep people watching in anticipation, waiting for Noah's mask of mundanity to slip. He'd be 'good for ratings'.

I've decided that's the characterisation I'll go with. Psycho!Noah hides his true self from the contestants but, knowing that he'll be recorded 24/7, doesn't bother disguising himself for the audience- his nature will inevitably be exposed to them anyway, so why not cut out the middle man? At least this way, he gets the added pleasure of toying with the viewer's expectations.

-

So, given the fact that the only people he thinks are seeing him are people already in the know, what's stopping Noah from letting loose a little?

Nothing. Nothing's stopping him.

He and Owen step onto the double decker bus, the larger teen tiptoeing almost timidly onto the vehicle in his trepidation, whilst Noah follows casually behind him. He's a little disappointed, truly; horror themed challenges would be so much more interesting if they were, y'know, scary.

Luckily for him, things soon get interesting.

The shadowed figure of the Ripper drops from the ceiling with a thud behind Noah, assumedly crouched down on all fours like some sort of beast though it's hard to tell behind the inky, billowing cloak they're wearing. The motion would've been too fast for someone less capable to properly react to. Thankfully, Noah is very capable.

He pivots in place, catching the surprisingly fast arms of the Ripper before their taller frame can grapple him in his own deceptively strong grip, then forcibly bends the figure's arms until a sickening crack resounds through the bus's interior. The Ripper cries out a raspy animalistic shriek of pain, their forearms hanging uselessly limp out in front of them at awkward angles, and the clattering of something hitting the floor draws Noah's attention downwards. A knife, the Ripper's weapon of choice, gleams threateningly on the ground under the weak moonlight, having slipped from their incapacitated hand.

Well. That's certainly interesting.

Easing up his iron grip on the figure's disfigured arms, the cynic gingerly bends down to swipe the knife from the floor, then straightens back up triumphantly as he brandishes his new found weapon.

"Noah?" Owen's meek voice echoes from behind him. The bookworm tilts his head towards the other, who's fear-blown gaze is fixated on the sharp object in his unstable friend's unpredictable clutches.

The Ripper, momentarily subdued, continues to whine and groan in pain beside him.

"What's up, bud?" He responds, voice conversationally light and airy- a stark contrast to the Ripper's agonised gargles.

"Is- is that a knife?" The larger asks in a wavering tone. Noah isn't sure if it's the fear of himself with a sharp object, or the frankly pathetic display from the figure beside him, that's causing his best friend's hesitance. But he knows Owen- the big lug is a hardy sort, he won't stay scared for long.

"Hmm," Noah hums playfully, toying with the weapon in his grip. Feeble beams of moonlight shine and shimmer from it's blade, illuminating their surroundings in spectres of milk light, "Yeah, I think it is. Good eye, big guy."

A moment of tense silence passes between the two (somewhat ruined by the Ripper's incessant snivelling), before Owen's face splits into a shaky smile.

"Do you want to, uh, maybe, put the knife down?" He suggests.

Noah shifts his focus back onto the tool in his grip, theatrically ruminating over his friend's suggestion as he raises his free hand to his chin in a pondering motion, whilst his piercing gaze subtly flickers around the bus to locate the nearest hidden camera. He spins the knife in his hand thoughtlessly as he searches, deftly twirling and weaving the blade between clever fingers, sending spirals of light dancing through the darkness of their enclosure.

Once he's spotted the tell-tale red blinking light of a recording camera, he careens his whole body to face it. His features soften into a serene smile, highlighted by trickles of pale moonlight, as he addresses the camera.

"No. Not really. It's quite pretty. Don't you think?"

Noah waits a heartbeat, keenly listening for a response that'll never come from the recording device, before his smile splits into something wider. Something that splinters around the edges of his face and crumbles through his mask of tranquillity, revealing glimpses of wild delirium through its cracks. Similarly, his amusement-crinkled eyes widen with mania, irises contracting into pinpricks of molasses against the white of his sclera.

"And wouldn't it look a lot prettier... in a different colour?" The pessimist halts the spinning of the knife with a flick of his wrist, letting the question simmer in the stale air of the bus.

The Ripper, having finally regained their bearings, stumbles to flee from the bus.

Well. That's not very interesting, is it?

In the blink of an eye, Noah is suddenly nose-to-mask with them, holding the blade millimetres from the figure's neck almost tauntingly as he traps them against the fogged over glass of the bus driver's window, "Red would look really pretty."

"Noah," Owen whines petulantly, "we're supposed to capture the Ripper, not kill him!" As if to punctuate his point, the blonde tugs at the edges of the burlap sack he's carrying, shooting an imploring look towards his little buddy.

"Oh, I forgot. Silly me!" Noah exclaims jovially, smacking at his sizable forehead with his free hand. The Ripper beneath him whimpers at the motion.

-

In the First Class cabin, the majority of the Total Drama contestants stand gobsmacked at the display they just witnessed. Varying expressions of disturbance and fright are dotted across the crowd, and the more sensitive of the group have turned varying shades of nauseated green or horrified white.

"What the fuck?"

[simmyfrobby]

[platoapproved]