#villain reference
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glitter-and-be-gay · 1 year ago
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As someone who is very normal about hands, I was inspired by @majortomyourcurcuitsdead to provide some long black nailed hands for all you beautiful souls in need of references
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bigfatbreak · 5 months ago
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PAVO LOCKS IN
the sundress in question:
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pokeberry5 · 1 year ago
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boy hostage (spiritual successor to this)
big brother to the rescue:
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ask-the-rag-dolly · 3 months ago
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hey guys can you watch over these critters for me thanks
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hootyhoowoo · 13 days ago
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*dj khaled voice* another one
my half of my art trade w @ace-shenanigans !!! As requested- some doodles of my first wife, Shen Jiu.
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desertomb · 5 months ago
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Starscream! 💫
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puppetmaster13u · 1 year ago
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Prompt in Memes 5
Once more, have a prompt entirely in memes because I'm too lazy to properly write one right now lol.
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thewriteadviceforwriters · 7 months ago
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Villains vs. Antagonists (Guide For Writers)
Hey there, fellow writers and wonderful members of the writeblr community! 📚✍️ It's Rin here and...
Today, we're diving into a topic that's close to many writers' hearts: villains and antagonists. These characters often steal the show, driving our plots forward and giving our heroes something to push against. But here's the thing – while these terms are often used interchangeably, they're not quite the same. So, let's unpack this, shall we?
First things first, let's break down the difference between a villain and an antagonist. It's a distinction that can really elevate your storytelling game!
An antagonist is simply a character (or force) that opposes your protagonist. They're the obstacle, the challenge, the thing standing in the way of your main character achieving their goal. Here's the kicker: an antagonist doesn't have to be evil. They could be a rival love interest, a stern parent, or even nature itself.
A villain, on the other hand, is a specific type of antagonist. They're the bad guy, the evildoer, the character with malicious intent. All villains are antagonists, but not all antagonists are villains. Mind-blowing, right?
Let's look at some examples to make this clearer:
In "Romeo and Juliet," the feuding families are antagonists, but they're not villains. They oppose the protagonists' desire to be together, but they're not evil.
In "Harry Potter," Voldemort is both an antagonist and a villain. He opposes Harry (making him an antagonist) and he's also evil (making him a villain).
In "Cast Away," the island and the challenges of survival are the antagonists. There's no villain in sight!
Now that we've got that sorted, let's dive deeper into how to create these characters and use them effectively in your writing.
Creating Antagonists:
Define their opposition: What specifically does your antagonist do to oppose your protagonist? This could be physical, emotional, or ideological opposition.
Give them a reason: Why are they standing in your protagonist's way? Even if it's not justified, there should be a reason that makes sense to the antagonist.
Make them strong: Your antagonist should be a worthy opponent. They need to pose a real challenge to your protagonist to keep things interesting.
Consider their perspective: Remember, your antagonist is the hero of their own story. Try writing a scene from their point of view to understand them better.
Create contrast: Your antagonist should in some way contrast with your protagonist. This could be in values, methods, or personality.
Creating Villains:
Establish their evil: What makes your villain "bad"? Is it their actions, their beliefs, or both?
Develop their backstory: How did they become evil? A compelling villain often has a tragic or twisted history.
Give them dimensions: Pure evil can be boring. Give your villain some complexity – maybe they love their cat or have a soft spot for classical music.
Create a strong motivation: What drives your villain? Greed? Revenge? A twisted sense of justice? The stronger and more relatable the motivation, the more compelling your villain will be.
Make them smart: Your villain should be clever enough to pose a real threat. They should be able to anticipate and counter your protagonist's moves.
Now, let's talk about how to use these characters in different genres. Because let's face it, a villain in a romance novel is going to look very different from one in a fantasy epic!
In Romance: Antagonists in romance are often rivals for the affection of the love interest, or perhaps societal norms or family expectations standing in the way of true love. Villains are less common, but when they appear, they might be abusive exes or manipulative friends trying to sabotage the relationship.
Tip: In romance, make sure your antagonist's motivations are clear and relatable. We should understand why they're opposing the main relationship, even if we don't agree with their methods.
In Fantasy: Fantasy is ripe for both antagonists and villains. You might have a Dark Lord seeking to conquer the world (classic villain) or a rival magic user competing for the same goal as your protagonist (antagonist).
Tip: In fantasy, world-building is key. Make sure your antagonist or villain fits logically into the world you've created. Their powers, motivations, and methods should all make sense within the rules of your fantasy realm.
In Mystery/Thriller: In these genres, your antagonist is often the perpetrator of the crime your protagonist is trying to solve. They might not be evil (maybe they committed a crime of passion), or they could be a full-fledged villain if their crimes are particularly heinous.
Tip: In mysteries, your antagonist needs to be clever enough to challenge your detective protagonist. Leave subtle clues about their identity or motives, but make sure they're smart enough to almost get away with it.
In Literary Fiction: Here, antagonists are often more abstract. They might be societal expectations, personal flaws, or even time itself. Villains in the traditional sense are less common, but morally grey characters who oppose the protagonist are frequent.
Tip: In literary fiction, focus on the nuances of your antagonist. They should be as complex and flawed as your protagonist, with their own rich inner life.
In Sci-Fi: Science fiction offers a wide range of possibilities for antagonists and villains. You might have alien invaders, oppressive governments, or even well-meaning scientists whose creations have gone awry.
Tip: In sci-fi, make sure your antagonist or villain is consistent with the technological and social aspects of your imagined world. Their methods and motivations should make sense within the context of your sci-fi setting.
Now, let's dive into some tips to make your antagonists and villains the best they can be in your novel:
Make them believable: Whether you're writing a mustache-twirling villain or a morally grey antagonist, their actions and motivations should make sense within the context of your story and their character.
Give them a personal connection to the protagonist: The conflict becomes much more engaging when it's personal. Maybe your antagonist and protagonist used to be friends, or they're fighting over the same goal.
Show their impact: Don't just tell us your antagonist is a threat – show us the consequences of their actions. Let us see how they affect your protagonist and the world of your story.
Give them wins: Your antagonist or villain should have some successes along the way. If they're always failing, they won't seem like a credible threat.
Humanize them: Even if you're writing a truly evil villain, give them some humanizing traits. Maybe they have a pet they dote on, or a tragic backstory that explains (but doesn't excuse) their actions.
Make them adaptable: A good antagonist doesn't stick to one plan. When the protagonist foils them, they should be able to come up with new strategies.
Give them their own character arc: Your antagonist or villain should grow and change throughout the story, just like your protagonist does.
Use them to highlight your protagonist's strengths and weaknesses: Your antagonist should challenge your protagonist in ways that force them to grow and change.
Consider their presentation: How do other characters react to your antagonist? How do they present themselves to the world versus who they really are?
Don't forget about henchmen: If you're writing a villain, consider giving them some underlings. This can add depth to their character and provide more challenges for your protagonist.
Remember, whether you're crafting a dastardly villain or a complex antagonist, these characters are crucial to your story. They're the ones who push your protagonist to grow, who raise the stakes, and who often drive the plot forward.
But here's a gentle reminder: while it's important to make your antagonists and villains compelling, be mindful of the impact your writing might have. If you're dealing with heavy themes or traumatic events, handle them with care and sensitivity.
Now, I know we've covered a lot of ground here, and you might be feeling a bit overwhelmed. That's okay! Writing complex characters is a skill that develops over time. Don't be afraid to experiment, to try different approaches, and to revise and refine your antagonists and villains as you go.
One exercise I find helpful is to write a short story from your antagonist's or villain's point of view. This can help you understand their motivations better and ensure they feel like real, three-dimensional characters.
Another tip: watch movies or read books in your genre and pay special attention to how they handle antagonists and villains. What works well? What doesn't? How can you apply these lessons to your own writing?
Remember, there's no one "right" way to create these characters. What matters is that they serve your story and engage your readers. Trust your instincts, and don't be afraid to push boundaries or subvert expectations.
As you work on your antagonists and villains, keep in mind that they're not just there to make life difficult for your protagonist. They're an integral part of your story's ecosystem. They shape the plot, influence character development, and often reflect themes or ideas you're exploring in your work.
And remember, writing is a journey. Your first draft of an antagonist or villain might not be perfect, and that's okay. The beauty of writing is in the revision, in the gradual sculpting of characters until they leap off the page.
Lastly, don't forget to have fun with it! Creating antagonists and villains can be some of the most enjoyable parts of writing. Let your imagination run wild, explore the darker sides of human nature, and see where your characters take you.
I hope this deep dive into antagonists and villains has been helpful and inspiring. Remember, you've got this! Your unique voice and perspective will bring these characters to life in ways no one else can.
Happy writing! 📝💖 - Rin. T
Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with fellow wordsmiths, writers and aspiring authors. 
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literaryvein-reblogs · 2 months ago
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Writing Tips: An Unforgettable Villain
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A villain is the antagonist of your story whose motivations and actions oppose the protagonist and drive the plot of your story.
A villain is the opposite of a hero. In contrast to the hero, a villain is usually compelled by a desire to commit acts of cruelty and immorality.
Bestselling author Dan Brown advocates for writing your villain first—even before your hero—because it is the villain who will make the hero heroic.
Tips for Writing a Great Villain in Your Novel
Choose a real-life model. Find a real person to model your villain after. It could be someone you know, a person from history, or a famous serial killer. Try writing a brief character sketch in which you list their positive and negative attributes, their physical appearance, and their state of mind. Once you’ve done some brainstorming, be sure to differentiate your fictional character from your real-life model (you don’t want to get sued!). You can do this by changing identifiable elements like name, age, and specific actions or events.
Put yourself in their shoes. When it’s time for your villain to act, put yourself in their place. Think about challenges or hardships that might tempt people to act out or behave badly. How do you react to bad things? Tap into those emotions and try to apply them to your villain.
Consider their motivation. Just like with your main character, determining your antagonist’s motivation can help you unlock other aspects of their character, such as their goals and their personality.
Introduce a villain with a bang. A strong introduction to your villain sends your reader a clear message that this character is malicious. In Charles Dickens’ David Copperfield features an unforgettable introduction to antagonist Uriah Heep, whose seeming politeness is overshadowed by a face so shocking and ugly that it is described as “cadaverous.” His introduction immediately establishes the character as a villain.
Characteristics of a Good Villain
Every great hero needs a great villain. Villains are the antagonistic force of your story that challenges your hero and drives the action. Most great villains share a common set of characteristics.
Strong connection to the hero. The best villains are inextricably connected to the hero, and aid in the hero’s character development through their inherent opposition to them.
Clear morality. Every villain needs to have his own morality. If a villain spends part your story killing people, you need to give him or her believable reasons for doing so. Make the reader understand exactly what desperation or belief has driven him to it. For instance, in Ray Bradbury’s dystopian novel Fahrenheit 451, primary antagonist Captain Beatty’s mission is to find and destroy books because he believes that books cause people to reject the stability and tranquility of a life of conformity. He has a strong moral point of view, and the reader believes that he believes he is doing the right thing by trying to burn books. After all, every villain believes they are the hero of their own story.
A worthy opponent. A great villain should be a strong and worthy adversary to your hero. They shouldn’t be weak and easily beaten, nor should they be so powerful that they can only be defeated by random chance. In Sherlock Holmes, his arch-nemesis Moriarty is a criminal mastermind who is every bit as smart as Sherlock. Having a villain who is in many ways equal in skill and intelligence to your hero will raise the stakes of their encounters, as it creates a credible threat that your hero might be bested.
Compelling backstory. Any good villain should have an interesting and credible backstory. In addition to creating a deep and more three-dimensional villain, a memorable backstory allows ourselves to identify and even sympathize with the villain. For example, the Gollum character in The Lord of The Rings trilogy used to be a normal hobbit until he was corrupted by the power of the One Ring. In addition to deepening the character by showing us the full breadth of his journey from virtuousness to wickedness, Gollum’s backstory forces us to consider how we are sometimes tempted by bad or unethical forces in our own lives.
Villains should be fun. Let’s face it: evil villains are fun. In Thomas Harris’ Silence of the Lambs, readers hold their breath whenever Hannibal Lecter appears on the page. Whether it’s their black-hearted sense of humor or their odious worldview, our favorite villains possess qualities that we love to hate.
Source ⚜ More: References ⚜ Writing Resources PDFs ⚜ Villains
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theexhaustedqueer · 10 months ago
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allos will see two people standing next to each other and insist that they must be fucking
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gradelstuff · 2 months ago
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League of Villains - Cyberpunk outfits from My Hero Ultra Rumble
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dandelion-roots · 2 months ago
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[ID: a digital drawing of riz gukgak from fantasy high. in the front is a relatively small drawing of riz juggling books that are falling out of his hand and a phonecall, and he has a huge backpack on. he looks a bit overwhelmed, hair flying in all directions, and has a nervous smile on. in the background is a large shadow of riz, only one glowing eye and a shining gun visible. the background is red, giving an eerie feel. End ID]
Kill your best friend
Cheat your way to your rogue teacher
Announce your presidential campaign
Don't let them know how angry you are
LEARN TO RECOGNIZE A MONSTER
#riz gukgak#fantasy high#fantasy high junior year#fhjy#fhjy spoilers#fantasy high junior year spoilers#ik the 'uh oh i fucking miscalculated big time' applies to all the bad kids BUT riz is my little blorbo so#and he was the first to go full brutal in s1 and was likely the one ppl would've seen it coming from the least#i dont need to justify myself i love all their dichotomies. my homicidal blorbos who're on a slippery slide to becoming the villains#as they grow more powerful but still react to threat with a 'no holds barred' approach#wait wait this isn't an analysis post jskdjsdjk art! had a lot of fun with this one#have the funniest 'sketch' for this that i did that was me drawing w my laptop touch pad (? the touchy mouse thing) w notes so i dont forge#the idea back when i didnt have the juices to draw it and was also in the armchair writing fic and didnt want to move stations#im still experiment with colours and now im also figuring out gradients which is super fun! correction layers my beloved <3#also didn't use my usual canvas size and had to keep making it bigger and bigger so its unfortunately compressed#such is life#did some warmup before this for once bcs i felt like working on my no-underdrawing drawing skills#have this beautiful pen brush and a new big (for me) sketchbook so i went to town with some references open#also working on tackling the wretched face angles. why do our faces Do That#anywayyyy the list is from kipperlilly's pov in case it wasn't clear#im looking forward to eventually rewatching s3 and giving her another chance#like i COULD get sick abt her. theres potential there bcs i do love angry annoying women who stick to their shit#im leaving now i simply have to hydrate its been hours#eyestrain tw#sorry for the late tw i work with so many layers of eye protection on my laptop that it took looking at this on my phone to go uh oh
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piosplayhouse · 1 year ago
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Monster obsessed elf mage Shen Qingqiu has managed to find himself an ogre (??????) househusband who just so happens to know everything about cooking monsters in the dungeons ☺️ (scum villain dungeon meshi au!)
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black-and-yellow · 7 days ago
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Acid Rain
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sunderwight · 8 months ago
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It's actually kind of hilarious to contemplate the prospect that the genre shift in SV means that Luo Binghe's harem go the queer route as well and start largely pairing off into lesbian ships with one another.
Mostly because of the sheer scale of Bingge's harem, and the fact that a lot of it was comprised of the members of politically influential families.
Can you imagine the freak-outs that various lords and kings are probably having over the fact that their daughters keep eloping with one another? The practical ones are probably going to be like, well, a political alliance is an alliance, welcome to the family Random Demon Princess! But a lot of them are probably going to be pissed that their bloodline's liable to die out, and that the perfectly suitable match (read: asshole cannon fodder Bingge did away with in PIDW) they arranged for their daughter got interrupted by some lady cultivator kidnapping her from her wedding instead. Imagining several prominent nobles in various realms furrowing their brows together and just being like, is it something in the water? Did some plant do this? Is it like it a cultural ripple effect, the Demon King is gay so now all the youngsters are too?
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telestorm · 2 months ago
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the dynamic between drolta and erzsebet is so fascinating to me because at first glance, you assume that the former is solely the top subordinate when, in actuality, it’s drolta who wields the power in the dynamic, not erzsebet. the entire plan to turn erzsebet into sekhmet hinges on drolta’s approval, not hers. every vessel is expendable in her eyes if their bodies fail to hold the goddess’ power, and we see that unfold countless times. what makes the whole relationship even more compelling is that there is an unrequited emotional connection that erzsebet has that she assumes is reciprocated. she is heartbroken over drolta’s death, rages at the abbot for even suggesting that she cannot be revived, and is very happy when she is. never once does it occur to her that drolta’s loyalty and love is conditional, nor does she stop to consider that not only does drolta’s loyalty to sekhmet supersede her loyalty to her, because that’s the only person drolta truly cares about and has genuine love and loyalty for.
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