#video marketing 2022

[anbuselvi1]

60 Latest Video Marketing Statistics For 2023: The Complete List

60 Latest Video Marketing Statistics For 2023: The Complete List

In light of the rapid growth of online video consumption over the last few years, video has become a content medium that brands can no longer afford to ignore. It’s now an irreplaceable part of most marketing strategies. In this post, we’ll take a look at some video marketing statistics that show just how popular video has become amongst both consumers and marketers, and that shed useful…

[prettyflyshyguy]

Over the next few days as I try to enjoy myself as much as possible, and rid myself of the anguish and horror of my twenties via hard-partying (going to the zoo, making my direct family experience an escape room with me, drinking as many milkshakes as I can physically cope with) - I feel its worth reflecting on some things from the last decade.

-I really didn't know what I was doing when I existed uni, and I still don't know what I'm doing HOWEVER -- I have a much clearer idea of what I'm good at, and what makes me happy.

-I've won multiple awards for miniature painting. Coming from a kid who dreamed of one day owning a cool skink army (and I do but its mostly not assembled BUT DON'T WORRY AB--) that's pretty fucking sick.

-I've tabled at multiple big conventions, and I'll be tabling at an event next year that I've dreamed of tabling at since I was 14. And. AND. Each one was actually profitable.

-My art journey has taken a while, but each year I get better and do more things and although I'm not where I want to be, I've made things with value and meaning and I'll only keep improving if I put the time in. I've done things I could only once dream of doing. I've also hit a point where, things may take a bit, but I genuinely feel like I can tackle almost any subject matter and I'll break through.

-I've met so many incredible people and forged wonderful friendships both online and IRL and I'm thankful for it all. It's hard to know what to do with everyone sometimes when I struggled with friendships for years.

-I was a weirdo baby-alt-fashion 20 year old, had a normie phase somewhere along the way, and now my fashion has returned to where it belongs: straight out of 2010 and I care less and less about what people think and I grow more and more confident in just being myself.

-If I'm being real -- I'm not where I want to be, in a lot of ways. Thing's have been a downward spiral the last few years, but I've been growing in my work and my resilience and by god you cannot kill me in a way that matters.

-My biggest takeaway is really: not everything gets better. But a lot of things do. And you have a lot of power over a lot of things - you just have to be brave and keep kicking. Some things get better, some things get worse, some things stay mostly the same. But you keep growing. You keep changing. You gotta persist. You gotta.

[bsportif]

Miami Grand Prix 2022 — TAG Heuer Fan Experience

[reddishhbeard-blog]

6 Grandes Benefícios do Conteúdo PLR

Por que conteúdo PLR?

1 – Você economiza muito tempo

Pode levar de 5 a 10 horas para criar um e-book ou relatório de 5.000 palavras. Isso se tudo correr bem. Há pesquisa, a escrita real, revisão e edição, verificação ortográfica e formatação. 

Você precisa encontrar gráficos e possivelmente vídeos para dar vida ao seu relatório ou e-book.

Saiba Mais, acesse AGORA >> https://mindstuff.org/beneficios-do-conteudo-plr/(abrir em uma nova aba)

[izmirspotcu]

SELÇUK’TA 2. EL SPOT EŞYA ALIM MERKEZİ 0536 740 29 20

#izmir #selçuk #İzmirSelçuk #Selçukİzmir #Belevi #şirince #EfesSelçuk #zeytinköy izmir spotçu,izmir spotçu tel,spotçu izmir,izmirde spotçu,spotçu,izmir dikili spotçu,izmir spotçu numaraları,selçuk spotçu,izmir buca spotçu,izmirde spotcu,i̇zmirde spotçu,i̇zmir spotçu,izmir bölgesinde spotçu,i̇zmir selçuk spot,i̇zmir buca spotçu,izmir spot,i̇zmir çeşme spotçu,selçuk,izmir spotçular,izmir,i̇zmi̇r buca spotçu,selçuk spotçu i̇ki̇nci̇ el eşya alanlar,selçuk spot eşya alanlar,bucada spotçu,hatayda spotçu,üçyolda spotçu

[neha24blog]

Video Player Market Trends Analysis Report By Type, Distribution Channel, Region And Forecast To 2028 : Grand View Research Inc.

San Francisco, 7 July 2023: The Report Video Player Market Size, Share & Trends Analysis Report By Type (1080P Blu-ray Players), By Distribution Channel (Online, Offline), By Region, And Segment Forecasts, 2022 – 2028 The global video player market size is expected to reach USD 178.26 million by 2028, registering a CAGR of -12.6% during the forecast period, according to a new report by Grand…

[mostlysignssomeportents]

Canonical enshittification

This is the Facebook playbook: you lure in publishers by promising them a traffic funnel ("post excerpts and links and we'll show them to people, including people who never asked to see them"), and then the rug-pull: "Post everything here, don't link to your own site. Become a commodity supplier to our platform. Abandon all your own ways of making money. Become entirely subject to the whims of our recommendation system."

Next will be: "We block links to other sites because they might be malicious."

Then some kind of "pivot to video."

Probably not video (though who knows?) but some other feature that a major rival has, which Twitter will attempt to defraud its captive, commodified suppliers into financing an entry into.

In case you were wondering, yes, this is canonical enshittification. Lure in business customers (publishers) by offering surpluses (algorithmic recommendation and an ensuing traffic funnel). Lock them in (by capturing their audience and blocking interop and logged-out reading).

Then rug the publishers, clawing back all the surpluses you gave them and more, draining them of all available capital and any margins they have, until they die or bite the bullet and leave.

I would also give good odds on this leading to a revivification of the "Pay us tens of thousands of dollars a month for a platinum checkmark and we'll actually show what you post to the people who asked to see it."

That will be pitched as the answer to publishers' complaints about not wanting to turn themselves into commodity Twitter inputs. It will be priced at the same (or more) as the revenues publishers expect to lose from being commodified, making it a wash.

All of this seems to me to be an "unfair and deceptive business practice" under Sec 5 of the FTC Act.

If I sign up to follow you because I want to see what you post, and Twitter shadowbans your posts unless they are formatted to maximize your dependence on Twitter, they have deceived me, and are being unfair to you.

This is *very* analogous to the Net Neutrality debate, where a platform blocks or deprioritizes the things its users ask to see, based on whether the suppliers of those things are its competitors.

I've written about how an end-to-end principle for social media could be enforced under Sec 5 of the FTCA, how it would address this kind of sleazy practice, how it would be easy to administer, and wouldn't form a barrier to entry for new market entrants:

https://pluralistic.net/2022/12/10/e2e/#the-censors-pen

[esperderek]

I have to have a chuckle at the Screenrant article posted recently about the Galactic Starcruiser, which totally wasn't about Jenny Nicholson's video honest.

In part, because early in Nicholson's video, she talks about how unnatural it is to have your influencers speak in adcopy and copyright rather than the more colloquial nicknames, and how it makes the people speaking about the product seem very insincere and, well, paid off. Because normal humans don't speak that way, but advertising does.

What's the first two lines in this article?

"As a life-long fan of Star Wars, there was nothing quite as exciting as finding out that I would be working on the immersive Star Wars: Galactic Starcruiser experience. Located at the Walt Disney World Resort, the Galactic Starcruiser opened on March 1, 2022, and welcomed passengers to board a two-day, two-night cruise through the stars, during which they could live out their own Star Wars adventure."

No one talks like this naturally. No one writes like this naturally.

This is supposed to be your passioned defense of the place you worked at, the people you worked with, and the memories you made along the way. C'mon! Why don't you open with a story, perhaps an anecdote about the best moment you had working there, or the devastation of the day you lost your dream job. We need to feel your humanity! But there's nothing of that here, to the point where you can just hear the TM behind Galactic Starcruiser.

The first half of this article continues in this vein, reading like a press release Disney marketing put out, just with past tense rather than present or future tense:

"Essentially, the Starcruiser experience was a 48-hour movie that passengers were actually a part of. It was all facilitated through the "datapad," which was accessed through the Play Disney Parks app."

"To facilitate the overarching immersive experience and storytelling, the Starcruiser built a jam-packed itinerary for each and every guest that would consist of a variety of important activities: the captain's toast at muster, a bridge training exercise, lightsaber training, and more. These types of events were essential to understanding what was happening, as they would give passengers the chance to interact with characters and build their story. This is why the Starcruiser could never be just a hotel; every part of it was designed for enthusiastic interaction."

Like, c'mon. I used to work in television. I've seen and used adcopy in my former job, and this is some serious adcopy. It honestly wouldn't shock me if the author dredged up some old adcopy they had lying around about the topic and just transferred it over, changing the tense. You're not here to sell us this product, because there is no product to sell. It's gone, it's been gone for a year, you don't have to sell us on IT. Speak about your experiences.

The next part is yet another topic that Jenny Nicholson pointed out, the bad faith excuses that influencers and advertisers made for the extreme price point:

"What many people don't know, however, is that the price included much more than just a room. The passengers' food, park tickets, recreation activities on board, non-alcoholic drinks, and more were all included - with merchandise being one of the few additional costs on board."

Which is absolute bad faith reasoning, especially when there are plenty of other vacation options that are ALSO all-inclusive, but are MUCH cheaper and offer MORE amenities than the Galactic Starcruiser did! Including Disney Cruises, owned by the same company! Seriously, you can go on a halfway decent sounding cruise or all-inclusive resort somewhere warm for, like, a week or two and spend far less than GSC cost.

Then the last part is essentially: "All the workers liked working there and the bad reviews afterwards make the workers who worked on it feel sad. :("

Which, like, companies have been hiding behind that reasoning for ages. Curiously, the author never offers....any reasons or stories. WHY did working on it impact you so much? What set it apart, what were the people like, what did you like about working there, why are you so passionate about it even a year later? There's nothing, just a generic sort of "We worked hard." and "We're sad it's gone." Why? How? What happened? The video you're obviously writing this in response to is filled with personal anecdotes and stories, it's the backbone of the video! Again, you need to give us something to show your humanity!

Especially when you consider that Nicholson repeatedly points out that the only highlight about her experience, the only thing that kept the damn thing going was the workers.

She had nothing but praise for them, and nothing but contempt for the higher ups who wasted and abused that enthusiasm, to the point where one of her last points was "Hey, Disney is basically exploiting labor."

Much like Jenny, I'm also not condemning anyone who had a good time working there. Good! If you were having a good time at work, that's great. If you have good memories about the people, awesome. But I'll note two things:

a) That doesn't meant you weren't being exploited, and

b) That doesn't mean you have to be a useful idiot for the corporation you worked for afterwards.

I'm not conspiracy brained enough to go "Oh, Disney TOTALLY forced this article into being.", because a cursory examination of the author's prior works and such suggests a lifelong passion for Star Wars, she did work at the hotel, and she's a Star Wars Editor (whatever THAT means in this day and age) for Screen Rant. Apparently one of the heads of Screen Rant says that Disney had no hand in it either.

Though, I can see why people would think that way. It READS like a press release, not something a normal human being would write about an experience they feel passionate about.

[tyrannosaurus-maxy]

🔈🔊 Maxy & his boys 🔊🔈

My entry for #MaxFest2024! Made to celebrate Max and all his various pairings (ft. a 20 second outro dedicated to Max's WAP because I kept finding filthy REAL LIFE quotes).

how many max pairs can you count in here? the list + something i like about them can be found under the cut:

***

Fernando: Fernando adopting a child when he first came into the paddock when everyone else was 🔪🔪. Also part of Max's old man collection

Charles: equally competitive equally deranged underneath the clothes they are the same

Carlos : baby's first situationship

Daniel: Peacock!Daniel and then Max going 🤩

Martin: dutch boys growing up famous together

GP: that commanding voice + max listening so beautifully when push comes to shove. you can't convince me that isn't brat max. old(er) man #2

Lando: gen z streamers!!

Nico H: come on anyone calling Max "hot stuff", "honey", "little pancake" gets rights

Liam: No words just the heart-eyes Liam makes when he sees max

DC: of course he fucked that old man (#3)

the RBR garage: I still remember the glory days of the 2022 RBR g******* it's still an annual tradition now

Checo: sometimes cute sometimes fun sometimes strangely horny

George: there's a tension there. also winning mentality 😭

Oscar: talented boys who collectively give no fucks

Lewis: can you forget the nipple piercing jokes the podium champagne spraying

Alex: i miss them hating on marketing together

Luke Crane: probably not the only person who has said he wants to make love to max to his face. on live stream. but may be the only guy max has offered to spank. on live stream.🧐

Team Redline: all the shenanigans, always chaos on stream

and of course Boy Car: the bestest boy out of all of them

***

If you've stayed this long, tell me who is your favourite max pair?

Many thanks to Jo and Jam for their patience in watching me learn how to edit on a new program just for this 1 minute long video. And to bean for organising the fest!

I hope you guys enjoy!

[soulrph]

chaotic unhinged lines from 2022-2023 (prompt edition).

basically in 2021 i made a list of prompts inspired by lines in tiktok videos and instagram reels that made me laugh so hard i cried! and now i have returned with another list! these may provide an alarmingly clear image of what my sense of humor is (aka broken) but i figure a little levity is always a good thing! more prompts are forthcoming, but in the mean time: bon appetit!

knowledge has always chased you, but you've always been faster.

no... no, that was mango apathy juice. from the farmer's market.

of all these people, you are the one i understand the least. i want to get to know you better, but like, not that much better.

i-i will CHEW YOUR MEAT!! WHAT are you doing?!

ooooh god, no, you wouldn't be long getting frostbit!

you are evil. like a hobbit.

WHY MUST YOU FAIL ME SO OFTEN?!?!!?

i have had a perfectly wonderful evening, but this wasn't it.

AHEM!! fill my cup.

may god ignore you like you ignored my greetings.

i will avenge you mister van gogh.

call off work bestie, we need you to solve a murder. here's fifteen dollars.

you're not in love. you may think you are, you dumb fuck, but you're not.

go ahead and put the ranch away.

sadly, "hopefully" doth butter no parsnips.

forget school, i want to be an italian sandwich.

you shouldn't skip work, you are a lawyer and he is a hamster.

you can stop roleplaying now. you're free.

her coupon game was so fucking raw.

i'm sorry guys... he's making a salad.

you could get a straight guy here if you learned to make a good pasta. i'll teach you how to make a risotto that'll get you married and out of my basement.

hey, do you want me to get together a plate of roast beef and hide it in our room so we can have night meats?

it's not the most ethical thing in the world, but in a pinch you can hand off a cursed object to basically any baby.

no, children, you're wrong. once upon a time, there was a piece of wood.

and i'm not saying she deserved it, but i am saying that god's timing is always riiiiight.

hydrate or die-drate, ya DICK!

why did the monkey fall out of the tree? because it was DEAD.

new york city is a fictional place written up by someone with a sinister mind and a knack for comedy.

this is grindr my guy.

wait, i didn't finish teaching you the difference between human and wolf anatomy.

it's time to tell your grandmother that she was wrong. do not be afraid.

vanilla vodka... you fucking child.

without ash to rise from, a phoenix would just be a bird getting up.

you are fucking alive. do what you want.

why are you cradling me like a baby, friend? this isn't how guys of my generation hang out.

i hope a hedgehog shits in your cereal, you difficult person.

you know, i am not as mean as i would like to be. and i think people should appreciate that more.

see, i am not a kangaroo.

well, i'd like to help, but... you see... not as much as i'd like not to.

rest in peace you fucking onion fairy.

when god sings with all his creations, will a turtle not be part of the choir?

i fight for a seat in heaven, every. single. day.

map maker? can you find me somewhere on the map where this big man thinks he's the king?

you bald-headed demon...

so... there are 24 million pigs in australia... and 24 million people... so if you ever feel lonely, there's like, a pig out there that's sort of your cosmic twin.

remember, alcohol is god's apology for making us self-aware.

i'm straight!! stop CONFUSING me!!!!!

you guys want something to eat? because... i know we'll die if we don't eat.

he is a BIBLICALLY gorgeous man. i wanna feed him grapes. i wanna fan him with the frond of a date palm from the forests of Lebanon. i wanna find the alabaster vial of perfume oil that one woman broke for jesus and comb it through his hair. like... he's stressing me OUT.

i'm not sad! i'm freaking HUNGRY!

maybe, if we wait a little bit longer, a fuck will fall into my hand, and i can give it to you.

it's not my fault you thought you lived in this IKEA.

let's leave my mother out of this.

jason may kill people but he's not bad enough to kick a dog.

i run for LUMP!

oh no, i'm all out of caring, baby!

you don't think it mcbe that way... but it mcdo.

what is this enticing bowl of white?

serious question, do his nipples sparkle?

what in the reese's peanut butter fuck is going on here?

if your parents don't buy it, stop loving them!

i just hope you know just how much you've decreased productivity today.

that was poetry at its FINEST.

and if you let that motherfucker shenan ONCE, you best believe they're gonna shenanIGAN!

may god bless the dinosaur that died to make the fossil fuel that was treated to become petrol in the car that took her mom to the hospital to give birth to her.

that's modern milk for ya. what a time to be alive.

you have attachment issues. please fix it.

remember when people had secrets? we should bring that back.

the moon landing was an elaborate marriage proposal.

i don't like the cobra chicken.

i didn't know eggs were this expensive? it's time to lay my own, i fear.

so you're saying the reason i don't have a girlfriend is because i'm not a big enough threat yet.

god gave him a top lip, that's why he's so powerful.

it's a common mistake, but frankenstein was actually the author.

i finally got a pocket-sized diary!!! also i don't get the concept of life.

if a beautiful woman disagrees with me, i will immediately change my view. i've no principles.

how did you all end up married to such boiled potatoes?

if so much as one tear drops from their eye... i will slap you back into your mum.

you are ringing a phone that does not like to be rung.

look how Dr. doofenschmirtz had a fucked up childhood but didn't project his trauma onto his teenage daughter. he projected it onto a platypus.

it is mathematically impossible for you to get a wedgie.

i'm breaking up with you. i love you, it's just... i don't think you could protect me from a mummy.

if you can't do fractions....... you will fucking die.

that's right; in the year 1791, all of our bottoms were killed in a Big Bottom Massacre.

people always assume i'm mean. like CAN you BELIEVE THAT CRAP?! like WHAT would make you think i'm MEAN?! I'M THE NICEST PERSON ON THE PLANET!

the chocolate milk is strikingly overpriced and at the same time very easy to steal; another of god's little tests.

someone's gotta tell the waiter that i ordered mashed 'taters and it sure as shit ain't gonna be me.

if i had a week i couldn't list all the reasons that wouldn't work.

[sillymommy6969]

.𖥔 ݁ ˖ 𝕲UESS ᝰ! 𝕯RAKE'S ROSTER

y/n has a cute little friend group of very important people… a lot of this au’s gonna be story mode with some sort of sm posts and things incorporated into it so bear with me. anyway here’s drake’s favourite kids—

𝖞/n l/n ᝰ @ynmn + @ilovewinning

golden globe’s best female lead; has been in multiple blockbuster hits, her filmography includes get out (2017), aftersun (2022), barbie (2023), and an mtv best show, euphoria (2019-present). as a marketing scheme for promoting the release of her new movie, longlegs, she’s trying to broaden her audience by starring in a music video for rising global pop group, katseye.

𝖇illie eilish ᝰ @billieeilish + @bilsleftnut

voted artist of the year; billie has known y/n since her “when we all fall asleep, where do we go” days. being one of billie’s closer friendships in the entertainment industry, y/n has featured in many of her music videos, including one for the song, “lunch” on hit me hard and soft. a horrible enabler but can sometimes give some decent advice that won’t get y/n in trouble (50/50).

𝖞unjin huh ᝰ @huhyunjin + @yunjinsalterego

k-pop’s 4th gen princess; yunjin befriended y/n at an american music festival through mutual friends. favorite hobby is clowning y/n. most chaotic member of the friend group but still manage to be the calmest most of the time. good buddies with yoonchae—one half of y/n’s ultimate guide to katseye.

𝖉ominic fike ᝰ @dominicfike + @df180346

hollywood’s ace; from the euphoria set (where he met y/n as a costar) to the stage, dominic has made his talents known and has been nicknamed hollywood’s ace after just a couple months since “sunburn”’s release. has known manon from katseye since her pre-debut, the other half of y/n’s ultimate guide to the katseye.

𝖗io amor ᝰ @rio.btw + @rio.ngl

the are they or are they not bsf; rio and y/n have always made fans beckon the question, are these two dating or not? i can assure you the two of them are just really close friends, but both of them find it funny watching people conspire on the basis of their relationship.

next. 𝜗𝜚⋆₊˚ masterlist.

[probablyasocialecologist]

This is it. Generative AI, as a commercial tech phenomenon, has reached its apex. The hype is evaporating. The tech is too unreliable, too often. The vibes are terrible. The air is escaping from the bubble. To me, the question is more about whether the air will rush out all at once, sending the tech sector careening downward like a balloon that someone blew up, failed to tie off properly, and let go—or more slowly, shrinking down to size in gradual sputters, while emitting embarrassing fart sounds, like a balloon being deliberately pinched around the opening by a smirking teenager. But come on. The jig is up. The technology that was at this time last year being somberly touted as so powerful that it posed an existential threat to humanity is now worrying investors because it is apparently incapable of generating passable marketing emails reliably enough. We’ve had at least a year of companies shelling out for business-grade generative AI, and the results—painted as shinily as possible from a banking and investment sector that would love nothing more than a new technology that can automate office work and creative labor—are one big “meh.” As a Bloomberg story put it last week, “Big Tech Fails to Convince Wall Street That AI Is Paying Off.” From the piece: Amazon.com Inc., Microsoft Corp. and Alphabet Inc. had one job heading into this earnings season: show that the billions of dollars they’ve each sunk into the infrastructure propelling the artificial intelligence boom is translating into real sales. In the eyes of Wall Street, they disappointed. Shares in Google owner Alphabet have fallen 7.4% since it reported last week. Microsoft’s stock price has declined in the three days since the company’s own results. Shares of Amazon — the latest to drop its earnings on Thursday — plunged by the most since October 2022 on Friday. Silicon Valley hailed 2024 as the year that companies would begin to deploy generative AI, the type of technology that can create text, images and videos from simple prompts. This mass adoption is meant to finally bring about meaningful profits from the likes of Google’s Gemini and Microsoft’s Copilot. The fact that those returns have yet to meaningfully materialize is stoking broader concerns about how worthwhile AI will really prove to be. Meanwhile, Nvidia, the AI chipmaker that soared to an absurd $3 trillion valuation, is losing that value with every passing day—26% over the last month or so, and some analysts believe that’s just the beginning. These declines are the result of less-than-stellar early results from corporations who’ve embraced enterprise-tier generative AI, the distinct lack of killer commercial products 18 months into the AI boom, and scathing financial analyses from Goldman Sachs, Sequoia Capital, and Elliot Management, each of whom concluded that there was “too much spend, too little benefit” from generative AI, in the words of Goldman, and that it was “overhyped” and a “bubble” per Elliot. As CNN put it in its report on growing fears of an AI bubble, Some investors had even anticipated that this would be the quarter that tech giants would start to signal that they were backing off their AI infrastructure investments since “AI is not delivering the returns that they were expecting,” D.A. Davidson analyst Gil Luria told CNN. The opposite happened — Google, Microsoft and Meta all signaled that they plan to spend even more as they lay the groundwork for what they hope is an AI future. This can, perhaps, explain some of the investor revolt. The tech giants have responded to mounting concerns by doubling, even tripling down, and planning on spending tens of billions of dollars on researching, developing, and deploying generative AI for the foreseeable future. All this as high profile clients are canceling their contracts. As surveys show that overwhelming majorities of workers say generative AI makes them less productive. As MIT economist and automation scholar Daron Acemoglu warns, “Don’t believe the AI hype.”

6 August 2024

[fookinhellcurlyy]

Louis Tomlinson's Career History Pt. 1 and 2 [Post-1D] by notastrwbrysng2

Full credits to notastrwbrysng2 from X/Twitter. Reposting screenshots and texts for archiving purposes.

While I haven't done my own personal deep dive on this topic, I think this particular thread is a very informative and transparent (backed with public articles) + beginner-friendly. Not sure if this has already been shared here before but I thought I'll make this archive post anyway.

I also saw this anon of @twopoppies asking about H & L's solo careers after 1D's hiatus, so this feels like perfect timing to share it here.

I know @hoovesandfloorpaws is also doing a separate big business/industry research soon, so this introductory thread (for Louis, at least) could be a good starting point while waiting.

Note: I will copy-paste the exact texts from the tweets. The words after the cut below are from the linked thread (source). The cited articles per tweet are hyperlinked ('x'). I might replace/combine some screenshots due to Tumblr's limitations, as well as add the links from where they were originally taken.

Again, thank you so much notastrwbrysng2 (Megs) for creating this.

———

Part 1: The "missing years" not shown in AOTV

Notice how we didn't get years 2016-early 2019 in AOTV? | x

Questions I wonder about.. Louis as first signed to RCA. THEN it was announced sometime later that he switched to Epic. What happened with the label switch here? | x

"It had previously been reported that Tomlinson would end up at RCA, but when Epic Records president Sylvia Rhone heard Tomlinson’s music — in particular the song “Back To You” featuring Bebe Rexha — she campaigned for the project." Okay, okay..

It sounded at this point like Louis was on track, had songs written, had songs recorded.. Did a charity single in 2017, Just Like You cane out as a single ep.. He chatted in Nov 2017 about releasing an album and touring in 2018! Perfect, right?

....except there were crickets the first half of 2018.

January brought Louis roasting Coachellas 2018 lineup.. Towards the end of Jan, an Ask anything video.. | x

February, he teased Habit lyrics.. we have a photo of him recording All Along... And not much else..

March, The "Miss You" singer won the Best Solo Breakout award, beating out Camila Cabello, and his former One Direction bandmates, Harry Styles, Niall Horan and Liam Payne. Oh, so 4 or 5 of them were on the radio simultaneously... | x

April, another Hey, still working on the album…

And May…he left James Grant management.

Synopsis of rest of the year: (X-Factor, a couple awards, signing with WMA). Louis and Dalton Harris stuck it to cowbell and won the season.

2019 rolls around.. Two of Us promo starts and halts in March for a few weeks due to the passing of Fizzy. Louis took some time off (as to be expected) to be with family.

As of this point, Louis had released: Dec 2016: Just Hold On (not backed by an album) 2017: Back To You (no album) 2017: Miss You (no album) 2017: Just Like You (Non-album promo single) 2018: nothing! 2019: Two of Us (unattached at the time)

Yet another label change Feb 2019 now a move to Arista… STILL under S*co/S*ny.

So, 3 years in and NO completed album still? The other unattached but soon to be on the next album Walls were: KMM, We Made It, and DLIBYH with zero promotion, just a director's cut MVs that mirror much of the story Papillon.

Finally, Walls is out in 2020 with it's 4th and final single, and very little promotion.

Flash forward to concerns in 2022/2023 of the same issue: Absolutely NO airplay in his home city and surrounding areas, very little marketing in the US.

(Not much can be found about 2016.)

Coming up next: Exploring WHY Louis has hit roadblocks and how everyone is interconnected

—

Part 2: Louis' Role in 1D thru 2016

I highlighted Louis' slow moving career that started with self released singles, two label pickups (one seeming promising!), a bunch of crickets, and some movement again in 2018. To understand what was going on, we have to go back to when the band was first created. This sounds silly, yes, but it is connections that keep continuing to recur this entire time.

First, let's discuss the US market. They did not have any active boybands and record labels saw an opportunity in Brit boybands.

Leading up to January 2020, plans were put into place and discussed by Sony how to cultivate a boyband. Hottest thing in the UK was TXF. Build a boyband, sign them at their first audition in March 2010. This is a crucial link to the UK side of what will occur later on. | x

Louis & Harry both have contract dates March 26, the same day as their initial auditions. The ones on TV are their 3rd/4th. The band was set up ahead of time and played out on the cameras. During their time in the house, Lou is The Leader by week 2 (:50 in).

To reiterate AOTV, Louis has the least amount of vocals, virtually no solos until Midnight Memories. His songwriting skills were a huge asset (after "pissing off a lot of people," according to Savan Kotecha). Savan later told Rolling Stone that LOUIS led their sound forward.

Songwriting, then suddenly music management (NOTE DATE!) became Louis's role. SC began to groom Louis, who consistently fought for the boys behind the scenes, to be his "protege" of sorts and steered him away from a future solo career as early as 2014 and was "given*" an imprint

As we all know, as Louis talked about, the label did not move forward due to micromanagement by SC and S*NY. | x

At this juncture, Louis is now done with the band as of December 2015. He does not have anything lined up but is being courted by.. S*ny head Rob Str*nger. As the article in the OP explains, they wanted him for songwriting &/or music mngmt Louis at...an industry party?

Part 3 & 4 here.

[izmirspotcu]

Selçuk’ta 2.El Komple Ev Eşyası Alan Spotçular 0536 740 29 20

İzmir Selçuk’ta İkinci El Spot Eşya Alım-Satım 0536 740 29 20 / Selçuk Spotçu 0536 740 29 20 İzmir Selçuk İkinci El Eşya Alım-Satım 0536 740 2920

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[allthebrazilianpolitics]

No X in Brazil? No problem, Brazilians say.

When a Brazilian Supreme Court justice ordered the suspension of the social media platform X in Latin America’s largest country, Shirley Sampaio wasn’t bothered. She preferred Instagram anyway.

“If they took that away, or WhatsApp, it would hurt,” the 56-year-old jewelry saleswoman said. “But people don’t use X.”

This nation of 215 million was an early and enthusiastic adopter of Twitter, the platform now known as X, once commanding its largest international market. More than 40 million Brazilians — nearly one-fifth of the population — routinely took to the network to engage in heated discussions on politics or gossip over the latest episode of Big Brother Brasil. It was credited with mobilizing massive and wide-ranging protests in 2013. Then helping to propel former president Jair Bolsonaro’s riseto power.

Since then, X’s clout in Brazil has shrunk considerably. At last count, the social media network had an estimated 22 million Brazilian users. Surveys showed Brazilians were far more likely to use WhatsApp or Instagram — even the Chinese video-sharing appKwai — than X. In2022, only 3 percent of Brazilians cited the social network as their preferred location to consume political news, thearea in which Twitter was once strongest, according to a survey by the Institute for Democracy and Democratization of Communication.

Under the stewardship of tech billionaire Elon Musk, the losses have deepened. Musk bought the platform in 2022, reinstated banned users, changed content moderation standards and re-christened it X: a global public square, he says, for all people and views.

But apparently fewer Brazilians. Since his takeover, more than 2 million have fled the network.

Last week’s imbroglio has made even more apparent the network’s growing weakness here. Justice Alexandre de Moraes, one of the world’s most aggressive prosecutors against misinformation, ordered X to block accounts that Moraes said were threatening democracy. The judge requested that Musk name a representative in Brazil to carry out judicial orders.

Musk refused, Moraes suspended X — and Brazilians shrugged.

Continue reading.

[thecurioustale]

My Thoughts on Jenny Nicholson and the Star Wars Hotel

I watched Jenny Nicholson's four-hour "The Spectacular Failure of the Star Wars Hotel" video essay that YouTube showed me recently but which till now I couldn't bring myself to construct a day around. She's in great form here, and I'm pleased to say I go back as a fan of her work all the way to her Friendship Is Witchcraft days. (Blows my mind that she voiced all Mane Six characters, and others, so well.)

Anyway, long story short, Disney built a Star Wars hotel at Disneyworld in 2022 that was themed as a voyage on a spaceship, then proceeded to charge thousands of dollars per person per night, the most expensive publicly-available Disney theme park hotel experience by miles and miles, and then closed the hotel in 2023 after having spent hundreds of millions of dollars. Jenny went into the experience as a member of the core target demographic and spent four hours talking about all the ways it was an underwhelming or outright disappointing experience.

Her video reminded me of Hasbro's own misadventures in corporate greed with Magic: The Gathering, which has suffered in recent years from price increases, disengagement from the fan community, and a huge proliferation of product spam—i.e. more products overall, more ways to buy a given product (e.g., the proliferation of different boxes, which eventually killed the original draft booster box that had powered Magic for 30 years), and more variants of individual cards within and between products.

Hasbro and Disney are very similar in the economic space they operate in, and also utilize similar business strategies. Disney is essentially the S-tier megacorporation to Hasbro's B-tier, and we have seen many of the same corporate trends play out in both companies.

When it comes to Disney theme parks, they have massively increased ticket prices over the years, well beyond the rate of inflation, and have also implemented advance-scheduling systems for faster access to rides that has made the process of exploring a Disney theme park much less spontaneous and a lot more regimented and stressful.

Disney realized, years ago, that their limited number of theme parks—they only really have two, not counting the various sub-parks: Disneyland on the West Coast and Disneyworld on the East Coast—together with Disney's entrenched status as a cultural icon with lots of goodwill and brand recognition among the public, are vastly underserving public demand, allowing them to inflate the price of a single trip almost arbitrarily, well into the four digits—or even the five-digits if you're taking the family and spending several days.

The Star Wars hotel was Disney's "Magic 30": a product so ludicrously expensive as to incur immediate and universal condemnation by their own fans. It's clear to me what Disney was doing: They'd happily turned the conventional price knob up and up and up for years. Now they wanted to experiment with a fundamentally more expensive product class, basically five to ten times more expensive. They wanted to see if the market could support it. Because the growing disparity of wealth in America, together with America's obscene wealth as a nation relative to the rest of the world, means that it's definitely possible: There are definitely millions of people out there who could book a stay at the Star Wars hotel if they wanted to. And Disney was like "Let's see if they will."

And you know what? I think it could have succeeded. Because there really is an obscene excess of wealth in this country, even though most of us don't have any access to it. And we are a culture whose zeitgeist is ever ravenous for the next big, flashy experience.

But instead the venture failed spectacularly. Why? Because such reckless corporate greed is, itself, usually a sign of deep organizational rot and incompetency among the board and executive leadership. In other words, their hotel failed for the same reason they tried building it in the first place: Disney has grown stupid.

The way it failed, going by Jenny's video, is down to two independent reasons:

An outrageous degree of "penny-wise, pound foolish" thinking;

A fundamental failure to anticipate the comfort and pleasure of the guest.

The former is the more obvious of the two, and what really stood out to me as emblematic of it in this whole boondoggle were two simple thing: 1) The hotel rooms didn't have complimentary Disney+; and 2) the free loaner umbrellas for hotel guests visiting the Star Wars Land in Disneyworld were either so worn-out or so shoddy to begin with that, unless it was a big coincidence, both Jenny's and Jenny's sister's umbrella failed while in use. This was in the context of Disneyworld's most expensive customer experience ever, by a lot, and Disney was nickel-and-diming them. Jenny's video goes into a great depth of detail on the dozens if not hundreds of corners they cut; it was basically everything but the food. The result was an antagonistic relationship between Disney and their hotel guests where almost everything interesting cost more money (usually a lot more money) while almost everything included in the main ticket price was of cheap quality or stingy in its allotment. Every aspect of the whole process, from the scammy vibes of booking a room in the first place, to the pathetic after-care for customers who reported a problem after their stay, was likely to leave a sour taste in the customer's mouth.

When you're paying the most expensive prices in the history of a product category, you really just need to be given an up-front price that includes all or nearly all of it. You'll know what you're in for, and you can make an informed decision, and then it's really just down to the host to provide an experience and level of service that matches those high dollar outlays. But instead, as Jenny pointed out, it's like you're dealing with Spirit Airlines, where you're gonna pay a fee for literally everything beyond sitting your body quietly on the airplane.

Mind-boggling hubris. Disney needs to be broken up for the monopoly that it is, and this is just one more example of how convinced of their own inevitability and supremacy Disney has become.

The other main failure on Disney's part is the subtler one.

Jenny focused on how the Star Wars themed choose-your-own-adventure game, which was at the heart of the hotels' central conceit of "live your own personal Star Wars story," was irreparably dysfunctional. Not only was the app, through which most of the "experience" was conveyed, horribly designed; and not only were the tasks delivered through this app mostly busywork to anyone other than young children, consisting of little more than walking around and scanning inanimate objects; but the storyline's entry points and decision points were completely impenetrable through reasonable means, to the point of seeming arbitrary. Jenny proactively tried and failed to get into her preferred storyline; then tried and failed to get into any storyline; then was automatically sorted into one the next morning; and ultimately ended up having only one (dubiously) interactive story experience over the whole weekend.

She talked about how the tightly-regimented and incredibly full schedule was so mentally and physically draining that on the final night she fled her dinner table fearing she would vomit and had to stand in her hotel room staring at herself in the mirror for a while, to understand her illness (which turned out to be stress-induced exhaustion) and center herself.

She talked about how she didn't get to see a much-coveted music show during dinner on her first night because she was seated behind a giant column.

Really, these things are manifestations of the larger and more fundamental failure on Disney's part to anticipate the comfort and pleasure of the guest, as I put it.

As I was watching her video, two thoughts came to me in this vein:

First was that this whole experience really needed to be "playtested," as we might say in Magic. I mean, I'm sure there nominally was, but whatever playtesting they did was completely ineffective. Good playtesting would have brought most of these issues to light.

Second was that the Disney of today has completely lost touch with the namesake of their industry: hospitality. This would never have happened at a new luxury resort by an established world-class hotelier a century ago. Because they understood the basics. Little things, like hot towels.

I could tell just from Jenny's video that this whole hotel was decided from the top-down by soulless, disconnected corporate suits who blatantly disregarded whatever good suggestions I'm sure the Imagineers® came up with. For the failures to be as expansive and ubiquitous as Jenny's video documented, no doubt the institutional rot extends down at least as far as the project manager level, if not down to individual Imagineers® and beyond, but there have to be at least some good ones, and clearly they were overruled early and often. Whenever Disney's leadership was faced with a decision between anticipating the comfort and pleasure of the guest, and saving a couple bucks on a guest who was literally laying out several thousands of dollars to be there, leadership chose the latter.

They were so arrogant that they believed, without noticing or questioning it (unless Disney's leadership is in fact cartoon evil), that they would tell the customer what constitutes a good experience, and the customer would pay top dollar for it. And so you get a guest experience where customers who are actively trying to pick a given storyline can't get any storyline and are later seated for the dinner show behind a giant fucking column.

It's sad, and we should all be glad that their hotel failed. Not that Disney is likely to learn the right lessons from their failure, but the long-term solution here is for leisure dollars to be directed toward other companies. For the several thousand bucks that Jenny paid, she could have had a true luxury vacation in most parts of the world—and for longer than two nights.

One thing that I noticed during the four hours of her video was that Disney, or at least the people in charge of developing this hotel, didn't seem to understand what constitutes an enjoyable story experience. I am forgiving of the low level of complexity in the various puzzles, since the public is famously stupid plus a lot of these guests are going to be children. But there was so little imagination in the actual plot beats: Chewie sneaks in, gets arrested, and busts out. You get to help some Resistance fighters smuggle their luggage. Like, it's insipid. I mean, ultimately, most pop storytelling is insipid, but what I mean is that the dressings were insipid too. Dressing a story up is what makes stories great, at least at the mainstream level. There was no pomp and flourish; no clever interweaving; no electric events that put people on the edge of their seats. Just walking around on your phone for two days scanning crates and occasionally being in the same room while somebody busts Chewie out of the clink—assuming you even make it to the story events in time, since they often fired early.

The whole thing smacks of rule by committee, too many cooks, and suits suits suits all the way down.

I think it's a sign of the times that this is happening. We are once again in Robber-Baron territory in this land. The big corporations and the oligarchs who run them have become so obscenely rich and so utterly disconnected from ordinary life, and their corporate cultures have become so masturbatory and so officious, that they are increasingly creating products for idealized, phantom audiences. They increasingly don't understand real people or real life.

And we can and should bring the weight of the government down on them, more to break up monopolies and allow new and established competitors to seriously challenge them than to actively punish these companies for making money, but even more so we just need to spend our dollars elsewhere. I mean, I'm speaking hypothetically here; I am poor so none of this even applies to me in the first place.

Hence why, even after inflation, this is still just my two cents.